Podcasts about series carsey wolf center show id

The cosmopolitan character of the Ottoman empire, the challenges of reimagining classical music and literary texts, and the difficulties of making an opera on a small budget all arise in this conversation between composer Mehmet Ali Sanlıkol and UC Santa Barbara professor Abdulhamit Arvas about Sanlıkol’s Turkish coffee house opera Othello in the Seraglio. In this video, Sanlıkol richly describes the complicated creative journey his opera made from its initial conception to completion. Series: "Carsey-Wolf Center" [Show ID: 35774]

The cosmopolitan character of the Ottoman empire, the challenges of reimagining classical music and literary texts, and the difficulties of making an opera on a small budget all arise in this conversation between composer Mehmet Ali Sanlıkol and UC Santa Barbara professor Abdulhamit Arvas about Sanlıkol’s Turkish coffee house opera Othello in the Seraglio. In this video, Sanlıkol richly describes the complicated creative journey his opera made from its initial conception to completion. Series: "Carsey-Wolf Center" [Show ID: 35774]

The cosmopolitan character of the Ottoman empire, the challenges of reimagining classical music and literary texts, and the difficulties of making an opera on a small budget all arise in this conversation between composer Mehmet Ali Sanlıkol and UC Santa Barbara professor Abdulhamit Arvas about Sanlıkol’s Turkish coffee house opera Othello in the Seraglio. In this video, Sanlıkol richly describes the complicated creative journey his opera made from its initial conception to completion. Series: "Carsey-Wolf Center" [Show ID: 35774]

The cosmopolitan character of the Ottoman empire, the challenges of reimagining classical music and literary texts, and the difficulties of making an opera on a small budget all arise in this conversation between composer Mehmet Ali Sanlıkol and UC Santa Barbara professor Abdulhamit Arvas about Sanlıkol’s Turkish coffee house opera Othello in the Seraglio. In this video, Sanlıkol richly describes the complicated creative journey his opera made from its initial conception to completion. Series: "Carsey-Wolf Center" [Show ID: 35774]

The cosmopolitan character of the Ottoman empire, the challenges of reimagining classical music and literary texts, and the difficulties of making an opera on a small budget all arise in this conversation between composer Mehmet Ali Sanlıkol and UC Santa Barbara professor Abdulhamit Arvas about Sanlıkol’s Turkish coffee house opera Othello in the Seraglio. In this video, Sanlıkol richly describes the complicated creative journey his opera made from its initial conception to completion. Series: "Carsey-Wolf Center" [Show ID: 35774]

The cosmopolitan character of the Ottoman empire, the challenges of reimagining classical music and literary texts, and the difficulties of making an opera on a small budget all arise in this conversation between composer Mehmet Ali Sanlıkol and UC Santa Barbara professor Abdulhamit Arvas about Sanlıkol’s Turkish coffee house opera Othello in the Seraglio. In this video, Sanlıkol richly describes the complicated creative journey his opera made from its initial conception to completion. Series: "Carsey-Wolf Center" [Show ID: 35774]

Costumes in Father Knows Best, workplace harassment in The Mary Tyler Moore Show, and queer parenthood in Modern Family all arise in this conversation between professor Elana Levine (UW-Milwaukee) and Aleah Kiley (UCSB) about evolving representations of gender, work, and the sitcom family. In this video, Levine and Kiley discuss links between three iconic shows and the changing cultures in which they were broadcast. Series: "Carsey-Wolf Center" [Show ID: 35765]

Costumes in Father Knows Best, workplace harassment in The Mary Tyler Moore Show, and queer parenthood in Modern Family all arise in this conversation between professor Elana Levine (UW-Milwaukee) and Aleah Kiley (UCSB) about evolving representations of gender, work, and the sitcom family. In this video, Levine and Kiley discuss links between three iconic shows and the changing cultures in which they were broadcast. Series: "Carsey-Wolf Center" [Show ID: 35765]

Costumes in Father Knows Best, workplace harassment in The Mary Tyler Moore Show, and queer parenthood in Modern Family all arise in this conversation between professor Elana Levine (UW-Milwaukee) and Aleah Kiley (UCSB) about evolving representations of gender, work, and the sitcom family. In this video, Levine and Kiley discuss links between three iconic shows and the changing cultures in which they were broadcast. Series: "Carsey-Wolf Center" [Show ID: 35765]

Costumes in Father Knows Best, workplace harassment in The Mary Tyler Moore Show, and queer parenthood in Modern Family all arise in this conversation between professor Elana Levine (UW-Milwaukee) and Aleah Kiley (UCSB) about evolving representations of gender, work, and the sitcom family. In this video, Levine and Kiley discuss links between three iconic shows and the changing cultures in which they were broadcast. Series: "Carsey-Wolf Center" [Show ID: 35765]

Costumes in Father Knows Best, workplace harassment in The Mary Tyler Moore Show, and queer parenthood in Modern Family all arise in this conversation between professor Elana Levine (UW-Milwaukee) and Aleah Kiley (UCSB) about evolving representations of gender, work, and the sitcom family. In this video, Levine and Kiley discuss links between three iconic shows and the changing cultures in which they were broadcast. Series: "Carsey-Wolf Center" [Show ID: 35765]

