Podcast appearances and mentions of Billie Holiday

Billie Holiday was never given a fair shot at life, like many Black Americans during the Jim Crow period. But despite that, she sang a song that stood the test of time and changed America forever.... REDACTED HISTORY LIVE SHOW QUESTIONNAIRE: https://forms.gle/qhJFC3wsYTV3ixz6A Learn more about your ad choices. Visit megaphone.fm/adchoices

Justin Varnes and Maria Howell discuss the upcoming MainStage Concert, Billie Holiday: God Bless The Child, happening this Thursday, February 26th at 7:00pm.  They touch on Billie Holiday's iconic sound, and the impact that the Jazz Legacy Project has on spreading her music through the country and especially the Upper Cumberlands.  Support the show

Hello music lovers, and welcome to another edition of Why Music Matters. I'm your host, music journalist and musician Jeff Miers. Today, my guests represent a cross-generational journey through the ever-evolving world of jazz.  Alex McArthur is a singer and storyteller whose resume reads like that of a musician three times her age. A winner of multiple JazzBuffalo Vocalist of the Year awards, Alex brings a distinct soulfulness to any music she lends her voice to, whether she's singing something she wrote herself, or flexing her interpretive muscles on the works of legends like Ella Fitzgerald, Stevie Wonder, and Mavis Staples.  Alex is joined today by a man who has acted as a significant mentor in her musical journey.  Pianist George Caldwell is credited by Alex as, quote, “the first person I ever attempted to sing jazz in front of, and the person who encouraged me to explore vocal jazz and improvisation in the first place.”  In his role as Director of the Student Jazz Ensembles and Music Piano Performance Instructor at the University at Buffalo, George has employed his decades of experience as a Grammy-winning professional musician to help mold the musical imaginations of countless young artists-in-the-making.  Those decades of experience include tenures with the Count Basie Orchestra, the Duke Ellington Orchestra, tap dancer and choreographer Saivon Glover, R&B legend Ruth Brown, and right here in Buffalo, the awe-inspiring Star People, a Miles Davis Repertory Ensemble.  Currently, Alex and George are in the midst of performing Lady Day at Emerson's Bar & Grill, a recreation of Billie Holiday's final performance, with Alex inhabiting the role of Lady Day, and George acting as Musical Director.  The show, a MusicalFare production, is running at Shea's Smith Theatre in Buffalo's Theatre and Entertainment District, through February 15. (You can learn more about the production and purchase tickets through musicalfare.com.)  Welcome to Why Music Matters, Alex McArthur and George Caldwell! 

durée : 01:00:08 - Oh Gee - par : Nathalie Piolé -

Send us a textIntro: Smoke! Smoke! Smoke! (That Cigarette) by Tex Williams (1947)25. (I've Got a Gal in) Kalamazoo by Glenn Miller and His Orchestra (1942)24. I'll Be Seeing You by Bing Crosby (1944)23. As Time Goes By by Dooley Wilson (1942)22. Rudolph the Red-Nosed Reindeer by Gene Autry (1949)21. God Bless the Child by Billie Holiday (1942)

Audio walking tour of Prohibition era Harlem, courtesy of illustrator E. Simms Campbell: A Night-Club Map of Harlem, 1932.Music: Cab Calloway. "Minnie the Moocher" Presenting Cab Calloway & His Orchestra. Minnie the Moocher (Theme Song) (78rpm Version), 1932; Duke Ellington and His Washingtonians. "Choo-Choo (Gotta Hurry Home)" Choo Choo. Blue Disc, 5001, 1924; Cab Calloway. "Reefer Man" The Best of Cab Calloway (various) . RCA, 1931; Chick Webb and His Orchestra. "Harlem Congo" The Chick Webb Collection . GRP/Decca Jazz Heritage, 1937; Duke Ellington, Billie Holiday; dir. Fred Waller - "Symphony in Black: A Rhapsody of Negro Life " Film short, music. Cult Cinema Classics, 1935; Gladys Bentley - "Worried Blues" (1928) - Roots 'N' Blues/The Retrospective 1925-1950; Fats Waller and His Buddies, "Harlem Fuss " Harlem Fuss. Victor V-38050-B, 1929; Nina Mae McKinney "Half of Me Wants to Be Good" Short film excerpt "The Black Network". Vitaphone, 1936; Garland Wilson, piano; Michel Warlop, violin "Limehouse Blues" Midnight Ivory - The Early Garland Wilson Recordings. ℗ 2025 Jazz Classics, 1938; Adelaide Hall. "As Time Goes By" Barry Humphries Presents So Rare 3. ℗ 2006 Bilarm Music Pty Ltd, 1943; Fats Waller and His Rhythm "Two Sleepy People " If You Got To Ask, You Ain't Got It!. Bluebird/Legacy, 1938; Bert Williams "Nobody " Nobody. Columbia, 1913; Bill "Bojangles" Robinson, "Doin' The Lowdown" Doin' the Lowdown - 78 rpm. Brunswick 12810, 1932.

'S O U P'Prefab Sprout, David Bowie, Virginia Astley, David Byrne, Nina Simone, Wendy Matthews, Billie Holiday, Camera Obscura, Aztec Camera, Tania Whack

Dieciocho años llevaba sin sacar disco Al Green, uno de los mayores exponentes del soul, pero eso termina con el EP que nos acaba de regalar y que se convierte hoy en el disco de la semana de Fernando Neira. Además, recibimos la visita de la grandísima Nathy Peluso, que nos trae su último disco corto de salsa, "Malportada", para bailar y cantar. Junto a Iñaki Pascualena, repasamos también las mejores canciones protesta que nos han regalado artistas como Bob Dylan o Billie Holiday.

