Podcasts about Acting

It's an understatement to say Tatiana Maslany has range. She's known for playing 17 characters in the 2013 show, Orphan Black. Since then, she's acted in Marvel's She-Hulk: Attorney at Law, a couple Broadway plays, and a host of animated projects, horror films and other genre-bending works. Now, she stars in the dark comedy thriller, Maximum Pleasure Guaranteed, as a mother embroiled in a sex work scam turned murder investigation.

ON EPISODE # 448 This week, we're joined by our friend Andy, who recently met a group of his friends in Walt Disney World, many of whom hadn't been in years. Acting as their personal tour guide, Andy helped them navigate the parks, rediscover classic attractions, experience new favorites, and see just how much Disney has changed over time. We'll talk about what surprised them the most, what they loved, what felt different from their memories, and what it's like introducing old friends to today's Walt Disney World. Sometimes the best way to appreciate Disney is to see it through someone else's eyes, especially when they're returning, after many years away. Join us for a fun conversation full of nostalgia, laughter, and a reminder that Disney magic can feel brand new all over again. www.thedisneycrush.com thedisneycrush@gmail.com www.patreon.com/thedisneycrush  

In this episode of Workday Playdate, Erin sits down with Meredith Stepien to explore how small moments of joy can become anchors during life's most chaotic seasons. Known for her work as a performer, writer, musician, improviser, and creative leader, Meredith shares why chasing massive life-changing moments isn't always the answer, and how cultivating sparks of delight can help us stay grounded.If you've ever felt overwhelmed by the pace of work or simply being human, this conversation is a reminder that joy doesn't have to be earned. Sometimes it's found in the smallest moments hiding in plain sight.Inside This Episode:Why Small Joys Matter More Than We Think: Meredith shares how tiny moments of delight can help regulate our nervous systems, shift our perspective, and create steadiness during difficult times.The Myth of Waiting for Happiness: Many of us postpone joy until we hit a milestone, solve a problem, or achieve a goal. Meredith discusses why joy is something we can practice now—not something we have to wait for.Creativity as a Survival Tool: Drawing from her background in performance, music, and improv, Meredith explains how creativity helps us navigate uncertainty and stay connected to what makes us feel alive.Finding Presence in the Everyday: The conversation explores how paying attention to ordinary moments can create extraordinary meaning, even when life feels overwhelming.The Connection Between Play and Resilience: Erin and Meredith discuss why play is a critical tool for maintaining energy, perspective, and emotional well-being.What to Do Now:Create a Tiny Joy List: Write down five small things that consistently bring you joy. Keep the list somewhere visible and intentionally seek out one of them each day this week.Practice Noticing: Throughout your day, pause and identify one moment that makes you smile, laugh, feel curious, or experience gratitude. The goal is to increase awareness of the good that is already here.Schedule Play on Purpose: Block out 15 minutes this week for something that feels playful, creative, or energizing with no productivity goal attached.About the GuestMeredith Stepien is a Chicago-based comedian, musician, writer, producer, and improviser best known for her work with the musical theater company Team StarKid. A graduate of the University of Michigan with a BFA in Acting, Meredith has performed in numerous StarKid productions and co-wrote the music and lyrics for the cult-favorite musical Firebringer. She is also a creative producer, podcast host, and longtime improviser who brings humor to everything she does. In addition to her performance and creative work, Meredith serves as a facilitator for improve it! workshops, helping individuals and teams build stronger confidence through the power of improv.Your Freebie How do you lead through failure and uncertainty?Today's workplace demands adaptability, creative problem-solving, and leaders who can navigate uncertainty without freezing in perfectionism.This quick quiz will reveal your unique approach to failure and uncertainty, plus give you simple ways to strengthen your adaptability muscles and help your team thrive when things don't go according to plan.Connect with Meredith StepienMeredith's InstagramMeredith's YouTubeMeredith's LinkedInConnect with Erin Diehl x improve it! Leadership Playground online membership communityErin's websiteErin's InstagramErin's TikTokErin's LinkedInimprove it!'s websiteimprove it!'s InstagramFor more information on improve it! visit www.learntoimproveit.com.

This week on Behind Beautiful Things, we welcome author, speaker, Vietnam veteran, and former nurse Joe, whose book All Bones Considered: 52 Laurel Hill Women shines a light on the remarkable lives of women buried in Philadelphia's historic Laurel Hill Cemetery.In this fascinating conversation, Joe shares his journey from nursing and serving as a medic during the Vietnam War to becoming a nationally and internationally recognized speaker. He discusses the inspiration behind All Bones Considered: 52 Laurel Hill Women and reveals the stories of trailblazing women whose achievements helped shape history but are often overlooked today.Join us as we explore women's history, historical biography, cemetery history, military service, leadership, and the enduring legacies of 52 extraordinary women memorialized at Laurel Hill Cemetery. Whether you're interested in American history, inspiring women, genealogy, or historical storytelling, this episode offers compelling insights and unforgettable stories.Check Out Joe's Work:https://allbonesconsidered.com Behind Beautiful Things Website: www.sadtimespodcast.com Follow Behind Beautiful Things on Facebook: https://www.facebook.com/groups/373292146649249Follow Behind Beautiful Things on Instagram: @behindbeautifulthingspodcastLearn more about Kevin's Professional Speaking and Acting at www.kevincrispin.comCheck out Kevin's substack: https://allconviction.substack.com Get your very own “Sad Schwag”: https://www.teepublic.com/stores/hysteria51/albums/253388-sad-times-podcast?ref_id=9022Editorial note: Behind Beautiful Things is committed to sharing various stories from generous guests. The hope is to allow any number of stories to be shared to help people feel less alone and, perhaps, more empathetic. It is important to clarify that the guests' stories, perspectives, and sentiments do not necessarily reflect the views and beliefs of Behind Beautiful Things in any way. Please note that Behind Beautiful Things is in no way a substitute for medical or professional mental health support.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The bois discuss the best and worst overacting moments in cinema, In Bruges, Half Man, Lee Cronin's The Mummy, and more!Join our Patreon for bonus episodes, supplements, Discord access, and more: https://www.patreon.com/therearetoomanymoviesMerch: https://www.toomanymovies.com/shopInstagram:https://www.instagram.com/therearetoomanymovies/TikTok:https://www.tiktok.com/@therearetoomanymoviesListen on Spotify:https://open.spotify.com/show/7lwOlPvIGdlmr6XjnLIAkG?si=4e3d882515824466Subscribe on iTunes:https://podcasts.apple.com/us/podcast/there-are-too-many-movies/id1455789421Twitch:https://www.twitch.tv/therearetoomanymoviesTwitter:http://www.twitter.com/tatmmpod00:00:00 Cold Open00:00:41 Intro00:04:52 The Crash00:07:55 Pressure00:11:47 In Bruges00:15:54 Half Man00:18:40 Nirvana The Band The Show00:19:06 Hacks00:20:25 Friday Night Dinner00:22:26 Lee Cronin's The Mummy00:27:26 True Grit00:35:36 Virus00:37:40 Best Over Acting Moments01:12:15 Worst Over Acting Moments01:23:29 Outro

It's time for another Coffee chat! Let's Catch UP!! King Charles is in the USA to celebrate my Country's Anniversary, Harry looks like an ignorant goon on the world stage, Meghan tells us about her empty horoscope drama, and Blake Lively is STILL running around saying that Justin Baldoni ruined her life.  Let's DISCUSS... Catch up on all of my YouTube videos on Pricilla Presley and all of my book reads from the chapters of "Child Bride" HERE-  https://www.youtube.com/playlist?list=PLyIMNnG5yA189db0kXDep0aA6ARD5ZCt7   Love the show? Leave a 5 star review on Apple Podcasts/Spotify (or wherever you get your podcasts!) and SHARE this episode!   Want to WATCH my episodes? The clips and pictures add to the fun!- Go to my YouTube Channel and subscribe -https://www.youtube.com/channel/UC2FsXn-xhr4mYIAK0569BBw   I have a channel membership over there if you'd like to support me! Simply click on the "join" button underneath my YT videos - thanks.   Can't join but want to support my podcast? Help keep me caffeinated and fill my tip jar here - https://buymeacoffee.com/jenniferc    Other stuff  I've been a licensed esthetician and a makeup artist for over two decades - Want to see a list of all of my favorite beauty product recommendations? Everything I love, use, and wear all the time - CLICK HERE - https://shopmy.us/jenniferc/shelves   BUY MY ONLINE SKINCARE GUIDES HERE-  https://jenniferchristopherson.com     In Christ, Xo Jennifer    Disclaimer- This video/podcast episode is under Fair Use: Section 107 of the Copyright Act provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that may qualify as fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended. All Opinions are my own and within my right to express under the First Amendment to the U.S. Constitution        

Kimberly Jentzen is a California native who has spent a career coaching actors and excavating what drives human behavior — inside her studio, on stage, and on film sets. Tell us about your book, "Acting with Impact?" You have an acting school. What do actors need to know about acting? What does good listening mean to you? What is the difference between needs and wants? What does your school offer in courses? Kimberly Jentzen Kimberly Jentzen is a California native who has spent a career coaching actors and excavating what drives human behavior — inside her studio, on stage, and on film sets. An internationally recognized acting coach, director, and author, she is the bestselling author of Acting with Impact, 2nd Edition, and Life Emotion Cards, and a Back Stage Reader's Choice Award winner. Her films have earned festival awards, including Best Direction, Best Short, and Audience Favorite — among them Reign, an Oscar-qualified short. She holds a degree from UCLA, where she now returns to teach, and a Master's in Spiritual Psychology from USM. Excellent Executive Coaching Podcast If you have enjoyed this episode, subscribe to our podcast on iTunes. We would love for you to leave a review. The EEC podcasts are sponsored by MKB Excellent Executive Coaching, which helps you get from where you are to where you want to be with customized leadership and coaching development programs. MKB Excellent Executive Coaching offers leadership development programs to generate action, learning, and change that is aligned with your authentic self and values. Transform your dreams into reality and invest in yourself by scheduling a discovery session with Dr. Katrina Burrus, MCC, to reach your goals. Your host is Dr. Katrina Burrus, MCC, founder and general manager of Excellent Executive Coaching, a company that specializes in leadership development.

