Podcasts about Royal Shakespeare Company

Send us a textSeason 2 Episode 54The boy's are back today with special guest Actor Amy Trigg.Born in 1992 in Witham, Essex, Amy was obsessed with theatre before she could even spell “Shakespeare.” Born with spina bifida and a wheelchair user from day one, she's never let a stage—literal or metaphorical—stop her from owning her moment.Amy made history as the first wheelchair user to graduate from Mountview Academy's performance course. Since then, she's been rewriting the script for what's possible: from commanding the stage in The Glass Menagerie and The Who's Tommy to slaying Shakespeare with the Royal Shakespeare Company, playing Juliet and Biondella like no one else could.And let's talk The Little Big Things—the hit musical that earned her the 2024 Olivier Award for Best Supporting Actress in a Musical. That's right. A standing ovation for talent, representation, and a damn good performance.On this podcast, Amy dives into bold chats with Martin and Patrick, reflects on backstage chaos, celebrates disability pride, and proves that life isn't about waiting in the wings — it's about rolling straight into the spotlight.#HeartTransplant#eatingdisorder#RareCondition#HealthJourney#LifeChangingDiagnosis#MentalHealth#Vulnerability#SelfCompassion#PostTraumaticGrowth#MedicalMiracle#BBCSports#Inspiration#Cardiology#Surgery#Podcast#Healthcare#HeartHealth#MedicalBreakthrough#EmotionalJourney#SupportSystem#HealthcareHeroes#PatientStories#CardiologyCare#MedicalJourney#LifeLessons#MentalWellness#HealthAwareness#InspirationalTalk#LivingWithIllness#RareDiseaseAwareness#SharingIsCaring#MedicalSupport#BBCReporter#HeartDisease#PodcastInterview#HealthTalk#Empowerment#Wellbeing#HealthPodcast#Harryhill#Aid's#HIVCheck out our website at www.whostomanddick.comCheck out our website at www.whostomanddick.com

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

Will Trice is the Executive Director of the Arkansas Repertory Theatre and has been since 2019. He has served as a producer for nearly 30 productions on Broadway, the West End, and National Tours. Trice is a three-time Tony Award winner for All The Way, Who's Afraid of Virginia Woolf?, and Porgy & Bess, though he gives away any credit to the fabulous actors, writers, and production crew. He is a five-time Tony nominee for Fiddler on the Roof, The Royal Shakespeare Company's Wolf Hall, You Can't Take It With You, The Glass Menagerie, and The Best Man. Other credits include: American Son, starring Kerry Washington; The Lifespan of A Fact, starring Daniel Radcliffe; American Buffalo; American Psycho; Lady Day At Emerson's Bar & Grill, starring Audra McDonald (Broadway & West End); The Realistic Joneses, starring Toni Collette, Michael C. Hall, & Marisa Tomei; Blithe Spirit, starring Angela Lansbury (West End & National Tour); The Bridges of Madison County; and Glengarry Glen Ross, starring Al Pacino. Prior to his career in producing, Trice served as a Business Analyst with management consulting firm McKinsey & Company, an Artistic Administration Associate with The Metropolitan Opera, and a Strategic Growth Associate with alternative asset managers D.E. Shaw & Company. He holds degrees from Southern Methodist and Northwestern Universities.

Earlier this week, Mickey-Jo spent two evenings at the Royal Shakespeare Company in Stratford upon Avon, seeing two entirely different pieces of theatre.First he saw Laura Wade's new adaptation of The Constant Wife starring Rose Leslie, and the next evening was the press night performance of 4.48 Psychosis, a hugely impactful play by Sarah Kane recounted with the play's original cast.Check out this double bill review to find out what Mickey-Jo thought of these two pieces of theatre...•00:00 | introduction02:01 | The Constant Wife12:30 | The Constant Wife (contd)20:20 | 4.48 Psychosis•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Unofficial Unreal Engine Podcast, host Alex talks with Tom Wexler of 59 Productions about bringing Stranger Things: The First Shadow to life on stage. They explore how Unreal Engine powered stunning flyovers of Hawkins and enabled rapid iteration for a groundbreaking theatrical experience. Tom shares insights into his journey from live music visuals to cutting-edge VR tools for previsualization and stage design. Learn how the team balanced ambitious real-time tech with rock-solid reliability for a show that feels both cinematic and theatrical. Plus, behind-the-scenes stories from their Royal Shakespeare Company collaboration and why liveness in theater still matters in a digital age.StrangerThingsOnStage.comhttps://59.studio/https://www.tomwexler.com#UnrealEngine #VirtualProduction #StrangerThingsTheFirstShadow #UnrealPodcast #TheaterTech #VRDesign #59Productions #StageDesign #Previs #RoyalShakespeareCompany #UE5 #LivePerformance #VolumetricCapture #ImmersiveTheater

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025. This week we have a reimagining of Somerset Maugham's ‘the Constant Wife' at the Royal Shakespeare Company's Swan Theatre in Stratford-upon-Avon with description by Professional Audio Describers Julia Grundy and Carolyn Smith. About ‘The Constant Wife' ‘I can't help it if you were careless with your cigarette case. I was extremely careful with your heart' Constance has everything. A loving family, a beautiful home, a fulfilling career, and a husband as devoted to her as he is to his mistress. When her perfect set up is threatened, Constance fights back but refuses to play by the rules. Can she withstand society's expectations? And can society withstand the force of a woman determined to do things her own way? RSC Co-Artistic Director Tamara Harvey (Pericles) and playwright Laura Wade (Posh, Rivals) reunite after their Olivier Award-winning collaboration, Home, I'm Darling, to reimagine Somerset Maugham's subversive comedy, The Constant Wife, in a sparkling new version featuring original music by multi award-winning jazz artist Jamie Cullum. Rose Leslie (Game of Thrones, Downton Abbey, Vigil) plays Constance, a 1920s heroine with a decidedly modern spirit. For more about access at the Royal Shakespeare Company do visit - https://www.rsc.org.uk/your-visit/access (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Actress and writer Lizzie Hopley was born in Liverpool and trained at RADA. As an actress, she has worked for the Royal Shakespeare Company and the Globe Theatre and recent screen work includes Black Doves and upcoming feature film Fackham Hall. As a writer, her radio sitcom Green won Pozzitive TV's Funny Dot Comp 2021 and TV series Bloody Betty is currently in development. She has written and appeared in over 90 Big Finish audio adventures including Dark Shadows and Doctor Who, and her Doctor Who audio play The Curse of Lady Macbeth won the 2022 Scribe Award. Lizzie joins me to talk about how her childhood love of writing and acting became a vocation, auditioning for RADA—twice—and how she ended up continuing to write even as a drama student, how learning to think of acting and writing as having a target changed her work, and a whole lot more. Episode Breakdown: 00:00 Lizzie Hopley shares her creative childhood and love for books. 04:56 Acting out movie scenes alone sparked early passion for performance. 08:45 Family encouraged storytelling, costumes, and imagination at home. 13:11 Difficulties pursuing creative careers; importance of following passion. 17:33 University and RADA experiences shaped her acting and writing path. 22:24 Writing plays began due to lack of desired acting roles. 27:29 Rewriting and feedback are crucial for improving both crafts. 32:54 Learning to target audience while writing; acting versus writing focus. 37:22 Acting training emphasizes focusing on scene partner, not yourself. 43:48 Importance of editors and learning to kill your darlings. 48:21 Confidence and caring less about others' opinions increases with age. 53:07 Acting and writing overlap at Big Finish; playing her own roles. 57:16 Big Finish's community impact, creative freedom, and professional development. 01:02:18 Target books and early Doctor Who fandom as creative inspiration. 01:07:04 Embrace varied interests; open doors for yourself in creativity. Want more? Here are handy playlists with all my previous interviews with guests in writing, theatre, and Doctor Who.   If you enjoyed our conversation, I hope you'll share it with a friend. Check out the full show notes (now including transcripts!) at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you've been tearing up when you encounter other people's art because you've lost touch with your own, we should talk.  

