Podcast appearances and mentions of William Shakespeare

SEASON 2 - EPISODE 185 - Malgosia Turzanska - Costume Designer In this episode of the Team Deakins Podcast, we speak with costume designer Malgosia Turzanska (HAMNET, PEARL, AIN'T THEM BODIES SAINTS). Malgosia's life in film began after seeking refuge from a chemistry exam in a movie theater, and, with an assist from her friend, she soon found herself helping director Agnieszka Holland (Season 1, Episode 144) on JANOSIK. Throughout the episode, Malgosia uses specific experiences from the films she's worked on to discuss her design process. During our discussion of HAMNET, Malgoisa reflects on collaborating with her fellow countryman and cinematographer Lukasz Zal (Season 2, Episode 102), and she reveals the character details she focused on during the development of the costumes for Agnes and William Shakespeare, played by Jessie Buckley and Paul Mescal (Season 2, Episode 44). She later discusses how she works with actors in the fitting room, and she shares how they all might put their heads together to find the character. Plus, Malgosia reveals how cold emailing director David Lowery (Season 2, Episode 60) led to her working on AIN'T THEM BODIES SAINTS early in her career. - Recommended Viewing: HAMNET - This episode is sponsored by Aputure & Picture Shop

Chloé Zhao became only the second woman to win an Oscar for Best Director, for 2020's “Nomadland,” and she is nominated once again for “Hamnet,” starring Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel of the same name, the film follows a young William Shakespeare and his wife, and their grief at the loss of their only son. “Hamnet” is also nominated for Best Picture, Best Actress, and five other awards.  Speaking with Michael Schulman, Zhao talked about the origins of “Hamnet,” the centrality of nature imagery in her work, and how the I.P. in a Marvel film is not so different from adapting a literary novel.   This segment originally aired on December 5, 2025. Further reading: “Chloé Zhao Has Looked into the Void,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Paul Mescal has quickly become one of the most compelling actors of his generation and stars in Hamnet, which is nominated for Best Picture at this year's Oscars. In this conversation from November 2025, Mescal joins Willie Geist to discuss playing young William Shakespeare in Hamnet, working alongside industry legends on Gladiator II, and how he approaches crafting complex characters. Plus, the Normal People and Aftersun star reflects on his journey from school musicals to Hollywood. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of Chronicles, Luca and Harry continue their discussion of Macbeth by William Shakespeare. They explore the murder of Duncan, Macbeth's tyranny, and adaptations of the play.

"Sinners”, the horror film that blends blues music, history and vampires, is up for a record-breaking 16 Academy Awards. One of those nominations is for the new Best Casting category. Casting director Francine Maisler joins us.Then, the Norwegian film “Sentimental Value” is up for nine Oscars, including Best Picture, Best Director and Best Original Screenplay. Co-writer and director Joachim Trier joins us to discuss the film.And, “Hamnet,” based on Maggie O'Farrell's acclaimed novel of the same name, is nominated for eight awards. Director Chloe Zhao, who co-wrote the screenplay with O'Farrell, and Jessie Buckley, who stars as William Shakespeare's wife Agnes, join us.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This is our NEW RELEASE review podcast, ONE HOT TAKE.What makes Hamnet ultimately work is the force of its climax, a devastating convergence of Jessie Buckley's magnificent performance, memory, and grief-stricken belated recognition. Synopsis:After losing their son Hamnet to plague, Agnes and William Shakespeare grapple with grief in 16th-century England. A healer, Agnes must find strength to care for her surviving children while processing her devastating loss.Katie Walsh is a Los Angeles-based film critic, journalist, podcast host, and moderator. She reviews weekly film releases for the Tribune News Service, and the Los Angeles Times, and is a frequent guest host of the Maximum Fun podcast Switchblade Sisters. Her writing has been published in Vanity Fair, Rolling Stone, Playboy,The Playlist, Nerdist,Slate, The Hairpin, indieWIRE, Women and Hollywood, Town & Country, Movieline, CAP the Magazine, and Nonfics, and she frequently contributes film reviews to KCRW's Press Play with Madeline Brand. She has covered many international film festivals as a critic and reporter, and has moderated dozens of Q&As with filmmakers and actors around LA.Check out Rotten Tomatoes for links to recent reviews.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Abrimos el telón de 'El Faro' para recibir a 'Los amigos de Lucas': Eduardo Galán, Eduardo Madina, Javier Gómez Santander y Antonio Lucas, que han compartido sus reflexiones y experiencias en torno al teatro. También han pasado por el escenario parte del equipo que ha traído de vuelta al Teatro Español uno de los grandes clásicos de Jacinto Benavente, 'Malquerida'. Natalia Menéndez es la directora, Mónica Regueiro, la productora, y Juan Carlos Vellido forma parte del elenco principal en el papel de Esteban. Además, hemos llevado 'El Faro por el mundo' hasta Londres para que el corresponsal Lucas Font nos hable del dramaturgo William Shakespeare y del impacto que ha tenido el reciente estreno de la película 'Hamnet'.

