Podcast appearances and mentions of Jennifer Baichwal

Show notes: (01:19) How she got into the work she does now (04:11) Monsanto's history and GMO crops (08:54) The billion-dollar Roundup cancer lawsuits (13:02) Monsanto's efforts to suppress scientific evidence  (16:41) Social media disinformation campaigns and online attacks  (19:10) The broken incentives in farming and government subsidies  (25:01) Bill Gates' role in pushing GMO crops globally  (29:40) U.S. policies on pesticides and additives (35:41) Paraquat: The deadly pesticide banned in China but sold in the U.S.  (41:30) The push for GMO expansion in Africa and corporate influence (44:40) How can people take action for healthier food policies (45:47) Where to find Carey (47:54) Outro Who is Carey Gillam? Carey Gillam is an American investigative journalist and author with more than 30 years of experience covering food and agricultural policies and practices, including 17 years as a senior correspondent for Reuters international news service (1998-2015). She has specialty knowledge about the health and environmental impacts of pervasive pesticide use and industrial agriculture, and has won several industry awards for her work. Her first book, “Whitewash: The Story of a Weed Killer, Cancer and the Corruption of Science,” was released in October 2017 and won the coveted Rachel Carson Book Award from the Society of Environmental Journalists as well as two other awards. Carey's second book, a legal thriller titled "The Monsanto Papers - Deadly Secrets, Corporate Corruption, and One Man's Search for Justice," was released March 2, 2021. Gillam has been asked to speak all over the world about food and agricultural matters, including before the European Parliament in Brussels, the World Forum for Democracy in Strasbourg, and to public officials, organizations and conferences in the U.S., Canada, Australia, Argentina, France and The Netherlands. She has also been an invited lecturer to several universities, including Emory University, Berkeley Law School, Washington University, the University of Chicago Booth School of Business, the University of Iowa, the Cambridge Forum in Harvard Square, and others. She has served as a consultant on, and participant in, several documentary T.V. and film pieces, including the award-winning Poisoning Paradise documentary released in June 2019 by actor Pierce Brosnan and his wife Keely Brosnan. She also served as story consultant and contributor to the 2022 documentary Into the Weeds by filmmaker Jennifer Baichwal, and appears in the documentary Common Ground.  Gillam can speak to issues of food safety and security, environmental health, agricultural issues, corporate corruption of regulatory policies, as well matters about journalism, fake news, corporate pressure on media and more. After leaving Reuters, Carey spent six years (2016-2021) working as a reporter and data researcher for the public health investigative research group U.S. Right to Know. She currently writes as a contributor for The Guardian, and is managing editor of The New Lede, a journalism initiative of the Environmental Working Group.   Connect with Carey: Website: https://careygillam.com/ Check out Carey's articles: https://www.thenewlede.org/author/careygillam/ Grab a copy of Carey's books: https://careygillam.com/books   Links and Resources: Peak Performance Life Peak Performance on Facebook Peak Performance on Instagram  

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Does the most widely used weed killer in the world cause cancer? On October 3, 2023, Film Movement and Fathom Events invite audiences to discover for themselves with a special one-night only nationwide theatrical release of INTO THE WEEDS, which follows the story of groundskeeper Lee Johnson and his fight for justice against agrichemical giant Monsanto (now Bayer, which bought the company in 2018), the manufacturer of the weed killer, Roundup. In 2015, the International Agency for Research on Cancer (IARC), a branch of the World Health Organization, classified glyphosate – the active ingredient in Roundup – as “probably carcinogenic to humans.” A year later, Johnson filed a lawsuit claiming that Ranger Pro, a commercial-grade variant of Roundup, was a substantial contributing factor in causing his Non-Hodgkin's lymphoma. Johnson's was the first “bellwether case” in a mass tort against Monsanto involving tens of thousands of plaintiffs: gardeners, golfers, farmers, groundskeepers, and ordinary people, following and trusting the instructions on the label. Director Jennifer Baichwal (Manufactured Landscapes, Anthropocene: The Human Epoch) seamlessly blends together interviews, testimonials, trial footage, news coverage, and vérité, the film follows the progression of this groundbreaking lawsuit, while also stepping back to consider the systemic impact of glyphosate-based herbicides on human health, our food systems, and the biodiversity of our planet. For more go to: intotheweedsimpact.com Check out: filmmovement.com/into-the-weeds

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In recognition of Carey Gillam's consutling work for the 2022 documentary Into the Weeds (dir. Jennifer Baichwal, 2022), Beat the Big Guys presents a remastered edition of Ep. 8, which featured Gillam. Carey Gillam––originally from Kansas––is author of the recently released "The Monsanto Papers" (Island Press, 2021), chats with Sandy about how useful the Freedom of Information Act can be for the community leader. Beat the Big Guys Host: Sandy Rosenthalhttps://www.sandyrosenthal.net Executive Producer: Landry BohnEpisode originally produced by Jess Branas