Send us a textPlaywright and performer, Ashley Griffin, swung by the studio to sit in the Playwright's Spotlight before her West Coast Premiere of her Off-Broadway play The Opposite of Love. It's a compelling conversation that tackles so many aspects of playwriting, that the title of the thumbnail became a struggle. In this discussion, we breakdown her playwriting origins, learning lessons from mentors, overcoming technical challenges, magical realism and heightened language, and achieving the goal of giving a gift to the audience. We also unpack recognizing issues, characters having objectives, knowing where you're going, and using language like magic. We wrap it up by exploring - determining beats, separating yourself as a playwright/actor/director in your own work, how acting assists writing, organic dialogue, punctuation as sheet music, and the benefits of locking opposite characters in the same room. Ashley gives a plethora of insight in such a short amount of time. Every playwright will walk away with at least one nugget of knowledge if not a bagful. Enjoy!The West Coast premiere of her play The Opposite of Love opens July 25th through August 31st at The Hudson Backstage Theater in Los Angeles. Tickets can be purchased at - https://www.onstage411.com/newsite/boxoffice/cart.asp?orgin=guest&show_id=7383&skin_show_id=&runall_id=176397  Ashley Griffin is a writer and performer. Her work has been produced and/or developed at New World Stages, Manhattan Theater Club, and Playwrights Horizons amongst others. She received the WellLife Network Award and a county commendation for her off-Broadway play Trial. She holds a BFA from NYU's Tisch School of the Arts and has trained at the Royal Shakespeare Company and the National Theater.To watch the video format of this episode, visit - https://youtu.be/XaEV3GfqwfYLinks to sites and resources mentioned in this episode - Santa Monica Playhouse - https://www.santamonicaplayhouse.com/Websites and Socials for Ashley Griffin -www.ashleygriffinofficial.comYouTube - https://www.youtube.com/@ashleygriffinBlank Paige by Ashley Griffin - https://www.amazon.com/Blank-Paige-Ashley-Griffin/dp/B0CKPVPT9VThe Spindle by Ashley Griffin - https://a.co/d/8JjdNm3IG - @ashleygriffinofficialWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through LACPFest - www.lacpfest.comSupport the show

This week, Alexa is joined by performer and vocal coach Conor O'Hara (fresh from the UK tour of Wicked) to explore 10 standout songs for male singers in the contemporary musical theatre space. From smart audition choices to vocal technique tips, Conor offers practical, performer-led insight that both singers and teachers will find invaluable. Whether you're building your rep book or guiding a student through their next audition, this episode is packed with gold.  WHAT'S IN THIS PODCAST?   1:04 What is Conor's dream Musical Theatre role?  2:37 What was Conor's journey into Musical theatre?  5:44  What is a Musical Theatre audition like?  12:25  What's Conor's ‘go-to' song? 13:20 What song should you really take to an audition?  20:35 Conor's 10 song list   About the presenter, click HERE RELEVANT MENTIONS & LINKS Emily Kristen Morris Singing Teachers Talk - Ep.200 The Secret to Powerful Belting and Seamless Mixing The Hangar Theatre Company GSA Mountview  RSC Debbie O'Brien  Artists mentioned: Jamie Muscato; Jeremy Jordon; Ben Platt; Aaron Tveit; Jack Wolfe; Brian Darcy James; Ben Joyce; Gavin Creel Danielle Tarento  Singing Teachers Talk - Ep.212 10 Songs to Find Your Pop Style Singing Teachers Talk - Ep.205 10 Songs to Inspire Your Singing Lessons Royal Scotland Conservatoire  Spotify Radio Jeanine Tesori   ABOUT THE GUEST Conor trained at Mountview Dramatic Training, gaining a BA (Hons) in Performance (Musical Theatre). He led the UK premier tour of 'Bedknobs and Broomsticks' as Charlie Rawlins, was a swing in the Royal Shakespeare Company's 'A Christmas Carol' and has recently finished touring around the UK with the Musical 'Wicked'.  Alongside a career as a performer, he is currently a singing teacher at Italia Conti. Based in North London, he offers private tuition in person and online for professionals looking to book their next job, students in or out of work aiming to better their technique, drama school auditionees, non-professionals and more.  Conor believes strongly in finding the right repertoire to suit the goals of the performer, whether that's to forward the development of technique, to book the job or even just to keep the enjoyment of singing alive.  E: cohara1998@gmail.com Instagram: @conorcoaches BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Join us on The Explaining History Podcast as we welcome Dame Vikki Heywood, former Executive Director of the Royal Shakespeare Company and the Royal Court Theatre, to discuss her dazzling debut novel Miss Veal and Miss Ham. Set against the sleepy veneer of a 1951 Buckinghamshire village post office, this intimate tale reveals the hidden passions and unspoken resilience of two women whose lives span from the suffragette movement to the aftermath of World War II.In this episode, we explore:A Day of Reckoning: How one pivotal day in 1951 cracks open Miss Dora Ham and Miss Beatrix Veal's carefully maintained spinster façade—and what it tells us about post-war Britain.Through Beatrix's Eyes: The wry, poignant narrative voice that illuminates the challenges of love that “cannot be spoken,” and the heart-breaking decisions forced by changing times.Echoes of Literary Greats: Why fans of Barbara Pym and Sarah Waters will be drawn to Heywood's rich tapestry of gay underground clubs, wartime Blitz life, and the shifting landscape of women's work after the war.Hidden Lives, Lasting Love: What inspired Heywood to tell a four-decade story of clandestine romance, and how her own career in the arts informed this deeply human portrait.Whether you're intrigued by post-war social history, the evolution of LGBTQ+ narratives, or the behind-the-scenes world of theatre leadership, this conversation shines a light on love, loss, and the unbreakable dignity of lives lived in the shadows. Tune in for an episode that bridges art, history, and the enduring power of storytelling.*****STOP PRESS*****I only ever talk about history on this podcast but I also have another life, yes, that of aspirant fantasy author and if that's your thing you can get a copy of my debut novel The Blood of Tharta, right here:Help the podcast to continue bringing you history each weekIf you enjoy the Explaining History podcast and its many years of content and would like to help the show continue, please consider supporting it in the following ways:If you want to go ad-free, you can take out a membership hereOrYou can support the podcast via Patreon hereOr you can just say some nice things about it here Hosted on Acast. See acast.com/privacy for more information.

Welcome back to another episode of The Audiobook Podcast.We've touched loosely on the subject of diction in earlier conversations, but werealise that what we said was fairly general. We'd mentioned casting people towork within the normal range of their voice, and that forced diction can soundforced!In this episode, Justine is in conversation with Geraldine Cook-Dafner, who holdsa Licentiate in Voice and Speech from the Guildhall School of Music and Drama inLondon, and additional training at the Royal Shakespeare Company and we thinkthere's nobody better to have this conversation with about diction.

