Podcast appearances and mentions of William Shakespeare

Welcome back to our Podcast. and in this episode, we are going to explore the mysterious junction between human potential and the human predicament. Today, we're diving into an idea that may sting a little at first, but, if we look closely, it might also open a hidden door to hope. It involves the unfortunate observation that while human technology, what we do, has evolved at an astonishing pace, human consciousness, who we actually are, has lagged significantly behind. Our ability to split atoms, utilize instant global communications, and code digital realities has raced ahead at lightning speed, fueling our Modern Times. But our capacity for empathy, humility, compassion and having the capacity to be able to live a peaceful, and meaningful life looks much more like we're still stuck the Middle Ages. Which brings us to the content of this episode called “Spears and Switchblades: One Stubborn Species.” To help bring the basic idea into focus, we're going to compare two of the most iconic love tragedies ever put on the stage: William Shakespeare's Romeo and Juliet and its mid-20th century musical reincarnation, West Side Story. Though separated by more than 350 years, these two narratives—one set in Renaissance Verona and the other in 1950s New York City—are mirrors reflecting the same fundamental human flaws. Jealousy. Tribalism. Miscommunication , Stubborness and Pride, among many others. All of which are run by an emotional impulsivity that can turn love into war, and beauty into ashes. So, the first question that we want to explore is: have we grown at all in the past 400 years? Or have we simply become more sophisticated in the weaponry that we have developed in order to kill each other more efficiently? Let's start with the core human dynamics that drive both plays, because even though they are separated by centuries, their basic human flaws remain exactly the same. In Romeo and Juliet, two teenagers fall in love across the boundary of a family feud. The Montagues and Capulets have nursed a blood vendetta for so long that no one even remembers how it started. And it doesn't matter anymore. They just plain hate each other. And its consequences are clear: violence in the streets, death, heartbreak, and ultimately, a double suicide. What are the dominant negative human traits here? Hatred passed down like an heirloom Honor culture run amok Impetuous emotion overpowering reason A lack of inner stillness or reflection, overcome by rage Fast forward 400 years to West Side Story, and we meet Tony and Maria, two lovers from opposing street gangs: the Jets, composed mostly of white working-class youths, and the Sharks, made up of Puerto Rican immigrants. Once again, love blossoms in hostile soil, and once again, the terrible price of primal tribal hatred is death. Different clothes, different slang, different soundtrack. Same madness. And this is the bottom line of the issue. Totally different external world, everything has changed, as well it should. After all, four hundred years have gone by and the situation facing the teenagers living in the streets of New York City would be absolutely unimaginable to the kids running around in the late 1500's.  Completely different on the outside – yet the inner madness remains exactly the same. And the ramifications of this imbalance are immense. Let's compare the outer worlds of these two stories: Romeo and Juliet takes place in late 16th-century Verona. It's a world without electricity, medicine as we know it, or organized police. Family ruled everything. Honor was a matter of life and death. Raw emotions emerged dramatically and physically. And the sword was both symbol and solution. West Side Story unfolds in 1950s Manhattan, post-WWII. Televisions had entered the living room. Jet engines had conquered the sky. The UN had been formed, civil rights movements were stirring. Science had given us vaccines, electricity, and refrigeration. And yet... disputes were still settled with violence. In this case, the weapon of choice was the switch blade. Anger and tribal pride still led to bloodshed. And the beauty of love still ended in the tragedy funerals. So, what changed? The world around us got faster, smarter and ever-more connected. But the world inside us? Pretty much the same old garbage pail. And one of the primary central drivers in both stories is basic tribalism—the instinct to form in-groups and out-groups. The name of the game is us-versus-them. In Romeo and Juliet, the tribes are defined by blood. In West Side Story, by race and ethnicity. In both, the borders are irrational and absolute. This human trait is ancient, seemingly almost hardwired into our survival code. We evolved in small tribes where loyalty equaled life, and strangers equaled threat. But now we live in megacities, online echo chambers where we're still addicted to tribalism. We divide ourselves by politics, religion, race, nationality, gender identity, and more—often with a sense of inner hostility that's far more emotional than rational. In both plays, the pride of belonging to an in-crowd becomes a major fuse. Tybalt's stone cold sense of us and them, along with an ego based identification with personal honor won't let him ignore Romeo's presence at the Capulet ball. Four hundred years later, Bernardo's defense-based sense of belonging to the Sharks won't let him see Tony as anything but another American self-entitled Jet. In both cases, primal tribal dignity demands a serious and significant attack against the perceived enemy. So, the basic recipe for tragedy that spans the centuries remains the same: paranoid pride, mixed with anger and fear, driven by impulse and untampered by any wisdom or understanding turns into a violent weapon of darkness and death. In a certain sense, what happened to us over the years isn't evolution at all. It's just plain repetition Unfortunately, of course this didn't end in the late 1950's. Far from it. While we've vastly upgraded our weaponry, we've also developed more subtle, yet powerful ways to threaten and hurt each other, like social media shaming for example,  where it becomes pretty easy to ruin someone's life just by pressing a few buttons. In the time between William Shakespeare and Leonard Bernstein, humans invented calculus, steam engines, telegraphs, airplanes, televisions, and atomic bombs. We mapped the human genome. We put men on the moon. But we still haven't figured out what we're really all about. Oh, we all know how to chase things, but are these things that we've been programmed to chase real, or they just illusions? Maybe we're just addicted to chasing, itself. In that regard, we've all heard about the tendency of dogs to chase cars. But there are two key aspects to that particular pursuit. One – the dog can never really catch the car. It is much too fast for it. And secondly – what happens if the dog actually does catch the car and we all know the answer to that – nothing. The dog can't do anything if and when it catches the car. It's the same way for us. We're just running after things on the outside, oblivious to who we really are and what we are really made of, not to mention what can actually make us truly happy and satisfied. And all of this goes on while we continue to improve our technology by leaps and bounds. Yet, we still don't know how to disagree without resorting to violence. We still haven't universally adopted the idea that every human being, regardless of their identity, has intrinsic value. We still raise children who feel unloved, unheard, or unsafe. We're still driven by fear disguised as pride. We still confuse dominance with dignity. And we still kill the thing we love because we don't know how to hold it. And the bottom line of it all is basically defending the inherent illusion of our ego selves, which is still at the basic foundation of our inner C-Suite. As such, we still confuse noise with strength. And we still take most the good things in our life for granted, which is truly tragic. Like Joni Mitchell sang in a seemingly earlier age, “Don't it always seem to go that you don't know what you've got till it's gone.” As it all continues to spiral further, in so many ways, the message to us is crystal clear – It's time to wake up and grow up. Romeo and Juliet loved across a line they weren't supposed to cross. Tony and Maria did it too. Their love was a shining light in the midst of all this darkness. Even though everything seemed to be against them, they knew what they had. And we knew it too. And despite what we knew it was that they were facing, we all rooted for them, because something about the higher thing in life, the Better Angels of Our Nature, speaks to the deepest part of our intelligence, both in our hearts and in our minds. We have more tools than ever to connect across cultures, to educate, to innovate, to heal. And yet, we still face the same old demons. But here's the good news: we are capable of change. Unlike the characters in those plays, our story isn't written yet. We are not locked in a script. We can choose awareness. We can choose evolution. The keynote to both of these tragedies is that it is time to individually bring our inner light to our own inner darkness. The Wisdom of the Ages as well as modern brain science tell us that we do have the power to protect this light from the winds of hate, fear and pride, and that we can, and essentially must, cultivate the inner skills of patience, compassion, empathy, and yes - courage. NeuroHarmonics: Inner Technology for a New Humanity That's what the NeuroHarmonic Method is all about: cultivating the inner circuitry to match the brilliance of our outer inventions. It's not just about brainwaves or affirmations or even spirituality. It's about training the nervous system to return to equilibrium, to respond rather than react, to perceive the human being behind the mask, and ultimately to shift from emotional immaturity to presence. From the rage of vengeance to an intuitive sense grace. But this is a path toward real evolution that can only be travelled one person at a time. Because the world won't evolve until we do it individually. Not really. So here we are, somewhere between Shakespeare's Verona and the 21st century, still caught in the drama. But I hate to tell you that the Bard didn't invent this particular tale. The truth is, it stands atop a mountain of ancient stories echoing the same theme—love thwarted by fate, culture, or conflict. And this motif is not unique to the Renaissance or even to Western civilization. The same basic story can be found in the cultures of ancient Greece and Rome, Babylon, ancient Egypt, Persia, and India. Indeed, it's one of the most enduring themes in human storytelling. And the deeper you dig, the further back you go, the more you realize: the tragedy of love versus society and the battle of light versus darkness is as old as storytelling itself. But maybe, just maybe, we're ready to write a different ending. One where love doesn't die. One where pride yields to peace. One where technology finally partners with wisdom. Let's imagine a future version of West Side Story, maybe 400 years from now. What would it take for that version not to be a tragedy? Maybe the gangs might still exist, but their interchange would consist of words instead of weapons. Maybe love would not be hidden in the shadows, but declared in daylight. Maybe reconciliation would be taught in schools, right alongside science and math. Maybe forgiveness would be considered a mark of strength, not weakness. Consciousness evolution would be about not just developing new tools, but new tendencies, moving us from: From reaction to reflection From judgment to curiosity From pride to presence From tribalism to universalism It means valuing not just intelligence, but wisdom. This all represents something to look forward to and welcome into our lives in the here and now, as much as we are able. And if we're not able to yet, at least we can make our intentions known to ourselves. Well, this will be the end of this episode. As always, keep your eyes, mind and heart open, and let's get together in the next one.