Hey there, hero!Just want to get your opinion on this apparently very controversial issue.I have my own thoughts, but I want to know yours.Let's discuss. Scroll down and fire away.Is listening to an audiobook “cheating?” Is there something wrong with only listening to (or only being willing to read) whichever version of the book you prefer? Let me know in the comments below.REQUEST: Please join this video's conversation and see the full episode on VOHeroes, where the comments are moderated and civil, at https://voheroes.com/is-listening-to-an-audiobook-less-than-reading-a-book/#Acting #Voice #VoiceOver #Performance #Productivity #Tips #Art #Commerce #Science #Mindset #Success #Process #Options #BestPractices #MarketingWant to be a better VO talent, actor or author? Here's how I can help you......become a VO talent (or a more successful one):     https://voheroes.com/start     ...become an audiobook narrator on ACX (if you're an actor or VO talent):     https://acxmasterclass.com/     ...narrate your own book (if you're an author):     https://narrateyourownbook.com/     ...have the most effective pop filter (especially for VO talent):     https://mikesock.com/     ...be off-book faster for on-camera auditions and work (memorize your lines):     https://rehearsal.pro/...master beautiful audiobook and podcast audio in one drag and drop move on your Mac:     https://audiocupcake.com/The VOHeroes Podcast is heroically built with:BuddyBoss | LearnDash | DreamHost | SamCart | TextExpander | Buz...

Check out BeerBiceps SkillHouse Courses Here - https://linktr.ee/bbskillhouseFor all BeerBiceps vlog content Watch Life Of BeerBiceps - https://www.youtube.com/@LifeOfBeerBicepsCheck out my Mind Performance app: Level SuperMindLink:- https://app.level.game/?c=zSbmYnShare your guest suggestions hereMail - connect@beerbiceps.comLink - https://forms.gle/aoMHY9EE3Cg3Tqdx9Join the Level Community Here:https://linktr.ee/levelsupermindcommunityFollow BeerBiceps SkillHouse's Social Media Handles:YouTube: https://www.youtube.com/@BeerBicepsSkillHouseInstagram: https://www.instagram.com/beerbiceps_skillhouseWebsite : https://beerbicepsskillhouse.inFor any other queries EMAIL: support@beerbicepsskillhouse.comIn case of any payment-related issues, kindly write to support@tagmango.comFollow Nikhil Dwivedi's Social Media Handles:-Instagram: https://www.instagram.com/nikhildwivedi25/?hl=enLinkedIn: https://www.linkedin.com/in/nikhil-dwivedi-7116b520/In this 513th episode of The Ranveer Show, we are joined by Nikhil Dwivedi, a prominent film producer and actor, who shares deep insights into the evolving landscape of Bollywood in 2026. This episode serves as a comprehensive "Film School 101," exploring his journey from the corporate world to acting, and finally becoming a successful producer. We dive into the changing role of a producer, the economics of filmmaking, and what it truly takes to survive in the Indian film industry.In this conversation with Nikhil Dwivedi, we talk about the Role of a Modern-Day Film Producer, the difference between traditional and contemporary production models, and how revenue streams like Digital, Satellite, and Music rights function today. We also understand the financial risks involved in big-budget projects and the mental toughness required to handle public failures.This episode also covers the Budget Breakdown of a Film, the business of Superstars like Shah Rukh Khan, the working cultures of YRF and Dharma Productions, and the impact of AI on the future of cinema. We discuss the essential skills for directors - Storytelling, Aesthetics, and Budget Management - and the reality of casting in the age of social media.This podcast is a valuable resource for anyone interested in Film Production, Direction, Acting, the Business of Cinema, Bollywood Career Advice, and the Future of Storytelling.(00:00) – Start of the episode(00:44) – Role of a Film Producer in 2026(03:22) – Making a Hit on a Low Budget(08:07) – How Shah Rukh Khan Earns Crores(11:38) – Bankruptcy & Failure in Bollywood(14:15) – Advice for Aspiring Filmmakers(17:54) – 16 Must-Watch Bollywood Classics(21:32) – The Future of Ramayan & Animal Park(24:04) – Inside YRF & Dharma Productions(28:40) – Secret Skills of Great Directors(40:19) – Will AI Replace Bollywood Stars?(46:42) – Social Media vs. Real Talent(52:24) – End of the episode#film #movie

In Episode 281 of The Chazz Palminteri Show, Chazz is joined by his son, Dante Palminteri, for a conversation about acting, theater, filmmaking, and building a creative career. Dante discusses his recent stage work, the importance of theater training, writing and producing short films, and the realities of pursuing acting professionally. Together, they compare stage and screen performance, discuss independent filmmaking, and offer practical advice for aspiring actors. The episode also includes family stories, reflections on A Bronx Tale, and Dante's perspective on growing up around the entertainment industry. Blending humor, filmmaking insight, and family history, this father-son conversation offers valuable lessons for actors, writers, and creative professionals.

In this episode, we explore the practical use of long-acting injectable antipsychotics in schizophrenia — specifically aripiprazole and olanzapine formulations. What's the right dose when a patient misses an injection? Dr. Brian Miller breaks down dosing, oral supplementation windows, and dose equivalence for Abilify Maintena, Aristada, and Zyprexa Relprevv. Faculty: Brian Miller, M.D., Ph.D., M.P.H. Host: Richard Seeber, M.D. Learn more about our memberships here Earn 0.75 CME: Use of Long-Acting Injectable Antipsychotics in Schizophrenia LAIs in Practice: Aripiprazole & Olanzapine

Text your thoughts and questions!Many women spend their lives carrying invisible responsibilities for their families without ever realizing how much energy, thought, and emotional labor those responsibilities require. Whether it's keeping the peace, anticipating needs, preserving family traditions, or caring for aging parents, daughters are often expected to do it all—and do it well. The challenge is that these expectations can become so ingrained that many women never stop to ask an important question: How much is enough?This week, in episode 318 of the Positively LivingⓇ Podcast, I sit down with Dr. Allison Alford, communication scholar, researcher, and author of Good Daughtering: The Work You've Always Done, the Credit You've Never Gotten, and How to Finally Feel Like Enough. Allison shares insights from more than a decade of research on the often-unspoken role of adult daughters, exploring the invisible labor they perform, the societal expectations they carry, and how women can redefine what it means to be a "good enough" daughter.Dr. Allison M. Alford is a communication scholar, researcher, professor at Baylor University, and leading expert on the experience of adult daughters. Through years of interviews and research, she has examined the emotional, cognitive, logistical, and identity-based labor women perform within families. Her work helps daughters recognize their contributions, challenge unrealistic expectations, and create healthier, more sustainable relationships with their families and themselves.Key Takeaways:Daughtering is more than caregiving. It includes the ongoing emotional, cognitive, logistical, and identity work daughters perform to keep families connected and functioning.Much of a daughter's labor is invisible. While tasks like visits and phone calls are visible, the planning, worrying, emotional management, and family coordination often go unnoticed.Society places unique expectations on daughters. Women are often expected not only to care for family members but to do so willingly, skillfully, and without complaint.The mental load extends beyond remembering tasks. Daughters frequently anticipate problems, navigate family dynamics, and remove obstacles before anyone else notices them.Emotional labor has a real cost. Acting as the peacemaker, confidant, or emotional "thermostat" for a family can lead to exhaustion, overwhelm, and burnout.Birth order and family structure can influence daughtering experiences. Eldest daughters and only daughters often feel heightened responsibility, though every family dynamic is unique.You have agency to redefine your role. Even long-standing family patterns can be reassessed, and it's possible to establish healthier expectations and boundaries.Being a "B+ daughter" is enough. Striving for perfection isn't sustainable. Leaving room for your own needs, relationships, and well-being allows you to show up for your family without losing yourself in the process.The invisible work you do for your family matters. But so do your needs, your capacity, and your well-being. You don't have to earn your worth through endless giving. What would change if you allowed yourself to believe that you are already enough?Thank you for listening! If you enjoyed this episode, take a screenshot of the episode to post in your stories and tag me!  And don't forget to follow, rate, and review the podcast and tell me your key takeaways!Learn more about Positively LivingⓇ and Lisa at https://positivelyproductive.com/podcast/Stop trying to fit into someone else's productivity rules! Grab my free Productivity Toolkit, a collection of workbooks designed to help you explore how you work, uncover what truly matters to you, and create your very own energy-friendly systems. Get it here: www.positivelyproductive.com/plpkitCONNECT WITH DR. ALISON ALFORD:WebsiteInstagramFacebookTikTokCONNECT WITH LISA ZAWROTNY:FacebookInstagramResourcesWork with Lisa! LINKS MENTIONED IN THIS EPISODE:Good Daughtering: The Work You've Always Done, the Credit You've Never Gotten, and How to Finally Feel Like Enough(Find links to books/gear on the Positively Productive Resources Page.)Episode 156: How to Reduce Mental Load as a Parent or Caregiver with Roxanne FerberBook a Clarity CallLibby AppDance Song Playlist V1, V2, V3Music by Ian and Jeff ZawrotnyStart your own podcast with Buzzsprout!The Self-Care to Wellness Bundle is available for 1 week only - from July 9th - July 16th

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Are your acting choices making your auditions harder to believe?Many actors think they need to do more to stand out. They add extra emotions, create complex ideas, and try to make every moment special. But on camera, simple and honest acting often works best.This episode shows why doing less can actually help you create stronger self tapes and more real performances.You'll discover:Why adding too much to a scene can secretly make your acting less clear and harder to watch.The simple shift that helps your performances feel more natural and connected on camera.What casting directors really notice when deciding if an actor fits a role.Listen now to learn how simplifying your acting can help you create auditions that feel real, focused, and easier to connect with.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

In this sermon, guest speaker Pastor Tony Crombie teaches on the topic of Active Faith. Teaching out of James 2 he teaches on how our motives influence our actions and the rightness of the actions. Active faith is not determined by us, but rather by God and it is a continuous choice to keep acting in the way God commands. Active Faith often comes with effort and cost. So, learn about all this and more in order to better have an Active Faith.

