Podcast appearances and mentions of billie holliday

It's April 2025 ... and that means it's national Jazz Appreciation Month here in the U.S.! Join host CH as she shares her own journey to not only coming to love the genre - particularly the classics and standards of the 1930s and 40s - but also how it has shaped her sense of musicianship when she resumed playing drums after a 10 year hiatus. She reflects on how the sounds of jazz surrounded her at a young age (even if she wasn't suuuuper interested at the time), and how her original love of playing pop/rock music evolved as her own musical leanings changed over time. She also reminds us of the importance of embracing music - no matter the genre - at any stage of life for the personal enrichment and inspiration it brings to us all.   Show Notes Jazz Appreciation Month (known as "JAM") runs from April 1 - April 30 in the U.S. It culminates with the international celebration of International Day of Jazz on April 30th. For those looking for more information and events that are scheduled for 2025, head over to the National Museum of American History, which founded JAM in 2001 (and of which is where CH pulled the quote that ended our episode). Additionally, CH highly recommends the Ken Burns PBS documentary film, "Jazz", for those looking for a comprehensive examination and tribute to jazz from its earliest origins up to present day. Some of the artists CH mentioned that played in her grandparent's house as she was growing up: Duke Ellington; Billie Holliday; Ella Fitzgerald; Glenn Miller; Benny Goodman; Frank Sinatra; Dean Martin; Nat King Cole. Additionally, her step-father was a fan of Brazilian jazz. The Los Angeles radio station CH also grew up listening to was 94.7 The Wave (now known as The Soul of Southern California). Previous episode mentions: Episode 20: Episode 62: Share the Chair - Tobi Stone (A Lifelong Journey of Jazz) Episode 25: Little Drummer Girl

A principios de 1940, un joven llamado Malcolm Little se instala en Boston procedente de las llanuras del Medio Oeste estadounidense. Aquel joven se convertiría con el paso del tiempo en uno de los grandes líderes por los derechos civiles de los afrodescendientes en su país, en Malcolm X.Pero antes se ganó la vida como limpiabotas en los salones de baile de la capital del Estado de Massachusetts. En ellos, el joven conoció a alguno de los grandes músicos de jazz del momento, de Dizzie Gillespie o Count Basie a Lionel Hampton, creando un vínculo que estrechó más tarde en los grandes clubs de Nueva York como el Apollo o el Cotton Club, donde se ha convertido ya en su camello de marihuana de confianza.El podcast Malcolm Jazz es el contenido musical extra que Documentos RNE suma al documental sonoro sobre el líder negro con motivo del centenario de su nacimiento emitido el pasado viernes 17 de enero: Malcolm X, maldito negro. Ahora, en este contenido exclusivo para RNE Audio, el guionista de dicho programa, Alfredo Laín, recibe al director del programa Sólo Jazz de Radio Clásica, Luis Martín, para mantener una conversación donde se habla de swing, segregación racial, drogas y creatividad, y se escucha a Billie Holliday, Glenn Miller o Cab Calloway, entre muchos otros. El objetivo: profundizar en la relación entre Malcolm X, el jazz y sus figuras más destacadas en las décadas de los años 40 y 50, pues como el propio Malcolm dejó escrito: "La música, hermano, es nuestra. Somos nosotros. Y como nosotros, siempre está aquí, rodeándonos, como las infinitas partículas que componen la vida. No se pueden ver, sólo se pueden sentir. La música, como el alma que nunca muere, impregna eternamente la atmósfera con su presencia".Documentos RNE se emite los viernes, de 23 a 24 horas, por Radio Nacional.Escuchar audio

L'histoire du jazz et l'histoire du cinéma se rencontrent. Paris et le jazz, c'est une histoire d'amour, incarnée magistralement par Jeanne Moreau et la musique de Miles Davis dans Ascenseur pour l'échafaud, de Louis Malle, en 1958. Le jazz américain trouve aussi une place de choix dans Rendez-vous en juillet, de Jacques Becker en 1949, ou dans Eva, de Joseph Losey, sur la musique de Billie Holliday, en 1962. La rencontre entre la nouvelle vague et le jazz n'est en revanche pas toujours évidente. Truffaut, Godard, Rohmer, Chabrol ne sont pas très connaisseurs ni amateurs de ce genre musical. Pourtant, la nouvelle vague et son rapport à la liberté, au corps, à l'improvisation ont beaucoup à voir avec le jazz. L'enseignant-chercheur Gilles Mouëllic raconte cette histoire dans son livre Jazz et Cinéma, paru en 2000. Un entretien signé Charline Caron, de la Maison du Jazz de Liège, et une mise en ondes du Ciné-récit par Jean-Louis Dupont. Merci pour votre écoute Par Ouïe-Dire c'est également en direct tous les jours de la semaine de 22h à 23h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Par Ouïe-Dire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/272 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Episode 315, Songs About Sunday and Monday, uses these two days of the week to feature 17 recordings by performers including Merle Haggard, Billie Holliday, Frank Sinatra, The Chordettes, Bing Crosby, Hank Williams, Fats Domino,... Read More The post Episode 315, Songs About Sunday and Monday appeared first on Sam Waldron.

Andra Day (“The United States vs. Billie Holliday”), Glenn Close (“The Wife”) and Mo’Nique (“Phat Girlz”) star a new Netflix horror entry from director Lee Daniels (“Precious”). The post Take Two: “The Deliverance” (R) appeared first on KKFI.

Guanyadora d'un Globus d'Or pel seu paper de Billie Holliday a la pel

Ella Fitzgerald, Billie Holliday, Patsy Cline a mnoho dalších. Často to byly ony, kdo vyšlapal cestičku, kterou se pak vydali slavnější muži. Ale průkopnice jazzu nebo rocknrollu by rozhodně něměly zůstat opomenuty.

