Podcasts about Royal Shakespeare Company

Called “the finest actor of his generation,” Sir Simon Russell Beale has played just about everyone in Shakespeare's canon—Hamlet, Lear, Macbeth, Falstaff, Malvolio, Iago—and most recently, Titus Andronicus, for the Royal Shakespeare Company. In this episode, Beale reflects on the Shakespearean roles that have shaped his career and how his approach to them has evolved over time. He shares what drew him to Titus, and how he found surprising tenderness in Shakespeare's brutal tragedy. The actor revisits past performances, exploring grief in Hamlet, aging and dementia in King Lear, and how time has deepened his connection to the plays and the characters. Beale's memoir, A Piece of Work: Playing Shakespeare & Other Stories, is a moving and often humorous reflection on acting, Shakespeare, and the power of performance to reveal something essential about being human. Sir Simon Russell Beale studied at Cambridge before joining the RSC. Described by the Daily Telegraph as “the finest actor of his generation,” he has been lauded for both his stage and TV work, winning many awards including the Olivier Award for Best Supporting Actor, the Evening Standard Best Actor Award, and the BAFTA Best Actor Award. From the Shakespeare Unlimited podcast. Published June 17, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Amir Nizar Zuabi is artistic director of The Herds – an astonishing work of cardboard and imagination, which is sweeping northwards from Africa. The lifesize puppets of The Herds are given dazzling life by teams of puppeteers, drawing attention to climate emergency as the animals look for home in a changing world. Amir previously directed The Walk, where a 12-foot puppet girl sought refuge, greeted by dance and music wherever she went – these projects inspire art as well as empathy. Amir's own journey is also remarkable – a Palestinian-Israeli director now working on an almost unimaginable scale.   Amir Nizar Zuabi is an award-winning playwright and director. He was the founding Artistic Director of ShiberHur Theater Company, an Associate Director of the Young Vic Theatre, a member of the United Theaters Europe for artistic achievement, and an alumni of the Sundance Institute Theatre Program. Following his work on The Walk, in 2022 he took up the role of Artistic Director of The Walk Productions Limited. Alongside many writing credits, he has directed productions at Flanders Opera, Edinburgh International Festival, Bouffes du Nord and Royal Shakespeare Company.   The Herds https://www.theherds.org/ The Herds on Instagram https://www.instagram.com/the__herds/ Why Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini-episode, we sit down with author Julie Hammonds to discuss her debut novel, Blue Mountain Rose: A Novel in Five Acts. Set against the backdrop of a fictional Shakespeare festival in the Arizona mountains during the 2009 financial crisis, the story follows theater director Richard Keane, company manager Kate Morales, and enigmatic actor Peter Dunmore as they strive to save their beloved open-air stage. Julie shares insights into how Shakespeare's works inspired the novel's structure and themes, the challenges of portraying the behind-the-scenes world of theater, and the enduring relevance of the Bard's plays in times of personal and collective hardship. Whether you're a Shakespeare aficionado, a theater enthusiast, or a lover of character-driven narratives, this conversation offers a compelling look into the intersections of art, community, and resilience. Blue Mountain Rose is now available at booksellers near you and on our Bookshop.com storefront. About Julie Hammonds Julie Hammonds fell in love with Hamlet during a high school trip to the Oregon Shakespeare Festival and has nurtured her passion for Shakespeare ever since. She learned to run a light board on an Army base in South Korea, studied the plays on her own and in school, stage-managed The Winter's Tale and Much Ado About Nothing, and became the founding board president of the Flagstaff Shakespeare Festival. Along the way, she decided to complete the canon as an audience member by seeing Shakespeare's plays performed on as many different stages as she can reach. The quest has taken her from a community hall in Juneau, Alaska, to the noteworthy festivals in Stratford, Ontario, and Cedar City, Utah, to Shakespeare's Globe in London and the Royal Shakespeare Company in Stratford-upon-Avon. She has four plays to go. This is her first novel. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Hammonds, Julie C. Blue Mountain Rose: A Novel in Five Acts. Soulstice Publishing, LLC, 2025.  

Send us a textTo commemorate Shakespeare's 461st Birthday, I am very happy to bring on to the Fixate & Binge Podcast, HANNAH YOUNG, a native of Stratford-on-Avon, the home of Shakespeare. Hannah is a classically trained actress who has performed extensively with the Royal Shakespeare Company over several seasons in her career. She features as Lady Macbeth in Cheek by Jowl's film ‘Acting' which is premiered this weekend in London's The Barbican Centre, and has also worked at the National Studio in London and in several West End productions.In this episode, Hannah shares her first experiences with Shakespeare, growing up in Stratford-on-Avon, recounting her work on the stage with stage and screen legends. She illuminates how she approaches her characters, and uses the text itself to explore clues and ideas about her portrayals for audiences.If you're a casual fan of Shakespeare, a budding academic, a Bardolater, or terrified of experiencing Shakespeare for the first time -- this is the perfect podcast  to hear from Hannah on how best to approach the immortal Bard.In this podcast, I also provide a spoiler-free review of Alex Garland and Ray Mendoza's film WARFARE -- currently in theaters and well-worth the price of admission to experience on the big screen!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

Rebecca and Tori are joined again by Louise discuss two productions of Shakespeare's 'Midsummer Night's Dream'—the 1968 Royal Shakespeare Company version and the 2016 adaptation directed by David Kerr. We explore these productions of Shakespeare's 'A Midsummer Night's Dream', focusing on character analyses, particularly of Bottom and Theseus, and the dynamics of love and friendship within the story. We make some pop culture connections such as Dr. Who, Hannibal Lecter, and 'The Wizard of Oz.'MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoRemember the way | Mid-Air Machine | Free Music ArchiveThe Vipers Skiffle Group. 1957. Non-Commercial-NoDerivs 4.0 International. https://archive.org/details/vipers-skiffle-group-dont-you-rock-me-daddy-oRecord Scratch: Sound Effect free on PixabaySourcesA Midsummer Night's Dream Part 3: The Language - Shakespeare For All | Podcast on SpotifyA Midsummer Night's Dream Part 2: Context and Questions - Shakespeare For All | Podcast on SpotifyShakespeare For AllA Midsummer Night's Dream Part 1: The Story - Shakespeare For All | Podcast on SpotifyBBC Arts - BBC Arts - Skiffle: The musical revolution that time forgot

Send us a textAt the age of 10, Eleanor Worthington-Cox made history as the youngest Olivier Award winner for her performance as the eponymous character in Matilda the Musical. A decade on, she has established herself as one of the most versatile young actresses on the West End, recently securing a second Olivier nomination for her role in Next to Normal. Now, she has reunited with her Next to Normal director Michael Longhurst to take on the role of Hero in his production of Much ado About Nothing with the Royal Shakespeare Company. The show marks the first time Eleanor has worked at the RSC since her time with Matilda, and we spend some time discussing why this show means so much to her.In this brand new interview, Eleanor Worthington-Cox tells us about rehearsals for Much ado About Nothing and the experience of returning to the RSC as an adult following the tremendous success she had with Matilda. Earlier in the year, she finished a run of The Little Foxes at the Young Vic Theatre, starring opposite Anne-Marie Duff. It seems amazing that after such a gritty American drama that she's now turning to one of Shakespeare's most well known comedies, but she assures us that the production will still turn to more poignant subjects. Indeed, Michael Longhurst's production reimagines the show into the world of football, WAGs and social media, and so it seems likely we'll get to see another thundering performance from Eleanor Worthington-Cox. During our conversation, she tells us about her own relationship with social media and how she's become more weary of the various platforms available now and how apparent contemporary issues are in the show when relating it to Hero's slander. Much ado About Nothing runs at the Royal Shakespeare Theatre until 24th May with tickets available now!Support the show

