Podcasts about Strange Fruit

Episode 189: One Of The Main Musical Topics Of The 60s: Protest! May 6, 2025 One nonviolent way to show one's displeasure/disgust/disagreement is to protest. In a letter to the editor, written in a blog, by contacting your lawmakers, taking it to the streets and there are many other ways. Pete Seeger was known for his songs protesting mistreatment of workers and war itself, and over time there has been a great abundance of songs and actions of protest. Marvin Gaye, CCR, Nina Simone, Dylan, Lennon and many others wrote and performed their protest songs from What's Goin' on?, Blowin' in the Wind to Fortunate Son, Give Peace a chance and Strange Fruit. In the future you'll hear an episode of Tales Vinyl Tells dedicated to protest songs. Please send your ideas to me at TalesVinylTells@gmail.com and yours may well be included. And when you email me, please be sure to let me know who and where you are. I mention protest songs because we kick off with a real kicker from Quicksilver Messenger Service and include Petty, Joni, Cheech, Chong, Nick and more. Thanks for listening. I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners is very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a patron yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, Player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Un artiste à l'accent italien, qui vit en suisse allemande et fait de la BD Franco-Belge : un pur exemple du melting-pot helvétique. Enrico Marini est un artiste emblématique du paysage suisse de la bande dessinée ! Reconnu pour l'esthétisme de ses dessins et la sensualité donnée à ses personnages Enrico Marini a travaillé avec des grands noms du scénario comme Dufaux ou Desberg. Puis il a lancé sa série, son bébé, « Les Aigles de Rome », projet qui réunit tout ce qui Marini aime dessiner : des femmes, des esthètes, des combats, de l'érotisme et bien sûr la ville de Rome.   Et notre sélection BD du mois avec la chronique des albums :« Strange Fruit » de Vincent Hazard et Daniel Alexandre aux éditions Dupuis dans la collection AirLibre« Voie de garage » De Sophie Adriansen et Arnaud Nebbache aux éditions Dargaud« Le voyageur » de Koren Shadmi aux éditions MarabullesHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Queen Kwong podría haber elegido cualquier otro camino para triunfar con su música pero decidió colgarse una guitarra y empezar a crear canciones desde las entrañas. Hoy repasamos su carrera. Suenan: 01. Baby Did a Bad Bad Thing 02. Like a Swan 03. The Strange Fruit ft. Wes Borland 04. Live Rennes, France (2015) 05. Old Faithful 06. I Know Who You Are 07. State Trooper + info - https://linktr.ee/b90podcast Espacio patrocinado por: Rosa Rivas - estebansantosjuanesbosch - Achtungivoox - jvcliment - Jaume Solivelles - Dreifor- Javier Alcalde - jmgomez - Jorge - Chisco Fernández Sainz - Ana Isabel Miguélez Domínguez - Pablo Carrasco Santos - Iñigo Albizu - Rachael - utxi73 - Jorge Sánchez - Naïa - Dani GO - kharhan - garageinc78 - Juan Carlos Acero Linares - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - boldano - Eduardo Mayordomo Muñoz - Barrax de Pump - PDR - Fernando - QUIROGEA - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - Alvaro Gomez Marin - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - David Reig - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Bassman Mugre - SrLara - Próxima Estación Okinawa - Barullo - Francisco Javier Indignado Hin - Unai Elordui - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Raul Sánchez - Nuria Sonabé - Pere Pasqual - Juanmi - JulMorGon - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas.

Watch/Listen to this and all episodes ad free by joining the ITBR Patreon and get a free trial for the ITBR Professor level!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ patreon.com/ivorytowerboilerroom⁠⁠ ⁠⁠Presenting the first ever Gay and Lesbian Review magazine podcast discussion! Dr. Andrew Rimby, host of the Ivory Tower Boiler Room, interviews Jan/Feb contributing writers to the "Strange Fruit" magazine issue. Listen to William Benemann talk about Mark Twain engaging in bottom shaming...oh yeah definitely a NSFW topic, Margaret Vandenburg exploring the "pansy craze" of the 1920s, and Laurence Senelick discussing a few of his favorite issues he's written for the magazine.To subscribe to The Gay and Lesbian Review visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠glreview.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Click Subscribe and enter promo code Choice to get a free issue with a subscription purchase. Follow them on IG,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theglreview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow ITBR on IG,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Sponsors:Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠broadviewpress.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠order. Follow them on IG,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@broadviewpress⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow That Ol' Gay Classic Cinema on IG,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thatolgayclassiccinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks to the ITBR team! Dr. Andrew Rimby (Host and Director), Mary DiPipi (Chief Contributor), and Christian Garcia (Editor)

Send us a textWhat can we learn from the bond between humans and dogs? Discover how the loving relationships we share with our pets can teach us about unity, cooperation, and understanding in our own communities. Join us as Rauel and Antowan lead a conversation on transcending unnecessary conflicts and tensions, focusing on the power of love and mutual support to achieve remarkable success. With Black History Month as a backdrop, we reflect on the pivotal lessons history imparts and how such insights can help us build a more harmonious future.Unpacking the complexities of racial dynamics and job market inequalities, we challenge the myth that diversity initiatives result in job losses for white individuals. Our discussion underscores the crucial role of Black Americans throughout history, celebrating their contributions and recognizing the ongoing struggle against historical suppression. The painful legacy of slavery and its persistent impact on society is highlighted, along with the importance of education and awareness to foster a just and equitable world.Reflecting on the harrowing story of Emmett Till, we confront the enduring issues of racism and historical injustices. Through examining events like the Emmett Till case and cultural pieces such as Billie Holiday's "Strange Fruit," we delve into the roots of systemic racism and the need for society to acknowledge and learn from past atrocities. As we celebrate Black History Month, we urge listeners to engage in meaningful dialogue that honors the resilience and achievements of Black individuals, and to commit to creating a better future through understanding and empathy.Thanks for listening. Please check out our website at www.forsauk.com to hear great conversations on topics that need to be talked about. In these times of intense polarization we all need to find time to expand our Frame of Reference.

Jazz singer Billie Holiday discovered “Strange Fruit,” Abel Meropol's protest song against lynching In 1939. It became her closing number at all of her performances at Café Society and the best selling record of her career. Find out more in the ‘Rhapsody in Black' podcast.