In his astonishingly frank Sonnet 133 William Shakespeare attempts to come to terms with the fact that his young lover is also having an affair with his mistress. The sonnet in one fell swoop answers two principal questions: first, what 'black deeds' of his Dark Lady's he may be referring to in the closing couplet of Sonnet 131, and second, who the woman might be that appears in the crisis which besets his relationship with the young man between Sonnets 33 and 42. And while there is of course no external, cast-iron proof that these sonnets do constellate to form a coherent picture, Sonnet 133 is in fact only the first of several sonnets to strongly suggest they do. What it leaves no doubt about, and what subsequent sonnets will make even more explicitly clear, is that William Shakespeare is for the second time in the collection talking about a relationship that has turned triangular.

In “The Merchant of Venice," William Shakespeare wrote, "The quality of mercy is not strained. It droppeth as the gentle rain from heaven upon the place beneath. It is twice blest: It blesseth him that gives and him that takes.” Mercy is the quintessential character trait of a Christian because it is born out of our own reception of mercy from God. Having received mercy, Jesus says we are blessed because we are merciful and we will in turn continue to receive mercy as we give it—a perpetual motion machine of mercy. It is a deeply Christian ability to forgive great atrocity and extend love to one's enemies. When it happens the world takes notice. How can we lean more and more into this blessing that belongs to us by faith in Jesus Christ? Join us this week, as we continue our study of the Beatitudes.

Merriam-Webster's Word of the Day for May 24, 2025 is: limn • LIM • verb Limn is a formal verb most often used especially in literary contexts to mean "to describe or portray," as in "a novel that limns the life of 1930s coastal Louisiana." It can also mean "to outline in clear sharp detail," as in "a tree limned by moonlight," and "to draw or paint on a surface," as in "limning a portrait." // The documentary limns the community's decades-long transformation. // We admired every detail of the portrait, gracefully limned by the artist's brush. See the entry > Examples: "... the story of Ronald Reagan's jelly beans is not simply about his love of a cute candy. It speaks to how he weaned himself from tobacco, judged people's character, and deflected scrutiny. It limns the role of the sugar industry and food marketing. And it demonstrates how food can be a powerful communications tool. Reagan's jelly beans sent a message to voters: 'I like the same food you do, so vote for me.'" — Alex Prud'homme, Dinner with the President: Food, Politics, and a History of Breaking Bread at the White House, 2023 Did you know? Limn is a word with lustrous origins, tracing ultimately to the Latin verb illuminare, meaning "to illuminate." Its use in English dates back to the Middle Ages, when it was used for the action of illuminating (that is, decorating) medieval manuscripts with gold, silver, or brilliant colors. William Shakespeare extended the term to painting in his poem "Venus and Adonis": "Look when a painter would surpass the life / In limning out a well-proportioned steed …" Over time, limn gained a sense synonymous with delineate meaning "to outline in clear sharp detail" before broadening further to mean "to describe or portray." Such limning is often accomplished by words, but not always: actors are often said to limn their characters through their portrayals, while musicians (or their instruments) may limn emotions with the sounds they make.

On today's show: a play about William Shakespeare's friends, then a new talk show about LGBTQ+ issues at the San Francisco Main Public Library, and there's a new executive director and new vibe at this year's Bay Area Book Festival.