Costumes in Father Knows Best, workplace harassment in The Mary Tyler Moore Show, and queer parenthood in Modern Family all arise in this conversation between professor Elana Levine (UW-Milwaukee) and Aleah Kiley (UCSB) about evolving representations of gender, work, and the sitcom family. In this video, Levine and Kiley discuss links between three iconic shows and the changing cultures in which they were broadcast. Series: "Carsey-Wolf Center" [Show ID: 35765]

Working in the extreme heat on the Deadwood set, the creative process of series creator David Milch, and the challenges of portraying a historical figure all arise in this conversation about creative expression and collaboration in the TV industry between Robin Weigert (Deadwood, Big Little Lies) and Emily Zinn (UCSB). In this video, Weigert and Zinn explore Weigerts career and her experiences working on some of the most critically acclaimed television series in recent history. Series: "Carsey-Wolf Center" [Show ID: 35773]

Working in the extreme heat on the Deadwood set, the creative process of series creator David Milch, and the challenges of portraying a historical figure all arise in this conversation about creative expression and collaboration in the TV industry between Robin Weigert (Deadwood, Big Little Lies) and Emily Zinn (UCSB). In this video, Weigert and Zinn explore Weigerts career and her experiences working on some of the most critically acclaimed television series in recent history. Series: "Carsey-Wolf Center" [Show ID: 35773]

Working in the extreme heat on the Deadwood set, the creative process of series creator David Milch, and the challenges of portraying a historical figure all arise in this conversation about creative expression and collaboration in the TV industry between Robin Weigert (Deadwood, Big Little Lies) and Emily Zinn (UCSB). In this video, Weigert and Zinn explore Weigerts career and her experiences working on some of the most critically acclaimed television series in recent history. Series: "Carsey-Wolf Center" [Show ID: 35773]

Working in the extreme heat on the Deadwood set, the creative process of series creator David Milch, and the challenges of portraying a historical figure all arise in this conversation about creative expression and collaboration in the TV industry between Robin Weigert (Deadwood, Big Little Lies) and Emily Zinn (UCSB). In this video, Weigert and Zinn explore Weigerts career and her experiences working on some of the most critically acclaimed television series in recent history. Series: "Carsey-Wolf Center" [Show ID: 35773]

Working in the extreme heat on the Deadwood set, the creative process of series creator David Milch, and the challenges of portraying a historical figure all arise in this conversation about creative expression and collaboration in the TV industry between Robin Weigert (Deadwood, Big Little Lies) and Emily Zinn (UCSB). In this video, Weigert and Zinn explore Weigerts career and her experiences working on some of the most critically acclaimed television series in recent history. Series: "Carsey-Wolf Center" [Show ID: 35773]

Working in the extreme heat on the Deadwood set, the creative process of series creator David Milch, and the challenges of portraying a historical figure all arise in this conversation about creative expression and collaboration in the TV industry between Robin Weigert (Deadwood, Big Little Lies) and Emily Zinn (UCSB). In this video, Weigert and Zinn explore Weigerts career and her experiences working on some of the most critically acclaimed television series in recent history. Series: "Carsey-Wolf Center" [Show ID: 35773]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

Similarities between Veep and The West Wing, the perils of drawing TV plot lines from real political events, and the connection between the speed metal genre and today’s news cycle all arise in this conversation between writer/executive producer David Mandel, writer Eli Attie, and Carsey-Wolf Director Patrice Petro about Veep and The West Wing. In this video, Attie and Mandel share their admiration for one another’s work, and discuss the changing television landscape. Series: "Carsey-Wolf Center" [Show ID: 35771]

Similarities between Veep and The West Wing, the perils of drawing TV plot lines from real political events, and the connection between the speed metal genre and today’s news cycle all arise in this conversation between writer/executive producer David Mandel, writer Eli Attie, and Carsey-Wolf Director Patrice Petro about Veep and The West Wing. In this video, Attie and Mandel share their admiration for one another’s work, and discuss the changing television landscape. Series: "Carsey-Wolf Center" [Show ID: 35771]

Similarities between Veep and The West Wing, the perils of drawing TV plot lines from real political events, and the connection between the speed metal genre and today’s news cycle all arise in this conversation between writer/executive producer David Mandel, writer Eli Attie, and Carsey-Wolf Director Patrice Petro about Veep and The West Wing. In this video, Attie and Mandel share their admiration for one another’s work, and discuss the changing television landscape. Series: "Carsey-Wolf Center" [Show ID: 35771]

Similarities between Veep and The West Wing, the perils of drawing TV plot lines from real political events, and the connection between the speed metal genre and today’s news cycle all arise in this conversation between writer/executive producer David Mandel, writer Eli Attie, and Carsey-Wolf Director Patrice Petro about Veep and The West Wing. In this video, Attie and Mandel share their admiration for one another’s work, and discuss the changing television landscape. Series: "Carsey-Wolf Center" [Show ID: 35771]