(00:53) 'Blowin' in the wind' van Bob Dylan, ‘Strange Fruit' van Billie Holiday en ‘Changes' van Tupac staan in de lijst van de beste protestsongs aller tijden van Rolling Stone. Maar wat is een goed protestlied? En heeft het protestlied een toekomst? We bespreken het met protestsong-kenner Laurens Ham. (18:52) Jacob Olie, timmerman en pionier op het gebied van fotografie, legde van 1860 tot 1905 de snel groeiende stad Amsterdam vast. Programmamaker Joan Veldkamp trekt er met Jacob Olie-kenners Anneke van Veen en Hans Aarsman op uit om de wereld van haar betovergrootvader te schetsen.  Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/16-02-2026.html#  (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/16-02-2026.html)

‘Blowing in the wind' van Bob Dylan, ‘Strange Fruit' van Billie Holiday en ‘Changes' van Tupac. Het is een greep uit de lijst van beste protestsongs aller tijden. Althans dat vindt het Amerikaanse tijdschrift Rolling Stone, dat de lijst recentelijk heeft gepubliceerd. Het laat in ieder geval zien dat protestsongs in verschillende tijden en genres zijn gemaakt. Maar wat zegt deze lijst over de ontwikkeling van de protestsong en waaruit bestaat een goede protestsong? We bespreken dit met letterkundige aan de Universiteit Utrecht Laurens Ham, schrijver van het boek Op de vuist. Vijftig jaar politiek en protestliedjes in Nederland.

Mattias, Cretan, Joel och Andreas i råpunkbandet Slan slog sig ner i ett rum utan fönster på Lindholmen för att snacka om storyn bakom bandet, Krigshot, No Security, Totalitär, Excrement Of War, Discharge och ultramangel. Vidare till Shitlickers, husockupationer, snabb efterräka, Luke Perry, Strul, mopeder, Gbg Punx, Bränd, punk, text och musik, Trucken, Earth Crust Displacement, Alphaville och Strange Fruit.

A couple of weeks ago, I could not have predicted that I would come upon another way of crafting a Southern Songs and Stories podcast in this fashion. Regular or even casual listeners will be familiar with the go-to format of documentary style profiles of and interviews with music artists in this series; those of you who listen a lot will probably be familiar with some of the less traveled paths we have taken here as well, which include a remembrance for a friend and colleague who passed away unexpectedly, a survey of how western NC folks in the music business were coping in the immediate aftermath of Hurricane Helene, as well as an old school, comedic Christmas radio drama, among others. Add to that list this episode, which is a live podcast, at least for part of it. And we are talking about a subject that is incredibly deep and wide, a subject which could easily fill a year's worth of episodes. It is a subject that I will revisit again in more depth in coming months — perhaps not here, but at least in person. More on that in the podcast itself, which I hope you enjoy hearing as much as I did in making it. Album art for the compilation Gastonia Gallop on Old Hat Records Here, we excerpt two parts of a presentation I gave at Queens University in Charlotte as part of their Senior Scholars series on January 17th, 2025. This episode adds to that original talk with additional commentary, music, and new avenues of exploration for the topic, which is essentially the impact from music born of social movements, especially as it relates to radio. At Queens, I gave an overview of 13 songs associated with four social movements: Labor, Civil Rights, Feminism and Environmentalism. Here, we focus on the portions of my talk on Labor and Civil Rights, with example songs ranging from hillbilly music from a 1930s cotton mill man (“Cotton Mill Colic”) to the most controversial and simultaneously most successful song in Billie Holiday's career (“Strange Fruit”), and more. Host Joe Kendrick on stage during his presentation to the Queens University Senior Scholars series 1/17/25. Photo: Daniel Coston Songs heard in this episode:“Gastonia Gallop” by David McCarn, from Gastonia Gallop: Cotton Mill Songs and Hillbilly Blues“Which Side Are You On?” by Pete Seeger, from If I Had A Hammer, excerpt“Which Side Are You On?” by Ani Difranco, from Which Side Are You On?, excerpt“Cotton Mill Colic” by David McCarn, from Gastonia Gallop, excerpt“Cotton Mill Colic” by Mike Seeger, from Classic Labor Songs, excerpt“Strange Fruit” by Billie Holiday, excerpt“Blowin' In the Wind” by Bob Dylan, from The Freewheelin' Bob Dylan, excerpt“Blowin' In the Wind” by Tangled Up In Bluegrass, from A Tribute To Bob DylanThanks for joining us! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, and Spotify here — hundreds more episodes await, filled with artists you may know and love already, or musicians and bands that are ready to become your next favorites. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone on staff at Albino Skunk for their help in making this episode possible. Thanks also to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs — you can link to his music here. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Melinda Meador is an attorney with a passion for history. The Gleason, Tennessee native has served as felony prosecutor for the Obion County office of the 27th Judicial District Attorney; as a judicial clerk, assistant district attorney and criminal defense lawyer on the Texas Court of Appeals; and in several leadership positions at the FDIC's headquarters Washington D.C. Today she is in private practice with the firm of Lowe, Yeager & Brown PLLC. Meador's family was among the original settlers of Weakley County, and she lives on a farm that has been in her family for 195 years. In this episode, Meador provides details from “Strange Fruit: The Forgotten Lynchings of Northwest Tennessee and Southwestern Kentucky, 1869-1931,” the thesis for her 2021 master's in American history from Murray State University. This episode is sponsored by Jerry Ward Autoplex.