Musician Rhiannon Giddens on returning to her North Carolina roots after working with Beyoncé. As a huge retrospective of the work of the artist Helen Chadwick opens at The Hepworth Wakefield, art critic Louisa Buck and the exhibition's curator, Laura Smith, discuss why Chadwick should be viewed as the godmother for a golden generation of British contemporary artists, and another chance to hear Daniel Swift, author of The Dream Factory: London's First Playhouse and the Making of William Shakespeare, investigate an important piece of theatre history.Presenter: Nick Ahad Producer: Ekene Akalawu

Adam Long, Reed Martin, and Austin Tichenor – the cast of the film version of The Complete Works of William Shakespeare (abridged) – reminisce about the 2000 filming of the RSC's signature work, and discuss the extraordinary lengths the production went to ensure they were jet-lagged for the entire process. Revelations include the secret cameo from co-author and RSC founding member Daniel Singer; how different actors must play jokes differently; the Spinal Tap observation that relative size is the difference between funny and scary; how to make friends in British and Irish pubs; and how the RSC vibe might best be described as squabbling siblings bound together in a brotherhood of Shakespeare. (Length 21:33) (PICTURED: Reed Martin, Adam Long, and Austin Tichenor enjoying post-show beverages in Shuttleworth's Pub, Charing Cross Road, 1992. Photo by Kent Tichenor.) The post Filming ‘Complete Works' appeared first on Reduced Shakespeare Company.

Orlando, from the play As You Like It, talks about church bells knolling, and later in that same play, the Duke talks about how we “have with holy bell been knoll'd to church.” There's a conversation in Act II of Pericles where two fishermen discuss a parish getting swallowed by a whale, and they refer to the parish as “The whole parish, church, steeple, bells, and all.” These references demonstrate the important cultural place of bells in England for Shakespeare's lifetime. While Moses is credited with introducing bells to Jewish religion, Italian monks are given credit for introducing bells to Europe, with Saint Bede bringing them specifically to England when he introduced their use in funerals around 700 AD. By the time of William Shakespeare, metallurgy and construction had experienced a metamorphosis, with churches in Europe adopting not only intricate design, but seeking to increase both the size and the sound of their church bells. Here this week to tell us about the history, size, shape, sound, and technical process of building a church bell in Shakespeare's lifetime, is our guest Guthrie Stewart  Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

With Sonnet 132, William Shakespeare suspends the charge brought against his mistress at the end of the previous sonnet that she is 'black' in nothing so much as in her deeds, and instead pleads with her to have pity on him as he suffers under her disdain for him. At first glance and in isolation it might seem, then, that such 'black' deeds as were mentioned in the closing couplet of Sonnet 131 are nothing but this attitude of hers towards him, but as we saw then and also discuss here, this is unlikely to be the case since a 'ladylike' level of decorum requires a woman at the time to be quite unapproachable and at least apparently aloof, and Sonnet 133 will confirm in no uncertain terms that the deeds in question are of a different nature altogether.The sonnet thus stands in a long tradition of poetry that has a male lover pine for his unattainable and/or contemptuous mistress, and while on the surface it appears to express itself in positively chaste tones – certainly when compared to the exceptionally explicit Sonnet 129 – it still carries some subtle but nonetheless perfectly evident sexual undertones which it combines, so we get the impression, with just a tinge of irony. 

Professor Suzannah Lipscomb is joined by Dr. Daniel Swift to delve into the formative years of William Shakespeare's career. They explore the vital role of London's first playhouse and the tumultuous world of late 16th-century theatre, discussing how James Burbage's ambitious vision and his son Richard's unparalleled acting talent profoundly influenced Shakespeare's work. The economic realities and social dynamics of Elizabethan England unveiled the collaborative and pragmatic spirit that helped shape one of history's greatest playwrights.MOREShakespeare's Players: Burbage and Kempe:https://open.spotify.com/episode/3vhb375ekX0eLm482VtG24How the Elizabethan World Shaped Shakespeare:https://open.spotify.com/episode/5ewBpG0vQDIRnRnD7A3N1RPresented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

Russian and Ukrainian officials are meeting on Thursday in Istanbul to discuss a potential end to the war for the first time in more than three years. Ukrainian President Volodymyr Zelenskyy showed up for the meeting in-person; Russian President Vladimir Putin did not. We have the latest updates and analysis from those talks. Also, the mental health crisis caused by climate change, and the emerging ways people are addressing it. And, new insights into the love life of William Shakespeare.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

This week, while your reader checks off a long-held Life List item at the Globe, let's relax as one literary genius waxes rather lyrical about another, as well as the nature of artistic genius itself. “We are such stuff as dreams are made on; and our little life is rounded with a sleep,” says the Bard. We quite agree. Help us stay ad-free and 100% listener supported! Patreon: https://www.patreon.com/boringbookspod Buy Me a Coffee: https://www.buymeacoffee.com/d5kcMsW   Read “William Shakespeare” at Project Gutenberg: https://www.gutenberg.org/ebooks/53490   Music: "Peace,” by Lee Rosevere, licensed under CC BY, https://leerosevere.bandcamp.com   If you'd like to suggest a copyright-free reading for soft-spoken relaxation to help you overcome insomnia, anxiety and other sleep issues, connect on our website, http://www.boringbookspod.com.

‘Juliet & Romeo’ is the latest musical adaptation of William Shakespeare’s tragic play. And it has all the same content issues as the original. Read the Plugged In Review If you've listened to any of our podcasts, please give us your feedback.

Coming up on today's Movie Show, Andy & Steve review Juliet & Romeo: Based on the real story that inspired William Shakespeare's Romeo and Juliet,  it follows the greatest love story of all time, set as an original pop musical. The guys will also review Fight or Flight, Clown in a Cornfield, and  Secret Mall Apartment.  Andy and Steve review the Netflix movie Nonnas - After losing his beloved mother, a man risks everything to honor her by opening an Italian restaurant with actual grandmothers as the chefs. Andy & Steve also review streaming Netflix movies Britain and the Blitz and Untold: Shooting Guards.  In addition, they will look at streaming series Poker Face (season 2), Octopus!, Long Way Home, and Star Wars: Tales of the Underworld. Honorable mentions include Forever, Toxic, and Shadow Force. 

Today in the ArtZany Radio studio Paula Granquist welcomes from the Northfield Arts Guild production of Shakespeare in Love director Rachel Haider and cast members Will Martin (William Shakespeare), Sara Cronk (Viola DeLesseps), Andy Artley (Lord Wessex), and Brendon Etter (Richard Burbage). SHAKESPEARE IN LOVE – A STAR-CROSSED COMEDY BASED ON THE ACADEMY AWARD-WINNING BEST PICTUREDIRECTOR: RACHEL HAIDER Part mis-identity hilarity and part love story, this […]

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My guest in this week's Book Club podcast is Daniel Swift. Daniel's new book, The Dream Factory: London's First Playhouse and the Making of William Shakespeare, tells the fascinating story of a theatrical innovation that transformed Elizabethan drama – and set the stage, as it were, for the rise of our greatest playwright.