Con Celeste Mendoza, Karl Zero, Bobby Capo, Marvin Gaye, The King´s singers, Sergio Mendes y Brasil 66, Astrud Gilberto, Alfonos Santiesteban, Leo Reisman, Olga Guillot, Billie Holliday, Etta James, Viola Wills, Edwyn Collins, The Leisure Society, Glen Campbell ft. Brian Setzer y Santero y los Muchachos ft. Juancho Sidecars.

Le mois dernier Émilie simon sortait "Polaris" et c'est mon invitée de ce matin dans Jazz the Two of UsTRACKLIST01_ Sister Rosetta Tharpe - this train 02_ Bessie smith - nobody knows you when you're down and out 03_ Billie Holliday- solitude 04_ Carmen Mac Rae - when I fall in love 05_ Ella Fitzgerald - how high the moon ? 06_ Dinah Washington - what a difference a day makes 07_ Shirley Horn - hit the road jack, yesterday,08_ Anita o'day - the man I love 09_ Sarah Vaughan - the fool on the hills 10_ Nina Simone - feeling good (ou/ my way )11_ Marilyn Monroe : I'm through with love 12_ Claudine longet - the look of love Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le mois dernier Émilie simon sortait "Polaris" et c'est mon invitée de ce matin dans Jazz the Two of Us TRACKLIST 01_ Sister Rosetta Tharpe - this train 02_ Bessie smith - nobody knows you when you're down and out 03_ Billie Holliday- solitude 04_ Carmen Mac Rae - when I fall in love 05_ Ella Fitzgerald - how high the moon ? 06_ Dinah Washington - what a difference a day makes 07_ Shirley Horn - hit the road jack, yesterday, 08_ Anita o'day - the man I love 09_ Sarah Vaughan - the fool on the hills 10_ Nina Simone - feeling good (ou/ my way ) 11_ Marilyn Monroe : I'm through with love 12_ Claudine longet - the look of love

Madeleine Peyroux started her career busking on the streets of Paris and earned comparisons to such heroes as Billie Holliday and Bessie Smith as she broke through with the 2004 album Careless Love. Twenty years later, she is soon to release her ninth studio album, Let's Walk, for which she, for the first time, co-wrote all of the songs. In this no-holding-back conversation, she reflects on her beginnings (the 1939 movie musical Gulliver's Travels plays a role), her creative growth and her struggles to process the current state of our world artistically and otherwise. How does she feel about the only job she's ever had? Is she cool with turning 50 this month? How does she co-write? Does she feel compelled to communicate empathy now? Is she part of the problem or solution?

We look at songs from a few of the major protest movements in our lifetime – racism, Vietnam, Ireland, Margaret Thatcher! From Woody Guthrie, through Springsteen and Dylan, to racism and Vietnam and the UK's  Margaret Thatcher, to present-day Australia, we look at some of the great protest songs.  Some of the stories behind those songs will take your breath away.   Our “Album You Must Hear before You Die” this time is Talking Heads' awesome “Remain in Light” from 1980.  This album has been hailed as Talking Heads' greatest statement, the last and most accomplished of the trio of albums they recorded with Brian Eno (another of our idols). Seemingly timed to coincide with our review, the live movie “Stop Making Sense” has been completely restored and is in 4K on the big screen - 40 years on!  We also talk about how Ed Kuepper achieves such a big sound in concert using a special edition Fender Stratocaster. There's sure to be stuff you didn't know here!  References:  Ed Kuepper, Fender FSR Stratocaster X, Talking Heads, “Remain in Light”, Brian Eno, “Once in a Lifetime”, “My Life in the Bush of Ghosts”, USA – Vietnam, Women's & Black rights, Woody Guthrie, Springsteen, Cisco Houston, Bob Dylan, “Hurricane”, “Eve of Destruction”, Barry McGuire, “A Change is Gonna come”, Sam Cooke, “People Get Ready”, Curtis Mayfield, Rod Stewart & Jeff Beck, “Strange Fruit”, Billie Holliday, James Brown, Stevie Wonder, Grandmaster Flash & The Furious Five, NWA, Public Enemy, Buffalo Springfield / Steve Stills & Neil Young, “I Feel Like I'm fixin' to die Rag”, Country Joe and the Fish, Edwin Starr, Give Peace a Chance, John Lennon/Plastic Ono Band, Aretha Franklin, The Smiths, Billy Bragg, Elvis Costello, Robert Wyatt, The Cranberries, Midnight Oil, Goanna, Warumpi Band, Archie Roach Protest Playlist18,000 sing TotoKiss mass Russian GroupSmells Like Teen Spirit We Will Rick You

Brian interviews Billie Holliday. Billie is an award-winning radio host, TV host and mom. She hosted the popular Mad Dog and Billie Show which aired in Toronto for 12 years on Kiss 92.5, CHFI and Virgin Radio Toronto. She was also the co-host of The Dean Blundell Show on the EDGE 102 and The PJ and Billie Show on COUNTRY 106.7. She traveled to cover interviews at the Grammy's, Billboard, MTV and Oscars on the red carpet for 14 years. TV Credits include POPSTARS, Degrassi Jr. High, Co-hosting DAYTIME on Rogers, Host Global TV's “My Fab Gay Wedding. Billie is also dedicated to the community. She started ‘GO' (Girls Only), a program for the TDSB where she spoke to hundreds of high school girls about empowerment.

