Podcast appearances and mentions of Steve McQueen

In this episode Jem is joined by Dhanveer Singh Brar and Ashwani Sharma to discuss their 2019 article ‘What is This 'Black 'in Black Studies? From Black British Cultural Studies to Black Critical Thought in UK Arts and Higher Education'. We actually recorded this in March 2026 We talk about the history of academic and non-academic responses to the experience of racism and radicalisation in Britain since the 1960s, with particular reference to the 1980s Black Arts movement, Cultural Studies in the 1990s, more recent debates over ‘Afro-pessimism', and the revival of militant anti-racism. 
We make a couple of references to Ash & Dhan's article about the work of filmmaker Steve McQueen, but we will have them on the podcast again to discuss that. Here are some links to more information about things we discuss: Black Audio Film Collective https://en.wikipedia.org/wiki/Black_Audio_Film_Collective Stefano Harney and Fred Moten The Undercommons https://www.minorcompositions.info/wp-content/uploads/2013/04/undercommons-web.pdf Afro-Pessimism https://en.wikipedia.org/wiki/Afro-pessimism_(United_States) The Empire Strikes Back https://www.taylorfrancis.com/books/edit/10.4324/9780203639948/empire-strikes-back-centre-contemporary-cultural-studies Hammer and Hope: https://hammerandhope.org/ Together Alliance: https://www.togetheralliance.org.uk For more information about Culture, Power, Politics, including information about live events, see: culturepowerpolitics.org If you can support us with a small regular donation, please do so here: https://patreon.com/culturepowerpolitics. If you'd like to make a one-time donation, please do so here: https://www.buymeacoffee.com/xu2grba5ttx Btc donations: bc1q64590fsdzxe7rmfgp7f2jc97v7rp8fr4n0lspf

Close Encounters of the Third Kind came out in December 1977, made $116 million in the US alone, and lost the box office crown for that year to exactly one movie: Star Wars. Not a bad second place.Josh, Garrett, and David kick off Spielberg in Space Month with Spielberg's pre-E.T. love letter to alien optimism. They get into why Richard Dreyfus was the right guy for a role Steve McQueen, Al Pacino, and Gene Hackman all passed on, why the mashed potatoes scene is actually the emotional center of the whole thing, and what it means that this is basically the only alien movie where nobody tries to blow anything up. All three hosts land at four and a half stars. Josh finally wins the Letterboxd guessing game. David's son watched the aliens and said they looked like naked five-year-olds.So Many Sequels is your book club for movies. Follow along at somanysequels.com and @somanysequelspod on Instagram.

Pax and Mike seek out the 1966 revenge adventure Nevada Smith starring Steve McQueen, Brian Keith, and Susanne Pleshette.  We also talk a bit about the movie The Carpetbaggers from 1964 where the Nevada Smith character originated.

On this week’s Wrap Party, Zeth is talking about Steve McQueen and Charles Manson, and about the letter McQueen sent his attorney while Manson’s crew were on trial. Also, we hear from you about your favorite car chase scenes from movie history, and Jake Brennan joins to recommend great car songs. Plus your voicemails, DMs, emails, and more. Become an All Access member today by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

Send Kevin a Text MessageMark Canton, producer of 300, Immortals, Men in Black, Air Force One, and My Best Friend's Wedding, former President of Worldwide Production at Warner Bros., and former Chairman of Columbia Pictures and Columbia TriStar Motion Picture Companies, joins host Kevin Goetz for a conversation about a career defined by passion and instinct. From delivering mail on the Warner Bros. lot as a college student to greenlighting some of Hollywood's most beloved films, Canton reflects on the legends he learned from, the risks he took, and why he still smells the circus every time he walks onto a sound stage.Queens, New York, and Family (02:34): Canton traces his love of film to a father who survived being shot down over France in WWII, won an Oscar for a short film on Van Gogh, and went on to do publicity for Hitchcock and Dr. Martin Luther King Jr., and to a mother who was a published poet. The movies, he says, were always destiny.Learning from the Greats on Papillon (15:22): Working for director Franklin Schaffner in Jamaica and living between the houses of Steve McQueen and Dustin Hoffman, Canton learned what it meant to commit to a film.From the Warner Bros. Mail Room to Running the Studio (20:31): Canton traces his rise from UCLA film student to head of Worldwide Production at Warner Bros., sharing stories about the Vacation franchise, Caddyshack, and Lethal Weapon.Taking the Helm at Columbia Pictures (39:22): Recruited by Peter Guber and Jon Peters, Canton became Chairman of Columbia Pictures and later oversaw Columbia TriStar. He reflects on the team he assembled and the record-breaking run that followed, including Jerry Maguire, My Best Friend's Wedding, Bad Boys, and Air Force One.The Art of the Difficult Screening (47:51): Canton recounts two defining test screening moments: a chaotic preview of Scorsese's The Age of Innocence in a New Jersey bowling alley, and a tough audience response to Luc Besson's Léon: The Professional that led to an ultimatum and a reworked film that became a modern classic.The Cable Guy and No Regrets (50:43): Canton defends paying Jim Carrey $17 million and notes what history confirmed: the film launched Ben Stiller's directing career, introduced Jack Black, Owen Wilson, and Judd Apatow. He also recalls his affectionate standoff with Mike Nichols over the ending of Wolf.What Keeps Audiences Coming Back (54:50): Canton argues that what fills theaters today is the same thing that made Purple Rain a phenomenon: the feeling of a live, communal, irreplaceable experience.Host: Kevin GoetzGuest: Mark CantonProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Mark Canton:Wikipedia: https://en.wikipedia.org/wiki/Mark_CantonIMDB: https://www.imdb.com/name/nm0004799/Instagram: https://www.instagram.com/markcanton/?hl=enFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Hustling on the streets of New York. Wagering with a U.S. president over who could sleep with more women. Knocking back beers with Elvis. Waving his gun around at the funeral of Jay Sebring, one of the victims of Charles Manson’s murderous family. The same family that had their sights now set on the King of Cool, Steve McQueen, who needed the speed of a Mustang or the power of a Magnum to keep Charlie’s crazy cult at bay.See omnystudio.com/listener for privacy information.

Industry veteran Chris Metcalf sits down with the Road to Detail Bookie podcast to talk about his big career move — leaving Flex after 17+ years to join Sonax USA. Chris opens up about why he made the switch, what drew him to Sonax's century-old legacy and German engineering, and what his new B2B role looks like.We also dive into the exciting return of Detail Fest (June 20th at the Petersen Auto Museum in LA!), the Sonax partnership with the Petersen, polishing Steve McQueen's personal Jaguar and the James Hetfield collection, Sonax's diminishing abrasive technology, the new CC Wheel Coating, Auto Geek's rebrand and new product launches, and advice for new detailers just getting started.Plus — weenie mobiles, the Indy 500, and a whole lot of laughs.

The original heist classic starring Steve McQueen as a bored millionaire who robs banks for enjoyment and is caught in a cat-and-mouse game with an insurance investigator (Faye Dunaway) who is trying to recover the bank losses.  Directed by Norman Jewison.

Emil och Erik pratar om The Getaway från 1972 och håller tummarna för att Steve Mcqueen ska lyckas ta sig till friheten i El Rey.

Join Andrew, Bruce and Chris as they crack open Widows – S12 Ep05 on the Ten Point Podcast, diving head‑first into heists, heartbreak and the kind of moral chaos only a Steve McQueen thriller can deliver.Expect sharp takes, questionable theories, and at least one moment where someone insists they could pull off the heist better. The trio pick apart the twists, the performances, and the “would you do it?” dilemmas with their usual blend of chaos and charm.A tense crime drama meets three men who absolutely would not survive in one — that's Widows on the Ten Point Podcast.If you want it punchier, darker, or more comedic, I can spin a few alternate versions too.

Send us Fan MailThis week we take a look at two classic films to judge if the stand the test of time. The Wild Geese 1978 is based on a novel of the same name by Daniel Carney. It's a British war movie and reflects the tone of the times. Starring Richard Burton, Roger Moore, Richard Harris and a host of other familiar actors it follows a group of mercenaries as they attempt to free a political prisoner. Papillon 1973 stars Steve McQueen and Dustin Hoffman and  is based on the memoirs  of the same name by Henri Charriere. It follows the experiences of Papillon as he attempts to escape the brutal condition of the French Guiana prison he's been wrongfully sent to.Do these films hold up? Listen on to find out.To get in touch email us at  backtothefilm20@gmail.com

In this episode of The MuscleCar Place Podcast, guest host Bernie McPartland sits down with Mecum Auctions Senior Communications Manager David Morton during Mecum Houston for a fascinating behind-the-scenes look at one of the fastest-growing forces in the collector car world. What starts as a conversation about auctions quickly evolves into a deeper discussion about why live automotive experiences still matter in today's digital world. David shares how his background in sports marketing helped shape Mecum's growth strategy, why the company continues doubling down on live events rather than online-only auctions, and how Mecum has effectively become a motorsport-style entertainment experience that draws massive crowds, television audiences, and passionate enthusiasts nationwide. The episode also dives into the rapidly changing collector car market, including the explosion of trucks, SUVs, restomods, and 1980s/90s-era vehicles as younger generations enter the hobby. Bernie and David discuss everything from Broncos and K5 Blazers to exotics, custom builds, Steve McQueen movie cars, and the emotional storytelling that continues driving collector enthusiasm. Plus, Rob Kibbe shares a Dallas Kibbe Racing Update covering Dallas's aggressive summer racing schedule, preparation for the Charlotte Summer Shootout, and the challenge of balancing racing life with getting a Porsche 944 ready for prom season. The post TMCP #647: Mecum Auctions Insider David Morton – Live Auction Energy, Collector Car Trends & The Future of Car Culture first appeared on The Muscle Car Place.

Welcome to the Video Store Podcast.As the 1960s rolled into the 1970s, something changed in Hollywood. Movies got bigger. Louder. More chaotic. And sometimes… they were a total disaster, in the best way possible.These were practical, physical, dangerous productions, massive sets, real stunts, and ensemble casts packed with stars who weren't guaranteed to make it to the end.The disaster movie wasn't born in the '70s but it peaked there. Airplanes in crisis, cities collapsing, ships overturning, skyscrapers burning. This week, my picks come from the golden age of disaster movies as we look at four of my favorite disaster movies that still hold up, and that showcase exactly why the 1970s did the disaster movies better than anyone else ever has.Airport (1970)Set over one snowbound night at a busy Chicago airport, Airport weaves together multiple storylines, an overworked airport manager, a conflicted pilot, strained relationships, and a desperate man with a dangerous plan. The tension builds gradually, before the larger stakes take hold.What makes Airport work so well is it's scale. Burt Lancaster, Dean Martin, George Kennedy, Jean Seberg, Helen Hayes, the cast is stacked with faces you may not know by name, but absolutely recognize. The movie treats its ensemble seriously, letting each storyline unfold without feeling forced.It was a massive hit, one of the earliest true “blockbusters,” and set the template the entire decade would follow: big casts, grounded storytelling, and high-stakes tension. Earthquake (1974)Earthquake promised exactly what it delivered: the complete destruction of Los Angeles.Centered in Los Angeles, the film introduces a wide range of characters, before unleashing a catastrophic quake that tears the city apart. Once it hits, the movie becomes pure spectacle: collapsing buildings, massive destruction, and survival stories unfolding in real time.At the center is Charlton Heston, bringing his signature intensity to a man caught between personal turmoil and unfolding disaster. Around him is a deep ensemble cast, including familiar faces like George Kennedy, Lorne Green and Ava Gardner.Earthquake was create as an event, not just it a movie, it was a physical experience. The filmmakers pioneered the shaker mount camera system to simulate realistic movement, and introduced Sensurround, blasting sub-audible bass through giant speakers so powerful they made seats (and sometimes ceiling tiles) vibrate.The stunt work is amazing: real falls, real debris, real crashes. In the midst of all the destruction, the personal stories carry real weight, making the survival (or loss) of characters more emotional than expected. It's pure disaster chaos.The Poseidon Adventure (1972)Set aboard a luxury ocean liner on New Year's Eve, the movie quickly turns into a survival story when a rogue wave capsizes the ship. The survivors must navigate an upside-down world, climbing their way through the wreckage in hopes of escape.Led by Gene Hackman as a determined and unconventional preacher, the movie leans heavily into character dynamics. Hackman, Ernest Borgnine, Shelley Winters, Jack Albertson, it's another stacked cast, but no one is safe simply because they're famous. Relationships evolve, tensions flare, and every character has a purpose. The writing gives each person a distinct arc, making the journey feel and survival feel important. Add in a powerful score by John Williams, and you get one of the best disaster movies ever made.The Towering Inferno (1974)Set in the world's tallest skyscraper during its grand opening, The Towering Inferno follows what happens when overlooked safety shortcuts turn into a full-scale catastrophe. The film is powered by two Hollywood titans: Steve McQueen and Paul Newman. Their dynamicm, one a no-nonsense fire chief, the other the building's architect, gives the film a strong emotional core amid the chaos.The practical effects and stunt work are relentless: real fire, real smoke, real danger. You can feel the heat.It's also one of the best examples of the genre's ensemble storytelling—multiple perspectives, intersecting arcs, and constant tension. And once again, John Williams' score gives you a movie that is epic and intense.These movies hold up today because of the disaster but also the story telling.They take their time. They let you meet the characters, understand their relationships, and invest in their outcomes. So when disaster strikes, it actually matters. And there's no guarantee of survival, not even for the biggest stars.Long before the term “blockbuster” became standard (thanks to Jaws), these films were already defining what that meant.No matter which of these you choose, you're guaranteed a movie night that's anything but a disaster.Until next time — be kind, rewind.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

A deep dive conversation based on the moviescramble.co.uk review written by Mary Munoz. The stories of a group of Londoners during the German bombing campaign of the British capital during World War II. Blitz is a 2024 historical war drama film written, produced, and directed by Steve McQueen. The film stars Saoirse Ronan and Elliott Heffernan (in his film debut), supported by Harris Dickinson, Benjamin Clementine, Kathy Burke, Paul Weller, and Stephen Graham. Find us on iTunes: https://podcasts.apple.com/gb/podcast/moviescramble/id1466571460 Spotify: https://open.spotify.com/show/42wPn0tXvH3GQJ2E3NYDYp?si=TPUrCkecQb-zdEOAaD3cDA Amazon: https://music.amazon.co.uk/podcasts/ed9b87c9-fb70-4307-96a7-d6223a202741/moviescramble Youtube: https://www.youtube.com/channel/UCsR--3Bae_QGM5xiM3fWohA and all podcast providers. Contact us on Facebook, Twitter, and Instagram @Moviescramble We love you all! (yes, even you at the back)

Episode 402 or the John1911 podcast is now live: Japanese Military Weapons Coming to the US? Mongo goes on a buying spree - HK533k Why LMGs are more enjoyable then "assault rifle" for collectors.  Will Japanese military arms be coming into the US?  The John Wayne MAC-10 Story.  Steve McQueen in The Hunter.      Mongo & Marky John1911.com "Shooting Guns & Having Fun"

Turkey's Nuri Bilge Ceylan is our greatest living filmmaker, and 2011's "Once Upon A Time In Anatolia" is still his greatest film. Set deep in the heart of an ancient land, the film probes both myth and psychology in seamless fashion. In ArtiFact no. 69, filmmaker Alex Sheremet and critic Keith Jackewicz analyze the film in-depth. You can watch this discussion on YouTube: https://www.youtube.com/watch?v=jMYGO5OLlZw Subscribe to Patreon and get the full show ad-free: https://www.patreon.com/c/automachination Read Dan Schneider's essay on "Once Upon A Time In Anatolia": https://www.automachination.com/masterpiece-nuri-bilge-ceylan-anatolia/ Bonus show topics: Ceylan's influences; favorite vs. best films; extracting artistic influence from less-than-great films; Alex's digital detox; Keith's frustration with a VERY foxlike dog; Alex's doglike cat; the ignorance of the Trump administration; Alex bullies Max "Shit Tank" Abrahms on Twitter; America was sold moronic propaganda about Iran; Persia as the fulcrum of the world; after crying wolf for decades, ACTUAL anti-Semitism is now coming to America; destroying the neoliberal dream; dissecting Professor Jiang Xueqin; is China "innately" anti-war; oppression in Xinjian vs. America's targeting of nonwhites; why is America so brutal in its punishments; Alex's VIRAL post attracts Japanese nationalist weirdos; Japan's Unit 731 vs. Germany's Josef Mengele; assessing the 2028 election contenders; and much more... Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D Apple Podcasts: https://apple.co/3wLpqEV Amazon Music: https://amzn.to/2SVJIxB Podbean: https://bit.ly/3yzLuUo iHeartRadio: https://ihr.fm/3AK942L Learn about our debut film, "From There To There: Bruce Ario, the Minneapolis Poet": https://www.automachination.com/cityboy-bruce-ario-great-american-novel/ Read more from the automachination universe: https://automachination.com Read Alex Sheremet's (archived) essays: https://alexsheremet.com Follow us on Twitter: https://twitter.com/automachination Timestamps: 0:00 -- why Nuri Bilge Ceylan is the greatest living filmmaker; the one question Keith didn't get to ask Ceylan; the John Cassavetes connection; why "Once Upon A Time In Anatolia" is difficult to discuss 6:20 -- Once Upon A Time In Anatolia vs. Once Upon A Time In The West; how the film plays with myth without touching mythology; the symbolism of time 16:15 -- landscape as psychology; viewer empathy for the film's "killers"; Ceylan's unique use of humor; Arab: slur or diminutive? 27:56 -- the poetic use of past tense dictation of present tense events; odd details during the autopsy scene 32:16 -- the trope of "gorgeous women"; Nuri Bilge Ceylan's use of masculinity; women are kept at a distance; how a stray comment becomes central to the film 38:50 -- cinematic contrasts; village teenager with a lamp vs. Michelangelo's "Creation of Adam"; Ceylan's idea that "everything must be earned these days"; psychological profiles 49:15 -- is light vs. dark a cinematic cliche; can we say definitively what happened (or didn't happen) with the murder; "Once Upon A Time In Anatolia" is the better version of Kurosawa's "Rashomon"; the lack of clarity is the point 59:55 -- Alex: as a viewer, I avoided creating "the" definitive narrative in my mind; the great symbolism of the squirt of blood at the autopsy 1:09:10 -- one of the few films worth the Blu-Ray release; the anti-symbol of the rolling apples; "Once Upon A Time In Anatolia" is 99/100; Nuri Bilge Ceylan has the GREATEST list of "best films ever"; Steve McQueen gave up his chance at being the world's greatest filmmaker 1:17:15 -- dream-like sequences in the film; did Kenan "see" his friend's asphyxiation; the dog at the film's start vs. the dog at the end; the more ethereal elements that go into great filmmaking Tags: #film #turkey #türkiye