Jessie Buckley is nominated for best actress at the Oscars this weekend, for her performance in the movie “Hamnet.” She plays the wife of William Shakespeare — and a grieving mother — as the couple confronts the loss of their only son. The role has already won her a Golden Globe, a BAFTA and an Actor Award. In a conversation on “The Sunday Daily,” The Times's chief movie critic, Manohla Dargis, said it would be a major upset if Buckley did not also win an Academy Award. Ahead of the ceremony, we're bringing you our conversation with Buckley from last year. “When I was filming ‘Hamnet,' I deeply wanted to become a mother,” Buckley said. “And it was such a gift to move through this woman and her motherhood and her love and her loss before I became a mother myself.” On this episode of “Modern Love,” Buckley describes how she was able to access the vulnerability she portrayed onscreen. And she talks about how her life has changed since having her own child. Plus, she reads the Modern Love essay “The Wrong Kind of Inheritance” by Victoria Dougherty. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.  In this episode, we dig into one of the most dramatic scandals of Shakespeare's time: the rise and catastrophic fall of Robert Devereaux, the Earl of Essex. Court favorite, military hero, and ultimately, traitor, Essex had everything and managed to lose it spectacularly.  We break down who Essex was, his relationship with Elizabeth, and what finally led him to march on London with a small bnad of followers and an extremely bad plan. And of course, we're a Shakespeare podcast, so we touch on the wild connection between Essex's Rebellion and Shakespeare. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Bate, Jonathan. Soul of the Age: The Life, Mind and World of William Shakespeare. Viking, 2008. pp. 256–286. BBC Bitesize. "The Rebellion of the Earl of Essex - Queen Elizabeth I and Government - OCR B - GCSE History Revision - OCR B - BBC Bitesize." BBC News, BBC, 6 Feb. 2025, www.bbc.co.uk/bitesize/guides/z88fk7h/revision/3. Hammer, Paul E. J. (2004). "Devereux, Robert, second earl of Essex (1565–1601)". Oxford Dictionary of National Biography (Online ed.). Oxford University Press. Archived from the original on 14 July 2014. Retrieved 29 December 2020. Mr Keir History Teacher. " Essex Rebellion - Causes and Consequences #Education #AQA #ElizabethanEngland." YouTube, 2022, youtu.be/7VPKqvINtz8.  Shanette, Heather. "Essex Rebellion (1601)". Elizabeth R : The Life and Times of Queen Elizabeth I. Published 1998-2026. https://www.elizabethi.org/contents/rebellions/essex/  Teysko, Heather. "Episode 201: Robert Devereaux the Earl of Essex - Renaissance English History Podcast." Renaissance English History Podcast - The Original Tudor History Podcast, 22 Nov. 2024, www.englandcast.com/2024/11/episode-201-robert-devereaux-the-earl-of-essex/. 

[REBROADCAST FROM December 5, 2025] Director and writer Chloé Zhao discusses her film "Hamnet," an adaptation of the bestselling novel by Maggie O'Farrell. The film tells the story of William Shakespeare, his wife Agnes, and the tragic loss of their son Hamnet. The film is nominated in eight categories at this year's Academy Awards. Image: Director Chloé Zhao with actors Paul Mescal and Jessie Buckley with on the set of their film HAMNET, a Focus Features release. Credit: Agata Grzybowska / © 2025 FOCUS FEATURES LLC

For the first time in Eastern Idaho, Ammon Arts Community Theatre is bringing the Broadway hit “Something Rotten!” to the stage. The musical follows two struggling playwright brothers competing with the wildly popular William Shakespeare in Renaissance England. Filled with tap dance numbers, references to other famous musicals, and PG-13, fast-paced humor, the show brings a new experience to local audiences.

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Cloten orders a group of hastily assembled musicians to play under Imogen's window, hoping to win her heart. As they play, Cymbeline and the Queen pass by and tell Cloten to keep persisting with Imogen. A messenger brings word that ambassadors from Rome have arrived. The royal couple goes to greet the Romans, telling Cloten to join them after he leaves Imogen's chambers. Cloten knocks on Imogen's door and tries to bribe one of her ladies-in-waiting before Imogen appears. Imogen turns Cloten away so harshly that he vows to get revenge on Posthumus. As he rails, Imogen realizes that the bracelet Posthumus gave her is missing. She orders Pisanio to have her servants search for it. Meanwhile, Iachimo returns to Italy and goes to Philario's house, where Philario and Posthumus are discussing the prospects of war between Rome and Britain over the tribute that Cymbeline owes Caesar. Iachimo claims to have won the bet, saying he slept with Imogen and describing her bedroom in detail. He shows off the bracelet he took from her wrist, then adds the detail of the mole on Imogen's breast. Enraged, Posthumus turns over the ring he wagered. Back in Britain, Cymbeline refuses to pay the tribute Caius Lucius demands for Rome. Lucius says that can only mean war between the nations. Meanwhile, Pisanio receives a letter from Posthumus accusing Imogen of infidelity and ordering him to murder her. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY'S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

Chloé Zhao’s ‘Hamnet’ explores what may have shaped William Shakespeare as he crafted the masterpiece tragedy of ‘Hamlet.’ Read the full review. If you've enjoyed listening to Plugged In Reviews, please give us your feedback.

