Podcast appearances and mentions of richard paul

Spinal and bulbar muscular atrophy (SBMA), also known as Kennedy's disease, is a rare, progressive neuromuscular disorder that is often misdiagnosed and diagnosed late. A new CMAJ guideline offers Canadian-specific recommendations for its recognition and management.On this episode we hear from Richard Paul, a former bus driver from Saskatoon, who recalls how his symptoms began suddenly with an inability to bite into a sandwich and, over the years, progressed so gradually he barely noticed the loss of strength. His experience captures both the slow, inexorable progression of SBMA and the uncertainty of living without a diagnosis for decades.Mr. Paul was finally diagnosed by Dr. Kerri Schellenberg, a neuromuscular neurologist at the University of Saskatchewan and lead author of the guideline. She explains the clinical hallmarks of SBMA, its overlap with conditions such as ALS, and the non-motor manifestations that require attention. She also discusses the higher prevalence among Indigenous populations in Canada and how her team worked with a community Guiding Circle to ensure the recommendations reflect culturally appropriate care.For physicians, the guideline provides practical direction to support earlier recognition, timely referral, and multidisciplinary management. While there is no cure, coordinated care can significantly improve quality of life for people living with SBMA.For more information from our sponsor, go to md.ca/md-differenceComments or questions? Text us.Join us as we explore medical solutions that address the urgent need to change healthcare. Reach out to us about this or any episode you hear. Or tell us about something you'd like to hear on the leading Canadian medical podcast.You can find Blair and Mojola on X @BlairBigham and @DrmojolaomoleX (in English): @CMAJ X (en français): @JAMC FacebookInstagram: @CMAJ.ca The CMAJ Podcast is produced by PodCraft Productions

Richard Paul White's life was filled with violence, fear, and manipulation—but did his past shape him into a serial predator, or was the evil already inside him? This episode of Almost Fiction explores the disturbing transformation of a man who claimed demons made him kill.Sources:I Am a Killer: Richard Paul White. By SE King for MorningCoffeeandCrime.com. March 27, 2023.Killers' Families Left to Confront Fear and Shame. By Serge F. Kovaleski. Feb. 4, 2012.https://www.investigationdiscovery.com/video/evil-lives-here-investigation-discovery/my-brothers-secrethttps://www.peacocktv.com/watch/asset/tv/i-lived-with-a-killer/6072212492067750112?orig_ref=https://www.google.com/Access ad-free episodes, bonus content, and get all of the 11:59 Media Podcast library!Access hours of extra content each week, exclusive merch, and early access to new podcasts.Visit https://1159plus.com or https://www.patreon.com/1159media 

When Richard finally decided not to worry about what others thought, he publicly put his trust in Jesus. His life changed. Drugs and alcohol were left behind and God restored his marriage. Richard is a musician who sings about his Faith in Jesus. You can hear his music on this program and online here: https://music.apple.com/us/artist/richard-paul/1715508737

Cocaine had a hold of him... and he couldn't break it's grip. His life was falling apart. His wife had left him numerous times. Richard's addictions were destroying his family. His wife starting attending church - which really angered him. But it didn't stop her. One day he decided to go with her. And something began to happen in his heart.

Richard got involved in alcohol and drugs early in life. Even though everything looked fine on the outside, he was being torn apart inside. He was caught. One night, while watching tv he came across a preacher who seemed to be talking right to him.

Olivia Hussey, whose spirited portrayal of Juliet when she was just a teenager herself became iconic for generations of people watching the 1968 film adaptation of Shakespeare's play, died on December 27, 2024. In 2019, we were lucky enough to record an interview with Hussey. To honor her life and work, we're bringing it to you again. Olivia Hussey was just fifteen when Franco Zeffirelli cast her in Romeo and Juliet. When the film was released in October 1968, it catapulted her and Leonard Whiting, the young actor playing Romeo, to global stardom. For many Shakespeare lovers, Zeffirelli's film is still the definitive film adaptation of the play. Fifty years after the movie's release, Hussey's memoir, The Girl on the Balcony: Olivia Hussey Finds Life After Romeo and Juliet, told the story of the actress's life before, during, and after Romeo and Juliet. We talked with Hussey and asked her how she felt about Shakespeare before making the movie (“very boring”), filming the balcony scene (“I'd bump my teeth into his chin”), the endless press tour, and whether she'd do it all again. Barbara Bogaev interviews Olivia Hussey. From the Shakespeare Unlimited podcast. Originally published on January 22, 2019, and rebroadcast on January 13, 2025 © Folger Shakespeare Library. All rights reserved. This podcast episode, “Speak Again, Bright Angel,” was produced by Richard Paul. Garland Scott is the Associate Producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer; updated by Paola García Acuña. We had technical help from Andrew Feliciano and Paul Luke at VoiceTrax West in Studio City, California.