Your words were found and I ate them

The Katherine Massey Book Club @ The C.O.W.S. hosts the second study session on the late Dr. Maya Angelou's The Heart of A Woman. This is a rare "double dip" for the book club, as we read I Know Why The Caged Bird Sings in the summer of 2014 just after the transition of the famed author and Wake Forest scholar. Ironically, when The C.O.W.S. last read Dr. Angelou, she was frolicking as a young lady in San Francisco. Gus T. was inundated with the life and literary work of Dr. Angelou during his recent Golden State sojourn. And it took Gus seeing the documentary film Soundtrack to a Coup d'État three times to accurately write down the title Heart of a Woman. The extraordinary film on the assassination of Patrice Lumumba is "receipt-heavy," and Andrée Blouin and Dr. Angelou's respective memoirs are just two of the many books in the project. Last week, we heard Dr. Angelou use a myriad of confusing metaphors to describe the System of White Supremacy in 1957. She minimized the abuse tennis champion Althea Gibson experienced and elided US Senator J. Strom Thurmond raping a black child in South Carolina while filibustering against niggras. The young Dr. Angelou fried chicken for and entertained Billie "Lady Day" Holiday and sat while the jazz legend sang "Strange Fruit" to her 9-year-old son, Guy. It was a traumatizing event for the little guy. Then the Race Soldier White teachers went to work on him. #SoundtrackToACoupdÉtat #TheCOWS16Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#

This Day in Legal History: First Year with No LynchingsOn December 30, 1952, the Tuskegee Institute released a landmark report marking the first recorded year without a lynching of African Americans in the United States since the institute began keeping records in 1881. The grim practice of lynching—extrajudicial killings often carried out by mobs to enforce racial subjugation—had claimed thousands of lives, becoming a chilling emblem of racial terror, particularly in the Southern United States. Tuskegee's data captured the scope of this violence, documenting nearly 4,000 lynchings of Black individuals over the prior seven decades.The significance of 1952 as a year without reported lynchings underscored the impact of growing civil rights activism, the waning influence of vigilante groups, and increasing legal accountability. This milestone also reflected shifts in public attitudes and the effectiveness of organizations like the NAACP, which tirelessly campaigned against lynching and for federal anti-lynching legislation. Despite this progress, racial violence and discrimination persisted in other forms, underscoring that the end of lynching did not mean the end of systemic racism."Strange Fruit," a haunting protest song famously recorded by Billie Holiday in 1939, had kept the horrors of lynching at the forefront of public consciousness. Its stark imagery of "black bodies swinging in the Southern breeze" served as a chilling reminder of the atrocities endured by Black Americans. While the 1952 milestone was a cause for solemn reflection, it was also a call to sustain the fight for racial justice and equality in a nation still grappling with deep-seated prejudices.Rupert Murdoch and other senior leaders of Fox Corporation will face claims from investors alleging personal responsibility for financial harm stemming from false election conspiracy theories aired by Fox News. Delaware Chancery Court's Vice Chancellor J. Travis Laster denied Fox's motion to dismiss the lawsuit, stating that the plaintiffs had sufficiently argued that Murdoch could likely be held liable for knowingly permitting defamatory content to be broadcast. The lawsuit follows Fox's record-breaking settlement with Dominion Voting Systems and comes as Smartmatic pursues a separate $2 billion defamation suit. The investors claim that the leadership's actions and decisions led to significant economic fallout, asserting that corporate governance failures allowed reputational and financial damage to occur. While the court's decision enables the case to proceed, it does not guarantee success for the plaintiffs, leaving the ultimate outcome of the claims to trial.Fox, Murdoch, Execs Must Face Election Defamation Payout SuitA federal appeals court upheld a $5 million verdict against Donald Trump in a case brought by E. Jean Carroll, a former magazine columnist, who accused him of sexual assault and defamation. The decision, issued by a three-judge panel of the 2nd U.S. Circuit Court of Appeals, stems from a 2023 jury verdict that found Trump liable for sexually abusing Carroll in the 1990s and defaming her in a 2022 Truth Social post. While jurors did not find Trump guilty of rape, they awarded Carroll $2.02 million for sexual assault and $2.98 million for defamation.Carroll has also secured an $83.3 million defamation verdict from a separate jury in January 2024, which Trump is appealing. These legal battles persist despite Trump's return to the presidency following his 2024 election victory. Trump's defense argued that the trial judge improperly allowed testimony from two other women alleging past misconduct and included the infamous "Access Hollywood" tape as evidence. Both trials were overseen by U.S. District Judge Lewis Kaplan. This case continues to highlight the lack of immunity for sitting presidents in civil litigation unrelated to their official duties, following a precedent set during Bill Clinton's presidency.Trump loses appeal of E. Jean Carroll $5 million defamation verdict | ReutersThe oil and gas industry is facing increasing legal and legislative pressure over its role in climate change. States like New York and Vermont have enacted “climate Superfund” laws, with New York's targeting $75 billion from major polluters over 25 years to fund climate mitigation efforts. Meanwhile, multiple states and cities have filed lawsuits alleging misinformation campaigns by fossil fuel companies about climate change and plastic pollution. These efforts, while separate, are creating a coordinated front against the industry and building evidence to attribute emissions to specific companies.Experts suggest that legislative efforts like climate Superfund laws and lawsuits may bolster each other by generating an evidentiary record for liability. However, there are concerns about overstepping legal boundaries, as courts may reject overlapping claims for damages under federal laws like the Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA). Fossil fuel companies argue that climate-specific laws conflict with existing federal laws such as the Clean Air Act and may face challenges in implementation.The American Petroleum Institute and energy companies have expressed resistance to these legal actions, with a preference for fighting rather than settling claims. While states hope to hold polluters accountable, the success of these strategies remains uncertain as courts, lawmakers, and the industry test the boundaries of new legal frameworks.Climate Liability Laws, Litigation Add to Oil Industry HeadacheThe legal industry is set for another wave of consolidation in 2025, with several major law firm mergers scheduled for January 1. Among these, Troutman Pepper Hamilton Sanders will merge with Locke Lord to create Troutman Pepper Locke, a firm with 1,600 attorneys and projected annual revenues exceeding $1.5 billion. Similarly, Womble Bond Dickinson is merging with Lewis Roca Rothgerber Christie, combining to form a 1,300-lawyer firm with $742 million in revenues. Taft Stettinius & Hollister is joining with Sherman & Howard, projecting revenues of $810 million for the merged entity.Philadelphia-based Ballard Spahr will combine with Lane Powell, forming a 750-lawyer firm operating in 18 U.S. offices. These moves follow 41 law firm mergers in the first nine months of 2024, with industry analysts predicting continued activity next year. Firms are responding to client demand for broader services and geographic reach, as businesses increasingly consolidate their legal needs with fewer providers. Smaller and midsize firms are pursuing mergers to access new markets and clients, while the most profitable firms focus on lateral hires and internal growth. Rising costs, including attorney salaries and investment in generative AI technologies, are also pressuring firms to consolidate. Transatlantic mergers are gaining momentum as well, with U.K.-based firms like Allen & Overy and Herbert Smith Freehills expanding into the U.S. market through deals with Shearman & Sterling and Kramer Levin Naftalis & Frankel, respectively. These global mergers highlight the evolving competitive landscape in the legal sector.Law firms' quest for market share drives New Year's merger wave | Reuters This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

The 4 last Sundays of the Curch year, before Advent begins, are difficult texts to deal with. They talk about the Lord God's return to the final judgment in which those who believe in Him will go to eternal life with Him, but those who do not will face their judgment. To that end, Jesus tells the parable of the Fig Tree, providing one last chance for eh Jewish unbelievers to faith in Him and live. Today we discuss "barren fruit".

