Podcast appearances and mentions of Michael Powell

Talk Money with Jim ShoemakerJoin as Jim Shoemaker and Greg Valliere for a discussion on current events in Washington - On the Hill. Michael Powell will share insights in Savvy Strategies for Your Health Savings Account, and Ted Minor will present Important Investment Lessons.                            "Helping You Make the Most of Your Money”Jim Shoemaker, CFP, ChFC, is an investment advisor representative offering advisory services through Cetera Investment Advisers, a registered investment adviser. Securities offered through Cetera Advisor Networks, member FINRA/SIPC. Cetera is under separate ownership from any other named entity. Shoemaker Financial is independently owned and operated. 2176 West St, Ste. 100, Germantown, TN 38138

Real-time DDoS protection is more crucial than ever, and Corero Network Security (LSE: CNS) (OTCQX: DDOSF) is leading the charge! Michael Honeycutt, Product Marketing Manager, and Michael Powell, Sales Engineer, joined us live on JSA TV from Metro Connect USA to discuss how Corero is protecting critical services from attacks and using AI to stay ahead of evolving threats.

Cette semaine, la guerre est une raison pour se faire du mal dans Throne of Blood d'Akira Kurosawa et La forteresse suspendue de Roger Cantin. Aussi au programme: Pickpocket de Jia Zhangke, The Spy in Black de Michael Powell, Freaky Tales d'Anna Boden et Ryan Fleck ainsi que le tout nouveau chapitre dans la saga des Mission: Impossible!

  Our adventures through 1960's England continue, with our look at the proto-slasher classic Peeping Tom, directed by noted ballet fan Michael Powell! Can this movie possibly be even more crucial in the history of slashers than Psycho? We will tell you for certain, once and for all (or probably just talk around it). Also! We chat about the best slasher movies that don't feature any of those famous slasher guys! So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus Bowman's non-lecherous lurking and window-spying, why aren't they playing Dracula Drops (for god's sake?), that new Letterboxd for Wrassling (dropkickd), old men complaining about the modern Internet, who's on our (and your) Mount Slashmores, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll mine uranium for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Electricity Canada's Vice President of Government Relations, Michael Powell, join host Francis Bradley for a conversation about the April 28 Canadian Federal election, through a Canadian electricity lens. They talk about the election results and the campaign, the different narratives about the ballot question, the impact of the US President on the election, and what the campaign platforms had to say about electricity and energy policy. They also talk about what's next in terms of cabinet composition and the upcoming Speech from the Throne. The conversation wraps with Michael's recommendation for an addition to the Flux Capacitor Book Club Links: Electricity Canada Michael Powell on Bluesky Michael Powell on LinkedIn Book recommendation:Lament for a Nation: The Defeat of Canadian Nationalism, by George Grant: https://www.thecanadianencyclopedia.ca/en/article/lament-for-a-nation-the-defeat-of-canadian-nationalism

“Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.” So said W. H. Auden and so we see demonstrated in Michael Powell's Peeping Tom (1960), which boldly employs every convention of the horror film in order to achieve a stunning, authentic portrait of a disturbing mind at work. But Mark is no ordinary slasher: he's an artist who is also a perfectionist and whose compulsion to destroy is like the compulsion to create. As Mark gives his all for the sake of his art, so did Michael Powell, whose reputation never recovered from the scandal of this film. It was released in the same year as Psycho, which it resembles, yet the two audiences across the Atlantic had very different reactions to their homegrown killers. The University Press of Mississippi offers an excellent series of collected interviews. Here's their volume on Michael Powell. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find our hundreds of episodes here on the New Books Network or wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.” So said W. H. Auden and so we see demonstrated in Michael Powell's Peeping Tom (1960), which boldly employs every convention of the horror film in order to achieve a stunning, authentic portrait of a disturbing mind at work. But Mark is no ordinary slasher: he's an artist who is also a perfectionist and whose compulsion to destroy is like the compulsion to create. As Mark gives his all for the sake of his art, so did Michael Powell, whose reputation never recovered from the scandal of this film. It was released in the same year as Psycho, which it resembles, yet the two audiences across the Atlantic had very different reactions to their homegrown killers. The University Press of Mississippi offers an excellent series of collected interviews. Here's their volume on Michael Powell. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find our hundreds of episodes here on the New Books Network or wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Chris talks with Dr. A. Michael Powell and Shirley Powell about their authoritative work in Trans-Pecos botany and Dr. Powell's role in recognizing and formally describing Ovicula biradiata, or "Wooly Devil," a previously unknown genus of plant recently discovered in Big Bend National Park.The find generated a spate of high-profile new headlines, such as this one from the Smithsonian magazine:https://www.smithsonianmag.com/smart-news/meet-the-wooly-devil-the-first-new-plant-genus-discovered-in-a-national-park-since-1976-180986117/Chris and the Powells also talked about Dr. Powell's many books on the flora of the larger Big Bend region, and their work in the herbarium at Sul Ross State University. This scientific collection of plant specimens is the fourth largest in the state.