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025. This week we have murder and fight scenes with blood a plenty too on stage with the Royal Shakespeare Company's production of Christopher Marlow's Edward II with description by Professional Audio Describers Julia Grundy and Ellie Packer.  About ‘Edward II' When the new King Edward II insists on ruling with the man he loves by his side, conspiracy and civil war threaten the very existence of the monarchy in Marlowe's violent and tender play. I see your love to Gaveston will be the ruin of the realm and you.' The King is dead, long live the King. And his boyfriend. When Edward II insists on ruling with the man he loves by his side, the Palace refuses. The establishment conspires to restore the natural order, plunging the country into a civil war and threatening the very existence of the monarchy. Better a dead king than a gay king. Double Olivier Award-winner and RSC Co-Artistic Director Daniel Evans returns to the stage with a cast including Eloka Ivo as Gaveston and Ruta Gedmintas as Queen Isabella in Daniel Raggett's production of Marlowe's violent and tender play. For more about access at the Royal Shakespeare Company including details of audio described performances of their productions do visit - https://www.rsc.org.uk/your-visit/access  (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Welcome Back to TBOTA!Dan Milne trained as a theatre practitioner after studying English at Cambridge and training at the Drama Studio, London. He has acted with leading UK theatre companies including the Royal Shakespeare Company, National Theatre, Young Vic, and Complicité, as well as regionally with the Royal Exchange Manchester, Birmingham Rep, and Liverpool Everyman. His international tours have taken him to Broadway and festivals in the US, Mexico, India, Australia, and New Zealand. Screen credits include Eastenders, The Nevers, and Star Wars: The Acolyte.As a director, Dan has worked with the RSC and Young Vic and presented work at BAC, Trafalgar Studios, and off-Broadway. He produced the documentary The Longest Game and two features, Never Here and Widow's Walk, and is currently developing The Gate with Camille Thoman and Tobias Menzies. He also co-founded Narativ, a storytelling company born from his acclaimed New York theatre piece Two Men Talking. The company's mission is ‘a world connected by listening and sharing personal stories' - a mission to support people to explore, tell and reflect on the stories of their personal experience.Jane Nash is Director and Lead Trainer of Narativ in London. She believes passionately in the transformative power of Listening & Storytelling and brings a rigorous, compassionate ability to listen in all situations, creating trainings that her clients say are practical, inspiring and always human. Jane developed her love of story and her expertise in the behaviours of personal impact in a career spanning many decades, working internationally as an actor, writer, director and theatre maker. She has appeared in film and on television, and in theatre spaces as diverse as Greenwich Park, St Pancras Station and the Olivier Theatre. She has created many pieces of theatre drawing on elements of personal storytelling - such work includes ‘Big Space', ‘Small Space', and a piece about family currently being developed with Dan and her daughter, entitled ‘All Those Things'.Support this show:Become a patron and help me make this show. Bonus episodes every week: >> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | creating podcasts and extra content | Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy me a coffee ☕⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paypal.me/robertneumark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or support me through other ways:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bliss of the Abyss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Give us a rating & review:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write a review for Bliss of the Abyss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Webpage:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | Actor | Voice Artist (robertnj.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠© Robert Neumark Jones

This episode features my conversation with Migdalia Van Der Hoven. Born and raised in Mexico, Migdalia studied at the Berklee College of Music and is now based in the UK. She's an internationally acclaimed drummer renowned for her versatility. Currently active in UK musical theatre, her credits include the shows SIX the Musical, Little Shop Of Horrors, Cake the Musical and working with The Royal Shakespeare Company. As the leader of the Migdalia Van Der Hoven Quartet, she has released 2 projects including the EP Girl Facing South and their debut album Point Of Departure, which was recorded at the famed Abbey Road Studios. Migdalia is also the UK Ambassador for the organization “Women In Jazz Media” In our conversation, we talk about her experiences growing up in Mexico and how that shaped her musical identity. We discuss overcoming the obstacles she has faced throughout her career, and why it's essential to adapt your professional aspirations in order to live a fulfilling life as a creative artist, while managing a healthy work/life balance. Follow Migdalia: https://www.migdaliavanderhoven.com https://www.instagram.com/migdaliavanderhoven/ https://www.facebook.com/migdaliavanderhoven1 https://www.youtube.com/miggytamez

What did it take to get nearly 200 nations to agree on tackling climate change in 1997? And what have we learned in the decades since?In this episode, we reflect on the drama, the impact and the legacy of the Kyoto Protocol, and go behind the scenes of the Royal Shakespeare Company's powerful and acclaimed production of Kyoto, currently playing in London's West End.After watching a performance of the play this week, Christiana Figueres, Tom Rivett-Carnac and Paul Dickinson introduced a live event at The Conduit, bringing together those who were in the room at COP3 in Kyoto with those now shaping the path to COP30 in Belém and beyond.First, we hear from a panel of seasoned voices from the world of international climate diplomacy, moderated by climate journalist Ed King. Farhana Yamin, longtime negotiator for small island states, speaks of how Kyoto helped amplify the voices of vulnerable nations for the first time. Nick Mabey, co-founder of E3G, reflects on Kyoto's economic impact, arguing that it sparked a global clean tech revolution by making climate action economically viable. And Richard Kinley, former Deputy Executive Secretary of the UNFCCC, offered rare insights into the diplomacy that shaped Kyoto. Together, they paint a vivid picture of Kyoto's legacy and what it still offers to today's climate movement.Later, we hear from the playwrights behind Kyoto, Joe Murphy and Joe Robertson, about how they turned bureaucratic negotiations into riveting on-stage drama.So, what's changed since 1997? Are we in a better place thanks to Kyoto? And is multilateralism still fit for purpose in today's world?Follow us on social media for behind the scenes moments and to watch our videos:Instagram @outrageoptimism LinkedIn @outrageoptimismOr get in touch with us via this form.Producer: Ben Weaver-HincksVideo Producer: Caitlin HanrahanExec Producers: Ellie Clifford and Dino SofosCommissioning Editor: Sarah Thomas This is a Persephonica production for Global Optimism and is part of the Acast Creator Network. Hosted on Acast. See acast.com/privacy for more information.

Send us a textFrom boarding school trauma to embodying one of fiction's greatest detectives, Michael Maloney's theatrical journey reveals how life's most difficult experiences often forge our greatest strengths. The acclaimed British Actor joins us from his dressing room in Birmingham—fresh from celebrating his 100th performance as Hercule Poirot in the touring production of Agatha Christie's "Murder on the Orient Express"With disarming honesty, Michael explores how being sent away from home at age 7 permanently altered his sense of belonging. "You cease to become a member of a family immediately," he reflects, describing how this early separation forced him into premature self-sufficiency while creating emotional wounds he would later need to address. This experience, along with his Roman Catholic upbringing, established complex foundations that would eventually serve his acting career in unexpected ways.The conversation shifts to his transformative years at the Royal Shakespeare Company, where Michael found himself amidst theatrical royalty—Derek Jacobi, Michael Gambon, Helen Mirren, and a young Mark Rylance. Their anarchic creativity, set against the backdrop of early 80s punk and new wave, shaped his understanding of classical discipline and theatrical expression. "We were all over the shop," he laughs, "and enjoying ourselves."Michael's reflections on the power of the spoken word reveal his deep appreciation for poetry and heightened language. He shares how sports provides a perfect metaphor for performance: some nights you win, some you lose, some you draw—but you always return to play again. This philosophy has helped him navigate the highs and lows of theatrical reviews throughout his career.Now at 67, finding himself unexpectedly cast as Poirot, Michael approaches each performance with the discipline earned through decades of classical training. When asked about his legacy, his answer is characteristically straightforward: "A proper actor... of significance and stature." Join us for this intimate conversation with a performer who has continuously found new ways to transform life's challenges into art.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

The set and costume designer Bob Crowley says he creates ‘other worlds'. The stage is where his imagination runs riot, at the National Theatre, the Royal Shakespeare Company the Royal Opera House, the West End, Broadway and beyond. He's won numerous Olivier and Tony awards for memorable designs such as the brightly lit revolving horses for Carousel, magical black and white tissue paper drawings evoking the foggy London skyline for Mary Poppins and couture dresses and the River Seine for An American in Paris. He's also worked on many new plays including The History Boys by Alan Bennett. His most recent credits include Richard the Second at the Bridge Theatre in London, with Jonathan Bailey in the title role. Bob's music selection includes Tallis, Gershwin, Schubert and Verdi.

In episode 409 of the "Smashing Security" podcast, we uncover the curious case of the Chinese cyber-attack on Littleton's Electric Light Company, and a California landlord's hidden camera scandal. All this and more is discussed in the latest edition of the "Smashing Security" podcast by cybersecurity veterans Graham Cluley and Carole Theriault.Warning: This podcast may contain nuts, adult themes, and rude language.Episode links:This is the FBI, open up. China's Volt Typhoon is on your network - The Register.Landlord recorded nude videos of woman tenant with cameras hidden in bedroom smoke detectors, lawsuit says - The Independent.Landlord arrested after tenant discovers hidden camera in rented room - PBSO.Hidden Cameras: What Travelers Need to Know - The New York Times.Shakespeare insults t-shirt - Royal Shakespeare Company.OAS Exhibitions - Oxford Art Society.Carole's “Rusty Sage” - Bluesky.Smashing Security merchandise (t-shirts, mugs, stickers and stuff)Sponsored by:Drata - The world's most advanced Trust Management platform – making risk and compliance management accessible, continuous, and 10x more automated than ever before. Acronis Threat Research Unit - Your secret weapon against cyber attacks. Access the reports now.Vanta – Expand the scope of your security program with market-leading compliance automation… while saving time and money. Smashing Security listeners get $1000 off!SUPPORT THE SHOW:Tell your friends and colleagues about “Smashing Security”, and leave us a review on Apple Podcasts or Podchaser.Become a supporter via Patreon or Apple Podcasts for ad-free episodes and our early-release feed!FOLLOW US:Follow us on Bluesky or Mastodon, or on the