  In this show, Meg and Caroline discuss the history of companion animals and pethood and the ethical dilemmas this can raise.   Music we played:       Strange Fruit by Billie Holliday       This is America by Childish Gambino       Gibson Girl by Ethel Cain       We also highlighted the work of  Melbourne Activist Legal Support (MALS). MALS is an all-volunteer organisation that provides training for protest movements, information & resources on the rights to protest in Victoria, and fields Legal Observer Teams that monitor and report on the policing of protest events. MALS train organisers and activist groups in legal support approaches and strategies, and can help coordinate activist legal support with supportive law firms and community legal centres.   MALS legal observers are always on the frontline of Victoria's diverse and powerful social movements and have a current fundraising campaign that will allow them to produce more training and resoures to #FundtheFrontline  Please donate if you can at linktr.ee/melbactivistlegal or mals.au/donate  

Join me for this inspiring conversation with Deborah Jane Burke, a dynamic Hollywood Film & TV writer and producer.  Fun fact:  as a student at Stanford, Deborah wrote and produced a Hip Hopera that starred Issa Rae as a student!  Since then, she has worked with networks including FOX, TBS, BET, PBS and so much more. Deborah's latest project is a bit strange shall we say...stranger than fiction but inspired by real life! Deborah takes us on an audio journey with her current project --the award-winning independent film Strange Fruit: The Hip-hopera. Find out how a recurring nightmare turned into an artistic venture and tells a tale of contemporary and historic truth that we can all learn from.  It's not just a film; it's a modern approach to storytelling in which we tell our own stories to ignite critical conversations about the construct of race in our country, all while doing so to the musical beats and lyrics of hip hop.  Broadway here we come! A child of Guyanese immigrants who were one of the only Black families in suburban Orange County, Cali; Ya'll the neighbors couldn't handle it and moved! Their loss, and our gain, for the breathtaking resilience and brilliance that is Deborah Jane Burke of House of Deborah Jane Studios.  Check out her film and how you can support her work on the Big Screen. https://www.strangefruithiphopera.com/ https://www.gofundme.com/f/strange-fruit-the-hiphopera-short-film? Follow her creativity at @strangefruit_hiphopera⁠! #film #television #blackexcellence #blackwomen #blackhollywood #blackwomeninfilm #richblackwoman #blackpodcasters #hiphop

Today, The Talking Normies talk with fillmmaker Deborah Jane Burke and her journey with her film Strange Fruit! Later on in the pod, we discuss the movie club movie Spy!! Thanks for listening! AFFILIATE LINKS: Custom Jerseys From DIYOJ: https://www.diyoj.com 10% off Coupon Code: THENORMIES SKILLSHARE: https://join.skillshare.com/aff30dtp/?coupon=annual30aff | Get 30% off. Promo Code: AFF30dtp23 or ANNUAL30AFF PAMPLING: Pampling.com | Use the code “TheNormies” to get free pair of socks. ARTS OF TEA: Artoftea.com | Use the code NORMIES for 25% off until 12/31/2022 TOKYOTREAT: https://tokyotreat.com/?rfsn=804043.c1ed8 | Use the code “THENORMIES” for $5 off

BWH YOUTUBE: www.youtube.com/@bwh_pod This week we are joined by Deborah Jane Burke, a dynamic filmmaker, writer, and producer. She has a vibrant Hollywood career having worked with networks including FOX, TBS, BET, and PBS. We discussed how the trauma of learning the history of Black people in America shapes us as Black women and we absolutely loved this episode and couldn't get enough of her, so yall know this was a good one. You gotta go listen

Episode 14 of Fragile Juggernaut is the first of our trio of regional episodes. It dials into New York City, the seat of the country's largest manufacturing base, but one composed of a vast constellation of small and diverse shops; and also host to the nation's largest port, transport system, white collar and cultural complex, and more. With the eminent historian Joshua Freeman, Gabe and Ben talk about worker organizing outside the CIO cast–public transit workers, teachers, laundry workers and domestics–as well as what made New York City, a non-fordist city in the age of Ford, so exemplary compared to other parts of the country. The episode features James Baldwin and Truman Capote; Irish dance halls and cruising on the piers; burial societies, Tammany Hall, and clandestine organizations; the origins of bodegas and how the mob got rackets into organized labor; the trade union origins of “Strange Fruit”; Ella Baker and Esther Cooper Jackson; the IRA and Broadway musicals; how transit workers built their union campaigning against big squeegees; the hybrid combinations of craft and industrial unionism; and the limits to workplace organization in a city defined by tremendous ethnic, religious, and neighborhood segmentation. Featured music: “I Ain't Got Nobody” by Count Basie; “It's Better With A Union Man” by Pins and Needles Orchestra; “Strange Fruit” by Billie Holiday; “The Boys of the Lough” by Michael Coleman; “Talking Sailor” by Woody Guthrie; “One Big Union for Two” by the Pins and Needles Orchestra; “New York Town” by Woody Guthrie.Archival audio credits: Esther Cooper Jackson discusses domestic work research; Mike Quill debates Rep. Fred Hartley on ABC news; longshoreman and sailor Stan Weir describes conservatizing effects of the racket on the docks. Fragile Juggernaut is a Haymarket Originals podcast exploring the history, politics, and strategic lessons of the Congress of Industrial Organizations and the rank and file insurgency that produced it. Support Fragile Juggernaut on Patreon and receive our exclusive bimonthly newsletter, full of additional insights, reading recommendations, and archival materials we've amassed along the way. Buy Organized Labor and the Black Worker, 20% Off: https://www.haymarketbooks.org/books/991-organized-labor-and-the-black-worker-1619-1981