Protest music is taking over TikTok. This hour we look at what's going on, and we hear from an artist about why she writes and performs protest songs. Plus, a discussion about what counts as a protest song and a brief look through the history of the genre, from "Strange Fruit" and "This Land is Your Land" to today. GUESTS: Renee Koma: A musician who goes by Renee Christine. Her latest album is “Appalachia" Isabella Gomez Sarmiento: A reporter with NPR Music Dorian Lynskey: Journalist and author of multiple books, including "33 Revolutions Per Minute: A History of Protest Songs, from Billie Holiday to Green Day". His most recent is “Everything Must Go: The Stories We Tell About the End of the World”. He is also co-host of the "Origin Story" podcast MUSIC FEATURED (in order): Tudo O Que Você Podia Se – Milton Nascimento Lehigh Valley – Renee Christine The Bomb – Renee Christine Turtle Island – Renee Christine No Kings – Earth to Eve Heavy Foot – Mon Rovia War isn’t Murder – Jesse Welles Tonada Por Ella – Rawayana Kalaallit Nunaat, Kalaallit Pigaat – Kalaallit Strange Fruit – Nina Simone Ohio – Crosby, Stills, Nash, & Young This Land Is Your Land – Sharon Jones and the Dap-Kings Say Her Name (Hell You Talmbout) – Janelle Monae Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In this interview, I chat with ReShonda Tate about With Love From Harlem⁠⁠⁠, why she decided to write about Hazel Scott, her research and why she stays away from the internet for it, Billie Holiday, her writing process, the title and cover, writing biographical fiction, the setting, and much more. ReShonda's recommended reads are: Casualties of Truth by Lauren Francis-Sharma The Lost Story of Eva Fuentes by Chanel Cleeton King of Ashes by SA Cosby A Pair of Aces by Marie Benedict and Victoria Christopher Murray Looking for some great winter reads? Check out my printable 17-page Winter Reading Guide ⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a tip of your choice or ⁠⁠⁠⁠⁠⁠⁠for a set price here⁠⁠⁠⁠⁠⁠⁠ via credit card with over 40 new titles vetted by me that will provide great entertainment this winter and spring - a number of books you will not see on other guides. I also include mystery series recommendations, backlist picks, and fiction and nonfiction pairings. Purchase Kelly and my Shelf Ceremony ⁠⁠⁠here⁠⁠⁠. We discuss tons more great read from 2025. Thanks so much to those of you who have donated to the show. Donate to the podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Venmo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Want to know which new titles are publishing in January - May of 2026? Check out our fifth ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Literary Lookbook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠which contains a comprehensive but not exhaustive list all in one place so you can plan ahead, and we color-code by genre in this one!  Looking for something new to read? Here is my monthly ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buzz Reads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ column with five new recommendations each month. Connect with me on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Vinson Cunningham, Naomi Fry, and Alexandra Schwartz celebrate the one-hundredth episode of Critics at Large with a special installment of the podcast's advice series. Together, they counsel callers on everything from turning non-readers into bibliophiles to the art of curating the ideal road-trip playlist. They're joined by David Remnick, the editor of The New Yorker, who shares some cultural dilemmas of his own. Finally, the hosts turn the tables and ask for guidance from their listeners.Read, watch, and listen with the critics:Billie Holiday's “Body and Soul”Bob Dylan's “Blonde on Blonde”Joni Mitchell's “Blue”The music of Laufey“I Regret Almost Everything,” by Keith McNally“The Palm House,” by Gwendoline Riley“Task” (2025—)“Die, My Love” (2025)“Carol” (2015)“The Price of Salt,” by Patricia Highsmith“Surface Matters,” by Naomi Fry (The New Republic)Geese's “Getting Killed”“What Went Wrong”Richard Linklater's “Before” trilogy“The Ambassadors,” by Henry James“Marty Supreme” (2025)“Why Football Matters” (The New Yorker)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

Send us a textIntro: On the Atchison, Topeka and the Santa Fe by Johnny Mercer (1944)45. That Lucky Old Sun (Just Rolls Around Heaven All Day) by Frankie Laine (1949)44. This Land is Your Land by Woody Guthrie (1945)43. Twelfth Street Rag by Pee Wee Hunt (1948)42. Lover Man by Billie Holiday (1945)41. Body and Soul by Coleman Hawkins (1939)

I had a chance to catch up with veteran studio legend Steve Sykes and he shared a lot of cool stories and studio tips in this interview. We had a blast! His advice for young people starting in the business is straight inside scoop and he shares it towards the end of this video.Steve's knowledge of diverse musical styles is demonstrated in his wide list of credits which include many Latin artists.  He has worked with superstars Enrique Iglesias, Luis Fonsi and Cristian Castro, Puerto Rican songstress Ednita Nazario, Thalía, Maria Conchita Alonso and Argentinian ska rockers “Los Fabulosos Cadillacs”.  Many of these albums went gold or platinum.  After mixing a couple of albums for platinum selling Spanish rock band Seguridad Social, they asked him to come to Spain to produce an album.  That collaboration resulted in the hit album “Camino Vertical”.  A year later, Steve again headed to Spain to produce another album for the band, “Va Por Ti”.  His international projects also include many for Japanese clients and he has made numerous trips to Japan to record and mix.  Among his Japanese projects are the number one hit and platinum album “Love Again” for popular band Globe and teenage superstar Rie Miyazawa's first album.  Steve won a Japanese recording award for his work on Mari Ijima's album “Good Medicine” in 1996.  Recently Steve mixed a best of album for Italian star Umberto Tozzi with producer Greg Mathieson. Other musical genres Steve has worked in extensively are jazz and smooth jazz.  He has recorded and mixed for most of the major artists on the smooth jazz charts including multiple albums for artists including The Rippingtons, David Benoit, Mindi Abair, Rick Braun, Jeff Golub, Wayman Tisdale, Peter White, Paul Taylor, Everette Harp, Brian Culbertson, Diane Schuur, Eric Marienthal and Warren Hill.  He mixed an album for reggae group Black Uhuru which went to the top of the Billboard World Music charts.  He recorded tracks for two albums by Lalah Hathaway, both of which had hit singles on the Adult R&B and Hot R&B charts.  Steve recorded and mixed the reunion album for jazz fusion band Seawind.  He recorded and mixed two albums for singer Miki Howard.  “Miki Sings Billie” was her tribute album to legendary jazz vocalist Billie Holiday and featured full orchestra recordings by Steve at Capitol Studios.  In 2008, Steve recorded and mixed Al Jarreau's top Contemporary Jazz Christmas album “Christmas”.  Recently Steve has recorded tracks for celebrity DJ “DJ Cassidy”, whose first single “Calling All Hearts” features Robin Thicke and Jessie J.  Cassidy's album “Paradise Royale” hosts a who's who of the hottest studio musicians and performers in the world including drummer John “JR” Robinson, guitarists Paul Jackson Jr and Nile Rodgers, bassists Marcus Miller, Freddie Washington, Verdine White and Bobby Watson.  Among the performers on this album were Larry Dunn and Philip Bailey, thus reuniting Steve with his former band mates. This time Steve was the engineer and not the guitar player. In an issue of Electronic Musician magazine, Steve gives an in depth interview where he explains some of the recording techniques, studios and equipment he used in the making of this album.Find out more about steve at his website https://www.stevesykes.comFor video episodes and more visit Rob's channel at https://youtube.com/planetmullins

On tonight's show: Billie Holiday and Her Orchestra, Me, Myself and I Frank Sinatra & Tommy Dorsey and His Orchestra, The One I Love Doris Day with John Rarig & The Mellomen, Bewitched, Bothered and Bewildered Claude Williamson Trio, Just One of Those Things Red Garland, I Know Why (feat. Paul Chambers & Art Taylor) Louie Bellson & Pearl Bailey, Zing Went the Strings of My Heart Sonny Clark, I'm Just a Lucky So and So The Dave Brubeck Quartet, Bossa Nova U.S.A. (Live) Art Farmer Quartet, Sing Me Softly of The Blues Horace Parlan, Oh So Blue Poncho Sanchez, Bésame Mamá Bernardo Sassetti with Borja Barrueta, Javier Colina & Perico Sambeat, Please Tell Me Now

> Friend of the Sunday Edition family of podcasts and a personal musical hero, Rhonda Selby joins us for an intimate and heartfelt conversation about music, vision, and life itself. > > Born and raised in the small town of Door, Michigan, Rhonda was diagnosed with retinoblastoma at just four months old and is totally blind. From an early age, sound and music became her language, her compass, and her constant companion. She began singing as a teenager, studying voice and keyboard, and later performing with bands across multiple genres, from pop and country to selections from the Great American Songbook. > > In this intimate evening, we journey through Rhonda's journeys. We explore her creative process, her return to music after a long hiatus, and her recent work teaching herself to mix and produce. Along the way, we talk about the twists and turns life offers us, how vision is experienced far beyond sight, and how music carries us through surprise, loss, and renewal. > > Rhonda also speaks to the wide and sometimes surprising range of artists who have shaped her musical ear. From the precision and emotional discipline of classical voices like Beverly Sills and Kathleen Battle, to the storytelling and swing of jazz greats Ella Fitzgerald and Billie Holiday, to the soul rich expression of R and B icons Minnie Riperton and Deniece Williams, her influences reflect a deep respect for vocal honesty and emotional truth. These artists did more than inspire technique; they modeled how a voice can carry vulnerability, power, and grace all at once. In our conversation, Rhonda reflects on how these influences continue to guide her as a singer, producer, and listener, reminding us that music is not confined by genre, but expanded by lived experience. > > This is not just a conversation about songs, but about listening, becoming, and finding your voice again. > > Listen live or tune in on 2020 The Beacon.You can stream from anywhere on the website.You can also ask Alexa devices to enable 2020 The Beacon.Available on GetMeRadio and Live365. > > You can also listen on Corona FM.Visit www.anthonycorona.com and click on the tab for Corona FM. > > For questions, comments, or to request the login information to join us live, send an email to:SundayEdition@anthonycorona.com > >