CHUKWUDI IWUJI joined host NATHAN WINKELSTEIN, Red Bull's Associate Artistic Director, for a conversation centered on Henry VI—the man who would be “a homely swain.” Chukwudi played the title role across all three parts of the Henry VI trilogy with the ROYAL SHAKESPEARE COMPANY in 2006, in productions helmed by Michael Boyd. He read an excerpt from Act 2 Scene 5—“This battle fares like to the morning's war”—and reflected on three pivotal turning points in his career. (6/29/2020)

Outlander’s Sam Heughan, heads to Perth next weekend for Supernova 2025. The Scottish star chatted to the guys about his excitable fans, whiskey tastings and the Aussie heat. Clairsy and Lisa congratulated Sam on his upcoming role in the Royal Shakespeare Company’s as Macbeth and no pressure but Ian McKellan was the previous actor in the role.See omnystudio.com/listener for privacy information.

Called “the finest actor of his generation,” Sir Simon Russell Beale has played just about everyone in Shakespeare's canon—Hamlet, Lear, Macbeth, Falstaff, Malvolio, Iago—and most recently, Titus Andronicus, for the Royal Shakespeare Company. In this episode, Beale reflects on the Shakespearean roles that have shaped his career and how his approach to them has evolved over time. He shares what drew him to Titus, and how he found surprising tenderness in Shakespeare's brutal tragedy. The actor revisits past performances, exploring grief in Hamlet, aging and dementia in King Lear, and how time has deepened his connection to the plays and the characters. Beale's memoir, A Piece of Work: Playing Shakespeare & Other Stories, is a moving and often humorous reflection on acting, Shakespeare, and the power of performance to reveal something essential about being human. Sir Simon Russell Beale studied at Cambridge before joining the RSC. Described by the Daily Telegraph as “the finest actor of his generation,” he has been lauded for both his stage and TV work, winning many awards including the Olivier Award for Best Supporting Actor, the Evening Standard Best Actor Award, and the BAFTA Best Actor Award. From the Shakespeare Unlimited podcast. Published June 17, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Amir Nizar Zuabi is artistic director of The Herds – an astonishing work of cardboard and imagination, which is sweeping northwards from Africa. The lifesize puppets of The Herds are given dazzling life by teams of puppeteers, drawing attention to climate emergency as the animals look for home in a changing world. Amir previously directed The Walk, where a 12-foot puppet girl sought refuge, greeted by dance and music wherever she went – these projects inspire art as well as empathy. Amir's own journey is also remarkable – a Palestinian-Israeli director now working on an almost unimaginable scale.   Amir Nizar Zuabi is an award-winning playwright and director. He was the founding Artistic Director of ShiberHur Theater Company, an Associate Director of the Young Vic Theatre, a member of the United Theaters Europe for artistic achievement, and an alumni of the Sundance Institute Theatre Program. Following his work on The Walk, in 2022 he took up the role of Artistic Director of The Walk Productions Limited. Alongside many writing credits, he has directed productions at Flanders Opera, Edinburgh International Festival, Bouffes du Nord and Royal Shakespeare Company.   The Herds https://www.theherds.org/ The Herds on Instagram https://www.instagram.com/the__herds/ Why Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini-episode, we sit down with author Julie Hammonds to discuss her debut novel, Blue Mountain Rose: A Novel in Five Acts. Set against the backdrop of a fictional Shakespeare festival in the Arizona mountains during the 2009 financial crisis, the story follows theater director Richard Keane, company manager Kate Morales, and enigmatic actor Peter Dunmore as they strive to save their beloved open-air stage. Julie shares insights into how Shakespeare's works inspired the novel's structure and themes, the challenges of portraying the behind-the-scenes world of theater, and the enduring relevance of the Bard's plays in times of personal and collective hardship. Whether you're a Shakespeare aficionado, a theater enthusiast, or a lover of character-driven narratives, this conversation offers a compelling look into the intersections of art, community, and resilience. Blue Mountain Rose is now available at booksellers near you and on our Bookshop.com storefront. About Julie Hammonds Julie Hammonds fell in love with Hamlet during a high school trip to the Oregon Shakespeare Festival and has nurtured her passion for Shakespeare ever since. She learned to run a light board on an Army base in South Korea, studied the plays on her own and in school, stage-managed The Winter's Tale and Much Ado About Nothing, and became the founding board president of the Flagstaff Shakespeare Festival. Along the way, she decided to complete the canon as an audience member by seeing Shakespeare's plays performed on as many different stages as she can reach. The quest has taken her from a community hall in Juneau, Alaska, to the noteworthy festivals in Stratford, Ontario, and Cedar City, Utah, to Shakespeare's Globe in London and the Royal Shakespeare Company in Stratford-upon-Avon. She has four plays to go. This is her first novel. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Hammonds, Julie C. Blue Mountain Rose: A Novel in Five Acts. Soulstice Publishing, LLC, 2025.  

Send us a textTo commemorate Shakespeare's 461st Birthday, I am very happy to bring on to the Fixate & Binge Podcast, HANNAH YOUNG, a native of Stratford-on-Avon, the home of Shakespeare. Hannah is a classically trained actress who has performed extensively with the Royal Shakespeare Company over several seasons in her career. She features as Lady Macbeth in Cheek by Jowl's film ‘Acting' which is premiered this weekend in London's The Barbican Centre, and has also worked at the National Studio in London and in several West End productions.In this episode, Hannah shares her first experiences with Shakespeare, growing up in Stratford-on-Avon, recounting her work on the stage with stage and screen legends. She illuminates how she approaches her characters, and uses the text itself to explore clues and ideas about her portrayals for audiences.If you're a casual fan of Shakespeare, a budding academic, a Bardolater, or terrified of experiencing Shakespeare for the first time -- this is the perfect podcast  to hear from Hannah on how best to approach the immortal Bard.In this podcast, I also provide a spoiler-free review of Alex Garland and Ray Mendoza's film WARFARE -- currently in theaters and well-worth the price of admission to experience on the big screen!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

Rebecca and Tori are joined again by Louise discuss two productions of Shakespeare's 'Midsummer Night's Dream'—the 1968 Royal Shakespeare Company version and the 2016 adaptation directed by David Kerr. We explore these productions of Shakespeare's 'A Midsummer Night's Dream', focusing on character analyses, particularly of Bottom and Theseus, and the dynamics of love and friendship within the story. We make some pop culture connections such as Dr. Who, Hannibal Lecter, and 'The Wizard of Oz.'MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoRemember the way | Mid-Air Machine | Free Music ArchiveThe Vipers Skiffle Group. 1957. Non-Commercial-NoDerivs 4.0 International. https://archive.org/details/vipers-skiffle-group-dont-you-rock-me-daddy-oRecord Scratch: Sound Effect free on PixabaySourcesA Midsummer Night's Dream Part 3: The Language - Shakespeare For All | Podcast on SpotifyA Midsummer Night's Dream Part 2: Context and Questions - Shakespeare For All | Podcast on SpotifyShakespeare For AllA Midsummer Night's Dream Part 1: The Story - Shakespeare For All | Podcast on SpotifyBBC Arts - BBC Arts - Skiffle: The musical revolution that time forgot