Ending the year on a book review! Let us know if you have heard of this novel before! -          Please send your emails to heresjohnnypodcast@gmail.com -          To join our community, feel free to join our discord! (https://discord.gg/htr6kRB) -          Check out our past reviews and lists on our show website at https://www.heresjohnnypodcast.com/ -          If you are able, you can support us on Patreon (patreon.com/heresjohnnypodcast)

On this episode, we'll explore how our quality of life is intricately connected to your ability to think critically. I provide a few strategies to enhance your mindset and boost decision making. Books to help you improve your critical thinking skills:1. Thinking, Fast and Slow by Daniel Kahneman2. The Art of Thinking Clearly by Rolf Dobelli3. Critical Thinking: Tools for Taking Charge of Your Professional and Personal Life by Richard Paul and Linda Elder

Richard Paul Watson talks to Shane about his efforts growing and breeding a wide range of vegetable crops in windy New Zealand, and his successes in building a network of seed growers to create a collective seed sales organisation, the Sentinels Group.Check out more of Richard's work at https://www.sentinelsgroup.co.nz

This week's program is a special edition, brought to you by our friends at Center Maryland with industry disruptor, Quantum Loophole, the first master-planned data center community reshaping the way site selection and giga-watt scale data centers are brought to market. Richard Paul-Hus joins Center Maryland's The Lobby to discuss the Quantum Loophole data project in Maryland. In 2021, Quantum Loophole acquired over 2,100 acres of land in Frederick County, Maryland to develop a first-of-its kind master-plan data center community. Richard Paul-Hus is the Senior Vice President of Quantum Loophole. Learn more about the Quantum Loophole project here. Building Data Centers – And Maryland's Future: https://centermaryland.org/blog/building-data-centers-and-marylands-future/  Subscribe to Center Maryland's Daily Newsletter, The Morning Rundown, here.

In this first episode of our Critical Thinking 101 series, Hannah joins us to discuss the intellectual virtues of a critical thinker as defined by critical thinking thought-leaders, Linda Elder & Richard Paul.   Follow along & review the list of virtues here: Intellectual Virtues & Sources   Follow us on Instagram/Threads at @theaetetus.podcast. Also, help get the word out by subscribing on your favorite podcast app & leaving a rating. Please reach out if you have questions, comments, or would like to be interviewed at theaetetuspodcast@gmail.com.

On this week's minisode, Steve is joined by Richard Paul, Propellernet's Creative Director. This time it's all about ideas, with conversation topics including creative campaigns, how to overcome an ideas block, and what Richard does in the shower that Steve does in the car....

Richard Paul is the founder of Art of the Spirits, a cask strength whiskey company. Every bottle they put out is cask strength, and most of them are single barrels. Richard came to St. Louis to release a few barrel picks he did in the area and Dan quickly joined him at the St Louis Bourbon Society Speakeasy for some time on the casting couch...I mean office... Take a look at https://artofthespirits.com/

Hôm nay mình xin chia sẻ tới các bạn một cuốn sách cực kỳ bổ ích về Tư duy phản biện, mang tên "Critical Thinking: Tools for Taking Charge of Your Professional and Personal Life", tạm dịch là "Tư duy phản biện – Công cụ để đảm đương công việc và cuộc sống" của Richard Paul và Linda Elder. ------------------------- ❤️ ỦNG HỘ KÊNH TẠI: ⁠https://beacons.ai/betterversion.donate⁠

This new show is a bit crazy. The listeners send me messages letting me know that my life is so bad it makes them feel great about their life! Ha! Another shout out to a listener Richard Paul and then … Continue reading →

Steve and Jeremy interview Reneé Bemis, co-founder of Driftless Glen Disitllery in Baraboo, Wisconsin. Richard Paul about his brand, Art of the Spirits. The Bourbon Show music (Whiskey on the Mississippi) is by Kevin MacLeod (incompetech.com). Important Links: Steve Akley's New Book, Bourbon Assignments: https://amzn.to/2Y68Eoy ABV Network Shop: https://shop.abvnetwork.com/ YouTube: https://bit.ly/3kAJZQz Our Club: https://www.abvnetwork.com/club Patreon: https://www.patreon.com/theabvnetwork Check us out at: abvnetwork.com. Join the revolution by adding #ABVNetworkCrew to your profile on social media.

Steve and Jeremy interview Richard Paul about his brand, Art of the Spirits. The Bourbon Show music (Whiskey on the Mississippi) is by Kevin MacLeod (incompetech.com). Important Links: Steve Akley's New Book, Bourbon Assignments: https://amzn.to/2Y68Eoy ABV Network Shop: https://shop.abvnetwork.com/ YouTube: https://bit.ly/3kAJZQz Our Club: https://www.abvnetwork.com/club Patreon: https://www.patreon.com/theabvnetwork Check us out at: abvnetwork.com. Join the revolution by adding #ABVNetworkCrew to your profile on social media.

A new opera version of Hamlet is onstage at New York's Metropolitan Opera through June 9. Composer Brett Dean and librettist Matthew Jocelyn talk with host Barbara Bogaev about adapting the texts of the earliest editions of Hamlet to create a libretto that subverts expectations and composing orchestrations that take audiences inside the minds of Hamlet and Ophelia. The Saturday, June 4 performance of Hamlet will be transmitted live to movie theaters around the world via The Met's Live in HD series. Watch it at a cinema near you. Brett Dean is the composer and Matthew Jocelyn is the librettist for Hamlet, which premiered at Britain's Glyndebourne Festival in 2017. The opera is onstage at the Metropolitan Opera through June 9. From the Shakespeare Unlimited podcast. Published May 24, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Sing Thee to Thy Rest,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California.