“There's something in the atmosphere that makes everything seem exaggerated.”Talking About Powell & Pressburger's 1947 film Black Narcissus with our guest, screenwriter James HandelIn this episode of Movies We Like, screenwriter James Handel joins hosts Andy Nelson and Pete Wright to discuss Michael Powell and Emeric Pressburger's 1947 masterpiece Black Narcissus, along with Handel's fascinating career writing genre-bending films like The Last Horror Movie, The Hoarder, and his latest psychological dramedy The Trouble with Jessica.From Philosophy to FilmBefore diving into Black Narcissus, Handel shares candid insights about his journey from philosophy student to screenwriter, starting with an unproduced vampire script and eventually leading to successful collaborations with directors Julian Richards and Matt Winn. He discusses how his background in philosophy influences his approach to moral dilemmas and character psychology in his screenplays, particularly evident in The Trouble with Jessica's darkly comic exploration of ethics and human nature.A Masterpiece of Psychological DramaThe conversation then turns to Black Narcissus, examining how Powell and Pressburger crafted this visually stunning psychological drama about Anglican nuns attempting to establish a convent in the Himalayas. The group discusses the film's groundbreaking technical achievements, with Jack Cardiff's Oscar-winning Technicolor cinematography bringing the entirely studio-shot production to vivid life. They explore how the film masterfully depicts the psychological deterioration of the nuns as they struggle with repressed desires, loss of faith, and the overwhelming power of their environment, all while maintaining a remarkable balance between expressionism and restraint.Black Narcissus remains a masterclass in psychological storytelling and visual craftsmanship, demonstrating how thoughtful restraint and artistic innovation can create an unforgettable cinematic experience. We thoroughly enjoyed diving deep into this classic with James Handel, whose own work carries forward the tradition of examining complex moral questions through compelling drama.Film SundriesWatch our conversation on YouTube!Watch this on Apple or Amazon, or find other places at LetterboxdScript OptionsTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

This week, we discuss two classic British films from Michael Powell and Emeric Pressburger. The first is Black Narcissus (1947), which explores the psychological unraveling of nuns in a remote Himalayan convent as desire and isolation take hold. The second is The Life and Death of Colonel Blimp (1943), which traces the life of a British officer through love, war and friendship, challenging ideas of honour and aging.   Timestamps What we've been watching (00:01:00) – Andor season one, The White Lotus season three, The Amateur, Sully Black Narcissus (00:28:00) The Life and Death of Colonel Blimp (00:46:00) Coin toss (01:06:30)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

En efemérides repasamos la carrera del director, otrora actor, Carl Franklin. Volvió Mery Linares y nos trajo "Escalera al cielo" (A Matter of Life and Death, 1946) de Michael Powell y Emeric Pressburger. Cerramos con una ronda de lo mejor que vimos en el BAFICI 26.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two legends: Michael Powell and Emeric Pressburger! Our B-Sides include I Know Where I'm Going!, The Small Back Room, Gone to Earth, and The Elusive Pimpernel. Our guest is the legend Katie Walsh, podcaster and film critic at the Tribune News Service & LA Times. We talk about her lovely experiences watching Powell & Pressburger restoration prints on the big screen, the extent of moviegoing etiquette (put that phone down please!), and the Frank Marshall creature feature Arachnophobia. Also discussed is Powell's infamous (and masterful) opus Peeping Tom, the duo's later work (Oh... Rosalinda!!, The Battle of the River Plate), Powell's autobiography, and the career of Jennifer Jones. Be sure to give us a follow on social at @tfsbside.bsky.social.

