Podcasts about costumes

Paul F. Tompkins joins to talk about the best bloodletting techniques, how to put together a last minute costume and the legend of the Dover Demon

The boys discuss the best town names, Google and what to do about farting in public

This week, we hear from the stars of Marvel Television's Daredevil: Born Again, Charlie Cox and Vincent D'Onofrio, as well as Executive Producer Dario Scardapane (01:09). Plus, we get a behind the scenes look at how Costume Designer Emily Gunshor brought Daredevil's suit to life (09:12). We've also got a comic book history on The Hood (20:35) you won't want to miss ahead of the premiere of Marvel Television's Ironheart. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Six feminists blasted into space on one of Jeff Bezos’ rocket ships wearing custom-made, form-fitting space suits. The gals said they were putting the “ass into astronaut.” Sally Ride, the first American woman in space, must be rolling over in her grave.See omnystudio.com/listener for privacy information.

This week as part of ANDOR APRIL, we're breaking down the artistry of the costumes and set design that defined ANDOR's first season. Whether it's the ruggedness of Ferrix, the iconic closet of Mon Mothma, or the sterile and uninviting nature of Narkina 5, ANDOR brings us some of the most authentic people and locations that define its prestige quality. As a reminder, our podcast will be LIVE from the Holonet News Stage at Star Wars Celebration Japan on Sunday, April 20 at 11AM JST. Learn more ⁠⁠here⁠⁠. We hope to see you there! Website: http://www.friendsoftheforcepod.comLinktree: https://linktr.ee/friendsoftheforceBluesky: https://tinyurl.com/36zwf8ayThank you to all of our Patrons, including our Luminous Beings: Brian, Emma, Jenn, Jules, Lucy, Soulcatcher, and Travis.#StarWars #Andor

Kevin Bacon returns to the small screen with “The Bondsman”, and today we welcome back two veterans of the podcast, Production Designer Eve McCarney and Costume Designer Liz Vastola, to discuss the challenges of a show that's balancing genre spectacle and family drama. Co-host Gianni Damaia has some good questions, but primarily he wants to know what it's like working with Kevin Bacon (he has a “Tremors” image on his wall). All eight episodes of the first season are currently available on Prime.

Alex Bovaird, costume designer of The White Lotus, is back for a bonus episode! She sat down with Who What Wear senior fashion and social media editor Tara Gonzalez the morning after the finale to chat about all of the outfits we didn't get to last time, how she curated accessories for each character, and all of the season 3 Easter eggs she planted throughout the show. Plus, she answers some of your most-asked questions and reflects on the massive impact her costume design has had on fashion and pop culture.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alex Bovaird, costume designer of The White Lotus, is back for a bonus episode! She sat down with Who What Wear senior fashion and social media editor Tara Gonzalez the morning after the finale to chat about all of the outfits we didn't get to last time, how she curated accessories for each character, and all of the season 3 Easter eggs she planted throughout the show. Plus, she answers some of your most-asked questions and reflects on the massive impact her costume design has had on fashion and pop culture.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this exciting new episode of Venice Talks, I had the pleasure of sitting down with Leontine Hamer, the creative mind behind the Venice Dress Up Experience. This incredible experience allows you to step into the world of Venetian history by dressing up in stunning, meticulously crafted costumes that transport you to a different time.I had the chance to take part in the experience myself, and let me tell you—I absolutely loved it! From the moment I donned the Venetian attire, I felt like I was living in another era, surrounded by the beauty and elegance of Venice's past.In this episode, we dive into the magic of these transformations and how they allow visitors to connect with Venice in such a unique and memorable way. Leontine shares her passion for Venetian history, the incredible artistry behind each costume, and the unforgettable experiences people can have by immersing themselves in the city's rich culture.Keynotes from the episode:A passion for Venetian history: How Leontine has turned her love for Venice's past into a way to bring visitors closer to its traditions.The transformative experience: A deep dive into the joy of stepping into the roles of Venetian nobility, aristocrats, or even characters from Carnival.Costumes as works of art: The craftsmanship, attention to detail, and love that go into each costume, creating a true Venetian experience.Creating lasting memories: How the Venice Dress Up Experience is reshaping how people interact with the city's culture and history.The spirit of Venice Carnival: A look into how these costumes are central to the vibrant and colorful celebrations of Venice Carnival, and why they're so much more than just costumes—they're pieces of Venetian magic.✨ Credits:Hosted by Monica CesaratoProduced by Monica Cesarato, Sentire MediaGuest: Leontine Hamer from Venice Dress Up ExperienceDon't miss out on this incredible experience! Be sure to subscribe and follow for more amazing stories and episodes of Venice Talks.