Director Oleksandr “Les” Kurbas's 1920 Macbeth was the first production of a Shakespeare play in Ukraine. Kurbas staged the play in the midst of the famine and violence of the Russian Civil War: Lady Macbeth fainted from hunger in the wings, and Kurbas used series of hand signals to warn the actors onstage that they were about to be shot at. Kurbas was one of the main subjects of “‘What's Past is Prologue': Shakespeare and Canon Formation in Early Soviet Ukraine,” a presentation given by Dr. Irena Makaryk at Shakespeare and the Worlds of Communism, a 1996 conference sponsored by the Folger, Penn State University, and the Russian Embassy in Washington. The event looked at Shakespeare's role in the formation of culture within the bloc of countries that had been allied with the newly-collapsed Soviet Union. Makaryk's paper explored the ways Ukrainians used Shakespeare's plays to assert the existence and value of Ukrainian culture. She also examined how the Russians—first the Czars, and then the Soviets—repressed Ukrainian theater order to keep Ukrainian culture under their thumb. As Vladimir Putin's savage invasion of Ukraine continues, we spoke with Makaryk about her research on Shakespeare, theater, and Ukrainian national identity. She is interviewed by Barbara Bogaev. Dr. Irena Makaryk is a Distinguished University Professor in the Department of English at the University of Ottawa. Her book Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics was published by the University of Toronto Press in 2004. You can read her paper “‘What's Past is Prologue': Shakespeare and Canon Formation in Early Soviet Ukraine” in Shakespeare in the Worlds of Communism and Socialism. The paperback edition was published by the University of Toronto Press in 2013. From the Shakespeare Unlimited podcast. Published May 10, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “I Do but Dream on Sovereignty,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano, Lucas Kuzma and Evan Marquart at Voice Trax West in Studio City, California.

Join John, Jenn, Randy Bell and RFM as we go through Randy's 15 steps of critical thinking for Mormons. What steps did you skip as an active believing Mormon? Show Notes: Post Traumatic Thriving Mormonism Live Heaven's Gate Mormon Stories Podcast with Randy Bell Mormon Stories Podcast with RFM Mormon Stories "From TBM to RFM Part 1" Mormon Stories "From TBM to RFM Part 2" Miniature Guide to Critical Thinking by Richard Paul and Linda Elder Tom Phillips Case Hugh Nibley Recovering Agency Mormon Stories Luna Lindsey Combating Cult Mind Control by Steven Hassan Steven Hassan on Mormon Stories ————— We are 100% donor funded! Please click HERE to donate and keep this content coming! Click here to donate monthly: $10 $25 $50 ————— MSP on Spotify MSP on Apple Podcasts MSP Blog Instagram Patreon TikTok Discord   Contact Us! *MormonStories@gmail.com *PO Box 171085 Salt Lake City, UT 84117

Madison school board approves new career tech director: https://www.richlandsource.com/education/madison-school-board-approves-new-career-tech-director/article_fcf4f1fc-c8cc-11ec-b191-67d05954dda2.html Out of this world: Coyne Incident focused UFO attention on north central Ohio in 1973: https://www.richlandsource.com/area_history/out-of-this-world-coyne-incident-focused-ufo-attention-on-north-central-ohio-in-1973/article_5f6ee1be-c4ca-11ec-a36f-3b450ce4e0e8.html 179th salutes end to flying mission, preps to make cyber warfare history: https://www.richlandsource.com/business/community_development/179th-salutes-end-to-flying-mission-preps-to-make-cyber-warfare-history/article_c0d0b402-c7c0-11ec-8f97-7fc47da54fad.html Richard Paul Clinage: https://www.richlandsource.com/obituaries/richard-paul-clinage/article_24b4332a-c7c3-11ec-b615-7b60c297fb49.html Jacob Grove has witnessed first-hand the excitement and passion students have for their career technical education courses. Now, he wants to continue building the program at Madison Comprehensive High School. Grove was recently approved by the school board to take on a new role next fall as career tech director. He currently serves as assistant principal.Support the show: https://www.sourcemembers.com/See omnystudio.com/listener for privacy information.

In Hamlet, Shakespeare writes that theater holds a “mirror up to nature.” In his new book, Princeton professor Leonard Barkan tells us that when he reads Shakespeare, it holds a mirror up to Leonard Barkan—and that when you read Shakespeare, it holds up a mirror to you. When most of us read, Barkan reminds us, we bring our own experiences to the text, asking personal questions like “What about my life?” and “How does this make me feel?” His book Reading Shakespeare Reading Me combines memoir and literary criticism, analyzing ten Shakespeare plays and locating their parallels in the intimate details of his parents' marriages and early lives, his coming of age as a gay man, and many of the deaths, loves, achievements, and disappointments that have made up his time on Earth. Leonard Barkan is interviewed by Barbara Bogaev. Leonard Barkan is the Class of 1943 University Professor at Princeton University. He is the author of numerous books including The Hungry Eye: Eating, Drinking, and the Culture of Europe from Rome to the Renaissance; Michelangelo: A Life on Paper; and Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture. Reading Shakespeare Reading Me was published by Fordham University Press in 2022. From the Shakespeare Unlimited podcast. Published April 26, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Who Is It That Can Tell Me What I Am?” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California, and Josh Wilcox and Walter Nordquist at Brooklyn Podcasting Studio in New York.