In the historical play, Julius Caesar, William Shakespeare made famous the phrase, “Beware the Ides of March.” Perhaps you've heard it but not known the full story starting on March 15 that eclipsed the death of the Roman Republic—and the birth of the Roman Empire. And perhaps the connection of this event to biblical history is vague! Well, to get the story behind the story, join me, Linda Lacour Hobar, the author of The Mystery of History, for a look at the origin and impact of the famous phrase, “Beware the Ideas of March.” For a free coloring page of Julius Caesar for your students, click here.

Joined this week by historian Susan D. Amussen, we take a close look at the historical evidence that confirms William Shakespeare as a real working playwright and actor in early modern England. Drawing from Susan's book What's in a Name?, we explore the documentary records—from theater company memberships and tax records to property purchases—that trace Shakespeare's life from Stratford-upon-Avon to London's vibrant theatrical world. We also compare the surviving evidence for Shakespeare with what we know about other playwrights like Christopher Marlowe, and discuss how historians interpret the gaps in the historical record. Along the way, Susan explains what the archives reveal about Shakespeare's work with the Lord Chamberlain's Men (later the King's Men) and how these records help historians answer the enduring question: how do we know Shakespeare is Shakespeare?

Chlo Zhao's Hamnet' explores what may have shaped William Shakespeare as he crafted the masterpiece tragedy of Hamlet.' Read the full review. If you've enjoyed listening to Plugged In Reviews, please give us your feedback. To support this ministry financially, visit: https://www.oneplace.com/donate/1005/29?v=20251111

Actor Michael Bakkensen returns to the podcast to talk about the craft of acting, William Shakespeare and the Oxford / Stratford situation, Shakespeare as stoner and more. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/MichaelBakkense x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of Chronicles, Luca is joined by Harry to discuss Macbeth by William Shakespeare. They explore the supernatural power of the Weird Sisters, the benign court of King Duncan, and Macbeth's evil ambition.

Misha Glenny and guests discuss one of the most successful of Shakespeare's plays in his own time. Written with no Part 2 in mind as 'Henry the Fourth', the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAndLaurence Publicover Associate Professor in the Department of English at the University of BristolProducer: Simon TillotsonReading list:Hailey Bachrach, Staging Female Characters in Shakespeare's English History Plays (Cambridge University Press, 2023)Warren Chernaik, The Cambridge Introduction to Shakespeare's History Plays (Cambridge University Press, 2007) Stephen Greenblatt, Tyrant: Shakespeare on Power (Bodley Head, 2018) Graham Holderness, Shakespeare: The Histories (Red Globe Press, 1999)Jean Howard and Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997)William Shakespeare (eds. Indira Ghose, Anna Pruitt and Emma Smith), Henry IV Part I: The New Oxford Shakespeare (Oxford University Press, 2024) William Shakespeare (ed. Gordon McMullan), 1 Henry IV: A Norton Critical Edition, 3rd edition (Norton, 2003) In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Moshe and Natasha tackle the things (almost) everybody faces: microneedling, menopause and movies. Moshe offers his invaluable advice to women on how they can navigate peri-menopause, Natasha learns about William Shakespeare, and they both decide if they need filler!Moshe also shares some behind the scenes of his experience on The Pitt. Then they help listeners with some relationship dilemmas, including helping one listener “clean up” her partner's sperm before getting pregnant and helping another listener move past a low effort Valentine's Day. SPONSORS: quince.com/honeymoontonal.com (use code HONEYMOON)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hamnet, el único hijo varón de William Shakespeare, murió a los 11 años. Desde entonces, el dramaturgo nunca volvió a pronunciar su nombre. Esta pérdida silenciosa marcó su vida y, según diversas interpretaciones, influyó profundamente en su obra. Te contamos cómo el duelo, el amor y la ausencia se entrelazan en esta historia real que revela una faceta íntima y casi desconocida del genio de Stratford, y cómo Hamnet resuena en la sombra de Hamlet. Y descubre más historias curiosas en el canal National Geographic y en Disney +. Learn more about your ad choices. Visit podcastchoices.com/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** The Queen has her doctor, Cornelius, bring her a vial of poison. In an aside, Cornelius tells us he's substituted it with a sleeping potion that will temporarily simulate death. The Queen tries to convince Pisanio to help make Imogen fall in love with her son Cloten, but Pisanio says nothing. She drops the poison, but when Pisanio tries to give it back to her, she tells him it's medicine and he should keep it to use whenever he's sick. Later, Iachimo arrives at the palace to win his bet with Posthumus. He tells Imogen that her husband has taken a prostitute and she believes him, but when he suggests she can get back at Posthumus by sleeping with him, Imogen realizes the story is a trick to get her into bed. She calls for Pisanio but Iachimo backtracks, pretending he was only testing Imogen's fidelity to her husband. Imogen believes his story and agrees to keep a trunk with valuable jewels in her room that night while Posthumus stays at the castle. Meanwhile, Cloten complains that no one will fight him because he's the Queen's son. The Lord showers him with praise and encouragement but mocks him behind his back. That night, Imogen falls asleep while reading in her bed. Iachimo emerges from the trunk and steals Posthumus's bracelet from her wrist. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY'S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

Obie Award–winning director, revered educator, and Richard Rodgers Dean and Director of the Drama Division at The Juilliard School, EVAN YIONOULIS joins host Nathan Winkelstein for a riveting conversation about one of William Shakespeare's most under-explored plays, King John. Yionoulis reads Constance's famous speech from Act 3, Scene 4 — “Thou art not holy to belie me so. I am not mad.” — sparking a rich discussion on the play's political tensions, emotional depth, and startling resonance with today's world. Together, they unpack the history behind the drama, its complexities, and why it still matters now.

Hear ye, hear ye! Gather around for ye olde podcaste! Forsooth, we gather here today to discuss the tragedy of "Hamnet," the 2025 film by Chloe Zhao. Open your heart and prepare for a real witchy movie about some guy named William Shakespeare and some play called Hamlet. Plus, a special guest tells us about her experience at the LA premiere for this movie, Chloe Zhao's breathing exercises, and almost fainting during this movie. And the rest is silence!

Hamnet (2025), Dir. Chloe Zhao Welcome to the first bonus episode where we take a few weeks to catch up on the best picture nominations we may have missed last year.  For this episode- Hamnet (2025) and all its wonderfully atmospheric 16th century emotional and incredible story of grief- Agnes and William Shakespeare deal with the loss of their son, Hamnet.    Should it have been nominated for best picture?  What did you think? The last 10 minutes of the film is pure and unadulterated magic- an example of how powerful the film medium can be: the absolute perfect marriage of sound and image on screen.  Don't miss it. 0:00:00 - Introductions and Banter 0:01:10 - Hamnet (2025), Dir. Chloe Zhao  Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also hosted by Christopher Boughan.   Visit the new Youtube channel, "Post Credits Podcast" to watch the video version.   Thank you for listening! Check us out on many podcast services: Apple Podcasts, Amazon Music, Google Podcasts, Spotify, Podbean. Check is out on YouTube for the full video each week: https://www.youtube.com/@Postcreditspodcast1

"Hamnet" is a biographical period film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on O'Farrell's 2020 novel. The film dramatizes the family life of William Shakespeare and his wife Agnes, as they cope with the death of their 11-year-old son Hamnet. It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson, Joe Alwyn, and Noah Jupe in supporting roles. The film had its world premiere at the 52nd Telluride Film Festival and received glowing reviews, with Buckley's performance receiving particular praise. The film has received numerous accolades, including winning the Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama for Buckley at the 83rd Golden Globe Awards, and eight nominations at the 98th Academy Awards, including Best Picture, Best Director for Zhao, and Best Actress for Buckley. It was listed among the top ten films of 2025 by the American Film Institute. Zhao, Mescal, and composer Max Richter were all kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia, while Ema Sasic got the chance to speak with Jacobi Jupe, production designer Fiona Crombie spoke with Dan Bayer, and Cody Dericks had the opportunity to chat with costume designer Malgosia Turzanska. Please be sure to check out the film, now playing in select theaters from Focus Features and available to watch from home. The film is up for your consideration for the 98th Academy Awards for Best Picture, Best Director, Best Actress, Best Adapted Screenplay, Best Casting, Best Costume Design, Best Production Design, and Best Original Score. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Welcome To The Party Pal hosts Michael Shields and Ryan O'Connell celebrate Hamnet, the 2025 period drama film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on the 2020 novel by O'Farrell. The film dramatises the family life of William Shakespeare and his wife Anne Hathaway as they cope with the death of their 11-year-old son Hamnet. It stars Jessie Buckley and Paul Mescal as Anne and William, alongside Emily Watson, Joe Alwyn, and Noah Jupe in supporting roles. In this episode Michael and Ryan discuss the riveting acting in Hamnet, Max Richter's infectious score, how art has the power to heal and awe, and so much more. Hosted on Acast. See acast.com/privacy for more information.

