Podcasts about Hill Street Blues

Actor James A. Watson Jr. joins Mike White in The Projection Booth for a lively and insightful conversation about his remarkable career. Best known for his work on Quincy, M.E., The Rookies, and Hill Street Blues, Watson reflects on breaking into Hollywood, the challenges he faced as a Black actor, and his early film roles in Halls of Anger and The Organization. He shares behind-the-scenes stories from Airplane II: The Sequel and offers a candid look at working in both television and film across the 1970s to today. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Hello, everyone! I am thrilled to visit with Mark Steven Porro, who has led a fascinating life, taking him from Hollywood to caring for his mother, the inspiration that led him to write A Cup of Tea on the Commode. This heartfelt memoir captures the raw, authentic, and humorous moments of caring for a loved one. Stay tuned as Mark reads an excerpt from his book, detailing an unusual conversation between mother and son during their seemingly normal morning routine. Tune in to hear more!IN THIS EPISODE:(02:10) Mark speaks about his current home in France and his childhood(04:54) Mark began his acting career with stars like Chuck Norris and Tom Hanks(08:26) An award-winning short film called SUV: Sport Utility Vehicle (12:08) Mark moves from Hollywood back to his childhood home to care for his mother(16:32) Mark reads a conversation he and his mother had that inspired A Cup of Tea on the Commode(20:46) Mark reads an excerpt from A Cup of Tea on the CommodeKEY TAKEAWAYS:Mark's journey showcases his strong entrepreneurial drive, from launching multiple businesses to creating a unique snack food company in honor of his father. His ability to balance creative pursuits with business ventures serves as an inspiration to all of us.Mark has explored various artistic avenues, including acting, directing, writing, and industrial design. His work in Hollywood includes roles in Hill Street Blues and Castaway, along with his award-winning short film. Now residing in a historic village in southwest France, Mark immerses himself in a creative environment rich in theater, history, and artistic inspiration. His move emphasizes the importance of surrounding oneself with a stimulating atmosphere to fuel creativity.Subscribe to Reenita's Storytelling Den on Substack for free, or become a paid subscriber to watch the video version of this episode. You will also be eligible for other extras, such as exclusive content from podcast guests, short stories, exclusive fiction, and more! https://substack.com/@reenitahora FICTION CREDITS:Written by Mark Steven PorroRead by Mark Steven PorroGUEST RESOURCES:A Cup of Tea on the Commode - WebsiteA Cup of Tea on the Commode - FacebookA Cup of Tea on the Commode - YouTubeA Cup of Tea on the Commond - Twitter (X)A Cup of Tea on the Commode - InstagramMark Steven Porro - LinkedInA Cup of Tea on the Commode - PinterestA Cup of Tea on the Commode - TikTokSUV Sport Utility Vehicle - YouTubeHOST RESOURCESWebsiteLinkedIn Tiktok Instagram Facebook Twitter (X) Substack Threads LinkTree BIO:Mark Steven Porro, a New Jersey native (Exit 163), earned an Industrial Design degree from Ohio State University. After years in agency work, his passion for acting took him to Hollywood, where he appeared in numerous TV, film, and stage productions. Along the way, Mark launched five non-profit companies, none of which were planned for applause. Now living in the South of France, he enjoys life in wine country, where the locals assure him his French isn't so bad—at least, that's what he believes they're saying. An award-winning designer, writer, director, and best-selling author, Mark's debut memoir, A Cup of Tea on the Commode, chronicles the bittersweet and humorous journey of caring for his mother in her final years. Though his efforts weren't always perfect, he came pretty close.Support this podcast at — https://redcircle.com/true-fiction-project/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Award-winning and #1 New York Times bestselling author, Robert Crais, returns to talk with me about the destruction of the recent LA fires, writing “enlightened” crime fiction, and the 20th in his Elvis Cole and Joe Pike series THE BIG EMPTY. Robert Crais is the author of 24 novels, 20 featuring private investigator Elvis Cole and his laconic ex-cop partner, Joe Pike. The first in the series, The Monkey's Raincoat, won the Anthony and Macavity Awards and was nominated for the Edgar Award. The 20th in the series, THE BIG EMPTY, is described as an unpredictable and powerful thriller, and "Cole and Pike's toughest case yet, testing their loyalty to their clients and themselves in ways they've never been tested before.” #1 New York Times bestselling author James Patterson said of the book, “Elvis Cole and Joe Pike are right up there with Harry Bosch and Reacher as must reads….It's close to flawless. Robert Crais has mastered the fine art of storytelling.” In a previous life Robert Crais was an Emmy-nominated TV writer/producer and spent several years writing scripts for classic television series like Hill Street Blues, Cagney & Lacey, and Miami Vice. screenwriting thesis program at an American university. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this Part Two of this file Robert Crais and I discussed: What writing 20 novels for the same hit series means to him How he became a master of LA detective fiction Why every novel gets harder than the last The catharsis of storytelling for both writer and reader How to keep going  And a lot more! Show Notes: How #1 New York Times Bestselling Author Robert Crais Writes: Part One robertcrais.com Racing the Light (An Elvis Cole and Joe Pike Novel Book 19) by Robert Crais (Amazon) Robert Crais Author Page on Amazon Robert Crais on Facebook Robert Crais on Instagram Robert Crais on Twitter Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Crais is the #1 New York Times bestselling author of twenty-four novels, twenty of them featuring private investigator Elvis Cole and his enigmatic, ex-Marine partner, Joe Pike. Before writing novels, Crais spent several years writing for such major television series as Hill Street Blues, Cagney & Lacey, and Miami Vice. Visit his website at https://www.robertcrais.com/ Spies, Lies and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture #thrillers #Chicago63 #RobertCrais #TheBigEmpty

Robert Crais is the #1 New York Times bestselling author of twenty-four novels, twenty of them featuring private investigator Elvis Cole and his enigmatic, ex-Marine partner, Joe Pike. Before writing novels, Crais spent several years writing for such major television series as Hill Street Blues, Cagney & Lacey, and Miami Vice. Visit his website at https://www.robertcrais.com/ Spies, Lies and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture #thrillers #Chicago63 #RobertCrais #TheBigEmpty

NOTE: Preface to Part Two of this prescient interview with a master of the craft: “[Crais is] an enlightened crime writer.”—New York Times Book Review Award-winning and #1 NY Times bestselling author, Robert Crais, spoke to me about breathing life into the ur detective novel, the legacy of Raymond Chandler, his love of LA, and his latest, "Racing the Light." Robert Crais is the author of 23 novels, 19 of which feature private investigator Elvis Cole and his laconic ex-cop partner, Joe Pike. The first in the series, The Monkey's Raincoat, won the Anthony and Macavity Awards and was nominated for the Edgar Award. The latest is Racing the Light, described as "... a pulse-pounding read and Elvis Cole's most dangerous case yet." Bestselling author David Baldacci called it "... another grand slam for the master storyteller Robert Crais. If there's a better dynamic duo than Elvis Cole and Joe Pike in all of crime fiction, I'm not aware of it.” On Reader's Digest's list of "30 new books we can't wait to read in 2022," Kirkus Reviews said that, "... [Crais] keeps the traditional detective novel alive and well." In a previous life Robert Crais was an Emmy-nominated TV writer/producer and spent several years writing scripts for classic television series like Hill Street Blues, Cagney & Lacey, and Miami Vice. Stay calm and write on ... Get 'The Writer Files' Podcast Delivered Straight to Your Inbox If you're a fan of The Writer Files, please "Follow" us to automatically see new interviews. In this file Robert Crais and I discussed: Burning out as a TV writer and chasing the dream of becoming a novelist Why he never anticipated fame How his novel LA Requiem changed the trajectory of his career When your author name gets bigger than the title Why he'll always be a meticulous outliner And a lot more! Show Notes: robertcrais.com Racing the Light (An Elvis Cole and Joe Pike Novel Book 19) by Robert Crais (Amazon) Robert Crais Author Page on Amazon Robert Crais on Facebook Robert Crais on Instagram Robert Crais on Twitter Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Groundbreaking police procedural Hill Street Blues first aired on NBC on January 15th, 1981. Back then, TV dramas were mainly mindless entertainment, overshadowed by sitcoms or feel-good fare such as Little House on the Prairie. But, with its richly chaotic blend of overlapping dialogue, gritty realism, and complex characters, Hill St broke the mould.  Yet the pilot's test audiences found the unconventional format disorienting—the flawed characters, unresolved storylines, and chaotic setting were too unfamiliar for comfort. Nonetheless, NBC renewed the low-rated show, partly because its small audience was an influential demographic of discerning viewers who valued its intelligence and depth. In this episode, Arion, Rebecca and Olly explain how Hill Street Blues revolutionized TV storytelling; consider the outdated societal attitudes on display in their pilot episode; and reveal why Rebecca was prevented from discussing her love for show on the BBC's Mastermind… Further Reading: • ‘Hill Street Blues': The most influential TV show ever (CNN, 2014): https://edition.cnn.com/2014/04/29/showbiz/tv/hill-street-blues-oral-history/index.html • '15 Surprising Facts About Hill Street Blues' (Mental Floss, 2018): https://www.mentalfloss.com/article/73436/15-gripping-facts-about-hill-street-blues • ‘Hill St Blues, Episode 1' (NBC, 1981):  https://www.youtube.com/watch?v=EeJEEAtZH_I Love the show? Support us!  Join 

Chuck Heinz and Jamie Lent talk about who is the next Cowboys head coach, Hill Street Blues, diesel fuel, what former Tech Basketball player would you want taking the final shot, and Tech basketball win over K-State.

How many programs have you seen where supporting characters are suddenly thrust into the spotlight, where we have to find out everything about their lives and backgrounds like Animal on Hill Street Blues, Penny on Good Times and a host of others? Join your Blerdsassins Next Door Saturday 6p PST/ 8p CST/ 9p EST when we'll discuss the programs that inserted back stories of supporting casts that failed to serve the plot or the development of the characters.

It's All Been Trekked Before #398  Season 12, Episode 59  Cop Rock "Pilot"   We got four levels deep off track right at the start, and repeatedly. Also, Keith had thoughts on how we had to watch, Stephen blames compromise, Jimmy-Jerome laments how networks never give shows a chance.    Looking for #397? It's a Patreon Exclusive! Become a donor to listen, and watch the unedited video version of all episodes!   Edited by Jerome Wetzel, with assistance from Resound.fm   It's All Been Trekked Before is produced by IABD Presents entertainment network. http://iabdpresents.com Please support us at http://pateron.com/iabd Follow us on social media @IABDPresents and https://www.facebook.com/ItsAllBeenTrekkedBefore 

Actor Daphne Maxwell Reid is best known for her role as Aunt Vivian on The Fresh Prince of Bel Air TV show starring Will Smith. Some of her other credits include starring roles on WKRP in Cincinnati, Hill Street Blues, Simon and Simon, and Frank's Place, opposite her husband Tim Reid. Dr. Karen talks to … The post Interview with Daphne Maxwell Reid from the Fresh Prince of Bel Air TV Show (Episode # 202 R) first appeared on TRANSLEADERSHIP, INC®.

Rafael A. Mangual, a contributing editor of City Journal, a member of the Council on Criminal Justice, and the Nick Ohnell Fellow at the Manhattan Institute for Policy Research, on the recent defeat of many ideologically progressive state and county prosecutors at the ballot box in this past general election and the role of criminal justice in a society. Seth and David discuss the merits of the Hill Street Blues theme song and crime rates in America.See omnystudio.com/listener for privacy information.