William Shakespeare, often called the Bard of Avon, is the greatest playwright in the English language. Born in 1564 in Stratford-upon-Avon, he married Anne Hathaway at 18 and had three children. He moved to London in the late 1580s to pursue a career in theatre. Over the next two decades, he wrote 39 plays, 154 sonnets, and two long narrative poems. His works explore timeless themes of love, power, jealousy, betrayal, and ambition. Shakespeare's most famous plays include Hamlet, Macbeth, Othello, Romeo and Juliet, and King Lear. He co-owned the Globe Theatre, where many of his plays were performed. His mastery of language enriched English with hundreds of new words and phrases. Shakespeare blended history, tragedy, and comedy in ways that remain unmatched. Despite his fame, much of his personal life remains a mystery. He retired to Stratford around 1613 and died in 1616 at the age of 52. Shakespeare's legacy lives on through endless adaptations on stage and screen. His characters and stories still resonate across cultures and generations. He was as much a keen observer of human nature as a creator of unforgettable drama. This talk show explores the life, love, and literary genius of the immortal William Shakespeare.

My guest in this week's Book Club podcast is Daniel Swift. Daniel's new book, The Dream Factory: London's First Playhouse and the Making of William Shakespeare, tells the fascinating story of a theatrical innovation that transformed Elizabethan drama – and set the stage, as it were, for the rise of our greatest playwright.

The story of Elizabethan theatre is often told through the artistic genius of Shakespeare and his contemporaries. Critic and scholar Daniel Swift has a different story to tell: that of the businessmen who dreamed of the first professional theatre, fought against civil and religious authorities to have it built, and, ultimately, fought each other. How did the Burbage family lay the foundations for a golden age of drama? Find out in this episode of the podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Description Returning guest Virginia McAlister joins Joe to discuss William Shakespeare’s Romeo and Juliet. We talk about the play’s history (it’s wild), it’s place in our culture (it’s everywhere), and, of course, dig into the characters themselves (they’re super-interesting). Support … Continue reading →

Dave was listening closely on Friday during his day off and noticed two Top 5 Ridiculous Statements we had to crush, one from Lindsey Brown and her theory on hockey and another from Dan Cook equating Star Wars to the work of William Shakespeare.

With Sonnet 130, William Shakespeare, from the first, famous and oft-quoted line onwards, strikes a note possibly of defiance, possibly of satire, possibly both, subverting the traditional idolisation of a lover's object of desire through poetry and putting down a second powerful marker in quick succession that his mistress is different to other mistresses eulogised in sonnet form of then current fashion, not only but particularly because with her tan skin and black hair she doesn't fit the standard ideal of beauty of his day. In a tone that to us – and out context – sounds startlingly disparaging, he de-deifies and in doing so humanises her, and he once again asserts that both false beauty and false praise of beauty are not his style.

Robert Frederick, host of The Hidden Life Is Best podcast, chats to James about the evil genius of Francis Bacon. Frederick makes the compelling case that much of what is wrong with the world today - including scientism and the power of freemasonry - can be traced back to this brilliant Jacobean scholar, polymath and occultist. He also endeavours to persuade James that Bacon, not Edward De Vere, was the man behind ‘William Shakespeare'. A highlight of this freewheeling, illuminating, erudite episode is Frederick's deconstruction of Romeo and Juliet, an occult sacrifice ritual masquerading as a love story. https://thehiddenlifeisbest.com https://substack.com/@robertfrederick ↓  If you need silver and gold bullion - and who wouldn't in these dark times? - then the place to go is The Pure Gold Company. Either they can deliver worldwide to your door - or store it for you in vaults in London and Zurich. You even use it for your pension. Cash out of gold whenever you like: liquidate within 24 hours.  https://bit.ly/James-Delingpole-Gold ↓ ↓  How environmentalists are killing the planet, destroying the economy and stealing your children's future. In Watermelons, an updated edition of his ground-breaking 2011 book, JD tells the shocking true story of how a handful of political activists, green campaigners, voodoo scientists and psychopathic billionaires teamed up to invent a fake crisis called ‘global warming'. This updated edition includes two new chapters which, like a geo-engineered flood, pour cold water on some of the original's sunny optimism and provide new insights into the diabolical nature of the climate alarmists' sinister master plan. Purchase Watermelons by James Delingpole here:  https://jamesdelingpole.co.uk/Shop/ ↓ ↓ ↓ Buy James a Coffee at: https://www.buymeacoffee.com/jamesdelingpole The official website of James Delingpole: https://jamesdelingpole.co.uk x

In this interview Mark interviews author, actor, and narrator Aaron Fors about numerous aspects of his creative life. Prior to the interview, Mark shares comments from recent episodes, a personal update, and a word about this episode's sponsor. This episode is sponsored by an affiliate link to Manuscript Report. Use code MARK5 at checkout and save $5.00 off your own personalized report. During their interview Mark and Aaron talk about: Recently hanging out at Superstars Writing Seminars Aaron's creative life as an author, an actor, and a voice talent/narrator How Aaron started acting when he was eight years old, and his supportive father who took a "sure, let's do this" approach when Aaron's older siblings talked about wanting to get into acting Aaron's first scene doing a dark-themed dramatic monologue and how he fell in love with acting The list Aaron created at the age of 5 which included being a famous actor, a rock star, President of the United States, and a basketball star Being a voracious reader from an early age, with his favorite authors being Stephen King, William Shakespeare and Isaac Asimov Latching on to "found family" style stories from science-fiction disguised as "bad ass robot movies" Wanting to be a part of sharing stories that help remind people who feel alone or outcast that there's a place for them Being a guest star on a lot of cop, doctor, and lawyer shows on TV and having to have read hundreds of scripts - and how that has played a role in studying story Getting into writing books because of his sister C L Fors and her husband Jason Crawford suggesting it How writing stories and novels felt a lot like "coming home" The natural symbiotic relationship between performers of story and creators of story Some of the fundamental storytelling aspects that translate well from screenplays to narrative fiction, such as the "camera's focus" on the relevant details in a scene How having a healthy relationship with rejection as an actor has been helpful to Aaron in his role as a writer Having 17 auditions in person in a single day driving from 6 AM until midnight to get to the various offices and studios The concept of when you are doing an audition you're actually performing in front of an audience that's right there in the room (even if that audience is one or two or just a few people) - and that you're actually getting to do your job - you got to entertain Aaron's story "Best Foot Forward" which appeared in the anthology Weird Wilderness edited by Lisa Mangum The first two full length novel manuscripts that Aaron has written Aaron's work doing voice-over performances in various different categories How the industry for doing voice-over and narrator roles changed during the pandemic which allowed for a lot more work-from-home-studio opportunities The way that the narrator themselves add a layer of artistry to the manuscript they are reading The fact that Aaron is a dialectologist who studied in Masterclasses with Robert Easton And more . . .   After the interview Mark makes an offer to his patrons for getting a chance to work with Aaron and also reflects on three different things that Aaron mentioned.   Links of Interest: Aaron Fors Website EP 411 - Small Acts of Kindness in Every Little Thing with Janice Landry Draft2Digital Self Publishing Insiders (May 1, 2025) - Creating Your Community of Superfans with Rachel Rener (YouTube) Manuscript Report (Mark's affiliate link) Buy Mark a Coffee Patreon for Stark Reflections Mark's YouTube channel Mark's Stark Reflections on Writing & Publishing Newsletter (Signup) An Author's Guide to Working With Bookstores and Libraries The Relaxed Author Buy eBook Direct Buy Audiobook Direct Publishing Pitfalls for Authors An Author's Guide to Working with Libraries & Bookstores Wide for the Win Mark's Canadian Werewolf Books This Time Around (Short Story) A Canadian Werewolf in New York Stowe Away (Novella) Fear and Longing in Los Angeles Fright Nights, Big City Lover's Moon Hex and the City Only Monsters in the Building The Canadian Mounted: A Trivia Guide to Planes, Trains and Automobiles Yippee Ki-Yay Motherf*cker: A Trivia Guide to Die Hard Merry Christmas! Shitter Was Full!: A Trivia Guide to National Lampoon's Christmas Vacation   Aaron Fors is a passionate actor, dialectologist, writer, and all around performer. He is a weaver of stories, with threads of magic, science, wonder, and love. He is a collector of information, skills, and wisdom. He also crafts with his hands, leather-working and woodworking. His two cats and wife (honorary third cat) love him very much, and are spoiled by his cooking.    He does all the things. Want a thing done? He can probably do it.   You can find Aaron online at www.aaronfors.com    The introductory, end, and bumper music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0  