Pete and Joseph get sad together this week as they review another Best Picture nominee, Hamnet (2025). Chloe Zhao's follow up to Marvel's Eternals shows that she did not fall completely into the studio system, as she brings the viewer on a tale of how William Shakespeare may have written Hamlet. What points in his life led him to pen his classic play? Tune in, then watch for yourselfVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/DR93uBACh0khttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

When you visit a new city, one of your first stops might be a museum. It turns out that public art galleries are largely an 18th-century invention. In London in 1789, publisher John Boydell helped shape that new cultural experience with an ambitious project in Pall Mall: a gallery devoted entirely to scenes from Shakespeare. Boydell commissioned leading British artists to paint pivotal moments from the plays, then sold engraved reproductions for museum-goers to take home with them. The gallery quickly became a sensation and was visited by everyone who was anyone, from Jane Austen to the Prince of Wales. It also played a powerful role in transforming William Shakespeare from a popular playwright into a national icon. The venture ultimately failed due to the economic turmoil of the Napoleonic Wars, and the many life-size paintings were cut into smaller canvases and all sold at auction. Yet its influence endured, shaping exhibition culture, influencing a British school of art, and inspiring the visual mythology of The Joining us to explore the rise and fall of the Boydell Shakespeare Gallery are Rosie Dias, Professor of Art History at the University of Warwick, and Michael Dobson, Director of the Shakespeare Institute at the University of Birmingham. From the Shakespeare Unlimited podcast. Published February 23, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had technical help from Mike Rucinski of Boutique Recording in Great Malvern, and Voice Trax West in Studio City, California. Our web producer is Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services were provided by Clean Cuts at Three Seas, Inc.

Professor Ronan Hatfull literally wrote the book on the Reduced Shakespeare Company. His new book from Bloomsbury/Arden – Shakespeare in the Theatre: Reduced Shakespeare Company – is the very first full-length study to be published about the RSC. Focusing specifically on our Shakespearean reduction and adaptation, Ronan's book examines the origins and evolution of the company through the creation of The Complete Works of William Shakespeare (abridged), The Reduced Shakespeare Radio Show, William Shakespeare's Long Lost First Play (abridged), and The Comedy of Hamlet! (a prequel). Ronan shares his methodology; how he wanted to make his book accessible to the general reader; how he learned that the RSC carries on the 17th-century tradition of “drolls”; how the RSC injected a bit of danger and the unexpected into Shakespeare and influenced various folks like the Q Brothers and Potted Potter creator Daniel Clarkson; and how for a limited time, Arden Shakespeare is offering to RSC fans a 35% discount on the hardcover edition of the book! (Length 24:54) The post Reduced Shakespeare Book appeared first on Reduced Shakespeare Company.

TUESDAY HR 2 Explaining to Angelique that it's a compliment. RRR Trivia - 3 network shows that started 1st and ended 1st. William Shakespeare's wifes name and this actress. See omnystudio.com/listener for privacy information.

TUESDAY HR 2 Explaining to Angelique that it's a compliment. RRR Trivia - 3 network shows that started 1st and ended 1st. William Shakespeare's wifes name and this actress.

El escritor y filósofo Javier Gomá ha reflexionado sobre William Shakespeare y sus obras.

It was recently announced that Jamie Lloyd's acclaimed production of William Shakespeare's MUCH ADO ABOUT NOTHING will transfer to Broadway in the next season later this year.The production, which will once again star Tom Hiddleston and Hayley Atwell, will play at an as yet unannounced theatre, and is rumoured to be a precursor to the much talked about Broadway transfer of Evita starring Rachel Zegler.Check out Mickey-Jo's thoughts about each of these productions as well as all of the rumoured details he's heard so far...•00:00 | introduction03:03 | Much Ado about Nothing09:45 | further details16:51 | Evita transfer?25:01 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Birds have always been a source of inspiration for writers. Edgar Allen Poe, Maya Angelou, and William Shakespeare, to name a few, have all written about birds. But what is it about them that so captures our literary imagination? Words in Flight is an hour-long celebration of contemporary poetry about birds, and what they teach us about ourselves and our world.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** A writer describes the backstory of “Cymbeline” to her companion: King Cymbeline became the protector of Posthumus, the orphaned son of a valiant soldier. Cymbeline also had two sons of his own, Guiderius and Arviragus, and a daughter named Imogen. His two sons were kidnapped when they were young and have never been found. Cymbeline's wife died and he married a new queen, who had a son named Cloten. He wants Imogen to marry Cloten but she defies him by marrying Posthumus instead. The couple secretly exchange a ring and bracelet before Cymbeline banishes Posthumus in fury. Cloten tries to pick a fight with Posthumus but Posthumus avoids the conflict, choosing to go to his father's old friend Philario in Rome, and leaving his servant, Pisanio, behind with Imogen. Cloten boasts of his bravery as his servant ridicules him under his breath. Once in Rome, Posthumus meets a nobleman named Iachimo and a Frenchman who recalls Posthumus describing Imogen as fairer than the fairest ladies in France. Iachimo scoffs at this and wagers with Posthumus that he can seduce Imogen, betting against the ring that Imogen gave her husband. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY'S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Beau chats all about the life and career of William Shakespeare. Who was he, really? How much do we really know about him?