This month we sit down with Vulture critic Angelica Jade Bastién, author of the newsletter Madwomen & Muses, where she recently started writing about “Movies That Fuck.” In honor of “cinematic sensuality,” we chat about Bram Stoker's Dracula (1992), Francis Ford Coppola's ode to ahistorical melodrama and doomed romance. We get into: Roman Coppola's practical effects, Keanu's accent work, crossing oceans of time to find you, Michael Ballhaus (and whether this is the dark b-side of The Age of Innocence), Eiko Ishioka with the muscle armor and tiny glasses, do young people want to be turned on by the movies (or at all), and more.--Further reading/viewing: The Costumes are the Sets (a 15-minute doc on the film's Oscar-winning costumes), and James Hart on the transformation of Dracula's script.--The Bright Wall/Dark Room Podcast is hosted by⁠⁠ Veronica Fitzpatrick⁠⁠ &⁠ Chad Perman⁠⁠, produced by⁠⁠ Eli Sands⁠⁠, and edited by ⁠⁠Buczar⁠⁠. Our theme music is composed by Chad. --This episode is sponsored by ⁠Galerie⁠, a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema.To enjoy one month of Galerie for free—and then receive 50% off the next three months—visit ⁠Galerie.com⁠ and enter the code “BWDR” when you sign up.

Elle porte un manteau de fourrure coupé comme un trench, sur une robe polo, qui recouvre elle-même une nuisette beige en soie. Sur ses mains, des gants roses. A ses pieds, des mocassins en cuir marron. Une barrette retient ses cheveux miel. Un sac Birkin promène son nécessaire, notamment les cigarettes cachées dans une boîte de cotons tiges, qu'elle fume en secret. Aujourd'hui, en partenariat avec La Cinémathèque française, je vais vous raconter l'histoire de la silhouette légendaire de Margot Tenenbaum.La magnifique exposition consacrée au cinéaste vous attend, tout comme les costumes de l'héroïne, à la Cinémathèque française à Paris jusqu'au 27 juillet

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Elle Vance - Destined to Be FOLLOW ON SPOTIFYGwendolyn Spire - Not Enough Sage FOLLOW ON SPOTIFYRachel Hull - Lead The Way FOLLOW ON SPOTIFYOlivia Aliotti - breakfast buffet FOLLOW ON SPOTIFY12 Notes - Are You Ready FOLLOW ON SPOTIFYThe Rebel Eves - Heaven Without You FOLLOW ON SPOTIFYVanessa Sweetness - The ABC's of Love FOLLOW ON SPOTIFYHim & Her - Faith Healer FOLLOW ON YOUTUBEK.Avett - Peace For Me FOLLOW ON SPOTIFYSelina Boland - Someone to Lean On FOLLOW ON SPOTIFYCole Jonique - Nobody Like U FOLLOW ON SPOTIFYNADIIA - Dance in the Rain FOLLOW ON SPOTIFYJohn Eric Art - Celestial Heartache FOLLOW ON SPOTIFYSonic Costumes - Yes Music FOLLOW ON SPOTIFYKiko Star - Dance Partner FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor Kick Bookkeeping at http://profitablemusician.com/kickVisit our Sponsor Track Stage at https://profitablemusician.com/trackstageVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

The Legion gets new costumes while they quell a prison riot, and we check in on the missing members. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron. It will help ensure The Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) LEGION OF SUPER-HEROES V3 #54 "Strength In Numbers" Winter 1988 - On Sale October 29, 1988 w: Paul Levitz/Keith Giffen a: Keith Giffen/MIke DeCarlo Everybody gets new uniforms, just in time for the prison break! ALEGION OF SUPER-HEROES V3 #55 "Different Paths" Holiday 1988 - On Sale November 11, 1988 w: Paul Levitz/Keith Giffen a: Keith Giffen/Jose Luis Garcia-Lopez/Erik Larsen/Ernie Colon/Al Gordon Four Legionnaires find themselves at the crossroads... and only one will stay with the team!

The Legion gets new costumes while they quell a prison riot, and we check in on the missing members. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron. It will help ensure The Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) LEGION OF SUPER-HEROES V3 #54 "Strength In Numbers" Winter 1988 - On Sale October 29, 1988 w: Paul Levitz/Keith Giffen a: Keith Giffen/MIke DeCarlo Everybody gets new uniforms, just in time for the prison break! ALEGION OF SUPER-HEROES V3 #55 "Different Paths" Holiday 1988 - On Sale November 11, 1988 w: Paul Levitz/Keith Giffen a: Keith Giffen/Jose Luis Garcia-Lopez/Erik Larsen/Ernie Colon/Al Gordon Four Legionnaires find themselves at the crossroads... and only one will stay with the team!