The Postables of the Signed, Sealed, Delivered dead letter office return in, "To The Moon and Back," this time to find the writer of a letter forced to go into hiding to protect her family. And we travel over to England to Stratford Upon Avon, the birthplace of William Shakespeare and a new detective series called "Shakespeare and Hathaway" that mystery viewers can now find on Hallmark Plus. Your table is dressed for mystery and adventure on this edition of The Hallmark Cafe!

On today's episode, we dive into the centuries-old debate: did William Shakespeare actually write all those famous plays, or was he just the face of someone else's genius? We unpack the theories, the evidence, and why people still care. Plus, we get into a wide-ranging rundown of this week's headlines: – Is the Quantum Apocalypse actually coming, or just sci-fi panic? – Bill Belichick releases a statement after his controversial book tour interview – Donald Trump's interpretation of the MS-13 tattoo – Prince Harry & Meghan Markle's “nicknames” for each other – Jersey Jerry joins us to break down the NFL Draft and share strong thoughts on the Shedeur Sanders prank phone call – A high school hazing incident out of Syracuse, NY that's sparking serious backlash Enjoy! (00:06:40) The Quantum Apocalypse (00:11:18) Bill Belichick's Statement (00:24:19) Trump & the MS13 Tattoo (00:30:44) Prince Harry & Meghan Markle (00:34:04) Jersey Jerry Joins The Show (00:48:56) High School Hazing Incident (01:23:46) William Shakespeare Download the Gametime app today and use code MACRO for $20 off your first purchase Connect with a provider at RO.co/MACRO to find out if prescription Ro Sparks are right for you and get $15 off your first order Sport Clips. The haircut experience, dialed in for guys. It's a Game Changer. Order now online at https://ihatestevensinger.com or from Steven Singer Jewelers in Philly Grab Miss Peaches now at https://stellabluecoffee.com and use promo code MACRO for 20% off orders of $25 or moreYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/macrodosing