Welcome to Coffee Chat Ep. 6 -  Oprah has been at it for decades - dolling out unsolicited advice and acting like we're so blessed to receive it. The thing is - I'm done with with it, and in this video I will tell you why. Also- Hoda Kotb is a really bad actress, the Austrailians are NOT down with the same old antics from Harry and Meghan, and I will show you some of my favorite beauty products I have been reaching for again and again. Let's discuss!Videos/PRODUCTS mentioned - My live with  @victoriasvoice  - https://www.youtube.com/live/DXFm_V7x1Vs?si=8Bm1JoTvcXztluSy   My "No Makeup Makeup" review of Jamie and Meghan and Tutorial - https://youtu.be/NKCgnBdUC_g   Why Meghan is dangerously performative - https://youtu.be/b1RW2siIxWI   Beauty Products I mentioned in this video are linked under the video or at my SHOPMY link here- https://shopmy.us/jenniferc/shelves   Want to WATCH my episodes? The clips and pictures add to the fun!- Go to my YouTube Channel and subscribe -https://www.youtube.com/channel/UC2FsXn-xhr4mYIAK0569BBw   I have a channel membership over there if you'd like to support me! Simply click on the "join" button underneath my YT videos - thanks.   Can't join but want to support my podcast? Help keep me caffeinated and fill my tip jar here - https://buymeacoffee.com/jenniferc    Other stuff  I've been a licensed esthetician and a makeup artist for over two decades - Want to see a list of all of my favorite beauty product recommendations? Everything I love, use, and wear all the time - CLICK HERE - https://shopmy.us/jenniferc/shelves   BUY MY ONLINE SKINCARE GUIDES HERE-  https://jenniferchristopherson.com     In Christ, Xo Jennifer    Disclaimer- This video/podcast episode is under Fair Use: Section 107 of the Copyright Act provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that may qualify as fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended. All Opinions are my own and within my right to express under the First Amendment to the U.S. Constitution      

12 - Dom kicks off Friday with a medley of topics, including Graham Platner, AI Data Centers, and more! 1215 - Side - a craze/phenomenon that swept the nation. 1220 - Henry and Kirk's answers. Your calls. 1230 - Tom Fitton, President of Judicial Watch, joins us today. How would he characterize the actions of the FBI on their handling of the attempted assassination of Donald Trump in Butler, PA? How did so many agencies screw this up? What have been going on with voter rolls in Pennsylvania and beyond? 1245 - The Friday Five: Five Things We Hate about New York 1 - Where are our guests? Continuing with the biggest stories of the day. 120 - Will Elon Musk become a trillionaire? Revisiting UFC 250 talks. More of your calls. 130 - Better late than never! Paul Mauro joins us on this very busy day. Did we miss something regarding the Karmelo Anthony verdict? How is Mamdani's relationship with the NYPD? What does he have to say about unruly Knicks fans? 150 - Dom Giordano Program Presents: Progressive Women Gone Wild! 2 - It must be Friday, because Dr. Victoria Coates is joining us! What is the hold up in negotiations between Iran and the US? This may be a savvy geopolitical move by Trump, but is it a good political one stateside? Why are people so downtrodden on Israel? How are Iran/Israel's neighbors taking the war? Will Israel create American jobs? Will she be heading to Israel? 215 - Dom's Money Melody! 220 - What are the biggest foods to try in the city for World Cup tourists? 225 - Dom has a story about him, Linda Stein, and Allante McAuley! Dom who? Your calls. 235 - Acting Labor Secretary Keith Sonderling joins us to wrap the week. How did he get to this position? What is his goal in this role? What is he looking for in the workforce? What is he doing in PA and NJ this week? What is he expecting going forward? 250 - The Lightning Round!

Thank you to my sponsor: BlueChew BlueChew - Get 10% off your first month of BlueChew Gold with code DAVID at https://bluechew.com More Pat O'Neill IG: https://www.instagram.com/patoneillcomedy Facebook: https://www.facebook.com/pat.o.neill.534798/# YouTube: https://www.youtube.com/@patoneillcomedy David Lucas Tour Dates: https://www.davidlucascomedy.com/tour 0:00 Fishing with Pat O'Neill 7:30 Mark Normand 9:00 Kill Tony then vs now 20:40 David's beginnings 30:43 Comedy Cities 35:40 Looking back at The Roast of Kevin Hart 45:33 Good-looking comics 48:13 Roast Battle 53:53 Starting out in Open Mics 1:01:18 Acting in movies 1:03:13 Tony Hinchcliffe 1:06:33 Aspirations in your comedy career NEW MERCH AVAILABLE https://shopdavidlucas.com/ Connect with David Lucas Website: https://www.davidlucascomedy.com Merch: https://shopdavidlucas.com/ Instagram: https://www.instagram.com/davidlucasfunny Twitter: https://twitter.com/funnydavidlucas Youtube: ​⁠@DavidLucasComedian David Lucas was born in Macon, GA. He started acting an early age, performing in numerous stage plays at the Macon Little Theatre. He relocated to Hollywood where he was a contestant on, “MTV Yo Momma”. He has since written for several television shows and continues to perform stand up all over the country (for such comedians as Louis CK, Erik Griffin, Joe Rogan, Brendan Schaub, Tony Hinchcliffe, Bert Kreisher, DL Hughley and many more). David is a Kill Tony Hall of Famer and currently headlining his own tour! A 7EQUIS Network Show https://www.instagram.com/7equis https://www.7equis.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's those Family Ties that can really choke the life out of you...In theatres tomorrow June 12th for a limited run before it hits VOD (and eventually Shudder), we get to look at a beautifully bent piece of cinema from one of Canada's up & coming storytellers who isn't afraid to get a little bit bent.  It's time for 'The Voices of Our Mother'.When a family matriarch falls seriously ill, relatives gather and discover their shared ancestral ties bind them in unexpected ways.From Writer/Director Mark O'Brien who you might remember as an actor from memorable turns in films like 'Arrival' and 'Nuremberg' and his debut feature 'The Righteous' gives us a horror laden family drama that is steeped in some of the classics from the past.We talked about his inspirations, working with a Canadian icon like Sheila McCarthy, his appreciation for his collaborators but locally and internationally and we got a little 'Basic; about our love of movies on physical media and so very much more.'The Voices of Our Mother' is in theatres now and on VOD platforms on June 19th

Send us Fan MailOn-Demand Programme Link - https://mailchi.mp/bb2a7b851246/kairos-centreLet's check that we are on the same page as we have a discussion about 'Values'. I am speaking about such things as being able to be Creative, have Integrity, Fitness, Security, Faith, Self Confidence, Wealth, Winning, Honesty and many more.In the cool light of day, we would never purposely/consciously/intentionally trash our Values. They are a part of us and how we do life, want to do life and choose to do life on planet earth.Our Values define us; define who we are; represent who we are; shape who we are. How dare you invite me to just flippantly get rid of one of my Values; destruct, destroy - trash my Values. Why on earth would anyone do that?So, my question is - when Sex/Porn addiction triggers arise and you 'Act out', is the fact of Acting out, an indication that you have just Trashed all of you Values?Can you see patterns of activities and behaviours which show you undermining those dearly held Values, which in other situations, you would and could never undermine or trash your Values. Look how you undermine and trash your Values when emotions - such as conflict with a partner - gets the better of you; also when 'Acting out' beckons. Neural Pathway repetitive hamster wheel patterns of behaviours (from past learned and even inherited scripts from family) may be at work repeatedly, but you did not notice, analyse or give credence to what you were doing? You were actually trashing and undermining your strongly held Values.Get some help from The Kairos Centre. See what you cannot see. Begin to change that which you begin to better understand.Bringing colour back to life - without Shame.Key words: sex addiction, addicted, partner, porn addiction, recovery, sex drive, therapy, sex therapy, podcast, relationships, relationship counseling, relationship advice, addiction, couples, couples therapy, sex therapy, emdr, love addiction, behavior,Support the show