Have you ever wondered why we wear costumes for Halloween? How did it get started? What were early costumes like? How have they changed? Take a trip with Joshua and Leah through the decades of Halloween's funnest custome of costumes. Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Folk Round", "Distant Tension", "Waltz of Treachery", "Music to Delight", "Sock Hop", "Stringed Disco", "Overcast", "Rock Hybrid", "Highlight Reel", "Magic Escape Room"

3/28/25 - Gary Graff talks Spotify, Kiss, and Costumes by 102.9 The Hog

Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, hosted by Hunter Barcroft, costume consultant Lindsey Kear shares her journey and expertise in the costume department. Lindsey, whose work has been featured in films like 'The Bike Riders,' 'Godzilla Versus Kong,' and TV shows such as 'Big Little Lies' and 'American Horror Story,' discusses the importance of setting professional boundaries, thriving in a high-pressure set environment, and the best practices for collaboration with directors. Film students Sam and Davis join the conversation, sharing their experiences and lessons learned from their design-intensive thesis films, focusing on zombie costuming and medieval armor. The episode also covers insider tips for networking, the significance of respecting each role's time on set, and how to sustain a long-term career in the creative industry while maintaining personal well-being.       Episode Timestamps     00:00 Introduction and Welcome 01:03 Meet Lindsey Kear: Costume Consultant 01:34 Davis and Sam: Film Students' Journey 02:33 Lindsey's Career Beginnings 09:05 Networking and Industry Insights 13:31 The Role of Social Media and Networking 20:12 Creative Careers and Personal Growth 29:31 The Replaceable Crew Member 30:03 Changing Work Culture and Setting Boundaries 31:05 Balancing Career and Personal Life 31:57 The Importance of Mental and Physical Health 35:37 The Reality of Overnight Success 40:21 The Art of Costume Design 47:51 The Challenges of Historical and Sci-Fi Costuming 50:43 The Collaborative Process in Filmmaking 55:10 Respecting the Time and Effort of Costume Departments 01:03:25 Conclusion and Final Thoughts     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

In Los Angeles to today, chatting with Jamie Jamitkowski, Senior Marketing Manager at Propstore, one of the world's leading film and television memorabilia auction houses. Their first major live auction of 2025 is happening March 26 - March 28 (for guests both in LA and online), so if you are a film fanatic, you gotta be there! From the incredible sets of Ghostbusters to Top Gun, Star Wars to X-Men, Harry Potter and Batman, Jamie talks about those special costumes, extraordinary film-used props and cool collectibles that make up your fave flick or television show. Bring along your love of all things entertainment and join us.(This program was previously recorded)About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests know media, we're talkin'! Refreshingly unscripted and always entertaining, listen in as each guest gets real about their careers in the entertainment biz; from where they started to how it's going. Join us in my swanky studio where drinks are always on ice and music + media are the conversation starters. New episodes every other Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereA very special thank you to friends who helped bring my Spotlight Conversations podcast together and especially for their continued support:Booth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird StudiosAffiliated Stations:Radio Free RaleighHouston Radio Platinum

Ruth E. Carter is a two-time academy award-winning costume designer whose creativity and talent have left an incredible mark in the film industry.From the African-inspired designs of “Black Panther” to the symbolism behind the costumes in “Malcolm X,” each piece is a testament to Carter's skill at blending history, culture, and storytelling.During an exhibition of her costumes at The Children's Museum of Indianapolis, she said, “It's amazing to me because each one is a different time in my life, and now they're all here together.”Carter's journey to success started when she auditioned for an acting role but didn't get the part. She was asked to design the costumes instead, and her passion grew. “Quickly, I realized that I could play all the characters, not just one. That I was able to do a character discovery, a deep dive into the intricoes of each of the characters and bring the characters to life amongst all of them.”“Each one of these pieces here, they represent some passion that I had. I made lots of decisions on each one of these costumes.”As Carter sees it, making costumes became a new way of exploring art, photography, textures and design. “I can recreate this in a medium that tells the story of them. I see their story, I see behind their eyes and who they are, and it just fascinates me.”Her work is featured in many popular TV shows and films including, “Coming to America,” “Selma,” “Roots,” “Rosewood,” and “Wakanda Forever.” Carter came to Indianapolis during the past weekend for the debut of her exhibition at the Children's Museum and for a panel discussion at the Madam Walker Legacy Center.For young women or people of color who aspire to Carter's career, she says, it's important to know that it's a passion career and not always glamorous, but it's key to be excited about one's own individual path. “You have to be a student of your passion and you have to stay the course. You learn so much even from your mistakes. There is no such thing as a mistake. It is sometimes difficult, but that just means you have to push yourself.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

SEASON TWO: SHINING STARS - Celebrating the Badass Women of Martial Arts CinemaSeason 2 continues with a stop to honor KARA WAI and her legendary 1981 Shaw Studios film, MY YOUNG AUNTIE! Though Kara had been featured in a number of films before this, MY YOUNG AUNTIE would finally give her a leading role in this romp of a kung fu film by the MASTER, director LAU KAR-LEUNG! Join your Punchy pals as we dive into this classic Modern vs Tradion tale with lots of kicks, punches, and COSTUMES!Check out Punches and Popcorn on social media:Bluesky: @punchesnpopcornInstagram: @punchesnpopcornAnd if you like what you hear, don't forget to rate, review and subscribe!Mentioned in this episode:Dialed In: A Coffee PodcastGet Dialed In to the world of coffee with Aaron and Wade! Tastings, coffee news and opinion and more! https://dialedincoffee.captivate.fm Joe Bean RoastersJoe Bean Coffee - Coffee that lifts everyone. https://shop.joebeanroasters.comFood About TownFood About Town hosted by Chris Lindstrom, focusing on restaurants, food and drink of all kinds, and whatever topics I want to cover! https://foodabouttown.captivate.fm/