The Tallking Normies Podcast is here!!! We mostly talk about scary movies and our hopes and dreams!!! Very relatable, we know. Our movie for this week is the short film Strange Fruit by Deborah Jane Burke! Thanks for listening! AFFILIATE LINKS: Custom Jerseys From DIYOJ: https://www.diyoj.com 10% off Coupon Code: THENORMIES SKILLSHARE: https://join.skillshare.com/aff30dtp/?coupon=annual30aff | Get 30% off. Promo Code: AFF30dtp23 or ANNUAL30AFF PAMPLING: Pampling.com | Use the code “TheNormies” to get free pair of socks. ARTS OF TEA: Artoftea.com | Use the code NORMIES for 25% off until 12/31/2022 TOKYOTREAT: https://tokyotreat.com/?rfsn=804043.c1ed8 | Use the code “THENORMIES” for $5 off

On today's episode of the Music Minute, I make a case that Billie Holiday's song "Strange Fruit" is the most haunting song of all time. Here are the lyrics: Southern trees bear a strange fruit Blood on the leaves and blood at the root Black bodies swinging in the Southern breeze Strange fruit hanging from the poplar trees Pastoral scene of the gallant south The bulging eyes and the twisted mouth Scent of magnolias, sweet and fresh Then the sudden smell of burning flesh Here is a fruit for the crows to pluck For the rain to gather, for the wind to suck For the sun to rot, for the tree to drop Here is a strange and bitter crop If you prefer to watch the episode instead of listen to it, you can do so on Youtube at: ⁠https://youtu.be/IyrX4i-wS2U If you've enjoyed today's episode, please take a moment to subscribe, like, comment and share. You can find all my social media links to connect with me at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/joelmartinmastery⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Your friend and ally, Joel Martin We've Got Time by LiQWYD | https://www.instagram.com/liqwyd Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday's short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday's early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician's life, and the mytho-poetic nature of Holiday's iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deborah Jane Burke is a dynamic filmmaker, writer, hip-hop recording artist, and producer. As the daughter of Guyanese immigrants who grew up as one of the only Black families in a predominantly white Orange County suburb, Deborah Jane found refuge in writing and hip-hop, igniting her passion for social justice and storytelling through music. Her journey led her to Stanford University, where she penned an award-winning hip-hop musical inspired by a childhood nightmare of being trapped in slavery. The play was later developed into a short film and is now in the process of becoming a feature-length film about racial reconciliation called, Strange Fruit: The Hip-hopera.Deborah Jane enjoys a successful Hollywood career, and has contributed to major networks such as FOX, TBS, BET, and PBS. Independently, she founded the House of Deborah Jane Studios with a mission to disrupt the status quo, amplify multi-cultural voices, and affect spiritual and social change through dynamic TV, film, theater, and music, with a particular emphasis on musicals. She is a proud alumna of the University of Southern California School of Cinematic Arts where she holds her MFA in screenwriting. https://www.strangefruithiphopera.com/Support the film:https://gofund.me/60c60606Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Listen to Deborah Jane Burke share her love for film and passion for art! Deborah is a dynamic filmmaker, writer, hip hop recording artist, and producer. Deborah is a graduate of Stanford University, where she penned an award winning hip hop musical inspired by her childhood nightmare of being trapped in slavery. Tune in now to learn more about Deborah Jane Burke! Hosted By: Josh Baker Guest(s): Deborah Jane Burke You can follow Deborah Jane Burke on Instagram, YouTube, or Facebook! You can also stay updated with the Strange Fruit at https://www.strangefruithiphopera.com/home Follow the Intelligent Conversations on Social Media to stay updated! Instagram Twitter LinkedIn TikTok Facebook Subscribe to Intelligent Conversations on Your Favorite Place to Listen! YouTube Apple Podcasts Spotify Audible Amazon Music

Conmemoramos el Día de África con "Voces Negras: Una Historia Oral de las Músicas Populares Africanas" de Tania Safura Adam. Folon             Salif Keita       FolonTodè               Blick Bassy   TodèYamore                      Salif Keita, Cesária Evora      MoffouYafa               Sophie Lukacs, Habib Koité  YafaMo Yaro                    Lass     Mo YaroBim Bam       Senny Cámara    African Acoustic by PutumayoKaninba                     Kassé-Mady Diabaté Manden Djeli KanSoukora           Oumou Sangaré con Baba Sissoko and friends  Strange FruitDjun-djun Bato                     World Kora Trio        KorazonMamiwata  Seydu  SadakaKanimba                    Trio Da Kali, Kronos Quartet            LadilikanEscuchar audio

"Perfection is static, and I am in full progress" - Anais NinWelcome to Episode #95:Today I go on a whimsical journey through my process! Reading and working on my book. The book is done!  Yet, I am most keen to record an audiobook first - so here I go. It's a journey of ruminating over recent books I have read and what is happening IRL and certainly what is on my mind! There are quotes and beautiful moments to capture along the way, nothing is lost and life is good. Enjoy xoFind all Shownotes at  michellejohnston.lifeIf interested in the list of beautiful books I have explored on Italy - Here is the List( 90% I have read, the rest are on the shelf! )P.s - Never under estimate a good bookshelf, nor the potential of it. I liken it, to planting bulbs at the end of summer - something to look forward to down the track when spring finally arrives!© 2024  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2024Support the Show.

Episode 61 - This week I speak to the crew from the short film Strange Fruit, which portrays domestic violence. Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only.  The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees.  We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.

Author : Phyllis Bottome Narrator : Simon Meddings Host : Alasdair Stuart Audio Producer : Chelsea Davis “Henry” was originally published in the collection Strange Fruit in 1928 Henry by Phyllis Bottome For four hours every morning and for twenty minutes before a large audience at night Fletcher was locked up with murder. It glared […]

Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each. The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday's song and performances of Strange Fruit, and the NAACP's campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each. The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday's song and performances of Strange Fruit, and the NAACP's campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each. The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday's song and performances of Strange Fruit, and the NAACP's campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each. The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday's song and performances of Strange Fruit, and the NAACP's campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination.