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025. This week we have murder and fight scenes with blood a plenty too on stage with the Royal Shakespeare Company's production of Christopher Marlow's Edward II with description by Professional Audio Describers Julia Grundy and Ellie Packer.  About ‘Edward II' When the new King Edward II insists on ruling with the man he loves by his side, conspiracy and civil war threaten the very existence of the monarchy in Marlowe's violent and tender play. I see your love to Gaveston will be the ruin of the realm and you.' The King is dead, long live the King. And his boyfriend. When Edward II insists on ruling with the man he loves by his side, the Palace refuses. The establishment conspires to restore the natural order, plunging the country into a civil war and threatening the very existence of the monarchy. Better a dead king than a gay king. Double Olivier Award-winner and RSC Co-Artistic Director Daniel Evans returns to the stage with a cast including Eloka Ivo as Gaveston and Ruta Gedmintas as Queen Isabella in Daniel Raggett's production of Marlowe's violent and tender play. For more about access at the Royal Shakespeare Company including details of audio described performances of their productions do visit - https://www.rsc.org.uk/your-visit/access  (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Welcome Back to TBOTA!Dan Milne trained as a theatre practitioner after studying English at Cambridge and training at the Drama Studio, London. He has acted with leading UK theatre companies including the Royal Shakespeare Company, National Theatre, Young Vic, and Complicité, as well as regionally with the Royal Exchange Manchester, Birmingham Rep, and Liverpool Everyman. His international tours have taken him to Broadway and festivals in the US, Mexico, India, Australia, and New Zealand. Screen credits include Eastenders, The Nevers, and Star Wars: The Acolyte.As a director, Dan has worked with the RSC and Young Vic and presented work at BAC, Trafalgar Studios, and off-Broadway. He produced the documentary The Longest Game and two features, Never Here and Widow's Walk, and is currently developing The Gate with Camille Thoman and Tobias Menzies. He also co-founded Narativ, a storytelling company born from his acclaimed New York theatre piece Two Men Talking. The company's mission is ‘a world connected by listening and sharing personal stories' - a mission to support people to explore, tell and reflect on the stories of their personal experience.Jane Nash is Director and Lead Trainer of Narativ in London. She believes passionately in the transformative power of Listening & Storytelling and brings a rigorous, compassionate ability to listen in all situations, creating trainings that her clients say are practical, inspiring and always human. Jane developed her love of story and her expertise in the behaviours of personal impact in a career spanning many decades, working internationally as an actor, writer, director and theatre maker. She has appeared in film and on television, and in theatre spaces as diverse as Greenwich Park, St Pancras Station and the Olivier Theatre. She has created many pieces of theatre drawing on elements of personal storytelling - such work includes ‘Big Space', ‘Small Space', and a piece about family currently being developed with Dan and her daughter, entitled ‘All Those Things'.Support this show:Become a patron and help me make this show. Bonus episodes every week: >> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | creating podcasts and extra content | Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy me a coffee ☕⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paypal.me/robertneumark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or support me through other ways:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bliss of the Abyss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Give us a rating & review:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write a review for Bliss of the Abyss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Webpage:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | Actor | Voice Artist (robertnj.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠© Robert Neumark Jones

What did it take to get nearly 200 nations to agree on tackling climate change in 1997? And what have we learned in the decades since?In this episode, we reflect on the drama, the impact and the legacy of the Kyoto Protocol, and go behind the scenes of the Royal Shakespeare Company's powerful and acclaimed production of Kyoto, currently playing in London's West End.After watching a performance of the play this week, Christiana Figueres, Tom Rivett-Carnac and Paul Dickinson introduced a live event at The Conduit, bringing together those who were in the room at COP3 in Kyoto with those now shaping the path to COP30 in Belém and beyond.First, we hear from a panel of seasoned voices from the world of international climate diplomacy, moderated by climate journalist Ed King. Farhana Yamin, longtime negotiator for small island states, speaks of how Kyoto helped amplify the voices of vulnerable nations for the first time. Nick Mabey, co-founder of E3G, reflects on Kyoto's economic impact, arguing that it sparked a global clean tech revolution by making climate action economically viable. And Richard Kinley, former Deputy Executive Secretary of the UNFCCC, offered rare insights into the diplomacy that shaped Kyoto. Together, they paint a vivid picture of Kyoto's legacy and what it still offers to today's climate movement.Later, we hear from the playwrights behind Kyoto, Joe Murphy and Joe Robertson, about how they turned bureaucratic negotiations into riveting on-stage drama.So, what's changed since 1997? Are we in a better place thanks to Kyoto? And is multilateralism still fit for purpose in today's world?Follow us on social media for behind the scenes moments and to watch our videos:Instagram @outrageoptimism LinkedIn @outrageoptimismOr get in touch with us via this form.Producer: Ben Weaver-HincksVideo Producer: Caitlin HanrahanExec Producers: Ellie Clifford and Dino SofosCommissioning Editor: Sarah Thomas This is a Persephonica production for Global Optimism and is part of the Acast Creator Network. Hosted on Acast. See acast.com/privacy for more information.

Send us a textFrom boarding school trauma to embodying one of fiction's greatest detectives, Michael Maloney's theatrical journey reveals how life's most difficult experiences often forge our greatest strengths. The acclaimed British Actor joins us from his dressing room in Birmingham—fresh from celebrating his 100th performance as Hercule Poirot in the touring production of Agatha Christie's "Murder on the Orient Express"With disarming honesty, Michael explores how being sent away from home at age 7 permanently altered his sense of belonging. "You cease to become a member of a family immediately," he reflects, describing how this early separation forced him into premature self-sufficiency while creating emotional wounds he would later need to address. This experience, along with his Roman Catholic upbringing, established complex foundations that would eventually serve his acting career in unexpected ways.The conversation shifts to his transformative years at the Royal Shakespeare Company, where Michael found himself amidst theatrical royalty—Derek Jacobi, Michael Gambon, Helen Mirren, and a young Mark Rylance. Their anarchic creativity, set against the backdrop of early 80s punk and new wave, shaped his understanding of classical discipline and theatrical expression. "We were all over the shop," he laughs, "and enjoying ourselves."Michael's reflections on the power of the spoken word reveal his deep appreciation for poetry and heightened language. He shares how sports provides a perfect metaphor for performance: some nights you win, some you lose, some you draw—but you always return to play again. This philosophy has helped him navigate the highs and lows of theatrical reviews throughout his career.Now at 67, finding himself unexpectedly cast as Poirot, Michael approaches each performance with the discipline earned through decades of classical training. When asked about his legacy, his answer is characteristically straightforward: "A proper actor... of significance and stature." Join us for this intimate conversation with a performer who has continuously found new ways to transform life's challenges into art.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

The set and costume designer Bob Crowley says he creates ‘other worlds'. The stage is where his imagination runs riot, at the National Theatre, the Royal Shakespeare Company the Royal Opera House, the West End, Broadway and beyond. He's won numerous Olivier and Tony awards for memorable designs such as the brightly lit revolving horses for Carousel, magical black and white tissue paper drawings evoking the foggy London skyline for Mary Poppins and couture dresses and the River Seine for An American in Paris. He's also worked on many new plays including The History Boys by Alan Bennett. His most recent credits include Richard the Second at the Bridge Theatre in London, with Jonathan Bailey in the title role. Bob's music selection includes Tallis, Gershwin, Schubert and Verdi.