Podcast for a deep examination into the career and life choices of Jack Nicholson. Patrick makes a bold prediction that Lev marks down so he can mock the host later when it doesn't come to pass. An old enemy offers Joe an olive branch... but can he be trusted? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in July 2023. References may feel confusing and/or dated unusually quickly. 'As Good As It Gets' is available on Blu-ray, DVD, and VHS (and somehow an audio CD?): https://www.amazon.com/As-Good-Gets-Jack-Nicholson/dp/B096TRV8CK/ref=tmm_blu_swatch_0?_encoding=UTF8&qid=1690379995&sr=1-2 Music from 'Love Me or Leave Me' by Billie Holliday and 'Always Look on the Bright Side of Life' by Art Garfunkel Artwork from BJ West   quixotic, united, skeyhill, vekeman, jack, nicholson, syzygy, brooks, simpsons, kinnear, hunt, depp, rock, dwayne, johnson, bobby, gerwig, oscars

GINA COLEMAN: VOCALISTA, GUITARRA CIGAR BOX   Gina se formou no Williams College, começou a cantar em 1990 se apresentando em um dueto, The Siblings, depois no Cole-Connection, que floresceu numa banda de cinco integrantes.   Gina e a banda tiveram o prazer de gravar com Charles Neville do lendário Neville Brothers e Joe Louis Walker. Também abriram para Tab Benoit, John Primer, Albert Cummings entre outros.   As influências musicais incluem Koko Taylor, Bessie Smith, Billie Holliday  e Tuck & Patti. Posso me identificar com essas mulheres porque vim por um histórico semelhante ao de muitas delas. Eu nasci em uma família negra pobre no Sul do Bronx. Eu não tive uma infância fácil, mas consegui me sair bem trabalhando duro e tendo um bom senso de humor."   O filho mais velho de Gina, Diego Mongue, se apresenta com Misty Blues regularmente no baixo ou na bateria.   Coleman discutiu sua banda e suas influências musicais numa entrevista que vamos pincelar agora:   P: Quando e como a Misty Blues Band começou? Gina Coleman: Começamos a tocar em 1999. Eu também sou atriz e estava em uma peça quando cantei o Evangelho. Um cara chamado Rubin Santiago-Hudson, me ouviu e me disse: "Você tem uma voz incrível. Você seria uma incrível cantora de blues.   P: Que tipo de músicas vocês tocam? GC: Em sua essência, a Misty Blues Band presta homenagem às cantoras clássicas de blues ao longo da história musical: Bessie Smith, Billie Holiday, Big Mama Thornton. Mas nos últimos anos, expandimos nosso repertório para incluir músicas dos bluesmens  Willie Dixon, B.B. king, Howlin' Wolf.   No album "Between the Stacks." lançado em 2012, apresenta Charles Neville, mais conhecido como o saxofonista do Irmãos Neville. Como isso aconteceu? GC: Bem, foi meio sorte. Quando começamos a gravar o álbum, eu tinha contratado um saxofonista para trabalhar conosco. E quase no último minuto, ele me ligou, muito arrependido, e me disse que tinha marcado duas vezes e que não poderia estar no nosso CD. "Eu tinha tantas músicas com saxofone. Charles mora em Huntinton agora, e alguém sugeriu que a banda entrasse em contato com ele. Nós fizemos, e ele concordou.  De dia, Coleman é a diretora associada de admissões do Williams College, mas nos fins de semana e noites ela e Misty Blues se apresentam em torno da Área do norte de Berkshire.   Seu grupo - Jason Webster de Adams na guitarra, Bill Patriquin no baixo, Mike Basiliere de Dalton na bateria Jeff Dudziak de Boston na guitarra   --- Send in a voice message: https://podcasters.spotify.com/pod/show/garimpandobolachas/message

Hoy le rindo un homenaje a Black Sabbath, un grupo que sin pensarlo inspiró a otros artistas que no son del Metal. Tenemos novedades de Artemis y Artuturo O'Farrill (DISCAZO SE VIENE!) y unas perlitas de Billie Holliday y Carlos Santana con Buddy Miles. Si te gusta, Albert Ayler, te cuento algo interesante. Dale play!

Songs include: Sing, Sing ,Sing, I Gotta Right To Sing the Blues, Let Me Sing and I'm Happy, Sing, You Sinners, And the Angels Sing and It's a Grand Night For Singing.  Performers include: Dick Haymes, Billie Holliday, Louis Prima, Tony Bennett, Guy Mitchell and Martha Tilton. 

In 1988, U2 seemed to believe their roots lay with the Beatles, Hendrix, Billie Holliday and Bo Diddley. The album – and film – Rattle and Hum saw them referencing the above, as well as recording with Dylan, then BB King, at Sun Studio in Memphis. But where were their actual influences in this telling of the tale? The Rottens and Viciouses? The Curtises and Hooks? The Strummerses? Spotify Playlist: https://open.spotify.com/playlist/0NTcqN7km05UEpZB2auX5S?si=adc61be685084e11 Facebook: https://www.facebook.com/Known-Pleasures-131768500804116 Instagram: https://www.instagram.com/knownpleasurespodcast/ Twitter: @pleasuresknown Known Pleasures Theme Song: Untitled Red - Ephemeral : https://www.youtube.com/watch?v=tTMSO2ax8SA  

Just in time for April Fools Day. ... Pulitzer finalist journalist, frustrated comic, suspect voice actor and Bankadelic host Lou Carlozo rounds up 18 of the oddest, dumbest and weirdest moments from his podcast vault. Join the unusual gang of Billie Holliday impersonators, executioners, Dad-joke morons and anyone else Lou could convince to stop by and give his otherwise serious banking show a badly-needed comedic lift. Note: No party animals were harmed in the making of this program.