Singers include: Judy Garland, Billie Holiday, Louise Tobin, Vera Lynn, Ella Fitzgerald, Helen Forest, the Andrews Sisters, Carmen Miranda, and Kate Smith.  Songs include: We'll Meet Again, Somewhere Over the Rainbow, Beer Barrel Polka, Undecided, What's New, Strange Fruit and God Bless America.

durée : 00:54:05 - Autant en emporte l'Histoire - par : Stéphanie Duncan - New York, un soir de mars 1939, dans le quartier de Greenwich Village, une foule bohème se presse au sous-sol du Café Society, un nouveau club de jazz une bulle de liberté dans l'Amérique ségrégationniste de Roosevelt. Ce soir, ils sont venus écouter la star du jazz new-yorkais : Billie Holiday... - invités : Sarah Fila-Bakabadio - Sarah Fila-Bakabadio : Historienne en études américaines et afro-américaines, maîtresse de conférences à CY Cergy Paris Université - réalisé par : Audrey RIPOULL

We are back with a brand new episode celebrating Black History as well as the gifted Black Artist Onzie Deandre Norman. Onzie is a local Detroit artist that is doing phenomenal things on some of the biggest stages in the world. In this week's episode we talk with this amazing African American Artist about an incredible opportunity that he recently had with international fashion brand Gucci. Onzie was awarded an opportunity to design a mural for this international clothing brand. Onzie talks about his exciting experience with Gucci designing the mural and the festivities that followed including an Exclusive Champagne Toast. In addition to talking about about this incredible opportunity, he also talks about how his artwork is influenced by our African American Culture. This is definitely and interview you don't want to miss! PLUS, we have got a profound and thought-provoking Thought of the Week for Black History Month entitled, "Strange Fruit" that was inspired by the famous poem by Abel Meeropol and the song sung by the incomparable African American Songstress Billie Holiday. This message talks about the cruel and heinous account of the slave trade and the treatment of African Americans as mere property or "hanging fruit" from trees in the South. And, we make an interesting comparison to the life of the Child of God, as the Apostle Peter characterizes them in the book that bears his name in I Peter 2:9. This is a profound message on so many levels and we share an excerpt of this powerful sermon during this week's Black History Spotlight. As we celebrate Black History Month is this week's episode let us never forget the many Black Men & Women of our ancestry of whose shoulders we stand on today. We salute our heritage and our history and we hope you will join us in this week's celebration! --- Send in a voice message: https://podcasters.spotify.com/pod/show/michael-s-nimmons/message Support this podcast: https://podcasters.spotify.com/pod/show/michael-s-nimmons/support

A white police captain, his white wife, and their two adopted Black teen children try to keep their family from being torn apart as their town and the nation become engulfed in protests in the immediate aftermath of the murder of George Floyd.Open-Door Playhouse continues to present plays in podcast form. Whitesville is a full-length, three-act play. Each act will be presented in a separate podcastepisode online. Act One will debut on February 13, 2024, Act Two on February 14, and Act Three on February 15 at  http://opendoorplayhouse.org All three acts will continue to be available on the website.LISTEN to Whitesvillehttps://www.opendoorplayhouse.org/opendoortheaterplays/whitesville2We are honoring the month of Black History with 3 powerful plays - one about the Flint Michigan water disaster (Un)Drinkable, Feb. 7th, one about the murder of George Floyd, Whitesville, presented in 3 parts, Feb. 13th, 14th, and 15th and Beethoven and Misfortune Cookies, February 28th-  one about a professor who lost his position at the University of Arkansas - or is it Alabama?) after a white female student complained about his 'photo presentation' as he explained the meaning of Strange Fruit, sung by Billie Holiday.....Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Support the showSupport the show

A white police captain, his white wife, and their two adopted Black teen children try to keep their family from being torn apart as their town and the nation become engulfed in protests in the immediate aftermath of the murder of George Floyd.Open-Door Playhouse continues to present plays in podcast form. Whitesville is a full-length, three-act play. Each act will be presented in a separate podcastepisode online. Act One will debut on February 13, 2024, Act Two on February 14, and Act Three on February 15 at  http://opendoorplayhouse.org All three acts will continue to be available on the website.LISTEN to Whitesvillehttps://www.opendoorplayhouse.org/opendoortheaterplays/whitesville2We are honoring the month of Black History with 3 powerful plays - one about the Flint Michigan water disaster (Un)Drinkable, Feb. 7th, one about the murder of George Floyd, Whitesville, presented in 3 parts, Feb. 13th, 14th, and 15th and Beethoven and Misfortune Cookies, February 28th-  one about a professor who lost his position at the University of Arkansas - or is it Alabama?) after a white female student complained about his 'photo presentation' as he explained the meaning of Strange Fruit, sung by Billie Holiday.....Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Support the show

A white police captain, his white wife, and their two adopted Black teen children try to keep their family from being torn apart as their town and the nation become engulfed in protests in the immediate aftermath of the murder of George Floyd.Open-Door Playhouse continues to present plays in podcast form. Whitesville is a full-length, three-act play. Each act will be presented in a separate podcast episode online. Act One will debut on February 13, 2024, Act Two on February 14, and Act Three on February 15 at  http://opendoorplayhouse.org All three acts will continue to be available on the website.We are honoring the month of Black History with 3 powerful plays - one about the Flint Michigan water disaster (Un)Drinkable, Feb. 7th, one about the murder of George Floyd, Whitesville, presented in 3 parts, Feb. 13th, 14th, and 15th and Beethoven and Misfortune Cookies, February 28th-  one about a professor who lost his position at the University of Arkansas - or is it Alabama?) after a white female student complained about his 'photo presentation' as he explained the meaning of Strange Fruit, sung by Billie Holiday.....Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Support the show

Three visitors arrive in the isolated American town of Ebon Eaves, two eager to claim their inheritance and another seeking a spiritual project to distract him from the trauma of his past, but little do they know that the tree blocking the way into town is the least of their troubles... - Music from https://freepd.com/horror.php - Tremulus available from https://www.drivethrurpg.com/product/120260/tremulus #reddicediaries #rddrpg #tremulus #ttrpg #actualplay #cthulhu #pbta This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit reddicediaries.substack.com

Part one available here.Three visitors to the isolated, rotting corpse-town of Ebon Eaves find themselves trapped in a church, forced to fight for their leaves against both the dead and a horrible blasphemous form of life.- Music from https://freepd.com/horror.php- Tremulus available from https://www.drivethrurpg.com/product/120260/tremulus#reddicediaries #rddrpg #tremulus #ttrpg #actualplay #cthulhu #pbta This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit reddicediaries.substack.com

Welcome back to another episode of Bad Dads Film Review, where today we're dialling the time machine back to the late '90s for a dose of rock-n-roll nostalgia with Still Crazy.Still Crazy, a 1998 British comedy-drama directed by Brian Gibson, takes us on a hilarious and heart-warming journey with a fictional '70s rock band, Strange Fruit, as they attempt a comeback after a tumultuous split two decades earlier. It's a story about second chances, the bonds of friendship, and the enduring power of music.The film opens with the band members leading their separate, somewhat lacklustre lives. When they decide to reunite, we're treated to a rollercoaster of old rivalries, forgotten romances, and the challenges of reliving past glories. "Still Crazy" is not just about the music; it's about the personal struggles and triumphs of each band member as they navigate this new chapter.Still Crazy balances humour with poignant moments. The film is a nostalgic trip with a soundtrack that captures the essence of the '70s rock scene. It's a warm-hearted look at aging rockers who aren't ready to hang up their guitars just yet.While it may not have stormed the box offices, Still Crazy has garnered a cult following over the years, praised for its witty script, dynamic performances, and a soundtrack that's a character in its own right.As dads, there's something relatable about revisiting past passions and the idea of 'getting the band back together.' We'll discuss the film's themes of reconciliation, the passage of time, and the joy of reigniting old dreams. Plus, it might just inspire us to share stories of our own 'glory days.'So, whether you're a fan of classic rock, love a good comeback story, or just enjoy a film with heart and humor, Still Crazy is a must-watch. We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

In the third episode of our Global Policing series, Elizabeth and John spoke back in 2020 with anthropologist Laurence Ralph about The Torture Letters: Reckoning with Police Violence (U Chicago Press, 2020). The book relates the decades-long history in which hundreds of people (mostly Black men) were tortured by the Chicago Police. Fascinatingly, it is framed as a series of open letters that explore the layers of silence and complicity that enabled torture and the activist movements that have helped to uncover this history and implement forms of collective redress and repair. Elizabeth and John ask Laurence about that genre choice, and he unpacks his thinking about responsibility, witnessing, trauma and channels of activism. Arendt's “banality of evil” briefly surfaces. Mentioned in this episode: Laurence Ralph, Renegade Dreams: Living through Injury in Gangland Chicago (U Chicago Press, 2014) James Baldwin, The Fire Next Time Ta-Nehisi Coates, Between the World and Me Mahomedou Ould Slahi, Guantánamo Diary Truth and Reconciliation Commission (South Africa) Hannah Arendt, Eichmann in Jerusalem (1963, “banality of evil”; not optimism but hopefulness) Recallable …..Stuff Frederick Douglas, A Speech given at the Unveiling…… Billie Holiday's “Strange Fruit” (here introduced by Angela Davis) Read Here: 45 Global Policing 3 Laurence Ralph: Reckoning with Police Violence Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the third episode of our Global Policing series, Elizabeth and John spoke back in 2020 with anthropologist Laurence Ralph about The Torture Letters: Reckoning with Police Violence (U Chicago Press, 2020). The book relates the decades-long history in which hundreds of people (mostly Black men) were tortured by the Chicago Police. Fascinatingly, it is framed as a series of open letters that explore the layers of silence and complicity that enabled torture and the activist movements that have helped to uncover this history and implement forms of collective redress and repair. Elizabeth and John ask Laurence about that genre choice, and he unpacks his thinking about responsibility, witnessing, trauma and channels of activism. Arendt's “banality of evil” briefly surfaces. Mentioned in this episode: Laurence Ralph, Renegade Dreams: Living through Injury in Gangland Chicago (U Chicago Press, 2014) James Baldwin, The Fire Next Time Ta-Nehisi Coates, Between the World and Me Mahomedou Ould Slahi, Guantánamo Diary Truth and Reconciliation Commission (South Africa) Hannah Arendt, Eichmann in Jerusalem (1963, “banality of evil”; not optimism but hopefulness) Recallable …..Stuff Frederick Douglas, A Speech given at the Unveiling…… Billie Holiday's “Strange Fruit” (here introduced by Angela Davis) Read Here: 45 Global Policing 3 Laurence Ralph: Reckoning with Police Violence Learn more about your ad choices. Visit megaphone.fm/adchoices

In the third episode of our Global Policing series, Elizabeth and John spoke back in 2020 with anthropologist Laurence Ralph about The Torture Letters: Reckoning with Police Violence (U Chicago Press, 2020). The book relates the decades-long history in which hundreds of people (mostly Black men) were tortured by the Chicago Police. Fascinatingly, it is framed as a series of open letters that explore the layers of silence and complicity that enabled torture and the activist movements that have helped to uncover this history and implement forms of collective redress and repair. Elizabeth and John ask Laurence about that genre choice, and he unpacks his thinking about responsibility, witnessing, trauma and channels of activism. Arendt's “banality of evil” briefly surfaces. Mentioned in this episode: Laurence Ralph, Renegade Dreams: Living through Injury in Gangland Chicago (U Chicago Press, 2014) James Baldwin, The Fire Next Time Ta-Nehisi Coates, Between the World and Me Mahomedou Ould Slahi, Guantánamo Diary Truth and Reconciliation Commission (South Africa) Hannah Arendt, Eichmann in Jerusalem (1963, “banality of evil”; not optimism but hopefulness) Recallable …..Stuff Frederick Douglas, A Speech given at the Unveiling…… Billie Holiday's “Strange Fruit” (here introduced by Angela Davis) Read Here: 45 Global Policing 3 Laurence Ralph: Reckoning with Police Violence Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

*Content warning: book banning, rape, sexual abuse, domestic violence, police brutality, racism, segregation, lynching, and murder. Cassandra Lane is an award-winning author, journalist, artist, and speaker. Her beautiful memoir, We Are Bridges, is a labor of love born from generational trauma, as well as years of healing (and honing her craft). We are honored that Cassandra was willing to speak with us about what came next after her great-grandfather's lynching in the early 1900's, and how she was left healing her family's residual trauma upon her entrance to motherhood. We Are Bridges by Cassandra Lane https://amzn.to/3s0XJLJ Cassandra on Instgram http://www.instagram.com/cassandra.lane71 History of Lynchings in America https://naacp.org/find-resources/history-explained/history-lynching-america Billie Holiday's Strange Fruit https://youtu.be/Web007rzSOI LA Parent Magazine https://www.laparent.com/ PEN America: Book Bans https://pen.org/issue/book-bans/ Additional resources: http://www.somethingwaswrong.com/resources Thank you Kitsch, for sponsoring this episode. Don't forget to visit http://www.mykitsch.com/WCN for 30% your order! 

Songs include: Strange Enchantment, Strange Things Are Happening, A Strange Fact, Strange As It Seems, Strange Fruit and Strange Blues. Musicians include: Billie Holiday, Artie Shaw, Red Buttons, June Valli, Nat King Cole, Harlin Lattimore and Coleman Hawkins. 

By the fruit, we know who are on the Lord's side. In this message, Pastor Lewis teaches how our fruit will always testify of our intentions. Support This Ministry

It's time for Strong Songs' first-ever analysis of a live recording, as Kirk digs in to legendary pianist/vocalist Nina Simone's 1965 interpretation of the traditional spiritual song "Sinnerman." It's time for some syncopated piano, popless grooves, band crash-landings, hand-clap breakdowns, hip hop samples, and one spectacular vocal cadenza.Artist: Nina SimoneAlbum: Pastel Blues (1965)Written by: Traditional, arr. Nina SimoneListen/Buy: Apple Music | Amazon | Spotify------ALSO FEATURED:"I Put a Spell On You" and "Feeling Good" as performed by Nina Simone on I Put a Spell On You, 1965"Strange Fruit" as performed by Simone on Pastel Blues, 1965"Sinner Man" arranged by Les Baxter for his orchestra"Oh, Timbaland" by Timbaland from Shock Value, 2007"Get By" by Talib Kweli from Quality, 2002Audio from John McTiernan's underrated 1999 remake of The Thomas Crown AffairAudio from Liz Garbus' excellent 2015 documentary What Happened, Miss Simone?OUTRO SOLOIST: Rob ReichThis episode's outro soloist is the wonderful bay area pianist/accordionist Rob Reich. Rob performs all over the place with a bunch of different groups, and is a total pleasure to see play. He's got a bunch of albums you can check out and contributes to an array of interesting projects (Live silent-film scores! Circus music!) and experiments. Find more at his website, http://www.robreich.com/.-----LINKS-----SUPPORT STRONG SONGSPaypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music---------------FEBRUARY 2023 WHOLE-NOTE PATRONSDamon WhiteKaya WoodallDan AustinThomas DarstEd RankinTimothy morsheadJay SwartzEllen NalvenMiriam JoyGareth FlynnRonjanKasPatrickSEAN D WINNIERushDaniel Hannon-BarryRRPrince M. Levy-BenitezKathie HullfishPaul McElliot RosenAshley HoagKelsairAndrew BakerRob BosworthJosh PearsonKyle CookeLiam KeoghMelissa OsborneKathleen Reuscynthia hochswenderPer Morten BarstadChristopher MillerTim ByrneJamie WhiteGeorge H AronsonJohanna L. BransonAngus McKimmChristopher McConnellDavid MascettiJeffrey JueNikoJoe LaskaLaurie AcremanKen HirshJezMelanie AndrichJenness GardnerSimon CammellJill Smith-MooreRachel RakovNarelle HornMickey ClarkNathaniel BauernfeindRob SBill RosingerAnne BrittPhil GriffinDavid ZahmKyle StarrErinAidan CoughlanSteve PhilpotJeanneret Manning Family FourMatt ButlerDoug PatonR WatsonViki DunDave SharpeSami SamhuriCraig J CovellAccessViolationRyan TorvikFraserandrew waltersJared NorrisElliot Jay O'NeillGlennCALEB ROTACHAndre BremerMark SchechterDave FloreyDan ApczynskiSara WalshFEBRUARY 2023 HALF-NOTE PATRONSRandal VegterGo Birds!Jeff SpeckSamuel MillettAbraham BenrubiWhit SidenerEmlia AlfordChance McClainRobert Granatdave malloyTim RosenwongJason MorrisseyNick Gallowayjohn halpinJennifer KennerPeter HardingDavidJaredAnthony MahramusRoss ShainMeghan O'LearyJeffrey PuzzoJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskCasey FaubionLuigi BocciaRob AlbrightE Margaret WartonDaniel MosierCharles McGeeCatherine ClauseEthan BaumanOwain HuntRenee DowningDrewRohan LatimerKenIsWearingAHatTonyJordan BlockAaron WadeMichael FlahertyPhotog19610Travis PollardJeff UlmJeff NewmanJamieDeebsPortland Eye CareAdam RayAnupama RaghavanDemetri DetsaridisCarrie SchneiderAlenka GrealishAnne GerryRichard SneddonDavid JudsonJulian RoleffMelissa GallardoJanice BerryDoreen CarlsonmtwolfDavid McDarbyAbigail DuffieldWendy GilchristLisa TurnerPaul WayperMiles FormanDennis M EdwardsJeffrey FerrisBruno GaetaKenneth Jungbenkurt wendelkenAdam StofskyZak RemerRishi SahayJason ReitmanAndy PainterKaren LiuGreg BurgessAilie FraserSimon PrietoVonPaul McGrealKaren ArnoldNATALIE MISTILISJosh SingerPhino DeLeonSchloss Edward J. 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Billie Holiday ascended from the rough and tumble streets of Baltimore and Harlem, through reform school, brothels, and Welfare Island, right to the top of the music game. Her childhood fascination with “whorehouse music” filled a void in her lost innocence, but she soon found a second stabilizer: Heroin. Just when her sensational “Strange Fruit” brought her to Columbia Records, her dependency on hard drugs landed her behind bars. Her mesmerizing voice ensnared listeners unlike any other jazz singer of her day, but in the end, it was narcotics that eventually ensnared Billie Holiday and sealed her fate. This episode contains themes that may be disturbing to some listeners and includes descriptions of sexual assault. To see the full list of contributors see the show notes at www.disgracelandpod.com. This episode was previously exclusive and is now available wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices