Podcasts about cobrin

Listen up people, Danella's guest Ali Cobrin is comin in hot in this episode! The soon to be mamabear let's us in on all the unexpected truths of pregnancy (read: gas!) and so much more. This episode is for anyone feeling alone on their pregancy journey, curious about what that might be like and/ or the nostalgic mom remembering her first time. This week Daniella talks with friend and actress Ali Corbin, who is currently pregnant with her first child (1:00). Daniella and Ali talk about the difficulties surrounding family planning as working actresses and how to be present at work and in the home (12:20). While discussing Ali's third trimester, the ladies get real about the symptoms mothers feel during the first trimester of pregnancies, and Daniella talks about her experience preparing for labor (21:30). Daniella talks about joining “crunchy/granola” mom communities when she was pregnant, and the shame some moms feel about medical intervention. The ladies then stress the importance of nurturing mothers during postpartum and making active decisions to be present during the first stages of motherhood (42:05). Ali Cobrin, born and raised in Chicago, spent her teens and 20s actressing in Hollywood. You may have seen her in American Reunion, Neighbors and/or many other movies you can find on Showtime, Amazon, Netflix, Lifetime & Hallmark. We are eagerly awaiting the premier of her newest television series The Baxter's (MGM/Amazon). She currently lives with her Husband, Zak Resnick, in Harlem and is preparing for her upcoming role: Mom! Follow her on IG @ali_cobrin to follow along her journey. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this chat…Larry Cobrin is the founder and CEO of MSPCFO, a software application that helps MSP owners unlock key answers to business questions that drives growth and profitability. MSPCFO helps owners get underneath the often opaque world of financial reports to make information actionable. If you want to understand why the most successful MSP's rely on MSPCFO. Check out the podcast here.

This week Phil recorded a live episode at Shep’s Place in Cobrin, KY with the superstars of Appalachian Mountain Wrestling. You get the pleasure of hearing from AMW Champion Stan Sierra, Big Rig Jake Brake, Ryan Dookie and Kyle Maggard also hear from owner of Shep’s Place Brandon Shepherd. AMW will be live this Friday, April 12th at Lynn Camp Elementary in Corbin, KY. This episode is brought to you by Collar and Elbow use promo code “RSRGPODCAST” at checkout for 10% your purchase.Also brought you by Middle Fidelity and Soundcloud.

Corbin (@CHosler88), DJ (@Rose0fThorns) and Jason (@jasonEalt) bring their takes on the Modern Metagame, Multi-Level Marketing, and Standard. Plus they have a special part-time guest. Make sure to check us out on Youtube because everything is better with video. https://www.youtube.com/user/BrainstormBrewery 01:13 Jason’s going PG-13 07:12 Cobrin’s on a Plane Part 34 09:04 Corbin Hates Pizza...

Corbin (@CHosler88), DJ (@Rose0fThorns) and Jason (@jasonEalt) bring their takes on the Modern Metagame, Multi-Level Marketing, and Standard. Plus they have a special part-time guest. Make sure to check us out on Youtube because everything is better with video. https://www.youtube.com/user/BrainstormBrewery 01:13 Jason’s going PG-13 07:12 Cobrin’s on a Plane Part 34 09:04 Corbin Hates Pizza...

Pamela Cobrin‘s book From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880-1927 (University of Delaware Press, 2009) investigates the suffragists and early feminists through the lens of performance. Broadly defining performance, she includes the amateur theatricals of Mary Shaw's Gamut Club, the one-acts of the Provincetown Playhouse, and the suffragist parades of the early 1900s. The book, I think, contextualizes the current arguments of theatermakers like Theresa Rebeck, who have noted that even as women rise to prominence as theater artists, their representation on the commercial stage is sorely lacking. Not only is this a depressingly persistent issue, but in Cobrin's book there is a striking correlation between commercial theater models and male leadership. Of course, that's just one small piece of this rich study, which shows that by performing roles in society that were usually male (directing in commercial theater) even women who did not preach from the stage were engaging in political speech and challenging the accepted gender roles. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela Cobrin‘s book From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880-1927 (University of Delaware Press, 2009) investigates the suffragists and early feminists through the lens of performance. Broadly defining performance, she includes the amateur theatricals of Mary Shaw’s Gamut Club, the one-acts of the Provincetown Playhouse, and the suffragist parades of the early 1900s. The book, I think, contextualizes the current arguments of theatermakers like Theresa Rebeck, who have noted that even as women rise to prominence as theater artists, their representation on the commercial stage is sorely lacking. Not only is this a depressingly persistent issue, but in Cobrin’s book there is a striking correlation between commercial theater models and male leadership. Of course, that’s just one small piece of this rich study, which shows that by performing roles in society that were usually male (directing in commercial theater) even women who did not preach from the stage were engaging in political speech and challenging the accepted gender roles. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela Cobrin‘s book From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880-1927 (University of Delaware Press, 2009) investigates the suffragists and early feminists through the lens of performance. Broadly defining performance, she includes the amateur theatricals of Mary Shaw’s Gamut Club, the one-acts of the Provincetown Playhouse, and the suffragist parades of the early 1900s. The book, I think, contextualizes the current arguments of theatermakers like Theresa Rebeck, who have noted that even as women rise to prominence as theater artists, their representation on the commercial stage is sorely lacking. Not only is this a depressingly persistent issue, but in Cobrin’s book there is a striking correlation between commercial theater models and male leadership. Of course, that’s just one small piece of this rich study, which shows that by performing roles in society that were usually male (directing in commercial theater) even women who did not preach from the stage were engaging in political speech and challenging the accepted gender roles. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela Cobrin‘s book From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880-1927 (University of Delaware Press, 2009) investigates the suffragists and early feminists through the lens of performance. Broadly defining performance, she includes the amateur theatricals of Mary Shaw’s Gamut Club, the one-acts of the Provincetown Playhouse, and the suffragist parades of the early 1900s. The book, I think, contextualizes the current arguments of theatermakers like Theresa Rebeck, who have noted that even as women rise to prominence as theater artists, their representation on the commercial stage is sorely lacking. Not only is this a depressingly persistent issue, but in Cobrin’s book there is a striking correlation between commercial theater models and male leadership. Of course, that’s just one small piece of this rich study, which shows that by performing roles in society that were usually male (directing in commercial theater) even women who did not preach from the stage were engaging in political speech and challenging the accepted gender roles. Learn more about your ad choices. Visit megaphone.fm/adchoices