In 1921, Asta Nielsen, one of the world's biggest movie star in the world had just formed her own production company, and decided to open it up by playing Hamlet. Plenty of women had done that on the stage in the 19th century, but Nielsen's performance had a twist. Inspired by a mysterious American's quirky book, Nielsen decided to make a version of Hamlet where the lead character was born a woman, a fact that was kept secret from nearly all of the play's characters for her entire life. We talk about this film and Nielsen's remarkable career with Pamela Hutchinson, a writer and film historian who recently curated the British Film Institute's Asta Nielsen film festival about Nielsen's Hamlet. Pamela Hutchinson is a freelance writer, film historian, and curator. You can read her film writing in Sight & Sound, Criterion, and in The Guardian. She's a regular on BBC radio. Her website, devoted to silent films, is Silent London, at silentlondon.co.uk. Visit the British Film Institute's website at bfi.org.uk for information about their recently concluded Asta Nielsen film festival. Find Hamlet and more of Nielsen's films on the Danish Film Institute's website, stumfilm.dk. From the Shakespeare Unlimited podcast. Published April 12, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “What Woman Then?,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano at Voice Trax West in Studio City, California, and Ali Gavan at Brighton Road Recording Studios in South Downs National Park, West Sussex, England.

Women didn't act on London's professional stages until after the Restoration of the English monarchy in 1661. But Dr. Pamela Allen Brown, author of The Diva's Gift to the Shakespearean Stage, believes that the movement towards women in the theater actually began in the 1570s, when Italy's commedia dell'arte troupes first stepped set foot in London. The troupes featured something most English people hadn't seen at that point: the Divina—a woman who played the Innamorata role, one of the two lovers in plays we'd characterize today as romantic comedies. English diplomats had seen the women who played these parts—who would later be called “divas”—but in the 1570s, divas started coming to England. And, Professor Brown says, their presence began to change attitudes about what theater could be, what plays should be about, and—maybe most importantly—about what kinds of people could play female roles. Pamela Allen Brown is interviewed by Barbara Bogaev. Pamela Allen Brown is a Professor of English at the University of Connecticut at Stamford. Her previous books include Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England, published by Cornell University Press in 2003, and Women Players in Early Modern England: Beyond the All-Male Stage, which she co-edited with Peter Parolin. That was published by Ashgate in 2005. Her new book, The Diva's Gift to the Shakespearean Stage, was published by Oxford University Press in 2021. From the Shakespeare Unlimited podcast. Published March 29, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “I Shall See Some Squeaking Cleopatra Boy My Greatness,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California, and Josh Wilcox and Walter Nordquist at Brooklyn Podcasting Studio in Brooklyn, New York.

An Argentine woman translates "A Midsummer Night's Dream" while incessantly taping travel postcards to a wall. An actress in Buenos Aires seduces her colleague while rehearsing a scene for "Twelfth Night." A theater troupe flirts its way through rehearsals of "As You Like It" in an Argentine forest. If you're noticing a pattern here, you're not mistaken. These scenes all come from the films of Argentine filmmaker Matías Piñeiro. Born in Buenos Aires and now living in New York, Piñeiro has developed a cycle of six beautifully-filmed movies he calls “The Shakespeare Reads,” all of which are based around the female roles in Shakespeare's comedies. Piñeiro talks with Barbara Bogaev about his unique approach to his work and his craft. Matías Piñeiro is a screenwriter, director, and filmmaker. The six films in his “The Shakespeare Reads” series are "Rosalinda," "Viola," "The Princess of France," "Hermia & Helena," "Isabella," and the short film "Sycorax." Stream all of these films on MUBI, or buy them on Blu-ray and DVD from the Cinema Guild. Piñeiro teaches filmmaking at Brooklyn's Pratt Institute and coordinates the filmmaking department at the Elías Querejeta Film School in San Sebastián, Spain. From the Shakespeare Unlimited podcast. Published Tuesday, March 15. © Folger Shakespeare Library. All rights reserved. This podcast episode, “To Play a Pleasant Comedy,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California, and Josh Wilcox at Brooklyn Podcasting Studio in Brooklyn, New York.

Over the centuries there have been hundreds of editions of Shakespeare's plays: Small, inexpensive schoolbook copies of individual plays, massive, leatherbound editions of the complete works, and everything in between. At some point, every one of those editions passed under the eyes of an editor who decided which version of which disputed word would be included, how characters' names would be spelled, whether a quarto's version was the best to use here or maybe the version in the First Folio, and so on. While the names of the many of Shakespeare's male editors are well-known, up until now there has been little to nothing written about another group of Shakespeare editors: Women, who—since the early 19th century—have labored editing Shakespeare in the shadows of men, sometimes getting no credit at all, and sometimes—as you'll hear—only getting blame. While Molly Yarn was writing her doctoral thesis on women editing Shakespeare, she discovered almost seventy female editors of Shakespeare. Now, she's written about them in a new book, Shakespeare's “Lady Editors.” She talks with Barbara Bogaev about Elizabeth Inchbald, Laura Valentine, Charlotte Stopes, and their editorial sisters in the 19th and early 20th centuries. Dr. Molly G. Yarn, an independent scholar living in Athens, GeorgiA, is the author of Shakespeare's ‘Lady Editors': A New History of the Shakespearean Text. It was published by Cambridge University Press and released in the United States in 2022. From the Shakespeare Unlimited podcast. Published March 1, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “A Woman's Voice May Do Some Good” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano at Voice Trax West in Studio City, California, and Andrew Feyer at Brooklyn Podcasting Studio in New York.

Richard is the founder and President of Richard A. Paul, Jr., CPA, P.C and has been an entrepreneur for 22 years. Website: https://www.richardpaulcpa.com/ Linkedin: https://www.linkedin.com/in/richard-paul-jr-09915619/ Facebook: https://www.facebook.com/Foandi CallumConnects Micro-Podcast is your daily dose of wholesome entrepreneurial inspiration. Hear from many different entrepreneurs in just 5 minutes what hurdles they have faced, how they overcame them, and what their key learning is. Be inspired, subscribe, leave a comment, go and change the world! Every entrepreneur featured has been recommended by one of our previous guests. www.CallumLaing.com

Even 400 years after his death, William Shakespeare's influence is profound. But is it right to say that he changed everything? That the assertion Stephen Marche makes in his book "How Shakespeare Changed Everything." In the book, Marche catalogs Shakespeare's influence on (among other things) sex, language, psychology, and starlings. He talks with Barbara Bogaev about those legacies and more. Stephen Marche is a novelist, essayist, and cultural commentator. His book "How Shakespeare Changed Everything" was originally published by Harper Collins in 2011. His newest book, "The Next Civil War: Dispatches from the American Future," has just been published by Simon & Schuster. From the Shakespeare Unlimited podcast. Published February 15, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Influence Is Thine,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Jenna McClennan at Voice Trax West in Studio City, California.

Between 1821 and 1960, it would have been vanishingly rare to see a Black woman onstage performing Shakespeare. In Dr. Joyce Green MacDonald's chapter in the new Cambridge Companion to Shakespeare and Race, “Actresses of Color and Shakespearean Performance,” she digs deep into the history of American professional theater in the United States to find records of every Black woman who has been paid to perform or recite Shakespeare on stage in the United States. Barbara Bogaev talks with MacDonald about four performers who took to the stage in those 139 years: The African Grove Theatre's “Miss Welsh,” Henrietta Vinton Davis, Adrienne McNeil Herndon, and Jane White. Dr. Joyce Green MacDonald is an Associate Professor of English in the College of Arts and Sciences at the University of Kentucky and a trustee of the Shakespeare Association of America. In 2011, she participated in the Folger Institute conference “An Anglo-American History of the KJV.” MacDonald's new book, Shakespearean Adaptation, Race, and Memory in the New World, has just been published by Palgrave Macmillan. Her chapter “Actresses of Color and Shakespearean Performance: The Question of Reception” appears in the new Cambridge Companion to Shakespeare and Race, published by Cambridge University Press. From the Shakespeare Unlimited podcast. Published February 1, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, ““Between You and the Women the Play May Please,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California, and Nick Stevens and Caleb Songer at Downtown Recording in Louisville, Kentucky.

Steve and McNew interview moonshiner Pappy G and Richard Paul from Art of the Spirits for the sixth episode of season two of their YouTube series, The Bourbon Talk Show. TBD music is by Kevin MacLeod (incompetech.com). Important Links: Steve Akley's New Book, Bourbon Assignments: https://amzn.to/2Y68Eoy ABV Network Shop: https://shop.abvnetwork.com/ YouTube: https://bit.ly/3kAJZQz Patreon: https://www.patreon.com/theabvnetwork Check us out at: abvnetwork.com. Join the revolution by adding #ABVNetworkCrew to your profile on social media.

Once upon a time Richard Paul Evan's daughter asked him if he had ever seen a millionaire. He responded with he saw one in the mirror everyday as he shaved. So what are the lessons we can learn from everyday millionaires? What do they do about clothes, cars, and houses? And are they often flamboyant or ostentatious? --- Support this podcast: https://anchor.fm/frugal2free/support

It might surprise you to learn that just about every production of a Shakespeare play that you've ever seen onstage has been cut, from student shows to Broadway revivals. Cutting Plays for Performance: A Practical and Accessible Guide, a new book by Aili Huber and Dr. Toby Malone, lays out some of the reasons that theater-makers cut Shakespeare's plays, and suggests some handy questions directors and dramaturgs should ask themselves as they take a pen to the plays. Barbara Bogaev interviews Huber about the argument that brought Huber and her co-author together, strategies for cutting plays, and how a good cut can reveal a new and exciting story. Aili Huber has been a theater director for over 20 years. She holds an MFA in directing from Mary Baldwin University and the American Shakespeare Center. Her new book, co-written with Dr. Toby Malone of SUNY-Oswego, is called Cutting Plays for Performance: A Practical and Accessible Guide. It was published by Routledge in December 2021. From the Shakespeare Unlimited podcast. Published January 18, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Your Way Is Shorter,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California, and Mikael Glago at Midnight Spaghetti Productions in Harrisonburg, Virginia.

Bowl season may be over but we're covering the cab fare in these two installments of It Was a Thing on TV.   First, remember when FOX started airing college football games and took both a pro approach (in its personnel in front of the camera) and an amateur approach (with every other aspect)?  We do.  We're near the end of the bowl season and look back at a tumultuous 4 years of BCS coverage on the network.   Then, we've seen it before--a star almost immediately gets a new show after the end of a popular show.  Shirley Hemphill of What's Happening! was in just this position after the end of that show.  She rebounded with One in a Million with podcast favorites Richard Paul and Carl Ballantine for all of 13 episodes.   Remember to follow us on our social media feeds @ItWasAThingOnTVPodcast on Facebook and @ItWasAThingOnTV on Instagram and Twitter.   Timestamps 1:14 - The BCS on FOX 1:22:29 - The Jenny Position Commercial 1:23:34 - One in a Million

We've seen it before--a star almost immediately gets a new show after the end of a popular show.  Shirley Hemphill of What's Happening! was in just this position after the end of that show.  She rebounded with One in a Million with podcast favorites Richard Paul and Carl Ballantine for all of 13 episodes.

A banished queen receives word that her husband and three daughters are dead. Learwife, a new novel by J.R. Thorp, picks up where Shakespeare's King Lear leaves off: The queen is Berte, Lear's wife and Regan, Goneril, and Cordelia's mother, and she has been exiled in an abbey for the past fifteen years. Now, newly informed of her family members' deaths, she remembers her life with them and tries to plot her way forward. Thorp talks with Barbara Bogaev about her inspirations (including Eleanor of Aquitaine, The English Patient, and a stray line from an Agatha Christie novel), her new backstories for Lear's characters, and the roles of grief and nothingness in the book. J.R. Thorp is a librettist and writer working across a variety of forms, primarily with composers, choirs, orchestras, and musical organizations. Learwife is her first novel. It was published in the US by Pegasus Books in December 2021. From the Shakespeare Unlimited podcast. Published January 4, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “All Her Mother's Pains and Benefits,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a trascript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California, and Duncan O'Cleirigh at Blackwater Studios in Cork, Ireland.

In today's episode: With new Farming Rules for Water having a major impact on slurry usage, we spread the word about the latest solutions required to store it, cover it, stir it, separate it, pump it or spread it. The NFU's Sam Bradley is with John Tydeman, of slurry handling equipment manufacturer Tramspread We welcome back two past contributors - Richard Wordsworth, Senior BPS Advisor with the NFU, who shines the spotlight on the BPS Retirement Lump Sum Scheme, and Richard Paul from ACT, with some wise words about maximising soil health. The deadline is fast approaching for grant applications under the Farming Investment Fund. WBW's Molly Dakin guides farmers through the application process. Plus, Craven Farm Vets are back with sound advice on liver fluke and lugworm, while we also introduce the new Mart Chaplain, who recently met his flock for the first time up at the mart. And, in the latest Trade Talk, Ted Ogden looks at both recent and upcoming trade. LINKS: https://www.ccmauctions.comhttps://www.nfuonline.comhttps://www.actwessex.co.ukhttps://www.transpread.comhttps://www.wbwsurveyors.co.ukhttp://cravenfarmvets.co.ukhttps://www.holytrinityskipton.org.uk  The Farming Country Podcast. Episode presented by: Ted OgdenEdited by: Vernon HarwoodProduced by: CCM Auctions Contributors: Richard Wordsworth, Richard Paul, John Tydeman, Molly Dakin, Andy Barrett, Rev James Theodosius Enquires to Ted at thefarmingcountrypodcast@gmail.com STREAM ALL EPISODES NOW ON SELECTED SERVICES: ·         SPOTIFY - https://open.spotify.com/show/5aBdEBbqRUbq8JmjnbXTDs·         APPLE - https://podcasts.apple.com/podcast/id1552436394·         GOOGLE - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xNjE2NzczLnJzcw==·         YOUTUBE - https://www.youtube.com/channel/UCskMRFEnJ0mXyaiDHUpgYzw   

Dr. Lena Cowen Orlin's new book, The Private Life of Shakespeare, isn't exactly a biography. Rather, it's an exhaustive return to the primary sources that document Shakespeare's life, a book that scholar James Shapiro says “demolishes shoddy claims and biased inferences that have distorted our understanding of Shakespeare's life.” Orlin focuses on five much-talked-about elements of Shakespeare's life, and then lays out fact after fact after fact about them drawn from her assiduous research. We talk with her about a few of those elements, including Shakespeare's relationship with Anne Shakespeare, how he escaped an apprenticeship and career in Stratford-upon-Avon, and his funerary monument in Stratford's Holy Trinity Church. Orlin is interviewed by Barbara Bogaev. Dr. Lena Cowen Orlin is an Emerita Professor of English at Georgetown University. From 1982 to 1996, Orlin coordinated postdoctoral seminars and conferences as Executive Director of the Folger Institute. In 2011 and 2012, she researched at the Folger as one of our Andrew W. Mellon Foundation Fellows. Her new book, The Private Life of William Shakespeare, was published by Oxford University Press in November of 2021. From the Shakespeare Unlimited podcast. Published December 7, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “I See a Man's Life,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California, and Lauren Schild and John Rigatuso at Clean Cuts studios in Washington, DC.

Sir Antony Sher, one the greatest Shakespearean actors of the 20th and 21st centuries, died last week in Stratford Upon Avon. He was 72. In 2018, we were lucky enough to record an interview with Sir Antony and, to honor his life and work, we're bringing it to you again. What does it take to be a great Shakespearean? For Sher, the answer was preparation. On this podcast episode, Sher talks about his experiences with the Royal Shakespeare Company and his roles as Lear in 2016, Falstaff in 2014, and Richard III in 1984. In preparing for these roles, Sher kept meticulous diaries, which he later published as books. There was 'Year of the King' for Richard and 'Year of the Fat Knight' for Falstaff. Then, there was 'Year of the Mad King,' published by Nick Hern books in 2018, which chronicles his doubts, his fears, his marriage proposal, his illnesses, and all of the life and death that swirled around him as he prepared for the most grueling role Shakespeare ever wrote for an older actor: King Lear. Sher is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast. © Folger Shakespeare Library. All rights reserved. This podcast episode, "Go Get It Ready," was originally published Published April 3, 2018, and was rebroadcast December 7, 2021. It was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French and Ben Lauer are the web producers. We had help from Armani Ur-Rub and Philippa Harland at the Royal Shakespeare Company and Jon Barton at Nick Hern Books. We had technical help from Paul Luke at Voice Trax West in Studio City, California, and Dan Stirling and Cathy Devlin at The Sound Company in London.