Dana is obsessed with Europeans who are visiting the United States for the World Cup discovering American culture, as opposed to Podcastistan who is openly rooting for Russia. Multiple floors of the Pentagon were locked down and evacuated due to a "hazardous materials incident”. Why is J.D. Vance going on The View? President Trump tells Fox & Friends his lifelong preference has been to take Khargh Island. Dana shares commentary on the political strategy and why this should have Trump's negotiation tacit all along. The jurors in the Anthony trial are fearing for their lives as his supporters are attacking people they think are potential jurors.Thank you for supporting our sponsors that make The Dana Show possible…Relief Factorhttps://www.ReliefFactor.comDeclare your independence from pain with Relief Factor—start the 3-Week QuickStart for just $17.76Prebornhttps://www.PreBorn.com/DanaDonate today to help another Mother and Father experience hope. $28 sponsors one ultrasound and can help save a baby's life. Or Dial  #250 and say BABYNative Path Grass Fed Collagenhttps://GetNativePath.com/DanaFor my special offer get up to 45% OFF. Try it risk-free with a 365-day money-back guarantee.Byrnahttps://Byrna.com/DanaTrusted by law enforcement, security professionals, and everyday Americans—defend yourself and your family with Byrna.HumanNhttps://Humann.com/DanaSave $5 on HumanN Cholesterol Health Daily at Sam's Club. Head to your local Sam's Club and do more to support your cholesterol health with the science-first brand. Patriot Mobilehttp://PatriotMobile.com/DANAVisit online or call 972-PATRIOT and use promo code DANA for a FREE month of service.Ghost Bedhttps://GhostBed.com/DANAGhostBed has the cooling luxury mattress you need for the best summer sleep. Use code DANA for an extra 10% off sitewide.Noble Goldhttps://NobleGoldInvestments.com/DanaIf you want to see how physical gold and silver could fit into your portfolio, download Noble Gold Investments FREE Wealth Protection Kit. Pocket HoseText DANA to 64000For a limited time, get two FREE gifts—a 360° rotating pocket pivot and thumb drive nozzle when you buy a new Pocket Hose Ballistic; just text DANA to 64000, message and data rates may apply.Subscribe today and stay in the loop on all things news with The Dana Show. Follow us here for more daily clips, updates, and commentary:YoutubeFacebookInstagramXMore InfoWebsite

In hour three, our first World Cup wager is looking good. Tyler Herro seems to take shots at the Miami Heat on social media. Why is Rick Ross ashamed to fly commercial? Plus, are the Spurs officially done?

What does it actually mean to abide in Jesus? In this episode of Cornerstone Conversations, the fellas talk through John 15, the fruit of the Spirit, religious activity, rebellion, and the difference between doing the right things for the wrong reasons and living from real connection with Christ. This conversation gets honest about anger, family moments, spiritual growth, and the way life reveals what we are truly rooted in. If you have ever wondered whether your faith has become a checklist, or if you are trying to produce fruit instead of remaining connected to the vine, this episode will help bring clarity, conviction, and encouragement.   Did you accept Christ today? Fill out our digital connection card: https://churchontherock.net/connect-card  

Trust Your Gut? What Neuroscience Reveals About Intuition The Four Types of Intuition Every Leader Should Understand Episode 309 (Sunil is based in London, Ontario) In this conversation with Sunil Godse we explored: the science behind intuition and decision-making how intuition operates through the subconscious mind why trust is essential for business success the connection between intuition and leadership recognizing personal intuitive signals positive and negative intuition cues experiential intuition and learning from experience relational intuition and building trust situational intuition and reading environments creative intuition and taking calculated risks balancing intuition with logic and data why entrepreneurs often ignore intuitive warnings identifying intuition through past decisions overcoming fear to act on intuitive insights the opportunity cost of ignoring intuition strengthening intuition through deliberate reflection ----- About our guest, Sunil Godse: Sunil's intuitive branding services helped a struggling $400,000 company earn $3.5 million in just over 2 years. He is the author of two books, "Gut: What it is. How to trust it. How to use it." and "Fail Fast. Succeed Faster". Learn about about his intuitive branding services at https://sunilgodse.com/ Buy his books https://sunilgodse.com/books/ ----- Key  points from this conversation with Sunil: Intuition is not mystical; neuroscience research suggests it operates through the subconscious mind. Intuitive processing can begin within milliseconds before conscious awareness. Trust is built through intuition and plays a major role in business success. Every person receives intuitive signals, but those signals are unique to the individual. Positive intuitive signals encourage action, while negative signals warn against potential problems. Intuition draws upon a lifetime of experiences stored in the subconscious. Four forms of intuition influence decision-making: experiential, relational, situational, and creative intuition. Experiential intuition relies on accumulated knowledge and past experiences. Relational intuition helps determine whom to trust and collaborate with. Situational intuition evaluates the environment and circumstances around a decision. Creative intuition encourages people to pursue opportunities that may appear risky to others. Many business failures occur when leaders ignore their intuitive warnings. Trust within organizations increases engagement, productivity, and loyalty. Employees become stronger contributors when they feel trusted and respected. Effective leaders balance intuition, emotion, and rational analysis. Reviewing past successes and failures helps identify personal intuitive signals. Intuition grows stronger when people consciously reflect on their experiences. Acting on intuition often requires courage because the path forward may be uncertain. Fear frequently prevents people from following intuitive guidance. Successful entrepreneurs often combine data with intuition rather than relying exclusively on either. ----- ----more---- Your Intended Message is the podcast about how you can boost your career and business success by honing your communication skills. We'll examine the aspects of how we communicate one-to-one, one to few and one to many – plus that important conversation, one to self. In these interviews we will explore presentation skills, public speaking, conversation, persuasion, negotiation, sales conversations, marketing, team meetings, social media, branding, self talk and more.   Your host is George Torok George is a specialist in communication skills. Especially presentation. He's fascinated by the links between communication and influencing behaviors. He delivers training and coaching programs to help leaders and promising professionals deliver the intended message for greater success.   Connect with George www.SpeechCoachforExecutives.com https://superiorpresentations.net/ https://www.linkedin.com/in/georgetorokpresentations/ https://www.youtube.com/user/presentationskill  

Today's guest has a story like no other. Growing up in the 70s, facing racism and rejection, he soon became involved in organised crime and serving years inside. After decades trapped in a cycle of crime and prison, everything changed during his final sentence, when a theatre company cast him in a production that would completely transform the direction of his life. Now 20 years on, he's remained crime free, using creativity, storytelling, and lived experience to inspire others and encourage change both inside and outside the prison system. OraginsationsSynegry Theatre - work with people affected by the criminal justice system, using theatre and the arts to support rehabilitation, build skills, and create pathways into education and employment. They delivers workshops, training, and professional productions both in prisons and in the community. Prison reform trust ‘Building Futures program' - supporting people serving long prison sentences by giving them a voice in shaping prison policy and rehabilitation. The project focuses on leadership, hope, self-advocacy, and preparing people for life beyond prison. This podcast is also available as a video – just search Life After Prison on YouTube. Contact us:If anything you've heard in this podcast has inspired you to make a positive change in your life, or you'd just like to get in touch, please contact us.

As trust in science and institutions has eroded, the Alan Alda Center for Communicating Science is teaching scientists how to better communicate their work to lay people.  On Today's Show:Laura Lindenfeld, PhD, executive director of the Alan Alda Center for Communicating Science and professor of communication at Stony Brook University, explains how improv can help bridge the science gap, and how science communication intersects with politics.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailThis week on Acting with Asha, Jade Asha sits down with actor and entrepreneur Alex Crockford to discuss his journey from the fitness industry into the world of film and television. Alex shares insights into building confidence on camera, preparing for demanding roles, balancing multiple careers, and the realities of breaking into the entertainment industry. The conversation explores mindset, discipline, audition experiences, and the lessons he's learned both on set and beyond. An inspiring episode for aspiring actors, creatives, and anyone pursuing a career change.  Episode HighlightsAlex's transition from fitness influencer to actorDeveloping screen presence and confidenceAudition stories and career challengesThe importance of discipline and consistencyAdvice for emerging actors and content creatorsFuture projects and ambitionsSupport the showActing with Asha – Episode FooterEnjoyed this episode?Discover more insights on acting, entrepreneurship, and building a sustainable creative career with Jade Asha's book, Actorpreneur.