Michelle is back to conclude our conversation about the remarkable films of Michael Powell & Emeric Pressburger, this time with looks at the brilliant A Matter of Life and Death and Thief of Bagdad.Then it's time for the really good stuff as each of us rate the P&P films - and agree on our top choice.As always, we think this is a fun and interesting listen.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two legends: Michael Powell and Emeric Pressburger! Our B-Sides include I Know Where I'm Going!, The Small Back Room, Gone to Earth, and The Elusive Pimpernel. Our guest is the legend Katie Walsh, podcaster and film critic at the Tribune News Service & LA Times. We talk about her lovely experiences watching Powell & Pressburger restoration prints on the big screen, the extent of moviegoing etiquette (put that phone down please!), and the Frank Marshall creature feature Arachnophobia. Also discussed is Powell's infamous (and masterful) opus Peeping Tom, the duo's later work (Oh... Rosalinda!!, The Battle of the River Plate), Powell's autobiography, and the career of Jennifer Jones.

Join as Jim Shoemaker, Michael Powell, and Scott Jordan ask and important question;  “What Are You Doing with Your Tax Refund?”Daniel Irwin takes us to Scam School with critical information about “Lost or Stolen Identity, Credit Card Skimmers, Storm Chasers, and Credit Reports.”                                  "Helping You Make the Most of Your Money”                             Jim Shoemaker, CFP, ChFC, is an investment advisor representative offering advisory services through Cetera Investment Advisers, a registered investment adviser. Securities offered through Cetera Advisor Networks, member FINRA/SIPC. Cetera is under separate ownership from any other named entity. Shoemaker Financial is independently owned and operated. 2176 West St, Ste. 100, Germantown, TN 38138

Michelle is back to continue her exploration with Jason of the films of Michael Powell - this time without his longtime partner Emeric Pressburger. What sorts of things does Powell create without his longtime partner? One of the things he delivers is the deeply upsetting and strange Peeping Tom, a movie much scathed when it was first released but which has re-emerged into public esteem. Jason ercently had a change to see Peeping Tom in a rapt theatre, and has a great chat with Michelle about the uncanny, fascinating nature of the film. Then they get over to talking about Age of Consent, which on the surface feels like it might be a pervy excuse for James Mason to stare at a much-too-young Helen Mirren (who spends much of the film naked). The movie actually has surprising depth, especially in the larger context of all of Powell's career, so that is an interesting thread for our hosts to pull on.

Michelle is back again to continue our discussion of the beautiful films of Michael Powell and Emeric Pressburger. This time we look at perhaps P&P at their most exquisite, as we discuss how The Red Shoes, The Tales of Hoffmann and Bluebeard's Ghost all appeal to us, who aren't opera or ballet fans but who love a beautiful film. The big surprise for us was Bluebeard's Ghost, a short film for German TV that's rarely seen today. We tracked down a copy and found the film gorgeous in its minimalism - well, hey, listen to the pod to hear what we thought of it in detail!

in aflevering 39 kiest Eline Van Hooydonck, 1/3 van GirlsOnFilm & daarnaast PR-verantwoordelijke van The Searchers, 3 films uit mijn kast: Nosferatu (1922; F.W. Murneau) Cléo de 5 à 7 (1962, Agnes Varda) Red Shoes, The (1948, Emeric Pressburger & Michael Powell)

Hello everyone! It's a new year, and that means it is time for our annual AntiTrash Marathon! This year, we will be taking a look at some of the most revered and influential horror films of all time. It's like bonus Shocktober! And we kick things off with Michael Powell's Peeping Tom. While the movie largely killed his career, it takes up an important place in horror and slasher history. We discuss horror villains, Hitchcock, Psycho, and much, much more as we dive into Peeping Tom—tune in now!

Michelle is back to hang out again with Jason and discuss the amazing films of Michael Powell and Emeric Pressburger. This time they look at a great combination of classic and obscure P&P films, all of which have to do in some way with war and its impact on people: 49th Parallel, The Life and Death of Colonel Blimp and The Small Back Room. The pair get into a discussion of the complex ways P&P think about war, their flawed lead characters, and the basic humanity of these characters. It's a great listen and we hope you enjoy this week's show!

Talk Money with Jim ShoemakerJoin Jim Shoemaker, Travis Moody, and Scott Jordan as they shed light on “predatory lending.” Is it beneficial or destructive? Forward Memphis may be able to help. Michael Powell provides “Strategies to Maximize Your Credit Card Rewards.”                                       "Helping You Make the Most of Your Money” Jim Shoemaker, CFP, ChFC, is an investment advisor representative offering advisory services through Cetera Investment Advisers, a registered investment adviser. Securities offered through Cetera Advisor Networks, member FINRA/SIPC. Cetera is under separate ownership from any other named entity. Shoemaker Financial is independently owned and operated. 2176 West St, Ste. 100, Germantown, TN 38138

Send us a textA mysterious stranger, exiled from contentment, convinces a group of lonely podcasters that he's the perfect "everyman" and talks his way into becoming their co-host for the evening. What begins as innocent conversation takes a dark and violent turn. On Episode 643, we're joined by E.F. Contentment for a special Patreon Takeover! E.F. has chosen two fascinating films for us to discuss: Peeping Tom (1960) and Poison for the Fairies (1986)! We also explore exactly what AI knows about all of us, dive into The Mandela Effect (or do we?), and examine influential horror from the 60s! So grab your handheld 16mm camera, pack an extra vial of poison, and strap on for the world's most dangerous podcast!Stuff we talk about: End of year, Holiday Horror, sucking snowballs, Black Christmas, Bob Clark, Skynet, is AI smarter than Ravenshadow?, damp moist humor, ChatGPT, what does AI know about Trick or Treat Radio?, Publishers Clearing House, Ed McMahon, “Play it again, Sam?”, the Mandela Effect, American Family Publishers, Shazam, Sinbad, Blood In Blood Out, California Raisins, Mr. Peanut, Ben Franklin, Tabanero Hot Sauce Challenge, A-List, nonpareils, Honey Badger, live Patreon show, Patreon Takeover, Peeping Tom, Career Killers, Michael Powell, Mike Patton, Edgar Wright, Last Night in Soho, old Alexa, Psycho, Pelvis Presley, Mario Bava, Sliver, parallels between X-Men and Doom Patrol, Norman Bates, feeling sympathy for the killer, Alfred Hitchcock, Blood and Black Lace, One Hour Photo, Robin Williams, Powerman 5000, Francis Ford Coppola, Martin Scorsese, Brian De Palma, Strange Days, Ralph Fiennes, The Red Shoes, The Velvet Underground, Lou Reed, The Stooges, The Banker, Robert Forrester, Handsome Peter Lorre, The Substance, Poison for the Fairies, Carlos Enrique Taboada, Even the Wind is Afraid, Audition, 70s Disney Films, Guillermo del Toro, Heavenly Creatures, Peter Jackson, Ghost World, Ferris Bueller's Day Off, Wild at Heart, left-handed actors, Vinegar Syndrome, Street Trash, Ryan Kruger, First Time Niece, Exiled From Contentment, horror movie marathons, too good to be popular, synapses and synopsis', why did VHS beat-off Betamax?, I'm only wearing my leatherman, chafing our way through the 90s, the Marty McFly attitude, and candy-colored lurid tales.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Original Release Date: Monday 18 November 2024    Description:   Dean flies into Los Angeles. Phil picks him up at LAX. You get into the back seat. Highway adventured and high fidelity hijinks ensue! The first two-thirds of this week's show are recorded during Dean & Phil's drive to downtown L.A. as they discuss Dean's upcoming two-man improv show, his future performing plans, his prolific productivity as a fine artist, how his life would be different if he still lived in Los Angeles, raunchy historic romance novels, the origins of Vaudeville, and more. After a short musical interlude, the conversation continues from “high atop the historic core of downtown Los Angeles” in the “art deco masterpiece that IS the Eastern-Columbia Building”. The final third of the show touches on such topics as the aurora borealis, Dean's upcoming European steampunk wedding, and the influence of the great British director Michael Powell on the life and work of Martin Scorsese. Finally, in “Celebrity Deaths”, Dean and Phil celebrate the brilliance of Quincy Jones. There are a couple great Frank Sinatra stories to boot!

Watch the full conversation on YouTube: https://www.youtube.com/watch?v=lZTiuntsCs8 Regardless of who you voted for in the U.S. presidential election, many of us are continuing to attempt to unpack what happened in this extraordinary election. There has been a lot of analysis of the various demographic shifts.  But less attention has been paid to Jewish voters and the role they played - as well as the issues of the Israel-Hamas war and rising antisemitism in the U.S. How did these issues impact how Americans - both Jewish and non-Jewish - chose to vote?  To discuss, our guest today is Congressman Ritchie Torres. Rep. Torres lives in the Bronx and represents New York's 15th congressional district. He is a member of the House Committee on Financial Services and the House's Elect Committee on the Chinese Communist Party. He has been on the front lines of electoral politics this year, both in his congressional district in the Bronx, and nationally, as a champion on the issue of Israel and antisemitism.  Item discussed in this episode: Michael Powell's interview with Ritchie Torres in the Atlantic - https://www.theatlantic.com/politics/archive/2024/11/democrats-lost-voters-ritchie-torres/680599/

Thelma Schoonmaker has, for over five decades, been Martin Scorsese's cutting room collaborator. Having edited his first feature film in 1967, she has worked on every Scorsese movie since Raging Bull, including Goodfellas, Casino, The Departed, Wolf Of Wall Street, right up to his most recent features The Irishman and Killers Of The Flower Moon. As the widow of the legendary British filmmaker Michael Powell, she has also played a key role in the restoration of classic Powell and Pressburger films including The Red Shoes, Black Narcissus and A Matter Of Life And Death. Thelma Schoonmaker has won three Academy Awards, more than any other film editor. Thelma tells John Wilson how enrolling on a six week film making course as a young graduate in New York led to her meeting and helping Martin Scorsese edit a short film he was making. He then asked her to edit his 1967 feature film debut, Who's That Knocking at My Door and their partnership began in earnest. She recalls how she and Scorsese were part of the editing team on Michael Wadleigh's music festival documentary, Woodstock for which she received her first an Oscar nomination for Best Film Editing - the first documentary ever to be nominated in that category. Thelma reveals the process of working with Scorsese in the cutting room and how, through him, she met her late husband Michael Powell, whose films with Emeric Pressburger, both she and Scorsese had so admired from childhood.Producer: Edwina PitmanArchive and music used: The Red Shoes, Powell & Pressburger, 1948 Who's That Knocking at My Door, Martin Scorsese, 1967 I Can't Explain, The Who, Live at Woodstock, 1969 See Me. Feel Me, The Who, Live at Woodstock, 1969 Star Spangled Banner, Jimi Hendrix, Live at Woodstock, 1969 Raging Bull, Martin Scorsese, 1980 Cutting Edge: The Magic of Movie-editing, BBC4, 30 August 2005 Passion: Music for The Last Temptation of Christ, Peter Gabriel Sunshine of Your Love, Cream Intermezzo from Cavalleria Rusticana, Pietro Mascagni Love Is Strange, Mickey & Sylvia Layla, Derek & The Dominos A Matter of Life and Death, Powell & Pressburger, 1946 Michael and Martin, BBC Radio 4, 30 June 2005

Starting yet another series on Jason and the Movienauts, this time talking about the beautiful, transcendent films of Michael Powell and Emeric Pressburger. Michelle joins Jason and the duo talk about their deep appreciation for I Know Where I'm Going, A Canterbury Tale and Black Narcissus - three films which are all about travel in some way, and all of which find uniquely P&P insights into the idea of travel. It's a great conversation full of smart thoughts and we hope you enjoy!

In today's episode David discusses Michael Powell and Emeric Pressburger's The Life and Death of Colonel Blimp (1943), a great patriotic anti-war film made in the depths of WWII. Why did Churchill want the film's production stopped and was he right to suspect it was about him? What does the film say about the politics of nostalgia and the illusions of heroism? And how is Blimp's moustache like Kane's Rosebud?A new bonus episode to accompany this series is out on Saturday: David explores why so many American presidents choose High Noon as their favourite film. Sign up now to PPF+ for just £5 per month or £50 a year and get all our other bonuses plus ad free listening https://www.ppfideas.com/join-ppf-plusTo get our free fortnightly newsletter with guides, writing and clips exploring the themes of these episodes join our mailing list https://www.ppfideas.com/newslettersNext time: The Manchurian Candidate Hosted on Acast. See acast.com/privacy for more information.

Happy Halloween! Duncan Skiles, director of the chilling The Clovehitch Killer and the forthcoming comedy thriller Neighborhood Watch, went trick or treating into the oubliette and brought back a Peeping Tom. This proto-slasher from Michael Powell, one half of the famous British duo Powell and Pressburger, emerged in the same year as Hitchcock's Psycho and explores similar territory: a handsome, unassuming man with a homicidal compulsion spurred by parental abuse. But while one film was an instant box office sensation that became a landmark in horror history, the other was savaged by scandalised critics and destroyed its director's career. Rescued from obscurity over a decade later by Martin Scorsese, Peeping Tom has become an influential cult favourite. But does it deserve to escape the oubliette with a fulsome sack of calorific treats? Or should it be thrown back with some candy corn and a rotten apple? Find out! Follow Duncan Skiles on Instagram, Facebook or his website! Look out for Neighbourhood Watch in Spring 2025. Follow us on Tiktok, Facebook and Instagram. Support us on Patreon to nominate future films, vote on whether films should be released or thrown back, and access exclusive bonus content!

Todos conocen el clásico Psycho, pero ese mismo año también estrenó otro clásico, que a diferencia del filme de Alfred Hitchcock, no tuvo la popularidad o apoyo de la crítica. Sin embargo, su legado e influencia es innegable. Hablemos de Peeping Tom (1960), dirigida por Michael Powell. #halloween2024 #peepingtom #horror COPYRIGHT DISCLAIMER Copyright disclaimer under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Support this podcast: https://podcasters.spotify.com/pod/show/cine-pr/support

Talk Money with Jim ShoemakerJoin Jim Shoemaker, Travis Moody, and Scott Jordan as they shed light on “predatory lending.” Is it beneficial or destructive? Forward Memphis may be able to help. Michael Powell provides “Strategies to Maximize Your Credit Card Rewards.”                                  "Helping You Make the Most of Your Money” Jim Shoemaker, CFP, ChFC, is an investment advisor representative offering advisory services through Cetera Investment Advisers, a registered investment adviser. Securities offered through Cetera Advisor Networks, member FINRA/SIPC. Cetera is under separate ownership from any other named entity. Shoemaker Financial is independently owned and operated. 2176 West St, Ste. 100, Germantown, TN 38138

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy here. One of the super-cool things about being a journalist is that you can contact people whose work amazes you and say, “Come on my podcast!” and they almost always say, “Sure!”As did Michael Powell, one of my favorite journalists working today, currently at The Atlantic and previously at The New York Times, where, during the height of our national meltdown (aka 2020 to 2022), Michael took on subjects many of his colleagues and others in media would not touch: DEI, Title IX, and using identity as a scythe to cut down those deemed not the right color or gender or whose whose views were opportunistically seen as problematic. “We lost our bearings,” says Michael, who kept true to course, and to say his clear-eyed work made me feel less crazy is an understatement.Of deep value and delight is also his 2019 book, Canyon Dreams: A Basketball Season on the Navajo Nation. I felt as though I were living inside the work as I read, and I cannot wait to see Rez Ball, the movie it inspired and which opens September 27.Also discussed:* The explosive DNC protests that weren't* COVID would cool down the culture wars, right? [Insert laugh track here]* The “scurrilous piece of journalism” in the Daily Beast by a writer Nancy now admires** The firing of veteran New York Times science reporter Donald McNeil Jr.? “Not the best moment of the New York Times, at all.” * The tenderness and importance of Jihad Rehab (now retitled The UnRedacted) and the shame of Abigail Disney* “Hey Michael, you're white…”Plus, the permeability between worlds that you start to see when hanging in the Native world, the politician Michael always thought of as “a clown,” some high-tone hot boxes, and much more!Want to become a paid subscriber? Skoden!*Max Tani, now at SemaforCross-posted at Make More Pie

This is the audio from our recent YouTube version of "TECHNICOLOR PART II: THE DRAMA." This version is slightly different than the original audio-only version.---In this episode of Perf Damage, we dive deeper into the fascinating world of Technicolor by focusing on the dynamic husband-and-wife team behind the company: Herbert and Natalie Kalmus. This companion piece to our episode, THE UNTOLD STORY OF TECHNICOLOR, explores the couple's innovative partnership, their influence on the film industry, and the complexities of their personal and professional relationship.Natalie Kalmus wasn't just Herbert's wife—she was a force to be reckoned with in Hollywood. Known for her strict artistic control over the Technicolor process, she famously clashed with legendary filmmakers like Cecil B. DeMille, Michael Curtiz, David O. Selznick, and Michael Powell. Behind the scenes, her influence was valued and dreaded as she fiercely defended Technicolor's vision. After her and Herbert's relationship soured, she spent years in court, making his life a living hell and adding drama to an already colorful legacy.Contact Us At:www.perfdamage.comEmail : perfdamagepodcast@gmail.comTwitter (X) : @perfdamageInstagram : @perf_damageLetterboxd : Perf DamageCheck Out our Youtube Channel:https://www.youtube.com/@PerfDamagePodcast

Hello, and welcome to an all-new Films for the Void, episode #87! Eric and Landon take a deep, long, uncomfortable look at Michael Powell's 1960 film PEEPING TOM, as well as discuss Zoe Kravitz's recent directorial debut BLINK TWICE - all on the latest episode of Films for the Void!TIME STAMPS00:03:08 Blink Twice00:22:22 Peeping Tom01:06:11 Landon's Recommendation for Next EpisodeTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehairArtwork by Annie CurleTheme Music by Meghan GoveEdited by Landon Defever

This camera has one sharp lens! Jay, Lindsey, Ron, and special guest Carmelita Valdez-McKoy discuss Peeping Tom (1960).  Reviled when it was released, Michael Powell's bawdy thriller has enjoyed a reappraisal in recent years. Recognized for the killer's POV camera work, putting the audience in the same view of the killer, and the deeply disturbing psychological underpinnings, modern audiences are finally seeing the root of slashers may not completely reside with 1960's Psycho, but also in this film.  Follow Carmelita @CarmelitaSays on X/Twitter, Letterboxd, and BlueSky.  --- Support this podcast: https://podcasters.spotify.com/pod/show/filmstrip/support

What do you live for? For art, or for love? Join us as we break down the electrifying technicolor miracle that is The Red Shoes, with special guest Ciara Lally.Intro/outro music: 'Bolero' by Maurice RavelTHE RED SHOES (1948), United Kingdom, written and directed by Michael Powell and Emeric Pressburger, cinematography by Jack Cardiff, featuring Moira Shearer, Anton Walbrook, and Marcus Goring.

Dominic Corry reviews the latest films including the new Aliens movie, the 1960 Michael Powell classic Peeping Tom, Menus-Plaisirs - Les Troisgros, the new four-hour film from legendary documentarian Frederick Wiseman and an American indie dramedy Good One.

It's not every day you talk to Martin Scorsese's editor AND the wife of Michael Powell, Thelma Schoonmaker. But Emily and I did as part of the release of the new documentary Made in England: The Movies of Powell and Pressburger. Schoonmaker and director David Hinton sat down with us to discuss what makes Powell and Pressburger iconic directors, Thelma's work with Scorsese, and more! (This might be the highlight of our year.) Made in England is in theaters now! This episode was created thanks to our Patrons: Ali Moore Amy Hart Danny David Floyd Donna Hill Gates Jacob Haller Jonathan Watkins McF Rachel Clark Shawn Goodreau A Button Called Smalls Chris McKay Debbi Lynne J Jeffrey Kayla Ewing Nicholas Montano Peter Blitstein Peter Bryant Peter Dawson Susannah Burger Brittany Brock Cat Cooper Daniel Tafoya David Baxter Diana Madden Emily Edwards Harry Holland Lucy Soles Nick Weerts Paul Rosa Tammy Sara Folger

“Made In England: The Films Of Powell And Pressburger” had its world premiere at the Berlin International Film Festival earlier this year, where it received rave reviews for delving into the films and careers of two of the greatest storytellers the medium as ever known: Michael Powell and Emeric Pressburger. From “Black Narcissus” to “The Red Shoes,” to “A Matter of Life and Death,” to “The Tales of Hoffmann,” their collaboration inspired a generation and is still revered for their daring artistry to this day. Director David Hinton and Executive Producer Thelma Schoonmaker (and Powell's widow wife) were both kind enough to spend a few minutes answering questions about the documentary, which is now playing at Quad Cinema in New York City and will open in Los Angeles at the Landmark's Nuart Theater on July 26th with a national rollout to occur afterward. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Martin Scorsese and his long time editor Thelma Schoonmaker have delivered another marvelous piece of film history with their new documentary, "Made in England: The Films of Powell and Pressburger." Schoonmaker analyzes the impact of one of the most important cinematic partnerships of all time, and shares stories of how her late husband Michael Powell advised Scorsese on several of his early films. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seriously old school.  As in George Washington and King Tut. Thinking about Michael Powell and Emeric Pressburger and their movies. George Mikan.  Anthony O'Reilly.  Russell Morash.  Bird Baths. Swimming Pretty.  The Friedman Sisters.  Advice from Roger Federer and Conan O'Brien. Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer:  Ellie Suttmeier Art:  Zeke Abuhoff