Many of us have holiday traditions: we trim trees, spin dreidels, trick-or-treat, set off fireworks, and host parties. People had holiday traditions in Shakespeare's time too: they crossdressed, roleplayed, acted in amateur theatricals, fought, ate pancakes, and watched cockfights. If you're thinking some of those holiday traditions sound familiar from Shakespeare's plays… well, you're right. Dr. Erika T. Lin studies holidays in early modern England. Some of them, like Christmas and Easter, are still big dates on today's calendars, while others, like Martlemas, Shrovetide, Midsummer, or The May, are less familiar. Lin talks with Barbara Bogaev about how people celebrated and how they might have felt about Shakespeare's plays in a period when the line between holiday festivity and theater wasn't quite so clear. Dr. Erika T. Lin is an Associate Professor of Theatre and Performance at CUNY Graduate Center in New York. You can find her writing on Elizabethan festivals and holidays in a couple of places. Her article “Popular Festivity and the Early Modern Stage: The Case of George a Greene,” appeared in Theatre Journal in 2009. Her chapter entitled “Festivity” appeared in the 2013 book Early Modern Theatricality, edited by Henry S. Turner and published by Oxford University Press. From the Shakespeare Unlimited podcast. Published November 23, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Revels, Dances, Masques, and Merry Hours,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California, and Josh Wilcox at Brooklyn Podcasting Studio.

Cynthia Santos DeCure and Micha Espinosa both grew up speaking English and Spanish, and they share memories of being made to feel like their voices, dialects, and identities weren't “good enough” for Shakespeare. Now, both DeCure and Espinosa are vocal coaches and actors. They share an example of how an actor might embody their text, praise on the late great Raul Julia, and explain how important it is for actors to bring their 'voces culturales' to Shakespeare's words. Cynthia Santos DeCure is an Assistant Professor of Acting at the Yale School of Drama. She was most recently the dialect coach for El Huracán at Yale Rep, and she was the on-set dialect coach for Orange is the New Black on Netflix. Micha Espinosa is a Professor in the School of Film, Dance, and Theatre at Arizona State University. Most recently, she was the Voice and Text Director for the Oregon Shakespeare Festival's world premiere production of La Comedia of Errors, a bilingual adaptation of Shakespeare's original play from the Play on! translation by Christina Anderson. DeCure and Espinosa wrote about vocal coaching in chapters in Shakespeare and Latinidad, a collection of essays in the field of Latinx theater, edited by Carla Della Gatta and Trevor Boffone and published by Edinburgh University Press in June 2021. From the Shakespeare Unlimited podcast. Published November 9, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Any Accent Breaking From Thy Tongue,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California, Josh Leal at Sun Studios of Arizona in Tempe, and Ryan McEvoy at the Yale University Broadcast Studio.

THE FARMING COUNTRY PODCASTBIO - EPISODE #13 POST-BREXIT BRIEFING, BPS PAYMENTS & THE ENERGY CRISIS In today's episode: The leading agricultural journalist and commentator Cedric Porter with his view on the world after Brexit. The roll-out of the latest BPS payments is now due, but farmers are rightly worried about planned cutbacks. The NFU is calling for the cuts to be put on hold. With some wise words is the NFU's Senior Advisor on Basic Payments, RichardWordsworth, talking to Skipton NFU's Sam Bradley. High prices and shortage of supply. How the Energy Crisis is affecting farms. We hear from Richard Paul from seed, feed and fertiliser farming supplies company ACT  LINKS: • https://www.ccmauctions.com• https://www.brexitfoodandfarmimg.com• https://www.nfuonline.com• https://www.actwessex.co.uk  The Farming Country Podcast.Episode presented by: Sam BradleyEdited by: Vernon HarwoodProduced by: CCM AuctionsContributors: Cedric Porter, Richard Wordsworth, Richard Paul Enquires to Ted at thefarmingcountrypodcast@gmail.com STREAM ALL EPISODES NOW ON SELECTED SERVICES: • SPOTIFY - https://open.spotify.com/show/5aBdEBbqRUbq8JmjnbXTDs• APPLE - https://podcasts.apple.com/podcast/id1552436394• GOOGLE - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xNjE2NzczLnJzcw==• YOUTUBE - https://www.youtube.com/channel/UCskMRFEnJ0mXyaiDHUpgYzw   

Close reading of Shakespeare is not a new concept. But this kind of close reading is more challenging—and it can help us interpret Shakespeare's words in new and profound ways. Our guests are two contributors to the new Cambridge Companion to Shakespeare and Race: Dr. Patricia Akhimie, who wrote a chapter on race in the comedies, and Dr. Carol Mejia LaPerle, who wrote a chapter on race in the tragedies. Together, they explore the ways that Shakespeare's language—think descriptors like “fair,” “sooty,” or “alabaster”—constructs and enshrines systems of race and racism. Akhmie and LaPerle are interviewed by Barbara Bogaev. Dr. Patricia Akhimie is an Associate Professor of English at Rutgers University in Newark, New Jersey. She is a 2021 - 22 Research Fellow at the Folger. Dr. Carol Mejia LaPerle is Professor and Honors Advisor for the Department of English at Wright State University in Dayton, Ohio. She has participated in numerous Folger Institute scholarly programs and was a speaker at the 2019 Race and Periodization Conference. The Cambridge Companion to Shakespeare and Race was published by Cambridge University Press and became available in the US in February 2021. From the Shakespeare Unlimited podcast. Published October 26, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “A Whole Theater of Others,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California.