In episode 409 of the "Smashing Security" podcast, we uncover the curious case of the Chinese cyber-attack on Littleton's Electric Light Company, and a California landlord's hidden camera scandal. All this and more is discussed in the latest edition of the "Smashing Security" podcast by cybersecurity veterans Graham Cluley and Carole Theriault.Warning: This podcast may contain nuts, adult themes, and rude language.Episode links:This is the FBI, open up. China's Volt Typhoon is on your network - The Register.Landlord recorded nude videos of woman tenant with cameras hidden in bedroom smoke detectors, lawsuit says - The Independent.Landlord arrested after tenant discovers hidden camera in rented room - PBSO.Hidden Cameras: What Travelers Need to Know - The New York Times.Shakespeare insults t-shirt - Royal Shakespeare Company.OAS Exhibitions - Oxford Art Society.Carole's “Rusty Sage” - Bluesky.Smashing Security merchandise (t-shirts, mugs, stickers and stuff)Sponsored by:Drata - The world's most advanced Trust Management platform – making risk and compliance management accessible, continuous, and 10x more automated than ever before. Acronis Threat Research Unit - Your secret weapon against cyber attacks. Access the reports now.Vanta – Expand the scope of your security program with market-leading compliance automation… while saving time and money. Smashing Security listeners get $1000 off!SUPPORT THE SHOW:Tell your friends and colleagues about “Smashing Security”, and leave us a review on Apple Podcasts or Podchaser.Become a supporter via Patreon or Apple Podcasts for ad-free episodes and our early-release feed!FOLLOW US:Follow us on Bluesky or Mastodon, or on the

This week, novelist Damon Galgut remembers the ground-breaking South African playwright Athol Fugard; and Michael Caines on two very different approaches to the Danish prince.'Grand Theft Hamlet', on Mubi'Hamlet', by William Shakespeare, Royal Shakespeare Company, Stratford-upon- Avon, until March 29 Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Mickey-Jo recently headed to Stratford upon Avon, home of the Royal Shakespeare Company, to see their new production of EDWARD II.The play, written by Christopher Marlowe, speculates about the reign of the troubled 14th century king, and his relationship with Piers Gaveston.Check out this full review for Mickey-Jo thoughts on the play, its queer themes, and this singularly passionate new staging starring co-artistic director Daniel Evans in the title role.•00:00 | introduction02:04 | overview / synopsis07:09 | queer themes12:36 | creative choices16:58 | performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

ABOUT RACHEL:Rachel McVay is an American actor rooted in UK training. Classically trained, with an MFA from the prestigious Bristol Old Vic Theatre School and a BFA in Theatre & Dance, Rachel also studied with the Royal Shakespeare Company and RADA. She has made her mark as a dynamic stage, TV, & film actor, often employing her skills in stunts, stage combat, and dance.With an affinity for Shakespeare, Tarantino, and Ryan Murphy, Rachel's proudest roles include the "fierce" Queen Elizabeth in Richard III, the "magnificent" & "regal" Beatrice in Much Ado About Nothing ("McVay stands out as Beatrice"), and the lead in the award-winning film, Broken Nails, in which she plays a boxer/dancer who struggles with self love in overcoming cancer.Some of her TV credits include Westworld, Forever, and The United States of Tara. Teaching/directing credits include Northern Stage, Stagedoor Manor, Bristol Old Vic Theatre School's Young Artists Academy, A Noise Within, Blue Lake Fine Arts Camp, amongst others across the country.Connect with Rachel on social:https://www.instagram.com/therachelmcvay/www.imdb.me/rachelmcvayConnect with me and learn about my services at Hollywood Bound Actors:⁠https://hollywoodboundactors.com/⁠Learn about my signature course Book More TV ® https://bookmoretv.com/

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the channel Islands for the next of his regular audio described theatre reviews for 2025. This week Vidar was reviewing the Royal Shakespeare Company's current production of ‘Hamlet in Stratford-upon-Avon with description by Professional Audio Describers Gethyn Edwards and Carolyn Smith. . About ‘Hamlet' Grief can play tricks on the mind, even conjure ghosts. But when Hamlet's dead father appears to him one night, he signals murder, not madness. Hamlet's mother has married his uncle, and at a less than decent interval too. As he pulls at the threads of his not-so-happy new family, Hamlet unravels a web of deceit and immorality that leads to the ultimate crisis of conscience. Following their hugely successful recent collaborations on Cold War and Patriots, multi award-winner Rupert Goold (Dear England, National Theatre; Romeo and Juliet, The Merchant of Venice RSC), directs Luke Thallon as Hamlet in this new production of Shakespeare's family saga. Hamlet will tour to RSC partner theatres in towns and cities across England throughout spring 2026, including Truro, Bradford, Norwich, Nottingham, Blackpool, Newcastle, York and Canterbury. Full casting for the UK tour is yet to be announced.  For more about access at the at the Royal Shakespeare Company including details of audio described performances of their productions do visit - https://www.rsc.org.uk/your-visit/access (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

In the time since she became Prime Minister of Barbados in 2018, Mia Mottley has become known as a moral force for action on climate change. The Bridgetown Initiative, which she launched at COP26 in 2021, transformed the conversation around climate finance – pushing rich nations to do more to support developing countries struggling with the impact of climate change. But as the US retreats from climate action, her bold vision faces new challenges. At the Sustainable Energy for All Global Forum in Barbados, she tells Akshat Rathi why she remains optimistic, and she spoke about the role of pragmatism in tackling the climate challenge. Explore further: Past episode with Achim Steiner, head of the United Nations Development Program Past episode with Avinash Persaud about the Bridgetown Initiative Past episode about the Royal Shakespeare Company’s play about the 1997 Kyoto Summit Zero is a production of Bloomberg Green. Our producer is Mythili Rao. Special thanks this week to Siobhan Wagner, Kanika Chawla and Jessica Beck. Thoughts or suggestions? Email us at zeropod@bloomberg.net. For more coverage of climate change and solutions, visit https://www.bloomberg.com/green.See omnystudio.com/listener for privacy information.

By Gareth FarrOn Christmas Eve 2002, a girl is born in a seemingly ordinary family-run Northern pub. That baby is Amy and from the moment of her birth the fate of the pub is inextricably linked with her own. Cracks that have always existed break wide open and as she grows, the foundations of this legendary local pub start to shake.Narrated by Amy, through intimate and lyrical language, we are guided through the first twenty-one years of her life to a point where she alone must decide the future of those closest to her.Sally . . . . . Siobhan Finneran Amy . . . . . Sophie Cox Brendan . . . . . Pearce Quigley Karen . . . . . Leah Brotherhead Mark . . . . . Matthew Durkan Jack . . . . . David Hounslow Younger Amy . . . . . Maddie Evans Even Younger Amy . . . . . Miriam MiticSound design: Peter Ringrose Production coordinator: Gaelan Connolly-DavisDirector: Sasha YevtushenkoGareth Farr is an award-winning playwright. He started work as an actor, working at the Royal Shakespeare Company, Royal Court and West End as well at several regional theatres and on many TV roles. Gareth's first stage play Britannia Waves the Rules (Manchester Royal Exchange) won a judge's award at the Bruntwood Prize for Playwrighting. His other works include The Quiet House (Birmingham Rep Theatre and Park Theatre London), Biscuits For Breakfast (Hampstead Theatre) and A Child of Science (Bristol Old Vic – nominated for Best New Play at UK Theatre Awards 2024.). Shandyland started life as a stage play but was cancelled during rehearsals due to the COVID-19 pandemic. It was shortlisted for the George Devine Award in 2021.

William Tell rounds up some big theatre names (Jonathan Pryce, Rafe Spall, Sir Ben Kingsley) to back up Danish star Claes Bang (TV's Bad Sisters) as the famous Swiss archer and rebel. Directed by former resident director of the Royal Shakespeare Company, Nick Hamm, it surprisingly does without Rossini's well-known Overture. Go to this episode on rnz.co.nz for more details

Happy flipping on this fine Shrove Tuesday! Today, Jane shares a memory of being left fully exposed on the loo at a National Trust property, while Fi recalls delivering a lesson on life at the Britannia swimming baths. Fi also speaks with actor Jared Harris about his role in the Royal Shakespeare Company's new production of Hamlet. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiAssistant Producer: Hannah QuinnPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

From playing Lane Price in Mad Men to King George VI in the Crown, and now Claudius in the Royal Shakespeare Company's production of Hamlet, performing is in Jared Harris' blood.His earliest memory is being in Hawaii while his late father – the actor Richard Harris – was filming a movie with Julie Andrews. But as a child, he wanted to be an astronaut...which might explain his Inheritance Tracks.Inherited: Fly Me to the Moon by Tony Bennett Passed on: The Galaxy Song by Monty PythonProducers: Ben Mitchell and Jack Lee

This week, Michael Caines interviews the men behind the Royal Shakespeare Company's thrilling new production of Christopher Marlowe's Edward II; and Nat Segnit finds Pico Iyer's journeys to a Californian monastery a welcome retreat from the world.'Edward II', by Christopher Marlowe, Swan Theatre, Stratford-upon-Avon, until April 5 2025'Learning from Silence: Lessons from More Than 100 Retreats', by Pico IyerProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Jim Ford is an American film/television actor and stuntman. After receiving his BFA in drama from the Hartt School Conservatory and studying with the Royal Shakespeare Company in England, Jim landed an agent and has been a full-time actor in New York and Los Angeles ever since. He is best known for his work in the TV shows Gotham, Mysteries of Laura, The Following, Person of Interest, and Steven Soderberg's H.B.O. mini-series The Knick.Jim developed a passion for filmmaking and short films at a very young age. Over the years, he has completed nearly a dozen short films that have been screened all over the world. He loves to travel and attends as many festivals as he can.

What's that I hear? Why, it's another ensemble song...but this one...is angry! Yes, for our next installement in our Ensemble Song miniseries, we're discussing "Do You Hear the People Sing?" from Les Miserables, by Claude-Michel Schoenberg, Alain Bubil, and Herbert Kretzmer. Opening in 1985 under the auspices of the Royal Shakespeare Company, the song has been a global phenomenon for 40 years. But is it any good? And why, exactly, are these men so angry?  All clips are from Les Miserables (Original 1985 London Cast Recording) and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Buy/listen to the performance on Amazon! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

Our new book... STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 Watch the full video interview of this podcast here: https://www.youtube.com/watch?v=nXOJkadXsDM BUY THE BOOK - BACK TO THE BODY: Infusing Physical Life into Characters in Theatre and Film https://amzn.to/3NPDI2Y Jean-Louis Rodrigue is an internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique to film, theater and television. In film, he coached actors and collaborated with directors in Passion Fish, Vice, J. Edgar, Life of Pi, W., I, Tonya, and many more. In theater, he collaborated with director Larry Moss and former NFL player Bo Eason in his play Runt of the Litter and playwright Pamela Gien in her Obie– and Drama Desk– award-winning one-person play, The Syringa Tree, both in New York and internationally. Jean-Louis has worked on- and off-Broadway and at major performing arts institutions such as Berlin International Film Festival, Cirque du Soleil, Los Angeles Philharmonic Institute, Getty Villa, Geffen Playhouse, Royal National Theatre, Piccolo Teatro di Milano, Verbier Festival, Royal Shakespeare Company. For the past 34 years, Jean-Louis has taught at the UCLA School of Theater, Film, and Television and the UCLA Herb Alpert School of Music. Jean-Louis lives in Los Angeles with his husband, Kristof Konrad. STUDY WITH JEAN-LOUIS RODRIGUE https://alexandertechworks.com MORE VIDEOS WITH JEAN-LOUIS RODRIGUE https://tinyurl.com/59mc2v39 CONNECT WITH JEAN-LOUIS RODRIGUE https://alexandertechworks.com https://www.imdb.com/name/nm0735121 https://www.facebook.com/AlexanderTechworks https://twitter.com/alextechworks https://www.instagram.com/alexandertechworks VIEWERS ALSO WATCHED Hollywood Actors Share Their Success Secrets - https://youtu.be/xFRgZOhCVLg What Stops An Actor From Getting Into Character? - https://youtu.be/0OX44gvnjWE Bill Duke Explains Why Most Actors Fail In Hollywood - https://youtu.be/4tfSRzy31f4 An Actor's Guide To Making It In Los Angeles - https://youtu.be/aaegnd3xaVI Pro Cinematographer On What Separates Great Actors From Everybody Else - https://youtu.be/G3oXMWperus CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) ►BOOKS WE RECOMMEND: THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob ►FILMMAKER STARTER KIT BLACKMAGIC Design Pocket Cinema Camera 4K - https://amzn.to/4gDU0s9 ZOOM H4essential 4-Track Handy Recorder - https://amzn.to/3TIon6X SENNHEISER Professional Shotgun Microphone - https://amzn.to/3TEnLiE NEEWER CB300B 320W LED Video Light - https://amzn.to/3XEMK6F NEEWER 160 LED CN-160 Dimmable Ultra High Power - https://amzn.to/3XX57VK ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Through February, the stage production of Fat Ham will premiere at the Cleveland Play House. It's a cleverly hilarious retelling of William Shakespeare's Hamlet through the eyes of "Juicy," a Southern Black mama's boy during a backyard cookout. It unapologetically centers Black joy and flips masculinity on its head. For many, the play's premise might cause a casual reader to double-take. Yet, the production won the 2022 Pulitzer Prize winner for drama and was nominated for five Tony Awards including Best Play. This summer, England's Royal Shakespeare Company itself will stage the European premiere.rnrnrnFrom Hollywood film to literature and theatre productions--contemporary spins on classics are not a new concept. These reinterpretations often reach new audiences, create new models for artistic production, and create space for entire communities.

Olivier and Emmy-award-winning Dame Harriet Walter must have acting in her blood: her uncle is the legendary horror star Christopher Lee, she turned down a place at Oxford in favour of drama school, and began her career at the Royal Shakespeare Company. On screen you'll know her from Killing Eve, Ted Lasso, The Crown or as Lady Caroline in Succession - plus films including Sense and Sensibility, Atonement and The Last Duel. On stage she's embodied everyone from Prospero to Elizabeth I. Her failures include failing to master the piano or music theory, failing to get roles that she auditioned for, and finally failing to cook. I absolutely loved talking to this unbelievably smart and astute woman. Enjoy! She Speaks by Harriet Walter is out now. Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com Production & Post Production Coordinator: Eric Ryan Studio and Mix Engineer: Gulliver Lawrence-Tickell Senior Producer: Selina Ream Executive Producer: Carly Maile Head of Marketing: Kieran Lancini How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adjoa Andoh is one of Britain's most celebrated actors, with an extensive career spanning stage, screen, and radio. She has appeared in iconic TV series like Doctor Who and Netflix's Bridgerton, as well as making her Hollywood debut in Clint Eastwood's Invictus. In this episode we discuss the importance of radio drama, concerns about the significant cuts to radio drama production, the potential impact on the creative industries eco system, and the value of public service broadcasting. "We're sort of the frog being boiled slowly. We're slowly losing things, and then you're suddenly aware there don't seem to be as many plays on, but you're not quite sure how; and this is terrible."Listen to all our episodes here: https://podfollow.com/beebwatch To support our journalism and receive a weekly blog sign up now for £1.99 per month (NB we only charge for one creation per month): www.patreon.com/BeebWatch/membership Or if you'd rather make a one-off payment (which doesn't entitle you to the blog) please use our crowdfunding page:https://www.crowdfunder.co.uk/p/roger-boltons-beeb-watch-podcast @BeebRogerInstagram: rogerboltonsbeebwatchLinkedIn: Roger Bolton's Beeb Watchemail: roger@rogerboltonsbeebwatch.comwww.goodeggproductions.uk   Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