SEASON 2 - EPISODE 133 - Lisy Christl - Costume Designer In this episode of the Team Deakins Podcast, we speak with costume designer Lisy Christl (CONCLAVE, ALL QUIET ON THE WESTERN FRONT, FUNNY GAMES). Originally from Bavaria, Lisy did just about everything she could do to avoid the film industry, and she shares several moments from her career when other filmmakers would not take her “no” as an answer. Lisy later reflects on her 10-year-long collaboration with director Michael Haneke, and she reveals the inspiration for the all-white outfits of the two men in FUNNY GAMES. We also discuss Lisy's work on CONCLAVE, and she reveals what inspired her to adjust the typical garb worn by the cardinals. During our discussion of her work in TIME OF THE WOLF, Lisy shares the costuming decision she made to bring the audience to the present in a scene that recalled a scenario out of the Middle Ages, and she reveals the lengths she and her team went to design silent puffy jackets out of consideration for the sound department. We also discuss Lisy's work in ALL QUIET ON THE WESTERN FRONT, and she describes how and why she empowered herself to make choices that may not have been exactly period appropriate. - This episode is sponsored by Aputure

✨ Surprise ! ✨A l'occasion de la toute première exposition consacrée à Wes Anderson, du 19 mars au 27 juillet 2025, Profession : Costumière a le plaisir d'annoncer son partenariat avec La Cinémathèque française. Chaque début de mois, d'avril à juillet, observons sous toutes les coutures un des plus beaux costumes présentés à l'exposition, pour en découvrir les secrets.Rendez-vous le 1er avril pour découvrir le 1er épisode !Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Durante 

Dedicated for the elevation of the neshama of Moshe Yaakov ben Asher Zelig, z"l, Dr. Alexander Kratz, of Bergenfield, New Jersey, sponsored by Elizabeth, Zippy, Hannah and Asher Kratz.

B"H earing costumes on Purim isn't just for fun—it's a reminder that in this world, we're all ‘dressing up.' Hashem sees beyond appearances and looks at the heart. Just like in Megillat Esther, where Hashem's hand is hidden but guiding everything, Purim teaches us to recognize His presence in our lives. It's a day for heartfelt tefillah, to see His revealed goodness and miracles. To watch Torah Thoughts in video format, click HERE Subscribe to the Torah Thoughts BLOG for exclusive written content! Please like, share and subscribe wherever you find this!

Nathaniel has had about four cups of coffee, so please bear with him as he and Darcy jump into the world of the Venice Carnavale. I can hear you now, your questions coming to me:What is the Carnavale? Why is it in February, one of the worst times to go to Italy (or best, if you're on a budget!)? What are the little fried pieces of Heaven called "fritelle"? And most importantly, I want a mask, where do I get one?Well, this episode has you covered! It covers everything you need to know, and some things that are just nice to know.Plus:Where to buy authentic masks:La BautaAtelier MaregaLa Bottega Dei MascareriSan Marco 596Fritelle (or, Pastry Shops):MajerTonoloRizzardiniDal MasPasticceria Toletta (Next door at the Bar all Toletta has great (and cheap) sandwiches!)Rosa SalvaThank you all so much for listening!Darcy and NathanielOnly A Bagwww.onlyabag.com

Get Season Two of Pillow Talk HERE: https://pillowtalkpod.com"Abby warns everybody that she might not be at the competition this weekend. Oh don't threaten me with a good time." Yes this week the ALDC gets a little vacation away from Abby, though it isn't under the best circumstances. Mrs. Miller's health is quickly declining and Abby needs to travel out to care for her mother in her final days. Before she heads out, however, she begins casting ALDC members for Mackenzie's music video. Of course not all is at it seems as the episode's edit leaves out the behind the scenes drama that Christi recalls truly pissing her off.In another fun turn of events, Abby removes Nia from the group dance. The reason? According to Abby there are still not enough costumes for the whole group because of Kelly, so one girl has to go! Outside of being an unlikely story, Holly is mad that Nia is being sidelined again. Abby argues it'll give Nia time to focus on her solo. Holly feels singled out and claims she isn't receiving support from the other moms, which leaves Christi a little confused.When the girls get to Ohio for competition, they find that with Abby not around the whole ordeal is a lot easier and perform quite well. The only drawback is their group performance of Bollywood and Vine is incredibly executed but fairly problematic. But will it be enough to get the ALDC their 13th straight victory?Quotes“I was cracking up that you texted me and were like this episode sucks. Kelly, every episode of Dance Moms sucks." (08:24-08:30 | Christi)“She's talking about winning 13 in a row. What do you need a new team for? You have winners you weirdo.” (20:06-20:12 | Christi)“That was probably the last time Abby was even remotely nice to Chloe?" (23:47-23:51 | Christi)“You've been gone, what? Since episode seven? This is episode 14? In seven episodes I think four or five of them have been awful for me." (1:00:21-1:00:28 | Christi)LinksSubscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Subscribe to our Patreon: www.patreon.com/backtothebarreThank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510Follow Christi on IG: www.instagram.com/christilukasiakFollow Kelly on IG: www.instagram.com/kellylhyland Hosted on Acast. See acast.com/privacy for more information.

On today's podcast, Brian and Mandy discuss the recent Oscars ceremony, including notable missing names from the In Memoriam section and a few surprising winners. They also cover the premiere of 'Daredevil: Born Again', its development process, and early impressions. Brian shares his thoughts on finally seeing 'Captain America: Brave New World', touching on the much-needed balance of blockbuster with more subtile films. Additional topics include the success of the movie 'Wicked', and interesting winners like the foreign animated film 'Flow'. 00:00 Introduction and Episode Overview 00:40 Oscars Recap: Highlights and Snubs 01:50 Surprising Wins and Controversies 04:37 Wicked's Triumph in Costumes and Production 07:20 Animated Feature Film: The Surprise Winner 11:19 Daredevil: Born Again - First Impressions and Expectations 16:38 Captain America: Brave New World Review 19:33 Superhero Fatigue and Future Expectations 20:46 Conclusion and Farewell

Cultural Night presentations use traditional costumes that can be expensive. Dance groups do fundraisers to afford them.

"Quand je me balade dans la nature, je vois les pulls que je veux faire avec le sol, les herbes, les troncs d'arbre, les plumes des oiseaux... et tout ça, je le vois en maille"Après une première carrière dans le marketing, Julie Primot a réalisé son rêve en créant Cinemailles et en réalisant des tricots pour le cinéma.Elle a collaboré avec les plus grandes créatrices de costumes et créé des pulls pour les personnages d'Ulysse ou de Sarah Bernhardt, Bruno Sulak ou encore Saint Exupery. Le parcours d'une autodidacte passionnée au chemin unique.Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Durante Montage : Manon Jutel Logo : agence Silenzio Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Green Lantern's NEW RING and Superman's NEW BOOTS as of course the DC fandom discourse had arguments to both of these designs. I will be going over the Oscars highlights from last night as well as the box office. SHOW TIMELINE: 0:00 - Opening 1:39 - Intro 15:18 - Kathleen Kennedy Not Stepping Down from LucasFilm 18:17 - Lanterns First Look with Costumes 20:28 - Anaconda Reboot Wraps 21:26 - Matthew Lillard Joins Daredevil Season 2 22:42 - Captain America Brave New World Theater Accident 24:01 - Gene Hackman's Mysterious Death 25:43 - Me and Momma Film Junkee 26:28 - George Miller Wants Another Mad Max Movie 29:25 - John Regan World's Finest Art 31:46 - Alien Earth New Promo 34:44 - Official Image of The Leader in Captain America 36:29 - Green Lantern's NEW RING and Superman's NEW BOOTS 58:29 - Academy Awards Highlights 1:17:59 - Box Office Report 1:21:20 - Avengers Doomsday Delayed? 1:27:49 - Questions

AP correspondent Jennifer Kin reports it's Mardi Gras time in New Orleans, where parades got an early start due to expected severe weather.

[REBROADCAST from February 5, 2025] It was costume designer Linda Muir's job to dress 19th century German aristocrats, rural nuns, and one very thirsty vampire in the film "Nosferatu." She discusses her Oscar-nominated work to bring director Robert Eggers' vision to life.Follow along with us during Sunday's Academy Awards on our Instagram (@AllOfItWNYC), and click here to print out and play All Of It Oscar's Bingo.

[REBROADCAST from February 6, 2025] Dressing gladiators, emperors, senators, and schemers in Ancient Rome for "Gladiator II" was no small task for the Oscar-nominated costume designers Janty Yates, who won the 2001 Academy Award for her work on the original "Gladiator," and David Crossman, who worked on the military film's costumes. They discuss the research, artistry and character implications of their work. Follow along with us during Sunday's Academy Awards on our Instagram (@AllOfItWNYC), and click here to print out and play All Of It Oscar's Bingo.

In this episode I'm answering your most frequently asked questions that cover everything from my favorite dance heels, where I buy my costumes, how to get your foot in the door as a performer, & more!  My Amazon Storefront: https://www.amazon.com/shop/influencer-84d54895 Burju Heels: Code "ASHLYN10" https://burjushoes.com/?afmc=27v Join HIGH VIBE HEELS The Membership: https://highvibeheels.mykajabi.com/offers/hez6ZYTQ/checkout Connect With Ashlyn & High Vibe Heels:https://highvibeheels.mykajabi.com/https://www.instagram.com/highvibeheels/https://www.youtube.com/channel/UC-Xn1jeHIIyWBVXOkgdtjpQ  

Face à la spirale des exactions des gangs en Haïti, l'ONU doit apporter une aide logistique et financière à la mission multinationale de soutien à la police, a recommandé son secrétaire général, rejetant à ce stade les appels à déployer des Casques bleus. Frantz Duval, l'éditorialiste du Nouvelliste revient sur cette information, « la réponse n'est pas à la mesure des problèmes » dit-il, « L'ONU veut venir gérer des budgets pour des réponses qui n'apporteront pas de réponses à la crise sécuritaire qui est mal comprise et mal appréhendée à la fois par les autorités haïtiennes et par la communauté internationale ».Pendant ce temps, les mêmes scènes sont décrites dans les rues de Port-au-Prince et de ses environs : des habitants fuyant leur maison avec un sac ou une petite valise, pour échapper à la violence des gangs. Le site Passion Info Plus relate une situation mouvementée de nouveau ce mercredi (26 février 2025) à Delmas 19, Delmas 30 et à Kenscoff.« Port-au-Prince est en train de tomber lentement mais sûrement », estime Frantz Duval « et sans doute l'ONU comme les autorités haïtiennes vont quitter la ville pour de bon, à un moment donné et la messe sera dite pour la capitale haïtienne ».À lire également dans Le Nouvelliste, le témoignage du père Jean Gardy Maisonneuve, directeur exécutif du Sant Karl Lévêque qui témoigne de la montée en puissance des gangs à Delmas 30 et l'inaction de l'État. États-Unis : confusion autour de la mise en œuvre des droits de douanes au MexiquePlusieurs ministres mexicains se rendent à Washington ce jeudi (27 février 2025) pour parler sécurité et droits de douaneavec le secrétaire d'État américain Marco Rubio. La date butoir est fixée au 4 mars avant l‘application de 25% de taxes sur les produits mexicains importés aux États-Unis et après une pause d'un mois. Mais à la Maison Blanche, lors de son premier conseil des ministres, Donald Trump a parlé d'une date ultérieure, le 2 Avril. La presse mexicaine estime que rien n'est joué pour le moment« Nous ne sommes pas à l'abri d'une nouvelle pause » selon El Universal. Como la canción: “para abril o para mayo”; Trump “baila” fechas para los aranceles a México y Canadá | El Universal , « ce n'est pas la première fois que le président américain fait des déclarations confuses », et « en début d'année », rappelle le journal « le président américain a confondu l'Espagne avec un membre des BRICS. Lorsqu'il lui a été précisé que cette nation ne faisait pas partie de ce groupe, il a répondu qu'il imposerait des tarifs douaniers à tous les pays membres de cette organisation. » Le départ de Chevron, un revers économique pour le Venezuela Le président américain Donald Trump a annoncé l'annulation d'une licence d'exploitation de pétrole au Venezuela accordée à l'entreprise américaine Chevron, accusant notamment Caracas de ne pas respecter un accord de rapatriement de ses migrants.Le pétrolier américain était autorisé à opérer au Venezuela jusqu'à fin juillet 2025, rappelle la presse vénézuélienne. « La décision de Washington avance de plusieurs mois la cessation d'activité », rappelle El Nacional, qui se souvient que ces concessions avaient été autorisées en 2022 par l'administration Biden dans l'espoir d'obtenir des garanties pour des élections transparentes. Mais la réélection de Nicolas Maduro en juillet 2024 a douché les espoirs américains.Le départ de Chevron est « un revers économique pour le Venezuela », poursuit le journal, « la compagnie pétrolière américaine avait contribué à la réactivation de la production pétrolière du pays » qui a dépassé en février 2025 le million de barils par jour pour la première fois depuis juin 2019, selon des chiffres de l'OPEP. États-Unis : Elon Musk, « l'éléphant dans la pièce » à la Maison BlancheDonald Trump tenait hier (26 février 2025) son premier conseil des ministres, et Elon Musk est celui qui a le plus pris la parole, en dehors du président américain.L'omniprésence du milliardaire aux côtés de Donald Trump fait de lui une sorte de « co-président » sans en porter le nom, estime la presse américaine.Elon Musk attends Trump's first Cabinet meeting of new term - The Washington Post. Dans le Washington Post, cette vidéo assez déconcertante où Elon Musk se tient loin de la table où se tient ce premier conseil des ministres. Il est dans l'assistance quand un journaliste pose la question de savoir si les membres de l'administration Trump sont contents du travail de ce dernier au sein de la commission pour l'efficacité gouvernementale… silence gêné des secrétaires d'État, puis l'un d'entre eux commence par applaudir. Le tout se finit en une vague d'applaudissements que l'on sent polis, voire forcés. Puis, Donald Trump explique que certains de ses collaborateurs ne sont pas d'accord avec Elon Musk, mais que la plupart sont ravis de sa présence à ses côtés.Musk's Cabinet Cameo: The Elephant in the Room Wore Black - The New York Times. Le New York Times qualifie le super conseiller de Donald Trump d'«éléphant dans la pièce». Le journal rappelle comment quelques jours plus tôt, Elon Musk avait passé outre l'avis de toutes les personnes installées hier (26 février 2025) à la table autour du président américain, en envoyant un email à des millions d'agents fédéraux pour qu'ils justifient leur travail au quotidien sous peine d'être licenciés. « Elon Musk n'est pas un membre officiel de l'administration Trump, en fait il n'a aucun rôle précis », rappelle le New York Times, pourtant, clairement, il est le « patron ». Brésil : le défi vert du carnaval de RioAu Brésil, où le carnaval commence ce vendredi (28 février 2025). En cinq jours de festivités, près de 1 000 tonnes de déchets sont produites, uniquement pour le carnaval de Rio. Costumes, paillettes, canettes… carnaval et recyclage sont encore des concepts qui ont du mal à aller ensemble. Mais depuis plusieurs années, certaines initiatives tentent de sensibiliser le public et ses acteurs. Sarah Cozzolino, notre correspondante à Rio a rencontré Gabriella Cox, une jeune femme qui a créé sa marque de cosmétiques, baptisée « Céu momento », en 2018. En 2020, elle s'est tournée vers les paillettes biodégradables, produites à base d'un minéral abondant au Brésil, le mica.Autre secteur peu soutenable du carnaval, les costumes et déguisements. Souvent produits avec des matières de mauvaise qualité, les personnes qui profitent des blocos de carnaval, ces groupes de musiciens qui défilent dans les rues, en achètent des nouveaux chaque année. Pour ce qui est du Sambodrome et ses écoles de samba, c'est encore pire. À l'issue du défilé, des montagnes de costumes sont jetées. Face à ce constat, le projet « Sustenta carnaval », donne une seconde vie aux costumes.Un reportage à retrouver dans son intégralité dans la version audio de ce podcast. Le décès de Gene Hackman, le héros de la « French connection » L'acteur américain âgé de 95 ans, a été retrouvé mort hier (26 février 2025) aux côtés de son épouse à son domicile de Santa Fe, dans des circonstances encore inconnues.Gene Hackman dead: Two-time Oscar winner found dead in Santa Fe home - Los Angeles Times. Le Los Angeles Times revient sur la grande carrière de cet acteur qui avait gagné deux oscars pour le rôle d'un policier des stups habité par sa mission dans « French Connection, et pour un shérif sadique dans le film de Clint Eastwood «Unforgiven». Mais le public l'a découvert dans «Bonnie and Clyde» en 1967, aux côtés de Warren Beatty et Faye Dunaway. Cet ex Marine, qui aimait se battre dans les bars et qui avait un visage qu'il a un jour décrit comme «celui d'un mineur de fond» a été l'une des stars les plus prolifiques d'Hollywood : il a tourné dans près de 80 films au long d'une carrière qui s'est étalée sur 4 décennies.

Send us a text

Veteran Broadway costume designer Paul Tazewell won a Tony for his work on "Hamilton," and has worked on countless other stage musicals and plays. So he made the perfect choice to bring the fashion from the beloved musical "Wicked" from stage to screen. He's nominated for an Oscar for Best Costume Design, and joins us fresh off his BAFTA win. This conversation is part of our annual Big Picture series, where we speak with Oscar nominees who worked behind the camera.

Recorded - 2/22/2025On Episode 310 of the Almost Sideways Movie Podcast, we dive into the upcoming Oscars! Who will win each award? Who should win each award? Who could've been nominated for each award? We break it all down before the Oscars this upcoming Sunday! Be sure to enter the 17th Annual Almost Sideways Oscar Challenge!!! Here are the highlights:What We've Been Watching(10:20) Todd Liotta Review: "Dangerous Waters"(13:20) Zach Review: "Waiting to Exhale"(17:10) Terry Reviews: "Syriana" (Oscar watch) & "Captain America: Brave New World"(30:00) Featured Review: "The Monkey"2025 OSCAR PREVIEW(44:30) Animated, International, Documentary, Score, Song(1:15:00) Makeup & Hairstyling, Visual Effects, Editing, Sound, Costumes(1:39:20) Production Design, Cinematography, Adapted & Original Screenplay, Director(2:07:00) Supporting Actress & Actor, Lead Actress & Actor, Picture(2:35:00) Quote of the DaySign up for the 17th Annual Almost Sideways Oscar Challenge: https://forms.gle/fDUpZHqnLxNC5N5a7Find AlmostSideways everywhere!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @pro_zach36Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber⁠⁠⁠⁠⁠⁠

La Palme d'Or Paris, Texas est notamment mythique pour ses costumes qui ont marqué nos rétines : le cowboy moderne à la casquette rouge, la femme fatale en robe pull d'angora rose.Mais saviez-vous que cette robe était originalement blanche, jusqu'à ce qu'un lavage la réduise à la taille d'un timbre poste ? Et que la créatrice des costumes, Birgitta Bjerke, était avant sa carrière dans le cinéma la reine du crochet, et que ses créations étaient notamment portées par Eric Clapton ?Je suis Céleste Durante, et dans ce nouvel épisode de Profession : Costumière, je vous raconte l'histoire d'une des robes les plus iconiques de l'histoire du cinéma.

From Halloween party costumes to game day outfits, college campuses are hotspots for clothing turnover. But what's the real environmental cost of one-time wear?In this episode of Operation Climate, we explore the wasteful cycle of clothing consumption habits, from last-minute Amazon ordering to costume drawers, and investigate the impact on our planet. We talk to college students about their clothing habits and Halloween costume plans. We feature insights from Dr. Elena Karpova of the University of North Carolina at Greensboro, with her expertise focusing on sustainable apparel consumption across cultures and markets.Tune in to learn how small changes in your wardrobe can make a big difference!-----------------Visit our website to keep up with the OC team!https://operationclimatepo.wixsite.com/operationclimateFollow us on Instagram at @operationclimate!To contact us, DM us on Instagram or email us at operationclimatepodcast@gmail.com!Guest: Dr. Elena KarpovaHost: Jordan RossReporters: Jordan Ross, Charlotte Caddell Audio Editor: Katie BrandlerMusic Credit: Upbeat Background Music by Inplusmusic

From a trail in Sipekne'katik, to a gallery on Granville Street, Tara Lynn Taylor takes us to Metu'na'q: Costumes for a Storm!

Did we get answers about yesterday? Get your costumes at Party City before you close, JUST SAYING: Bingo etiquette -- be a proud winner , Playboy is back to print, and another Blake Lively lawsuit Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dressing gladiators, emperors, senators, and schemers in Ancient Rome for "Gladiator II" was no small task for the Oscar-nominated costume designers Janty Yates and David Crossman. Yates won the Oscar for her work on the original "Gladiator," and she has now teamed up with Crossman, who worked on the military costumes. We discuss their work as part of our series "The Big Picture," conversations with Oscar nominees who worked behind the camera to create movie magic in 2024. 

durée : 00:08:02 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Valentine Hugo, artiste peintre, a assisté à l'immense scandale provoqué par "Le sacre du printemps" une chorégraphie de Serge Diaghilev, au Théâtre des Champs Elysée, le 29 mai 1913. Elle s'en amusait au micro d'Henri Vermeil, le 9 juillet 1951, sur Paris Inter. - réalisation : Virginie Mourthé

From the embroidery on a single gown, to the hair in every wig, LA Opera's costume shop creates gorgeous looks and magical moments with every show. Go Behind the Curtain with LA Opera Costume Director Jeannique Prospere as she sits down with Xochi Hernandez to discuss how her team spends months sourcing materials and putting each look together by hand. Experience the magic LA Opera's costume shop creates during Mozart's Cosi fan tutte. Tickets are available now at LAOpera.org.

Heidi from @CostumeCinemato joins the discussion on movie costumes. We tread through our favorites and discuss how a costume makes or breaks a character. Some of our favorite franchises have some very iconic and incredibly recognizable costumes that helped audiences be immersed in worlds of fantasy. What goes into a design? What's the thought process? What makes an iconic costume? We tackle these questions and more and would love to hear your thoughts. Download and listen, but let us know what you thought by reaching out to us on all the socials. Plus we got a voicemail about costumes and we'll listen in towards the end of the discussion. Keep listening afterwards for a surprise give away and instructions. (Valid up to the end of March of 2025) Thanks for tuning in and remember, it's always sunny on Scarif, and that's the scuttlebutt. The Scarif Podcast is a proud founding member of the Red5Network.

SEASON 2 - EPISODE 125 - Deborah Scott - Costume Designer Costume designer Deborah Scott (AVATAR, TITANIC, DEFENDING YOUR LIFE) joins us in this episode of the Team Deakins Podcast. During our wide-ranging conversation, we learn how a childhood diet of drive-in theatre westerns developed her appetite for cinematic storytelling, and we discuss Deborah's long career outfitting characters representing extraterrestrial aliens, the denizens of the afterlife, and everyday people from our past, present, and potential futures. Deborah also reflects on her experience embodying the characters of E.T. THE EXTRATERRESTRIAL to develop the children's costumes for the film, and she details the level of rigor with which she preps before presenting a director with ideas after being brought aboard a project. Deborah also contrasts the difficulty inherent in the open-ended nature of designing for sci-fi films with the specificity inherent in period films, and she highlights the invaluable contributions from the entire costume department that facilitate the realization of all that clothing on screen. Plus, towards the end, Deborah shares how she juggles being a parent and being a filmmaker. - This episode is sponsored by Aputure