Jennifer spills the beans on what it takes to be an actress in Hollywood. We talk "Beverly Hills Housewives", how your gal pal will cover your problem spots in lesbian love scenes, poker, glamour, getting hit on by producers, and the indignity of promoting yourself by going on to podcasts like this one.Bio: Jennifer Tilly received an Academy Award nomination for her role in Woody Allen's “Bullets Over Broadway” for her memorable portrayal of the terribly untalented Olive, actress wannabe, and gangster's moll. Her performance in “Liar Liar” as Jim Carrey's gold-digging client earned her an American Comedy Award nomination, as well as a Blockbuster award nomination as Favorite Supporting Actress.Tilly is perhaps best known from the indie noir film “Bound”, which has earned her a cult following. “Bound,” directed by the Wachowski's follows two lesbian con artists trying to rip off the mob. The film garnered many accolades including a GLAAD media award, and a Saturn award nomination (Best Actress) for Tilly. Other film credits include “The Getaway,” “The Fabulous Baker Boys,” “Let It Ride,” “The Cat's Meow,” “Intervention,”(Winner-Best Actress-San Diego Film Festival) “Dancing at the Blue Iguana,” “Made in America,” “Bride of Chucky,” (Saturn Award nominee-Best Actress) “Seed of Chucky,” “Curse of Chucky,” “Cult of Chucky,” “The Crew,” “The Wrong Guy,” “Inconceivable,” (Winner-Best Actress-WIFT) “An American Girl,” “Edie and Penn,” “Hide and Seek,” “Saint Ralph,” “The Doors,” ”Relative Evil” (Winner-Best Actress-DVD Exclusive Awards) “Second Best,” “Tidelands,” and many more. Other notable TV appearances include “Modern Family,” “Drop Dead Diva,” “Moonlighting,” “Cheers,” and “Frasier.” She had recurring roles on “Hill Street Blues,” “It's Garry Shandling's show (Ace award nomination-Best Actress) and “Out of Practice” (CBS). She was a series regular on “Key West” (Fox) and “Shaping Up.” (NBC) Tilly is in great demand as a voice over actor. For the last twenty-two years she has delighted audiences as Bonnie on “Family Guy.” She played the snaky haired Celia in Pixar's classic movie “Monster's Inc.,” as well as the Disney+ series “Monsters at Work,” Grace, the new age cow in Disney's “Home on the Range,” a con mouse in “Stuart Little,” and Madame Leota in “The Haunted Mansion.”Theatre credits include "Tartuffe," (LA Public Theatre) "Boy's Life" (LAAT) and "Baby With The Bathwater," (LAPT) and “Vanities,” (Dramalogue Award-Best Actress) She received a “TheatreWorld Award” (Best Newcomer) for her performance in Second Stage's "One Shoe Off" at the Joseph Papp Theatre.  Tilly is also a regular performer in the smash hit comedy revue, “Celebrity Autobiography” and Illeana Douglas' “Living Room Show.” These days Jennifer is dividing her career between acting and poker. In 2005 she astounded the Poker world when she bested a field of over 600 women to win the coveted gold bracelet at The World Series of Poker. She followed that up by capturing a WPT title, winning Ladies Night 3.

Fernando, Hill Street Blues, and the screwball Parcells "Can the both lose?" Data Ball Nelson Mandella and starting pitching Invest in loss and a different dialogue- 200/20/CG The kinetic chain-the crow hop- tech Feel is not real When the game starts the coaching stops Stu Fritz and the IBF

This week on It Was a Thing on TV   First, NBC tried spinning off one of its most successful shows from the 80s, the drama Hill Street Blues, into a comedy/drama Beverly Hills Buntz.  The first episode brought great ratings, but that was thanks to a cushy time slot.  Naturally, the audience didn't carry over after moving to a not-so-cushy time slot and the show ended with 4 episodes still in the can.   Then, daytime games in the 80s were a strength of NBC.  CBS had a stable roster of shows, though the block was only two hours compared to three at NBC.  For some reason, CBS canceled the venerable $25,000 Pyramid for this show.  This show did not live up to expectations, so much so that its replacement was the same show it replaced.   Follow us at all our socials via our Linktree page at linktr.ee/itwasathingontv    Timestamps 0:31 - Beverly Hills Buntz (Episode 505) 36:15 - Blackout (Episode 506)

Al Pacino wrote a book and had another kid, Clint Eastwood will never die, a song and a dog named Misty, a completely amazing Pacino performance in a ridiculous movie, little boy blue, doing the sticky, Daffy Duck having an existential crisis, Long Beach 4-5620, calling Mr. Apology, catholic school daze, impure thoughts, looking like Abel Ferrara, a bunch of Ferrara movies, be careful when you tell someone they look like someone, don't fuck with Lawrence Tierney, Tony Hawk and vitamins, Mel Gibson and vitamins, an under the radar science fiction movie worth watching, and waiting for a femme fatale. Stuff mentioned: Al Pacino Sonny Boy: A Memoir (2024), "Al Pacino Is Still Going Big" (New York Times Podcasts, October 5, 2024 https://www.youtube.com/watch?v=9f1P5x47poAP), Play Misty for Me (1971), Erroll Garner "Misty" (1955), Serpico (1973), Dog Day Afternoon (1975), The Godfather (1972), Jack and Jill (2011), EMF "Unbelievable" (1991), You Don't Mess with the Zohan (2008), Adam Ant "Strip" (1983), Duck Amuck (1953), Glen Miller Orchestra "Pennsylvania 6-5000" (1965), John O'Hara Butterfield 8 (1935), Butterfield 8 (1960), The Driller Killer (1979), Ms. 45 (1981), Bad Lieutenant (1992), Bad Lieutenant: Port of Call New Orleans (2009), Fear City (1984), Body Double (1984), MaXXXine (2024), King of New York (1990), The Addiction (1995), Dangerous Game (1993), Padre Pio (2022), Body Snatchers (1993), Scent of a Woman (1992), Invasion of the Body Snatchers (1956), Invasion of the Body Snatchers (1978), ER (1994-2009), Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Dillinger (1945), Trees Lounge (1996), Tony Hawk Qunol CoQ10 Commercial (2023 https://www.youtube.com/watch?v=5ErlInBH8yA), Mel Gibson Vitamin Commercial (1993 https://www.youtube.com/watch?v=IV2olDA0w8U), The Dark Knight (2008), Back to the Future (1985), The Breakfast Club (1985), Face/Off (1997), RoboCop 2 (1990), Chinatown (1974), Warning Sign (1985), Hill Street Blues (1981-1987), Police Academy (1984), Roxanne (1987), and Gone with the Wind (1939).

NBC tried spinning off one of its most successful shows from the 80s, the drama Hill Street Blues, into a comedy/drama Beverly Hills Buntz.  The first episode brought great ratings, but that was thanks to a cushy time slot.  Naturally, the audience didn't carry over after moving to a not-so-cushy time slot and the show ended with 4 episodes still in the can.

A farewell to a cool guy, sending good vibes to Stacy Keach, a deadly notebook, give 323-310-5332 a call, say it ain't so Francis Ford Coppola, recent newspapers and articles that drew my attention, some James Carville, the toxic intersection of politics and facial hair, some dispatches from the medical world, nobody knows anything, a towering achievement, more quotes and jokes, endless shrimp will destroy us all, some dude in 1881 knew his shit, more useless technology from Silicon Valley, a literary takedown of Elon Musk, animals bullshitting with each other, and some quotes on perseverance. Stuff mentioned: Days of our Lives (1965-present), Death Note (2017), Death Note (2006), Tsugami Ohba Death Note (2003-2006), The Substance (2024), Flashpoint (1984), Megalopolis (2004), Hill Street Blues (1981-1987), Dr. Butcher M.D. (1982), Zombie Holocaust (1980), George Miller Beard American Nervousness, Its Causes and Consequences: A Supplement to Nervous Exhaustion (Neurasthenia) [1881], Kate Conger and Ryan Mac Character Limit: How Elon Musk Destroyed Twitter (2024), and The Animal Kingdom (2023).

March 24- April 1, 1984  This week Ken welcomes Philly comic Chip Chantry BACK to the show.   Ken and Chip discuss uninspired TV landscape of 1984, significant TV weddings, his last visit and the evolution of virtual podcasting since then, the fascinating world of VR and hologram technology, take a historical detour into the "Pepper's Ghost" illusion—a magician's trick from the 18th century now revived in modern performances, pranks, writing for a local radio station, psychic mediums like John Edwards, Hill Street Blues, a poignant reading of Lana Wood's poem "Sleep," the Mr. T action figure, Voltron, Dennis the Menace, the bizarre ABC weekend special "The Amazing Bungie Venture," a unique documentary-style episode of "Kate & Allie," and the CBS Schoolbreak Special "Welcome Home, Jellybean."   AND don't miss Chip's comedy special "Move Closer" streaming now for free on YouTube: https://youtu.be/_QKarKuuTdU?si=keNN0nQqM1dq0tLY