Pour bénéficier de 4 mois offerts sur votre abonnement de 2 ans à NordVPN, veuillez cliquer sur ce lien:nordvpn.com/savoir---------------Pendant des siècles, le monde entier a célébré William Shakespeare comme le plus grand dramaturge de tous les temps. Ses pièces ont traversé les âges, explorant l'âme humaine avec une finesse et une profondeur inégalées. Pourtant, un doute étrange plane encore autour de sa figure : et s'il n'avait jamais existé ?1. Le doute naît d'un silenceTout commence au XIXe siècle, dans une époque où la critique littéraire devient plus méthodique, presque scientifique. Des chercheurs se penchent sur la vie de Shakespeare… et découvrent un vide troublant. On connaît très peu de choses sur l'homme de Stratford-upon-Avon. Pas de lettres conservées, aucun manuscrit de pièce de sa main, pas de preuve directe qu'il ait jamais voyagé hors d'Angleterre, ni fréquenté une université. En revanche, les œuvres sont remplies de références érudites au droit, à la politique, à la géographie italienne ou à la cour d'Angleterre, que l'on imagine difficilement accessibles à un simple fils de gantier, formé dans une école de province.C'est ainsi qu'un courant de pensée émerge : celui des anti-stratfordiens, convaincus que William Shakespeare n'aurait été qu'un prête-nom, une sorte de figure publique derrière laquelle se cacherait un véritable génie littéraire. Parmi les suspects avancés, on trouve Francis Bacon, philosophe et juriste, Christopher Marlowe, dramaturge rival, ou même la comtesse de Pembroke, femme de lettres éduquée et influente. L'idée séduit jusqu'à des figures prestigieuses comme Mark Twain, Sigmund Freud ou Henry James, qui voient mal comment un homme si discret, sans archives, aurait pu écrire Hamlet, Le Roi Lear ou Othello.Mais ce doute, aussi séduisant soit-il, résiste mal aux preuves historiques.2. Les preuves de son existenceCar William Shakespeare, loin d'être un fantôme, a laissé de nombreuses traces dans les archives. Des actes de propriété, des contrats, des témoignages contemporains — notamment celui du poète Ben Jonson, qui le connaissait personnellement — confirment qu'un certain William Shakespeare était acteur, auteur et homme d'affaires à Londres. Plusieurs pièces publiées de son vivant portent son nom. Il possédait même un théâtre, le Globe, où ses œuvres étaient jouées avec succès.3. Le testament : une preuve irréfutableMais la preuve la plus tangible, la plus intime aussi, reste son testament, rédigé peu avant sa mort en 1616. Ce document de trois pages, soigneusement conservé aux Archives nationales de Londres, porte sa signature à trois reprises. On y découvre un homme soucieux de ses proches, léguant ses biens, mentionnant son épouse Anne Hathaway, ses filles, et ses collègues de théâtre. L'existence même de ce testament contredit l'idée d'un mythe vide : il y avait bien un homme derrière le nom.Fait notable : ce testament vient d'être reproduit en 100 exemplaires fac-similés, une première, permettant au public et aux chercheurs d'approcher ce texte fondateur de plus près.En conclusionLa controverse sur l'identité de Shakespeare dit beaucoup sur notre fascination pour le mystère et le génie. Mais les faits, eux, sont têtus. Grâce à des documents officiels, à des témoignages directs — et surtout à ce testament signé de sa main, récemment remis en lumière —, il ne fait plus de doute que William Shakespeare a bel et bien existé. Et que le plus grand auteur anglais était aussi un homme bien réel. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Kate MacKay: John Cassavetes Directs Gena Rowlands Kate MacKay Kate MacKay, Associate Film Curator at Pacific Film Archive, in conversation with host Richard Wolinsky, discussing the films of John Cassavetes directing his wife Gena Rowlands. Kate MacKay is the curator of a retrospective of the films in which John Cassavetes directs his wife, Gena Rowlands, at Berkeley Art Museum and Pacific Film Archives from May 2 through May 14, 2025. In this interview, she discusses Cassavetes as a pioneer of the American independent film, then goes into detail on the films shown in the restrospective, including A Woman Under The Influence, Faces, Gloria, Opening Night, and Minnie and Moskowitz. She also talks about putting together a retrospective, and the upcoming Pacific Film Archive schedule for summer, 2025. Complete Interview.   Susan Oxtoby: The Life and Career of Agnes Varda Susan Oxtoby. Photo: BAMPFA. Susan Oxtoby, Director of Film and Senior Film Curator at Berkeley Art Museum and Pacific Film Archive (BAMPFA), discusses the work of the great Belgian-French film maker Agnes Varda (1928-2019) with host Richard Wolinsky. The first major biography of Agnes Varda, A Complicated Passion: The Life and Work of Agnes Varda by Carrie Rickey, was published in 2024 and will come out in paperback on August 12, 2025. Agnes Varda began her career as a stills photographer and became a director with La Point Courte (1954), having seen very few films in her life. She went on to international fame with Cleo from 5 to 7 and Vagabond, but her late life films The Beaches of Agnes and Faces, Places established her as one of the most important directors of the modern era. All the films discussed in this interview (except the recent documentary Viva Varda!) are available to stream on the Criterion app, save for Faces, Places, which can be streamed on Kanopy. Cleo from 5 to 7 can also be streamed on Max Complete Interview.     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Two Trains Running by August Wilson, April 15 -May 4, and The Comedy of Errors, April 22 – May 3 with The Acting Company, in repertory, Toni Rembe Theater. Aurora Theatre  Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Six. April 22-27. See website for other events. Center Rep: The Unfair Advantage created and performed by Harry Milas, April 29 – May 11. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. Come Thru: A Celebration of Black Artistry, Story Telling and Community, May 5-18, Magic Theatre, Fort Mason. See website for specific workshops and events. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Reading: Muse of Fire by Lauren Gunderson, April 26, 1 pm/8 pm; Anne by Anne Kenner, May 19, 7:30 pm. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Simple Mexican Pleasures by Eric Reyes Loo, April 18 – May 11. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Ironbound by Martyna Majok, May 2 – 18. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Disney's Frozen Jr., May 16-25, Hoover Theater, San Jose. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will  by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 8. South Bay Musical Theatre:  Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino  Doodler by John Fisher, extended to May 2, at Safehouse Arts. Gumiho by Nina Ki, April 17 – May 11. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post May 1, 2025: Pacific Film Archive. John Cassavetes Directs Gena Rowlands appeared first on KPFA.

Hello! In this episode I focus on English expressions and idioms that originated in the works of William Shakespeare and are still used in modern everyday language. Notice the expressions in various contexts, fully understand their meanings and use, explore their origins in Shakespeare's work, and gain valuable lessons about how to learn new vocabulary with real world examples. Also, learn about my short-lived career as a goalkeeper for the legendary football team "Chadwick FC". Includes a PDF worksheet and transcript.

Merriam-Webster's Word of the Day for April 28, 2025 is: alacrity • uh-LAK-ruh-tee • noun Alacrity refers to a quick and cheerful readiness to do something. // She accepted the invitation to go on the trip with an alacrity that surprised her parents, who had assumed she wouldn't be interested. See the entry > Examples: “Antipater, about to mount his horse, saw Pollio and Sameas so close to him that the sleeve of Sameas almost touched his own in the crush. … Antipater had graciously invited the two to view his new grandson and sip a cup of wine cooled by snow brought from Mount Hermon. The two accepted with alacrity.” — Zora Neale Hurston, The Life of Herod the Great, 2025 Did you know? “I have not that alacrity of spirit / Nor cheer of mind that I was wont to have,” says William Shakespeare's King Richard III in the play that bears his name. Alas and alack, Richard! Alacrity comes from the Latin word alacer, meaning “lively” or “eager,” and suggests physical quickness coupled with eagerness or enthusiasm. Thus, a spirit that lacks alacrity—like Richard III's—is in the doldrums, in need of a little (to use a much less formal word than alacrity) get-up-and-go.

Read by Terry Casburn Production and Sound Design by Kevin Seaman

Sonnet 129 is the most explicitly sexual, and therefore sexually explicit, poem in the collection so far, and it is the first to betray a deep unease on William Shakespeare's part with his own desire for his mistress. The language he employs to characterise the sexual act with her oscillates from ecstasy of expectation to post-coital depression, even disgust, with a vocabulary in-between that is reminiscent more of a war zone than of a romantic roll in the hay.

Send us a textWhen New York actor Paul Cole is beaten and left for dead in 1950s Ohio, he loses his memory and the only way he can reclaim what he's lost is by listening to stories about his life from a vulgar radio show. On Episode 665 of Trick or Treat Radio we discuss the film The Actor from director Duke Johnson! We also talk about all the ways you can eat an Uncrustable, the realization that you're not who you were supposed to be, and everything we have planned for the upcoming momentous 666th episode! So grab your VHS of My Demon Lover, write down all your thoughts so you don't forget them, and strap on for the world's most dangerous podcast!Stuff we talk about: Felissa Rose, Sleepaway Camp, The Last Sleepover, Lisa Wilcox, Slaughter High, Sam Adams, Spanish version of Dracula, Cannibal Ferox, My Demon Lover, Scream 2, Creepshow 3, David Hess, Texas Chainsaw Massacre, Eric Balfour, Melinda Clark, Return of the Living Dead Part III, Peter Jason, Ghosts of Mars, Arachnophobia, Planet Terror, Red State, Richard Donner, Goonies, The Omen, Alejandro Cruz, Blue Demon, William Castle, The Tingler, House on Haunted Hill, Rosemary's Baby, all the ways you can eat an Uncrustable, Scott Valentine, McCormick Spices, Christina Applegate, House II: The Second Story, RIP Lar Park-Lincoln, Highway to Heaven, Giovanni Lombardo Radice, Shawn Lewis, Grindhouse Releasing, 7 Doors of Death, Fabio Frizzi, Rotten Cotton, Chunkblow Apocalypse, Zombi, Eibon Press, The Actor, Duke Johnson, Andre Holland, amnesia, Memento, movies shot on a soundstage, dream logic, self-awareness, learning you're not who you're supposed to be, Total Recall, Anything Goes, Cole Porter, Memory, Geddy Lee, William Shakespeare, the new album from Knowman, Alienated, The Wicker Man, May Day, Episode 666, The Number of the Beast, Retroactivate, Total Unrecall, and Thesplaining Your Life.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