How do artists help communities survive violence, heal trauma, and imagine a future beyond conflict?In this episode of Art Is Change, Bill Cleveland speaks with activist, educator, filmmaker, writer, and peacebuilding scholar Cynthia Cohen about a lifetime spent exploring the relationship between creativity, storytelling, conflict, and democratic life.Drawing on experiences ranging from Jewish-Palestinian dialogue projects in Boston to peacebuilding initiatives in Peru, Sri Lanka, Serbia, Northern Ireland, and beyond, Cynthia reflects on the role artists play in helping communities navigate violence, hold competing truths, and create the conditions for healing and transformation.In this episode you'll discover:• Why listening may be the most important creative and civic skill of all — and how deep listening can help people move beyond fear, polarization, and inherited narratives.• How artists and cultural workers contribute to peacebuilding — by creating spaces where difficult stories can be shared, contradictions can be held, and communities can imagine alternatives to violence.• Why arts and culture matter in the struggle against authoritarianism — and how creativity, empathy, and conflict transformation can strengthen democratic life during times of upheaval.PEOPLEHow do artists help communities survive violence, heal trauma, and imagine a future beyond conflict?In this episode of Art Is Change, Bill Cleveland speaks with activist, educator, filmmaker, writer, and peacebuilding scholar Cynthia Cohen about a lifetime spent exploring the relationship between creativity, storytelling, conflict, and democratic life.Drawing on experiences ranging from Jewish-Palestinian dialogue projects in Boston to peacebuilding initiatives in Peru, Sri Lanka, Serbia, Northern Ireland, and beyond, Cynthia reflects on the role artists play in helping communities navigate violence, hold competing truths, and create the conditions for healing and transformation.In this episode you'll discover:Why listening may be the most important creative and civic skill of all — and how deep listening can help people move beyond fear, polarization, and inherited narratives.How artists and cultural workers contribute to peacebuilding — by creating spaces where difficult stories can be shared, contradictions can be held, and communities can imagine alternatives to violence.Why arts and culture matter in the struggle against authoritarianism — and how creativity, empathy, and conflict transformation can strengthen democratic life during times of upheaval.PEOPLECynthia Cohen — Peacebuilding scholar, educator, writer, and cultural worker whose research and field-building efforts have helped establish the international field of arts, culture, and conflict transformation.John O'Neal — Civil rights organizer, theater artist, and co-founder of the Free Southern Theater. O'Neal championed the role of arts and storytelling in advancing freedom, civic participation, and social justice.Dijana Milošević — Serbian theater director, peacebuilder, and founder of DAH Theatre, internationally recognized for using performance to confront war, nationalism, and social division.Roberta Levitow — Co-founder of Theatre Without Borders and a leading advocate for international theater collaboration, peacebuilding, and cultural exchange.John Paul Lederach — Influential peacebuilding theorist whose concepts of conflict transformation and “elicitive” practice have shaped reconciliation work worldwide.Jane Sapp — Musician, educator, and cultural worker whose community-based arts practice connects storytelling, history, civic engagement, and cultural memory.Ana Correa — Actor, activist, and longtime member of Grupo Cultural Yuyachkani whose work has focused on memory, human rights, and community healing in Peru.Ocean Vuong — Acclaimed poet and novelist whose work explores language, migration, identity, memory, and the dignity of lived experience.ORGANIZATIONSThe Charles F. Kettering Foundation — The Charles F. Kettering Foundation, headquartered in Dayton, Ohio, is a nonpartisan, nonprofit, operating foundation with a mission to advance inclusive democracies worldwide by fostering citizen engagement, promoting government accountability, and countering authoritarianism.Democracy and the Arts — The Kettering Foundation's focus area for integrating the power of the arts into democratic life locally, nationally, and globally.Theatre Without Borders — International network of theater artists and cultural workers committed to global collaboration, peacebuilding, and social change through performance.Grupo Cultural Yuyachkani — Peru's renowned theater collective whose work combines indigenous traditions, political theater, ritual practice, and human rights advocacy.DAH Theatre — Belgrade-based theater company using artistic practice to confront violence, build dialogue, and foster civic engagement.Palestinian House of Friendship — Community-based organization in Nablus supporting young people through arts, education, cultural programs, recreation, and civic engagement.Free Southern Theater — Groundbreaking Civil Rights-era theater organization dedicated to bringing performance and cultural expression to underserved Black communities throughout the American South.ACTIVITIES & EVENTSActing Together on the World Stage — International research, documentation, and convening project exploring how artists and cultural workers contribute to peacebuilding, reconciliation, and conflict transformation.A Passion for Life: Palestinian and Jewish Women in Boston — Cynthia Cohen's oral history and cultural exchange project bringing Palestinian and Jewish women together through storytelling, folk traditions, family histories, and artistic practice.Peru Truth and Reconciliation Commission — National truth commission established after Peru's internal conflict. Grupo Cultural Yuyachkani collaborated alongside communities affected by violence and displacement.PUBLICATIONS & MEDIAActing Together: Performance and the Creative Transformation of Conflict (Volume 1) — Landmark collection documenting artists, cultural workers, and peacebuilders using performance to address conflict and social division around the world.Acting Together on the World Stage (Film) — Documentary film featuring artists working in regions affected by violence, oppression, and conflict, highlighting the role of performance in healing and transformation.

What makes a drinks brand truly desirable — and how do you know when it's ready to scale?In this episode of Business of Drinks, we talk with Carlos Zepeda, SVP of Strategy & Marketing - Wine & Spirits at Moët Hennessy USA. Carlos helps shape growth strategy across a portfolio that includes Belvedere, Glenmorangie, Ardbeg, Whispering Angel, Hennessy, Veuve Clicquot, Dom Pérignon, Krug, and Moët & Chandon.Carlos brings a CPG-trained lens to luxury wine and spirits, starting with what he calls “demand moments”: the role a brand plays in the consumer's life. Is it built for a country club, a dinner party, a milestone celebration, a poolside bar, a fine-dining account, or a grocery delivery add-on? That answer shapes everything — distribution, content, partnerships, pricing, and activation.The big takeaway is that desirability comes before scale. Carlos defines desirability as both emotional and behavioral. Consumers have to want the brand, feel proud to be associated with it, talk about it, buy it, and refer it to others. And there's an easy business test to measure desirability: If you have velocity without heavy discounting, that's a sign of real demand. If you need promotions to move inventory, that tells you something else.We also dig into selective distribution, and why “being available” does not mean being everywhere. Carlos explains how a brand like Whispering Angel has to show up where consumers expect it — from restaurants and hotels to Instacart and Uber Eats — while a brand like Dom Pérignon requires a much more surgical account strategy.Plus, Carlos shares how luxury experiential marketing is changing, why the old influencer-driven FOMO model feels tired, how brands should think about creator-led content, and how he uses AI as a practical “thinking partner” while keeping human judgment at the center.For emerging brands, his advice is blunt: Less is more. Pick fewer markets, fewer programs, and fewer channels. Being small is not the problem. Acting too big too soon is.This episode is a deep dive into how drinks brands earn relevance: By understanding the occasion, building desirability, choosing the right accounts, listening for consumer signals, and staying focused on where growth is really coming from.For the latest updates, follow us:Business of Drinks website (sign up for our newsletter!)Business of Drinks YouTubeBusiness of Drinks LinkedInInstagram @bizofdrinksErica Duecy, co-host: Erica Duecy is founder and co-host of Business of Drinks and one of the drinks industry's most accomplished digital and content strategists. She runs the consultancy and advisory arm of Business of Drinks and has built publishing and marketing programs for Drizly, VinePair, SevenFifty, and other hospitality and drinks tech companies.Erica Duecy LinkedInInstagram @ericaduecyScott Rosenbaum, co-host: Scott Rosenbaum is co-host of Business of Drinks and a veteran strategist and analyst with deep experience building drinks portfolios. Most recently, he was the Portfolio Development Director at Distill Ventures. Prior to that, he was the Vice President of T. Edward Wines & Spirits, a New York-based importer and distributor.Scott Rosenbaum LinkedInCaroline Lamb, contributor: Caroline is a producer and on-air contributor at Business of Drinks and a key account sales and marketing specialist at AHD Vintners, a Michigan-based importer and distributor.Caroline Lamb LinkedInInstagram @borkalineIf you enjoyed today's conversation, follow Business of Drinks wherever you're listening, and don't forget to rate and review us. Your support helps us reach new listeners passionate about the drinks industry. Thank you!

In this episode of The Crew Has It, Michael Rainey Jr. and Gianni Paolo sit down with the multi-platinum artist Toosii. From his early days in Syracuse and Raleigh to becoming one of the most vulnerable voices in music, Toosii opens up about the "delusional" belief system required to make it big. He dives deep into his current rebranding—balancing a massive music career with playing college football at LSU—and why he decided to take a two-year break from the spotlight. Plus, the guys coach Toosii on his next big dream: Acting. Is there a role for him in the Power universe? Turn $5 into $50 on https://link.prizepicks.com/LME0/CREW Head to https://www.tryfum.com/CREW to get your free gift with purchase, and start The Good Habit today! Join Rocket Money to reach your financial goals faster at http://RocketMoney.com/CREW Learn more about your ad choices. Visit megaphone.fm/adchoices

After four years of non-stop touring, Gracie Abrams didn't expect that new music would come to her so quickly, but she is coming back with the new album Daughter From Hell, out July 17, and is Vogue's June cover star. “You don't realize how your nervous system is kind of like running until you stop,” says Abrams as she discusses her latest album and cover shoot with Senior Features Editor Marley Marius and Global Director of Social Media Samantha Sussman on Vogue's The Run Through Podcast.“So, I had no plans in this case to jump in as quickly as we ended up doing it. But my collaborator, producer, and dear friend Aaron Dessner, who I've worked with for six years now… he has superpowers,' says Abrams. “And whenever we're in the same room, even if I do feel like silent to my core, whenever he starts playing something, it sparks my imagination.” While working on the album at Electric Lady Studios in New York, Abrams says the first single ‘Hit the Wall' came to her through intervention from a spirit. “I was a little bit late to the studio, which I'm very prompt and I was kind of having, just like an emotionally confused morning” says Abrams. “Do you know when you sometimes wake up and you feel as if you're being haunted by a spirit? Or like a relative who's no longer [alive] … Do you ever feel the energy as if someone's got their hands on your shoulders? Do you ever feel like you're wearing a little cape on your shoulders?” asks Abrams. “I kind of just felt like weighed down when I was walking to the studio and I started tearing up. And it was at this period where I wasn't crying very much. And I was like, ‘Something's blocking me, like what is going on?'” Abrams says once she heard a loop of what would later become Hit the Wall, all the pieces started coming together. “I very quickly felt like the sound exactly matched that hands-on-shoulders-cape feeling … And it was a nice place to put all of these, not like self-deprecating thoughts, but just all of the dark cloud energy into one place. And then when I was done with it, it made me feel like a teenager again, where I would write something and then … yield.” Also on today's episode, Chloe sits down with Marley and Samantha to discuss the news from over the weekend including the Tony wins and Dua Lipa's Italian wedding. They also talk about the American Style shoot that is part of the summer issue and listen to voice memos from two enthusiastic finalists. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