Riyadh-based ACWA saw its shares jump by 30 percent on debut on the Saudi stocks exchange earlier this week. We speak to the CEO and President of Acwa Power, Paddy Padmanathan. Plus, we talk real estate with net migration rates in Dubai and Abu Dhabi projected to exceed 8% over the next five years. Richard Paul of Savills Middle East tells us more. And we were excited to have Manchester City's  trophies live in our Expo 2020 Dubai studio - the Carabao Cup and English Premier League silverware - made possible by Etisalat. See omnystudio.com/listener for privacy information.

Theater artists José Cruz González and David Lozano join us in this episode. Their conversation “On Making Shakespeare Relevant to Latinx Communities” appears in the new book Shakespeare and Latinidad. González and Lozano talk with Barbara Bogaev about adapting and translating Shakespeare, performing and directing it in ways that make it relevant to Latinx audiences, and whether the Bard has a place at theater companies working to carve out a space for Latinx voices. José Cruz González received the NEA Directing Fellowship in 1985 and the 2010 Kennedy Center National Teaching Artist Grant. His plays include American Mariachi, Sunsets & Margaritas, and The Astronaut Farmworker. He's also a professor of Theatre Arts at Cal State Los Angeles. David Lozano is Executive Artistic Director of Cara Mía Theatre in Dallas. In 2014, he was recognized by The Dallas Observer as one of six “Masterminds of Arts & Culture.” He co-wrote and directed Deferred Action and Crystal City 1969, which was named the “Best New Play of 2009” by The Dallas Morning News. Their chapter on “On Making Shakespeare Relevant to Latinx Communities” appears in Shakespeare and Latinidad, a collection of essays in the field of Latinx theatre, edited by Carla Della Gatta and Trevor Boffone. Shakespeare and Latinidad was published by Edinburgh University Press in June 2021. From the Shakespeare Unlimited podcast. Published October 12, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “I Understand Thee and Can Speak Thy Tongue,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help on this episode from Andrew Feliciano & Evan Marquart at Voice Trax West in Studio City, California, and Todd Cotham and Aaron Carpenter at fifty50studios in Dallas.

Shakespeare wrote a lot about English kings and queens. Over the last three hundred years, a lot of English kings and queens have gotten really into Shakespeare. Our guest Gordon McMullen is the Principal Investigator of Making History: Shakespeare and the Royal Family, a new online exhibition that examines the long relationship between Shakespeare and the British royal family. That includes queens pretending to love Shakespeare as much as they thought Elizabeth I did, princes patterning themselves after Hal, and kings writing melancholy marginalia in copies of The Complete Works. McMullan is interviewed by Barbara Bogaev. Gordon McMullen is a Professor of English and Director of the London Shakespeare Centre at King's College. From the Shakespeare Unlimited podcast. Published September 28, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Say, What Art Thou That Talk'st of Kings and Queens?” was was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, all available at folger.edu. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California.

In Mike Lew's play "Teenage Dick," Richard, a high-school senior with cerebral palsy, is determined to become class president by any means necessary. Commissioned by theater artist Gregg Mozgala and The Apothetae, the company Mogzala started to explore the disabled experience, Lew's comedy drops Shakespeare's "Richard III" in a modern American high school. Barbara Bogaev interview Lew about about the play's origins, tropes around disability, and how his story reframes Richard's motivations. Teenage Dick will be onstage three times this fall and winter, in a production directed by Moritz Von Stuelpnagel: at Washington, DC's Woolly Mammoth Theatre Company September 22 – October 17, at Boston's Huntington Theater December 3 – January 9, and at California's Pasadena Playhouse February 1 – February 27. Mike Lew is a 2021 Guggenheim Fellow, The Mellon Foundation Playwright-in-Residence at Ma-Yi Theater in New York, and the former La Jolla Playhouse Artist-in-Residence. His plays include Tiger Style!, Bike America, microcrisis, and the book to the musical Bhangin' It. From the Shakespeare Unlimited podcast. Published September 14, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Plots Have I Laid, Inductions Dangerous,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Evan Marquart and Susan Palyo at VoiceTrax West in Studio City, California. Leonor Fernandez edits our transcripts.

In this episode, DJ Shanti Anne interviews Richard Paul Thomas, we play a number of awesome RPT songs, and host Sara Seven highlights everything cool and weird about Salado, Texas, a hub of the Central Texas music scene.

Richard and Paul chatting about anything they want!This week we're touching on our favourite childhood movies that we watch when we feel in need of comfort, astrology, fracking and just the usual chit chat from a couple of old queens! See acast.com/privacy for privacy and opt-out information.

Multitalented actor Paul Gosselin (a.k.a. CosmoPAULitan) joins The Blaze with Lizzie and Kat! this week to discuss the episode B.Y.O.B. We go deep into the IMDb bio of actor Richard Paul, learn about the etymology of soap operas, and discuss Brandon's troubles with drinking and driving while his parents get propositioned by another couple. Subscribe to Paul's YouTube channel to watch every episode of his new web series Misguided as well as Getting Buzzed with Cosmo! What we were drinking: cosmopolitans, of course!What we were eating: pepperoni & mushroom pizza