S'abonner à la Newsletter: http://eepurl.com/ibm1nD   Dominique Fils-Aimé est autrice compositrice interprète. Après un passage très remarqué à l'émission The Voice Québec où elle termine demi-finaliste, Dominique sort un premier EP, puis une trilogie d'album aux influences blues, jazz, soul et funk. Il lui aura fallu du temps, un passé de psyhchologue, un burn-out et une lente reconstruction avant de s'autoriser à enfin faire de la musique son métier. Aujourd'hui, je vous emmène dans son univers, on y parle de toutes les peurs qu'il faut dépasser pour oser s'exprimer, oser laisser la place à sa créativité, proposer un univers artistique unique et complexe, pour enfin s'autoriser à être soi.  Avec douceur et bienveillance, je vous souhaite une bonne écoute...  Références: - L'interview de Dominique Fils-Aimé pour le podcast Joy Sound  - The Art Of Noticing, la newsletter de Rob Walker  - Toxicity, System of a Down - Afrodisiac, Brandy  - Petite philosophie de l'improvisation, Ibrahim Maalouf   - Comment improviser sa vie, podcast Vlan! - la batteuse Salin Cheewapansri  La recommandation de livre:  Africa Risen: A New Era of Speculative Fiction, Sheree Renée Thomas  Musique citée et entendue dans cet épisode:  - Feeling Good, Nina Simone, reprise par Dominique Fils-Aimé, issu de l'album Nameless, © Ensoul Records  - Birds, Dominique Fils-Aimé, issu de l'album Nameless, © Ensoul Records  - Where There Is Smoke, Dominique Fils-Aimé, issu de l'album Stay Tuned!, © Ensoul Records  - There Is Probably Fire, Dominique Fils-Aimé, issu de l'album Stay Tuned!, © Ensoul Records  - Strange Fruit, Billie Holliday, reprise reprise par Dominique Fils-Aimé, issu de l'album Nameless, © Ensoul Records  - Old Love, Dominique Fils-Aimé, © Ensoul Records   - Home to Me, Dominique Fils-Aimé, issu de l'album Three Little Words, © Ensoul Records  Dans la Zone, vous retrouverez votre dose bi-hebdo de refléxions et partages sur la créativité, l'entrepreunariat et le bien-être avec des femmes inspirantes et brillantes issues des diasporas non-occidentales. En espérant que chaque épisode vous incitera à plonger vous aussi dans votre zone de génie

Charmin Michelle takes the stage at the Dunsmore Room at Crooner's this Saturday November 26. Charmin will be paying tribute to Jazz legend, singer Billie Holliday. When Charmin sat down with Phil Nusbaum to talk about the show, Charmin told Phil that Billie Holliday has always meant a lot to her.

Charmin Michelle takes the stage at the Dunsmore Room at Crooner's this Saturday November 26. Charmin will be paying tribute to Jazz legend, singer Billie Holliday. When Charmin sat down with Phil Nusbaum to talk about the show, Charmin told Phil that Billie Holliday has always meant a lot to her.

Authentic cowboys, well sort of, start us off. Mac McClintock left home to join the circus. Between that, and becoming a singer, actor, composer and poet, he did a whole stream of incredible jobs. Railroading in Africa, Mule train in Philipines and news gatherer in China. He was a devoted union man and wrote Hallelujah I'm a bum and Big rock candy mountain. Here he gives us The old Chisholm trail. Jules Allen sings Zebra dun. He probably was a real life cowboy at one time, driving cattle from the Mexican border to Montana. The Cartwright Brothers sing Texas Ranger. The tune and sentiment are familar. It's yet another version of The unfortunate Rake. Into Western Swing. The right key but the wrong keyhole- Cliff Bruner Texas Wanderers, I can't dance(I've got ants in my pants)- Rob Newman and his boys, Wonder Stomp- Texas Wanderers and Devil with the devil- Rob Newman and his boys. Bob Wills with Bob Wills boogie from 1946. Very rock and roll in my opinion. Jazz on 78rpm break with Teddy Wilson and his Orchestra. I cried for you- vocals by Billie Holiday and, a new favourite of mine, Blues in G sharp minor. Composed by Wilson. He was rated as the best swing pianist of his time. Back to Western Swing and Milton Brown and his Brownies. St Louis Blues. Great, trippy version, with a real tempo shift toward the end. In El Rancho Grande- Milton and Durwood singing in Spanish. From 1937, a year after Milton's death, Durwood sings If you can't get five get two. We finish with the wonderfully upbeat  tune from Virginian fiddler John Ashby- The 8th of January.     

Stacie Merriman opens up the huge and known issue of Hair care on set for Black artists in TV & Film, her own experiences of speaking up in the face of racist abuse and the consequences she suffered from the beginning of her career, the "D word" too many diverse artists face when they speak up for their needs, how unions become a critical part of the problem, and the shocking stories of her challenging rise as an inspiring pioneer in her field in Canada, meant to underline that Black Hair matters.Stacie is a Canadian hair dresser best known for her work with Andra Day on Lee Daniel's award winning film The United States vs Billie Holliday. Stacie is currently the department Head of Hair on HBO Max's Titans, and has previously worked on Quantico, The Bold Type, and the Netflix film Murder Mystery. Originally raised and based in Montreal, Stacie now lives in Toronto.

Former Salon film critic and "Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American '70s" author Charles Taylor discusses "Lady Sings the Blues" in the latest Golden Anniversaries episode. A Billie Holliday biopic starring an Oscar-nominated Diana Ross? Ticket for one, please and thank you. The Lens returns from summer vacation beginning in September with the Nancy and Nora mini-series, highlighting the careers of writer-directors Meyers and Ephron. Until then, stay tuned for more Golden Anniversary discussions. Next up, former guest and Film Studies Lecturer at Webster University Cait Lore will present Rainer Werner Fassbinder's queer classic "The Bitter Tears of Petra von Kant." Please share, subscribe, and review! Follow us @stlfilmfest on Instagram/Twitter/Letterboxd and @CinemaStLouis on Facebook.