In this inspiring episode of Behind Beautiful Things, Kevin sits down with Ed, the owner and leader of EDA Contractors, to discuss leadership, workplace mental health, and building a people-first company culture in the construction industry.Ed shares his personal journey as a hardworking entrepreneur whose relentless drive ultimately led to a mental and physical breakdown. He opens up about the lessons he learned from burnout and how those experiences transformed both his life and his business.The conversation explores EDA Contractors' commitment to a "Humanity as a Strategy" approach, where employee wellbeing, mental health awareness, and psychological safety are treated as core business priorities. Ed explains why supporting his team on multiple levels has become essential to creating a healthy work environment, improving employee engagement, and fostering long-term success.Whether you're a business owner, leader, entrepreneur, contractor, or someone interested in workplace wellness and mental health, this episode offers valuable insights into building stronger teams through empathy, trust, and human-centered leadership.Tune in to hear Ed's powerful story of resilience, recovery, and redefining success through people-first leadership.Check Out Ed's Work:Company website: http://www.edacontractors.com/Facebook: www.facebook.com/EDACONTRACTORSINCInstagram: www.instagram.com/edacontractors/LinkedIn: https://www.linkedin.com/company/eda-contractors-inc./postsEd's LinkedIn: Ed DeAngelis | LinkedIn Behind Beautiful Things Website: www.sadtimespodcast.com Follow Behind Beautiful Things on Facebook: https://www.facebook.com/groups/373292146649249Follow Behind Beautiful Things on Instagram: @behindbeautifulthingspodcastLearn more about Kevin's Professional Speaking and Acting at www.kevincrispin.comCheck out Kevin's substack: https://allconviction.substack.com Get your very own “Sad Schwag”: https://www.teepublic.com/stores/hysteria51/albums/253388-sad-times-podcast?ref_id=9022Editorial note: Behind Beautiful Things is committed to sharing various stories from generous guests. The hope is to allow any number of stories to be shared to help people feel less alone and, perhaps, more empathetic. It is important to clarify that the guests' stories, perspectives, and sentiments do not necessarily reflect the views and beliefs of Behind Beautiful Things in any way. Please note that Behind Beautiful Things is in no way a substitute for medical or professional mental health support.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Imagine a place that dares to speak truths many are afraid to say. A place that celebrates communities too often forgotten and tells the stories rarely heard.  Dr. Laura Scherck Wittcoff sits down with Raymond O. Caldwell, Artistic Director, and Johannah Maynard Edwards, Managing Director, of The Fountain Theatre — a nonprofit performing arts organization in Hollywood, California, that has been producing bold, socially conscious theater for 35 years. Raymond and Johannah share how they found each other through what Johannah calls a "cosmic poof," how they're navigating the transition from the theater's founding leadership into a new generation, and why they believe cultural institutions must serve as places to practice humanity in a post-pandemic world. From the Living Ticket model that removes price barriers to community dramaturgy that develops new plays inside faith communities and neighborhoods across Los Angeles, this conversation is a masterclass in mission-driven, human-centered arts leadership. Founded in 1990 by Deborah Culver and Stephen Sachs, The Fountain Theatre was created as a creative home for artists from diverse cultural backgrounds. Its mission is to develop and present bold new plays and unique interpretations of established works that reflect the cultural richness and social issues of contemporary Los Angeles and the nation. The Fountain Theatre has built a reputation over more than three decades for producing thought-provoking performances and supporting voices that may not always be heard on traditional stages. The organization is also known for presenting flamenco performances and running educational outreach programs that connect young people and communities to the arts. Johannah Maynard Edwards, Managing Director Prior to joining The Fountain, Johannah served as Executive Artistic Director of the National Women's Theater Festival in Raleigh, North Carolina, where she produced, directed, and championed hundreds of productions by artists of underrepresented genders. A nationally recognized leader in arts accessibility, Johannah received the Kennedy Center's LEAD Award for Emerging Leaders and is Chief Ambassador for PAAL, the Parent Artist Advocacy League. She is passionate about developing new sociopolitical work and fostering equitable, inclusive spaces for artists and audiences alike. Raymond O. Caldwell, Artistic Director Prior to The Fountain, Raymond was the Artistic Director at Washington DC's Theater Alliance for six seasons, where he directed, developed, and produced socially conscious, thought-provoking programming that transformed the region and had a global impact. Under his leadership, Theater Alliance was chosen to lead an American Arts Envoy with the U.S. Department of State. He devised and directed new work with 23 artists and activists from Bangladesh, Nepal, India, and the United States exploring what inclusion, diversity, equity, and accessibility mean on the global stage. Raymond was a faculty member and resident director at Harvard University's Department of Theater Arts, holds an MFA in Acting and New Play Development from Ohio State University, and a BFA in Acting from the University of Florida. Dr. Laura Scherck Wittcoff is the host of Small and Gutsy, a podcast spotlighting nonprofits and social enterprises with budgets under $10 million. Small and Gutsy has been ranked number 8 on Feedspot's Top 30 Social Impact Podcasts and number 3 and number 9 by Million Podcasts for the Top 30 Volunteer Podcasts and Youth Empowerment episodes, respectively. - The founding mission of The Fountain Theatre and its 35-year history of producing socially conscious work - How Raymond and Johannah found each other and transitioned into leadership from the theater's founders - Raymond's personal journey from Germany to the U.S., from actor to artistic director, and the mentor who told him "Don't wait for someone to give you a story — go make your own" - Johannah founded her first nonprofit at age 19 at NYU and her philosophy of not waiting for gatekeepers to open the gate - The creation of "Poetry for the People," a play about poet and activist June Jordan, developed over three years and three iterations with playwright Adrienne Torf - How The Fountain Theatre responds to the cultural moment with every production — from the LA fires to ICE enforcement to the situation in Iran - The pandemic of loneliness and the role of cultural institutions as places to practice humanity - Audience cultivation and the challenge of building new, multigenerational audiences in a distracted digital age - Community dramaturgy — developing new plays inside faith communities and neighborhoods across Los Angeles - The Living Ticket model — transparent pricing that trusts audiences to name what they can pay - The Fountain Voices summer education program connects young people with volunteerism, civic engagement, and playwriting - The expansion into flamenco and classical Indian dance programming - Storytelling as a tool for community building - Emergent strategy and the philosophy of critical connection over critical mass - Moving at the pace of humanity as a leadership philosophy - The reveal that The Fountain Theatre operates with a staff of five HOW TO FIND THE FOUNTAIN THEATRE Website: FountainTheatre.com Follow The Fountain Theatre on social media for upcoming productions, events, and community programming. HOW TO CONNECT WITH SMALL & GUTSY Website: SmallandGutsy.org Email: Laura@SmallandGutsy.org Know a nonprofit or social enterprise doing incredible work? Send them our way.

Hey there, hero!I know that some VO talent and actors (and even my author peeps who want to narrate their own books) shy away from the prospect, mostly because it looks like a gargantuan undertaking.You might be one of them, imagining a lot of planning, a lot of work…and a lot of stress.I would like to help you reframe that with some much more positive positioning, around learning, proficiency, earnings and satisfaction.You buyin' what I'm sellin'? After you watch or listen to the episode, let me know in the comments below.REQUEST: Please join this video's conversation and see the full episode on VOHeroes, where the comments are moderated and civil, at https://voheroes.com/how-stressful-is-audiobook-narration-really/#Acting #Voice #VoiceOver #Performance #Productivity #Tips #Art #Commerce #Science #Mindset #Success #Process #Options #BestPractices #MarketingWant to be a better VO talent, actor or author? Here's how I can help you......become a VO talent (or a more successful one):     https://voheroes.com/start     ...become an audiobook narrator on ACX (if you're an actor or VO talent):     https://acxmasterclass.com/     ...narrate your own book (if you're an author):     https://narrateyourownbook.com/     ...have the most effective pop filter (especially for VO talent):     https://mikesock.com/     ...be off-book faster for on-camera auditions and work (memorize your lines):     https://rehearsal.pro/...master beautiful audiobook and podcast audio in one drag and drop move on your Mac:     https://audiocupcake.com/The VOHeroes Podcast is heroically built with:BuddyBoss | LearnDash | DreamHost | SamCart | TextExpander | Buz...

Steiny & Guru discuss the difference between protecting your coach and not believing in them before Steiny lays down the law on why ALL fans deserve ire.

On this episode of Left of Str8 Show Interviews, Scott Fullerton welcomes Greg McCafferty Thomson, an Edinburgh-based actor, educator, and TikTok creator, for a conversation about musical theatre, performance, education, social media, and dream roles. Greg shares his journey from childhood theatre dreams to powerful stage roles in shows like Next to Normal, Rent, and Priscilla Queen of the Desert, plus why Javert in Les Misérables remains his ultimate bucket list role.Greg reflects on their role in "priscilla queen of the desert" as a pivotal moment in their "acting career," despite the show's unfortunate cancellation due to COVID. This experience fostered a significant "actor mindset," highlighting the resilience required in the industry. The conversation also touches upon the general challenges of an "audition" and offers valuable "acting tips" for aspiring performers.Watch Left of Str8 Interviews every week for smart, funny, and heartfelt conversations with LGBTQ creatives, straight allies, entertainers, authors, musicians, filmmakers, and changemakers. Each episode goes beyond the usual interview to uncover the stories, struggles, laughs, and lessons behind the work — with guests who inspire, entertain, and remind us why visibility matters. Subscribe and come back weekly for fresh voices, meaningful conversations, and a little bit of fabulous you will not find anywhere else.Subscribe for excellent interviews from Entertainment, Music, Books and Advocacy. Hit the little bell for weekly notifications. New Episodes drop every week. Tell your friends.Follow Us on Instagram:Scott Fullerton: @leftofstr8Tik Tok:Scott Fullerton: @leftofstr8Greg McCafferty Thomson: @gregmthomson

Lucinda Millward is the founder of The Baskerville Project and a practitioner in embodied relational practice - bringing creativity, the body, and the nervous system into collective inquiry. She works across executive education, the arts, and public contexts, holds degrees from the University of Oxford, the Guildhall School of Music & Drama, and RADA and King's College London, and has served for seven years as Acting Course Director at the Fontainebleau School of Acting, alongside several years teaching at Guildhall.In this conversation, Lucinda speaks about what it costs to speak true - and why so many of us have learned not to. We explore the childhood roots of devoicing, the paradox of using other people's words to say what we cannot otherwise say, what it means to really look someone in the eye, and why she believes that in one's wound lies one's gift.A beautiful conversation about courage, presence, and what it means to let yourself be witnessed.Learn more about Lucinda's work at The Baskerville Project: https://www.thebaskervilleproject.com/For more from Mark McCartney:Newsletter: https://www.whatisagood.life/Website: https://www.mmcleadership.com/LinkedIn: https://www.linkedin.com/in/mark-mccartney-14b0161b4/YouTube: https://www.youtube.com/ ⁨@whatisagoodlife3875⁩  