Similarities between Veep and The West Wing, the perils of drawing TV plot lines from real political events, and the connection between the speed metal genre and today’s news cycle all arise in this conversation between writer/executive producer David Mandel, writer Eli Attie, and Carsey-Wolf Director Patrice Petro about Veep and The West Wing. In this video, Attie and Mandel share their admiration for one another’s work, and discuss the changing television landscape. Series: "Carsey-Wolf Center" [Show ID: 35771]

Similarities between Veep and The West Wing, the perils of drawing TV plot lines from real political events, and the connection between the speed metal genre and today’s news cycle all arise in this conversation between writer/executive producer David Mandel, writer Eli Attie, and Carsey-Wolf Director Patrice Petro about Veep and The West Wing. In this video, Attie and Mandel share their admiration for one another’s work, and discuss the changing television landscape. Series: "Carsey-Wolf Center" [Show ID: 35771]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The narrative engine of Hill Street Blues, lessons in brevity from writing for advertising, and structural differences between Law & Order and Law & Order: SVU arise in this conversation between executive producer/writer Dick Wolf and Carsey-Wolf Center director Patrice Petro. In this video, Wolf describes his first experiences in a TV writing room and the foundations of the record-breaking run of Law & Order: SVU. Series: "Carsey-Wolf Center" [Show ID: 35772]

The narrative engine of Hill Street Blues, lessons in brevity from writing for advertising, and structural differences between Law & Order and Law & Order: SVU arise in this conversation between executive producer/writer Dick Wolf and Carsey-Wolf Center director Patrice Petro. In this video, Wolf describes his first experiences in a TV writing room and the foundations of the record-breaking run of Law & Order: SVU. Series: "Carsey-Wolf Center" [Show ID: 35772]

The narrative engine of Hill Street Blues, lessons in brevity from writing for advertising, and structural differences between Law & Order and Law & Order: SVU arise in this conversation between executive producer/writer Dick Wolf and Carsey-Wolf Center director Patrice Petro. In this video, Wolf describes his first experiences in a TV writing room and the foundations of the record-breaking run of Law & Order: SVU. Series: "Carsey-Wolf Center" [Show ID: 35772]

The narrative engine of Hill Street Blues, lessons in brevity from writing for advertising, and structural differences between Law & Order and Law & Order: SVU arise in this conversation between executive producer/writer Dick Wolf and Carsey-Wolf Center director Patrice Petro. In this video, Wolf describes his first experiences in a TV writing room and the foundations of the record-breaking run of Law & Order: SVU. Series: "Carsey-Wolf Center" [Show ID: 35772]

The narrative engine of Hill Street Blues, lessons in brevity from writing for advertising, and structural differences between Law & Order and Law & Order: SVU arise in this conversation between executive producer/writer Dick Wolf and Carsey-Wolf Center director Patrice Petro. In this video, Wolf describes his first experiences in a TV writing room and the foundations of the record-breaking run of Law & Order: SVU. Series: "Carsey-Wolf Center" [Show ID: 35772]

The narrative engine of Hill Street Blues, lessons in brevity from writing for advertising, and structural differences between Law & Order and Law & Order: SVU arise in this conversation between executive producer/writer Dick Wolf and Carsey-Wolf Center director Patrice Petro. In this video, Wolf describes his first experiences in a TV writing room and the foundations of the record-breaking run of Law & Order: SVU. Series: "Carsey-Wolf Center" [Show ID: 35772]

The possibilities of the Nicaraguan revolution, the refusal of current government officials to speak on the record, and the importance of recording the stories of an aging generation all arise in this conversation between director/producer Jenny Murray and moderator Bianka Ballina about ¡Las Sandinistas!. In this video, Murray discusses the reemergence of Nicaraguan protests in 2018 and her film’s uncertain future in the Central American nation. Series: "Carsey-Wolf Center" [Show ID: 35764]

The possibilities of the Nicaraguan revolution, the refusal of current government officials to speak on the record, and the importance of recording the stories of an aging generation all arise in this conversation between director/producer Jenny Murray and moderator Bianka Ballina about ¡Las Sandinistas!. In this video, Murray discusses the reemergence of Nicaraguan protests in 2018 and her film’s uncertain future in the Central American nation. Series: "Carsey-Wolf Center" [Show ID: 35764]

The possibilities of the Nicaraguan revolution, the refusal of current government officials to speak on the record, and the importance of recording the stories of an aging generation all arise in this conversation between director/producer Jenny Murray and moderator Bianka Ballina about ¡Las Sandinistas!. In this video, Murray discusses the reemergence of Nicaraguan protests in 2018 and her film’s uncertain future in the Central American nation. Series: "Carsey-Wolf Center" [Show ID: 35764]

The possibilities of the Nicaraguan revolution, the refusal of current government officials to speak on the record, and the importance of recording the stories of an aging generation all arise in this conversation between director/producer Jenny Murray and moderator Bianka Ballina about ¡Las Sandinistas!. In this video, Murray discusses the reemergence of Nicaraguan protests in 2018 and her film’s uncertain future in the Central American nation. Series: "Carsey-Wolf Center" [Show ID: 35764]