‘Te ha llegado una carta... Novelas epistolares'. Especial de Patricia del Río sobre esta forma de expresión escrita que revelaba los sentimientos más profundos de quien la escribía hacia otra persona, y que trascendieron en el tiempo. Cartas cuidadosamente redactadas, de belleza poética; cartas que ya no se escriben; cartas que inspiraron a muchos autores y autoras en la creación de sus novelas, y que hoy rescatamos en Letras en el tiempo. En el libro de la semana, conversamos con Susana Baca de ‘Yo vengo a ofrecer mi corazón. Memorias' (Pengüin, 2022). Un libro que recorre la vida y obra de la cantautora, investigadora y difusora de la música afroperuana en sus primeros 50 años de vida, contado en primera persona. El periodista Diego Pajares nos traslada al mundo del cine para invitarnos a ver las películas ‘Cartas desde Iwo Jima', de Clint Eastwood; ‘Cartas de una desconocida', de Max Ophüls; mientras que el crítico literario y gerente de ‘Escena libre', Julio Zavala recomienda tres lecturas sobre la temática epistolar: ‘Lady Susan', de Jane Austen; ‘Tenemos que hablar, Kevin', de Lionel Shriver; y ‘Cartas del fin del mundo', de José Manuel Fajardo. Las canciones que complementan el especial son: ‘Paperback Writter', de Mandy Jones; ‘Boots of spanish leather', de Nanci Griffith; ‘Famous blue raincoat', de Leonard Cohen; ‘Return to sender', de Elvis Presley; ‘Yo vengo a ofrecer mi corazón', con Susana Baca y las Voces de Latinoamérica; ‘PS I Love you', de Billie Holliday; ‘Love letters in the sand', de Pat Boone; ‘Carta de amor', de Juan Luis Guerra. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Dallan Vásquez ||| Episodio 29 – Tercera temporada.

‘Te ha llegado una carta... Novelas epistolares'. Especial de Patricia del Río sobre esta forma de expresión escrita que revelaba los sentimientos más profundos de quien la escribía hacia otra persona, y que trascendieron en el tiempo. Cartas cuidadosamente redactadas, de belleza poética; cartas que ya no se escriben; cartas que inspiraron a muchos autores y autoras en la creación de sus novelas, y que hoy rescatamos en Letras en el tiempo. En el libro de la semana, conversamos con Susana Baca de ‘Yo vengo a ofrecer mi corazón. Memorias' (Pengüin, 2022). Un libro que recorre la vida y obra de la cantautora, investigadora y difusora de la música afroperuana en sus primeros 50 años de vida, contado en primera persona. El periodista Diego Pajares nos traslada al mundo del cine para invitarnos a ver las películas ‘Cartas desde Iwo Jima', de Clint Eastwood; ‘Cartas de una desconocida', de Max Ophüls; mientras que el crítico literario y gerente de ‘Escena libre', Julio Zavala recomienda tres lecturas sobre la temática epistolar: ‘Lady Susan', de Jane Austen; ‘Tenemos que hablar, Kevin', de Lionel Shriver; y ‘Cartas del fin del mundo', de José Manuel Fajardo. Las canciones que complementan el especial son: ‘Paperback Writter', de Mandy Jones; ‘Boots of spanish leather', de Nanci Griffith; ‘Famous blue raincoat', de Leonard Cohen; ‘Return to sender', de Elvis Presley; ‘Yo vengo a ofrecer mi corazón', con Susana Baca y las Voces de Latinoamérica; ‘PS I Love you', de Billie Holliday; ‘Love letters in the sand', de Pat Boone; ‘Carta de amor', de Juan Luis Guerra. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Dallan Vásquez ||| Episodio 29 – Tercera temporada.

The Jazz Session No.269 from RaidersBroadcast.com as aired in July 2022, featuring the melodic and compelling 1962 album from the Roy Haynes Quartet “Out of the Afternoon”. TRACK LISTING: On Broadway - George Benson; New York Minute [Don Henley] - Herbie Hancock; Polka Dots and Moonbeams - Chet Baker; Donna Lee - Courtney Pine; Moon Ray - Roy Haynes Quartet; Long Wharf - Roy Haynes Quartet; Andorinha - Antonio Carlos Jobim; Pieces of a Man - Gil-Scott Heron; Yellow Fields - Eberhard Weber, w. Burton, Garbarek, Bruninghaus; Tis as It Should Be - Michael Gibbs and the NDR Radio Big Band; Unknown Soldier - Weather Report; Eat that Question - Frank Zappa; What's New? - Billie Holliday; In the Morning - Norah Jones; Raoul - Roy Haynes Quartet; If I Should Lose You - Roy Haynes Quartet; Screamin' and Cryin' - Muddy Waters; Bottom of the World - Tom Waits; Attune - Alfa Mist; Y.O.Y.O - Moses Boyd.

Ya os avisé la semana pasada que los próximos Jazz Viernes serían lo mejor de lo mejor. Por eso, después de haber hablado sobre bastantes canciones durante todo el año, hoy contamos la historia de la que más versiones colecciona: "Summertime". Nacida como la primera canción escuchada en la ópera de George Gershwin "Porgy and Bess", las múltiples interpretaciones a cargo de Billie Holliday, Ella Fitzgerald, Louis Armstrong o Miles Davis la han llevado al Olimpo del jazz. Pasando un poco de largo con respecto a las acusaciones de racismo hacia la ópera de Gershwin, pues es un tema que trataremos con más detalle en otra ocasión, contamos los momentos que convirtieron a "Summertime" en un clásico de la canción americana.

Episode 213, “1940s Jazz Standards,” presents 17 popular songs that became jazz standards, with performances by the Glenn Miller Orchestra, Cab Calloway, Harry Belafonte, Frank Sinatra, Billie Holliday, Bing Crosby, Jo Stafford, and a dozen... Read More The post Episode 213, “1940s Jazz Standards,” appeared first on Sam Waldron.