It's the week of William Shakespeare's birthday, so Gyles has poetry on his mind... and we thought we'd celebrate with a special conversation recorded with Simon Armitage, who has been Poet Laureate since 2019. Gyles finds out about Simon's childhood and early days, when he played out on the moors with his friends, watched TV and read comics... long before he became turned on to poetry by reading Ted Hughes. Gyles hears about Simon's parents, his love of indy music, and his first career as a probation officer. Gyles and Simon talk about poetry, about Ted Hughes and Seamus Heaney. We hope you enjoy this episode, and that it inspires you to read some poetry today - Simon's most recent book, Blossomise, it out now - it's a celebration of blossom and is well worth reading this springtime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

En esta novena edición del Barcelona Film Fest, que se celebra en la Casa Fuster de la capital catalana, hablamos con su directora, Conxita Casanovas, y con Silvia Munt, presidenta del jurado en un año especialmente activo, ya en plena preproducción de su nuevo documental. El festival proyectará 84 títulos, entre ellos destacan 'Un like' de Bob Treviño, 'The Return', protagonizada por Ralph Fiennes —quien también recibirá el Premio de Honor—, y documentales como 'Almudena' o 'Sabiduría y felicidad', producido por Richard Gere. El certamen acoge además el estreno de la serie 'La canción', centrada en el triunfo de Massiel en Eurovisión, y se clausurará con 'Les irresponsables', dirigida por Laura Mañá. Se suma una retrospectiva dedicada a Marcello Mastroianni.Esta semana también recuperamos la figura de William Shakespeare con Jesús Marchamalo, que repasa su vida y obra con una recomendación final de Vicente Molina Foix.El Teatro Lliure acoge el estreno de 'Cors del amants', obra escrita y dirigida por Tiago Rodrigues. Esta pieza, que fue remontada por primera vez en 2021 en Francia, llega ahora a Barcelona con producción del propio Lliure y cuenta con las interpretaciones de Marta Marco y Joan Carreras. Conversamos con su director y con el propio Carreras sobre este trabajo.Cerramos con la sesión musical de Leyre Guerrero, directora de NaNaNa en Radio 3. Hoy su selección gira en torno al reinado del pop y al papel de las mujeres en la música contemporánea.Escuchar audio

AP correspondent Charles de Ledesma reports precious works by Britain's William Shakespeare are up for auction next month.

México está en recesión: Citi En Guerrero localizan laboratorio clandestino para la producción de drogasSubastarán ediciones de obras de William Shakespeare valuadas en un estimado 4,6 mddMás información en nuestro podcast

In the style of the great William Shakespeare. Support the show and follow us here Twitter, Insta, Apple, Amazon, Spotify and the Edge! See omnystudio.com/listener for privacy information.

409 years ago today, on April 22, 1616, William Shakespeare himself spoke to Tony Dean, the creator and host of the Calling History Podcast, which features conversations with history's most influential and interesting people. Tony explains how the podcast got started, how he finds his guests (including Austin Tichenor as Shakespeare), how Ralph Waldo Emerson remains the podcast's great white whale, and how the Calling History Podcast is filled with unbelievable but absolutely true stories. HEAR HERE! (You can listen to part one of Tony's conversation with Shakespeare here and part two here.) Length 19:50. The post William Shakespeare Speaks! appeared first on Reduced Shakespeare Company.

Jamaica's former poet laureate, Lorna Goodison, on setting Dante's Inferno on the island of her birth; Journalist Joanna Moorhead on Pope Francis' relationship with the arts; Poet and librettist Michael Symmons Roberts on writing a form-breaking book to re-examine French composer Olivier Messiaen's form-breaking masterwork - Quartet for the End of Time; and going in search of an important piece of theatre history with Daniel Swift, author of The Dream Factory: London's First Playhouse and the Making of William Shakespeare.Presenter: Nick Ahad Producer: Ekene Akalawu

Capital Regions Shakespearian Actor and Director Kristoph DiMaria is in conversation with HHM's Andrea Cunliffe about the works of William Shakespeare and his relevance through the 461 years . born April 23 1564 Shakespeare was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.

Today, on the Hudson Mohawk Magazine, Mark Dunlea covers the April 19th “Hands Off” protests in Troy and Albany, bringing pieces from multiple speakers from the events. Then, Elizabeth EP Press will speak with Sam Feder about their film Heightened Scrutiny which will be screened tomorrow, here at the Sanctuary for Independent Media. Later on, Andrea Cunliffe chats with Capital Region Shakespearian Actor and Director Kristoph DiMaria about the works of William Shakespeare and his relevance through the 461 years since his birth. After that, Juan Panteleon talks with local comedian Duncan Harris on his upcoming show at the Lark Street Tavern. Finally, Thom Francis highlights Hartford, CT-based poet Lynette Johnson who was one of the featured artists at the Poets Corner Series. Co-hosts: Caelan McPherson & Vinny DamaPoleto Engineer: Jalaya Reid

In this episode I talk to my parents about the topic of William Shakespeare. We discuss the enduring appeal and significance of William Shakespeare's work, biographical details of his life, the key themes in Shakespeare's plays, and the impact of his language on modern English. We try to explain the qualities that make Shakespeare great, using examples from plays like Hamlet, Twelfth Night, and Macbeth. We also consider the challenges of understanding Shakespeare and suggest ways for newcomers to engage with his plays, such as watching film adaptations.Enjoy a conversation about this important figure in English language and culture, with two other important figures - my mum and dad!PDF available with transcript, vocabulary list and vocabulary quiz. Premium listeners - watch out for a language review of this episode coming soon, in P68 "Learn English with Shakespeare" parts 1 & 2.