This week, novelist Damon Galgut remembers the ground-breaking South African playwright Athol Fugard; and Michael Caines on two very different approaches to the Danish prince.'Grand Theft Hamlet', on Mubi'Hamlet', by William Shakespeare, Royal Shakespeare Company, Stratford-upon- Avon, until March 29 Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Mickey-Jo recently headed to Stratford upon Avon, home of the Royal Shakespeare Company, to see their new production of EDWARD II.The play, written by Christopher Marlowe, speculates about the reign of the troubled 14th century king, and his relationship with Piers Gaveston.Check out this full review for Mickey-Jo thoughts on the play, its queer themes, and this singularly passionate new staging starring co-artistic director Daniel Evans in the title role.•00:00 | introduction02:04 | overview / synopsis07:09 | queer themes12:36 | creative choices16:58 | performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

ABOUT RACHEL:Rachel McVay is an American actor rooted in UK training. Classically trained, with an MFA from the prestigious Bristol Old Vic Theatre School and a BFA in Theatre & Dance, Rachel also studied with the Royal Shakespeare Company and RADA. She has made her mark as a dynamic stage, TV, & film actor, often employing her skills in stunts, stage combat, and dance.With an affinity for Shakespeare, Tarantino, and Ryan Murphy, Rachel's proudest roles include the "fierce" Queen Elizabeth in Richard III, the "magnificent" & "regal" Beatrice in Much Ado About Nothing ("McVay stands out as Beatrice"), and the lead in the award-winning film, Broken Nails, in which she plays a boxer/dancer who struggles with self love in overcoming cancer.Some of her TV credits include Westworld, Forever, and The United States of Tara. Teaching/directing credits include Northern Stage, Stagedoor Manor, Bristol Old Vic Theatre School's Young Artists Academy, A Noise Within, Blue Lake Fine Arts Camp, amongst others across the country.Connect with Rachel on social:https://www.instagram.com/therachelmcvay/www.imdb.me/rachelmcvayConnect with me and learn about my services at Hollywood Bound Actors:⁠https://hollywoodboundactors.com/⁠Learn about my signature course Book More TV ® https://bookmoretv.com/

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the channel Islands for the next of his regular audio described theatre reviews for 2025. This week Vidar was reviewing the Royal Shakespeare Company's current production of ‘Hamlet in Stratford-upon-Avon with description by Professional Audio Describers Gethyn Edwards and Carolyn Smith. . About ‘Hamlet' Grief can play tricks on the mind, even conjure ghosts. But when Hamlet's dead father appears to him one night, he signals murder, not madness. Hamlet's mother has married his uncle, and at a less than decent interval too. As he pulls at the threads of his not-so-happy new family, Hamlet unravels a web of deceit and immorality that leads to the ultimate crisis of conscience. Following their hugely successful recent collaborations on Cold War and Patriots, multi award-winner Rupert Goold (Dear England, National Theatre; Romeo and Juliet, The Merchant of Venice RSC), directs Luke Thallon as Hamlet in this new production of Shakespeare's family saga. Hamlet will tour to RSC partner theatres in towns and cities across England throughout spring 2026, including Truro, Bradford, Norwich, Nottingham, Blackpool, Newcastle, York and Canterbury. Full casting for the UK tour is yet to be announced.  For more about access at the at the Royal Shakespeare Company including details of audio described performances of their productions do visit - https://www.rsc.org.uk/your-visit/access (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

In the time since she became Prime Minister of Barbados in 2018, Mia Mottley has become known as a moral force for action on climate change. The Bridgetown Initiative, which she launched at COP26 in 2021, transformed the conversation around climate finance – pushing rich nations to do more to support developing countries struggling with the impact of climate change. But as the US retreats from climate action, her bold vision faces new challenges. At the Sustainable Energy for All Global Forum in Barbados, she tells Akshat Rathi why she remains optimistic, and she spoke about the role of pragmatism in tackling the climate challenge. Explore further: Past episode with Achim Steiner, head of the United Nations Development Program Past episode with Avinash Persaud about the Bridgetown Initiative Past episode about the Royal Shakespeare Company’s play about the 1997 Kyoto Summit Zero is a production of Bloomberg Green. Our producer is Mythili Rao. Special thanks this week to Siobhan Wagner, Kanika Chawla and Jessica Beck. Thoughts or suggestions? Email us at zeropod@bloomberg.net. For more coverage of climate change and solutions, visit https://www.bloomberg.com/green.See omnystudio.com/listener for privacy information.

By Gareth FarrOn Christmas Eve 2002, a girl is born in a seemingly ordinary family-run Northern pub. That baby is Amy and from the moment of her birth the fate of the pub is inextricably linked with her own. Cracks that have always existed break wide open and as she grows, the foundations of this legendary local pub start to shake.Narrated by Amy, through intimate and lyrical language, we are guided through the first twenty-one years of her life to a point where she alone must decide the future of those closest to her.Sally . . . . . Siobhan Finneran Amy . . . . . Sophie Cox Brendan . . . . . Pearce Quigley Karen . . . . . Leah Brotherhead Mark . . . . . Matthew Durkan Jack . . . . . David Hounslow Younger Amy . . . . . Maddie Evans Even Younger Amy . . . . . Miriam MiticSound design: Peter Ringrose Production coordinator: Gaelan Connolly-DavisDirector: Sasha YevtushenkoGareth Farr is an award-winning playwright. He started work as an actor, working at the Royal Shakespeare Company, Royal Court and West End as well at several regional theatres and on many TV roles. Gareth's first stage play Britannia Waves the Rules (Manchester Royal Exchange) won a judge's award at the Bruntwood Prize for Playwrighting. His other works include The Quiet House (Birmingham Rep Theatre and Park Theatre London), Biscuits For Breakfast (Hampstead Theatre) and A Child of Science (Bristol Old Vic – nominated for Best New Play at UK Theatre Awards 2024.). Shandyland started life as a stage play but was cancelled during rehearsals due to the COVID-19 pandemic. It was shortlisted for the George Devine Award in 2021.

William Tell rounds up some big theatre names (Jonathan Pryce, Rafe Spall, Sir Ben Kingsley) to back up Danish star Claes Bang (TV's Bad Sisters) as the famous Swiss archer and rebel. Directed by former resident director of the Royal Shakespeare Company, Nick Hamm, it surprisingly does without Rossini's well-known Overture. Go to this episode on rnz.co.nz for more details

Happy flipping on this fine Shrove Tuesday! Today, Jane shares a memory of being left fully exposed on the loo at a National Trust property, while Fi recalls delivering a lesson on life at the Britannia swimming baths. Fi also speaks with actor Jared Harris about his role in the Royal Shakespeare Company's new production of Hamlet. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiAssistant Producer: Hannah QuinnPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

From playing Lane Price in Mad Men to King George VI in the Crown, and now Claudius in the Royal Shakespeare Company's production of Hamlet, performing is in Jared Harris' blood.His earliest memory is being in Hawaii while his late father – the actor Richard Harris – was filming a movie with Julie Andrews. But as a child, he wanted to be an astronaut...which might explain his Inheritance Tracks.Inherited: Fly Me to the Moon by Tony Bennett Passed on: The Galaxy Song by Monty PythonProducers: Ben Mitchell and Jack Lee

This week, Michael Caines interviews the men behind the Royal Shakespeare Company's thrilling new production of Christopher Marlowe's Edward II; and Nat Segnit finds Pico Iyer's journeys to a Californian monastery a welcome retreat from the world.'Edward II', by Christopher Marlowe, Swan Theatre, Stratford-upon-Avon, until April 5 2025'Learning from Silence: Lessons from More Than 100 Retreats', by Pico IyerProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Jim Ford is an American film/television actor and stuntman. After receiving his BFA in drama from the Hartt School Conservatory and studying with the Royal Shakespeare Company in England, Jim landed an agent and has been a full-time actor in New York and Los Angeles ever since. He is best known for his work in the TV shows Gotham, Mysteries of Laura, The Following, Person of Interest, and Steven Soderberg's H.B.O. mini-series The Knick.Jim developed a passion for filmmaking and short films at a very young age. Over the years, he has completed nearly a dozen short films that have been screened all over the world. He loves to travel and attends as many festivals as he can.