Es ist wirklich passiert - 300 Songs besprochen. Wahnsinn! Deswegen gibt es einen Blick zurück - die Highlights - und einen Blick nach vorn - die Highlights :) und auch einen Blick hinter die Tür von 100malMusiklegenden - mit Diskotheken, Umzugskartons oder auch WLAN Netzen, die zu langsam sind. Zuerst das lebenswichtige - die Hilfe für unsere Nachbarn, die zerbombt werden: markus.betterplace.org Die erwähnten Episoden: Beatles: https://100malmusiklegenden.de/2021/04/06/i-want-to-hold-your-hand-the-beatles/ Ärzte: https://100malmusiklegenden.de/2021/05/06/schrei-nach-liebe-die-aerzte/ Journey: https://100malmusiklegenden.de/2021/12/12/dont-stop-believin-journey/ Knef: https://100malmusiklegenden.de/2021/12/05/fuer-mich-solls-rote-rosen-regnen-hildegard-knef/ Mey: https://100malmusiklegenden.de/2022/01/30/ueber-den-wolken-reinhard-mey/ Joy Division: https://100malmusiklegenden.de/2021/12/08/love-will-tear-us-apart-joy-division/ Tommy James & The Shondells: https://100malmusiklegenden.de/2022/03/09/crimson-clover-tommy-james-the-shondells/ The Verve: https://100malmusiklegenden.de/2021/11/24/bittersweet-symphony-the-verve/ James Taylor: https://100malmusiklegenden.de/2022/03/27/your-smiling-face-james-taylor/ Marius: https://100malmusiklegenden.de/2021/10/27/mit-pfefferminz-bin-ich-dein-prinz-marius-mueller-westernhagen/ Billie Holliday: https://100malmusiklegenden.de/2022/04/20/strange-fruit-billie-holliday/ Hier könnt Ihr mit abstimmen über den Erscheinungstag von 100maMusiklegenden ab der 4. Staffel: https://100malmusiklegenden.de/ab-jetzt-nur-noch-eine-episode-pro-woche-aber-wann/ Jetzt neu, der Pro Kanal mit Musikspecials, bei ApplePodcasts https://podcasts.apple.com/de/channel/100malmusiklegenden/id6442680593 oder unter https://100malmusiklegenden.de/membership-join/ Mein Facebook Profil: https://www.facebook.com/markus.dreesen Mein Instagram Profil: https://www.instagram.com/markusdreesen/?hl=de Könnt mir gerne folgen, gibt da immer wieder Updates zum Podcast und sonst so ... Offizielle Playlists: https://music.apple.com/de/playlist/100malmusiklegenden/pl.u-JjM2F9Nv5z (Apple) https://open.spotify.com/playlist/6RGcoNO671nOMpYRkTTQLV (Spotify) Songvorschläge, Episodensuche und T-Shirts unter 100malmusiklegenden.de! Infos zu möglichen Werbekooperationen unter https://100malmusiklegenden.de/werbung

Front Row Classics is celebrating the 50th anniversary of Lady Sings the Blues. Brandon and Eric are joined by Bea Bonner from NPR Illinois' Community Voices. The hosts discuss Diana Ross' Oscar nominated performance as the legendary Billie Holliday. The peformances of Billy Dee Williams and Richard Pryor are also celebrated. Lady Sings the Blues is a heartwrenching, if not entirely accurate, biopic. We hope this episode will inspire a new generation to discover one of the most underrated films of the 1970s.

Download the episode Front Row Classics is celebrating the 50th anniversary of Lady Sings the Blues. Brandon and Eric are joined by Bea Bonner from NPR Illinois’ Community Voices. The hosts discuss Diana Ross’ Oscar nominated performance as the legendary Billie Holliday. The performances of Billy Dee Williams and Richard Pryor are also celebrated. Lady … Continue reading Ep. 111-Lady Sings the Blues →

Opening date announced for Guardians of the Galaxy: Cosmic Rewind at EPCOT, menu details for Connections Café and Eatery coming to EPCOT, GLAAD Awards (with Disney winners) to stream on Hulu, Hoop-Dee-Doo Revue is reopening at Walt Disney World this summer, new ways to celebrate Encanto are coming to Disneyland Resort, traditional character greetings at Disneyland, Walt Disney World and Disney Cruise Line are returning, new stars confirmed for Star Wars Celebration, Disney Original Documentary has announced a new feature project on Muppets creator and visionary Jim Henson, The Bob's Burgers Movie trailer has debuted, the trailer for Disney+'s The Quest has arrived, and Soul, The United States vs. Billie Holliday and Summer of Soul win Grammys. Plus, Raven's Home powerhouse Raven-Symoné on reuniting with That's So Raven stars, duetting with Julie Andrews, and the enduring appeal of “zetus lapetus!”

We're kicking off the week with a bonus episode of The West End Frame Show! Christina Bianco & Jodie Steele join us to discuss their latest projects. Christina Bianco is preparing to play LV in a brand new touring production of The Rise and Fall of Little Voice. From Judy Garland to Shirley Bassey, Marilyn Monroe to Billie Holliday, in the show Christina vividly brings to life performances from the great chanteuses in Jim Cartwright's tender and life-affirming play. Renowned for her musical impressions, Christina tours the world with her acclaimed one woman shows and is well known for her viral videos.  She made her West End debut in Forbidden Broadway (Vaudeville) and starred as Fanny Brice in Stephen Mears' acclaimed production of Funny Girl in Paris. The Rise and Fall of Little Voice opens 23rd March at MAST Mayflower Studios, Southampton before touring nationally until 16th July 2022. For more information please visit www.littlevoiceuk.com. Jodie Steele is starring in the world premiere of the musical adaptation of But I'm A Cheerleader at the Turbine Theatre, where it was formerly presented as part of MT Fest in 2019.   Jodie's theatre credits include: Standby Elphaba in Wicked (international tour), Katherine Howard in Six (UK & Ireland tour) and Carmen in Fame (UK tour). She is renowned for creating the role of Heather Chandler in the UK premiere of Heathers, a role she reprised last year when the show returned to the West End. But I'm A Cheerleader runs at the Turbine Theatre until 16th April 2022. Visit www.theturbinetheatre.com for info and tickets. Hosted by Andrew Tomlins. @AndrewTomlins32Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. 