After "quiet quitting" and "conscious quitting", here's yet another new phenomenon related to the world of work that's growing in popularity. “Acting your wage” involves putting in a certain amount of work, that's in proportion to your salary. In other words, no going above and beyond; no extra hours and no unattainable goals. And no additional responsibilities outside of your job description, unless your wage goes up first. Where does the movement come from? Why are people resorting to "Acting their wage"? In under 3 minutes, we answer your questions ! To listen to the latest episodes, click here: ⁠Where does Mother's day come from?⁠ ⁠What is ergophobia, the fear which can throw our careers off track?⁠ ⁠Why are brain chips becoming a reality?⁠ A Bababam Originals podcast written and realised by Joseph Chance. First Broadcast: 3/6/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Patrick K. O'Donnell recounts how between 7:20 and 8:00 a.m., the Rangers began their assault using rocket-propelled grappling hooks to fire wet ropes up the 90-foot cliffs. The climb was conducted under intense fire from German MG42machine guns and "potato masher" hand grenades lobbed from above. Sergeant Len Lomell was shot through the side during the ascent but continued to the summit, which he described as looking like the cratered surface of the moon due to the preceding bombardments. The Rangers utilized the craters and ruins for cover, fighting through a maze of tunnels and bunkers against defenders who remained entrenched in an underground labyrinth. Upon reaching the designated casemates, the Rangers discovered the Germans had moved the massive guns to an apple orchard 700 yards inland, leaving telephone poles in their place as decoys. Acting on his own initiative, Lomell followed tire tracks leading away from the casemates and discovered the guns hidden under nets in the orchard. Remarkably, the German gun crews were assembled nearby, listening to an officer's orders and leaving the weapons briefly unguarded. Lomell and Sergeant Jack Kuhn used thermite grenades to melt the gears of the guns, rendering them inoperable. Through the efforts of these two men, the primary objective of the entire D-Day mission was accomplished, succeeding where hundreds of bombers and heavy naval guns had failed. (3)1944