On this edition of Free City Radio we highlight a conversation with filmmaker Jennifer Baichwal on the documentary film Into the Weeds. This film is described this way: "INTO THE WEEDS follows groundskeeper Dewayne “Lee” Johnson and his fight for justice against Monsanto (now Bayer). Johnson's case was the first to go to trial in a series of lawsuits involving tens of thousands of plaintiffs claiming Monsanto's weed killer Roundup, or its industrial counterpart Ranger Pro, contributed to their cancer. The film follows this groundbreaking trial, while also stepping back to consider the systemic effects of the world's most widely used herbicide." I first came across the film, Into the Weeds, within the context of my organizing work with Cinema Politica's screening series at Concordia University at which we projected this film for a community screening event. Info on the activism surrounding this film: https://www.intotheweedsimpact.com Music on this edition is by Daniel Lanois. Thank you for listening ! - Stefan. Free City Radio airs on @radiockut 90.3FM at 11am on Wednesdays and @cjlo1690 AM in Tiohti:áke/Montréal on Tuesdays at 1pm on @ckuwradio 95.9FM in Winnipeg at 8am on Tuesdays, on @cfrc 101.9FM in Kingston, Ontario at 11:30am on Wednesdays and broadcasting on @cfuv 101.9 FM in Victoria, BC on Wednesdays at 9am. Also Free City Radio is a podcast through both Spotify and Apple Podcasts, please encourage a friend to tune-in !

Liberal MP Jenica Atwin, filmmaker Jennifer Baichwal, and others holds a news conference on Parliament Hill to call for the ban of glyphosate, a widely used herbicide for killing weeds. Atwin's private member's bill (C-287) to enact the ban completed first reading in the House of Commons in June 2022. Author Margaret Atwood, who supports the ban, provides a recorded statement.

Now in its 20th year, the HUMAN RIGHTS WATCH FILM FESTIVAL continues to bring stories to the screen that celebrate diversity while challenging worldviews in the process. In this 1on1, we speak to festival programmers (and filmmakers) Jennifer Baichwal and Nicholas de Pencier about how their experiences have shaped their understanding of justice, hope on screen and what it means to dream of a new future.

The 20th annual Human Rights Watch Canada Film Festival is approaching and will be held March 8 to 19, 2023. Guest: Jennifer Baichwal: award winning writer, director and producer, storyteller and the co founder of Mercury Films. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the filmmakers most committed to telling the impact of the human race on the environment.Jennifer Baichwal – Into The Weeds #FdP63 was first posted on November 16, 2022 at 7:57 pm.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

One of the filmmakers most committed to telling the impact of the human race on the environment. The post Jennifer Baichwal – Into The Weeds #FdP63 appeared first on Fred Film Radio.

One of the filmmakers most committed to telling the impact of the human race on the environment. The post Jennifer Baichwal – Into The Weeds #FdP63 appeared first on Fred Film Radio.

One of the filmmakers most committed to telling the impact of the human race on the environment. The post Jennifer Baichwal – Into The Weeds #FdP63 appeared first on Fred Film Radio.

One of the filmmakers most committed to telling the impact of the human race on the environment. The post Jennifer Baichwal – Into The Weeds #FdP63 appeared first on Fred Film Radio.

One of the filmmakers most committed to telling the impact of the human race on the environment. The post Jennifer Baichwal – Into The Weeds #FdP63 appeared first on Fred Film Radio.

Segment 1 Jennifer Baichwal with host Herb Martin Segment 2 & 3 Liamm Parfitt --- Send in a voice message: https://anchor.fm/boomercasts/message

From award-winning director Jennifer Baichwal, INTO THE WEEDS follows Bay Area groundskeeper, Dewayne Johnson who began to suffer rashes in 2014. As the condition continued to worsen, Johnson decided to take legal action against Monsanto, a multi-national agrochemical corporation who claimed that the chemicals he was using were safe, even though his experience proved otherwise. In this 1on1, we speak to Baichwal about telling the truth in documentaries, holding corporations accountable and the relationship between the Indigenous populations and the natural world.

Months after Dewayne "Lee" Johnson was soaked from head to toe with a herbicide called Ranger Pro, he noticed lesions on his skin. What he'd developed was called non-Hodgkin lymphoma, a form a cancer that's associated with glyphosate, the chemical the Monsanto Company had long touted as completely safe for humans. In this episode, Colin Ellis speaks with director Jennifer Baichwal about her latest doc "Into the Weeds," which explores Lee's fight for a warning label. Clip credits: Official trailer and clip: courtesy of Mongrel Media See omnystudio.com/listener for privacy information.

Spring is in the air, and non-fiction is on the screens....On this episode we're highlighting some of the films playing this year at the Hot Docs Canadian International Film Festival.  First up we're looking at the opening night affair' 'Into The Weeds'It's the powerful story of Dewayne “Lee” Johnson, a former Bay Area groundskeeper who takes on a multinational agrochemical corporation after a terminal cancer diagnosis.  Adding to her award-winning body of work centered on our strained relationship with the natural world, Baichwal follows Johnson through his battle, setting his personal journey against a global environmental crisis.This is truly a film that dissects and breaks down how we treat the land that we grow our food on not to mention the food itself and looks at the lack of responsibility we've had towards the natural world and the things we need to do to protect it.We had the unique pleasure of sitting down with director Jennifer Baichwal to talk about the issues in the film and so very much more.Check it out at Hot Docs or watch it when it opens theatrically on May 20th.

In 2014, Dewayne “Lee” Johnson was diagnosed with terminal cancer. He worked as a groundskeeper and doctors suspected the disease came from the weed killers he used every day. Johnson sued the manufacturer, Monsanto, and won a landmark settlement. His ordeal is told in a powerful new documentary, Into The Weeds, directed by Canadian filmmaker Jennifer Baichwal.

Matt speaks to the artist Dina Kelberman about her 2019 film ‘The Goal is to Live'. The feature length film is made entirely of clips from the Canadian TV series ‘How It's Made', and we discuss the process of making the film, including the soundtrack made by musicians Rod Hamilton & Tiffany Seal. We also geek out about ‘How It's Made' more generally, and talk about its relationship to the capitalist production processes it purports to explain.Dina's website with a trailer for the film - http://dinakelberman.com/#thegoalistoliveManufactured Landscapes by Jennifer Baichwal -https://www.edwardburtynsky.com/projects/films/manufactured-landscapesRod Hamilton & Tiffany Seal - https://soundcloud.com/rod_and_tiffanyTerry Riley - A Rainbow in Curved Air - https://www.youtube.com/watch?v=hy3W-3HPMWgWorkers Leaving the Factory (1995) - Harun Farocki - https://vimeo.com/59338090Images of the World and the Inscription of War, Harun Farocki - https://www.youtube.com/watch?v=wjOl8TY8GkUWorkers Leaving the Googleplex by Andrew Norman Wilson - http://www.andrewnormanwilson.com/WorkersGoogleplex.html

The 18th annual Toronto Human Rights Watch Film Festival, in partnership with Hot Docs Ted Rogers Cinema February 18-22, 2021- with the new Chairs of the THRWFF Jennifer Baichwal and Nicholas de Pencier plus Eva Mulvad, Director of "Love Child" featured in this year's THRWFF. Tune in tonight at 7:00 pm on ELMNT FM #Toronto #Ott #Ottawa #MomentOfTruth #MOT #THRWFF

Jennifer Baichwal, Nicholas de Pencier and Face2Face host David Peck talk about minor miracles, conduits for truth, journalism, craft and art, humility and openness, Immanuel Kant and the ethics of engagement.Human Rights Watch Festival - February 18th to 22 - 2021Get your tickets here: The annual Toronto Human Rights Watch Film Festival brings human stories to life in a manner that empowers the audience to demand justice for all.By using film as a medium, Toronto Human Rights Watch Film Festival aims to bring awareness to human rights issues in a way that is easily understandable and provides the viewer with the knowledge to advocate for change. Join us and the vibrant movement to uphold human dignity and advance the cause of human rights for all.For more info about Human Rights Watch head here.About Jennifer & Nick:Jennifer Baichwal Jennifer Baichwal was born in Montréal and grew up in Victoria, British Columbia. She studied philosophy and theology at McGill University, receiving an M.A. in 1994, supported by a McGill Major Fellowship and an FCAR Master’s Scholarship.Baichwal has been directing and producing documentaries for 25 years. Among other films, installations and lens-based projects, she has made 10 feature documentaries which have played all over the world and won multiple awards nationally and internationally.Baichwal, along with her partner Nicholas de Pencier, was commissioned in 2003-4 to make forty short films on artists who have been supported over the past four decades by the Ontario Arts Council. These include writer Michael Ondaatje, artist Michael Snow, pianist Eve Egoyan and playwright Judith Thompson, and are in periodic rotation on TVOntario. The collection received a 2006 Gemini nomination for Best Direction in a Performing Arts Program or Series.Baichwal’s most recent collaboration with de Pencier and Edward Burtynsky is The Anthropocene Project. It includes a major touring exhibition which debuted simultaneously at the Art Gallery of Ontario and National Gallery of Canada and is currently travelling around the world. The feature documentary film Anthropocene: The Human Epoch premiered at TIFF 2018, played Sundance and the Berlinale, and was released theatrically in Canada by Mongrel Media and in the U.S. by Kino Lorber in September 2019, and is now in international release. The film won the Toronto Film Critics Association prize for Best Canadian Film, and a Canadian Screen Award for Best Documentary Feature. The Anthropocene Project also includes an art book published by Steidl, and an educational program in partnership with the Royal Canadian Geographical Society. For more information visit theanthropocene.org.She is currently in development on several projects, and in production for a feature documentary on global insect collapse.Nicholas:Nicholas de Pencier is a Director, Producer, and Director of Photography working in documentary and video installation. He is President of Mercury Films Inc., the Toronto-based production company he shares with his partner, Jennifer Baichwal.Aside from his work in factual series, de Pencier’s director credits include the feature documentary Four Wings and a Prayer, about the migration of the Monarch butterfly which won the Grand Prix Pariscience, the Banff Rockie Award for best Wildlife and Natural History Program, the Jules Verne Nature Award, and was nominated for Geminis for best Science Documentary, Best Cinematography and Best Direction in addition to an Emmy nomination for the PBS NOVA version (called The Incredible Journey of the Butterfly). In 2004 de Pencier was nominated for a Gemini for Best Direction for his performance film Streetcar, while the film’s lead, Peter Chin, won for Best Performance. His 2016 feature documentary Black Code about internet censorship and surveillance around the world which he directed, produced and shot, premiered at TIFF and was released theatrically in Canada in 2017.As a cinematographer, de Pencier has shot many factual TV series and documentaries for the CBC, PBS, Discovery, National Geographic and History. A detailed Director of Photography CV can be found at www.mercuryfilms.ca. In 2010 he shot the documentary adaptation of Payback, Margaret Atwood's Massey Lecture on debt, which was selected for Sundance, 2012 and released theatrically in Canada and the U.S. De Pencier was admitted as a full member to the Canadian Society of Cinematographers in 2012.With Baichwal, he is the co-director and DOP of Long Time Running, a feature documentary on the Tragically Hip’s iconic Man Machine Poem tour from the summer of 2016, which premiered as a gala presentation at TIFF 2017, was subsequently released by Elevation Pictures, and broadcast by Bell and Netflix.ANTHROPOCENE: The Human Epoch, is another collaboration with Jennifer Baichwal and Edward Burtynsky where de Pencier was Co-Director, Director of Photography and Producer. It includes a feature documentary, book, and museum exhibition, and was a Special Presentation at TIFF, and was released in the fall of 2018 with simultaneous Museum Exhibitions at the Art Gallery of Ontario and the National Gallery of Canada before heading to Sundance, Berlin and major festivals around the world. The film won the Toronto Film Critics Association for Best Canadian Film, and Ted Rogers Award for Best Documentary as well as the Best Cinematography Award at the Canadian Screen Awards, in addition to the Canadian Society of Cinematographers Robert Brooks Award for Documentary Cinematography.He is a past president of the board of directors of Charles Street Video, a former member of Rogers Industry Advisory Group at TIFF, and currently sits on the boards of The Toronto Chapter of the Documentary Organization of Canada and the Hot Docs Festival.Image Copyright and Credit: Mercury Films.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Come fai a parlare del cambiamento climatico? Be', chiami Fabio "Faz" Deotto. E infatti scivolano via novantuno minuti di interesse che è un piacere. Buckle up!, però, perché le note sono sostanziose.I film citati:* Antropocene (Edward Burtynsky, Jennifer Baichwal e Nicholas de Pencier, 2018), disponibile a noleggio a 3,99 euro.* Planet of the Humans (Jeff Gibbs, 2019), si trova gratis su YouTube. https://youtu.be/Zk11vI-7czE* Before the Flood (Fisher Stevens, 2016), si trova gratis su Youtube. https://youtu.be/A_lFSIj8g4A* Chasing Coral (Jeff Orlowski, 2017), si trova su Netflix.* Cowspiracy (Kip Andersen e Keegan Kuhn, 2014), si trova su Netflix.* le docuserie naturalistiche di BBC, curate da David Attenborough e presenti nel catalogo di Netflix: ad esempio Planet Earth, The Blue Planet e Il nostro pianeta.* Domani (Cyril Dion e Mélanie Laurent, 2016).I saggi/reportage/articoli citati:* Nature documentaries and saving nature: reflections on the new Netflix series Our Planet, di Julia P. G. Jones, Laura Thomas‐Walters, Niki A. Rust e Diogo Veríssimo. https://besjournals.onlinelibrary.wiley.com/doi/full/10.1002/pan3.10052* Homo videns: Televisione e post-pensiero, di Giovanni Sartori. https://www.laterza.it/index.php?option=com_laterza&Itemid=97&task=schedalibro&isbn=9788842061564* Il debunking di Planet of the Humans, a firma di Ketan Joshi. https://ketanjoshi.co/2020/04/24/planet-of-the-humans-a-reheated-mess-of-lazy-old-myths/* La risposta di Bill McKibben a Planet of the Humans. https://350.org/response-planet-of-the-humans-documentary/* Ambiente, le domande scomode di Michael Moore: pezzo pubblicato sul Manifesto, da leggere in particolare la parte a firma di Stella Levantesi https://ilmanifesto.it/ambiente-le-domande-scomode-di-michael-moore/* Vale la pena anche di (ri)leggere Notizie dal fronte del riscaldamento globale, il reportage che Fabio Deotto ha scritto per Esquire e nel quale, fra le altre cose, tornano un paio di cose dette in puntata: a proposito degli orsi polari e dell’approccio non prescrittivo alla crisi climatica. https://www.esquire.com/it/news/attualita/a29139243/antropocene-reportage-esquire-carta/

Come fai a parlare del cambiamento climatico? Be', chiami Fabio "Faz" Deotto. E infatti scivolano via novantuno minuti di interesse che è un piacere. Buckle up!, però, perché le note sono sostanziose. I film citati: * Antropocene (Edward Burtynsky, Jennifer Baichwal e Nicholas de Pencier, 2018), disponibile a noleggio a 3,99 euro. * Planet of the Humans (Jeff Gibbs, 2019), si trova gratis su YouTube. https://youtu.be/Zk11vI-7czE * Before the Flood (Fisher Stevens, 2016), si trova gratis su Youtube. https://youtu.be/A_lFSIj8g4A * Chasing Coral (Jeff Orlowski, 2017), si trova su Netflix. * Cowspiracy (Kip Andersen e Keegan Kuhn, 2014), si trova su Netflix. * le docuserie naturalistiche di BBC, curate da David Attenborough e presenti nel catalogo di Netflix: ad esempio Planet Earth, The Blue Planet e Il nostro pianeta. * Domani (Cyril Dion e Mélanie Laurent, 2016). I saggi/reportage/articoli citati: * Nature documentaries and saving nature: reflections on the new Netflix series Our Planet, di Julia P. G. Jones, Laura Thomas‐Walters, Niki A. Rust e Diogo Veríssimo. https://besjournals.onlinelibrary.wiley.com/doi/full/10.1002/pan3.10052 * Homo videns: Televisione e post-pensiero, di Giovanni Sartori. https://www.laterza.it/index.php?option=com_laterza&Itemid=97&task=schedalibro&isbn=9788842061564 * Il debunking di Planet of the Humans, a firma di Ketan Joshi. https://ketanjoshi.co/2020/04/24/planet-of-the-humans-a-reheated-mess-of-lazy-old-myths/ * La risposta di Bill McKibben a Planet of the Humans. https://350.org/response-planet-of-the-humans-documentary/ * Ambiente, le domande scomode di Michael Moore: pezzo pubblicato sul Manifesto, da leggere in particolare la parte a firma di Stella Levantesi https://ilmanifesto.it/ambiente-le-domande-scomode-di-michael-moore/ * Vale la pena anche di (ri)leggere Notizie dal fronte del riscaldamento globale, il reportage che Fabio Deotto ha scritto per Esquire e nel quale, fra le altre cose, tornano un paio di cose dette in puntata: a proposito degli orsi polari e dell'approccio non prescrittivo alla crisi climatica. https://www.esquire.com/it/news/attualita/a29139243/antropocene-reportage-esquire-carta/

Come fai a parlare del cambiamento climatico? Be', chiami Fabio "Faz" Deotto. E infatti scivolano via novantuno minuti di interesse che è un piacere. Buckle up!, però, perché le note sono sostanziose. I film citati: * Antropocene (Edward Burtynsky, Jennifer Baichwal e Nicholas de Pencier, 2018), disponibile a noleggio a 3,99 euro. * Planet of the Humans (Jeff Gibbs, 2019), si trova gratis su YouTube. https://youtu.be/Zk11vI-7czE * Before the Flood (Fisher Stevens, 2016), si trova gratis su Youtube. https://youtu.be/A_lFSIj8g4A * Chasing Coral (Jeff Orlowski, 2017), si trova su Netflix. * Cowspiracy (Kip Andersen e Keegan Kuhn, 2014), si trova su Netflix. * le docuserie naturalistiche di BBC, curate da David Attenborough e presenti nel catalogo di Netflix: ad esempio Planet Earth, The Blue Planet e Il nostro pianeta. * Domani (Cyril Dion e Mélanie Laurent, 2016). I saggi/reportage/articoli citati: * Nature documentaries and saving nature: reflections on the new Netflix series Our Planet, di Julia P. G. Jones, Laura Thomas‐Walters, Niki A. Rust e Diogo Veríssimo. https://besjournals.onlinelibrary.wiley.com/doi/full/10.1002/pan3.10052 * Homo videns: Televisione e post-pensiero, di Giovanni Sartori. https://www.laterza.it/index.php?option=com_laterza&Itemid=97&task=schedalibro&isbn=9788842061564 * Il debunking di Planet of the Humans, a firma di Ketan Joshi. https://ketanjoshi.co/2020/04/24/planet-of-the-humans-a-reheated-mess-of-lazy-old-myths/ * La risposta di Bill McKibben a Planet of the Humans. https://350.org/response-planet-of-the-humans-documentary/ * Ambiente, le domande scomode di Michael Moore: pezzo pubblicato sul Manifesto, da leggere in particolare la parte a firma di Stella Levantesi https://ilmanifesto.it/ambiente-le-domande-scomode-di-michael-moore/ * Vale la pena anche di (ri)leggere Notizie dal fronte del riscaldamento globale, il reportage che Fabio Deotto ha scritto per Esquire e nel quale, fra le altre cose, tornano un paio di cose dette in puntata: a proposito degli orsi polari e dell’approccio non prescrittivo alla crisi climatica. https://www.esquire.com/it/news/attualita/a29139243/antropocene-reportage-esquire-carta/

Come fai a parlare del cambiamento climatico? Be', chiami Fabio "Faz" Deotto. E infatti scivolano via novantuno minuti di interesse che è un piacere. Buckle up!, però, perché le note sono sostanziose.I film citati:* Antropocene (Edward Burtynsky, Jennifer Baichwal e Nicholas de Pencier, 2018), disponibile a noleggio a 3,99 euro.* Planet of the Humans (Jeff Gibbs, 2019), si trova gratis su YouTube. https://youtu.be/Zk11vI-7czE* Before the Flood (Fisher Stevens, 2016), si trova gratis su Youtube. https://youtu.be/A_lFSIj8g4A* Chasing Coral (Jeff Orlowski, 2017), si trova su Netflix.* Cowspiracy (Kip Andersen e Keegan Kuhn, 2014), si trova su Netflix.* le docuserie naturalistiche di BBC, curate da David Attenborough e presenti nel catalogo di Netflix: ad esempio Planet Earth, The Blue Planet e Il nostro pianeta.* Domani (Cyril Dion e Mélanie Laurent, 2016).I saggi/reportage/articoli citati:* Nature documentaries and saving nature: reflections on the new Netflix series Our Planet, di Julia P. G. Jones, Laura Thomas‐Walters, Niki A. Rust e Diogo Veríssimo. https://besjournals.onlinelibrary.wiley.com/doi/full/10.1002/pan3.10052* Homo videns: Televisione e post-pensiero, di Giovanni Sartori. https://www.laterza.it/index.php?option=com_laterza&Itemid=97&task=schedalibro&isbn=9788842061564* Il debunking di Planet of the Humans, a firma di Ketan Joshi. https://ketanjoshi.co/2020/04/24/planet-of-the-humans-a-reheated-mess-of-lazy-old-myths/* La risposta di Bill McKibben a Planet of the Humans. https://350.org/response-planet-of-the-humans-documentary/* Ambiente, le domande scomode di Michael Moore: pezzo pubblicato sul Manifesto, da leggere in particolare la parte a firma di Stella Levantesi https://ilmanifesto.it/ambiente-le-domande-scomode-di-michael-moore/* Vale la pena anche di (ri)leggere Notizie dal fronte del riscaldamento globale, il reportage che Fabio Deotto ha scritto per Esquire e nel quale, fra le altre cose, tornano un paio di cose dette in puntata: a proposito degli orsi polari e dell’approccio non prescrittivo alla crisi climatica. https://www.esquire.com/it/news/attualita/a29139243/antropocene-reportage-esquire-carta/

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Show ID: 35807]

The Anthropocene is posited to be the geological era that we are presently inhabiting, an age where the indelible mark of humanity cannot be extracted from the fossil record. In Anthropocene: The Human Epoch, filmmakers Nicholas de Pencier, Jennifer Baichwal and Edward Burtynsky set out to travel the globe to document the impact humans have made on the planet. Nicholas de Pencier and Edward Burtynsky join MacKenzie in the studio and talk about how humans have fundamentally changed the face of the Earth, while we dive in head first on the Nazca lines of Peru, and an ode to all the elephants we've lost to poaching.

A stunning sensory experience and cinematic meditation on humanity’s massive reengineering of the planet, ANTHROPOCENE: THE HUMAN EPOCH is a years-in-the-making feature documentary from the award-winning team behind Manufactured Landscapes (2006) and Watermark (2013) and narrated by Alicia Vikander. The film follows the research of an international body of scientists, the Anthropocene Working Group who, after nearly 10 years of research, argue that the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century as a result of profound and lasting human changes to the Earth. From concrete seawalls in China that now cover 60% of the mainland coast, to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to metal festivals in the closed city of Norilsk, to the devastated Great Barrier Reef in Australia and massive marble quarries in Carrara, the filmmakers have traversed the globe using state of the art camera techniques to document the evidence and experience of human planetary domination. At the intersection of art and science, ANTHROPOCENE: THE HUMAN EPOCH witnesses a critical moment in our geological history. Co-directors Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky bring a provocative and unforgettable experience of our species's ever-expanding breadth and devastating impact. For news, screenings and updates go to: kinolorber.com/Anthropocene: The Human Epoch For more information on Anthropocene and filmmakers go to: theanthropocene.org/ For additional information on Jennifer Baichwal at mercuryfilms.ca Social Media: facebook.com/mercuryfilmsinc twitter.com/mercuryfilms instagram.com/mercuryfilmsinc

Today CIFF Speaks with this year's Director Spotlight Award recipient Jennifer Baichwal on her history with CIFF, and what winning this award means to her. Visit ClevelandFilm.org for Tickets and More Information Stay Connected during #CIFF43 through social media: Facebook Twitter Instagram YouTube Flickr

World-renowned photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier converse with AGO Director of Public Programs Devyani Saltzman about Anthropocene, their powerful series of new photographs, large-scale murals augmented by film extensions, film installations and augmented reality (AR) installations, that take us to places we are deeply connected to – but normally never see. Informed by scientific research, powered by aesthetic vision, inspired by a desire to bear witness, they reveal the scale and gravity of our impact on the planet.

World-renowned photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier converse with AGO Director of Public Programs Devyani Saltzman about Anthropocene, their powerful series of new photographs, large-scale murals augmented by film extensions, film installations and augmented reality (AR) installations, that take us to places we are deeply connected to – but normally never see. Informed by scientific research, powered by aesthetic vision, inspired by a desire to bear witness, they reveal the scale and gravity of our impact on the planet.

Anthropocene: The Human Epoch is Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky’s third collaboration, following Manufactured Landscapes (2006) and Watermark (2013). Exploring humankind’s impact on the planet in visually stunning but often devastating portraits, The Anthropocene Project spans a . . . Source

The team behind Manufactured Landscapes and Watermark is back with a new film that explores the ways human activity has fundamentally changed the planet. Colin sat down with filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier to discuss the massive impact we've had on the Earth. Guests: Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier. Host: Colin Ellis, Producer: Chantal Braganza, Technical Producer: Matthew O'Mara, Production Coordinator: Caitlin Plummer, Podcast Manager: Hannah Sung. Credit: Mercury Films Inc. in association with TVO/Anthropocene Films Inc./mongrelmedia.com

Anthropocene is a new documentary about the planet and our indelible human signature. The brilliant trio behind it—Nicholas de Pencier, Edward Burtynsky and Jennifer Baichwal—join me on the podcast to discuss their alarm sounding project.

What inspired photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier to create an expansive art project exploring the Anthropocene? What does "Anthropocene" even mean? Why should we care? Hear these three world-renowned artists as you've never heard them before in this special in-depth interview with host Sarain Fox. For more information: The Anthropocene exhibition: www.ago.ca, www.gallery.ca, The Anthropocene Project: www.theanthropocene.org. This episode was produced by Nadia Abraham, Shiralee Hudson Hill and Matthew Scott at the Art Gallery of Ontario. For more information on the podcast and the Anthropocene exhibition, visit our website: www.ago.ca.

What inspired photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier to create an expansive art project exploring the Anthropocene? What does “Anthropocene” even mean? Why should we care? Hear these three world-renowned artists as you've never heard them before in this special in-depth interview with host Sarain Fox. For more information: The Anthropocene exhibition www.ago.ca www.gallery.ca The Anthropocene Project: www.theanthropocene.org This episode was produced by Nadia Abraham, Shiralee Hudson Hill and Matthew Scott at the Art Gallery of Ontario. For more information on the podcast and the Anthropocene exhibition, visit our website: www.ago.ca.

What inspired photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier to create an expansive art project exploring the Anthropocene? What does “Anthropocene” even mean? Why should we care? Hear these three world-renowned artists as you’ve never heard them before in this special in-depth interview with host Sarain Fox. For more information: The Anthropocene exhibition www.ago.ca www.gallery.ca The Anthropocene Project: www.theanthropocene.org This episode was produced by Nadia Abraham, Shiralee Hudson Hill and Matthew Scott at the Art Gallery of Ontario. For more information on the podcast and the Anthropocene exhibition, visit our website: www.ago.ca.

A conversation with renowned photographer Edward Burtynsky and acclaimed filmmakers Jennifer Baichwal and Nick de Pencier as they discuss their latest collaborative project — Anthropocene — with AGO curator of photography, Sophie Hackett.

A conversation with renowned photographer Edward Burtynsky and acclaimed filmmakers Jennifer Baichwal and Nick de Pencier as they discuss their latest collaborative project — Anthropocene — with AGO curator of photography, Sophie Hackett.

Alexander is joined again by Vancouver filmmaker Paige Smith to discuss Jennifer Baichwal’s 2006 documentary Manufactured Landscapes. While the focus of the discussion remains on Edward Burtynsky’s stunning large format photography, they also spend time relating the film to the Vancouver housing crisis and stigma around foreign buyers.Download this episode here. (43 MB) IMDb links to the movies mentioned in this episode are here: Manufactured Landscapes, Machines and Last Train Home.

Documentarian Jennifer Baichwal, whose new documentary Long Time Running captures the Tragically Hip on their heart-rending final tour, dives into The Dead Zone to unpack the philosophy and psychology of David Cronenberg’s terrific Stephen King adaptation. Your genial host Norm Wilner shows great restraint in only busting out his Christopher Walken impression once.

The films discussed in order of mention are:Scotty and the Secret History of Hollywood (d. Matt Tyrnauer)Silas (d. Anjali Nayar & Hawa Essuman)The Legend of the Ugly King (d. Hüseyin Tabak)The Other Side of Everything (d. Mila Turajlic)Cocaine Prison (d. Violeta Ayala)The Judge (d. Erika Cohn)Azmaish: A Journey Through the Subcontinent (d. Sabiha Sumar)Of Sheep & Men (d. Karim Sayad)Long Time Running (d. Jennifer Baichwal & Nick de Pencier)Our People Will Be Healed (d. Alanis Obomsawin)There is a House (d. Alan Zweig)A Skin So Soft (d. Denis Côté)The Carter Effect (d. Sean Menard)Mrs. Fang (d. Wang Bing)Lots of Kids, a Monkey and a Castle (d. Gustavo Salmerón)Makala (d. Emmanuel Gras)Faces Places (d. Agnes Varda & JR)Hear Part 1 of the TIFF Preview on episode 53.On Twitter: @thompowers @DorotaMischka @PureNonfiction @TIFF_netPure Nonfiction is distributed by the TIFF podcast network.

Documentary duo Jennifer Baichwal and Nicholas de Pencier of Mercury Films have collaborated on some of the most commercially successful and visually stunning documentaries in Canadian history, including Watermark and Manufactured Landscapes (selected by TIFF as one of 150 Definitive Works in the Canada on Screen programme). This conversation will explore their expansive body of work, including the upcoming films Man Machine Poem, documenting The Tragically Hip’s historic final tour, and Anthropocene, the third collaboration with renowned photographer Edward Burtynsky. This session was designed for an industry professional audience. Guest Jennifer Baichwal Jennifer Baichwal was born in Montreal and raised in Victoria, British Columbia. Her documentaries The True Meaning of Pictures: Shelby Lee Adams' Appalachia (02) and Manufactured Landscapes (06) premiered at the Festival. Her other films include Act of God (09), Payback (12), and Watermark (13). Guest Nicholas de Pencier Nicholas de Pencier is a documentary filmmaker, producer, and director of photography. His cinematography work includes Let It Come Down: The Life of Paul Bowles (98), The True Meaning of Pictures: Shelby Lee Adams’ Appalachia (02), The Hockey Nomad (03), and Al Purdy Was Here (15), and he also produced the award-winning Manufactured Landscapes (06), Act of God (09), and Watermark (13). Black Code (16) is his directorial debut. Moderator Sean Farnel Sean Farnel is an independent writer, producer, and marketing consultant. He has established himself as a leading curator of documentary media over a 15-year career at the Toronto International Film Festival and Hot Docs, and has collaborated with directors and producers while developing and executing market launch plans.

We devote the first hour to a Shout out to the Black Mother. Guests are asked to tell us their mom's name. Question: Is she still alive? What do you love most about her? What lessons are you still living by? What is she most proud of that you have done? Moms you can give a shout out to yourselves too (smile). Count your blessings on the air. You have only a minute or two though, depending on the response (smile). We are then joined by Jennifer Baichwal, director, Payback, based on Margaret Atwood's visionary work, Payback: Debt and the Shadow Side of Wealth. The film opens May 18, 2012 at Landmark's Lumiere in San Francisco and Landmark's Shattuck Cinemas in Berkeley. We close with a conversation with Eleanor Jacobs, Lena in Lorraine Hansberry's Raisin in the Sun, directed by L. Peter Callender, Artistic Director, African American Shakespeare Company in San Francisco at the Burial Clay Theater at the African American Art and Culture Complex, 762 Fulton Street, San Francisco. Visit www.african-americanshakes.org or call (800) 838-3006.  

We devote the first hour to a Shout out to the Black Mother. Guests are asked to tell us their mom's name. Question: Is she still alive? What do you love most about her? What lessons are you still living by? What is she most proud of that you have done? Moms you can give a shout out to yourselves too (smile). Count your blessings on the air. You have only a minute or two though, depending on the response (smile). We are then joined by Jennifer Baichwal, director, Payback, based on Margaret Atwood's visionary work, Payback: Debt and the Shadow Side of Wealth. The film opens May 18, 2012 at Landmark's Lumiere in San Francisco and Landmark's Shattuck Cinemas in Berkeley. We close with a conversation with Eleanor Jacobs, Lena in Lorraine Hansberry's Raisin in the Sun, directed by L. Peter Callender, Artistic Director, African American Shakespeare Company in San Francisco at the Burial Clay Theater at the African American Art and Culture Complex, 762 Fulton Street, San Francisco. Visit www.african-americanshakes.org or call (800) 838-3006.   

Thom Powers, Documentary Programmer for Toronto International Film Festival (TIFF), co hosted with me NYWiFT's panel – A Case Study on the Making of a Feature Documentary discussing Manufactured Landscapes, Jennifer Baichwal's portrayal of renowned  photographer, Edward Burtynsky as he composed his large format photos that combine global social issues within an epic sweep.

Today, Sarinah Simons brings you interviews from the front lines of the 2019 Film Festival. After wandering the streets of Park City, Utah and seeing more films in five days than she would in an entire year, Sarinah interviews the filmmakers and creators behind some of her favorite films seen at the festival. This included the films Anthropocene: The Human Epoch co-directed by Jennifer Baichwal, Edward Burtynsky and Nicholas de Pencier, Honeyland co-directed by Tamara Kotevska and Ljubo Stefanov and The Boy Who Harnessed the Wind directed by and starring Chiwetel Ejiofor. Learn what inspired the filmmakers and what motivates the meaning behind the art.