Podcast appearances and mentions of tracy fessenden

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday's short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday's early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician's life, and the mytho-poetic nature of Holiday's iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Soulful jazz singer Billie Holliday is remembered these days for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as and Claudia Cragg, @claudiacragg, speaks here with about the surprising ways in which Holiday and her music were also strongly shaped by religion. is not a new biography of the jazz legend, nor does the book come up with many new findings about the life of the much-studied singer or the thoroughly documented jazz milieu she inhabited. Rather, the book offers a subtle recontextualization of Holiday’s life. It presents a vivid portrait of an iconic jazz artist not known for piety or ties to organized religion. Fessenden does investigate in greater detail than previous books the influence of Holiday’s Catholic upbringing, in particular her two stints at the . Mixing elements of biography with the history of race and American music, she will explore the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she heard in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Growing out of Fessenden’s most recent publication, Religion Around Billie Holiday (Penn State UP, 2018), the lecture aims to illuminate the power and durability of religion in the making of an American musical icon. Tracy Fessenden holds the Steve and Margaret Forster Professorship in Comparative Mythology at Arizona State University, where she is a member of the faculty of Religious Studies. She is a scholar of American religion and the secular who focuses on literature and the arts in the nineteenth and twentieth centuries.  In addition to Religion Around Billie Holiday, Fessenden is the author of Culture and Redemption: Religion, the Secular, and American Literature (Princeton UP, 2007) and co-editor of The Puritan Origins of American Sex: Religion, Sexuality, and American Literature (Routledge, 2001), and Religion, the Secular, and the Politics of Sexual Difference (Columbia UP, 2013). She is Editor of Religion and American Culture: A Journal of Interpretation and General Editor of the North American Religions series at New York University Press.

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday's short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday's early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician's life, and the mytho-poetic nature of Holiday's iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday's short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday's early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician's life, and the mytho-poetic nature of Holiday's iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Cyrus Webb welcomes author Tracy Fessenden to #ConversationsLIVE to discuss her new book RELIGION AROUND BILLIE HOLIDAY. Get music from Billie Holiday on Amazon here. Get Tracy Fessenden's book on Amazon here. 

Drs. Susan Gray and Anna Holian of the Department of History and Dr Tracy Fessenden of the Department of Religious Studies share with Dr Jeanne Simpson of the Writing Center their thoughts about the value of choosing one's words, the importance of self knowledge and discipline in the writing process, and whether one should ask for feedback on drafts.

Drs. Susan Gray and Anna Holian of the Department of History and Dr Tracy Fessenden of the Department of Religious Studies share with Dr Jeanne Simpson of the Writing Center their thoughts about the value of choosing one's words, the importance of self knowledge and discipline in the writing process, and whether one should ask for feedback on drafts.

Drs. Susan Gray and Anna Holian of the Department of History and Dr Tracy Fessenden of the Department of Religious Studies share with Dr Jeanne Simpson of the Writing Center their thoughts about the value of choosing one's words, the importance of self knowledge and discipline in the writing process, and whether one should ask for feedback on drafts.