New research will bring hope to the thousands of women in the UK living with secondary breast cancer. A simple blood test will be able to tell how well they will respond to treatment, even before it starts. This research could mean being moved to more efficient treatments earlier. Nuala McGovern hears from Dr Iseult Browne, one of the researchers on the study. The Grammy award-winning American R&B singer/songwriter and actress, Andra Day, made her acting debut with her portrayal of Billie Holiday in The United States vs. Billie Holiday. Her emotionally raw and transformative performance made her only the second black actress to win the Golden Globe for Best Actress. Her voice first reached a global audience with her anthem Rise Up which earned two Grammy nominations. She joins Nuala to talk about her latest role, as Christine, in the film - Is This Thing On?An employment tribunal ruled on Friday that the dignity of a group of female nurses at Darlington Memorial Hospital was violated because they had to share single-sex changing rooms with a transgender colleague, who was born male but identifies as a woman. BBC's Health Correspondent Dominic Hughes explains further.Today another episode of our SEND in the Spotlight podcast drops, and this one is all about the local authority's role in the SEND system. They come in for a lot of criticism from some of our guests, who feel they need to go to battle with their council in the attempt to get their children's needs met. Rebecca is a SEND mum who is also a SEND caseworker for a local authority. She got in touch because she wanted to talk about the realities of her job. Mattel have just released autistic Barbie. It's the latest in their range of dolls which have included wheelchair and Downs syndrome Barbies. So how do brands use socially conscious products to appeal to consumers, and how much are they targeting women with issues they care about? To discuss Catherine Shuttleworth, CEO of the marketing agency Get Savvy and Dionne Nickerson, Assistant Professor of Marketing at the Goizueta Business School at Emory University in Atlanta, Georgia join Nuala.Presenter: Nuala McGovern Producer: Kirsty Starkey

Kein Wunder, wollte der rassistische Drogenfahnder Harry Anslinger nicht nur Billie Holiday zur Strecke bringen, sondern auch «Strange Fruit» auslöschen. Der Song geht unter die Haut: «Die Bäume im Süden tragen seltsame Früchte ... schwarze Körper bewegen sich sanft in der südlichen Brise». Eindringlich beklagt Billie Holiday in «Strange Fruit» die Lynchjustiz. Als sie mit 44 stirbt, von der Drogenfahndung ans Bett gekettet, lebt «Strange Fruit» weiter. Der Song steht am Anfang einer ganzen Playlist von Stücken, die bis heute für den kraftvollsten Jazz steht: den Jazz des Widerstands. Peter Kemper hat die Geschichte der politischen Ästhetik des Jazz kürzlich aufgearbeitet. Er ist zu Gast in der Passage, und zu Wort kommt u.a. auch Matana Roberts: Mit dem mehrteiligen «Coin-Coin»-Projekt ist die non-binäre Saxophonist:in eine der heutigen Erb:innen von Billie Holiday und deren Kampf für mehr Rechte und Gerechtigkeit. Erstsendung: 26.4.2024

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Another free form musical delight is ready and waiting for your ears this coming Friday morning. We dig into some mid-century nuggets from the country genre with Red Foley and Ernest Tubb as well as Merle Haggard, Asleep at the Wheel and Joe Ely. That, of course, hardly covers the two hours. There's also some hot rhythms from NRBQ, Daddy Cleanhead, Slim Harpo, Fats Domino and the sweet and brassy sounds from Billie Holiday, Johnny Mercer, and Babs Gonzales. Our new year won't make promises but our hopes are all we've got, remembering that hate will never win if you don't let it. There's been wars fought for much less. 

pWotD Episode 3166: Diana Ross Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 250,006 views on Thursday, 1 January 2026 our article of the day is Diana Ross.Diana Ross (born March 26, 1944) is an American singer and actress. Known as the "Queen of Motown", she was the lead singer of the vocal group the Supremes, who became Motown's most successful act during the 1960s and one of the world's best-selling girl groups of all time. They remain the best-charting female group in history, with a total of 12 number-one pop singles on the U. S. Billboard Hot 100.Following her departure from the Supremes in 1970, Ross embarked on a successful solo career with the release of her eponymous debut solo album. Between 1972 and 1980, Ross recorded four top ten albums with her most successful studio release being the album Diana. In a fifteen-year span, Ross recorded twelve top ten singles with six -- "Ain't No Mountain High Enough", "Touch Me in the Morning", "Theme from Mahogany (Do You Know Where You're Going To)", "Love Hangover", "Upside Down" and "Endless Love"— topping the Billboard Hot 100, making her the female solo act with the most number-one songs in the United States at the time. Ross achieved international success with later songs such as "I'm Coming Out", "Chain Reaction", "If We Hold on Together", and "When You Tell Me That You Love Me".Ross has also achieved mainstream success and recognition as an actress. Her first role was her Golden Globe Award-winning and Academy Award-nominated portrayal of Billie Holiday in the film Lady Sings the Blues (1972), which made her the first African-American actress to receive an Academy Award nomination for a debut film performance. The film's soundtrack became her only solo album to reach number-one on the U. S. Billboard 200 chart. She also starred in two other feature films, Mahogany (1975) and The Wiz (1978), and later appeared in the television films Out of Darkness (1994), for which she was nominated for a Golden Globe Award, and Double Platinum (1999).Ross was named the "Female Entertainer of the Century" by Billboard in 1976. Since her solo career began in 1970, Ross has sold over 100 million records worldwide. Between 1964 and 1981, Ross sang on eighteen number one US singles. In 2021, Billboard ranked her the 30th greatest charting artist of all time on the Billboard Hot 100. Her hits as a Supreme and a solo artist combined put Ross among the top-five artists on the Billboard Hot 100 singles chart from 1955 to 2018. She has scored a top 75 U. K. hit single for a record 33 consecutive years (1964–1996). In 1988, Ross was inducted to the Rock and Roll Hall of Fame as a member of the Supremes, and is one of the rare performers to have two stars on the Hollywood Walk of Fame. She is the recipient of a Special Tony Award in 1977, the Kennedy Center Honors in 2007, the Grammy Lifetime Achievement Award in 2012 and 2023 (becoming the first woman to win the award twice, the latter as a member of the Supremes), and the Presidential Medal of Freedom in 2016.This recording reflects the Wikipedia text as of 03:27 UTC on Friday, 2 January 2026.For the full current version of the article, see Diana Ross on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Geraint.

By the end of his life, Billy Mayhew might well have wished he'd never written that damned song.Oh, it was a hit, all right — the only one the old Baltimore vaudeville piano man ever wrote — introduced to the world by 1930s radio superstar Kate Smith and later jazzed up by the great Fats Waller who got everyone humming the thing.Still, within months of the publication of “It's a Sin to Tell a Lie,” Billy and his wife and co-author Margaret Konig Mayhew were dragged into court with a demand that they share the song's mounting royalties.How the Song Came to BeBilly wrote “It's a Sin to Tell a Lie” in the early 1930s, but after five years of hoofing it around to pitch it in New York's Tin Pan Alley, he could find no one who wanted to publish it. According to later court documents, Mayhew was about to give up when in June 1935 he met Helen Meehan in the music department of the S.S. Kresge Company store in Baltimore.For nearly two decades by then, Meehan had been employed as a sheet music buyer, meaning she had contacts in the publishing world. Right away, Helen went to bat for Billy, reaching out to representatives of music houses. In early 1936 she landed the song with Broadway publisher Donaldson, Douglas and Gumble, Inc. (If that name rings a bell, it might be because we met the firm's founder Walter Donaldson back when we talked about his “My Blue Heaven” and again in the back story of his “Makin' Whoopee.”)When Donaldson published it, “It's a Sin to Tell a Lie” hit the big time. It was first recorded and released by Freddy Ellis and his orchestra, followed by Kate Smith and then Fats Waller. Dream come true. But before the year was out, Billy's dream took a nasty turn.The Court CaseIn the Circuit Court of Baltimore City in late July 1936, Helen Meehan sued him, claiming Billy Mayhew himself had done a bit of lying when he promised to give her 50 percent of the royalties if she got the song published. After a two-year court fight, a decree was issued in Meehan's favor, establishing her as a creditor for $7,163.10 (about $170,000 in today's dollars). This decision was affirmed on appeal the following spring.However, it appears only the lawyers profited from the case. While Helen Meehan successfully established her claim, she found it hard to collect. Her main obstacle was a representative of the song's publisher, which placed an attachment on Mayhew's royalties in New York as early as February 1937.In a desperate attempt to stop that payment, Meehan filed an involuntary bankruptcy petition against the Mayhews, arguing that Billy and Margaret's failure was a “preferential transfer.” But the U.S. District Court didn't buy it, dismissing her petition and ruling that the publisher's claim was based on a lien established years earlier and therefore was not a fresh act of bankruptcy.The Last DecadeAfter that, we lose track of Helen, but Billy and Margaret Mayhew ended their days living and working at a brother-in-law's boarding house and “truck farm.” Today, incidentally, the farm — located on Bar Neck Road in Cornersville, in Maryland's Dorchester County — is listed on the state's Inventory of Historic Properties, all because of its association with the song.No more hit songs came from the couple, though they seem to have kept trying. For instance, the day after Christmas in 1940, Billy and Margaret filed copyright papers for a composition with an intriguing title: “Can't Do a Thing with My Heart.” Alas, we find no indication that it was ever published or recorded.Billy died Nov. 17, 1951, and Margaret died a month later. Both are buried in Baltimore's Oak Lawn Cemetery. The Song Lives OnThe Mayhews wrote the song as a waltz, and that's how Freddy Ellis's orchestra performed it in its first recording. The early performances — by Kate Smith, Ruth Etting, Vera Lynn, et al — played it straight (very straight).But then also came Flood hero Fats Waller, who never played anything straight. Fats kicked the tune into 4/4 and gave it his signature blend of stride piano and irreverent, satirical humor. For instance, while the ladies Kate, Ruth and Vera all loyally sang the Mayhews' original lyric “If you break my heart I'll die,” Fats ad libbed, “If you break my heart, I'll break your jaw!”From Fats forward, the song that originated as a sappy Tin Pan Alley ballad got its groove on, transforming into a high-energy (often comedic) jazz performance for everyone for the Ink Spots (1942) and Billie Holiday (1949) to Jimmy Rushing (1955) and Tony Bennett (1964) to Steve Goodman (1975) and John Denver (1998).Floodifying ItThis song has rattled around in the Floodisphere for decades but only recently did we decide to give it a spin. Whaddaya think?More Song HistoriesDo you enjoy this back stories on the songs we play? We got a million of ‘em! Well, hundreds, anyway.Drop by the free “Song Stories” archive — just click here to reach it — and you'll find an alphabetized list of titles. Click on one to reach our take on that particular tune.Or if you'd like to find songs from a specific decade, visit the archive's “Tunes on a Timeline” department — click here! — to locate songs by their years of origin. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Podcast Jazztime 701 – 30.12.25 Diese Sendung hat Musikredakteur Jörg Müller-Jahns zusammengestellt. Das LIVE Anspiel ist : „Mas que nada“ – 1963 von Jorge Ben komponiert. Folgende Titel sind zu hören : 1. New Moon – Klaus Doldinger's Passport feat. Sasha 4:30 2. Same old Story – Nils Landgren, Joe Sample & The Piety Street Brass Band 4:40 3. Secteur 22 – Tribeqa 3:28 4. What are you doing New Years Eve 3:53 Judith Owen feat. The J.O. Big Band 3:53 5. Unsere Nacht – Max Mutzke & NDR Radiophilharmonie 4:45 6. The Meadow – Charlotte Pelgen 3:02 7. Mas que nada – Ella Fitzgerald 3:52 8. So easy – Tom Gaebel 4:13 9. I've got my Love to keep me warm – Billie Holiday 3:56 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

I denne udgave af Rockhistorier bevæger Klaus Lynggaard og Henrik Queitsch sig ind i jazzens vokale hjerte med historien om Billie Holiday – en af musikhistoriens største stemmer. Fra Harlem i 30'erne over gennembruddet med swing og jukebox-hits til Strange Fruit og et liv mærket af racisme, misbrug og kærlighedens skyggesider.Værter: Klaus Lynggaard og Henrik QueitschKlip: Saffiyah NørgaardPodcasten er produceret af Heartbeats.Spilleliste"Riffin' the Scotch" (with Benny Goodman & His Orchestra)"What a Little Moonlight Can Do" (with Teddy Wilson & His Orchestra)"These Foolish ThingscRemind Me of You" (with Teddy Wilson & His Orchestra)"Summertime""The Way You Look Tonight" (with Teddy Wilson & His Orchestra)"Why Was I Born?" (with Teddy Wilson & His Orchestra)"He's Funny That Way" (Take 1)I Can't Get Started (Take 1)"Strange Fruit""Fine and Mellow""God Bless the Child" (Take 1)"Gloomy Sunday" (with Teddy Wilson & His Orchestra)"I Cover the Waterfront ""As Time Goes By""Lover Man - Single Version""The Man I Love - Live At Carnegie Hall""Solitude - Single Version""Them There Eyes - Single Version""Moonglow""Tenderly""Autumn In New York""Lady Sings The Blues""Embraceable You""I Get Along Without You Very Well""I'll Be Around"

On this Christmas Eve episode, the hosts dive into Lady Sings the Blues (1972), the biographical drama inspired by the life of jazz icon Billie Holiday and starring Diana Ross in her film debut. The ladies discuss the film's portrayal of artistry, trauma, addiction, love, and the ways both the music industry and the justice system shaped her life. The movie reminded the ladies that music makes us feel something, and our hosts gave a glimpse into their holiday feels with their own Top 10 facorite Christmas song "soundtrack". The contrast between their lists adds humor, personality, and a lot of holiday fun to the conversation. Cheers! *Please be advised this episode is intended for adult audiences and contains adult language and content. We are expressing opinions on the show for entertainment purposes only.Dedication: To our patrons as always!! We love you!Moni: To the hustlers.Kat: Lady Sings the Blues (1972) was directed by Sidney J. Furie.The screenplay was written by Terence McCloy and Chris Clark, and the film is loosely based on Billie Holiday's autobiography, Lady Sings the Blues, written with William Dufty.Berry Gordy was a producer through Motown Productions Diana Ross,, portrays Holiday, alongside a cast that includes Billy Dee Williams, Richard Pryor, James T. Callahan and Scatman Crothers.[5] The film was nominated for five Academy Awards in 1973, including Best Actress for Diana RossOfficial Billie Holiday Website biohttps://en.wikipedia.org/wiki/Lady_Sings_the_Blues_(film)https://billieholiday.com/bio/**Stranger than Fiction:

Today's show features music performed by King Oliver and Billie Holiday

Sleigh rides in July, swinging Santas, holidays in Harlem, ca. 1920s-1940s. Music: Swingin' Them Jingle Bells (1936) - Fats Waller & His Rhythm; Santa Claus Came in the Spring (1935) - Benny Goodman & His Orchestra; Santa Claus Blues (1924) - Eva Taylor, Clarence Williams' Blue Five; I Told Santa Claus to Bring Me You (1937) - Bernie Cummins, Holiday in Harlem (1937) - Ella Fitzgerald, Chick Webb; Snowy Morning Blues (V-disc 1943) - James P. Johnson; Winter Weather (1941) - Fats Waller & His Rhythm; Snowfall (1941) - Claude Thornhill & His Orchestra; I've Got My Love to Keep Me Warm (1937) - Billie Holiday; Christmas Morning Blues (1926) - Victoria Spivey, Lonnie Johnson; Santa Claus Crave (1927) - Elzadie Robinson; Santa Claus, Bring My Man Back (1928) - Ozie Ware, Duke Ellington Hot Five; At the Christmas Ball (1925) - Bessie Smith; Christmas Night in Harlem (1934) - Paul Whiteman; Winter Weather (1941) - Peggy Lee, Benny Goodman.

Dies ist der zweite Teil des Gesprächs. Wenn ihr den ersten Teil noch nicht gehört habt, fangt am besten dort an! ++++ Hier könnt ihr Mitglied im Klub Reflektor werden, Jans Reflektor-Mitgliederbereich mit vielen Extras ++++ Was haben Schnee, Sturm, Schädlingsplagen, Sturmfluten, Sternschnuppen, Lawinen und Eisstürme miteinander gemein?Die Antwort lautet: Es sind allesamt Naturereignisse. Thees und Jan haben sich in dieser Reflektor-Spezial-Doppelfolge angeschaut, in welchen Werken der Musik Naturereignisse Thema sind. Sie haben festgestellt, dass auch einige ihrer absoluten Lieblingslieder und Lebenswerke mit dabei sind. Sie nehmen uns in diesem Gespräch mit auf eine Reise von den Scorpions über die Crystal Castles bis zu Billie Holiday.Im Gespräch setzen Thees und Jan dabei auch ganz persönliche Erlebnisse frei. Wir wünschen euch viel Spaß beim Hören! Die in dieser Folge angesprochenen Musiktitel findet ihr in der Klub-Reflektor-Streaming-Playlist. Hier könnt ihr euch das Chanson „Am Tag als der Regen kam“ in der Version von Barbara Sukowa anhören. Und hier in der Version von Sevda Deniz Karali. Hier könnt ihr das Essay „Notes on Camp“ von Susan Sontag lesen. Hier könnt ihr Euch die Halloween-Folge mit Thees und Jan anhören. Hier könnt ihr die Reflektor-Folge mit Bill Kaulitz von Tokio Hotel hören. Hier könnt ihr euch das Video zu dem Track „Plague“ von den Crystal Castles anschauen. Hier findet ihr Reflektor bei Instagram. Und hier findet ihr Jan bei Instagram. Schreibt uns gerne unter reflektor@cloudshill.com. Viel Spaß beim Hören und danke für eure Unterstützung! Euer Jan Hosted on Acast. See acast.com/privacy for more information.

++++ Hier könnt ihr Mitglied im Klub Reflektor werden, Jans Reflektor-Mitgliederbereich mit vielen Extras ++++ Was haben Schnee, Sturm, Schädlingsplagen, Sturmfluten, Sternschnuppen, Lawinen und Eisstürme miteinander gemein?Die Antwort lautet: Es sind allesamt Naturereignisse. Thees und Jan haben sich in dieser Reflektor-Spezial-Doppelfolge angeschaut, in welchen Werken der Musik Naturereignisse Thema sind. Sie haben festgestellt, dass auch einige ihrer absoluten Lieblingslieder und Lebenswerke mit dabei sind. Sie nehmen uns in diesem Gespräch mit auf eine Reise von den Scorpions über die Crystal Castles bis zu Billie Holiday.Im Gespräch setzen Thees und Jan dabei auch ganz persönliche Erlebnisse frei. Wir wünschen euch viel Spaß beim Hören! Die in dieser Folge angesprochenen Musiktitel findet ihr in der Klub-Reflektor-Streaming-Playlist. Hier könnt ihr euch das Chanson „Am Tag als der Regen kam“ in der Version von Barbara Sukowa anhören. Und hier in der Version von Sevda Deniz Karali. Hier könnt ihr das Essay „Notes on Camp“ von Susan Sontag lesen. Hier könnt ihr Euch die Halloween-Folge mit Thees und Jan anhören. Hier könnt ihr die Reflektor-Folge mit Bill Kaulitz von Tokio Hotel hören. Hier könnt ihr euch das Video zu dem Track „Plague“ von den Crystal Castles anschauen. Hier findet ihr Reflektor bei Instagram. Und hier findet ihr Jan bei Instagram. Schreibt uns gerne unter reflektor@cloudshill.com. Viel Spaß beim Hören und danke für eure Unterstützung! Euer Jan Hosted on Acast. See acast.com/privacy for more information.

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Today's show features music performed by Robert Nighthawk and Billie Holiday

BioVale! ULB The Sound of Cabana Bounce. Most of Vale! ULB's lyrics flow effortlessly between Spanish and English, but even if you don't speak the language, their energy translates loud and clear. Their latest single, “Devórame,” is a high-speed, high-energy celebration from a five-member band that has crafted an entirely new genre where the primary language is fun.“The band made a new genre called Cabana Bounce,” says lead vocalist Val. “Most of our songs are about joy, movement, and connection. ‘Devórame' is one of them.”Born in Colombia and raised in a musically rich family, Val is the daughter of Dante Vargas, a multi Latin Grammy Award-winning musician and producer from Peru. Her dual heritage shines through her powerhouse voice strong, expressive, and versatile enough to adapt to any sound the band explores.“Devórame,” which translates to “Devour Me,” captures that playful and passionate essence. “It's not a romantic song,” explains trumpeter Emi, “it's about confidence, presence, and living in the moment.”Come take a bite of me now / Before it's too late papi / Come take me down / Baby devórame ya.In this context, ya literally meaning “already” becomes a demand for right now.The Band's Global RootsVale! ULB is a collective of musicians whose diverse cultural backgrounds shape the band's vibrant sound:Val – Lead Vocals (Colombia/Peru)Emi – Trumpet (Argentina)Anier – Percussion (Cuba)Friki – Guitar (Cuba), son of a founder of the legendary Buena Vista Social ClubDeezle – Bass, Production, and Vocals (New Orleans, USA)The “ULB” in their name stands for United Latin Band, while Vale! is colloquial Spanish for “Let's go!” a perfect reflection of their energy and message.“The band is all about celebration,” says Val. “We're from Miami, and our producer is from New Orleans. So, New Orleans plus Miami equals party.”Deezle adds, “We love so many kinds of music and can play almost anything. Imagine taking a little of the Black Eyed Peas, some No Doubt, some Santana, some Stevie Wonder and then pouring gumbo juice on top.”A Band of Acclaimed TalentEach member of Vale! ULB brings a deep professional pedigree to the group:Deezle is a three-time Grammy-winning producer who's worked with Lil Wayne, Drake, and Nicki Minaj.Emi is also a Grammy winner, with credits including The United States vs. Billie Holiday soundtrack and tours with Ricky Martin and Marc Anthony.Anier is a multi-time champion of Cuba's Fiesta del Tambor (Festival of Drums).Carlos “Los” Battey, the band's manager, is a Grammy-winning songwriter and music executive who has penned hits for Madonna, Justin Bieber, Jason Derulo, David Guetta, Chris Brown, and more.“Los isn't just a managerhe's part of the creative process,” says Emi. “He's in the studio with us, collaborating and shaping songs. He's the real deal.”The Creation of Vale! ULBThe band's story began when a music executive contacted Deezle about developing a group of talented musicians. “They flew me to LA, we got a band house, and ordered all the gear,” recalls Deezle. “Within 30 minutes of setting up, we wrote our first song. Everything just clicked.”Soon after, Emi joined as music director and invited Val to front the band. When the original guitarist left, Friki joined, and Vale! ULB officially took shape.“We complement each other perfectly,” says Emi. “It's like a puzzle where every piece just fits.”“Our band shows how people from different walks of life different backgrounds, cultures, and opinions can come together to create something powerful,” adds Deezle. “We've got that chemistry unlocked.”The Future of Cabana BounceVale! ULB's music embodies warmth, rhythm, and pure joy what they call Cabana Bounce. “It's like sunshine, a poolside party, full of color and life,” says Deezle. “It's a mix of all our flavors from every country and city we represent.”“Devórame” is the band's fourth single this year, and their momentum is just getting started. The team plans to release more singles, videos, and eventually an EP and full album. Manager Carlos is also developing an interactive virtual concert experience on platforms like Discord or Patreon, making it easy for fans worldwide to tune in and celebrate together.“For me,” says Val, “one of our biggest goals is to perform live and connect with people around the world.”“We're limitless,” concludes Deezle. “We never wanted to be confined to one sound. We're musicians first and we're here to create without boundaries.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

durée : 00:59:55 - Les Nuits de France Culture - par : Philippe Garbit - Un hommage à la chanteuse de jazz Billie Holiday. Cette émission publique a été enregistrée le 7 Octobre 1998 au Studio Sacha Guitry de la Maison de Radio-France. Les invités d'Alain Gerber étaient Jean-Louis Chautemps, André Clergeat, Paul Benkimoun, Georges Paczynski. - réalisation : Virginie Mourthé

durée : 00:31:53 - Les Nuits de France Culture - par : Albane Penaranda - En 1991, Daniela Langer, accompagnée de Stéphanie Crawford et René Urtreger, rendait hommage à Hoagy Carmichael dans Le Rythme et la raison, mettant en lumière l'héritage de ce compositeur de standards, comme "Georgia on My Mind", interprété par des légendes telles que Billie Holiday. - réalisation : Véronique Lamendour - invités : René Urtreger Pianiste de jazz français; Stephanie Crawford Chanteuse de jazz américaine

Un 15 de octubre nos dejó uno de los mayores compositores de la música popular del siglo XX. Recordamos algunas de sus grandes canciones en grabaciones de Louis Armstrong ('Let´s do it'), Ella Fitzgerald ('I love Paris', 'Begin the beguine'), Billie Holiday ('Night and day'), Bebel Gilberto ('Night and day'), Frank Sinatra ('I´ve got you under my skin'), Tony Bennett & Lady Gaga ('I´ve got you under my skin', 'I concentrate on you'), Caetano Veloso ('Love for sale', 'So in love'), Melody Gardot ('Get out of town'), Tom Zé ('Você é o mel') y Stéphane Grappelli & Yehudi Menuhin ('I get a kick out of you').Escuchar audio

This was such a special conversation, and went differently than any prior episode - hence the "Part 1" shown here.  We'll have Lia back for a dive in to her personal journey and inspirations, but this one started in the asbstract and Lia, Galen and I decided to stay there.We played Lia's brand new (released yesterday) track "I'm Still Here" and she was brave and vulnerable sharing the full backstory which included reunion, empathy, and support, but then transitioned to manipulation, hurtfulness and the need for boundaries.  So we continued exploring concepts together and touched on healing modalities, especially through music, connecting with others memories, and balancing the freedom of making mistakes with the polish of a finished piece of art.  What an incredible convo!So here is the original copy we developed for this episode, and be on the lookout for Part 2 with Lia where we'll get the full story and dive in to her story...We fell for the music of Lia Menaker during the prep leading up to Musikfest this year.  We could not wait to catch her set (even cutting our Daily Livestream that day short to make sure I could get there in time to see a good bit of the back half), and her performance did not disappoint.For the feelers, the seekers, and the sonically curious, Lia Menaker's "noirtronica" music is where soulful pop meets moody elegance and emotional grit. Her voice—rich with raw emotion and echoes of soulful greats like Billie Holiday and Amy Winehouse—cuts through with a modern pop and R&B edge. It's this balance, along with playful vocal loops and sonic experimentation, that continues to fascinate and guide her songwriting and producing. Be sure to check out this very special musician and join us for this chat!Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band". If you tuned in today because you already knew this musician - thank you very much! We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future. And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better! Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival

Movie Review #52Comin right at you.First up today yer crew takes on (Ryan's Daughter 1970) here famous British director David Lean makes a movie with Robert Mitchum about Ireland in the early 20th century “Brit's out now!”Next up Al Pacino and Kitty Winn are working hard for their medication in (Panic in Needle Park 1971) “Vice cops out!”Moving on we review Diana Ross in (Lady sings the Blues 1972) We also get Lando and Richard Pryor who's flippin good in this apparently not too accurate bio pic of Billie Holiday.4th movie today is (Say Goodbye Maggie Cole 1972) Which gives us silver screen Diva Susan Hayward runnin around in the 70's bein fierce and very very busy!Next today is (Jabberwocky 1977) that non Monty Python Monty Python movie you might have wondered about. The Middle Ages were such a blast, oh my.Finally today we review the mighty (Deer Hunter 78) I could use a lil more Streep here please, always! Trigger warning, that war and all wars, are Harsh! Oh, also Russian Roulette Ummmmmmm No thank you! Thanks for listening friends Let's hear from you. Why not?

Episode Description Join host Buzz Knight for an intimate and inspiring conversation with singer-songwriter Alexa Ray Joel, daughter of music legend Billy Joel. In this heartfelt episode, Alexa Ray opens up about her journey to establish her own unique musical identity while honoring her family’s incredible legacy. From her latest EP “Tales from a Winding Tower” and its innovative “waterfall release” strategy to her diverse musical influences spanning Randy Newman, Joni Mitchell, and George Gershwin, Alexa Ray shares the stories behind her authentic songwriting process. She discusses the challenges and triumphs of building a career in the music industry while carrying a famous name, revealing the resilience and dedication that drive her artistry. Listeners will gain insight into Alexa Ray’s creative process, her approach to authentic storytelling through music, and her deep respect for musical legends past and present. The episode concludes with her dream walk companion choice - the iconic Billie Holiday - offering a glimpse into the artists who continue to inspire her work. Whether you’re discovering Alexa Ray Joel for the first time or you’re already familiar with her music, this conversation provides a window into the heart and mind of an artist determined to make her own mark on the world. Show Notes Guest: Alexa Ray Joel - Singer-songwriter, pianist Key Topics Discussed: • Musical Identity & Legacy • Carving out her own artistic path separate from Billy Joel’s influence • The balance between honoring family legacy and establishing independence • Navigating industry expectations and public perception • “Tales from a Winding Tower” EP • Creative process behind the latest release • Innovative “waterfall release” strategy - releasing songs individually • The artistic vision behind each track • Musical Influences & Inspirations • Randy Newman’s storytelling approach • Joni Mitchell’s lyrical depth • George Gershwin’s compositional brilliance • Billy Joel’s impact on her musicianship • Songwriting & Creative Process • The importance of authenticity in music creation • Emotional honesty in songwriting • Raw, organic approach to developing new material • Industry Insights • Challenges of establishing credibility in the music business • Building a career while managing family name recognition • Resilience and persistence in pursuing artistic goals • Dream Walk Segment • Alexa Ray’s choice: Billie Holiday • Discussion of Holiday’s lasting influence on jazz and popular music Notable Quotes: • Insights on finding her own voice as an artist • Reflections on authenticity in music • Thoughts on resilience in the entertainment industry Music History is full of hidden connections, just like everything else worth understanding. If you're someone who can't help dig deeper, Claude is for you. We are grateful for Claude's support of the "Takin ' A Walk" podcast and we invite you to try Claude for free at Claude.ai/buzz Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Episode Description Join host Buzz Knight for an intimate and inspiring conversation with singer-songwriter Alexa Ray Joel, daughter of music legend Billy Joel. In this heartfelt episode, Alexa Ray opens up about her journey to establish her own unique musical identity while honoring her family’s incredible legacy. From her latest EP “Tales from a Winding Tower” and its innovative “waterfall release” strategy to her diverse musical influences spanning Randy Newman, Joni Mitchell, and George Gershwin, Alexa Ray shares the stories behind her authentic songwriting process. She discusses the challenges and triumphs of building a career in the music industry while carrying a famous name, revealing the resilience and dedication that drive her artistry. Listeners will gain insight into Alexa Ray’s creative process, her approach to authentic storytelling through music, and her deep respect for musical legends past and present. The episode concludes with her dream walk companion choice - the iconic Billie Holiday - offering a glimpse into the artists who continue to inspire her work. Whether you’re discovering Alexa Ray Joel for the first time or you’re already familiar with her music, this conversation provides a window into the heart and mind of an artist determined to make her own mark on the world. Show Notes Guest: Alexa Ray Joel - Singer-songwriter, pianist Key Topics Discussed: • Musical Identity & Legacy • Carving out her own artistic path separate from Billy Joel’s influence • The balance between honoring family legacy and establishing independence • Navigating industry expectations and public perception • “Tales from a Winding Tower” EP • Creative process behind the latest release • Innovative “waterfall release” strategy - releasing songs individually • The artistic vision behind each track • Musical Influences & Inspirations • Randy Newman’s storytelling approach • Joni Mitchell’s lyrical depth • George Gershwin’s compositional brilliance • Billy Joel’s impact on her musicianship • Songwriting & Creative Process • The importance of authenticity in music creation • Emotional honesty in songwriting • Raw, organic approach to developing new material • Industry Insights • Challenges of establishing credibility in the music business • Building a career while managing family name recognition • Resilience and persistence in pursuing artistic goals • Dream Walk Segment • Alexa Ray’s choice: Billie Holiday • Discussion of Holiday’s lasting influence on jazz and popular music Notable Quotes: • Insights on finding her own voice as an artist • Reflections on authenticity in music • Thoughts on resilience in the entertainment industry Music History is full of hidden connections, just like everything else worth understanding. If you're someone who can't help dig deeper, Claude is for you. We are grateful for Claude's support of the "Takin ' A Walk" podcast and we invite you to try Claude for free at Claude.ai/buzz Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Show NotesBackstage Bay Area welcomes Montreal-based, award-winning singer-songwriter Dominique Fils-Aimé. In this episode, Dominique shares her creative journey, the healing power of music, and the inspiration behind her latest works, including her new single "Keep On Shining" and her first live album, Live at the Montreal International Jazz Festival.Host Steve Roby and Dominique discuss:Her unique approach to jazz and improvisationThe influence of artists like Nina Simone, Billie Holiday, and Lauryn HillThe meditative process of songwriting and the importance of freedom in musicThe story behind "Keep On Shining" and its collaboration with Jaron MarshallInsights from recording a live album and the magic of performing for an audienceThe meaning behind her album Our Roots Run Deep and its connection to nature and communityWhat to expect at her upcoming shows at SFJAZZ's Joe Henderson Lab, including her dynamic band and the improvisational spirit of her performancesUpcoming Shows:Dominique Fils-Aimé performs at SFJAZZ's Joe Henderson Lab, September 18th & 19th, with two shows nightly at 7:00 PM and 8:30 PM.

On tonight's show: Billie Holiday and Her Orchestra, The Man I Love Erskine Hawkins & His Orchestra, Nona Buck Clayton, Buck's Bon Voyage Red Garland, Stompin' At the Savoy (feat. Paul Chambers & Art Taylor) Ahmad Jamal, Old Devil Moon Ahmad Jamal, No Greater Love (Live) Yusef Lateef, Oboe Blues Ahmad Jamal, Rhumba No 2 Gil Evans, Chant of the Weed Helen Merrill with Gil Evans, People will say we're in love The Mills Brothers, Cab Driver Chet Baker, Line for Lyons (Live) Ahmad Jamal & Yusef Lateef, I Remember Italy (Live)

En el año 2012, Chick Corea escribió 'The visitors', una obra para piano y vibráfono que estrenaron Kirill Gerstein y Gary Burton. Ahora se publica en disco la grabación de aquel estreno en el Festival de piano Gilmore. La cantante de origen ruso Masha Campagne firma el disco 'Alegre menina' con canciones como 'Bahia com H', 'Samba carioca', 'Estrada do sol' o 'Cobra criada'. Y escuchamos a la cantante estadounidense Kandace Springs recordando a Billie Holiday en 'Lady in Satin' ('I´m a fool to want you', 'But beautiful', 'The end of a love affair', 'It´s easy to remember'). Abren las guitarras de Paulo Bellinati, Swami Jr y Daniel Murray con 'Duas contas' de Garoto y cierra el piano de Denny Zeitlin con 'I didn´t know what time it was' de Rodgers y Hart'. Escuchar audio

Episode Summary:In this episode, host Steve Roby welcomes singer Stella Heath for an intimate look at the Billie Holiday Project—a heartfelt tribute to Lady Day's music and legacy. Ahead of her performances at SF Jazz, Stella shares her journey from a musically rich upbringing in Petaluma, California, to her deep dive into jazz and acting, and how these experiences shape her storytelling on stage.Key Topics & Highlights:Stella's early musical influences included Louis Armstrong, Edith Piaf, and her mother's eclectic taste.The impact of classical training and acting (including Shakespeare) on her jazz phrasing and storytelling.The origins and inspiration behind the Billie Holiday Project, focusing on Billie's emotional depth and social impact, especially through songs like “Strange Fruit.”Live performances from the Billie Holiday Project, including “No Regrets” and “I'll Be Seeing You.”Stella's approach to interpreting Billie Holiday's phrasing—balancing homage with her own voice.Insights into “back phrasing” and how Billie Holiday reshaped melodies.The band lineup for the SF Jazz shows, featuring musicians like Neil Angelo Fontano (piano), Robbie Elman (reeds), Daniel Fabricant (bass), Spike Klein (drums), Ian Sheer (guitar), and guest trumpeter Justin.What audiences can expect at the live shows: a mix of classic and lesser-known 1930s tunes, narrative arcs, and a unique setlist for each performance.Show Details:The Billie Holiday Project with the Stella Heath Sextet comes to SF Jazz's Joe Henderson Lab:Saturday, September 6th: 7:00 PM & 8:30 PMSunday, September 7th: 6:00 PM & 7:30 PMFor tickets and more information, visit sfjazz.org.Connect with Stella Heath:Website: stellaheathmusic.comListen & Subscribe:Find this episode, past conversations, and show notes (including ticket links) wherever you get your podcasts.Thanks for listening, and we'll see you at the show!