In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Say hello to the newest UK incarnation of the Reduced Shakespeare Company! Efé Agwele, Woogie Jung, Kiran Raywilliams, and Tom Pavey join director and RSC founder Adam Long to discuss our brand-new tour of The Complete Works of William Shakespeare (abridged) that's hitting at least 29 cities across the UK in this first half of 2026. The gang talks about how they were cast; their origins both humble and impressive; incorporating micro Shakespeare moments; experience with something called the Jesus College Shakespeare Project; our first live conversation from the back of the bus to Oxford University; and the key importance for touring actors to be "pre-loved-up"! (Length 27:44) (PICTURED, above l-r: Kiran Raywilliams, Efé Agwele, Tom Pavey (seated), and Woogie Jung. Photo by Michael Wharley.) The post New RSCUK Actors appeared first on Reduced Shakespeare Company.

With its bold stylization, pop soundtrack, and provocative sensibility, Emerald Fennell's new Wuthering Heights appeals to a contemporary audience so openly it can't help but call to mind Baz Luhrmann's 1996 adaptation of another literary classic about doomed lovers, William Shakespeare's Romeo + Juliet. Fennell citing it as a reference point for her film prompted us to revisit what made Lurhmann's approach so enticing and/or annoying at the time, and consider how its maximalist mix of reverence and irreverence toward the source material — not to mention an ascendant Leonardo DiCaprio in peak heartthrob mode — has turned it into a generation's formative Romeo and Juliet.  Please share your thoughts about William Shakespeare's Romeo + Juliet, Wuthering Heights, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Like Christopher Marlowe, William Shakespeare made good use of his time off when the theatres were shut for plague in 1593. 'Venus and Adonis' appeared in quarto that year and become by far the most popular work Shakespeare published in his lifetime, running to ten editions before his death (compared to just four for Romeo and Juliet). In this episode, Seamus and Mark consider the many ways in which Shakespeare's poem displays its author's remarkable originality, from its peculiar reshaping of the Ovidian myth into a tale of comic mismatch, to its surprising diversion into the psychology of grief. They then look at his disturbing follow-up, 'The Rape of Lucrece' (1594), in which a chilling depiction of self-conscious, premeditated evil anticipates characters such as Iago and Macbeth. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Further reading in the LRB: Stephen Orgel on Shakespeare's poems: https://lrb.me/npshakespeare01 Barbara Everett on the sonnets: https://lrb.me/npshakespeare02

Pra muitos, o único que divide o pódio de maior da literatura com Homero. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a vida e o trabalho de William Shakespeare.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal no YouTube e assista o História em Dez Minutos!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- BLOOM, Harold. Shakespeare: A invenção do humano. Rio de Janeiro: Objetiva, 2001.- DOBSON, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon Press, 1992.- GREENBLATT, Stephen. Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton, 2004.- NOGUEIRA, Milton. Shakespeare: Vida e obra. São Paulo: Perspectiva, 2014.- SHAKESPEARE, William. Hamlet; Macbeth; Rei Lear; Otelo. Diversas edições. Tradução de Barbara Heliodora. São Paulo: Nova Fronteira, 2011- WELLS, Stanley; TAYLOR, Gary (orgs.). William Shakespeare: The Complete Works. Oxford: Oxford University Press, 2005.

In this episode, we review the 2025 historical tragedy film Hamnet, directed by Chloé Zhao, who co-wrote the screenplay with Maggie O’Farrell. The film is based on O’Farrell’s 2020 novel and stars Jessie Buckley, Paul Mescal, and Emily Watson. We discuss whether this origin story for one of William Shakespeare’s famous plays was entertaining. We also debate whether the film should be nominated for Best Picture at this year’s Academy Awards.See omnystudio.com/listener for privacy information.

[School of Everything Else 2026] It's not often we talk about audiodramas on here, the last one I recall that wasn't made by me was the phenomenal World War Z in 2011. THESE three were what I needed in order to care about Star Wars again. Scholar Ian Doescher published the first three (of what would expand to nine and beyond) in lovely hardback book form between 2013 and 2014 envisioning how The Star Wars Original Trilogy would have sounded had it been written by William Shakespeare. But the audio versions we had not listened to until recently, and we absolutely love them. On this show you will be transported to a galaxy far, far away, one dimension over from the version we're all familiar with, where Rebels and Imperials alike speak in iambic pentameter and soliloquise their innermost thoughts and motivations. It's funny as hell, often rather disarmingly touching and helps garner a fresh perspective on these immortal tales.