He launched the career of Keira Knightley with the cult classic thriller The Hole. He explored the complexities of Northern Ireland in The Journey. He took us on a wild ride with the crime drama Driven, and unraveled a sun-drenched mystery in White Lines. Now, Nick Hamm takes aim at a timeless legend with his latest film, William Tell. Join Giles Alderson as we sit down with the acclaimed filmmaker, Nick Hamm. We'll delve into his diverse career, from his early days in theater with the Royal Shakespeare Company to his captivating work in film and television. We'll discuss his knack for discovering talent, his passion for bringing complex stories to life, and the challenges of directing everything from intimate dramas to historical epics. And of course, we'll discuss his bold new take on the iconic story of William Tell, starring Claes Bang and Ben Kingsley. How do you re-imagine a classic tale for a modern audience? What does it take to film that legendary apple scene? And what message does this timeless story hold for today's world? Get ready for a conversation with a master storyteller and our guest today is Nick Hamm. WILLIAM TELL is out in CINEMAS NOW! WORLD PREMIERE of Food For Thought – Giles' documentary. Tickets for 24th Jan in London here https://tinyurl.com/3ssnpj94 WATCH OUT YOUTUBE CHANNEL our interview with Skeleton Crew showrunners Jon Watts and Christopher Ford here https://www.youtube.com/watch?v=iHKr20viJYM&t=33s PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Duncan Preston is best known for his appearances in Victoria Wood's television productions, including his roles of Clifford in the soap opera parody sketches Acorn Antiques and Stan in the sitcom Dinnerladies. He reprised his role of Clifford in Acorn Antiques The Musical in 2005. Duncan has made many guest appearances in various TV series, including Secret Army, The Professionals, All Creatures Great and Small, Robin of Sherwood, Bergerac, The New Statesman, Press Gang, Chalk, Boon, Casualty, Heartbeat, Hetty Wainthropp Investigates, Holby City, Peak Practice, Midsomer Murders, Dalziel and Pascoe and My Family. He was also a regular cast member in the sitcom Surgical Spirit and appeared as Dennis Stokes in Coronation Street in 2004. Duncan played Doug Potts in Emmerdale for a number of years and played Kevin's dad in Harry Enfield and Chums. A renowned Shakespearean actor, Duncan has performed in many productions for the Royal Shakespeare Company, including playing Angus in Trevor Nunn's version of Macbeth, starring Ian McKellen and Judi Dench .Duncan Preston is our guest in episode 456 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Hello and welcome to Episode 58. Today, we are delighted to welcome to the podcast Phil Cheadle and Edward Bennett, the director and star respectively of ‘Selecting a Ghost', a stage adaptation of the Conan Doyle short story which was performed in Norwood, South London, in November 2024. Listen to our episode about ‘Selecting a Ghost' here: https://www.doingsofdoyle.com/2023/12/46-selecting-ghost-ghosts-of.html Read the Conan Doyle short story here: https://www.arthur-conan-doyle.com/index.php/Selecting_a_Ghost Listen to the podcast here: The episode will be uploaded to our YouTube channel soon, where you can listen with closed captions. In the meantime, you can subscribe to our YouTube channel here: https://www.youtube.com/@doingsofdoyle And follow us @doingsofdoyle.com on BlueSky. Philip Cheadle Phil trained at the Royal Academy of Dramatic Arts (RADA) and has an extensive range of theatre, television, and film credits. His notable stage roles include Harry Potter and the Cursed Child (West End), Mrs. Affleck (National Theatre), Henry IV Part I & Part II, and Bedlam (Shakespeare's Globe), as well as The Changeling (Cheek by Jowl), Reasons to Stay Alive and Far from the Madding Crowd (ETT), A Midsummer Night's Dream (Sheffield Crucible), and Breaking the Code (Royal Exchange). On television, Phil has appeared in Harlots, Dark Angel, Crimson Fields, New Worlds, and Silent Witness. His film work includes 1917, John Carter, and the upcoming independent film Shalbourne, in which he plays the title role. In addition to his acting career, Phil is the co-founder and Artistic Director of Two Lines Productions. He recently adapted and directed Arthur Conan Doyle's short story Selecting a Ghost as an immersive, site-specific production for Stanley Arts' Day of the Dead festival. Website: https://www.twolinesproductions.com/ IMDB for Phil Cheadle. Edward Bennett Ed's diverse and extensive theatre work has seen him perform with some of the country's leading companies and directors, including the Royal Shakespeare Company, Theatre Royal Bath and Chichester Festival Theatre. On the small screen, Edward stars most recently in Joan for ITV and in Series 3 of Bridgerton for Netflix. You can also watch him in Series 1 and 2 of Sky drama Cobra as Peter Mot, Max Owen in Sky Atlantic's Save Me Too, Industry for the BBC, Pennyworth for Warner Bros, Poldark for the BBC and Series 2 of ITV's Victoria. Ed's feature film work includes The Laureate directed by Jonathan Cape, Napoleon directed by Ridley Scott and as T E Lawrence in Benediction directed by Terence Davies.  IMDB for Edward Bennett. Photograph credit Photographs by Cecilia Costello Photography. Next time We rejoin the intrepid Challenger expedition (not that one) as they journey further into The Lost World. Support the podcast Please help us reach new listeners by leaving a rating or view on the podcast platform of your choice. And if you want to sponsor the podcast, please check out our Patreon page: https://www.patreon.com/doingsofdoyle Acknowledgements Thanks to our sponsor, Belanger Books (www.belangerbooks.com), and our supporters on Patreon and Paypal. Image credits: Thanks to Alexis Barquin at The Arthur Conan Doyle Encyclopaedia for permission to reproduce these images. Please support the encyclopaedia at www.arthur-conan-doyle.com. Music credit: Sneaky Snitch Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/.  

Dame Maureen Lipman has been a fixture of stage and screen for over five decades. She has been a member of Laurence Olivier's National Theatre company and the Royal Shakespeare Company; she is well known for her roles in acclaimed films like Educating Rita and The Pianist; and most recently she has had an award-winning run in soap Coronation Street. For a generation she will always be 'Beattie': the grandmother from the BT adverts. On the podcast, Maureen talks to Katy Balls about her journey from 'the cobbler of Kazimierz Dolny to the cobbles of Corrie'. They discuss selling comedy as a commodity, whether you can separate art from the artist and her most recent role in a Christmas panto.  Produced by Patrick Gibbons. Photo credit: Jay Brooks.

Dame Maureen Lipman has been a fixture of stage and screen for over five decades. She has been a member of Laurence Olivier's National Theatre company and the Royal Shakespeare Company; she is well known for her roles in acclaimed films like Educating Rita and The Pianist; and most recently she has had an award-winning run in soap Coronation Street. For a generation she will always be 'Beattie': the grandmother from the BT adverts. On the podcast, Maureen talks to Katy Balls about her journey from 'the cobbler of Kazimierz Dolny to the cobbles of Corrie'. They discuss selling comedy as a commodity, whether you can separate art from the artist and her most recent role in a Christmas panto.  Produced by Patrick Gibbons. Photo credit: Jay Brooks.