Veckans avsnitt av Extra dedikeras till 60- och 70-talets kanske största badboy i Hollywood. Vi pratar såklart om Steve McQueen som utöver en bejublad karriär som skådespelare var en man som likt Paul Newman älskade racing och något gott i glaset. Vi analyserar på hans egen stil respektive några av de roller han gjort där klädseln blivit ikonisk. Hosted on Acast. See acast.com/privacy for more information.

I denne uges udsendelse har vi valgt at hylde nogle af de fantastiske popkunstnere som fortjener mere kærlighed. Vi har derfor iklædt os et par professionelle dykkerdragter, og dykket helt ned på havets bund på udkig efter musikalske popperler. De perler som er druknet i mængden, dem som folk har glemt, eller som måske aldrig rigtig er blevet hørt. Vi dykker altså ned i den musikalske skattekiste, og anbefaler numre fra 80'erne, 90'erne, 00'erne og 10'erne. Vi skal bl.a. lytte til det vidunderlige britiske band Prefab Sprout (som ligger godt i maven), vi skal til et ambient, udendørs rave med duoen The Beloved, vi tager en tur i rummet med dejlige Tasmin Archer, vi genopdager det danske 90'er band Pockets og så glæder vi os over musikken fra Ginger Ninja og begejstres over deres bandnavn. Alle gode eksempler på glemte popperler. Derudover spiser vi igen havregryn ved morgenbordet, vi roder rundt i Steve McQueen og James Dean, vi mindes den regnvåde sommer i 2011, Andy går i gang med en afhandling om canadiske Tegan & Sara og så bliver der også lige plads til tvivlsomme solcitater, Steen Stig Lommers husband, John Hahn Petersen, Norwegians gamle direktør og et computerspil med en skydeglad Peter Gabriel. Playliste: Prefab Sprout - Appetite The Beloved - The sun rising Pockets - Diggin' Tasmin Archer - Sleeping satellite Opus X - Loving you girl Ginger Ninja - Bone will break metal Freja Loeb - Never stop coming back IDER - King Ruby Tegan And Sara feat. The Lonely Island - Everything is awesome

Stream Prison Break on Hulu (U.S.) and Disney+ (Internationally) Sarah Wayne Callies and Paul Adelstein discuss Michael's interrogation by General Zavala and punished in a brutal “hot box,” Sofia confiding in Lincoln about distrusting Whistler as Susan kidnaps Lincoln to pressure him via LJ, and Bellick's dire fight situation, including a cheating tactic with acetone. They reflect on Zavala as an unusually complex authority figure and speculate about the hot box's on-set design. Guest Castulo Guerra (General Zavala) discusses parachuting into an established series, working amid Dallas/Fort Worth heat and ragweed allergies, the show's on-set spritzers, the waterboarding scene, fan impact, accent choices, and career highlights including Terminator 2 and The Usual Suspects, and answers fan questions and a Sona escape pick (Steve McQueen). For the full experience of enjoying Prison Breaking With Sarah & Paul, subscribe to our Patreon channel where you can watch Sarah & Paul's running commentary while re-watching the episode on Hulu or your home DVD collection. You can also watch in a group with other fans on our fan-led Discord server. Subscribe here: ⁠⁠⁠⁠https://patreon.com/user?u=116411884⁠⁠⁠⁠ -or- Click Link in Bio Patreon Subscribers get access to all of our Watch Parties and FanFiction (all captioned in six languages - English, French, Spanish, German, Portuguese, and Turkish), exclusive Ask Me Anything's with Sarah & Paul, and unannounced Discord drop-ins on our always rollicking server with fans and friends who come together from around the world. All for less than a cup of coffee. Leave us your comments, shoot us an email, or leave us a voicemail - we love hearing from all of you! prisonbreaking@caliber-studio.com (401) 3-PBREAK Watch the episode on YouTube - / @prisonbreakpodcast Follow us on Instagram - / prisonbreakpodcast Follow us on TikTok - / prisonbreakpodcast Merch!!! - https://pbmerch.printify.me/products #fyp #michaelscofield #saratancredi #michealscofield #prisonbreakedits #prisonbreak #wentworthmilleredits #wentworthmiller #editor #fyy #fyppp #saratancrediedit #prisonbreakseason1 #sarahwaynecallies #prisonbreakseason2 #scofield #fy #sarascofield #saratancrediedits #scofield Logo design by John Nunziatto @ Little Big Brands. If you want one yourself, reach out at https://www.littlebigbrands.com/ and tell him we sent you. PRISON BREAKING WITH SARAH & PAUL is a Caliber Studio production. Learn more about your ad choices. Visit megaphone.fm/adchoices

Double Tap - Ep 458 This episode of Double Tap is brought to you by: C&G Holsters (Code: WLSISLIFE) Gideon Optics (Code: WLSISLIFE) Rost Martin (Code: WLSISLIFE) Night Fision (Code: WLSISLIFE) Blue Alpha Second Call Defense Text Dear WLS or Reviews +1 743 500 2171  Public   Show Titles   GOA GOALS Aug 1-2 in Iowa. https://goals.goa.org/ GunCon.net Tickets on sale now. Use code AGENCY171 DEAR WLS Question from Clay-more the Merrier As 2026 is the 500th anniversary of Beretta I'd like to know the panel's favorite Italian firearm, food and historical military leader? Question from Anonymous Coward Jon Hey guys wanted to ask you a question regarding hunting, do you think I should get a 22 air rifle (small game) and a crossbow (big game) to cover my hunting needs on both areas or is there a caliber that you guys can recommend that would do both? Thanks and love the show Question from Matthew C Hello, I am a diesel technician in eastern Indiana and work in a very rural and gun friendly area. A few of us in the shop have noticed that the required experience for drivers has been lowered in the last few years and we have all noticed the “quality” of drivers has drastically dropped. We have had upset drivers that come in yelling and screaming after getting fired or not getting their way (most of them are of the non English speaking variety). A few of us have kept pistols in our toolboxes for years. The safety department and upper management tell everyone “it's against company policy”. They are all great bosses and understand what is actually happening. They then talk for 10 minutes about the high end 1911 they keep in their desk. A couple of us have purchased the North American Arms .22 magnum, folding revolvers to pocket carry. They look like a standard pocket knife clip from 5 feet away and no one notices. The single action and 5 shot capacity is less than desirable though. We were talking and arguing over what is the best gun/holster combination that could conceal perfectly and not get caught on equipment. We are all 5'9- 6′ 1″, 160lbs to 220lbs. Not skinny, not fat. Appendix carry is not ideal. We were all thinking less than $700 total setup. The weapons will get beat up and dirty on occasion. What is your thoughts on ankle holsters? We would prefer 9mm. Would combination would you guys recommend? If no decision can be made, our young parts guy is a 21 year old virgin. He is 6′ 5″ and 350lbs. We could always have him rape the driver to death. Just a back up option. We think he may be Jeremy's illegitimate offspring. P.S Thanks to this show, I figured out that my favorite hat is ALSO a Richardson 112. Fat heads for life! Question from Cooter H Nick mentioned cheap 22's on Double Tap last week. Those make rad projects if you're willing to cut up a classic. I just took a Remington 511, cut it to 16”, threaded it for a can, then mounted an old glossy Leupold and stuck it in a surplus Remington 513 stock. What other old guns would the cast bastardize make it cool again? Question from Chris W Hey guys if you had to build a dmr load out what would it be? Semi auto, or bolt? 30-06, .308, or 7mm rem mag? What optics? Noreen arms makes these big ass semi auto rifles and I kind of want one and cant decide. The budget isnt a concern and its going to be a range toy for the most part or until shit hits the fan and I need someone on overwatch. Thanks in advance. Question from Un-ominous Cowword in Your Mom Is Aaron's middle name really Farkas or is that just him slipping(pun intended) a word that sounds like fuck-ass into his social media? Thanks GUN INDUSTRY NEWS GOA: Anti-Gun Lobby Attacks Organization as Extremists for Second Amendment Advocacy Gun Owners of America (GOA) reports that the billionaire-funded gun-control lobby is labeling the organization as extremists due to its uncompromising stance on restoring Second Amendment rights nationwide. The article contrasts GOA's grassroots support with the anti-gun lobby's scare tactics and political compromises. It urges readers to join GOA to support the ongoing fight against gun control. Not Stated Not Stated UTG Pro Extended Cocking Handle for MP5 and MP5K UTG Pro, part of Leapers, Inc., has released a USA-made extended cocking handle designed for MP5 and MP5K platforms. The one-piece steel accessory features a 1-inch extension with textured grip for improved control, especially for larger hands and ambidextrous use. It is optimized for UTG PRO Monolithic M-LOK handguards and compatible with most 9mm receiver MP5, MP5K, and clones. Henry Repeating Arms Bear's Leg Pistol (H9, H10, H12) Henry Repeating Arms released the Bear's Leg Pistol, a modern lever-action pistol inspired by the classic Mare's Leg from Steve McQueen's ‘Wanted: Dead or Alive.' It features updated X Model furniture, threaded barrel for suppressors, and calibers including .357 Mag, .44 Mag, .30-30 Win, and .45-70 Gov't. The design supports customization with M-LOK slots, Picatinny rails, and SBR conversion where legally permitted. Radian Weapons Afterburner + Ramjet for Glock Gen 6 G19/G45 Radian Weapons has released the Afterburner + Ramjet (AB+RJ) barrel-and-compensator system specifically engineered for Glock Gen 6 pistols, initially for G19 and G45 models with G17 to follow. The system addresses Gen 6 barrel geometry differences for safe compatibility, providing reduced recoil, improved muzzle control, and match-grade accuracy. It features a threadless design with precision machining and is now shipping from retailers.101 Hi-Point Firearms HUSH-POINT Multi-Caliber Flow-Through Suppressor Hi-Point Firearms debuted a new additive-manufactured, multi-caliber flow-through suppressor added to the HUSH-POINT line at the 2026 NRA Annual Meetings & Exhibits. It supports calibers from .17 HMR to .30-06 with advanced flow-through technology for reduced back-pressure, available in Titanium 64 (10.5 oz) or Inconel 718 (14.5 oz) at 7″ length x 1.75″ diameter. The suppressor features direct thread or HUB/QD mounts, includes two stainless steel adapters, and is made in Ohio with a lifetime warranty. Vortex Veil 400 Thermal Monocular The Vortex Veil 400 is the company's first thermal monocular, featuring a 400×300 resolution detector with 12μm pixel pitch and 50Hz refresh rate for sharp imaging. It offers 2.3x base magnification with digital zoom up to 4x, a 1100-yard detection range, and includes 4 color palettes, 3 viewing modes, and photo/video capture. Powered by a rechargeable 18650 battery, it weighs 13.3 oz and measures 4.9 inches in length. Mantis Titan X Smart Laser Training Pistol The Mantis Titan X is a dry-fire laser training pistol designed for realistic pistol training, particularly magazine changes, featuring a resetting trigger, integrated MantisX sensor, and Bluetooth connectivity to the MantisX app for performance analytics. It mimics a Glock 19 form factor, fits standard Glock holsters, and includes weighted magazines that simulate loaded ammo weight for reload drills. Released in late 2025 after SHOT Show debut, it enables high-volume home training without live ammunition.4637 FLUX Defense Gen 2 Holster for Raider 365 Chassis FLUX Defense introduced a Gen 2 holster for the Raider 365 chassis at NRAAM 2026, designed to convert a SIG P365 pistol into a PDW. The holster features adjustable height options and adjustable retention. It is available for purchase on the manufacturer's website. Before we let you go – JOIN GUN OWNERS OF AMERICA We'd love if you supported the show, join Agency 171 at agency171.com. Lot's of prizes, rewards and kick ass swag. No matter how tough your battle is today, we want you here fight with us tomorrow. Don't struggle in silence, you can contact the suicide prevention line by dialing 988 from your phone. Remember – Always prefer Dangerous Freedom over peaceful slavery. We'll see you next time! Nick – @busbuiltsystems | Bus Built Systems Jeremy – @ret_actual | Rivers Edge Tactical Aaron – @machinegun_moses Savage – @savage1r Shawn – @dangerousfreedomyt | @camorado.cam | Camorado

For this new episode of CROPPED, Will Dennis and I have a fun conversation about 1972's THE GETAWAY. Directed by Sam Peckinpah, starring Steve McQueen and Ali MacGraw, and written by Jim Thompson and Walter Hill, we discussed what comic book creators could learn from Peckinpah's work in crafting something more than just a crime genre programmer.

This is a free preview of a paid episode. To hear more, visit www.wethefifth.comHe has spent a lifetime around fame, a heroic father, football mythology, and old Hollywood… and somehow still comes off like the calmest guy in the room.-Steve McQueen and a Mini Cooper-what Carl Reiner was really like, and why Summer School still rules-growing up with Tom Harmon: Heisman winner, broadcaster, fighter pilot, legend-the war story Mark on…

BASED ON A TRUE STORY (BOATS EP. 384) — Quentin Tarantino's Once Upon a Time in Hollywood tells a tale of alternative history. In this episode, we'll separate the film's fairy-tale storytelling from the real history behind the Manson murders, Sharon Tate, Bruce Lee, Steve McQueen, and the Hollywood of 1969.Listen to All the Right MoviesJohn's podcast breaks down the history of Hollywood, one film at a time. Check out All the Right Movies to learn all about the work that went into making movies, how much of it works, and more.More from All the Right MoviesFind all the episodes: https://alltherightmovies.com/All the Right Movies episode for Once Upon a Time in Hollywood: https://www.patreon.com/posts/atrm-classic-111-152929056Facts about the movie: https://alltherightmovies.com/feature/45-interesting-and-golden-age-facts-about-once-upon-a-time-in-hollywood/Mentioned in the EpisodeJohn Neal Phillips on 1967's Bonnie and Clyde: https://links.boatspodcast.com/195Chapters0:00 Intro and historical accuracy4:15 Tarantino's fairy-tale approach11:25 Rick, Cliff, and Sharon Tate18:40 Hollywood in the late 1960s28:30 Steve McQueen and The Great Escape36:20 Bruce Lee, Sharon Tate, and Spahn Ranch49:10 The Manson Family and Cielo Drive58:45 The film's alternate ending1:04:20 Final thoughts and ATRMSupport my workSupport my sponsorsBecome a BOATS ProducerEmail me: dan@basedonatruestorypodcast.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Another crowd filled podcast from our class on the flipside!  Luana Anders shows up to talk about an article I wrote on Medium about her pal Robert Towne on the flipside. (I sent Jennifer a video clip about Chinatown but not the article) https://medium.com/@richmartini/the-matrix-of-chinatown-and-some-amusing-anecdotes-about-those-involved-f3b494e8b468 Luana comes forward to say that the article is incomplete - because I barely scratched the surface of our conversations with Robert Towne and these other folks offstage. (The last paragraph references them). So I knew immediately what Luana was complaining about, Jennifer could not.  Then when discussing how Robert influences my writing (he referenced an iconic scene from "The Great Escape" when Steve McQueen was bouncing a baseball against a wall over and over) - Robert talked about the fun of putting an idea in my head and then seeing it come to fruition. Along those lines, Robert Redford showed up to remind Jennifer how he'd met her once, and how he was able to put that memory in her mind, since she'd forgotten about it.  Then his pal Paul Newman showed up - someone we've spoken to before, but he also gave his two cent about playing pranks on the flipside. Then Nikola Tesla showed up - the father of AC and radio waves - and we asked him about the amount of his conscious energy that he has brought back to the planet. (He referenced Musk, but said it was "around 3%")  That isn't a pejorative - and he could be referring to the OCD part of his journey on the planet.  Then Charles Dickens stopped by - all of these folks we've chatted with before over the past ten years, even if Jennifer doesn't recall them - I do.  Robert Towne's dog Hira makes a funny comment as well. Just another day at the office. Enjoy!

Join your two pals as they make a list of films they probably should have watched instead of The Hunter (1980) for Connys special birthday special.Unfortunately, not even Steve McQueen could make bounty hunting look cool.

National Cheesesteak day.  Entertainment from 1983.  British gunner jumps out of burning plane with no parachute and lives after 18,000 ft. fall, Elivs Presley goes into the Army, Joseph Smith tarred & feathered.  Todays birthdays - Norman Fell, Steve McQueen, R. Lee Ermey, Nick Lowe, Louis Anderson, Robert Carradine, Kelly LeBrock, Nena, Lara Flynn Boyle, Jim Parsons, Alyson Hannigan, Jessica Chastain.  Jules Verne died.  Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Cheesesteak shuffle - Geico commercialBillie Jean - Michael JacksonSwingin - John AndersonBirthdays - In da club - 50 Cent   http://50cent.com/Cruel to be kind - Nick Lowe99 luftballoons - NenaBig Bang Theory TV themeExit - Let it out - Darcy Kate    https://www.darcykate.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.com

pWotD Episode 3244: Chuck Norris Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 3,620,396 views on Friday, 20 March 2026 our article of the day is Chuck Norris.Carlos Ray "Chuck" Norris (March 10, 1940 – March 19, 2026) was an American martial artist, actor, screenwriter, and author. He held black belts in karate, taekwondo, Tang Soo Do, Brazilian jiu-jitsu, and judo. After serving in the United States Air Force, he won numerous martial arts championships and later founded his own discipline, Chun Kuk Do. Norris began working in Hollywood as a martial arts instructor for celebrities before making his screen debut with a minor role in The Wrecking Crew (1968). Friend and fellow martial artist Bruce Lee invited him to play one of the main villains in The Way of the Dragon (1972). While Norris continued acting, friend and student Steve McQueen suggested he take it seriously. Norris took the starring role in the action film Breaker! Breaker! (1977), which turned a profit. His second lead, Good Guys Wear Black (1978), became a hit, and he soon became a popular action film star.Norris went on to headline a series of commercially successful independent action and martial arts films, including A Force of One (1979), The Octagon (1980), and An Eye for an Eye (1981), which elevated him to international fame. He later starred in studio productions such as Silent Rage (1982), Forced Vengeance (1982), and Lone Wolf McQuade (1983). His success led Cannon Films to sign him to a multi‑picture deal beginning with Missing in Action (1984), which launched a trilogy and cemented his status as the company's leading star throughout the 1980s. His work during this period included Invasion U. S. A (1985), The Delta Force (1986), and Firewalker (1986). Outside of Cannon, he also starred in Code of Silence (1985), which was regarded as one of his strongest films. In the 1990s, Norris played the title role in the long‑running CBS series Walker, Texas Ranger (1993–2001). He continued to appear in action films until 2006, and his final major film role was in The Expendables 2 (2012).Beyond acting, Norris became a bestselling author of books on martial arts, exercise, philosophy, conservative politics, Christian western fiction, self‑help, and biography, and wrote a regular column for WorldNetDaily. He appeared in numerous commercials, including as a longtime spokesperson for the Total Gym. In 2005, Norris became the subject of the "Chuck Norris facts" internet meme, which humorously exaggerated his toughness and abilities. He endorsed various products that incorporated it, and the phenomenon inspired multiple books, two video games, and several talk‑show appearances.This recording reflects the Wikipedia text as of 03:04 UTC on Saturday, 21 March 2026.For the full current version of the article, see Chuck Norris on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Russell.

Michael Fassbender describes HUNGER as the work of which he's most proud. He endured malnourishment and physical abuse to faithfully portray Bobby Sands during his hunger strike inside Maze Prison in 1981. Steve McQueen offers an unflinching look at the violence endured at the hands of the British government, and documents the reality of the strikers' and the guards' existence inside the prison. SUPPORT THE SHOW: PATREON SHOP THE SHOW: TEE PUBLIC FOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBE EMAIL THE SHOW: abreathoffreshmovie@gmail.com      

Welcome to The B-Side, from The Film Stage. Here we usually talk about movie stars and not the movies that made them famous or kept them famous, but the ones they made in between. Today, however, we talk about Oscar movies (!), or better yet, movies that remind us of Oscar movies! Conor and I welcome back the great Chris Feil, co-host of This Had Oscar Buzz! Today, we dive into defunct Academy Awards categories!  The movies include In Old Chicago (which won the Oscar for Best Assistant Director, a category that was discontinued after this 1938 ceremony), The Americanization of Emily (which was nominated for Best Cinematography (Black-and-White) in its final year of competition), the much-maligned film adaptation of A Little Night Music (which won for, deep breath, Best Music, Original Song Score, and Its Adaptation or Best Adaptation Score), and finally Sleepers (which was nominated for Best Original Dramatic Score, back during the time when there were two categories for music, Original Dramatic Score and Original Musical or Comedy Score). We talk about the upcoming (or just-aired, depending on when you listen) 2026 Academy Awards, the recent Oscar season and its surprises, changes that could be made to the format to make it more interesting, and personal favorites from the 2025 movie year. Additionally, we talk about Elizabeth Taylor singing in A Little Night Music, the endurance of the animated film Shrek (which won the first Oscar for Best Animated Feature back in 2002), and that time James Garner and Steve McQueen had a falling out because Garner starred in Grand Prix. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

Happy 2026, Vintage Sand fans! Thank you for taking time away from looking for real estate opportunities in Greenland to join us for Episodes 65 and 66, our first of 2026. Herein, Team Vintage Sand returns one last time to the source of some of our most popular episodes: Danny Peary's hard-to-find 1993 classic "Alternate Oscars". In the past, we have used Peary's model to approach the Best Picture Academy Awards from every decade going back to the 1930's. Collect them all! For this episode, we wrap up this series with the most recent complete decade, the 2010's. First, a caveat: we began this podcast eight years ago, in the spring of 2018, which means that we have already discussed many of today's films in a number of different contexts already. We did our Best of the Teens in early 2020, and recently did our Top 10 of the Century so far, wherein many of the films we're talking about today are contained. Add in that we did episodes on the best of 2018 and 2019, respectively, in those years, and you get the sense that we have already covered this ground several times. But like all good film fans, we're completists, so we conclude this series of episodes with these two, which will focus on 2010 to 2014 and 2015 to 2019 respectively. Mercifully, perhaps, these episodes are shorter than most others we've done, simply because, as mentioned, this is terrain we have covered several times already. The teens were clearly a transitional time for film, especially in Hollywood. The foreign market came to dominate, as did the teen market, which led to a kind of lowest common denominator for American film in these years. Throw in the uncertainties created by the rise of streaming and the changes in where and how people watch film, and you have…well, it's still a little too early to tell what the 2010's will look like to film historians, if there are indeed any film historians left. That being said, it's clear that the decade featured some of the greatest films ever made, ones that will stand the test of time and will continue to be watched long into the future. In many ways, the Mexican New Wavers dominated the decade, winning half of the Best Director Oscars for the whole decade: Del Toro for "Shape of Water", Cuarón for "Gravity" and "Roma", and Iñárritu for "Birdman" and "The Revenant". And of course, the stunning triumph of "Parasite" ended a decade in film that many were ready to write off (and got rid of the bad taste left behind by "Green Book" the previous year). It was also a decade that saw the arrival of some wildly innovative and talented filmmakers, among them Chloe Zhao, Ryan Coogler, Ava Duvernay, Jordan Peele, Greta Gerwig, Steve McQueen, and Damien Chazelle, plus amazing directors who transcended often marginalized genres like Ari Aster, Alex Garland, Robert Eggers and Denis Villeneuve. We also saw some great works from directors who came of age in the 90's and early 00's like David Fincher, the Coens, Spike Lee, Christopher Nolan, Todd Haynes and the Andersons, both Wes and PTA divisions. And for the icing on the cake, we got some brilliant work from the old guard Hollywood New Wavers like Martin Scorsese (who just seemed to pick up steam as the decade went on), Steven Spielberg, (at least with "Lincoln"), Terrence Malick and, most surprisingly, Paul Schrader. So make yourselves comfortable, have yourselves one of those lovely pastries from Mendl's, and join us for our final foray into the world of Best Picture Alternate Oscars!

Access this entire 115 minute episode (and additional monthly bonus episodes, including the entire Prefab Sprout series) by becoming a Junk Filter patron! https://www.patreon.com/posts/228-prefab-songs-151720106In the fourth episode of the Junk Filter miniseries exploring the work of the UK band Prefab Sprout, I'm joined by Patrick Svensson, a library worker in Seattle, for a track-by-track discussion of their “lost album” Protest Songs.Recorded quickly and cheaply in Newcastle right after Steve McQueen, Protest Songs was intended for release at the end of 1985 but shelved by CBS Records to avoid cannibalizing sales of the hit single “When Love Breaks Down”.  After four years of bootlegs and rumours, the album was released without fanfare in 1989, serving as a stopgap between From Langley Park to Memphis and Jordan: The Comeback, yielding no hit singles while still making the Top 20 UK album charts.Patrick and I wish to make a case for this album as one of their best releases, with a more stripped-back, less hyperproduced sound that captures the band's live energy and provides further background on Paddy McAloon's upbringing and sensibilities, as he delivers “protest songs” about the struggles of daily existence in Thatcher's England as opposed to stridently political material.We dive into our favourite Protest Songs tracks, era-specific B-sides, and the unmistakable influence of Steely Dan on McAloon's songwriting.Follow Patrick Svensson on Bluesky.My thanks to the Sproutology website, the ultimate online resource for the band.Demo version #2 of Talkin' Scarlet from 1983- more of a duet, with a different set of lyrics.Tiffanys, live in Munich, December 1985

On this episode of the podcast, host Dr Pasquale Iannone is joined by author Ashley Clark to discuss his new book The World of Black Film (2026).Ashley is a writer, critic and broadcaster. He is also Curatorial Director at the Criterion Collection. His previous roles include director of film programming at the Brooklyn Academy of Music. Ashley has curated film series at BFI Southbank and the Museum of Modern Art amongst others. He has written for Film Comment, Reverse Shot, and Sight and Sound, and his first book - on Spike Lee's Bamboozled (2000) - came out in 2015.Spanning more than a century of film history, Ashley's new book The World of Black Film is a fascinating, illuminating survey of black cinema through 100 key works. From avant-garde dramas to action thrillers, blaxploitation films to biopics, comedies to war films. Ashley provides sharp, engaging analysis of  pictures by Ousmane Sembène, Spike Lee, Gordon Parks, Sara Gómez, Horace Ové, Kathleen Collins, Souleymane Cissé, Steve McQueen and many more.Ashley tells Pasquale about the background to the book and his approach to selecting the 100 films. He also reveals some of the personal memories and connections that feed into the book.

Today on the couch, we're joined by someone whose story goes beyond music. A respected voice in UK rap for over 20 years, he's starred in Top Boy and worked with Oscar-winning director Steve McQueen. He's been through the criminal justice system and come out the other side, using his voice to reflect, rebuild, and speak the truth. Since returning, his consistency and talent have earned him the 2025 MOBO Award for Best Grime Act. This conversation isn't just about bars or fame – it's about accountability, growth, and what life really looks like after prison.This podcast is also available as a video – just search Life After Prison on YouTube. Useful organisations: Changing Tunes – Uses the power of music‑making to support people in prison, young offenders and those post‑release. Key 4 Life – Work with young people at risk of offending or reoffending, using education, mentoring, and employment support to help them build positive futures.Contact us: If anything you've heard in this podcast has inspired you to make a positive change in your life, or you'd just like to get in touch, please contact us.

In this episode of Gangland Wire, host Gary Jenkins, retired Kansas City Police Intelligence Unit detective, steps outside traditional Mafia territory and into a shadowy world just as dangerous—and just as fascinating: the international theft of ultra-rare automobiles.  Gary is joined by author Stayton Bonner, former senior editor at Rolling Stone, and legendary car-recovery specialist Joe Ford, the real-life figure behind Bonner's book The Million Dollar Car Detective. At the center of the story is a breathtaking pre-World War II automobile—the Talbot-Lago Teardrop Coupé—once described as the most beautiful car in the world. Stolen from a Milwaukee industrialist's garage in 2001, the car vanished into the international underground of elite collectors, forged paperwork, and high-stakes deception. Joe Ford explains how he became the go-to investigator when rare cars worth millions disappear—and why stolen vehicles are far harder to recover than stolen art. What follows is a years-long global hunt involving disgruntled mechanics, fabricated titles, shell corporations, Swiss intermediaries, and a billionaire buyer now locked in civil litigation. Bonner adds rich historical context, tracing the car's glamorous past—from European aristocracy to Hollywood royalty—and exposing how loneliness, obsession, and greed often surround these legendary machines. The conversation expands into other notorious cases, including the disappearance of the original James Bond Aston Martin from Goldfinger, and how wealthy collectors sometimes knowingly harbor stolen artifacts. This episode is a true-crime story without guns or gangs—but filled with deception, betrayal, and the relentless pursuit of justice across borders. If you love investigative work, high-end crime, and stories that feel like James Bond meets Gone in 60 Seconds, this one's for you.

Brett and Mark welcome Dan Pilling of the Petersen Automotive Museum to discuss the ever-changing exhibits, Steve McQueen's Jaguar XKSS, the 1925 Rolls-Royce Phantom I Jonckheere Coupe, the Oly Bronco, and a new exhibit that may have the initials F&F. This and more on Driven Radio Show! Hosted on Acast. See acast.com/privacy for more information.

The Cinematography Podcast Episode 345: Sean Bobbitt In the landscape of post-apocalyptic cinema, few franchises carry as much visual baggage as the 28 Days Later franchise. Known for pioneering the "fast zombie" and the gritty, digital lo-fi aesthetic of the early 2000s, the series has always found a novel visual approach for every entry. For the latest installment, 28 Years Later: The Bone Temple, cinematographer Sean Bobbitt, BSC, faced a unique challenge: honoring the jagged zombie movement of the franchise while carving out a look that feels entirely new. While 28 Years Later was shot on iPhones and set its own tone, Bobbitt was determined to make The Bone Temple stand apart. The goal was to capture a duality within the setting. Dr. Kelson (Ralph Fiennes) has created a special space within The Bone Temple, where the chaos parts around him. Bobbitt explains, “We just wanted to highlight the fact that this was a place of peace and tranquility, and acceptance, but also bonkers madness by using much more traditional cinematic techniques and a much slower camera.” However, the film doesn't sacrifice the kinetic energy the series is known for. To capture the fights between the infected and a group known as the "Jimmies," Bobbitt used the ARRI Trinity camera system. By using a gyro-stabilized remote head mounted on a Steadicam rig, they created a fluid, immersive way for the camera to navigate the chaos with 360-degree movement. The trademark jagged movement and speed of the infected is created by using a narrower shutter angle. A typical shutter angle is 180 degrees for natural motion blur, while the 28 franchise uses a narrower 90-degree, or even 45-degree shutter angle. Bobbitt expanded the signature shutter settings to apply to the Jimmies, a visual way to represent the thin, blurring line between the humans and the zombies. “There are all sorts of statements being made about humankind,” in The Bone Temple, says Bobbitt. “There's a lot of humanity and humor in the script which drew me to it.” Director Nia DaCosta and Bobbitt have a history that dates back several years. They first met on a Steve McQueen film set where DaCosta was a production assistant whose job was driving Bobbitt to and from work. Bobbitt enjoyed her first feature, Little Woods, and went on to DP both The Marvels and Hedda with her. “She's a great writer, a great director and the epitome of collaboration,” he says. Their process involves a meticulous long prep, with extensive shot-listing and storyboarding. Bobbitt prefers the intimacy of a single-camera setup, which he usually operates himself, even on large films. On the Yorkshire set, he pre-lit the entire space, enabling the actors to have the freedom to move without being tethered to specific marks. "The lighting informs actors," Bobbitt explains. "I try to light it as it should be, based upon my understanding of the emotion of the scene and discussions with the director." Rehearsals are key for Bobbitt to make lighting adjustments for close-ups, while the actors feel comfortable and immersed in the world of the story. Interestingly, The Bone Temple is Bobbitt's first foray into the horror genre. As a former documentary and news cameraman, he says, “Horror to me is a real thing. It is actual dead bodies, and the horror of what humanity can do to each other. That is embedded in my soul forever, what I've witnessed.” Bobbitt found a deep connection to the script's humanity and humor. The appeal of the 28 franchise for him is that it isn't just about monsters; it's a human story about the horrors people inflict on one another. By bringing a documentary-trained eye to a fictional apocalypse, Bobbitt has crafted a film that respects the technical demands of the genre while never losing sight of the human pulse at its center. See 28 Years Later: The Bone Temple streaming on digital soon. Hear our previous interview with Sean Bobbitt: https://www.camnoir.com/ep114/ Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Episode Notes Jay Cluitt of The Con Air Podcast, the Deep Blue Sea Podcast and Life Vs Film is back with Rob for the opening episode of Part 3 of the series as Talbert and Liebgott show off their souvenirs.

On November 7, 1980, Steve McQueen — the massive movie star whose minimalist swagger earned him the nickname “The King of Cool” — died at the age of 50 following complications from cancer surgery. A countercultural icon who bridged old Hollywood and the rebellious New Hollywood era, McQueen embodied a new kind of leading man: taciturn, restless, and unmistakably modern. From his breakout role in The Magnificent Seven to era-defining performances in Bullitt, The Great Escape, and Papillon, McQueen reshaped action cinema with a raw physicality and anti-authoritarian edge that made him one of the biggest stars in the world. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Happy 2026, Vintage Sand fans! Thank you for taking time away from looking for real estate opportunities in Greenland to join us for Episodes 65 and 66, our first of 2026. Herein, Team Vintage Sand returns one last time to the source of some of our most popular episodes: Danny Peary's hard-to-find 1993 classic "Alternate Oscars". In the past, we have used Peary's model to approach the Best Picture Academy Awards from every decade going back to the 1930's. Collect them all! For this episode, we wrap up this series with the most recent complete decade, the 2010's. First, a caveat: we began this podcast eight years ago, in the spring of 2018, which means that we have already discussed many of today's films in a number of different contexts already. We did our Best of the Teens in early 2020, and recently did our Top 10 of the Century so far, wherein many of the films we're talking about today are contained. Add in that we did episodes on the best of 2018 and 2019, respectively, in those years, and you get the sense that we have already covered this ground several times. But like all good film fans, we're completists, so we conclude this series of episodes with these two, which will focus on 2010 to 2014 and 2015 to 2019 respectively. Mercifully, perhaps, these episodes are shorter than most others we've done, simply because, as mentioned, this is terrain we have already covered several times. The teens were clearly a transitional time for film, especially in Hollywood. The foreign market came to dominate, as did the teen market, which led to a kind of lowest common denominator for American film in these years. Throw in the uncertainties created by the rise of streaming and the changes in where and how people watch film, and you have…well, it's still a little too early to tell what the 2010's will look like to film historians, if there are indeed any film historians left. That being said, it's clear that the decade featured some of the greatest films ever made, ones that will stand the test of time and will continue to be watched long into the future. In many ways, the Mexican New Wavers dominated the decade, winning half of the Best Director Oscars for the whole decade: Del Toro for "Shape of Water", Cuarón for "Gravity" and "Roma", and Iñárritu for "Birdman" and "The Revenant". And of course, the stunning triumph of "Parasite" ended a decade in film that many were ready to write off (and got rid of the bad taste left behind by "Green Book" the previous year). It was also a decade that saw the arrival of some wildly innovative and talented filmmakers, among them Chloe Zhao, Ryan Coogler, Ava Duvernay, Jordan Peele, Greta Gerwig, Steve McQueen, and Damien Chazelle, plus amazing directors who transcended often marginalized genres like Ari Aster, Alex Garland, Robert Eggers and Denis Villeneuve. We also saw some great works from directors who came of age in the 90's and early 00's like David Fincher, the Coens, Spike Lee, Christopher Nolan, Todd Haynes and the Andersons, both Wes and PTA divisions. And for the icing on the cake, we got some brilliant work from the old guard Hollywood New Wavers like Martin Scorsese (who just seemed to pick up steam as the decade went on), Steven Spielberg, (at least with" Lincoln"), Terrence Malick and, most surprisingly, Paul Schrader. So make yourselves comfortable, have yourselves one of those lovely pastries from Mendl's, and join us for our final foray into the world of Best Picture Alternate Oscars!

Today, I am pleased to welcome Paul Boutros, Deputy Chairman and Head of Watches, Americas for Phillip, the leading auction house dedicated to collector's watches. Based in New York City, he helped establish and build the watch department since its launch in 2014. In October 2017, he led Phillips's inaugural New York watch auction, Winning Icons, where Paul Newman's legendary Rolex "Paul Newman" Daytona sold for $17.8 million - the highest result ever for a vintage wristwatch sold at auction. Under his leadership, the Phillips New York team as sold many legendary pieces, including a Heuer Monaco wristwatch gifted by Steve McQueen, Marlon Brando's Rolex GMT-Master worn in "Apocalypse Now", Jack Nicklaus' Rolex Day-Date, and Paul Newman's Rolex "Big Red" Daytona, to mention just a few. In December 2021, his team's fifth annual flagship watch auction achieved $35.9 million, breaking the record for the highest watch auction total in U.S. history. A collector of wristwatches since childhood, Paul is a specialist in their authentication and valuation. Frequently appearing on television programs sharing tips on watch collecting, he has hosted talks for investment banks, luxury brands, and magazines. As the former watch columnist for Barron's PENTA, Paul has been published or cited in numerous publications including The New York Times, Wall Street Journal, Bloomberg, Forbes, and Robb Report. Paul serves as a Trustee for the Horological Society of New York, an Honorary Committee Member of the Gerald Genta Heritage Association, and as an Academy Member of the Grand Prix d'Horlogerie de Genève (GPHG). Paul also serves as a strategy consultant to luxury brands through his firm, Boutros Group. To start off, Paul tells us about the exotic world of luxury time pieces. He tells the story of how the luxury watch landscape has evolved and how UHNW individuals and families are viewing watches today as a component of their portfolio's alternative assets allocation. We then talk about what sets unique time pieces apart from the "mere mortal" expensive watches. Paul helps us understand and define what makes a luxury watch a collectible piece.>/p> Paul offers some tips for families and family offices on how to get started, especially if they are new to luxury watch investing and collecting. He goes into detail on how one can find the right watch for their needs and goals. An important consideration in this specialized segment of alternative investments is protecting against fraud and other unique threats. Paul provides invaluable pointers into what UHNW families need to know about how to avoid the risks inherent in the world of luxury watches and how to protect against being taken advantage of. Finally, he describes the important role the family office can and should play in this process. Do not miss this fascinating and deeply insightful conversation with one of the world's leading experts on luxury time pieces and collectible watches.

We are raiding the Guardian long read archives to bring you some classic pieces from years past, with new introductions from the authors. This week, from 2021: one of Britain's most influential scholars has spent a lifetime trying to convince people to take race and racism seriously. Are we finally ready to listen? By Yohann Koshy. Read by Dermot Daly. Help support our independent journalism at theguardian.com/longreadpod

The boys head to prison on Devil's Island to discuss 1973's “Papillon”! One of the highest-grossing movies of the year, this true-story account of Steve McQueen's character befriending Dustin Hoffman's character to help keep each other alive and prepare their escape from the no-chance-of-return prison, a world away from their native France. Made by the team behind Oscar-winner “Patton” from 1971, shot very much on location, some call this McQueen's best performance. Before we get into it, John gives us a mini-review of “Hamnet”, the romantic drama film by Chloé Zhao starring Paul Mescal and Jessie Buckley, based on the book based on the play. Grab a beer and join in!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:41 John's “Hamnet” mini-review; 15:08 1973 Year in Review; 41:21 Films of 1973: “Papillon”; 1:24:21 What You Been Watching?; 1:29:08 Next Week's Episode Teaser Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Cast & Crew: Chloé Zhao, Maggie O'Farrell, Paul Mescal, Jessie Buckley, Fred J Koenekamp, Henri Charriere, Dalton Trumbo, Lorenzo Semple Jr., William Goldman, Franklin J. Schaffner. Recommendations: Hamnet, Welcome to Derry, The Witcher, Slow Horses, Home Alone, The Righteous Gemstones, Sisu 2, Pluribus, The Exorcist, Enter The Dragon, Live and Let Die, The Sting, American Graffiti, Soylent Green. Additional Tags: French Guyana, Paris, Honduras, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Access this supersized 148 minute episode (and additional monthly bonus episodes, including the continuing Prefab Sprout series) by becoming a Junk Filter patron! Only $5 (USD) a month!https://www.patreon.com/posts/226-prefab-from-145775014In part three of the podcast's series exploring the work of the extraordinary UK band Prefab Sprout, I am joined by Atlanta-based critic and theatre scholar Brice Ezell to discuss the band's most commercially successful album: 1988's From Langley Park to Memphis.Following the critical acclaim of Steve McQueen, frontman Paddy McAloon aimed for a glossy, broadly commercial sound this time. With full label support, no expense was spared on production, a sweeping, cinematic soundscape that blends sophisticated synthesizers and polished studio techniques with full orchestration, gospel choirs, and even a guest appearance from Stevie Wonder.Heavily influenced by Barbra Streisand's The Broadway Album, McAloon goes full Theatre Kid on this record. The project employed multiple producers (including the returning Thomas Dolby) and experimented across genres from arena rock to Broadway show tunes and adult contemporary. This approach generated two enduring UK radio hits: “The King of Rock 'n' Roll” (their only Top Ten single) and “Cars and Girls” (a subtle critique of Bruce Springsteen's persona).Brice and I dive deep on Langley Park, offering track-by-track analysis. We explore the album's surprising global footprint, tracing its influence from Norwegian singer-songwriters to Japanese City Pop, anime scores, and video game music. And we zero in on the album's central theme: an epic statement where Paddy deconstructs the American mythmaking machine from the vantage point of Northeast England, all while processing his band's sudden success and grappling with an uncertain future.My thanks to the Sproutology website, the ultimate online resource for the band.Follow Brice Ezell on Bluesky.The King of Rock 'n' Roll - from the Dutch music show TopPop, 1988Nightingales - Paddy McAloon on piano, from KCRW, 1988Mashup of Prefab Sprout's Knock on Wood and a track from the Japanese anime High School Aura Buster.

While the bike helmet industry screamed "you need this for safety!", Gloria Hwang did the opposite. She made helmets so beautiful that 25% of Thousand customers are wearing helmets for the first time ever. Thousand now offers helmet and bike accessories in 20+ countries with financial backing from REI and the Clif Bar Family Office. Gloria talks all things customer loyalty, business branding, and nailing your product roadmap for maximum impact. She intimately shares how a personal tragedy inspired a mission to save 1,000 lives, and how that number grew to 1,300+ through their lifetime crash replacement guarantee. You'll learn the counterintuitive strategy that made safety cool, and why Thousand wins with culture instead of competing on tech features. You'll learn: Why fear-based marketing fails and what works insteadThe psychology insight that built a $10M+ brand across 20+ countriesHow 25% of customers are first-time helmet wearersTransitioning from maker to manager over 10 yearsTaking back the product roadmap to return to core differentiationWhy solving customer problems beats chasing growth at all costsChapters:00:00 Introducing Gloria Hwang, Founder & CEO of Thousand1:30 How to Change Customer Behaviors 4:11 The Personal Tragedy That Started Thousand & The Design Philosophy That Wins Every Time5:15 Why 25% of Customers Are First-Time Helmet Wearers7:30 Steps to Get Further Differentiated & Beat Out The Competition 9:55 Strategies for Collecting High-Quality Customer Insights 16:00 Expanding to 20+ Countries & Quality Standards19:50 The BEST Advice Gloria Has Ever Gotten 24:30 The Hardest Transition Gloria Went Through & How to Tackle People Problems 29:20 What to Ask for When Pitching Investors (Surprise, it's NOT Money)  32:48 How Motherhood Changed Her Approach to Business Subscribe and watch Shopify Masters on YouTube!Sign up for your FREE Shopify Trial here.

One of the most iconic movies of the 20th century was "The Great Escape" starring Steve McQueen. He escapes the German Nazi concentration camp Stalag Luft III in Bavaria on a stolen motorcycle. In the same vein, the Bible tells us we can escape the corruption of this world through God's great and precious promises.

Join our Patreon to listen to the entire episode, AD FREE: http://bit.ly/44Mo8xU This week on Thumb War we dive headfirst into “Shame”, the Steve McQueen film that proves even the hottest people alive can be absolutely miserable. We unpack Michael Fassbender's Olympic-level libido, Carey Mulligan's emotional demolition derby performance, the subway eye-sex, the hotel disaster, the threesome-from-hell, and the sibling dynamic that made us both yell “No thank you.” Jason is weirdly unimpressed. Rachel is weirdly invested. Fassbender is weirdly… relentless. If you like art-house chaos, trauma bonds, and movies that make you question your entire browser history, this episode is for you. Email us → thumbwarpod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The guys recap Tim Pool's appearance on the show and discuss trying to get their families together for a hang, which sports they think is best for their kids to play, the new Ed Gaines show, NFL's Trevor Lawrence, Steve McQueen's hotness and fashion, Brendan's Cowboy Cerrone and Leonard Garcia stories, how much sports have evolved, Brendan's love for serial killer content, current events around the world and much more.Get this episode and all future episodes AD FREE + 2 extended episodes, Fan Questions, exclusive behind the scenes content and more each month at https://www.patreon.com/tfatkDeleteMe - Get 20% off your DeleteMe plan when you go to https://joindeleteme.com/FIGHTER and use promo code FIGHTER at checkout.Signos - Go to https://signos.com/ and get $10 off select plans with code Fighter.True Classic - True Classic - Upgrade your wardrobe and save on @trueclassic at https://trueclassic.com/fighter ! #trueclassicpodMagic Mind - https://magicmind.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A whirlwind rise to Formula 1 with its most famous team in the 1960s, and one of the greatest sportscar racing drivers in the world during the ‘70s and ‘80s, Derek Bell has established an incredible legacy in motorsport. Speaking to Tom Clarkson, Derek talks about being personally picked by Enzo Ferrari to make his Formula 1 debut for the team at their home race and what it was like going out for dinner with Ferrari's founding father. While he only registered one championship point during his F1 career, Derek went on to have incredible success elsewhere – winning five Le Mans, three Daytona 24 races and two World Sportscar Championships. Derek explains why he achieved so much in sportscars, particularly alongside Belgium's former F1 driver Jacky Ickx, and what it was like helping to make the Le Mans movie with Hollywood icon Steve McQueen. This episode is sponsored by:  Babbel: right now, Babbel is offering our listeners up to 60% on their subscription. Go to babbel.com/GRID to claim your discount. 

In the summer of 1968, the Beach Boys' drummer Dennis Wilson invited a hippie guru and his grungy harem to squat in his Pacific Palisades home. Dennis was the handsome California surfer that his brother Brian wrote all those hit songs about, while the hippie cult would soon be infamous the world over as the Manson Family. What happened when the Wilsons met the Mansons would forever change Dennis, the band, and American history itself. For a full list of contributors, see the show notes at ⁠disgracelandpod.com.⁠ This episode was originally published on December 17, 2019. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What if your charisma started before you even spoke a word? In this episode, AJ and Johnny reveal how to make a magnetic entrance—one that commands attention, sparks curiosity, and creates an instant window of opportunity. Drawing on Princeton research showing impressions form in just a tenth of a second, they unpack why body language and micro-behaviors matter more than anything you say. You'll learn the difference between the “nice guy entrance” that keeps you invisible and the deliberate, charismatic entrance that signals composure, awareness, and confidence. From posture and pauses to eye contact and subtle acknowledgments, AJ and Johnny show you how to turn heads the moment you walk through the door—and how to convert that attention into influence with what they call conversation radar. What to Listen For [00:00:00] The Princeton research that shatters the “7 second” first impression myth [00:02:00] The “nice guy entrance” and why it keeps you invisible [00:03:27] The charismatic entrance: posture, pause, and scanning the room [00:04:54] How nods, winks, and subtle acknowledgments spark curiosity [00:06:26] Why deliberate stillness and micro-pauses signal authority [00:07:44] How rushing through a door leaks anxiety and discomfort [00:09:01] Steve McQueen's secret to always drawing attention on screen [00:12:01] Client story: Derek shifts from invisible engineer to magnetic connector [00:13:42] How to listen for identity markers and turn attention into influence A Word From Our Sponsors Tired of awkward handshakes and collecting business cards without building real connections? Dive into our Free Social Capital Networking Masterclass. Learn practical strategies to make your interactions meaningful and boost your confidence in any social situation. Sign up for free at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theartofcharm.com/sc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and elevate your networking from awkward to awesome. Don't miss out on a network of opportunities! Unleash the power of covert networking to infiltrate high-value circles and build a 7-figure network in just 90 days. Ready to start? Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CIA-proven guide⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to networking like a spy! Indulge in affordable luxury with Quince—where high-end essentials meet unbeatable prices. Upgrade your wardrobe today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠quince.com/charm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for free shipping and hassle-free returns. Ready to turn your business idea into reality? Shopify makes it easy to start, scale, and succeed—whether you're launching a side hustle or building the next big brand. Sign up for your $1/month trial at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠shopify.com/charm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Need to hire top talent—fast? Skip the waiting game and get more qualified applicants with Indeed. Claim your $75 Sponsored Job Credit now at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Indeed.com/charm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. This year, skip breaking a sweat AND breaking the bank. Get your summer savings and shop premium wireless plans at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠mintmobile.com/charm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Stop needlessly overpaying for car insurance. Before you renew your policy, do yourself a favor—download the Jerry app or head to ⁠⁠JERRY.com/charm ⁠⁠ Connect with quality therapists and mental health experts who specialize in you at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rula.com/charm ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Curious about your influence level?  Get your Influence Index Score today! Take this 60-second quiz to find out how your influence stacks up against top performers at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theartofcharm.com/influence⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Check in with AJ and Johnny! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AJ on LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Johnny on LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AJ on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Johnny on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Art of Charm on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Art of Charm on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Art of Charm on TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices