Podcasts about trhiller

Muchas veces nos vemos tentados por algún familiar, una tía, un primo o hasta la suegra. Pero que te guste tu hermana, te cases con ella y la embaraces parece sacado de una historia bien Trhiller.Conoce la historia que te relataremos en este episodio y escucha el por qué decidieron conformar una familia incestuosa. 

Buona domenica e ben trovati all'episodio numero 20 del format #unlibrounpodcast._la di LA Edizioni.Oggi scopriremo il libro "137" di Lucio Salamone, un thriller ambientato ad Asti. Il primo estratto sarà narrato dalla voce di Mauro Crosetti, seguirà un'altra lettura di Romina Tondo, la recensione al libro curata da Domizia Moramarco per il blog “Mi libro in volo”, un'altra lettura di Roberto Portinari e l'intervista all'autore curata da Roberto Portinari.Le musiche che ascolterete, come gli effetti speciali, sono composte ed eseguite dall'eclettico e geniale artista, Francesco Landi. LA Edizioni vi augura buon ascolto e vi ricorda l'appuntamento di domenica prossima per un nuovo libro, un nuovo podcast! Non mancate! :)

In what will likely go down as the nerdiest and most esoteric Extra Milestone yet, I am joined by my good friend and fellow hardcore cinephile Andrew McMahon to discuss a pair of significant, influential, and all-around great films. We begin with a lengthy discussion of Michelangelo Antonioni’s reflective 1975 thriller The Passenger, in addition to Antonioni’s career as a whole that we’re familiar with, followed by a look at Michael Powell’s career-ending 1960 horror film Peeping Tom. We get into a lot of exciting history and interconnectivity to the greater cinematic art form over the course  of both conversations, and we hope it’s just as fun to listen to as it was to record. SHOW NOTES: 00:06:05 - The Passenger 01:03:15 - Peeping Tom NEXT WEEK: Julia Teti makes her triumphant and long-awaited return to Cinemaholics for April’s main Extra Milestone! NOTE: In this episode, I incorrectly assume that Andrei Tarkovsky was probably fond of Antonioni’s 1964 film Red Desert, when in actuality he rather despised it! Who knew? Music in this episode: Opening titles of Peeping Tom, composed by Brian Easdale; Melodia Popolare Catalana 2 (end titles for The Passenger), composed by Mario Jalenti; music from the trailers for The Passenger and Peeping Tom. Cinemaholics in this episode: Sam Noland & Andrew McMahon Support the show: https://www.patreon.com/cinemaholics

In what will likely go down as the nerdiest and most esoteric Extra Milestone yet, I am joined by my good friend and fellow hardcore cinephile Andrew McMahon to discuss a pair of significant, influential, and all-around great films. We begin with a lengthy discussion of Michelangelo Antonioni’s reflective 1975 thriller The Passenger, in addition to Antonioni’s career as a whole that we’re familiar with, followed by a look at Michael Powell’s career-ending 1960 horror film Peeping Tom. We get into a lot of exciting history and interconnectivity to the greater cinematic art form over the course  of both conversations, and we hope it’s just as fun to listen to as it was to record. SHOW NOTES: 00:06:05 - The Passenger 01:03:15 - Peeping Tom NEXT WEEK: Julia Teti makes her triumphant and long-awaited return to Cinemaholics for April’s main Extra Milestone! NOTE: In this episode, I incorrectly assume that Andrei Tarkovsky was probably fond of Antonioni’s 1964 film Red Desert, when in actuality he rather despised it! Who knew? Music in this episode: Opening titles of Peeping Tom, composed by Brian Easdale; Melodia Popolare Catalana 2 (end titles for The Passenger), composed by Mario Jalenti; music from the trailers for The Passenger and Peeping Tom. Cinemaholics in this episode: Sam Noland & Andrew McMahon Support the show: https://www.patreon.com/cinemaholics See omnystudio.com/policies/listener for privacy information.

En este episodio hablamos de la última novela del escritor Humberto Jarrín B. Y no dejamos atrás la tradicional Feria Cali, la función de la novela en tiempos posmodernos y las técnicas que este premio Nacional de Literatura de MinCultura utiliza en la escritura de ficción. Más en libretanegra.co

Today we have a two for one with our The Crimes Of Grindelwald and Widows Review. We also mourn for the Wizarding World over the second not-so Fantastic Beasts movie. Then explain how Widows breathes new life into the world of heist movies! Widows, directed by Steve McQueen, is jam-packed with stars like Viola Davis, Michele Rodriguez, Liam Neeson, Collin Ferrel, and Robert Duval.

Intrigue Satan Was A Salesman 9-11-46 http://oldtimeradiodvd.com 163