This week, Peter Holland treads the boards in Elizabethan London in search of Shakespeare before the Globe; and Muriel Zagha on a captivating tale of cheese-making in the Jura.'The dream factory: London's first playhouse and the making of William Shakespeare', by Daniel Swift'Holy Cow', a film by Louise CourvoisierProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

The Cups are back with another assassin vs. templar showdown! And we're still in England. This week, we're taking a look at arguably the most famous writer of all time: William Shakespeare. Now introducing Assassin's Creed Lorecast merch for everyone! Check it out at our shop! Want to chime in on the conversation? You can become a patron at the Master Assassin tier or higher and join us ON THE SHOW! https://www.patreon.com/aclorecast We've launched merch! Become a patron at the Assassin tier or higher to get these exclusive rewards! Check out our website! cupspodcasting.com If you enjoyed our podcast, give us a rating and review on Apple and/or Spotify! We'll even read your review out on the show! Join our The Cups Podcasts discord server where we dive deeep into all video game discussions. https://discord.gg/fxR2WVDNhP Come hang out on the Robots Radio discord server to join the fun! https://discord.gg/AW5Wc4kgZb If you love our merch, check out the artist behind the designs! https://libanezink.wixsite.com/libanezart If you love our music, check out the musician behind our theme! Pipeman Studios You can also find us on Twitter at @aclorecast, and you can dm us or email us at assassinscreedlorecast@gmail.com. Music by Pipeman Studios Website designed by H-I-T Media Solutions Merch designed by Lauren Ibañez Ink Learn more about your ad choices. Visit megaphone.fm/adchoices

ਗੁਸਤਾਖ਼ ਪਤਨੀ! (ਨਾਟਕ ਕਹਾਣੀ) (Part 4) The Taming of Shrewਗੁਸਤਾਖ਼ ਪਤਨੀ! (ਨਾਟਕ ਕਹਾਣੀ): The Taming of the Shrew is a work written by William Shakespeare which revolves around gender roles and the supposed submissiveness of women in the society, The writer tries to break the conventional concepts of love and affection and tries to portray them in a different light which is new for the social setting in which the play is written.Link to the complete audiobook-    • William Shakespeare (Complete Audiobo...  William Shakespeare is regarded as one of the most prominent writers of all time. His works are inspirational for almost all the writers of the world. Born in 1564, he is remembered as greatest English playwright, poet and actor.'ਸ਼ੇਕਸਪੀਅਰ ਦੀਆਂ ਨਾਟਕ ਕਹਾਣੀਆਂ' is a book which has been published by 'Modern Sahit Academy: 6, Ramanad Bagh, Amritsar. ਸ਼ਮਸ਼ੇਰ ਸਿੰਘ is the main architect of the book who has presented the beautiful works of William Shakespeare in Punjabi Language. This playlist consists of 4 major works of Shakespeare namely Tempest, Romeo and Juliet, Pericles: Prince of Tyre and The Taming of the Shrew respectively.The cover art of this audiobook has been made by Artist Gurdish Pannu and Dr. Ruminder has given voice to this punjabi short story.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #punjabipodcast #famouspodcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #emotionalstory #moralstory #trendingpodcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#lifemotivation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #trendingshortstory ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#motivational⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #trendingaudiobooks #punjabishortstories ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#listenaudiobooks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #artistgurdishpannu ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#lifestyle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#viral⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#videos⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #trending #trendingonspotify ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#life⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#audiolibrary⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#story⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #punjabiaudiobooks ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#punjabi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#punjab⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #shortstories ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#punjabifolk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#popularstories ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#famous⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #audiobook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #punjabiculture ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#family ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#punjabimaaboli⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠#motherhood ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#punjabistories ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#punjabibooks ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#punjabiculture ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#ਪੰਜਾਬੀ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #punjabifolk

Book Vs. Movie: 10 Things I Hate About YouThe Taming of the Shrew & the 1999 Heath Ledger Film10 Things I Hate About You (1999) is a modern adaptation of William Shakespeare's The Taming of the Shrew, reimagining the story in a high school setting. In both works, the plot revolves around two sisters—one desirable and another perceived as problematic. In The Taming of the Shrew, the younger, more attractive Bianca cannot marry until her older, strong-willed sister, Katherina, finds a husband. Similarly, in 10 Things I Hate About You, Bianca Stratford can only date if her rebellious, sharp-tongued sister, Kat, does too. The character of Petruchio in Shakespeare's play, who is hired to "tame" Katherina and make her marriageable, is mirrored in Patrick Verona (Heath Ledger), who is paid to date Kat (Julia Stiles) so that Bianca can start dating.Despite the initial financial motivation, Petruchio and Patrick develop genuine feelings for their partners. While The Taming of the Shrew ends with Katherina seemingly submitting to societal expectations, 10 Things I Hate About You gives Kat more agency. She remains independent but opens up to love, showing a more modern and feminist take on Shakespeare's story. Between the play & the film--which did we prefer? Listen to find out! In this ep, the Margos discuss:The teen comedies of the late 1990s  The work of Heath LedgerThe differences between the play and movieThe cast includes Julia Stiles (Kat), Heath Ledger (Patrick Verona), Joseph Gordon-Levitt (Cameron James), Larisa Oleynik (Bianca), Larry Miller (Walter Stratford), Andrew Keegan (Joey Donner), David Krumholtz (Michael Eckman), Daryl “Chill” Mitchell (Mr. Morgan), Susan May Pratt (Mandella), Alison Janey (Ms. Perky), David Leisure (Mr. Chapin), Gabriele Union (Chastity Church), Letters to Cleo, and Save Ferris. Clips Featured:“Hey there, Girlie!”10 Things I Hate About You (1999 trailer)“You see that girl?”“Rock bar scene”“Kat dances”“Can't Take My Eyes Off of You”“The poem scene”“Bianca beat down scene.”Music: Letters to Cleo; I Want You to Want Me Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

In the fifth episode, and in association with Required Reading and Two True Freaks, I am joined by Tom Panarese as we look at the play "Troilus and Cressida" by William Shakespeare. This is considered a problem play...in more ways than one! How well does the bard balance romance with political intrigue? Listen and find out! Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/dear-reader-a-jane-eyre-podcast/id1585429797 Don't use iTunes? Use this link for your podcast catcher: https://feeds.feedburner.com/dear-reader-podcast Also available on Spotify, Amazon Music and Google Podcasts Follow DEAR READER on TWITTER: https://twitter.com/batgirltooracle Put down your comics, pick up your first editions, and subscribe to DEAR READER!

Radiohead! Everclear! Garbage! The Cardigans! Des'ree! Kym Mazelle! Butthole Surfers! The Romeo + Juliet (1996) soundtrack rules and Mark and Zanandi have a great time talking about their favorite songs from the triple-platinum selling album. Enjoy!