My initial thought was to find information about  William Shakespeare's mother, Mary Arden.  I was curious as to the role she played or didn't play in her son's life.  That search led me to Shakespearian expert and Columbia University English Professor, James Shapiro.  His initial responses was, "your podcast will last about 30 seconds because we don't know much about her."  That said, he mentioned that he and his  brother Michael, also a professor at Columbia University (Graduate School of Journalism), would be interested in sharing stories about their mother who had also been a teacher.  Both brothers agree that their mother  "was the greatest teacher ever."  Unfortunately Lorraine had a very unhappy childhood. She was her father's daughter. The youngest of three children with two older brothers, Lorraine and her mom didn't see eye to eye. Therefore Lorraine lacked self confidence when at home, confronted by her mother. Out of this fractured relationship, Lorraine found a world full of fantasy and boundless imagination with her students. James says  " mom was a pathological fantasist. She believed that every child should have a dream." "Because of her unhappy childhood, continues Michael, she decided to recreate the world by sheer force of imagination and will."Mrs. Shapiro devoted her life to her family- her husband,  Herb, of 65 years, her children and her students. She  always told her children  that they were  accomplished and that they were going to succeed. That didn't mean that she didn't push them to work harder and do better- perhaps as Michael says "she sent mixed signals sometimes."During our conversation,  James and Michael share what a brilliant baker their mother was and how hard she worked to have fresh baked individual goodies ready for them each morning before running out the door to teach. However, when it came to main meals/dinner entrees, let's just say that wasn't her strong point.  Lorraine was  a teacher before she met her future husband.  Once  married, Lorraine's mother pressured her to quit while she was starting a family, insisting that is was completely unacceptable for her to work and raise a family at the same time.  It was 11 years before Lorraine got back to the classroom. Something that her son's know was very hard for their mother, not because she didn't love her family, it was overwhelmingly clear that their mother needed to be in the classroom with her  first graders. "It wasn't accidental that she was happiest with little kids, first graders especially. They know how to dream, they know how to play and they are perfectly happy to buy into her fantasy world," says James."Both sons love teaching and confess that they are the same kind of teacher that their mother was. They both take her into the classroom with them each day. They adore their mother, her passion and her spark and speak regularly of her magic, wisdom and  charm. "What she represented was strength" continues Michael emphatically. Lorraine may have been petite, but her dreams were big.James Shapiro-his work has made it to the NY Times Top 10 Books of 2020 list. He's a professor of English and Comparative Literature at Columbia University, distinguished authority on William Shakespeare, Former Board Member, now Govenor of Royal Shakespeare Company and he is the Shakespeare Scholar in Residence at the Public Theatre in New York.Michael Shapiro-Professor at Columbia Univ Graduate School of Journalism, He's written for newspapers in New Jersey and Chicago as well as magazine publications, such as Sports Illustrated, The New Yorker, The NY Times Magazine and more.  the author of Bottom of the Ninth and The Last Good Season: Brooklyn, the Dodgers, and Their Final Pennant Race Together plus author of 5 previous books.   "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests were open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".Check out our website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloLink to website and show notes: https://shltmm.simplecast.com/Or Find SHLTMM Website here: https://shltmm.simplecast.com/Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

Vous aimez notre peau de caste ? Soutenez-nous ! https://www.lenouvelespritpublic.fr/abonnementUne conversation entre Aliette Martin, Olivier Giel et Philippe Meyer, enregistrée au studio l'Arrière-boutique le 20 septembre 2024.Le troisième épisode de notre série consacrée à la Comédie-Française en compagnie d'Aliette Martin et Olivier Giel questionne les évolutions du rôle du public et le travail engagé par la Maison pour attirer un public plus jeune, notamment scolaire, qui représente 30% du public environ. Cet épisode aborde aussi les différents types de metteurs en scène et met en perspective les différences qui existent entre la Comédie-Française et la Royal Shakespeare Company de Londres.Chaque semaine, Philippe Meyer anime une conversation d'analyse politique, argumentée et courtoise, sur des thèmes nationaux et internationaux liés à l'actualité. Pour en savoir plus : www.lenouvelespritpublic.fr

In fractured times, what does it take to reach agreement? That's the question writers Joe Murphy and Joe Robertson set out to explore in a play about the drama of climate negotiations. Kyoto, which ran at the Royal Shakespeare Company's Swan Theater in Stratford-upon-Avon this summer, tells the story of the 1997 Kyoto Summit as seen through the eyes of Don Pearlman, a notorious fossil fuel lobbyist and chain-smoking lawyer dubbed “the high priest of the Carbon Club” by der Speigel. Actor Stephen Kunken, who plays Pearlman, tells Akshat Rathi why he was drawn to the character, and what Kyoto can teach us about how agreement is achieved.  This episode first ran in July 2024.  Explore further: Past episode with Al Gore about breaking the petrostates stranglehold on climate progress Past episode about climate change storytelling with Kim Stanley Robinson, author of Ministry for the Future Past episode with Extrapolations writer and executive producer Dorothy Fortenberry about the growing demand for climate stories Zero is a production of Bloomberg Green. Our producer is Mythili Rao. Special thanks this week to Kira Bindrim, Alicia Clanton, Anna Mazarakis, and Jessica Beck. Thoughts or suggestions? Email us at zeropod@bloomberg.net. For more coverage of climate change and solutions, visit https://www.bloomberg.com/green.See omnystudio.com/listener for privacy information.

Tamara Harvey, the new co-artistic director of the "other" RSC – the Royal Shakespeare Company – discusses her exquisite production of Pericles, and how it came to the Chicago Shakespeare Theater and speaks to our current moment on both side of the Atlantic. Tamara reveals how Shakespeare's characters navigate different kinds of leadership; how she and her co-artistic director Daniel Evans hope to reach across borders and collaborate with international artists; how the challenges of the play felts like a gift; her genius solution to the narrator; how she feels in collaboration with Shakespeare, and how his Pericles weaves a unique spell; and the vital importance of giving audiences badly-needed hope and joy. (Length 18:23) The post The RSC's ‘Pericles' appeared first on Reduced Shakespeare Company.

How can educators effectively incorporate discussions about race into the study of Shakespeare and other premodern texts in the college classroom? Barbara Bogaev speaks with scholars Ayanna Thompson and Ruben Espinosa about Throughlines, a pedagogical resource developed by the Arizona Center for Medieval and Renaissance Studies at Arizona State University. This free online tool offers professors a variety of accessible teaching materials for incorporating premodern critical race studies into their teaching. Specifically designed for use in higher education, the materials include lectures, syllabi, and activities on a unique and expansive range of topics that will continue to grow. >>Explore Throughlines, a free online resource for the college classroom at throughlines.org Espinosa and Thompson share their experiences teaching Shakespeare in diverse higher education settings. Their conversation underscores students' need for open dialogue and provides practical strategies for navigating these discussions. They offer valuable insights for experienced professors and those new to teaching, highlighting the value of integrating premodern critical race studies into studying Bard's works and other literature and history. Ayanna Thompson Ayanna Thompson is a Regents Professor of English at Arizona State University and Executive Director of the Arizona Center for Medieval and Renaissance Studies. Thompson, an influential Shakespeare scholar, is the author of many titles, including Blackface and Shakespeare in the Theatre: Peter Sellars. She is currently collaborating with Curtis Perry on the Arden4 edition of Titus Andronicus. Thompson's leadership extends beyond the university, serving on the boards of the Royal Shakespeare Company, Play On Shakespeare, and Folger Shakespeare Library. She is a Shakespeare Scholar in Residence at The Public Theater in New York. In 2021, she was elected to the American Academy of Arts and Sciences. Ruben Espinosa Ruben Espinosa is the Director of the Arizona Center for Medieval and Renaissance Studies and a Professor of English at Arizona State University. He is the author of many titles, and most recently, Shakespeare on the Shades of Racism. He is the current President of the Shakespeare Association of America, and he serves on the Editorial Boards of Shakespeare Quarterly, Exemplaria: Medieval, Early Modern, Theory, and Palgrave's "Early Modern Cultural Studies" series. He is working on his next monograph, Shakespeare on the Border: Language, Legitimacy and La Frontera.