And here you have it folks,  as promised,  the Billie Holliday episode where I play nothing but Lady Day!Focusing on the time period of 1933-1942.

In this episode of Critical Reads, we will be discussing The Cross and the Lynching Tree by James H. Cone. Here's a brief summary of the book courtesy of the author/publisher: "The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and black death, the cross symbolizes divine power and black life God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness, he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice." This week's "Musings of Tired Black Social Worker" segment topic is Celebrating BHM and Processing Florida's "White Discomfort Bill"  To purchase the book, visit: The Cross and the Lynching Tree via Amazon or The Cross and the Lynching Tree via Orbis Books Other sources mentioned in this episode include: Critical Race Theory by Wikipedia Florida Advances Bill That Would Ban Making White People Feel Bad About Racism, and No, That's Not a Joke by Bess Levin Florida bill to shield people from feeling ‘discomfort' over historic actions by their race, nationality, or gender approved by Senate committee by Amy Simonson To check out the CR podcast content calendar, visit: https://soulsessionswithneph.com/critical-reads-podcast To find out more about me or to consume more of my content, visit soulsessionswithneph.com. You can also follow me on Instagram and Facebook using the handle @soulsessionswithneph, or email me at connect@soulsessionswithneph.com. Thank you again for your time and support! 

Amy Winehouse was a legend; so young when she started she rose to a level of fame that most people only dream of - except for one thing - Amy never wanted to be as famous as she had became - to quote Tony Bennett  she was the definition of a "true jazz star" and jazz stars are infamous for NOT wanting a 1000 people in their face - Billie Holliday, Ella Fitzgerald, or Bennett himself, just to name a few - these were quiet, beautiful people who just wanted to share their voice with the world and yet sometimes fame brought to them excesses unwanted - Billie it was heroin, Bennett for a long while it was cocaine, and then there is Amy, whose affinity for purging what she'd eaten "bulimia" and then the excesses of drugs and alcohol were powder kegs for dangerous mixes.A little of her life mixed in with a small study of her death - her is AMY - as beautiful as she were.

Today's episode features Carmelo's sit-down with the multi-talented singer and actor Andra Day. The Grammy-nominated and Golden Globe-winning performer discusses her portrayal of Billie Holiday in “The United States vs. Billie Holliday”, her singing career, upcoming music, and much more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Semaine au temps gris = semaine ciné ! Voici le planning de cet épisode : un biopic musical : The US VS Billie Holiday (1min10) les court métrages live action nommés aux Oscars (3min25) un drame historique : Judas and the Black Messiah (7min01) un film d'horreur : In the Earth (10min30) un petit mot pour terminer sur la série télé Barry (13min49) 

On this week's For Your Consideration, Collider's awards experts Scott Mantz, Perri Nemiroff and Jeff Sneider recap this year's SAG Award winners and discuss whether or not they'll influence the Oscar race. The big surprise over the weekend was Viola Davis' SAG win for Ma Rainey's Black Bottom, as many experts had pegged the race between Carey Mulligan (Promising Young Woman) and two-time Oscar winner Frances McDormand (Nomadland). Recent Golden Globe winner Andra Day (The United States Vs. Billie Holliday) was not nominated for a SAG Award this year, which may have paved the way for Davis' upset victory. The FYC hosts agree that Chadwick Boseman's posthumous SAG win cements him as the frontrunner for Best Actor at the Oscars, where the runner-ups will continue to be Riz Ahmed (Sound of Metal) and Anthony Hopkins (The Father). Meanwhile, Daniel Kaluuya (Judas and the Black Messiah) remains the frontrunner for Best Supporting Actor following a successful hosting stint on Saturday Night Live. Finally, Minari star Yuh-jung Youn triumphed at the SAG Awards, beating out buzzy newcomer Maria Bakalova, who had been tipped to win via a "leak" that proved incorrect in that category. Jeff has long pegged the veteran performer as the likely winner for Best Supporting Actress, though Olivia Colman is a past Oscar winner who could always surprise for her turn in The Father. This episode of For Your Consideration is brought to you by Movies Anywhere, a service designed for movie collectors that brings all of your favorite films together in one spot, even if they were purchased in different places. Don't miss Movies Anywhere's 'Biggest. Offer. Ever.' - for a limited time only, purchase one of thousands of movies and get a bonus movie. Purchase awards-season favorites like The Social Network or Joker through a connected, participating digital retailer, and receive a digital code for a bonus movie from the studio that released your purchased movie. You can choose up to four bonus movies, one from each participating studio (Disney, Sony, Warner Bros. and Universal). This offer is good through April 12th - some exclusions apply. All bonus codes must be redeemed by 11:59pm eastern time April 26, 2021. *LIMITED TIME ONLY. RESTRICTIONS APPLY. Offer expires at 11:59 PM EDT on April 12, 2021. Registration with Movies Anywhere required. Open to U.S. residents 13+. You must purchase a Movies Anywhere-eligible movie from a digital retailer that is linked to your Movies Anywhere account. For complete details, visit MoviesAnywhere.com/bonusoffer. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 11th week of our Oscar/Razzie series, after Glenn Close's nomination got us riled up last week, we decided this would be the last for our Razzie's segment. Thanks, 'Music'. We start our featured segment with a conversation about the incredibly powerful 'The United States vs. Billie Holiday'. Andra Day should probably just win that Oscar. We then discuss Sia's 'Music', which had critics, audiences and Twitter in frenzy tin 2020. We break down the film as well as our thoughts on the surrounding controversies. Intro/The United States vs. Billie Holiday (0:00) Music (42:20) Music: soundcloud.com/dasein-artist. Beer: @cbarrozobar2019. Edited and produced by Dave Green. Hosts: Jeff Ostermueller, John Say, Dave Green. Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast. Discord: https://discord.gg/uaFsp75sUj

Kevin's been busy this week with a DOUBLE double Feature while Chris was able to find some comfort from a surprising place - Disney+. Enjoy as the duo breaks down Raya and the Last Dragon, Boss Level, Sound of Metal, The United States vs Billie Holliday & much more!

This week on the podcast we discuss the many, many reboots from the Best Man miniseries with the original cast to the live-action Power Puff girls, produced by Ava Duvernay. The New York Times dropped the bomb that Framing Britney Spears and BGB is officially #teamfreeBritney. In our Black History moment, we discuss the real story behind Lee Daniel's The United States vs Billie Holliday. Her life story is so inspiring and heartbreaking. We had no idea that this case ever took place but we are happy that we now know and are looking forward to the release of the movie on February 25th. We award the BAF and GAF and take a peek behind the curtain to discuss the woman formally known as Gorilla Glue Girl, Tessica Brown. United States vs Billie Holliday: https://www.politico.com/magazine/story/2015/01/drug-war-the-hunting-of-billie-holiday-114298 https://www.vanityfair.com/hollywood/2021/02/billie-holiday-biography-lady-sings-the-blues https://www.npr.org/transcripts/752909807 Broke, Gifted, and Black Podcast: Facebook: https://www.facebook.com/BrokeGiftedandBlackPodcast IG: https://www.instagram.com/brokegiftedandblackpodcast/ Email: hey.brokegiftedandblackpodcast@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/broke-gifted-and-black/support

How does the 'singer's singer' approach a cover of Bob Dylan or Billie Holiday? "They're just songs, now" she says. And we hear why melody and comedy are central to rapper Briggs' projects.

There are times when I like to take the Take 5 on the road; heading to places where creative people gather, and the conversations around art and music are part and parcel of daily life. Dark Mofo in Hobart is one of those places. A festival set in the middle of winter, in the southernmost city in Australia. When the wind blows, it's coming from Antarctica. The streets light up with red crosses each night to signal some sort of curiosity you should explore within, there are open fires and pagan feasts, and there is music; curated in such a beautiful way it feels like a movement, like a moment. This is the place I met Kelsey Lu. Lu grew up in North Carolina, and was raised as a Jehovah's Witness. Early on, she found the cello, and connected deeply with the strings. She followed her heart, left home, and broke bonds with her family as she headed to New York City to follow her musical dreams. Through her 20's Kelsey Lu found her voice, she collaborated with Solange, and Sampha, she experienced heartache and pain, and she headed west to heal, and begin again. Across five beautiful choices, Lu shared her songs of hope. All women, all powerful, and all tied to the human and artist she has become. Settle in for a beautiful conversation, with Kelsey Lu. Alice Coltrane – 'Journey in Satchidananda' Billie Holiday – 'Ain't Nobody's Business If I Do' Des'ree – 'You Gotta Be' Lafawndah – 'Substancia' Chaka Khan – 'I'm Every Woman'

The 16th Episode of A News You Can Use Podcast .• Powered by Be And Us L.L.C. • Sponsors R.E.A.C.H. Kim Mosby Summers & Frenchy's Wonders Healthy Place Botanicals.• Recorded live from Our Sponsor's home in St. Louis. Support the podcast and govern yourselves accordingly to the announcements. Thank you to Teran & Titus for inspiring us to remember where we came from. Thanks to their mom for allowing them to share with me. The Daily Refresh with John Lee Dumas from 3/17/19. Enjoy classes at the Apple store at the St. Louis Galleria Mall to enhance your cellular experience. Create tracks on your iPhone with GarageBand. Vibin with my musical tracks or nah? Where are our connections with each other? We do not speak to each other in public anymore. Reversing illnesses & diseases with The Minister of Wellness Nathaniel Jordan & Dr. Joel Farnham on KETC PBS in St. Louis. GOMBS acronym stands for Greens, onions, mushrooms, beans, berries and seeds to eat as superfoods. Leave us a voice message on the FREE Anchor app telling us what you are Grateful for? Quote of the Day reminds us that we have no limits. Strong beliefs lead to manifestation. "Today Is a Great Day" read by Our Sponsors Kim Summers. Featured music by Bo Dean & Blu September, Mama Sol & Billie Holliday. Thank you B & B Productions & M.I.D.T. Records. Thank you for tuning in today. Download the previous episodes. Buy books from Amber Book Store LLC with free shipping for a limited time. bit.ly/ScheduleBeAndUsLLC Put your time on my calendar to interview and sponsor episodes. Peace and blessings. Much love & abundance. cashapp $beandusllc paypal.me/frenchaire --- Send in a voice message: https://anchor.fm/news-you-can-use/message

Host Cyrus Webb welcomes author Tracy Fessenden to #ConversationsLIVE to discuss her new book RELIGION AROUND BILLIE HOLIDAY. Get music from Billie Holiday on Amazon here. Get Tracy Fessenden's book on Amazon here. 

November 6, 2017 - The Legacy of Baltimore Soul - Baltimore boasts a rich musical history, from Billie Holliday to Tupac Shakur to today's thriving music scene. Musician and producer Brooks Long who is the  Deutsch Fellow at the Creative Alliance, stopped by our studio along with  Kevin Coombe (www.DCsoulrecordings.com), who wrote the liner notes for all the re-issued Ru-Jac recordings.

Singer-songwriter Pegi Young's new album 'Raw' was inspired by her recent divorce, but her musical identity has been developing for decades, taking inspiration from her heroes, peers and people who have become friends. We talk about her biggest influences, from Otis Redding to Janis Joplin, Joni Mitchell to Billie Holliday, Paul McCartney to Bonnie Raitt, JJ Cale to the Grateful Dead, Laura Nyro to Eric Clapton. Plus, how curating the annual Bridge School Benefits has helped her discover new artists, how the trauma of her divorce left her temporarily unable to play guitar and why she hopes her new music will resonate with audiences who don't share her life experiences. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.