Steven welcomes writer and historian David Kruh to this episode to discuss the famous Trial of William Shakespeare that took place in a Chicago courtroom in 1916. Learn details about the trial, what the court ruled, and how it all played out. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Clare Jaget, Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Frank Lawler, Garrett Jackson, Heidi, James Warren, Jen Swan, John Creider, John Eddings, Jon Foss, Kara Elizabeth Martin, Michael Hannigan, Neal Riesterer, Patricia Carrelli, quizzi, Richard Wood, Sandi Boney, Sheila Kethley, Stephen Hopkins, Teacher Mallory, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

Merriam-Webster's Word of the Day for February 1, 2026 is: gargantuan • gahr-GAN-chuh-wun • adjective Gargantuan describes something that is very large in size or amount; something gargantuan is, in other words, gigantic. // Bigfoot is said to be a creature of gargantuan proportions. See the entry > Examples: “By the late 1870s, he was asked to take part in the gargantuan task of evaluating and cataloguing the results of the five-year Challenger expedition—an ambitious British global research voyage, the first ever dedicated purely to science. [Ernst] Haeckel's contribution to the final 50-volume Report of the Voyage of H.M.S. Challenger took a decade to complete and spanned three volumes, 2,750 pages, and 130 plates.” — Michael Benson, Nanocosmos: Journeys in Electron Space, 2025 Did you know? Gargantua is the name of a giant king in François Rabelais's 16th-century satiric novel Gargantua, the second part of a five-volume series about the giant and his son Pantagruel. All of the details of Gargantua's life befit a giant. He rides a colossal mare whose tail switches so violently that it fells the entire forest of Orleans. He has an enormous appetite, such that in one incident he inadvertently swallows five pilgrims while eating a salad. The scale of everything connected with Gargantua led to the adjective gargantuan, which since William Shakespeare's time has been used for anything of tremendous size or volume.

Shuffling under the mortal coil this week (aka hosting the Gabfest), it's our OG players Steve, Dana, and Julia. Like a morose Danish prince contemplating a human skull, they gaze upon the Oscar nominated Hamnet, based on the novel by Maggie O'Farrell inspired by William Shakespeare's life. Directed by Chloé Zhao and starring Jessie Buckley and Paul Mescal, Hamnet has brought some critics to tears and left others cold. Our hosts share where they landed.Next, they boot up the Netflix content machine to view The Rip, a new cop caper reuniting Matt Damon and Ben Affleck. Do the boys from Boston (illogically playing Miami cops) make good again? Finally, they welcome New Yorker writer Clare Malone to discuss her recent profile of the deeply polarizing, newly-appointed head of CBS News Bari Weiss. In a special add-on, Isaac Butler leaves a voice memo to share his vituperative take on Hamnet—as outlined in a recent Slate piece. The Hamnet discourse continues in a bonus episode exclusively for Slate Plus subscribers wherein the gang unpacks the film's ending. Is the play indeed the thing?EndorsementsDana: The book Hamnet by Maggie O'Farrell especially the audiobook version read by Jessie Buckley.Julia: The hilarious video of Matt Damon and Ben Affleck with Jimmy Fallon naming all the towns in Massachusetts on The Tonight Show, the sober, intelligent New York Times opinion round table between Lydia Polgreen, David French, and Michelle Goldberg about ICE raids in Minneapolis and the killing of Alex Pretti, and the still deeply timely film I'm Still Here.Steve: The film Sentimental Value and the double album Sing the Children Over & Sand In My Shoe by the singer/songwriter Kath Bloom as well as the Kath Bloom cover “Come Here” by the band The Concretes.--Email us your thoughts at culturefest@slate.com. Podcast production by Kevin Bendis. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