This week on the program, Thomas, Matt, and jD welcome back Darin Patterson to the show. You can find his work at SNL Nerds where ever you get your podcasts.Transcript:Track 4:[0:42] Thank you so much, Doug DeNance. It is a thrill to be back here with you on the SNL Hall of Fame podcast. Before you come inside, if you would do me a favor, please wipe your feet. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Consideration once the nominees have been announced we turn to you the listener to vote for the most deserving and help determine who will be enshrined for perpetuity inside the hall and that is how we play the game it's just that simple a little 411 for you we have a new email address it is the snl hall of fame at gmail.com that's the snl hall of fame at gmail.com shoot Shoot us an email if you have any questions about the show or would like to guest on this show or the SNL Hall of Fame Water Cooler with Joe and Shari.Track 4:[1:43] So there's that. This week we are joined by our friend Darren Patterson of the SNL Nerds podcast. You can check that out wherever you find your quality podcasts. Podcasts and uh darren has quite the track record of uh nominating people in episodes he joined us for the first time on season two where he nominated tom hanks who got in then in season three he kicked off the season by nominating dana carvey who also got in that year uh he took the year off in season four and didn't visit us in season five either but this year he's back and uh i'm excited about this episode so there's that.Track 5:[2:32] Here we go with an original not ready for prime time player it is the often overlooked garrett morris matt what do you have to say about garrett morris wow uh garrett uh he five foot eight born february 1st 1937 in new orleans uh he is uh an incredible talent he studied drama at the hb studio and attended juilliard he's a triple threat raised by a baptist minister grandfather he got his first taste of performance in the church choir uh with 116 acting credits six soundtrack credits and one writer credit it, he worked as a soloist and arranger for Harry Belafonte.Track 5:[3:22] Yeah, so he was part of Belafonte's band. During his time as a singer for Harry Belafonte, he was performing in Los Angeles and decided to go for a walk. Police cuffed him and dragged them to jail when he tried to show his hotel keys to prove where he's staying. After a background check, it came back clean. And then they checked the itinerary in his pocket and saw that he was part of Harry Belafonte's band. And all of a sudden they were like oh i'm sorry i'm sorry mr garrett morris i mr morris like we're so he's he that kind of uh changed his life um he became very active uh he joined the black arts repertory theater and school a cornerstone of the black arts movement um um, in New York and ended up being surveilled by the FBI during that time. Yeah.Track 5:[4:23] So he has a file. Um, but you know, he's also done things like he released an album called South African Freedom Songs with Pete Seeger and Guy Carowan. Uh, he appeared in broadway in hallelujah baby and ain't supposed to die a natural death and uh he.Track 5:[4:44] Wrote a play called the secret place daddy piku and stagger lee uh which he penned for the brooklyn uh school kids as part of a new york program uh to write a play for school kids in their in your home borough and on top of all of that he released a comedy album called saturday night sweet um which has some pure disco tracks on there it is it is incredible um he survived a brush with death having been shot in the chest and arm while being mugged uh and got to be kidding me yeah like he's that was.Track 5:[5:28] In 1994 so not even that long ago did not go well for the shooter because there were some garrett morris fans in prison and let's just say he didn't leave the prison uh so yeah that got that you don't mess with a good with great comedians you know people don't like that so yeah so garrett morris garrett morris in a in a wrapped in a bow by our friend matt ardell and now we're going to check in with our other friend Thomas Senna as he digs in on Garrett Morris.Track 2:[6:31] Jamie and Matt, thank you so much. Welcome to another episode of the SNL Hall of Fame. Today we have a Heritage nominee from Season 1, an original Not Ready for Primetime player. So I'm really excited to talk about Mr. Garrett Morris.Track 2:[6:52] And with me to talk about Garrett and his time at SNL is Darren Patterson from the SNL Nerds podcast. Somebody who I haven't had on in like two or three seasons. It was long overdue. I knew I needed to get Darren back for Season 6 of the SNL Hall of Fame. Darren, how's it going, man? It's going well, Thomas. It's going well. Yeah, it's been a minute. I haven't been around these parts in quite some time. I love what you've done with the place. yeah well thank you tied it up a little bit before before you stepped into the hall we make sure to dust and we make sure to everything is in its right place for special guests like yourself so from one snl podcaster to another i gotta make sure that my space is presentable for for you guys especially for other snl podcasters so it's wonderful to have you man i think you were on uh for a roundtable an end of season roundtable i think that's last time we checked in on you yeah yeah it was that was that was a lot of fun that was a that was a blast if i recall correctly yeah yeah no we had a blast talking uh talking about the different nominees from that season of the snl hall of fame uh i love chatting with fellow snl podcasters like we both were chatting beforehand that this is such a really neat community of snl podcasters like both buddies with john schneider from the saturday night network the guys gary and brad from the not Not Ready for Primetime podcast. Andrew Dick's doing his thing.Track 2:[8:19] So, yeah. So, it's just really fun to have a fellow SNL podcaster on. Why don't you tell us what's going on lately over at SNL Nerds? The listeners can go and listen to our 300th episode, which we just recorded. We hit the big 3-double-0. Wow. It's bonkers. Yeah, yeah.Track 2:[8:38] It's an episode we did with Mike Diva, SNL film unit director. The man who directed such hits as I'm Just Pete, the Pete Davidson pre-tape, the Waffle House pre-tape for the Jenna Ortega episode, Mario Kart in the Pedro Pascal episode, the Christmas Carol pre-tape on the Steve Martin, Martin Short episode. Yeah, this dude's done it all. So, guys, go check that out, our 300th episode. That's awesome. We got it. Yeah, yeah. It was a pretty big milestone for us. We were like, oh wow, we've been... We've been really doing this for a while. You know, most podcasters don't even get to five episodes. Really? Yeah, I think I read that somewhere. I think five episodes is like the average, if that. So people start a podcast, they bail after like one or two episodes. So 300 is amazing, man. Yeah, that makes us 60 times better than the average podcast. And you could fill it with you and John Trumbull, your co-host. Yes, yes. Yes. Me and my coach, John Trumbull, we're two guys in New Jersey who are obsessed with SNL, so we during the summer since they've been off, we've just been kind of talking about SNL quote-unquote related movies. Just because we've done all the directly connected to SNL movies, so now we're just like, we just had an episode of Throw Mama from the Train and Billy Crystal's in it. I think that's SNL adjacent. I don't know.Track 2:[10:07] As long as the cast member's on, I think that definitely qualifies. Yeah like as long as we can find one cast member in the cast or for something more produced we kind of shrug and be like all right that works like our next episode we're gonna do a league of their own one of my favorites john lovitz is in that so i was like all right that counts yeah that's one of my favorite things about your podcast is is you you've carved out your own niche in that like you're exploring like snl related movies which which i love so so 300 hundred congratulations darren congratulations john huge milestone go check out uh snl nerds follow them on social media and listen to their pod it's an awesome one so today we are chatting about mr garrett morris so uh garrett had a somewhat different path to snl compared to the rest of the cast he wasn't a groundling didn't come from second city uh garrett was a dramatic actor singer playwright so Lauren was looking for a playwright landed on Garrett who then obviously became a cast member of course part of the original cast so Darren like as an SNL nerd what does Garrett overall kind of mean to you, Oh, God, what does it mean to me? I mean, of course, right off the top, he was the first African-American cast member in SNL. I mean, that's a huge thing right there.Track 2:[11:30] I mean, and also when I think of Gary, I kind of also think of almost like what could have been a little bit just because it's like you said, like Gary really didn't come up with the rest of the cast members through the improv channels. Channels he just kind of he was like a theater kid basically he worked in the theater and playwrights and whatnot so he was he was i i always felt like he that's one of the things that's kind of separated him from the rest uh well i mean i think there was like a few things actually the fact that he well first you know african-american uh the rest of the other cast was uh white uh all the writers were white sometimes i think he was might be the only black guy in like the building yeah Yeah, yeah, seems like, right? It's very possible. Yeah, and so there's that. The fact that he doesn't come through the improv channels, that always kind of separated him. And the fact that he was, like, so much older than the rest of the cast, too, which is something I think a lot of people don't even realize, is because the other cast members, they were all in their 20s when they got to show, like, mid-20s, early 20s, something like that. Garrett was 38 when he got it. Right. It's like, aside from him and George Cove, like those are the old dudes so part of me does think oh maybe those three things kind of are what separated him from the rest of the crew and maybe writers and the cast members maybe didn't know exactly how to.Track 2:[12:55] Fit him into what they were doing so it always seemed like he was kind of doing his own thing the more I think about it I don't know if anybody actually.Track 2:[13:06] Wanted to write a sketch for Garrett it seemed seem more like the writers were like i have this idea for a sketch and if gary can fit in it okay right you know like it was even more something like because a lot of them came from second city i know lorraine was a grambling um but a lot of them have even had even had sketches that they performed together before snl so so that so there was just like an uphill climb uh for gary he had been in like uh uh i think he was in a band um with harry bell like not with harry belafonte But it was a band of like Harry Belafonte kind of like nurtured and like mentored a little bit So Garrett was like in that band. He was singing acting like I mentioned playwrights So that yeah, he was just he wasn't part of like that sketching improv inner circle Yeah, which probably? Was a disadvantage to him and you uh you alluded to it But I mean one thing of course that we can argue is that.Track 2:[14:07] Him being sidelined as a black man. And we saw for a long time afterward that SNL did have a problem with representation, Darren. Yeah, yeah, it really did. I mean, I don't know if maybe they just weren't quite looking for that or they were just kind of maybe more focused on just getting on the kind of humor that maybe they could only conceptualize or conceive as being radical without thinking about maybe how it may appear to other people. Like, you know, they've always had, SNL's always had issues with that. They're doing better, you know, the fact that we have, like now, like we had Bunky, but like people like Bowen or Devin and Ego and like all these other different perspectives, kind of Marcelo now, like all these other different perspectives coming up with ideas that, you know, like ideas that wouldn't have come to other, maybe certain types of writing but uh but you know like like sketches that maybe like ego has done like like things that kind of maybe include like a vernacular or have like a viewpoint from a certain community that you wouldn't have normally thought of like another i'm going off of the tangent here sorry like one sketch i thought of like was um uh the sarah lee sketch from the harry styles episode yes the one that had like cecily and bowen and then harry styles came in and he'd been posting all these odd things on Instagram.Track 2:[15:34] And the wordage they were using, I was like, oh, this is written by Bowen or something, because I don't see anybody else kind of... Unless you know about that community, then a lot of other people just wouldn't know about that. It seems like a lot of the writers who were around when Garrett was around didn't just quite know about his world, so they didn't maybe know how to write it. So that's why maybe they had a harder time trying to figure out what he could do.Track 2:[16:04] Yeah, and like the late 70s, I don't think it was as emphasized or writers and people behind the scenes didn't necessarily care about certain voices. And I think you can, like, if they thought that the audience wouldn't get certain points of view, you can still make those funny. You can kind of train the audience to understand certain things. You could put Garrett or somebody on Weekend Update and kind of – even if you have to kind of explain the backgrounds, explain the context for a few seconds. We've seen them. We saw them do that on Saturday Night Live all the time in the 70s. Even if you have to explain context, you can make it funny. So I don't – I think they just didn't care around that time. Yeah, I think – I mean I think that what you're saying is that that's something they finally caught around when Eddie Murphy kind of came on the scene. Scene and I mean I'm not sure exactly who was writing for him at the time he might have just been writing his own stuff or whatever but like I think when Eddie came in they're like oh this is.Track 2:[17:06] From a fresh new viewpoint that maybe we don't know about, but is worth exploring and investigating and making some sketches about. Yeah, I think there's a lot of credence to that, for sure. All that said, Garrett was such a great singer, such a great actor. I think he added a wonderful dimension to the show when it was on screen. Darren, I've always found this applies to hosts, especially in my opinion, but even cast members. I think some of the best people to do sketch comedy are good actors i think you need to have a sense of humor but you also need to know how to act that's something that they could have really tapped into with gary like talk about acting chops he's probably the best actor uh at that time maybe on the whole cast yeah no he that's true he could have done that i think what he might have done, which maybe kind of you know was was to his you know detriment was he tried to be maybe as funny as the rest of the cast members in some things or like he tried to meet them on their terms when he should have just kind of stuck with his strengths and like and you know that would have been his like maybe more better path forward where like he probably came up saying like well I'm a dramatic actor I know theater.Track 2:[18:25] But these guys are like comedic improv so let me try to be let me try to keep up with them try to play their game but like I feel like he should have kind of maybe played his own game and found his way.Track 2:[18:38] Through what the rest of the improv people were doing. It's almost like, I mean, I don't know if you saw what was it, Batman Forever? The one with Tommy Lee Jones and Jim Carey from back in the day, that Batman, where I'm really going off the edge today. No, it's not me.Track 2:[18:59] Jim Carey was the Riddler and he was like he just really played it to this nth degree and uh tommy lee jones was two-faced and he tried to match carrie's crazy and it just got too much crazy yeah whereas like if tommy lee jones maybe played it more straight and played it more kind of down here it would have had a better balance but like i remember that movie just being kind of really off kilter and not great because of that so i think maybe garrett could have done that like he could have been like maybe the more serious grounded uh person or or uh force in a sketch right and while everybody else was kind of acting a little bit crazier around him, Yeah, so he was trying to find his footing, so it's easy to understand why he would be like, well, it's a comedy show, and these guys have – I think I've even heard Garrett say this. He's looked at all of them and said, oh, they're like funny people. They're like trained funny people, so I kind of have to match that. But maybe looking back, you could say I was maybe the best actor of the bunch, so that's what I could have contributed. But you could see it. When I revisit old SNL, a lot of my takeaways from some sketches are like, man, Garrett acted his ass off, and it helped the scene.Track 2:[20:08] Like like big time i i think of like somebody who we're going to talk about this season adam driver to me he's one of the better hosts in snl history because he's like a great actor and a lot of those great dramatic actors do really well as hosts on snl so i just think that skill set really crosses over to sketch comedy yeah no for sure that definitely does like uh yeah i mean you have comedic actors that like try to be the funniest one in the sketch and that can't come across as maybe depending on the comedic actor it could be a little obnoxious but like dramatic actors always kind of know that less is more and like yeah you don't always have to be the big boisterous clown in the room you can just maybe play it down a little bit more and be a little bit more understated and you know find the rhythms and just add to the sketch and that's a better path well it might not be like like the flashiest role or you know like more than what everybody remembers, you still did your part to maybe flesh out the sketch a little bit more and get it to greater heights. Exactly. It services the sketch. Sketch comedy nerds like us will pinpoint that contribution and give credit where credit's due. So as far as Gary goes, I'm really excited. I want to dig into his work on SNL. So is there something that immediately kind of stands out to you that he did on the show?Track 2:[21:33] One of the biggest standouts immediately is the president of the New York School for the Hard of Hearing. It was a quick little thing he always did on a weekend update with Chevy where they have him in those little hard of hearing bubbles. And Chevy would say he's here for the hard of hearing. And Chevy would be like, our top story tonight. And then you just see Garrett cupping his hands over his mouth, screaming the exact same thing that Chevy's saying. Our top story tonight, President Ford is finally over that stubborn week-long cold.Track 2:[22:11] It was like one of those really simple, dumb gags that like we'll get a laugh i remember getting a laugh out of that the first time i saw when i was like a little kid where i was like it's it's simple it's kind of corny it's it's almost like a dad joke but damn it it makes me smile and it lives on too garrett he came back and was it snl 40 that he yes that he did that right i believe so it was one of the snl uh anniversary specials that that they brought garrett back to to do that on weekend update so So that one definitely lives on. I mean, the tone is like just yelling, but Garrett's not trying to like be a clown or be, you know, he's just sort of like doing what needs to be done. And it lives on almost 50 years later, Garrett doing that.Track 2:[22:59] Yeah, I'm sure everybody will remember that. Weekend Update, I kind of want to stick with too, since you started there on Weekend Update. A character he did 10 times, 9 of those on Weekend Update was Chico Escuela. Is sports correspondent which is what i i mean that when i think of garrett i think of like the a lot of the fun stuff he did as chico escuela darren yes yes me too i mean it was like um i mean yeah like you said it was like a character that just kind of popped up here and there a little bit uh it wasn't you know it wasn't it didn't get too overused there was no you know emily latela or anything like that but it was poor poor emily latela that's like the classic example but you're right I agree right she got so much air time it was like wow you really trying to make Emily Latela happen but I mean Chico escuela like he had again much like Garrett he kind of went at his own pace you know the baseball didn't very very good to me and whatnot it was like a very small that's small but very understated character very understated performance, memorable, to say the least, I'd say. Baseball been very, very good to me. This week, baseball been very, very good to Willie Mance. Say hey, Willie always keep his eye on the ball.Track 2:[24:25] In the Super Bowl, we have, how do you say, highlights. Roll, please. Please, Jackie A. Smith did not keep his eye on the ball. I think it is actually kind of a nuanced thing because I love the conceit of he doesn't know anything, especially the first one. The first time he came on as a sports correspondent, he doesn't know about any other sports. He's just trying to like push his way through like the nhl highlights and he doesn't really know much about basketball then when baseball he just kind of jumps right in and yeah just talks about it so i just think that's a very very funny conceit chico always seemed like a nice guy has that catchphrase man like like everybody who knows the show it seems like knows the baseball been very very good to me and yeah like yeah he another one that lives on yeah no it's not like one of the bigger catch, you know, it's not like it's no two wild and crazy guys, but I feel like it's another like.Track 2:[25:32] It's another thing where it's like, yeah, it's a catchphrase that may not be that big, but it is known. I don't know. The more I think about it, the more I think more serious SNL nerds like us would appreciate Garrett more. He's always just been kind of – again, he's not like the big flashy breakout star, but people like us, we see what you're doing there. Yeah, I know. If you really go back and watch the first five seasons, there's so many times where we're like, oh my gosh, Garrett. It like like and he i love the chico character too because like it had an arc like he had a really fun arc there's at one point where he uh was quitting weekend update because he went back to met spring training to try to make the team again because his his background was that he was an all-star for the new york meds so uh but then when he went to uh spring training uh it turns Turns out that some of the team was upset with him because he wrote a detailed account of Major League Baseball.Track 2:[26:32] And it was called Bad Stuff Bout the Mets that he wrote. So he had to endure himself. So there was like a whole narrative arc with Chico Escuela going to Mets spring training, then flaming out. So that's something that I kind of would love to see more of on SNL, especially with weekend update kind of characters. I want to see those narrative. But we like we got that with Seth and Stefan but Darren like I love that There's like some sort of narrative arc here. Yeah, I don't yeah I I mean I'd love to have like you said like something like narrative arcs in SNL and or even runners I think that they tried to do, Runners a little bit back in the day like they had that um, when Kim Kenna was on they still had that uh, was it I.Track 2:[27:18] Think she had like some little bit of runner through there. I, They can't even remember it. But I don't know. Part of me thinks because of this, I guess, TikTok world we're living in where, like, you know, the little sound bites and clips are a little bit more important just to get eyes and views. I don't know if there's a place for, like, a runner or... Marianne Conway, that's who. They had the Marianne Conway thing where Kate McKinnon was, like, on her knees. Oh, yeah, yeah, yeah. Yes, all right. All right, sorry. I just remembered.Track 2:[27:51] So, yeah. Yeah, so I don't know. I mean, I would love a runner. I would love arcs. But again, because we're in this world now where quick little five-minute video clips are kind of how we just ingest everything now. I just don't know if there's room for an arc or a runner or anything like that anymore. It's a bummer because they're really cool. No, I could see that. No, it was really cool with Chico. go that was a character too that i would hear people who watched uh snl live when in the late 70s always referenced they would always reference chico escuela and base baseball being very very good to me and all that so i think this kind of like almost lives on as far as like this might be like garrett's legacy at snl is this character because i really have heard a lot of older snl fans when i was a kid they would always reference this like i knew what this was before i even saw I saw it on screen. I knew what this was. Oh wow. Yeah, yeah, no, totally memorable, totally great. Yeah, it's fantastic. What else is there that may have popped out to you for Garrett? I mean, the one thing that comes to my mind is the, I forget the name of the sketch, but it's like that aristocrat's dinner that happens.Track 2:[29:08] And Garrett is a person who's, you know, what's it called? He has like a staff in his hand. He slammed it against the ground to introduce people to the party. Say, you know, Lord and Lady Gardner, Lord and Lady, blah, blah, blah. And then these two people come in and he says, Lord and Lady Douchebag. Douchebag and uh we get this whole sketch about you know this lord and this lord and lady in this fancy high society party and their names are douchebags to your point that sketch which i think honestly was the last sketch of the original era it happened in the very last episode buck henry hosted it in season five yes yes i think it may have been the last sketch of the original error or close to it maybe there was one more after that uh but but to your point garrett made that sketch because if you ask somebody they i think a lot of like casual sketch comedy fans will tell you oh yeah i've heard of like lord and lady douchebag um but they couldn't tell you the beats of the sketch no right they just recite garrett saying that line so that's to your point like garrett made the most out of he wasn't the star of the sketch i think it was buck henry and Harry Shearer, honestly. But Garrett May, he was the star of that sketch ultimately. Lord and lady, douchebag!Track 2:[30:33] Yeah, and I know Bill Murray was in that sketch, because at one point he goes, ah, douchebag! He does that. But yeah, I don't remember anything anyone else actually said in that sketch. The one thing you can you think about it or totally remember is Garrett saying Lord and Lady Douchebag. I mean, that's him taking, I guess what he knew was going to be like the big line that would get the big laugh.Track 2:[30:58] Once everybody in the audience kind of sees where the sketch is going that's going to be their big aha moment so like he probably looked at that and was new like oh i really need to really like enunciate and make a big deal out of this one phrase that like i just know is going to be the one that sticks in everybody's brain exactly he brought out his booming but he almost brought his singing voice yeah yeah he said that absolutely yeah that was a great example that's way back uh at the end of season five.Track 2:[31:28] Like the very last episode of the original era, Garrett still made his mark for sure. In season one, almost maybe a missed opportunity. They did this four times, but something that I always loved when I went back and rewatched a lot of the original seasons was he hosted a show called Black Perspective. Yes, yes. Yeah, so he did that in episode four was his first time. So they kind of gave Garrett his talk show. he played uh uh probably a different version of himself and he had on jane curtain playing a different version of herself but these black perspective they could have been a thing like again he did it four times but they were always like they had jokes about about just things that like like to your earlier point that there were jokes involving like black perspective that's the name of the show the black community but but these were ones darren that uh that i loved so he said He said he had Jane Curtin on the first time. Fran Tarkenton appeared on season two.Track 2:[32:29] So it was basically kind of Garrett and the show almost mocking like stereotypes. Yeah. It's just kind of poking fun of them. Like Fran Tarkenton was talking about how like. Black guys can't read defenses and that's why they aren't quarterbacks and he made fran made to was made to look like the in that sketch but that's kind of the theme of this yeah i remember those those are like really interesting i mean like of course tim meadows would kind of do something like that yeah you know well i've been called perspectives yeah yeah yeah outstanding.Track 2:[33:01] But uh but yeah like that's like another thing that like uh garrett had that didn't, I mean I don't want to say it didn't take off they were really cool and really interesting but yeah like I again like they're not you know you don't see them too often when you look at an SNL, retrospective like they'll show you you know Samurai Chef or something a lot but you won't really see that like I do remember there was like another one where Julian Bond yes when he hosted and there was this like who's this you know politician this black politician back in the day and like there was this one really interesting sketch that they got into where where, I mean, I kind of wish they went further with it, but, like, the conceit of it is, like, they talk about how, like, light-skinned blacks are smarter than dark-skinned blacks. I remember seeing that. I was like, wow, that's a bold... Yeah, that happened in, like, 1976 or 77. Yeah. That was, like, in season two. They've been saying that whites are smarter than blacks for hundreds of years, baby, right? And we've only had these IQ tests for, what, 20, 30 years. Now, how did the IQ of white intellectual superiority originate in the first place? Well, that's a very interesting point. My theory is that it's based on the fact that light-skinned blacks are smarter than dark-skinned blacks.Track 2:[34:25] Say what? Garrett just kind of waits a beat, just kind of stares at him in that Garrett way, those eyes. I thought that was pretty hilarious. I mean, really, really ballsy for its time. I was like, wow. I don't even know if I'd try that sketch today. Yeah, right, exactly. They only did those black perspective ones like four times. Cecily Tyson was on the last one. And that was Cecily telling Garrett that black women have gotten a raw deal because the black man is such a loser Garrett it was like so I was like say what and he had this reaction So it's like kind of tension that between he and Cecily Tyson, Because she just kind of said that so so yeah, so I would have loved to see like a.Track 2:[35:11] More of those and more like perspective uh in in garrett's voice and more black perspective honestly yeah like i remember i mean from what i've read like garrett was the thing where he was like really kind of trying to fight to get stuff like that on he was trying to kind of get you know like sketches that kind of seemed more from the black perspective but like he was kind of just hitting so many walls with that and so like the fact that he got the little that he did i I think it's a huge accomplishment, even though maybe people didn't quite get it at the time. I mean, I think the fact that he just he put it out there and I'd imagine like there must be some people, some black comics coming up that's seen that and was like inspired by that. Yeah, yeah, I think so. He he tells a funny story. I mean, he speaks highly of Al Franken overall.Track 2:[35:58] He said nice things about Al Franken, but he did say that Al Franken kind of pushed back on some of his ideas. Is and he said one time he he challenged al frank into a wrestling match and he said he said he thought he was going to get the worst of it probably because al was a wrestler and he's kind of a stocky build guy like al's kind of a bigger dude he was a bigger dude than what you might think it's like i i challenged him he's like i knew i was gonna probably get my ass kicked but i challenged al frank and so snlwf yeah yeah exactly so garrett did have to almost literally fight for screen time sometimes. I had no idea. Yeah, that makes sense. Al Franken, from what I know about him, especially in his younger days, he was a bit of a...Track 2:[36:45] He had a bit of a... Temper or he was just a little gave you a lot of pushback you know he's exactly he's the man that came up with limo for a lame-o i mean for a lame-o yeah he's the one that uh when everybody like the cast i think it was in the late 80s early 90s i think it was george harrison who was like.Track 2:[37:04] Playing piano and just putting basically putting on this like beatles show in the office for people and al's the one who came out of his office and said get back to work you guys got some writing sketches to do and yeah so i don't blame garrett sometimes for trying to fight him push back on that uh one other memorable moment you mentioned the so the julian bond one i think is very memorable chico escuela deaf and hard of hearing one the lord and lady douchebag so garrett has these like memorable things um one thing i also knew about when i was a kid uh was if you remember this was in season one as well when they had what they called like death row follies yes prison yes so yeah they're putting on a performance of gg at a prison and are auditioning inmates oh yeah so you remember this one yes i do yeah so where.Track 2:[37:59] Does it go from here if you can if you can remember the beats i believe if we're thinking about the same one this is the one where Garrett comes out as an inmate and he starts singing the song.Track 2:[38:49] That's the one and it comes out of nowhere too it's like because dan dan and chevy played inmates for the first two auditions and then garrett comes out he's saying that he was in solitary confinement and he was writing this thing and he goes to the piano and i think maybe by episode 11 the audience had heard garrett probably sing yes so they knew that he was like this maybe maybe Maybe like a really good singer. So you're expecting. And even sometimes I forget. Because I'm expecting Garrett to kind of sing this beautiful song. But no. It's his famous song. Yeah it's like this kind of jaunty upbeat song. I'm going to take all the shotgun and kill all the white guys. Yeah. Which even makes it funnier. And like you're just talking about. Once he does that. Whitey won't bother him. Yeah.Track 2:[39:40] Yeah exactly. He said he got that from a real thing. And it wasn't like, kill all the whiteys. I see it was much, you know, it was a very, very, very racist little performance that Garrett happened to see. So he kind of flipped the script on that. Yeah. So that's kind of where Garrett said he got it from. But such a memorable moment. I knew the words to that song before I even saw the context to it as well. And that's something that like lives on with Garrett yeah and again that's another way like or another instance of Garrett kind of taking over a sketch with his little screen time he has because I don't remember what happened before that sketch or after Garrett saying it like all the other parts of that sketch I don't quite remember but I definitely remember Garrett singing that song and talking about getting a shotgun but like I know there was some stuff before and after he performed but I don't.Track 2:[40:38] Call it but no garrett's part that was the star of the show the only reason why i remember the beats because i just kind of recently watched it okay but like but but other than that that's all you remember from the sketch because it's so like shocking and memorable and hilarious and uh i think gilda is part of the sketch and they tell all the and they warn her basically or they say oh you might want to like button your top button a little bit more because these these men haven't seen a woman in years or whatever and then of course they all take a shining um to put it nicely to gilda throughout to put it nicely yes that's the nice way of saying it yeah because yeah that i remember yeah that was wow yeah yeah uh there was one more that i kind of uh that i think really sticks out with some people and garrett says that he's pretty proud of this one i've heard him talk about it and it's called the white guilt relief fund oh yes yeah I'm Garrett Morris talking to all you white Americans about the way black people have been treated in America now I know a lot of you feel guilty and you should.Track 2:[41:43] My great-great grandmother was brought over here on the slave ship and was raped by her white master and my grandfather was lynched by a mob for not tipping his hat to a white lady now they're dead now there's nothing you can do to erase their suffering. However, if you would like to relieve your guilt, I am willing to accept money as a representative victim of 400 years of repression. Send your check or money order to White Guilt Relief Fund, care of Garrett Marsh, 870 West 127th Street, New York, New York. Good perspective. I like it. That's the stuff that I wanted more of. Yeah. That's actually a pretty smart concept. I don't know why they didn't do more things I don't know, it seems like maybe the writers just had their own ideas and then they just kind of were like, alright, we'll give Garrett this one thing and that'll make him happy and then we can do our thing, what we want to do. But I don't know, I feel like they left money on the table in a way. They could have explored Garrett's mind a little bit more and worked with him a little bit more and gotten all these other great sketches from perspectives no one else maybe was even thinking about looking at.Track 2:[42:55] Yeah, they really could have. Yeah. I mean, they were really funny. They were really short, too. Like, that White Guilt Relief Fund one wasn't that long. It's something that you could plug in. Like, that's kind of a replicable concept that you could plug in if you need a minute ten to fill, honestly. Like, that's something you could do. Yeah, that could be like a TikTok. That's like TikTok. Perfect TikTok. It really is. Yeah, that's like for the TikTok era. Garrett was ahead of his time. He was ahead of his time. Really, Garrett created TikTok, if you think about it. Yeah, I mean, that sounds, I haven't looked into that, but that sounds right. That sounds, that checks out. It checks out, story checks out. Thank you, Garrett.Track 2:[43:34] Is there anything else before we kind of, like, move on, post-SNL stuff for Garrett? I've always liked his, that one role he had as the best friend Cliff for the Fenstruck Brothers. Oh, yeah. Like, he didn't have too much to do there, but, like, you know, he kind of came in and came out. And he'd always acted like a good sort of straight man to help the these two dudes just try to get the foxy foxy lady single women's yes yes yes I remember click very well I don't know if I undersold it honestly but I think he's on the shortlist and he might be the greatest singer in SNL history.Track 2:[44:37] Anna gasteyer is amazing cecily recently chloe trost currently but is there a better singer as far as cast than garrett i mean all those singers you mentioned are great uh melissa vio senor for the little time she didn't get to sing she's great but uh i think the fact that garrett is like classically trained and he like sung you know mozart songs and don otavino songs The fact that he can sing operatic stuff, I think maybe puts him a notch above all those other singers you mentioned. Because they're all great and have beautiful voices, but when you hear...Track 2:[45:15] Garrett Morris has a voice of an angel. Yeah, for sure. He can sing Ave Maria type stuff, and that's pretty special. Yeah, 100%. I would put Garrett, number one, probably on a gas tire right after that. She's still doing Broadway stuff. She's an incredible singer. And then everybody else is kind of fighting after that, after Garrett and Anna. But that should be part of his legacy as well. The most talented singer in SNL history. Yeah, you can't dismiss his singing prowess. I think there's enough stuff out there that people know he can sing when he sang on the show. But I feel like it's something that doesn't get brought up as much as it should. It because i mean he's he my man's got pipes yeah definitely uh yeah so after snl he made one cameo since he left the show in 1980 with the original cast garrett's made one cameo not including snl 40 and all those it was in november of 2002 the pop quiz here and i actually i'll admit i didn't know this until a couple days ago do you know the context of this cameo that That happened in an episode in November of 2002?Track 2:[46:27] I don't think. I don't believe so. No. He appeared in an Astronaut Jones sketch. Oh. Out of nowhere. It was Brittany Murphy. And of course Astronaut Jones. The Tracy Morgan character. And it was. Yeah. Garrett was standing right by him. And I forgot who else. So there was a third guy. Okay. No. It was Nellie.Track 2:[46:50] Nellie. It was Nellie. I was not expecting to say that. Yeah this is 2002 uh so so is tracy as astronaut jones and then nelly and garrett and then britney murphy was the host so so garrett appeared in astronaut jones darren that is wild i totally forgot about that yeah 22 years almost 23 years after he left the show that was his only appearance.Track 2:[47:15] Yeah, that is wild. I kind of wish he'd made more appearances. Yeah. But, yeah. Yeah, me too. But hopefully we'll see him here on SNL 50. I assume so.Track 2:[47:27] He guest starred in a lot of sitcoms, different strokes, The Jeffersons, Hill Street Blues, Married with Children, all over the place. If you watch Martin like I did, main part of the cast of Martin, very beloved, The Jamie Foxx Show, Two Broke Girls. Roles so man like i don't know he's still around he appeared in ant-man in 2015 which was awesome they made up a reference to him playing ant-man on snl yes the first wasn't he the first uh person ever to play ant-man in like tv or film it's like live action so maybe he's he is the first yeah so i'm glad that that was like a little tip of the cap to garrett playing ant-man in that it was like a parade of of superheroes kind of sketch oh yes yes i remember that that was a good one yeah so So, like, awesome, Darren, like, when Garrett just pops up in something you're watching, right? Yeah. Gets you excited. Yeah, it does. It does. It's like, oh, yeah, he's still out here. He's still doing it. He's still, he always just seemed, like, kind of just, like, kind of very zen, almost. Like, he's just, like, a very laid-back dude, and he's just kind of happy where he's at. And, you know, he's just, he just has a really great kind of aura about him. I don't know. I never met the man, but, like, I feel like if I, if we ever did, I would just, it would just like i would feel at peace at one yeah myself like through him he's buddhist it really yeah so that tracks no garrett's buddhist yeah i just made all that shit up i had no idea.Track 2:[48:54] That's awesome you have a good feel for it because i think i think garrett would be pretty zen i think he's he has said that he's buddhist uh so so yeah that's a good good read of a person darren Wow, way to go me. I did get that vibe. I think Martin was the first thing that I had. I mean, I think I had seen some old SNL clips when he was on, but I think Martin was my first real exposure to Garrett. So I do remember that just him being like just the funny station manager, the casual. So that was actually my first exposure to Garrett was Martin. Yeah, I think for a lot of, you know, people that grew up in the 90s, it was that, too. And, like, I mean, I remember him from Martin, of course, and Jamie Foxx show later on in the 90s. But, like, I guess I was big enough. I was a big enough SNL nerd to be like, oh, wait, that's the guy who was on. That's Chico Escuela. That's the guy that was on that SNL show that I watched the reruns of on Comedy Central. That's the guy that was going to grab the shotgun. Remember him? Yeah, he was going to kill all of them. Yes.Track 2:[49:56] Um so lamorne morris will be playing garrett in the upcoming saturday night movie um like one of the things you do on your podcast is discussing snl related movies i'm sure you're excited about this one this could be like the holy grail of snl movies for you guys yeah no with we are super as soon as the trailer dropped we were we were both super pumped i think i watched that trailer at least five or six times yeah we're definitely like me and my buddy john trumbull we we i think we uh spent there was like one episode we put out recently we spent like at least 15 minutes just talking about that trailer uh but yeah i mean i love the way it looks i think it looks great i love the way there's this one scene in the trailer where, Lamorne Morris is kind of looking at Jim Henson while he's smoking a cigarette. And the stare that he gives Jim Henson, it looked a lot like a young Garrett Morris. For a minute, I was like, oh, that looks like Garrett.Track 2:[51:00] So I'm looking forward to that. And I just really like the look of it. I think everybody who's playing, whoever they're playing, kind of gets it. The guy that's playing young Lorne Michaels kind of has his speech patterns down and his little pout. But he doesn't do it to an extent where it's a goofy caricature. You know, he's just like, you know. He has the little pout going on and the voice down. The guy that plays Chevy kind of has Chevy's voice down.Track 2:[51:29] I'm really looking forward to this. I might... I mean, I'm not going to take the day off work or anything, but I think I'm going to definitely see this opening... Definitely opening weekend, maybe opening night. but like i yeah i am so pumped for this i want to see it opening night but my wife's gonna be out of town and i might have to wait for her to get back because she's really wants to see it too i don't know to see this is this is a moral quandary with the husband do i am i do i adhere to my snl passion as a podcast maybe i could justify it as like i'm a podcaster i gotta see it opening night honey and then we'll see it again maybe when you get back but i don't know this is a moral quandary for me darren yeah i know oh i've i've been in those shoes where it's like, she's not she's out of town but i really want to see this show uh just go and then i pretend to be surprised yeah no you don't want to do that.Track 2:[52:26] A marriage is built on honesty fair enough yeah you're damn right so uh either way uh i'll definitely be seeing it soon afterward lamorne morris seems like he has um garrett's kind of aura down a little bit there's this trailer where he kind of introduces it and it seems like he's really got a pretty good feel for garrett i love lamorne in a new girl um a lot of stuff he's other done he's done as well i liked him in the new season of unstable even though that season was I thought I liked Lamorne in the season. So I'm looking forward to seeing his portrayal of Garrett and just the movie overall. And I get skeptical with biopics, especially with SNL kind of things. But this does look really promising. It does. I mean, Lamorne Morris has always been really good. I really liked him in, I don't know if you saw the movie Game Night. I haven't. It's really funny. It's really good. I saw it on Hulu a while ago on a whim just because I heard a lot of friends say it's really funny. You should check it out and i checked it out and it's really it's like on the level of almost like bridesmaids or like the hangover or like all the big comedies that came out in the early it's but it's like smarter and it's really well shot and like game night fantastic movie but anyway uh saturday night we're talking about that movie yeah but yeah so we're yeah we're pumped for saturday night pumped for the garrett morris uh depiction by lamorne morris so now's the time Darren, we've reached the point in the show where you kind of make an appeal to people.Track 2:[53:54] So why don't you tell us, why should listeners, SNL fans, and folks at the SNL Water Cooler appreciate Garrett's place in SNL history? Because the fact, first of all, he's the first African-American cast member. Boom, right there. And secondly, yes, he may not be the most memorable one of the group, or the one that got the most spotlight or get the most accolades.Track 2:[54:23] You still remember him. Even though he didn't get that much screen time or much lines, you still remember Chico Escuela. You still remember the president of the New York School for the Hard of Hearing. Those things still reside in your brain for some reason. He's always somebody who's made quite a lot with not what little he's given. You still remember hearing him sing with that beautiful angelic voice of his. He stays in your memory. He's always been a solid cast member. And while it's a shame he never got his due, you still remember him. He still sticks around in your brain. And yeah, he might be the unsung hero, I'd say, of the original SNL cast.Track 4:[55:31] So there's that thank you so much darren patterson from the snl nerds podcast check that out if you're listening to this and you don't listen to the snl nerds podcast what are you thinking keep that's, you know, get your priorities straight.Track 4:[55:52] Add it to your playlist. Thanks, Darren. It's great to have you back. I'm real curious if you keep your streak up. Tom Hanks, Dana Carvey, that's a pretty good pedigree that you've established. And I am very curious to see whether or not your luck is with Garrett Morris. So there's that. that let's go to the garrett morris sketch that uh thomas is selected here and i want to tell you that it is uh the first chico escuela appearance on weekend update uh obviously we listened to thomas and darren and chico escuela was certainly a big part of of garrett morris's five-year tenure at SNL. This took place season four, episode eight. So that's his first appearance. Wow. So really he was only season four and season five that he was Chico Escuela. To me, it was something that was just, it was always there. I don't know. I guess because of the clip shows, I'm skewed. At any rate, let's go to that now.Track 3:[57:11] New York Mets, Chico Escuela. Welcome, Chico. Chico will be covering the sports team for Weekend Update. Thank you. Thank you very, very much. Baseball being very, very good to me. Thank you, Hayne. Pete Ross Baseball being very, very good to Pete Ross, $3.2 million for Pete Ross Charlie Hustle, you bet Daniel, very, very much, And football. I don't know football. In Dominican Republic, football is... How you say in, um... soccer. Your football... I don't know. And National Hockey League. In baseball baseball being very very good to me thank you very much thank.Track 4:[58:38] You thank you very much oh man that's freaking fantastic what a baseball been better better good to me is just uh like thomas said in the conversation, it's just one of those things I knew and I was born in 74 so I was one and a half when SNL began so clearly I don't remember that my first memories are season 9 really, maybe a little bit of season 8 but I didn't really get into things until season 10 so there's that, I don't know whether or not.Track 4:[59:20] Garrett Morse makes the hall. It's going to be interesting.Track 4:[59:25] Tune in this week to the SNL Hall of Fame water cooler to hear what Joe and Shari have to say. I joined them this week on the show. And it should be interesting to take note of their feelings and thoughts on this. Thanks for joining us this week.Track 4:[59:47] It's always a pleasure. on behalf of Thomas and Matt I want to thank Darren Patterson once again and do me one last favor, on your way out as you walk past the weekend update exhibit turn out the lights, because the SNL Hall of Fame is now closed.Support this podcast at — https://redcircle.com/snlhof/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

To Watch The Full Uncensored Version Visit The True North Movement https://www.patrickcoffin.media/the-true-north-movement/ Karen Hall is a prolific TV writer, producer, and convert to the Faith. She has received seven Emmy Award nominations and six Writers Guild of America award nominations. Chances are excellent you've loved watched shows she has written. (Start the list with Hill Street Blues, M.A.S.H., Moonlighting, Northern Exposure, I'll Fly Away, Judging Amy and The Good Wife).  Her new book, her first non-fiction work, tackles the silencing of Father Paul Mankowski, SJ by the Jesuit superiors who could not abide a practicing Catholic in their midst. Mankowski, who died suddenly of an aneurysm on September 3, 2020, was a scholar, philologist, confessor, and professor of Scripture. He was also a writer of immense talent: charm, force, and wit.  He was modern in the sense of addressing contemporary crises with Catholic truth, but also a true son of the Company of Jesus more in the mold of its founder, St. Ignatius of Loyola than the typical lavender-liberal Jesuits that dominate the landscape today. He was also silenced and sidelined by his superiors for Wrong Think. And yet, he obeyed and persevered to a degree that must be called heroic. Hall's very enjoyable book is not just a spiritual biography, but a window onto the chain-of-command dynamics of the post Vatican II Catholic Church, which have become even more severe under the current Argentine regime in Rome. In this episode, you will learn: How Hall applied top-flight storytelling skills to tell the tale, with admirable detail, of an unheralded hero in the Church. The reasons why Mankowski stayed and fought in his own way against Church corruption by remaining faithful to his vow of obedience come what may How the faithful Jesuit's witness led to an upgraded edition of her novel Dark Debts The inciting incident—criticizing pro-abortion Jesuit Congressman Robert Drinan, SJ— that began his targeting by corrupt homosexuality superiors Mankowski's fervent, often humorous critique of the sacred cows of the Catholic left: feminism, liturgical innovation, and “social justicism” Why we need more witnesses to the gospel without compromise Resources mentioned in this episode: The Sound of Silence: The Life and Cancelling of a Heroic Jesuit Priest by Karen Hall

Dun-dun! Jordan and Demi talk to legendary TV composer Mike Post. His iconic themes include Law & Order, NYPD Blue, The A-Team, and Hill Street Blues.Post breaks down a few of his most well-known songs, as well as the recording of his new album Message from the Mountains & Echoes of the Delta.

This week we're diving into the horrific and darkly comedic world of *V/H/S 85*. Join us as we explore this anthology film's unique blend of humor and gore. Getting back to their roots of providing a sandbox for up and coming genre filmmakers ‘85 had first time droppings from Mike P Nelson, Gigi Saul Gurrero and Natasha Kermani showcasing their wares. Longtime favorite David Brickner returns with his little buddy in the wraparound, and Scott Derrickson (The Black Phone) swings by for something that mixes Hill Street Blues meets Sinister.  Make sure to rate, review and subscribe to *The Pod and the Pendulum* to stay updated on our latest episodes, and join our Patreon for exclusive content and early access.

Our exit today has us trying to calmly lift a horse's leg. This week, we are talking about 28 Days, starring Sandra Bullock, written by Susannah Grant and directed by Betty Thomas. Along the way, Tripp and Ross discuss Nickelodeon's Guts, America's Sweetheart Jack Lemmon, the genre of addiction movies, Hill Street Blues, Erin Brockovich, Meg Ryan, and this season's thread of movies hating soap operas. And Tripp declares 2000 "The Year of Tudyk!" Theme music by Jonworthymusic. Powered by RiversideFM. ⁠⁠CFF Films⁠⁠ with Ross and friends. ⁠⁠Movies We've Covered on the Show⁠⁠ on Letterboxd. ⁠⁠Movies Recommended on the Show⁠⁠ on Letterboxd.

Girls Gone Hallmark is getting into the Christmas spirit this July with a special lineup of fan-favorite movies recommended by the Girls Gone Hallmark Facebook group. This week, Megan and Wendy review "A Very Merry Mix-Up." Will the beloved Alicia Witt rom-com sprinkle some holiday magic or will silly hi-jinx ensue? Tune in all July to catch your favorite Hallmark podcast duo reviewing cherished Christmas classics! What is your favorite Christmas movie? Email us at meganandwendy@gmail.com or let's talk about it in the Girls Gone Hallmark Facebook Group! We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. News and Notes About "A Very Merry Mix-Up" This movie originally premiered on November 10, 2013. Jonathan Wright directed “A Very Merry Mix-Up” and it was his second directorial project for Hallmark. He has since gone on to direct a total of 23 movies, a majority of them for Hallmark which include “True Justice: Family Ties,” “A Not So Royal Christmas” and “Family History Mysteries: Buried Past” as of recently. Barbara Kymlicka wrote the script. She currently has 67 writing credits and has written many Hallmark and Lifetime movies. The last couple of projects Kymlicka wrote included last year's “The Secret Gift of Christmas” and all four episodes of “The Love Club.” Alicia Witt stars as Alice. Witt has a staggering 90 acting credits which started in 1984 at the age of 7. She has appeared in the TV series “Cybill,” “Friday Night Lights,” “Orange is the New Black” and “Nashville.” She is not only a TV actress, she's appeared in theatrical movies like “Vanilla Sky” and “Two Weeks Notice.” Fun fact: Witt is a professional singer-songwriter and pianist. She released two Christmas songs in 2020 that appeared in a Hallmark movie she starred in called “Christmas Tree Lane.” In 2023, she appeared on “The Masked Singer” but was sadly eliminated after the second episode. Mark Wiebe plays Matt Mitchum. He has 16 previous acting credits including appearances in the TV series “Nikita” and “The Handmaid's Tale.” This movie was his second project for Hallmark, having previously appeared in the 2011 movie “Christmas Magic” as the waiter. Scott Gibson plays fiancé Will Mitchum. Gibson currently has 69 acting credits with appearances in a bunch of Lifetime movies like “The Perfect Stalker,” “My Mom's Darkest Secrets” and “My Husband's Worst Mistake.” Susan Hogan plays not-future-mother-in-law Penny. Hogan has 129 acting credits, recently appearing in “Tipline Mysteries: Dial 1 for Murder.” Lawrence Dane play Matt's grandpa Charles. Having appeared in 150 projects, this 2013 movie was the second to last on his resume. Dane passed in March 2022 at the age of 84. Mimi Kuzyk plays Will's mom Judith. With 141 acting credits, Kuzyk has appeared in “Hill Street Blues,” “Blue Murder,” “Workin' Moms,” and “UnREAL” - to name a few.  According to IMDB, the role of Alice was originally written for Jennifer Lopez. Watch the Trailer for "A Very Merry Mix-Up"

Today on America in the Morning   Republican National Convention Today is Day Two of the Republican National Convention, and in Day One, delegates in Wisconsin officially nominated Donald Trump for President, and the candidate names who his V-P will be. With the details, our Steve Futterman reports from the RNC in Milwaukee.     Latest On The Attempted Trump Assassin Two days after a gunman tried to assassinate former President Donald Trump, authorities are still trying to figure out what could have motivated the 20-year-old would-be assassin. John Stolnis has more from Washington.    Judge Tosses Trump Classified Docs Case Days after he dodged a bullet during a campaign rally in Pennsylvania, former President Donald Trump is catching a break in the Federal classified documents case against him. Correspondent Clayton Neville reports.    Judge Allows Abortion On The Ballot A state court judge's ruling will keep an abortion-rights question on the November ballot in South Dakota. The judge dismissed a lawsuit brought by the pro-life group, the Life Defense Fund that sought to have the question removed even though supporters turned in more than enough valid signatures to put it on the ballot.     Judge Throws The Book At Alaska Killer Saying the man who was found guilty of torturing and killing two Alaska women treated his victims as horribly as anyone could be treated, a judge sentenced Brian Steven Smith to a total of 226 years in prison.     Heading To The Space Cave When astronauts head to the moon, and possibly stay there for long periods, their first home may be inside a newly-discovered cave. Sue Aller explains.     Vance Named Trump's VP Candidate The RNC Convention began just two days after an assassination attempt on the GOP nominee for president, and one of the first orders of the event was to officially nominate Donald Trump for president, who announced he would select Ohio Senator J.D. Vance as his Vice President running mate. Correspondent Jackie Quinn reports.    Who Was The Trump Attempted Assassin More is being learned about the 20-year-old who attempted to assassinate former President Donald Trump, and also how police initially responded to the threat. Those details from correspondent Julie Walker.    RNC Security Away from the arena hosting the RNC Convention, there were throngs of protesters denouncing the former president and what they claim to be the GOP agenda, all of this creating extra concerns for safety following the assassination attempt against Donald Trump just two days before. Washington correspondent Sagar Meghani reports on security at the week's Republican National Convention.    Heat, Winds, & Flooding Depending on where you are in America you could be dealing with record breaking heat or potential severe weather impacting much of the country, while some have concerns of flooding, and Texans are still without power. Correspondent Clayton Neville has the latest.    California's New School Law California Governor Gavin Newsom signed a first-in-the-nation law barring school districts from passing policies that require schools to notify parents if their child asks to change their gender identification.     War Games The United States is keeping a watchful eye on joint naval drills now being conducted between Russia and China. Correspondent Karen Chammas reports.    Tech News Amazon prime day happens twice a year or so, and tech correspondent Chuck Palm has put together a top 5 list of deals on tech gadgets you can find today, if you're an Amazon Prime subscriber.     Finally   Actor James Sikking, who had starring roles in TV shows including Hill Street Blues and Doogie Howser, MD has passed away. Entertainment correspondent Margie Szaroleta has more.    We all know about conspiracy theories when it comes to politics, but as Kevin Carr reports, fans of Taylor Swift are wondering if there's a new song deepfake when it comes to a recent concert she gave overseas.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

David Stenn was hired by the TV series Hill Street Blues immediately after graduating from Yale, becoming the show's youngest writer ever. David then wrote She Was Marked For Murder, an NBC movie that earned an Edgar nomination from the Mystery Writers Guild of America.David returned to television as Producer of 21 Jump Street, then Supervising Producer of Beverly Hills, 90210. David's first biography, Clara Bow: Runnin' Wild, which was published by Doubleday and edited by no less than Jacqueline Onassis, became a national bestseller. Variety raved, "Only rarely will you find a book that is as total a winner on every level as Clara Bow: Runnin' Wild." His second biography, “Bombshell: The Life and Death of Jean Harlow, again, edited by Jacqueline Onassis, was cited by the New York Times as one of the year's notable books.“It Happened One Night…At M-G-M,” David's discovery for Vanity Fair of Hollywood's best-suppressed scandal, brought vindication to rape survivor Patricia Douglas after sixty-six years in hiding and is now considered an historical progenitor of the MeToo movement. The story was adapted into Girl 27, a documentary film that David directed. I've read David's excellent book on Clara Bow and seen Girl 27. Both are powerful pieces about Hollywood's long history in how power players treat both celebrities and those who wish to become celebrated.David then served as Co-Executive Producer of The L Word and Supervising Producer on the HBO series Boardwalk Empire. His most recent screenplay assignments have been for Martin Scorsese; Leonardo DiCaprio/Warner Bros.; and Working Title.David is a passionate supporter of film preservation. He serves on the Film Committee of the Museum of Modern Art in New York and Board of Directors at the UCLA Film & Television Archive in Los Angeles. 

TRASH ON THE TUBE: COP ROCK This week, we watch a show that takes the gravity of Hill Street Blues and combines it with the pizazz of Glee. Does it work? Absolutely not! Is it a fun watch? Debatable! Join us for Steven Bochco's musical misfire Cop Rock!   YOUR HOSTS   Wright Sulek (Screener… Read More »Trash on the Tube: Cop Rock

Leland Sklar has been a prominent figure among Hollywood session bassists dating back to the 1970s and ever since. Born in 1947 in Milwaukee, Lee has more than 2000 albums to his credit (and still counting), and is considered to be one of the "A" players in the highly selective L.A. rock music community where the competition for recording dates is fierce, and where only the strongest survive. His very recognisable bass playing style has been heard on hits by Linda Ronstadt, James Taylor, Hall & Oates, Jackson Browne, Carole King, Phil Collins, Keith Richards and Reba McEntire to name just a few. Leland has played on TV shows like Hill Street Blues, Knight Rider, Simon and Simon, and also on many films, including Forrest Gump, Ghost, Kindergarten Cop, and My Best Friend's Wedding. Leland moved to Los Angeles when he was very young and started playing piano at age four. When he entered Junior High he fully intended to continue as a pianist in the school music program but found that there was an overabundance of piano students, but no string bass players. His instructor asked him if he'd consider playing bass and his life changed forever. It was toward the end of the '60s that Lee met James Taylor and the pair started playing gigs together. However, when James Taylor's "Fire and Rain" became a huge hit record, Leland Sklar's career also began to take off. The buzz surrounding this new bass player didn't take long to spread around Hollywood, and Leland Sklar quickly became one of the most sought after “A” list session musicians around town. Today The Immediate Family of which he is a member can legitimately be called a supergroup.Their new self-titled full-length album contains twelve original songs, including a rendition of the Waddy Wachtel/Warren Zevon cowrite "Things to Do in Denver When You're Dead" and the Danny Kortchmar/Jackson Browne collaboration "Somebody's Baby." Over the years Leland has worked with most of the top session players in Hollywood and is especially close to his long-time friends and members of The Immediate Family. This iconic supergroup has played together for decades, but never as their own band. Known for their long, illustrious careers backing music's finest, guitarists Danny Kortchmar and Waddy Wachtel, drummer Russ Kunkel, and bassist Leland Sklar have come together, along with guitarist Steve Postell, to perform their own songs as The Immediate Family. There is also a documenatry out now simply called The Immediate Family which details their rise to fame. Meet the inimatable Leland Sklar this week as he shares the story of his meteoric rise to fame. You can check out the album here and learn more about Leland on his website https://lelandsklarsbeard.com/ where he also sells lots of different merchandise. It's a fascinating episode featuring one of Hollywood's best musicians and nicest guys. I really hope you enjoy it.

Mike Post is probably the most successful composer of the last half century. He literally wrote the themes to hundreds of TV shows from the early 70s until now. In fact, there's a good chance that during the heyday, almost every person on earth heard his work at least once a week. That's astounding. You could argue that shows like NYPD Blue, Law & Order, Magnum P.I., Rockford Files, White Shadow, Hill Street Blues, L.A. Law and tons more wouldn't be what they are without him. He recently took a big risk and composed an original piece called Message of the Mountains & Echoes of the Delta that he's really proud of. It merges Americana and Classical in a way that's never been done before. We discuss all of this as well growing up with Jim Gordon, being a part of the Wrecking Crew, and producing the ill-fated Van Halen 3 album. He's "the luckiest guy you'll ever meet". Enjoy!  www.mike-post.com www.patreon.com/thehustlepod

Five-time Grammy winner Mike Post joins The Film Scorer podcast! A lot of you will probably be familiar with Mike already, who boasts one of the most impressive tv resumes of all time. For those of you that aren't, Mike's responsible for the two-note “dun-dun” sound in Law & Order, as well as themes and scores for shows like The Rockford Files, Hill Street Blues, The A-Team, Magnum P.I., NYPD Blue, L.A. Law, various Law & Order shows, and many, many more. He's also played for and with tons of classic artists, like Sonny & Cher and Kenny Rogers, and has produced albums for a number of artists, including Van Halen. Frankly, it's one heck of a career. Despite all that, Mike and I focus our conversation on something a bit different: his new album, Message from the Mountains & Echoes of the Delta (though of course we still talk a bit about some of those other pieces too - they're too intriguing to pass up!). Message from the Mountains & Echoes of the Delta marks Mike's first non-tv album in something like 55 years. I assumed that would be particularly exciting, releasing music that's his, but he surprised me by saying "[t]he music I make for TV is my own music, it's just attached to somebody else's art.” It's a very cool mixture, with half of the album being an exploration of an orchestra and bluegrass rhythm section and the second half exploring orchestra and the blues. He's also pulled in some of the heaviest hitters in each respective genre to make up the rhythm sections - highly recommend looking up each player! You can find out more about Mike on his website. Message from the Mountains & Echoes of the Delta is currently available on all major platforms here.

Spring time weather, Hill Street Blues, Six Flags shooting, Trans push back and other entertanning banter. See omnystudio.com/listener for privacy information.

Spring time weather, Hill Street Blues, Six Flags shooting, Trans push back and other entertanning banter. See omnystudio.com/listener for privacy information.

Spring time weather, Hill Street Blues, Six Flags shooting, Trans push back and other entertanning banter. Atlanta's ONLY All Conservative News & Talk Station.: https://www.xtra1063.com/See omnystudio.com/listener for privacy information.

Spring time weather, Hill Street Blues, Six Flags shooting, Trans push back and other entertanning banter. Atlanta's ONLY All Conservative News & Talk Station.: https://www.xtra1063.com/See omnystudio.com/listener for privacy information.

John's guest this week is John Schulian, a guest from a prior show.. They chatted in the first show about his career as a writer and essayist on sports, and especially boxing and its outsize characters. Today he talks about hs move to Hollywood, first as a script-writer and then as a producer of movies and television, His credits included Miami Vice, Hill Street Blues and his own Xena, Warrior Princess. Once again people and experiences were a part of his phenomenal career.See omnystudio.com/listener for privacy information.

Garrett Morris: A Versatile Talent: Discussion of Garrett Morris's diverse career, including his roles in film, television, and comedy. Mention of his birthplace, New Orleans, Louisiana, in February 1937, making him 86 years old as of the recording. Notable Roles and Career Highlights: Highlighting Garrett Morris's roles in popular TV shows like "Saturday Night Live," "The Jeffersons," "Martin," "Jamie Foxx," and "Two Broke Girls." Mentioning his appearances on other shows such as "Murder, She Wrote," "Married with Children," "Diff'rent Strokes," "Hill Street Blues," "227," "Rock," and "Who's the Boss?" Unspoken Hero of Film: Emphasizing Garrett Morris's extensive contributions to both film and television spanning several decades. Acknowledging his participation in iconic shows and films, including "Cooley High." Memorable Performance on "Martin": Discussing his standout role as Stan on the TV series "Martin," portraying a memorable character who left a lasting impression on audiences. Praising his talent, versatility, and comedic skills, both on and off the screen. Appreciating Garrett Morris: Expressing gratitude and appreciation for Garrett Morris's contributions to the world of entertainment. Recognizing his significance during Black History Month and vowing to spotlight more unsung heroes. Conclusion: A brief but heartfelt tribute to Garrett Morris for his remarkable career and influence in the entertainment industry. Teasing upcoming episodes and themes for Black History Month.

Emmy award winner Jeff Melvoin has been a writer-producer on over a dozen dramatic series, serving as showrunner on eight of them. In all, he's helped produce over 470 hours of primetime television, most recently as an Executive Producer on season three of the BBC America series, Killing Eve. Other Exec Producer credits include Designated Survivor, Army Wives, Alias, Early Edition, and Picket Fences. He was Supervising Producer of the CBS series Northern Exposure, for which he won an Emmy and two Golden Globe Awards. Other writer-producer credits include the NBC series Hill Street Blues and Remington Steele. Melvoin is also founder and chair of the Writers Guild of America's celebrated Showrunner Training Program, now entering its nineteenth year. In February, 2015, he received the Morgan Cox Award, the WGA's highest recognition for Guild service. In making the announcement, Guild President Chris Keyser said, “If this is a Golden Age of television, the program Jeff so lovingly shepherds deserves its fair share of credit. Thanks to him, as an art form and as a business, we are better at what we do.” Melvoin has taught at USC School of Cinematic Arts, UCLA, Harvard, and the Sundance Institute, and is a frequent guest instructor on college campuses throughout the United States and at media conferences around the world. He is a past board member of the Mystery Writers of America (Southern California Chapter) and the Writers Guild of America, West. Before entering television, Melvoin was a Time magazine correspondent. He is married to Martha Hartnett Melvoin and has two sons, Nick and Charlie. www.jeffmelvoin.com Connect with your host Kaia Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia  Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on It Was a Thing on TV we reach a milestone with our 450th episode!   First for Episode 449, in an era where game shows were goofy, outrageous, and random, this game show was the goofiest, most outrageous, and the most random.  The Cheap Show was ridiculous, messy, and...well...cheap.  Sorry for the short episode.  There isn't much multimedia out there, nor is there much information about it.   Then for Episode 450, Steven Bochco, the genius behind hit shows including Hill Street Blues, L.A. Law, and Doogie Howser, created Cop Rock, which was labeled as being revolutionary and potentially changing the landscape of television.  Despite tons of promotion, the show ran 3 months and has been deemed one of the biggest failures in television history.  Not only do we cover the series as always, but we will feature one song from each episode.   Follow us at all our socials via our Linktree page at linktr.ee/itwasathingontv    Timestamps 1:13 - The Cheap Show 17:15 - This Week in Match Game-Hollywood Squares Hour History (1/30/84-2/3/84) 21:53 - Classic Commercial Break (October 1990) 24:31 - Cop Rock 2:03:00 - The Russell Westbrook Update

Susan and Sharon sit down with actor, director, and writer Elayne Heilveil. Elayne has worked with Mike Nichols and Mark Rydell in the classic 70s television series Family and has guested on such shows as The Rockford Files, The Waltons, Emergency!, Hawaii 5-0, Hill Street Blues and The Mary Tyler More Show. She has appeared opposite such legendary stars such as James Garner, Rip Torn, Ben Vereen, Jeff Goldblum, Valerie Bertinelli, David Jansen, Robert Culp and Dame Judith Anderson.In this layered conversation, Elayne discusses standing up for yourself on set, learning to trust your instincts, navigating dicey auditions -- and discovering the joy and artistic rewards of writing.THE CONVERSATIONHow a “mystical” experience reading “The Creation” by James Weldon Johnson at eleven years old led to Elayne's start in show business.Going to the Fame school –the movie and TV show barely scratched the surface!Topless go-go dancers and drunk bodies in the streets: living and acting in 70's New York.What do you say when an agent wants you to change your name – to Daisy Astor?On being asked to take her top off at an audition: “I broke out laughing and said, ‘Are women buying this bullshit?' ”On casting quirks: “I've played three nuns. It's every Jewish girl's dream to be a nun.”Being “beyond nervous” auditioning for Mike Nichols.Doing the TV movie, A Cry For Help – and wearing Columbo's trench coat the whole time!What do you do when your lines aren't quite right on The Waltons? Give them to Richard Thomas' John-Boy!LIVING WITH AN ‘ANGEL' – what's it like secretly living with Stuart Margolin, and then getting “married” on-screen?What's the best therapy after an abusive moment on set? Try throwing drinking glasses at a brick wall.So join Susan and Sharon – and Elayne – as they talk nude photos, James Garner, reverse nepotism, finding your sweet spot – and getting tear-gassed by Rip Torn! AUDIOGRAPHYThe Rockford Files is streaming FREE on Roku.So Fetch, The Making of Mean Girls (and Why We're Still Obsessed with It) by Jennifer Keishin Armstrong. Get it at Bookshop or your favorite bookstore.Pre-order the book: The Girls: From Golden to Gilmore by Stan Zimmerman. Will ship Feb. 13.Read The Creation by James Weldon Johnson.8TL EXCLUSIVE OFFERS!Invest in yourself at TheNextish.com - Special 80s TV Ladies offer! Get 10% off an already 30% off promotion on their newest online course that will help you chart a course forward: "Be The Disruptor" - Use code "8TL24" at checkout at TheNextish.com.CONNECTRead transcripts and more at 80sTVLadies.com.Sign up for the 80s TV Ladies mailing list.Follow 8TL on Facebook.Check out 8TL on Linkedin.Get ad-free episodes and exclusive videos on PATREON.Find more cool podcasts at our host sight, Weirding Way Media.The 80s TV Ladies travel to Podfest 2024! If you'll be there, find us and say hello to Sharon and Susan.

Join us on The Twerk Ethic Show as we take a nostalgic look back at the best of 80s TV. This episode is a celebration of those unforgettable catchphrases that defined an era. Get ready to relive the moments with phrases like “What'chu talkin' ‘bout, Willis?” from "Diff'rent Strokes" and “I want my MTV” that echo the unique spirit of 1980s television culture. To continue our 80s series, we are leaning into 80s TV Nostalgia by diving into the world of classic 80s TV shows and their iconic catchphrases that left a lasting impact on popular culture. Memorable Lines: From "Alice's" “Kiss my grits” to the impactful “Let's be careful out there” from "Hill Street Blues," we discuss the lines that are synonymous with 80s television. We will also rank these memorable phrases and share fun facts about their origins and impact on TV history. Perfect for fans of retro shows and those who hold a special place in their heart for 80s pop culture.

Happy New Year everybody! I wish you all a happy and healthy 2024. Today we're going to do something a little bit different. Back on November 22nd, I sat down virtually with Sarah Rosett and Jamie Albright on their fantastic podcast wish I'd known then. We talked about common errors writers make when it comes to crafting their police stories and how to improve their thrillers or mysteries. Check out the Wish I'd Known Then Podcast with Jamie Albright and Sara Rosett!Check out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.  Do you enjoy gritty, action-packed real-life police dramas to get your fill of blood, heartache, and cop humor, and maybe even a little romance?I have partnered up with Michael Anderle and we have released a new crime fiction series called “Brew City Blues.” If you're a fan of Hill Street Blues, Southland, or Bosch you're going to love Brew City Blues! Brew City Blues is now live! https://www.amazon.com/gp/product/B0BLR7FX27Support the show

Today on the show we are traveling to Romania speaking to USA Today Bestselling Author Melinda Colt. Melinda Colt is an award-winning and bestselling author of thrillers, suspense, and mystery novels. While she's a Juris Doctor and professional target shooter, she worked as a journalist before she became a full-time author and owns a graphic design business.Melinda indulges her romantic side by writing romance novels under the pen name Melinda De Ross.   In today's episode we discuss:·      Melinda's wide variety of interests, including having a law degree, being a journalist, a professional target shooter, and owning her own graphic design studio. What it was like living in Romania under communism.·      Her interesting childhood and being immersed in many endeavors.·      What Melinda's influences were growing up that molded her author career.·      Her beginnings as a journalist and how that helped her later as an author.·      Melinda being a former target shooting champion and how that has influenced her writing.·      Her writing in two different genres, crime fiction, and romance, and how she blends the two.·      How Melinda earned the title, “USA Today Bestselling Author.”·      How Melinda overcame personal tragedy and profound grief not writing for almost two years, to finishing her next novel.·      Her advice to anyone getting back to writing after a personal tragedy. Please visit the Melinda Colt website. Come on over to the Melinda De Ross website.Need a book cover? Melinda has you covered:-) Check out her graphic design website.Check out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.  Do you enjoy gritty, action-packed real-life police dramas to get your fill of blood, heartache, and cop humor, and maybe even a little romance?I have partnered up with Michael Anderle and we have released a new crime fiction series called “Brew City Blues.” If you're a fan of Hill Street Blues, Southland, or Bosch you're going to love Brew City Blues! Brew City Blues is now live! https://www.amazon.com/gp/product/B0BLR7FX27Support the show

Today on the show we are talking to retired NYPD Detective, Author, and Podcaster, Vic Ferrari. Vic worked a distinguished twenty-year career with the NYPD as a patrol officer and later moved up to the organized crime unit working in the auto theft squad as a detective.Vic is now an author with seven books published, and a host of his own podcast, NYPD Through The Looking Glass.  In today's episode we discuss:· Vic tells us a true horse story.How Vic got into police work and then later his writing career.·      Why he started writing his NYPD series.·      How Vic gets all of these stories straight and did he have any negative effects from reliving these events. ·      Taking a peek into police subculture.·      It's a young man's game.·      The love/hate relationship with the press.·      How and why, he started his podcast. ·      What he misses the most about the job.·      What's next for Vic! Visit Vic Ferrari's Amazon Author Page to learn more about him and his books!Check out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.  Do you enjoy gritty, action-packed real-life police dramas to get your fill of blood, heartache, and cop humor, and maybe even a little romance?I have partnered up with Michael Anderle and we have released a new crime fiction series called “Brew City Blues.” If you're a fan of Hill Street Blues, Southland, or Bosch you're going to love Brew City Blues! Brew City Blues is now live! https://www.amazon.com/gp/product/B0BLR7FX27 Only for Cops and Writers Podcast listeners! Get 50% off the audiobook version of the F.B.I. K-9 thriller, Avenging Adam by Jodi Burnett. Use code, https://jodi-burnett.com/copsandwriters/Avenging Adam Audiobook by Jodi Burnett Get 50% off Avenging Adam audiobook with this link! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Today on the show we have True Crime Television Producer Sonja Borgmann!  Sonja is a producer for true crime documentaries for Tubi T.V. and A & E. Some cases she has highlighted are infamous killers like Ted Bundy and the Menedez brothers. She also produced the Killing Diana documentary, highlighting the life and death of the late Lady Diana.Please enjoy this wide-ranging and enjoyable true crime discussion with Sonja Borgmann.In today's episode we discuss:·      Sonja's interest in investigative journalism and documentaries at an early age. Her interest in foreign affairs that took her to Serbia and Bosnia and Herzegovina, Berlin, and Lisbon, and how this molded her future career in documentaries.·      How and when Sonja got interested in criminal justice, more specifically true crime cases?·      What pulls Sonja towards infamous, true crime cases? ·      The Killing Diana documentary profiling the life and death of Lady Diana.·      Some of the fascinating cases Sonja has worked on, including murder-for-hire cases.·      Why Sonja thinks we are so interested, sometimes obsessed with true crime.·      What advice she would give to someone trying to break into the true crime business. ·      How Sonja looks at people differently since she started covering stories of serial killers and other psychopaths.·      Sonja's top-secret project with me being a part of the show (not as the serial killer)! Check out Sonja's website to learn more about her and her work!Check out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.   Do you enjoy gritty, action-packed real-life police dramas to get your fill of blood, heartache, and cop humor, and maybe even a little romance?I have partnered up with Michael Anderle and we have released a new crime fiction series called “Brew City Blues.” If you're a fan of Hill Street Blues, Southland, or Bosch you're going to love Brew City Blues! Brew City Blues is now live! https://www.amazon.com/gp/product/B0BLR7FX27 Only for Cops and Writers Podcast listeners! Get 50% off the audiobook version of the F.B.I. K-9 thriller, Avenging Adam by Jodi Burnett. Use code, https://jodi-burnett.com/copsandwriters/Support the show

Today on the show we have Author, Creative, Musician, and former Police Officer Jeff Bonilla.  Jeff was a police officer in two California departments, Burlingame PD and Daly City PD in the San Francisco Bay Area. He's co-author of the groundbreaking book "So You Want To Be A Cop," this work has been recommended reading in multiple police academies, shedding light on the reality of life as a police officer. His current fiction novella "Terminal Hitman" is receiving great reviews.Bonillo has ventured into Hollywood, creating alternative programming, and gaining unique insights into the entertainment industry. He had many of his projects optioned by top producers such as Ryan Seacrest, Merv Griffith, 3 Ball Productions, Jamie Kennedy Productions, and more. As an award-winning director, he has written and directed short films and directed commercials for such clients as Party City online.Jeff is also a talented musician, with digital releases that have captivated audiences in over 40 different countries!Please enjoy this wide-ranging discussion with Jeff Bonilla.In today's episode we discuss:·      Jeff's brush with Elvis. ·      What impact did seeing Elvis have on him?·      How and why, Jeff started his career in law enforcement?·      What was it like being a police officer in the two different departments? ·      Why he stopped being a cop?·      Jeff tells us about the books he authored, So You Want To Be a Cop and Terminal Hitman.·      Why he wrote these books. ·      Jeff's adventures in Hollywood, including writing, producing, and directing movies and commercials. ·      Jeff's music career.Visit Jeff Bonilla's website to learn more about him and his workCheck out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.  Do you enjoy gritty, action-packed real-life police dramas to get your fill of blood, heartache, and cop humor, and maybe even a little romance?I have partnered up with Michael Anderle and we have released a new crime fiction series called “Brew City Blues.” If you're a fan of Hill Street Blues, Southland, or Bosch you're going to love Brew City Blues! Brew City Blues is now live! https://www.amazon.com/gp/product/B0BLR7FX27Support the show

Today's show is a special bonus episode of me being interviewed on the Creative Penn Podcast with the most excellent host, Joanna Penn! Joanna and I talk about writing realistic police stories, starting a second career as an author, networking, and the dangers of writing about real-life trauma. Please enjoy my chat with Joanna Penn.In today's episode, we discuss:·      Becoming a writer after a significant first career·      Dos and don'ts of finding a mentor·      Being of service and volunteering with purpose·      Knowing when an author relationship clicks·      Writing entertainment vs. writing for therapy·      Managing different energies in an author conferenceCheck out Joanna's website!Check out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.  Do you enjoy gritty, action-packed real-life police dramas to get your fill of blood, heartache, and cop humor, and maybe even a little romance?I have partnered up with Michael Anderle and we have released a new crime fiction series called “Brew City Blues.” If you're a fan of Hill Street Blues, Southland, or Bosch you're going to love Brew City Blues! Brew City Blues is now live! https://www.amazon.com/gp/product/B0BLR7FX27Support the show

Today on the show we are chatting with the director of Author Nation, Joe Solari!  Joe and Author Nation are taking the helm from Craig Martelle and the 20 Books to 50K Vegas Conference. 20 Books Vegas was the largest indie author conference and now Joe Solari and Author Nation have the epic task of keeping this amazing conference going and growing. Please enjoy my chat with Joe Solari.In today's episode we discuss:·      Will there be cookies as big as manhole covers at Author Nation?·      How Joe blended an MBA and a Fine Arts Degree into success. ·      What are some of the lessons learned and best practices that successful authors are now employing to maximize their author businesses? ·      Common errors you see authors make at the different stages of their careers and how to avoid them.·      How do we stand out in such a crowded market? Is this going to transfer over to the conferences? If so, how and what will be the emphasis?·      Why Joe Solari accepted the challenge of running the Author Nation conference.·      What are your goals for the Author Nation conference going forward?learn more about Joe Solari and his work on his website.Check out Author Nation Live!Check out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.  Do you enjoy gritty, action-packed real-life police dramas to get your fill of blood, heartache, and cop humor, and maybe even a little romance?I have partnered up with Michael Anderle and we have released a new crime fiction series called “Brew City Blues.” If you're a fan of Hill Street Blues, Southland, or Bosch you're going to love Brew City Blues! Brew City Blues is now live! https://www.amazon.com/gp/product/B0BLR7FX27Support the show

Today on the show we have returning champ, my friend and Superstar Author and director of the world's largest indie author conference, 20 Books Vegas, Craig Martelle.   It was my pleasure to attend the last 20 Books Vegas run by Craig. I have gone to all the Vegas 20 Books conferences and have seen the positive impact these conferences have had on authors. Please enjoy my chat with Craig Martelle.In today's episode we discuss:·      Craig's beginnings into writing after a career in the United States Marine Corps and being an attorney.·      How he and Michael Anderle became fast friends and grew the 20 Books brand and conferences. ·      Why did he undertake such a humongous responsibility and personal financial risk for a not-for-profit conference?·      How this conference literally has changed hundreds of author's lives for the better.·      When did he know it was time to step down and walk away from this conference?·      Words of wisdom for Joe Solari and Author Nation who will run the conference next year. ·      My personal gratitude to Craig and Michael for their friendship, partnership, and mentorship throughout the years. Learn more about Craig and his books on his website!Check out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website. Do you enjoy gritty, action-packed real-life police dramas to get your fill of blood, heartache, and cop humor, and maybe even a little romance?I have partnered up with Michael Anderle and we have released a new crime fiction series called “Brew City Blues.” If you're a fan of Hill Street Blues, Southland, or Bosch you're going to love Brew City Blues! Brew City Blues is now live! https://www.amazon.com/gp/product/B0BLR7FX27Support the show

Paul Rudnick is a novelist, playwright, essayist and screenwriter, whom the New York Times has called, “one of our pre-eminent humorists.” His plays have been produced both on and off Broadway and around the world, and include I HATE HAMLET, JEFFREY, THE MOST FABULOUS STORY EVER TOLD, VALHALLA, REGRETS ONLY, and THE NEW CENTURY. He has won an Obie Award, two Outer Critics Circle Awards and the John Gassner Playwrighting Award, and two of his short plays have been included in STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS. His novels include SOCIAL DISEASE and I'LL TAKE IT, both from Knopf and PLAYING THE PALACE from Berkley. He's a regular contributor to The New Yorker and his articles and essays have also appeared in The New York Times, Esquire, Vogue and Vanity Fair. HarperCollins has published both Mr. Rudnick's Collected Plays and a group of essays entitled I SHUDDER. His essays have also been included in the New Yorker anthologies FIERCE PAJAMAS and DISQUIET, PLEASE.Mr. Rudnick is rumored to be quite close to Premiere magazine's film critic Libby Gelman-Waxner, whose collected columns were published by St. Martins under the title IF YOU ASK ME. Ms. Gelman-Waxner has also reviewed in the pages of Entertainment Weekly, and the column now appears every few weeks on The New Yorker website.Mr. Rudnick's screenplays include IN & OUT, SISTER ACT, the screen adaptation of JEFFREY, and ADDAMS FAMILY VALUES. His Young Adult novels, entitled GORGEOUS and IT'S ALL YOUR FAULT, have been published by Scholastic.Mr. Rudnick has appeared on the Today show, Real Time with Bill Maher, Conan O'Brien, A Prairie Home Companion, and Fresh Air, among other programs. Mr. Rudnick's new play, Guilty Pleasure, will be directed by Christopher Ashley and produced at the LaJolla Playhouse. On September 12, 2020, HBO began airing Coastal Elites, written by Mr. Rudnick, directed by Jay Roach, and starring Bette Midler, Dan Levy, Issa Rae, Sarah Paulson and Kaitlyn Dever. He's currently writing a screenplay called EX-HUSBANDS, based on an original idea by Billy Eichner, for Amazon. His new novel, FARRELL COVINGTON AND THE LIMITS OF STYLE, will be publshed in June of 2023 by Simon&Schuster From his humble beginnings growing up on his grandfather's dairy farm in New York, JOEL THURM became one of the most admired, powerful, and accomplished casting directors in Hollywood, Early on, Thurm's instincts proved beyond reproach when he recognized John Travolta as much more than a teen idol, casting him in the TV movie THE BOY IN THE PLASTIC BUBBLE. It was during his years as Vice President of Talent and Casting for both Paramount Television and NBC that he discovered the remarkable Phoenix family, from which River and Joaquin became A-list movie stars. With his insider's knowledge, irreverent style, and biting wit, Thurm tells the stories of his key involvement in such iconic movies and shows as GREASE, AIRPLANE!, THE ROCKY HORROR PICTURE SHOW, CHEERS, TAXI, THE LOVE BOAT, FANTASY ISLAND, STARSKY & HUTCH, CHARLIE'S ANGELS, THE GOLDEN GIRLS, KNIGHT RIDER, THE COSBY SHOW, HILL STREET BLUES and many, many more. SEX, DRUGS, AND PILOT SEASON is the ultimate backstage pass to the boardrooms of Manhattan and the executive suites of Hollywood where show-business history was made. Learn more about your ad choices. Visit podcastchoices.com/adchoices