A request for an encore podcast of our conversation with the Late Honorable Representative John Lewis, Prince and Billie Holiday, moderated by Luana Anders on the flipside, and Jennifer Shaffer (.com) on this side... from the liner notes: Another mind bending session. Apologies for the wifi interruptions on audio... there's a moment in here where I ask Representative Lewis about three names - James, Andrew and Michael.  Prior to the session - I knew who they were. All freedom riders (like John) and two of them he knew well.  When he reported through Jennifer being reconnected with them... and then I asked him to show Jennifer who they were... and she correctly says on camera that they were murdered by the KKK... it doesn't get any more proof of concept than that. The "Emmett" I refer to is the one and only Emmett Till - the 14 year old boy murdered in the South whose death effected John Lewis immensely.  Apologies for becoming emotional - but sometimes this information is overwhelming.  I can only imagine what he describes to Jennifer - the standing ovation from millions of people who had been hurt, whose lives he honored with his life. Last week - we asked him to come forward but I didn't name him - this week Prince returned to introduce him to the class.  He was the one who mentions Billie Holiday and I took the opportunity to ask her some simple questions. It was John who I researched this morning when I realized that he might show up in class today. Apologies to anyone this interview might offend - but in terms of his life, and his journey, I am here to state unequivocally, I film these, I report these for the same reasons that John walked into a wall of billy clubs in order to speak the truth.  The part about Jesus is in the transcripts of both "Hacking the Afterlife" the book and "Architecture of the Afterlife."   The interviews with Dr. King, James Brown, Ray Charles and others is in "Backstage Pass to the Flipside 3."  We're just reporting.

Two gems courtesy of Edition Records, two from Tom Teasley, a heartfelt tribute to Billie Holiday, and the ambitious Pianoworks of Kris Defoort—all you need for another beautiful sonic ride. The playlist features Sultan Stevenson; Olga Amelchenko [pictured]; Tom Teasley, Dave Ballou; Charles Williams; Kandace Springs; and Kris Defoort. Detailed playlist at https://spinitron.com/RFB/pl/21010354/Mondo-Jazz [from "El Roi" onwards]. Happy listening!

John Hammond was a visionary jazz producer and talent scout who discovered or championed Billie Holiday, Count Basie, Benny Goodman, Fletcher Henderson, and Lester Young. A tireless advocate for integration, he helped break racial barriers in jazz, produced historic recordings, and brought Black artists to wider audiences through concerts and radio.Music: Count Basie: "One O'Clock Jump" (1937), Bessie Smith: "Downhearted Blues" (1923); Garland Wilson: "St. James Infirmary/ When Your Lover Has Gone" (1931); Billie Holiday: “Your Mother's Son-in-Law” (1933); Billie Holiday: "What a Little Moonlight Can Do" (1935); Benny Goodman: "After You've Gone" (1935); From Spirituals to Swing, 1938.

Got A Machine Head. In this episode, we read J.R.R. Tolkien's letter to his son, Christopher, about a question of Genesis' unfashionable status amongst Christians and those who value beautiful ‘stories.' He also discusses Eden as it was, as it is to faith, and will be on the last day, the war of the machine, its triumph, and the consequences for modern man. SHOW NOTES:  The Letters of J.R.R. Tolkien: Revised and Expanded Edition https://amzn.to/45fGOFc  Löhe Martyrology https://emmanuelpress.us/wp-content/uploads/2011/01/loehe_martyrologium.pdf The Parental dead end of consent morality https://world.hey.com/dhh/the-parental-dead-end-of-consent-morality-e4e8a8ee Large intersection with Luther v. Erasmus: https://www.bbc.co.uk/programmes/m002f9f4 Billie Holiday and Strange Fruit https://www.biography.com/musicians/billie-holiday-strange-fruit    More from 1517: Support 1517 Podcast Network: https://www.1517.org/donate-podcasts 1517 Podcasts: http://www.1517.org/podcasts 1517 on YouTube: https://www.youtube.com/@1517org 1517 Podcast Network on Apple Podcasts: https://podcasts.apple.com/us/channel/1517-podcast-network/id6442751370 1517 Events Schedule: https://www.1517.org/events 1517 Academy - Free Theological Education: https://academy.1517.org/   What's New from 1517: Sinner Saint by By Luke Kjolhaug: https://shop.1517.org/products/9781964419152-sinner-saint The Impossible Prize: A Theology of Addiction by Donavan Riley: https://shop.1517.org/products/9781962654708-the-impossible-prize Ditching the Checklist by Mark Mattes: https://shop.1517.org/products/9781962654791-ditching-the-checklist Broken Bonds: A Novel of the Reformation, Book 1 of 2 by Amy Mantravadi: https://www.amazon.com/dp/1962654753?ref_=cm_sw_r_cp_ud_dp_FCNEEK60MVNVPCEGKBD8_5&starsLeft=1    More from the hosts: Donovan Riley https://www.1517.org/contributors/donavon-riley  Christopher Gillespie https://www.1517.org/contributors/christopher-gillespie   MORE LINKS: Tin Foil Haloes https://t.me/bannedpastors Warrior Priest Gym & Podcast https://thewarriorpriestpodcast.wordpress.com   St John's Lutheran Church (Webster, MN) - FB Live Bible Study Group https://www.facebook.com/groups/356667039608511  Donavon's Substack https://donavonlriley.substack.com Gillespie's Substack https://substack.com/@christophergillespie  Gillespie's Sermons and Catechesis http://youtube.com/stjohnrandomlake  Gillespie Coffee https://gillespie.coffee   Gillespie Media https://gillespie.media     CONTACT and FOLLOW: Email mailto:BannedBooks@1517.org  Facebook https://www.facebook.com/BannedBooksPod/  Twitter https://twitter.com/bannedbooks1517   SUBSCRIBE: YouTube https://www.youtube.com/@BannedBooks Rumble https://rumble.com/c/c-1223313  Odysee https://odysee.com/@bannedbooks:5 Apple Podcasts https://podcasts.apple.com/us/podcast/banned-books/id1370993639  Spotify https://open.spotify.com/show/2ahA20sZMpBxg9vgiRVQba  Overcast https://overcast.fm/itunes1370993639/banned-books 

Songs include:  Songs include: Chattanooga Choo Choo  by Glenn Miller, Boogie Woogie Bugle Boy by the Andrews Sisters, God Bless The Child by Billie Holiday, Take the A Train by Duke Ellington and Stardust by Artie Shaw. 

Poet and Kirkus Prize winner Saeed Jones unpacks his newest collection Alive at the End of the World and why Billie Holiday had a bone to pick with Maya Angelou; writer Silvia Moreno-Garcia (Mexican Gothic) explains how her love of horror at a young age found its way into her latest book The Daughter of Doctor Moreau; and indie folk duo The Lowest Pair perform "Pear Tree" from their first record 36 Cents. Plus, host Luke Burbank and announcer Elena Passarello discuss our strange childhood obsessions.