MUSICMaynard James Keenan, the lead vocalist of Tool, A Perfect Circle, and Puscifer, expressed on Steve-O's podcast that he now considers the song "4°" from Tool's 1993 album "Undertow" to be "stupid" due to its lyrics. https://loudwire.com/maynard-james-keenan-tool-song-stupid/ The Eagles' album "Their Greatest Hits 1971-1975" has become the first to achieve quadruple diamond certification from the RIAA, indicating over 40 million units sold. https://www.the-independent.com/arts-entertainment/music/news/the-eagles-greatest-hits-album-b2905358.html Metallica have teamed up with Dr. Martens for a new line of shoes. The 1460 boot uses artwork from the band's 1988 Damaged Justice tour and the 1461 shoe features artwork from the 1986 Damage Inc. tour. Both go on sale January 29th. TVFormer Real Housewife Bethenny Frankel has stage 2 kidney disease. According to Page Six, https://pagesix.com/2026/01/22/celebrity-news/bethenny-frankel-announces-stage-2-kidney-disease-diagnosis/ Gwyneth Paltrow recently shared her strategies for managing anxiety during an Instagram AMA (Ask Me Anything). https://people.com/gwyneth-paltrow-gives-her-advice-for-managing-anxiety-shouting-at-the-bushes-it-helps-11890157 AND FINALLYNominations for the 98th Academy Awards are out!Actors Danielle Brooks and Lewis Pullman revealed the nominees. Sinners received 16 nominations; a record-breaking nomination count for the most in Academy Awards history. The supernatural thriller received nominations for best picture; director (Ryan Coogler); actor (Michael B. Jordan); supporting actress (Wunmi Mosaku); actor in a supporting role (Delroy Lindo); and original screenplay. Timothée Chalamet is 30 years and 26 days old, Chalamet just became the youngest male actor to receive three Oscar nominations since Marlon Brando, who achieved this feat at age 29 in 1954. Steven Spielberg has broken his own record for the most Oscar nominations as a producer, bringing his total to 14 with the nomination for Best Picture for the film "Hamnet." One Battle After Another received 13 nods, including Best Picture.The Snubs:The Cold Shoulder: The Biggest Snubs of the 2026 Oscar NominationsThe Wicked Witch of the West... Gone?The biggest shocker of the morning has to be the complete erasure of Wicked: For Good. Just last year, the first installment picked up 10 nominations. This year? Zero. Zilch.Ariana Grande and Cynthia Erivo, who were both nominated for the first film, were completely shut out of the acting categories. Even the music branch turned its back on the franchise, ignoring the two new songs written specifically for the film. It seems the magic ran out for the sequel.Paul Mescal's Shakespearean TragedyIf you were betting on Paul Mescal picking up a nomination for playing William Shakespeare in Hamnet, you lost money today. While the film itself did well—and his co-star Jessie Buckley secured a nomination—Mescal was noticeably absent from the list. It's a tough break for an actor who has been a darling of the awards circuit lately.The Strange Case of Chase InfinitiHere is a genuine head-scratcher: One Battle After Another is a massive favorite, racking up 13 nominations. Yet, its breakout lead actress, Chase Infiniti, didn't make the cut. Some insiders think her limited screen time (she's in the movie for about 30 minutes) might have hurt her chances, but considering she's the heart of the film, her absence in the Best Actress category is glaring.Guillermo del Toro Gets the "Argo" TreatmentThe Academy clearly loved Netflix's Frankenstein—it scored nine nominations, including Best Picture. But they apparently didn't love Guillermo del Toro quite enough to give him a Best Director nod. The Directors branch is notoriously finicky, and this year, they left the beloved filmmaker off the list.Blockbuster FatigueAvatar: Fire and Ash failed to secure a Best Picture nomination, a category the previous two films sailed into easily. It seems voters might finally be feeling some Pandora fatigue.Star Power Didn't Save ThemBeing an A-lister didn't help anyone this morning.George Clooney & Adam Sandler: Their film Jay Kelly was completely shut out. Usually, a Noah Baumbach movie is catnip for voters, but this one came up empty.Dwayne "The Rock" Johnson: Despite a serious campaign for his dramatic turn in The Smashing Machine, he couldn't crack the lineup.Jennifer Lawrence: She gave a ferocious performance in Die My Love, but the film was likely too gritty and indie for the broader voting body.The show, hosted by Conan O'Brien, airs live on ABC on March 15th. Here are the nominees:Best PictureBugoniaF1FrankensteinHamnetMarty SupremeOne Battle After AnotherThe Secret AgentSentimental ValueSinnersTrain DreamsBest DirectorChloé Zhao - HamnetJosh Safdie - Marty SupremePaul Thomas Anderson - One Battle After AnotherJoachim Trier - Sentimental ValueRyan Coogler - SinnersBest ActorTimothée Chalamet - Marty SupremeLeonardo DiCaprio - One Battle After AnotherEthan Hawke - Blue MoonMichael B. Jordan - SinnersWagner Moura - The Secret AgentBest ActressJessie Buckley - HamnetRose Byrne - If I Had Legs I'd Kick YouKate Hudson - Song Sung BlueRenate Reinsve - Sentimental ValueEmma Stone - BugoniaBest Supporting ActorBenicio del Toro - One Battle After AnotherJacob Elordi - FrankensteinDelroy Lindo - SinnersSean Penn - One Battle After AnotherStellan Skarsgård - Sentimental ValueBest Supporting ActressElle Fanning - Sentimental ValueInga Ibsdotter Lilleaas - Sentimental ValueAmy Madigan - WeaponsWunmi Mosaku - SinnersTeyana Taylor - One Battle After AnotherAND THAT IS YOUR CRAP ON CELEBRITIES!