Comment Nicolas Cage réussit-il à être méconnaissable dans le thriller « Longlegs » ? Comment la série « Them » marie-t-elle adroitement suspense et conflit raciaux à Los Angeles ? Pourquoi faut-il redécouvrir « Le voyeur » («Peeping Tom »), le chef-d'œuvre de Michael Powell ? Les découvertes musicales : - Charli XCX avec Lorde- The girl, so confusing - Arthur Teboul (ft. Baptiste Trotignon) – Gottingen - Cameo/brass band - Word Up - Julia Sophie – Telephone - Ed Sheeran - Shirtsleeves Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

The Life and Death of Colonel Blimp (1943; Dir.: Michael Powell and Emeric Pressburger) Canon Fodder Episode 15 On this week's episode, old battle axes Daniel and Corky trade war stories with The Life and Death of Colonel Blimp. But does this decades-spanning intimate epic from The Archers […] The post The Life and Death of Colonel Blimp – Canon Fodder Episode 15 appeared first on Dare Daniel & Canon Fodder Podcasts.

In this episode, Brian discusses the triumphant return of Michael Powell's once controversial/ now masterpiece PEEPING TOM to the Criterion collection in 4K UHD. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Michael Powell has been covering New York City life and politics for decades, as a long-time reporter for the New York Times, the Washington Post, and now the Atlantic. He recently was on Columbia's campus to try to better understand the encampment movement that has taken over the campus. He joins us to report what he saw and learned. Article discussed in this episode: The Unreality of Columbia's ‘Liberated Zone' — https://www.theatlantic.com/ideas/archive/2024/04/columbia-university-protests-palestine/678159/

A bucolic garden, six kinds of breakfast cereal, and around-the-clock bedside vigil: How one California prison is trying to mitigate the fears and unknowns of dying inside prison. Thanks to Joseph Bick, Michele DiThomas, Terrance Harris, Allan Hickman, Gerard Hite, Jerry Judson, Keith Knauf, Kenneth Langill, Jeff Maria, Earl Miller, Michael Powell, and Frederick Roberts for speaking to us for this episode. This episode was scored with music by Rhashiyd Zinnamon, Fernando Arruda, Antwan Williams, and Earlonne Woods. “Down The Hall” © 2022 Open Secret Music (ASCAP) – Administered by Bluewater Music Services Corp. Used By Permission. All Rights Reserved. Big thanks to Acting Warden Smith and Lt. Berry at San Quentin State Prison, and Acting Warden Hill and Lt. Newborg at the California Institution for Women for their support of the show. We're also grateful to Acting Warden Cueva and Lt. Gonzalez at the California Medical Facility for allowing our team to record inside the hospice. Support our team and get even more Ear Hustle by subscribing to Ear Hustle Plus today. Sign up at earhustlesq.com/plus or directly in Apple Podcasts. Ear Hustle is a proud member of Radiotopia, from PRX.

Thelma Schoonmaker is arguably the world's most famous film editor, winning three Oscars in her 40-year career. Ever since Raging Bull, she has worked on all of Martin Scorsese's major feature films like Goodfellas, Gangs of New York and Killers of the Flower Moon. She tells Francine Stock some secrets of the cutting room and about the other director in her life, her late husband Michael Powell, himself a major influence on Martin Scorsese.

The James Webb Space Telescope, the most powerful ever made, has revolutionized the way we see the universe. The name was chosen for James E. Webb, a NASA administrator during the 1960s. But when doubts about his background emerged, the telescope's name turned into a fight over homophobia.Michael Powell, a national reporter for The Times, tells the story of Dr. Hakeem Oluseyi, an astrophysicist whose quest to end the controversy with indisputable facts only made it worse.Guest: Michael Powell, a national reporter covering free speech and intellectual debate for The New York Times.Background reading: Dr. Oluseyi tried to refute the accusations against Mr. Webb, only to find himself the target of attacks.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.