What's that I hear? Why, it's another ensemble song...but this one...is angry! Yes, for our next installement in our Ensemble Song miniseries, we're discussing "Do You Hear the People Sing?" from Les Miserables, by Claude-Michel Schoenberg, Alain Bubil, and Herbert Kretzmer. Opening in 1985 under the auspices of the Royal Shakespeare Company, the song has been a global phenomenon for 40 years. But is it any good? And why, exactly, are these men so angry?  All clips are from Les Miserables (Original 1985 London Cast Recording) and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Buy/listen to the performance on Amazon! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

Our new book... STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 Watch the full video interview of this podcast here: https://www.youtube.com/watch?v=nXOJkadXsDM BUY THE BOOK - BACK TO THE BODY: Infusing Physical Life into Characters in Theatre and Film https://amzn.to/3NPDI2Y Jean-Louis Rodrigue is an internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique to film, theater and television. In film, he coached actors and collaborated with directors in Passion Fish, Vice, J. Edgar, Life of Pi, W., I, Tonya, and many more. In theater, he collaborated with director Larry Moss and former NFL player Bo Eason in his play Runt of the Litter and playwright Pamela Gien in her Obie– and Drama Desk– award-winning one-person play, The Syringa Tree, both in New York and internationally. Jean-Louis has worked on- and off-Broadway and at major performing arts institutions such as Berlin International Film Festival, Cirque du Soleil, Los Angeles Philharmonic Institute, Getty Villa, Geffen Playhouse, Royal National Theatre, Piccolo Teatro di Milano, Verbier Festival, Royal Shakespeare Company. For the past 34 years, Jean-Louis has taught at the UCLA School of Theater, Film, and Television and the UCLA Herb Alpert School of Music. Jean-Louis lives in Los Angeles with his husband, Kristof Konrad. STUDY WITH JEAN-LOUIS RODRIGUE https://alexandertechworks.com MORE VIDEOS WITH JEAN-LOUIS RODRIGUE https://tinyurl.com/59mc2v39 CONNECT WITH JEAN-LOUIS RODRIGUE https://alexandertechworks.com https://www.imdb.com/name/nm0735121 https://www.facebook.com/AlexanderTechworks https://twitter.com/alextechworks https://www.instagram.com/alexandertechworks VIEWERS ALSO WATCHED Hollywood Actors Share Their Success Secrets - https://youtu.be/xFRgZOhCVLg What Stops An Actor From Getting Into Character? - https://youtu.be/0OX44gvnjWE Bill Duke Explains Why Most Actors Fail In Hollywood - https://youtu.be/4tfSRzy31f4 An Actor's Guide To Making It In Los Angeles - https://youtu.be/aaegnd3xaVI Pro Cinematographer On What Separates Great Actors From Everybody Else - https://youtu.be/G3oXMWperus CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) ►BOOKS WE RECOMMEND: THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob ►FILMMAKER STARTER KIT BLACKMAGIC Design Pocket Cinema Camera 4K - https://amzn.to/4gDU0s9 ZOOM H4essential 4-Track Handy Recorder - https://amzn.to/3TIon6X SENNHEISER Professional Shotgun Microphone - https://amzn.to/3TEnLiE NEEWER CB300B 320W LED Video Light - https://amzn.to/3XEMK6F NEEWER 160 LED CN-160 Dimmable Ultra High Power - https://amzn.to/3XX57VK ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Through February, the stage production of Fat Ham will premiere at the Cleveland Play House. It's a cleverly hilarious retelling of William Shakespeare's Hamlet through the eyes of "Juicy," a Southern Black mama's boy during a backyard cookout. It unapologetically centers Black joy and flips masculinity on its head. For many, the play's premise might cause a casual reader to double-take. Yet, the production won the 2022 Pulitzer Prize winner for drama and was nominated for five Tony Awards including Best Play. This summer, England's Royal Shakespeare Company itself will stage the European premiere.rnrnrnFrom Hollywood film to literature and theatre productions--contemporary spins on classics are not a new concept. These reinterpretations often reach new audiences, create new models for artistic production, and create space for entire communities.

Olivier and Emmy-award-winning Dame Harriet Walter must have acting in her blood: her uncle is the legendary horror star Christopher Lee, she turned down a place at Oxford in favour of drama school, and began her career at the Royal Shakespeare Company. On screen you'll know her from Killing Eve, Ted Lasso, The Crown or as Lady Caroline in Succession - plus films including Sense and Sensibility, Atonement and The Last Duel. On stage she's embodied everyone from Prospero to Elizabeth I. Her failures include failing to master the piano or music theory, failing to get roles that she auditioned for, and finally failing to cook. I absolutely loved talking to this unbelievably smart and astute woman. Enjoy! She Speaks by Harriet Walter is out now. Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com Production & Post Production Coordinator: Eric Ryan Studio and Mix Engineer: Gulliver Lawrence-Tickell Senior Producer: Selina Ream Executive Producer: Carly Maile Head of Marketing: Kieran Lancini How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adjoa Andoh is one of Britain's most celebrated actors, with an extensive career spanning stage, screen, and radio. She has appeared in iconic TV series like Doctor Who and Netflix's Bridgerton, as well as making her Hollywood debut in Clint Eastwood's Invictus. In this episode we discuss the importance of radio drama, concerns about the significant cuts to radio drama production, the potential impact on the creative industries eco system, and the value of public service broadcasting. "We're sort of the frog being boiled slowly. We're slowly losing things, and then you're suddenly aware there don't seem to be as many plays on, but you're not quite sure how; and this is terrible."Listen to all our episodes here: https://podfollow.com/beebwatch To support our journalism and receive a weekly blog sign up now for £1.99 per month (NB we only charge for one creation per month): www.patreon.com/BeebWatch/membership Or if you'd rather make a one-off payment (which doesn't entitle you to the blog) please use our crowdfunding page:https://www.crowdfunder.co.uk/p/roger-boltons-beeb-watch-podcast @BeebRogerInstagram: rogerboltonsbeebwatchLinkedIn: Roger Bolton's Beeb Watchemail: roger@rogerboltonsbeebwatch.comwww.goodeggproductions.uk   Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Samsung's Annika Bizon on their latest Galaxy S25 AI smartphones. Tornado warning for London as Storm Eowyn is predicted to batter the UK with 100mph winds amid ‘danger to life warning'. Royal Shakespeare Company debuts first video game called ‘Lili'.Also in this episode:Is Meta trying to poach US TikTok influencers with bonuses?What is cushing syndrome? Actress Amy Schumer reveals diagnosis after trolls target her appearance.Lime bike rival Forest launches pay-as-you-go bike with child seat.TikTok star David Larbi on finding everyday happiness - check out The London Standard's Bigger Life Festival to book a masterclass with David.Annika Bizon is Samsung UK and Ireland's director of mobile experience. Hosted on Acast. See acast.com/privacy for more information.

He launched the career of Keira Knightley with the cult classic thriller The Hole. He explored the complexities of Northern Ireland in The Journey. He took us on a wild ride with the crime drama Driven, and unraveled a sun-drenched mystery in White Lines. Now, Nick Hamm takes aim at a timeless legend with his latest film, William Tell. Join Giles Alderson as we sit down with the acclaimed filmmaker, Nick Hamm. We'll delve into his diverse career, from his early days in theater with the Royal Shakespeare Company to his captivating work in film and television. We'll discuss his knack for discovering talent, his passion for bringing complex stories to life, and the challenges of directing everything from intimate dramas to historical epics. And of course, we'll discuss his bold new take on the iconic story of William Tell, starring Claes Bang and Ben Kingsley. How do you re-imagine a classic tale for a modern audience? What does it take to film that legendary apple scene? And what message does this timeless story hold for today's world? Get ready for a conversation with a master storyteller and our guest today is Nick Hamm. WILLIAM TELL is out in CINEMAS NOW! WORLD PREMIERE of Food For Thought – Giles' documentary. Tickets for 24th Jan in London here https://tinyurl.com/3ssnpj94 WATCH OUT YOUTUBE CHANNEL our interview with Skeleton Crew showrunners Jon Watts and Christopher Ford here https://www.youtube.com/watch?v=iHKr20viJYM&t=33s PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Duncan Preston is best known for his appearances in Victoria Wood's television productions, including his roles of Clifford in the soap opera parody sketches Acorn Antiques and Stan in the sitcom Dinnerladies. He reprised his role of Clifford in Acorn Antiques The Musical in 2005. Duncan has made many guest appearances in various TV series, including Secret Army, The Professionals, All Creatures Great and Small, Robin of Sherwood, Bergerac, The New Statesman, Press Gang, Chalk, Boon, Casualty, Heartbeat, Hetty Wainthropp Investigates, Holby City, Peak Practice, Midsomer Murders, Dalziel and Pascoe and My Family. He was also a regular cast member in the sitcom Surgical Spirit and appeared as Dennis Stokes in Coronation Street in 2004. Duncan played Doug Potts in Emmerdale for a number of years and played Kevin's dad in Harry Enfield and Chums. A renowned Shakespearean actor, Duncan has performed in many productions for the Royal Shakespeare Company, including playing Angus in Trevor Nunn's version of Macbeth, starring Ian McKellen and Judi Dench .Duncan Preston is our guest in episode 456 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, Lauren and Rina sit down with the accomplished theatrical duo David Thacker and Margot Leicester to discuss their experiences as parents of their youngest adult daughter, Elizabeth, who is autistic and has learning difficulties. In this warm and inspiring conversation, David and Margot reflect on their journey raising a disabled child and adult, offering heartfelt wisdom on what truly matters most.Content WarningsDiagnosis Guest BiographiesMargot was brought up in Middleton, Manchester with her younger brother. As a child, Margot always knew she wanted to be an actress and spent most of her time at the University of Leicester, where she studied English, acting in student productions. Spotted at the National Student Drama Festival in Exeter, she was invited to join the Exeter Northcott Theatre and has acted ever since, playing in regional theatres throughout the UK, at the National theatre, in several London theatres, in the West End, and on Broadway. Margot has appeared regularly on television. David was born in Higham Ferrers Northamptonshire and at six months his family moved to nearby Rushden where he was brought up with his two older sisters and his younger brother. He went to the University of York to study English and stayed to study for an MA in Shakespeare. He discovered his love for directing with the University Drama Society and directed several plays there. His first job was as an Assistant Stage Manager at York Theatre Royal, and he has worked in theatre and television since. He has been artistic director of three theatres, the Young Vic, Duke's Playhouse Lancaster, Octagon Theatre Bolton and Director-in-Residence at the Royal Shakespeare Company. He has directed over 150 productions throughout the UK and internationally. David has also directed extensively for BBC, ITV, Channel 4 and WGBH Boston (USA). He continues to work as a freelancer and combines this with his role as Professor of Theatre and Film at University of Bolton. Margot and David met in 1982 when David was Artistic Director of Duke's Playhouse Lancaster and Margot acted there. They fell in love and have been together since, often working together across theatre, film and television.In a voluntary capacity, Margot is a trustee of Haringey Shed inclusive youth theatres and David was a governor of a primary and comprehensive school in Muswell Hill. They have four children and four grandchildren and live in Crouch End, London.Useful resources:Home - icandanceHaringey Shed Hosted on Acast. See acast.com/privacy for more information.

¡Feliz año nuevo y feliz día de Reyes a todos los Replayers! Estrenamos el año nuevo con 4 o 5 luces de Navidad, según se mire. Además, comenzamos con la misma tortura de siempre: una larga intro de 49 minutos, aunque nos saltemos la tertulia ya que el episodio de la quincena es doble. ‘Chain of Command' es un pedazo de episodio, mítico por la batalla en la escena de tortura entre dos titanes de la actuación, David Warner y Patrick Stewart, viejos amigos que habían coincidido en la Royal Shakespeare Company. Aunque el episodio es recordado especialmente por el meme de las 4 luces, tenemos también otro titán en la Enterprise, Ronny Cox, interpretando al Capitán Jellico, quién protagoniza otra dura lucha con Riker por la manera de tratar a la tripulación y dirigir una nave estelar. Hasta la próxima quincena, seguiremos diciendo que ¡hay cuatro luces!

Hello and welcome to Episode 58. Today, we are delighted to welcome to the podcast Phil Cheadle and Edward Bennett, the director and star respectively of ‘Selecting a Ghost', a stage adaptation of the Conan Doyle short story which was performed in Norwood, South London, in November 2024. Listen to our episode about ‘Selecting a Ghost' here: https://www.doingsofdoyle.com/2023/12/46-selecting-ghost-ghosts-of.html Read the Conan Doyle short story here: https://www.arthur-conan-doyle.com/index.php/Selecting_a_Ghost Listen to the podcast here: The episode will be uploaded to our YouTube channel soon, where you can listen with closed captions. In the meantime, you can subscribe to our YouTube channel here: https://www.youtube.com/@doingsofdoyle And follow us @doingsofdoyle.com on BlueSky. Philip Cheadle Phil trained at the Royal Academy of Dramatic Arts (RADA) and has an extensive range of theatre, television, and film credits. His notable stage roles include Harry Potter and the Cursed Child (West End), Mrs. Affleck (National Theatre), Henry IV Part I & Part II, and Bedlam (Shakespeare's Globe), as well as The Changeling (Cheek by Jowl), Reasons to Stay Alive and Far from the Madding Crowd (ETT), A Midsummer Night's Dream (Sheffield Crucible), and Breaking the Code (Royal Exchange). On television, Phil has appeared in Harlots, Dark Angel, Crimson Fields, New Worlds, and Silent Witness. His film work includes 1917, John Carter, and the upcoming independent film Shalbourne, in which he plays the title role. In addition to his acting career, Phil is the co-founder and Artistic Director of Two Lines Productions. He recently adapted and directed Arthur Conan Doyle's short story Selecting a Ghost as an immersive, site-specific production for Stanley Arts' Day of the Dead festival. Website: https://www.twolinesproductions.com/ IMDB for Phil Cheadle. Edward Bennett Ed's diverse and extensive theatre work has seen him perform with some of the country's leading companies and directors, including the Royal Shakespeare Company, Theatre Royal Bath and Chichester Festival Theatre. On the small screen, Edward stars most recently in Joan for ITV and in Series 3 of Bridgerton for Netflix. You can also watch him in Series 1 and 2 of Sky drama Cobra as Peter Mot, Max Owen in Sky Atlantic's Save Me Too, Industry for the BBC, Pennyworth for Warner Bros, Poldark for the BBC and Series 2 of ITV's Victoria. Ed's feature film work includes The Laureate directed by Jonathan Cape, Napoleon directed by Ridley Scott and as T E Lawrence in Benediction directed by Terence Davies.  IMDB for Edward Bennett. Photograph credit Photographs by Cecilia Costello Photography. Next time We rejoin the intrepid Challenger expedition (not that one) as they journey further into The Lost World. Support the podcast Please help us reach new listeners by leaving a rating or view on the podcast platform of your choice. And if you want to sponsor the podcast, please check out our Patreon page: https://www.patreon.com/doingsofdoyle Acknowledgements Thanks to our sponsor, Belanger Books (www.belangerbooks.com), and our supporters on Patreon and Paypal. Image credits: Thanks to Alexis Barquin at The Arthur Conan Doyle Encyclopaedia for permission to reproduce these images. Please support the encyclopaedia at www.arthur-conan-doyle.com. Music credit: Sneaky Snitch Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/.  

In this week's episode, I take a look back at my writing goals for 2024 and see how many I met, and look ahead to my writing goals for 2025. 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 232 of The Pulp Writer Show. My name is Jonathan Moeller. Today is December the 20th, 2024 and today we're looking back to see if I met my writing goals for 2024 and looking ahead to see what my writing goals will be in 2025. This will also be the last episode of 2024 so I can take a few days off for Christmas and New Year's, so tune back in 2025 for some more exciting episodes.   In the meantime, we'll start with an update on my current writing projects and then do Question of the Week. My main project right now is Shield of Deception, the fourth book in the Shield War series. I am at 33,000 words into it as of this recording, which if my math is right means I'm about 24% of the way through the rough draft. I'm hoping that will come out in January, but there's good chance it will slip to February because I'm think it's going to be pretty long. My secondary project right now is Ghost in the Assembly and I am 2,000 words into that and I'm hoping to have that out in February, but if Shield of Deception slips to February, then it'll probably be out in March.   In audio news, recording for Cloak of Masks, the eighth Cloak Mage book, is nearly done and I expect to have some files to proof for that before much longer. That will be narrated by Hollis McCarthy. Leanne Woodward has started working on the audiobook version of Orc Hoard, so both of those should be coming along shortly in 2025. So that's where I'm at with my current writing and audiobook projects.   00:01:34 Question of the Week   And now let's move on to Question of the Week. Question of the Week is designed to inspire enjoyable discussions of interesting topics. This week's question: what is your favorite movie or TV version of A Christmas Carol by Charles Dickens? No wrong answers, obviously. The inspiration for this question was I was scrolling through movies on various streaming services and of course this time of year you can watch a billion different versions of A Christmas Carol.   Todd says: my personal favorite of A Christmas Carol is from 1971. This animated classic had the original Scrooge and Marley actors voice the respective characters. Another Christmas television program would also have to be Emmett Otter's Jug Band Christmas. It's got Frank Oz!   I have to admit, I have never heard of Emmett Otter's Jug Band Christmas before this comment.   Justin says: I would have to say the 1951 version with Alastair Sim, although the Muppets are a close second.   Bonnie says: This is one of my hubby's favorite Christmas traditions. Unsure of how many different versions we have. His two are American Christmas Carol with Henry Winkler and the George C. Scott one. I like the Albert Finney musical version and the Alastair Sim one. Paul says: Yes, sentimental favorite is the George C. Scott version from 1984. I like the version with Patrick Stewart as Scrooge as well. We'll watch many versions through the season if I see them on. The Muppet version is great as well. Not a fan of the Jim Carey cartoon version. It is okay, but prefer the first three mentioned.   Andrew says: The Muppet version is the best.   Randy says: Another vote for Kermit here! “Light the lamp, not the rat!”   Jenny says:  OMG Yes, the Muppet's version!   Jeremiah says: Alastair Sim version for classic and modern, the Patrick Stewart version.   Catriona says: The Muppets- just iconic!   Gary says: The Muppets.   Tom says: Yes, A Muppet's Christmas Carol, nothing else comes close.   Becca says: Muppets   Tracy says: I like the one with Patrick Stewart.   For myself, I pretty much closely agree with the commenters here. I think my sentimental favorite is the George C. Scott version from 1984, since that's the one I used to watch when I was younger. Rewatching it as an adult, it's impressive how Scott doesn't even attempt a British accent. It's actually rather surprising that his version of Scrooge is actually pretty funny, with a dry wit.   That said, as many of the commentators here already said, I think the best overall best version of A Christmas Carol is Muppet Christmas Carol from 1992. It works because Michael Caine plays it stone dead serious even when he is sharing the screen with a bunch of Muppets. Caine famously said that he played against the Muppets like he was playing against the Royal Shakespeare Company, and the contrast with Caine's serious performance against the silliness of the Muppets creates a sort of alchemy that works really well. Also, The Man Who Invented Christmas from 2017, a highly fictionalized version of Charles Dickens writing a Christmas Carol, is definitely worth watching even though it takes a few, well, more than a few creative liberties with the facts.   So that is it for Question of the Week this week.   00:04:26 Writing Goals 2024/2025   Now let's look back at my writing goals for 2024, see if I was able to meet them or not, and then look ahead to my writing goals for this coming year of 2025. First of all, I would like to very much thank everyone who bought one of my books or audiobooks this year. I am glad you enjoyed them. I would also like to thank the narrators I worked with this year, C.J. McCallister, Hollis McCarthy, Brad Wills, and Leanne Woodward, who actually did the work of creating amazing audiobooks. Additionally, I would also like to thank my podcast transcriptionist, my Excel bookkeeper, and my audiobook proof listener (all three of whom wished to remain anonymous), who really helped out and took a lot of work off my plate this year so I could focus on writing. 2024 for me on a personal level was a pretty good year. However, I admit it was a rough year for book sales. I was down about 12% overall. This came from two causes. One, a significant portion of the book reading American public disappeared into doomscrolling their news and social media apps from July to about November. Two, I scattered my attention too much across too many series. I think in 2025, I'm going to focus up and do an Andomhaim book every other month like I did from oh, 2013 to 2023 or so. But all that is to come. Let's first look back and see if I met 2024's writing goals.   #1: Write as many words as possible while trying to hit 1 million new words. I did it! I am very pleased to report that I published 1 million words of new fiction in 2024, for the first time since 2020. In 2021, I only published 971,000 words. I figured I had slipped and would get to it the next year. In 2022, however, I only published 814,000 words. This happened due to a combination of a lot of travel and various real-life stresses. In 2023, I published 935,000 words, a significant improvement over the previous year, but I had COVID twice pretty close together in the early spring/summer of that year and that really messed me up for a couple months.   But in 2024 (as of Orc-Hoard), I published 1,490,000 new words of fiction for the year. My ten 10,000 word days for 2024 probably helped with that a great deal. I am very happy about this since I tried to hit a million words in 2021, 2022, and 2023 but just couldn't quite get there. So it is very satisfying (after four years of not quite making it) to have finally published a million words of new fiction in 2024. Naturally, I hope to repeat this feat in 2025, but more on that in a little bit.   #2: Start The Shield War. I did that as well, publishing Shield of Storms, Shield of Darkness, and Shield of Conquest all in 2024, and they're even all in audiobook (as excellently narrated by Brad Wills).   #3: Continue Cloak Mage. I did that as well with Cloak of Titans and Cloak of Illusion. Both books were interesting challenges to write, since Titans burned up a lot of the ongoing subplots for the series. No spoilers. Cloak of Illusion had to work with a new game board, so to speak since so much had changed in the previous book.   #4: Continue Ghost Armor. I did that as well with Ghosts in the Veils and Ghost in the Tombs and both of them are in audiobook (as excellently narrated by Hollis McCarthy). #5: Continue Half-Elven Thief. I was able to do that as well with Wizard Thief, Half-Orc Paladin, and Orc-Hoard. Half-Elven Thief, Wizard Thief, and Half-Orc Paladin are in audiobook, as excellently narrated by Leanne Woodward.   #6: Continue Sevenfold Sword Online. Around June, I renamed this series to Stealth and Spells Online since so many people were getting confused with Sevenfold Sword. I did release Stealth and Spells Online: Leveling in February. Both books in the series are in audio, as excellently narrated by C.J. McAllister.   #7: New audiobooks for new books. There's only so much time, energy, and especially budget for audiobooks, so I decided that I was only going to do audiobooks in new series going forward rather than trying to have old books recorded. I think this worked out pretty well, all told, because 2024 will be the best year so far for my self-published audiobooks. We did end up recording some of the older Cloak Mage audiobooks because I promised Hollis McCarthy a recording spot in April for Ghost in the Veils, but I just couldn't finish that book in time. So we did Cloak Mage #7 instead, with #8 and #9 to come in 2025.   So I'm pleased I met all my writing goals for 2024. As might have guessed, I'm especially pleased about the million words, since I had been trying to reach that in a year for the last four years and we finally managed to do it in 2024. Very satisfying, lemme tell you.   Now let's look ahead to my writing goals for 2025. Here is what I would like to do, in order of priority.   #1: Write as many words as possible, hopefully hitting 1 million words of new fiction. As I mentioned above, it was enormously satisfying to hit a million new words in a year after failing to do so since 2020. So I would like to do that again if possible, though of course circumstances may be out of my control. Regardless, I definitely want to write as much as possible in 2025.   #2: Finish The Shield War. I am exactly halfway through The Shield War, which as I mentioned earlier in the show, puts me on book four of six. I am planning to write a Shield War book every other month in 2025 until the series is complete.   #3: Finish Ghost Armor. I'm also exactly halfway through the Ghost Armor series, which puts me on book four of six. Like with Shield War, I'm planning to write a Ghost Armor book every other month until the series is complete.   #4: Continue Cloak Mage. Once The Shield War and Ghost Armor are complete, I plan to continue Cloak Mage, though I will probably start Cloak of Worlds a little earlier as a secondary project. I was originally planning for 15 books in Cloak Mage, but I realized I have way too much story to fit into the remaining three books. So it's going to be 18 in total (not 15), with a suitably epic conclusion once I get to the 18th and final book.   #5: Continue Half-Elven Thief. I also want to continue Half-Elven Thief because of the three new things I've tried in the last four years, this one has worked the best. I had originally planned for six books, but as with Cloak Mage, there's too much story to fit in six, so it's going to be nine instead.   #6: Conclude Stealth and Spells Online. As of this recording, I am 29,000 words into Stealth and Spells Online: Reactant, which will be the third and very definitely final book in the series (or trilogy, technically, since it's only three). I would very much like to thank everyone who read the first two books or listened to the first two audiobooks.   Stealth and Spells Online, I admit, didn't perform as well as I had hoped. I was just crunching some numbers to get ready for tax time, which means also looking at my bestselling books of 2024. I have published 158 novels, but my top 10 in any given year are usually books I published in that year. My top five bestselling books in 2024 (unless something drastically changes in the next 10 days) are Shield of Storms, Shield of Darkness, Cloak of Titans, Shield of Conquest, and Ghost in the Veils. All five of them came out in 2024, so that's not a big surprise.   Stealth and Spells Online: Leveling came out in February, 2024, so logically you would expect it to be in the top 10. Nope. Top 20? Still nope. Top 30? Got to keep going. It was the 41st bestselling book of 2024. It came out in February, which means it had abundant chances to place in the top 10, but sadly it did not. The Dragonskull and Sevenfold Sword series, both of which have been done for a while, both outsold Stealth and Spells Online: Leveling by a significant margin.   I think the problem is that I wanted to write a LitRPG book, but what I ended up with was a high concept science fiction espionage thriller with some LitRPG elements to it. Maybe I should have written it so the protagonist Noah Carver had a harem of anime monster girls or something. That always seems to be popular in LitRPG. The initial confusion with Sevenfold Sword probably didn't help matters, either. I honestly thought about abandoning the series, but if I left it unfinished, it would nag at me forever like a permanent pebble in my shoe. So I've been working on the third book as a secondary project and will hopefully publish it around this summer or so. It will wrap up the story with no unfinished threads while hopefully providing a satisfactory ending to the readers. That will be the definitive end of my foray into the world of LitRPG, then it will be time to turn to my next focus.   #7: A new epic fantasy series in the Andomhaim setting. I will start on this after The Shield War is done and it will be my main focus for a while, with books coming ideally every other month. I'm still working on the concept, but all I'll say so far is that we'll be set in Owyllain, which we haven't visited in any depth since Sevenfold Sword finished back in 2019. Even back in Sevenfold Sword, we didn't really see all that much of Owyllain, mainly the cities Aenesium and Trojas. So there's a lot of potential for story ideas there.   #8: My eighth and final goal for 2025: new audiobooks as time, budget, and narrator availability allow. My self-published audiobooks did a bit better in 2024 than they did in 2023, so I think I'm going to continue with focusing on new releases rather than trying to bring older series into audio. I would like to do as many new releases in audio as possible, though of course this depends on budget, narrator availability, and a few other factors.   So those are my writing goals for 2025. Hopefully I shall have some excellent new books for you very soon, though there's always a quote from the Book of James that I like to remember when I'm making long-term plans: “Go to now, ye that say, Today or tomorrow we will go into such a city, and continue there a year, and buy and sell, and get gain: Whereas ye know not what shall be on the morrow. For what is your life? It is even a vapour, that appeareth for a little time, and then vanisheth away. For that ye ought to say, If the Lord will, we shall live, and do this, or that.”   So if the Lord wills it, that is what I'm hoping to do in 2025.   So that is it for this week and indeed for 2024. I'd just like to take a moment to thank everyone who has listened to the podcast this year. I hope you have found it enjoyable and at times a profitable experience to do so. And also once again, I'd like to thank my podcast transcriptionist. Without her help, the podcast would not have its own dedicated website and there would definitely not be transcripts for the podcast.   So thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com, often with transcripts (added note: transcriptions are available for Episode 140 onward). If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next year and have a Merry Christmas and a Happy New Year.

Dame Maureen Lipman has been a fixture of stage and screen for over five decades. She has been a member of Laurence Olivier's National Theatre company and the Royal Shakespeare Company; she is well known for her roles in acclaimed films like Educating Rita and The Pianist; and most recently she has had an award-winning run in soap Coronation Street. For a generation she will always be 'Beattie': the grandmother from the BT adverts. On the podcast, Maureen talks to Katy Balls about her journey from 'the cobbler of Kazimierz Dolny to the cobbles of Corrie'. They discuss selling comedy as a commodity, whether you can separate art from the artist and her most recent role in a Christmas panto.  Produced by Patrick Gibbons. Photo credit: Jay Brooks.

Dame Maureen Lipman has been a fixture of stage and screen for over five decades. She has been a member of Laurence Olivier's National Theatre company and the Royal Shakespeare Company; she is well known for her roles in acclaimed films like Educating Rita and The Pianist; and most recently she has had an award-winning run in soap Coronation Street. For a generation she will always be 'Beattie': the grandmother from the BT adverts. On the podcast, Maureen talks to Katy Balls about her journey from 'the cobbler of Kazimierz Dolny to the cobbles of Corrie'. They discuss selling comedy as a commodity, whether you can separate art from the artist and her most recent role in a Christmas panto.  Produced by Patrick Gibbons. Photo credit: Jay Brooks.

Forbes Masson is playing Caliban in Jamie Lloyd's production of The Tempest.The show is the first of two Shakespeare plays presented by The Jamie Lloyd Company at Theatre Royal Drury Lane, marking the first Shakespeare plays at the venue since Peter Brook's production of The Tempest starring John Gielgud in 1957.Forbes has worked with Jamie previously, performing in his productions of Macbeth, Richard III and The Ruling Class at Trafalgar Studios and Dr Faustus at the Duke of York's. Forbes' other theatre credits include: Farm Hall (Theatre Royal Haymarket), Laughing Boy (Jermyn Street), Jekyll and Hyde (Lyceum), The Magician's Elephant, Boy in the Dress, Macbeth, Hamlet, Comedy of Errors, Twelfth Night, The Histories, As You Like It, Romeo & Juliet and Taming of the Shrew (Royal Shakespeare Company), Summer and Smoke (Almeida), Travesties (Menier Chocolate Factory) and King Lear (Liverpool Everyman).His screen credits include The Crown (Netflix), As You Like It (CBeebies), The Road Dance, Only Child, Crime, EastEnders, Red Dwarf and The High Life (BBC), Catastrophe (Avalon Television) and Young Person's Guide to Becoming a Rock Star (Channel 4).Forbes is an Associate Artist with the Royal Shakespeare Company and National Theatre Scotland, and co-writer of Victor and Barry's Kelvinside Compendium alongside Alan Cumming (404ink).The Tempest runs at the Theatre Royal Drury Lane 7th December 2024 - 1st February 2025. Visit www.thejamielloydcompany.com for info and tickets. This podcast is hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

My initial thought was to find information about  William Shakespeare's mother, Mary Arden.  I was curious as to the role she played or didn't play in her son's life.  That search led me to Shakespearian expert and Columbia University English Professor, James Shapiro.  His initial responses was, "your podcast will last about 30 seconds because we don't know much about her."  That said, he mentioned that he and his  brother Michael, also a professor at Columbia University (Graduate School of Journalism), would be interested in sharing stories about their mother who had also been a teacher.  Both brothers agree that their mother  "was the greatest teacher ever."  Unfortunately Lorraine had a very unhappy childhood. She was her father's daughter. The youngest of three children with two older brothers, Lorraine and her mom didn't see eye to eye. Therefore Lorraine lacked self confidence when at home, confronted by her mother. Out of this fractured relationship, Lorraine found a world full of fantasy and boundless imagination with her students. James says  " mom was a pathological fantasist. She believed that every child should have a dream." "Because of her unhappy childhood, continues Michael, she decided to recreate the world by sheer force of imagination and will."Mrs. Shapiro devoted her life to her family- her husband,  Herb, of 65 years, her children and her students. She  always told her children  that they were  accomplished and that they were going to succeed. That didn't mean that she didn't push them to work harder and do better- perhaps as Michael says "she sent mixed signals sometimes."During our conversation,  James and Michael share what a brilliant baker their mother was and how hard she worked to have fresh baked individual goodies ready for them each morning before running out the door to teach. However, when it came to main meals/dinner entrees, let's just say that wasn't her strong point.  Lorraine was  a teacher before she met her future husband.  Once  married, Lorraine's mother pressured her to quit while she was starting a family, insisting that is was completely unacceptable for her to work and raise a family at the same time.  It was 11 years before Lorraine got back to the classroom. Something that her son's know was very hard for their mother, not because she didn't love her family, it was overwhelmingly clear that their mother needed to be in the classroom with her  first graders. "It wasn't accidental that she was happiest with little kids, first graders especially. They know how to dream, they know how to play and they are perfectly happy to buy into her fantasy world," says James."Both sons love teaching and confess that they are the same kind of teacher that their mother was. They both take her into the classroom with them each day. They adore their mother, her passion and her spark and speak regularly of her magic, wisdom and  charm. "What she represented was strength" continues Michael emphatically. Lorraine may have been petite, but her dreams were big.James Shapiro-his work has made it to the NY Times Top 10 Books of 2020 list. He's a professor of English and Comparative Literature at Columbia University, distinguished authority on William Shakespeare, Former Board Member, now Govenor of Royal Shakespeare Company and he is the Shakespeare Scholar in Residence at the Public Theatre in New York.Michael Shapiro-Professor at Columbia Univ Graduate School of Journalism, He's written for newspapers in New Jersey and Chicago as well as magazine publications, such as Sports Illustrated, The New Yorker, The NY Times Magazine and more.  the author of Bottom of the Ninth and The Last Good Season: Brooklyn, the Dodgers, and Their Final Pennant Race Together plus author of 5 previous books.   "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests were open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".Check out our website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloLink to website and show notes: https://shltmm.simplecast.com/Or Find SHLTMM Website here: https://shltmm.simplecast.com/Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

Shakespeare and Possibility continues with our conversation with several recently-graduated Notre Dame seniors from the Not-So-Royal Shakespeare Company, Notre Dame's student-run Shakespeare club, re-established in 1997. These students, the “NSR” class of 2024, had the unique experience of entering their freshman year at the height of the COVID-19 pandemic in 2020. Over their four years as undergraduates, “NSR” produced 8 mainstage Shakespearean productions and more than 10 auxiliary performances. The Not-So-Royal Shakespeare Company is home to some of the most dedicated and passionate students on campus. These students come from multiple colleges and communities across the University but have taken the stage united by the inspiration, camaraderie, and possibility they found in Shakespeare. Join us in a conversation celebrating their 2024 commencement and the joy they have cultivated, both by their artistic accomplishments and in their friendships within the Not-So-Royal Shakespeare Company.  If you are interested in joining the club or auditioning for the shows, please email nsrsco@nd.edu to join the email list. You can also follow the Not-So-Royal Shakespeare Comany Instagram page, @nsr_shakespeare, for more information on past and future productions. Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Vous aimez notre peau de caste ? Soutenez-nous ! https://www.lenouvelespritpublic.fr/abonnementUne conversation entre Aliette Martin, Olivier Giel et Philippe Meyer, enregistrée au studio l'Arrière-boutique le 20 septembre 2024.Le troisième épisode de notre série consacrée à la Comédie-Française en compagnie d'Aliette Martin et Olivier Giel questionne les évolutions du rôle du public et le travail engagé par la Maison pour attirer un public plus jeune, notamment scolaire, qui représente 30% du public environ. Cet épisode aborde aussi les différents types de metteurs en scène et met en perspective les différences qui existent entre la Comédie-Française et la Royal Shakespeare Company de Londres.Chaque semaine, Philippe Meyer anime une conversation d'analyse politique, argumentée et courtoise, sur des thèmes nationaux et internationaux liés à l'actualité. Pour en savoir plus : www.lenouvelespritpublic.fr

On this edition of The Arts Section, host Gary Zidek catches up with acclaimed cinematographer Roger Deakins. The 16-time Academy Award nominee just opened a new exhibition of his photography in Chicago. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, review the Royal Shakespeare Company's new production of PERICLES. Later in the show, Gary visits the Cleve Carney Museum of Art's new video game exhibit, INSERT COIN. And we'll hear from a local big band that plays video game music covers.

Sola Akingbola is an incredible Nigerian-born UK musician. He's the composer for the hit CBS sitcom “Bob Hearts Abishola” for five years. He's also the percussionist for the Grammy Award winning band Jamiroquai. And he's written scores for the Royal Shakespeare Company's production of Othello. He's performed alongside Stevie Wonder, The Rolling Stones and David Bowie. He received the BMI Best Film & TV Score award for two years running. And he's got a new album out.My featured song is “Ode To Jerry” from the album Play by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“THE GIFT” is Robert's song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Sola at:www.solaakingbola.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

In fractured times, what does it take to reach agreement? That's the question writers Joe Murphy and Joe Robertson set out to explore in a play about the drama of climate negotiations. Kyoto, which ran at the Royal Shakespeare Company's Swan Theater in Stratford-upon-Avon this summer, tells the story of the 1997 Kyoto Summit as seen through the eyes of Don Pearlman, a notorious fossil fuel lobbyist and chain-smoking lawyer dubbed “the high priest of the Carbon Club” by der Speigel. Actor Stephen Kunken, who plays Pearlman, tells Akshat Rathi why he was drawn to the character, and what Kyoto can teach us about how agreement is achieved.  This episode first ran in July 2024.  Explore further: Past episode with Al Gore about breaking the petrostates stranglehold on climate progress Past episode about climate change storytelling with Kim Stanley Robinson, author of Ministry for the Future Past episode with Extrapolations writer and executive producer Dorothy Fortenberry about the growing demand for climate stories Zero is a production of Bloomberg Green. Our producer is Mythili Rao. Special thanks this week to Kira Bindrim, Alicia Clanton, Anna Mazarakis, and Jessica Beck. Thoughts or suggestions? Email us at zeropod@bloomberg.net. For more coverage of climate change and solutions, visit https://www.bloomberg.com/green.See omnystudio.com/listener for privacy information.

Tamara Harvey, the new co-artistic director of the "other" RSC – the Royal Shakespeare Company – discusses her exquisite production of Pericles, and how it came to the Chicago Shakespeare Theater and speaks to our current moment on both side of the Atlantic. Tamara reveals how Shakespeare's characters navigate different kinds of leadership; how she and her co-artistic director Daniel Evans hope to reach across borders and collaborate with international artists; how the challenges of the play felts like a gift; her genius solution to the narrator; how she feels in collaboration with Shakespeare, and how his Pericles weaves a unique spell; and the vital importance of giving audiences badly-needed hope and joy. (Length 18:23) The post The RSC's ‘Pericles' appeared first on Reduced Shakespeare Company.

Damian Lewis grew up in North London and, after a spell in boarding school, returned to the city to study acting at the Guildhall School of Music and Drama. He began his career with the Royal Shakespeare Company before transitioning to television. Damian's breakout role came in Band of Brothers, which was the most expensive TV show of all-time, in 2001. His portrayal of Nicholas Brody in Homeland earned him both an Emmy Award and a Golden Globe. His latest film, The Radleys, is adapted from a book by Matt Haig and tells the story of a family of vampires. Nick mixes an Old-Fashioned for Damian while Angela prepares caponata bruschetta to start, followed by hearty pumpkin risotto, inspired by a butternut squash recipe by Martha Collison. The experts at Waitrose pair this with a Gabriel Meffre Côte du Rhône. Damian Lewis is the perfect dinner-guest; he arrives hungry and armed with excellent anecdotes. Our trio cover how to cook octopus, what Tom Hanks is like on set and where Damian keeps his awards. You can now watch full episodes of Dish on Youtube  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer them in a future episode. Dish is a S:E Creative Studio production for Waitrose Learn more about your ad choices. Visit podcastchoices.com/adchoices

Born in Yorkshire, Anna Maxwell Martin is an actress celebrated for her versatility across theatre, television and film. After studying history at Liverpool University, she trained at LAMDA, launching her career at the Royal Shakespeare Company. Her breakthrough role came in 2005, when she portrayed Esther Summerson in the BBC adaptation of Bleak House, earning her the Bafta TV Award for Best Actress. Since then, Anna has delighted audiences playing Julia in sitcom Motherland, and the unsavoury DCS Patricia Carmichael in Line of Duty. Anna's new show Ludwig, also starring David Mitchell, is on BBC iPlayer now. Nick pours a round of margaritas, while Angela concentrates her efforts on a hearty pot-roasted lamb with flageolet beans. The experts at Waitrose pair this with a Côte des Roses organic rosé Anna Maxwell Martin is a tonic. Her sense of humour is infectious and Nick and Angela enjoy comedic tales about cooking for her teenage daughters, meeting Tom Cruise and her absolute aversion to sandwiches. You can watch full episodes of Dish now on Youtube  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer them in a future episode. Dish is a S:E Creative Studio production for Waitrose Learn more about your ad choices. Visit podcastchoices.com/adchoices

Celia Imrie has worked in television, theatre and films over the past five decades. She's taken roles at the Royal Shakespeare Company and in big budget films such as The Best Exotic Marigold Hotel, Calendar Girls and Mamma Mia! to name but a few. Celia will be starring in the film adaptation of Richard Osman's The Thursday Murder Club. The story follows a group of friends in a retirement home who gather to solve murders but find themselves caught in a real case. So with that in mind, we wanted to solve the mystery of what are Celia's Inheritance Tracks.Inherited Track: You Know What I Mean by Jeff Beck. Pass On: Merveille by Jean Louis Albert.Producer: Noa Dowling

How can educators effectively incorporate discussions about race into the study of Shakespeare and other premodern texts in the college classroom? Barbara Bogaev speaks with scholars Ayanna Thompson and Ruben Espinosa about Throughlines, a pedagogical resource developed by the Arizona Center for Medieval and Renaissance Studies at Arizona State University. This free online tool offers professors a variety of accessible teaching materials for incorporating premodern critical race studies into their teaching. Specifically designed for use in higher education, the materials include lectures, syllabi, and activities on a unique and expansive range of topics that will continue to grow. >>Explore Throughlines, a free online resource for the college classroom at throughlines.org Espinosa and Thompson share their experiences teaching Shakespeare in diverse higher education settings. Their conversation underscores students' need for open dialogue and provides practical strategies for navigating these discussions. They offer valuable insights for experienced professors and those new to teaching, highlighting the value of integrating premodern critical race studies into studying Bard's works and other literature and history. Ayanna Thompson Ayanna Thompson is a Regents Professor of English at Arizona State University and Executive Director of the Arizona Center for Medieval and Renaissance Studies. Thompson, an influential Shakespeare scholar, is the author of many titles, including Blackface and Shakespeare in the Theatre: Peter Sellars. She is currently collaborating with Curtis Perry on the Arden4 edition of Titus Andronicus. Thompson's leadership extends beyond the university, serving on the boards of the Royal Shakespeare Company, Play On Shakespeare, and Folger Shakespeare Library. She is a Shakespeare Scholar in Residence at The Public Theater in New York. In 2021, she was elected to the American Academy of Arts and Sciences. Ruben Espinosa Ruben Espinosa is the Director of the Arizona Center for Medieval and Renaissance Studies and a Professor of English at Arizona State University. He is the author of many titles, and most recently, Shakespeare on the Shades of Racism. He is the current President of the Shakespeare Association of America, and he serves on the Editorial Boards of Shakespeare Quarterly, Exemplaria: Medieval, Early Modern, Theory, and Palgrave's "Early Modern Cultural Studies" series. He is working on his next monograph, Shakespeare on the Border: Language, Legitimacy and La Frontera.