Last time we spoke about the One Hundred Regiment Offensive. During Phase Three of the One Hundred Regiment Offensive, CCP forces in the Taihang/Jizhong area emphasized strongpoint attacks and transportation warfare. Rather than trying to defeat Japanese units head-on, they used tactics such as night raids and ambushes to disrupt Japanese supply routes and communications. The underlying goal was to make Japanese logistics unstable, weakening their ability to maintain control and conduct effective operations. After CCP successes, the Japanese responded with large-scale "mopping-up" operations beginning October 6. As the Eighth Route Army continued resisting, it adopted flexible methods to counter the Japanese sweeps, especially rapid repositioning and targeted ambushes. One notable action described involves an ambush of a Japanese convoy that caused substantial enemy losses, demonstrating how disrupting enemy mobility could blunt the effectiveness of larger Japanese operations. Overall, the situation remained fluid, with both sides continually adapting their tactics in an ongoing contest for control across occupied North China.   #205 The Hubei-Henan Campaign of 1940-1941 Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. By 1940, the war had settled into a grueling stalemate, with Japanese troops occupying vast swathes of central China, including parts of Hubei, but facing persistent Chinese guerrilla and conventional resistance that prevented total consolidation. In the aftermath of the Battle of Zaoyang in the summer of 1940, Japanese forces had secured the key cities of Yichang and Shashi along the middle reaches of the Yangtze River. Yet Chinese Nationalist troops of the Fifth War Area retained firm control over the vital territories east and west of the Xiang River. Their defensive lines formed a broad arc stretching from the southwest of Yuan'an through Jingmen, north of Zhongxiang, and the rugged foothills of the Dahong Mountains, extending northwest to Suixian. These positions straddled both banks of the Xiang River, anchored on the right by the Wudang Mountains and on the left by the Tongbai range. Working in close coordination with guerrilla detachments operating in the southeast, Chinese units repeatedly harassed the Japanese garrisons that had pushed into Yichang. The constant pressure on the enemy's flanks left the Japanese forces in Yichang and Shashi dangerously exposed and hemmed in, unable to expand or consolidate their gains. To the Japanese high command, this situation had become an intolerable thorn that demanded immediate removal.   Under Generalissimo Chiang Kai-shek, the Chinese Nationalist government faced severe strains as the war with Japan escalated. Its problems were not only military, but also political and economic. Deep ideological and territorial rivalries with the CCP meant that efforts to present a single front were constantly undermined. Although the two sides officially formed a United Front in 1937, earlier violence and competition, such as the 1927 Shanghai Massacre and the CCP's Long March of 1934 – 1935 had left distrust and strategic differences in place. As a result, Nationalist resistance was harder to coordinate than it would have been under full unity. Meanwhile, the CCP strengthened its position in northern China by expanding rural strongholds. Through land reforms and the use of guerrilla warfare, the communists were able to win local support and apply pressure to Japanese forces in ways that often did not require large, conventional armies. This strategy also drew influence and manpower away from the Nationalists' more traditional, state-centered military structure.   Economically, the Nationalists were squeezed from multiple directions. The loss of China's coastal industrial regions to Japanese occupation forced the government to rely heavily on the interior, with Chongqing becoming a key base. That geographic shift left the administration more vulnerable to shortages of critical supplies, especially raw materials, fuel, and modern weapons. On top of wartime disruption, the global Great Depression intensified fiscal and logistical difficulties, limiting how quickly and effectively the Nationalists could mobilize resources for large-scale operations. By late November 1940, these weaknesses intersected with renewed Japanese pressure. Japanese commanders were also concerned about the possibility of a major Nationalist push, particularly fears of a counteroffensive by the Thirty-first Army Group under General Tang Enbo.    Determined to break the stalemate, the Japanese launched a major offensive in late November 1940. Preparations had begun in earnest early that month. Engineers repaired and expanded highways and bridges, constructed new defensive works and airfields, and stockpiled vast quantities of rations, ammunition, steel-hulled boats, and rubber rafts in the Zhongxiang area. Five regiments were concentrated near Zhongxiang, while additional troops east and west of the Xiang River brought the total strength to more than three divisions. Along the Suixian–Xiangyang Highway, Japanese forces were reinforced to divisional strength, supported by increased artillery and tank detachments. These meticulous measures left no doubt that the enemy was ready for a large-scale operation.   By 23 November the Japanese had completed their deployments and moved into assault positions. The Japanese forces assigned to the Central Hubei Operation were placed under the overall command of Lieutenant General Waichirō Sonobe, who directed the campaign from his headquarters in Wuhan. Sonobe's 11th Army drew on a broad mix of formations, combining units from the 3rd, 4th, 15th, 17th, 39th, and 40th Divisions. The offensive backbone for the thrust into central Hubei province was reinforced by the 18th Independent Mixed Brigade, which helped supply the infantry strength needed for sustained fighting across difficult ground. In practice, this multi-division structure reflected the 11th Army's key mission in the region, acting as the main Japanese formation after the earlier Battle of Zaoyang and it emphasized coordinated divisional advances supported by attached brigades and specialized elements, including limited armored capabilities.   In terms of manpower, the Japanese force is commonly estimated at roughly 40,000 to 50,000 troops. This strength included several infantry regiments and artillery batteries, along with only limited armored elements rather than a fully armored formation. Because the operation depended on finding and exploiting opportunities quickly, it was supported by aerial reconnaissance and bombing carried out by the 3rd Air Brigade operating in central China. Infantry units formed the majority of the fighting power, while artillery was used to provide suppressive fire during advances. Air support, meanwhile, was intended to help identify and target Chinese positions—particularly along important riverine and rail corridors, where disruptions could slow resistance and complicate Chinese reinforcement or retreat.   To manage the operation across varied terrain and combat tasks, Sonobe's command used smaller combined formation often described as task forces, that could operate with some flexibility. Among them were the Kayashima Force, commanded by Major General Koichi Kayashima of the 18th Independent Mixed Brigade, consisting of the entire brigade reinforced by elements of the 40th Division. The Muragami Force, under Lieutenant General Keisaku Muragami, commander of the 39th Division, which included the full division plus supporting non-infantry units. The Hirabayashi Force, led by Lieutenant General Morito Hirabayashi of the 17th Division, formed from detachments of the 17th and 15th Divisions.The Kitana Force, commanded by Lieutenant General Kenzo Kitana of the 4th Division, incorporating portions of the 4th Division and the Kususe Armored Force. These four groups were deployed in parallel around Tangyang, Jingmen, Zhongxiang, and north of Jingshan. The Hanjima Force, commanded by Lieutenant General Fusataro Hanjima of the 3rd Division, positioned near Suixian along the Xiangyang–Hua Highway. This task-force approach helped tailor combat power to specific mission profiles—such as flanking movements, raids, or pressure on Chinese defensive lines—while keeping the overall campaign plan under a unified command.   Equipment choices also reflected the tactical environment of Hubei. The Japanese units made use of Type 95 Ha-Go light tanks for reconnaissance and for anti-infantry roles, typically best suited to the reconnaissance, pursuit, and screening functions that were available even with constrained armor numbers. For fire support, the force relied on conventional artillery, including 75mm Type 90 guns for field engagements and 105mm howitzers for heavier bombardment where stronger explosive impact was needed. Together, these assets were intended to allow Japanese formations to maneuver around Chinese positions and apply pressure in rugged landscapes where rivers, roads, and rail lines often determined the rhythm of battle.   Logistics were a decisive factor in whether the operation could sustain momentum. Sonobe's army depended heavily on existing transportation infrastructure, particularly rail lines radiating from the Wuhan hub toward forward areas such as Suizhou and Zaoyang. These routes were critical for moving ammunition, replacements, and other supplies closer to the front as the Japanese advanced. The campaign also used river transport along the Yangtze River, including motorized barges and steamers, to deliver supplies to units operating near waterways. However, reliance on these corridors came with risks: Chinese interdiction raids could disrupt shipments, forcing convoys to be escorted and increasing the time and resources required to keep the forward units supplied. Overall, this dependence on both rail and fluvial networks highlighted a central operational challenge, maintaining secure access to transportation arteries in contested territory so that the Japanese could keep fighting effectively rather than stalling as supplies dwindled.   The Central Hubei Operation was driven by an intelligence assessment that Chinese troop movements were signaling preparations for a Nationalist counteroffensive. Acting on that interpretation, the Japanese began tightening plans and positioning forces early in the final days of November 1940. On 23 November 1940, the Japanese 11th Army under Lieutenant General Waichirō Sonobe began organizing for the offensive in central Hubei. In order to conduct a coordinated advance across the Han River, the army arranged its forces into five groups, each tasked with moving in a way that supported the broader pincer-style pressure on Chinese positions. The approach also reflected lessons drawn from the earlier Zaoyang–Yichang campaign earlier in 1940, when Japanese divisions had been able to cross the Han River at multiple points, such as Dangyang, Jiukouzhen, and Shayangzhen—to help secure access toward Yichang and the Yangtze route. Logistics were built around infrastructure the Japanese had already established during prior operations. The Hankou hub supported the 11th Army through arrangements that included munitions storage, medical facilities, and transport coordination. Supplies and reinforcements were moved using truck convoys and river crossings, while forward depots—such as those at Shayangzhen northwest of Hankou—provided additional capacity, including freight handling and field hospitals. Because the area was not secure, these supply points were also guarded against threats from guerrilla activity, which could disrupt communications and threaten personnel and equipment.   Operationally, the offensive used limited artillery and air support, reflecting Japanese constraints and directives aimed at keeping the campaign short and avoiding commitments that could stretch units beyond their logistical reach. Instead of trying to grind down Chinese defenses through prolonged bombardment, the plan prioritized speed, reconnaissance, and focused disruption. Japanese intelligence preparation relied heavily on aerial reconnaissance over the Han River valley to locate Chinese positions and infer where resistance would likely concentrate. That information enabled Japanese units to coordinate select maneuvers, including converging pressure from different directions. Where river transport mattered, coordination with naval or riverine elements supported movement and resupply, with overall oversight connected to the China Expeditionary Army.   Anticipating the coming assault, the Chinese Fifth War Area headquarters acted swiftly on instructions from the National Military Council. Orders were issued to the River West Army Group (30th and 77th Corps), the Right Army Group (44th and 67th Corps), and the Central Army Group (41st and 45th Corps) to employ a flexible defensive strategy: hold key positions firmly while committing the main strength to strike the enemy's outer flanks at the decisive moment. The 59th Corps was directed to advance toward the Xiangfan area, ready to reinforce operations on either bank of the river as the situation developed.   As commander of the Fifth War Area, Li Zongren arranged the defense to meet a likely Japanese thrust along the Han River, particularly in the approaches to Wuhan and Yichang, following the wider stalemate that settled in after the 1938 fall of Wuhan. The Fifth War Area could draw on roughly 300,000 troops, though many units were understrength, and the overall readiness varied by locality. Among the formations Li Zongren placed in the most sensitive sectors was the 31st Army Group under General Tang Enbo, which Japanese planners had identified as a potential threat to Japanese intentions in the region. In keeping with the terrain and the limits on manpower, Li's defensive design relied heavily on natural barriers—most importantly the Han River itself—and on the defensibility of rugged ground. Forces were arrayed to hold or contest riverbank positions, supported by fortifications, trenches, and smaller auxiliary elements. Divisions such as the 44th were positioned with an eye toward slowing an enemy crossing and forcing the Japanese to fight for difficult approaches rather than moving rapidly. At the same time, irregular forces and prepared defensive works were used to complicate Japanese reconnaissance and to make it harder for the attacker to coordinate a clean operational flow. Strategically, Li Zongren leaned on elastic defense rather than attempting to win decisive battles at fixed lines. Regular units were supported by guerrilla-style harassment intended to strike Japanese vulnerabilities, especially supply and transportation, between forward bases and the front. Local operations, including actions coming from areas such as Xinyang, were designed to disrupt Japanese logistics in periods when the Nationalists were still managing shortages of ammunition and medical supplies. Militias in the inter-mountainous regions further reinforced this approach: instead of seeking costly frontal engagements, they concentrated on disruption, delaying movements, and making Japanese operations slower and more expensive.   At dawn on 25 November the Japanese offensive began, with columns advancing along multiple axes. On the western Xiangyang front, more than 1,000 troops from Tangyang and over 3,000 from Jingmen struck Hengdian and Yanzhimiao, shattering the positions of the Chinese 30th Corps. Simultaneously, a column moving from Zhujiafu toward Tunglinling split into several detachments and drove deep northward into Liangshuijing, Xiajiazi, and Kuaihuopu. By nightfall the River West Army Group had regrouped along the line from Hengdian through Yanzhimiao to Kuaihuopu. On 26 November the Japanese reached Xianzhu. The following day they assaulted Liuhouji and Lijiatang in a day-long battle that ended in stalemate. At dusk the 30th Corps launched a powerful counterattack; the 27th and 31st Divisions dispatched raiding parties into the enemy's rear. Unable to withstand the pressure, the Japanese fell back toward Jingmen and Zhongxiang, pursued by Chinese forces that inflicted heavy losses.   Along the Jingmen–Zhongxiang Highway the Japanese massed more than 3,000 troops to attack Changshoutian and Wangjiatian, encircling Changjiachi and Shahetian. The Chinese 149th Division withdrew in good order to the stronger Wangjiahe–Wulongguan line. On 26 November enemy strength grew to 4,000–5,000. One column advanced on Sanligang while the main body assaulted Peizhai, Wangjiahe, and Yunanmen. Fighting continued until dark without decisive result. On 27 November the main force of the 44th Corps counterattacked from Wangjiahe, converging with the 67th Corps advancing from the northwest. The coordinated assault inflicted severe casualties, yet the Japanese continued to fight stubbornly. On the Suixian front, more than 2,000 Japanese troops reached Liangshuikou on the morning of 25 November and launched a violent attack against the 123rd Division at Lishan. Two additional columns, each exceeding 1,000 men, pushed westward toward Hoyuantian and Qingmingpu; their numbers swelled steadily as darkness fell. On 26 November fierce combat raged against the 124th and 127th Divisions at Jinjishan and Qingmingpu. A separate force of 700–800 men advanced from Xihe via Langhetian to Tangjiafan. After clashing with the 41st Corps, the Japanese near Qingmingpu linked up with those at Jinjishan and moved toward Hoyuantian on 27 November. That night the detachment at Tangjiafan reached the vicinity of Huantan Zhen, confronting the 125th Division. Recognizing that the enemy had become dangerously dispersed, the War Area Command ordered its units to hold critical localities while the main forces exploited the mountainous terrain for ambushes. The tactic proved effective. Heavy fighting continued until 28 November, when the Japanese, unable to achieve their objectives, began a general withdrawal. Chinese forces west of Xiangyang immediately took up the pursuit. The enemy opposing the Right Army Group was routed and retreated along several routes. In the Suixian sector, Japanese units at Hoyuantian and Huantan Zhen were caught in converging attacks by the Central Army Group, driven back to high ground, and encircled. In a desperate attempt to relieve the trapped forces, the Japanese rushed 1,500–1,600 infantry and cavalry troops from Suixian and Yingshan through Shangshitian and Shatian in a flanking maneuver—only to be ambushed once more. Covered by aircraft and armor, the enemy withdrew toward Suixian and Xihe as Chinese troops pressed forward along the line from Chunchuan to Anchu, Lishan, and Gaocheng. By 30 November all Chinese Army Groups had restored their original positions.   The Central Hubei Operation produced uneven battlefield outcomes, particularly in reported casualties. Japanese accounts describe relatively limited losses, just 132 killed and 445 wounded attributed to advantages in air superiority, artillery, and armored support, even though the advance was complicated by difficult terrain. At the same time, Japanese forces faced persistent Chinese counterattacks along the Han River, which contributed to localized pressure and eventual withdrawal. The Japanese reported 6,439 Chinese killed  and 474 captured, but the evidence base is uncertain and the language of reporting suggests possible exaggeration or propaganda. Conversely, Chinese-era estimates reportedly placed Japanese losses at roughly 5,000 killed and 7,000–8,000 wounded, illustrating a substantial gap between competing narratives. Some alternate reconstructions suggest total Chinese casualties in the range of 20,000–30,000, depending on whether wounded and missing personnel are included. However, because wartime reporting was fragmented and inconsistent, there is no fully verifiable casualty ledger for all units involved.   Despite these tolls, the operation did not appear to achieve a decisive Chinese destruction of Japan's intended target force. The Chinese Fifth War Area, including elements associated with the 31st Army Group under Tang Enbo, suffered attrition but generally avoided annihilation. No major command-level losses are indicated in the surviving accounts, and unit formations were not described as collapsing permanently. On the material side, Japan reportedly seized rifles and supplies from positions that Chinese forces had encircled or abandoned in the short term, but overall equipment losses for either side were described as limited, consistent with the operation's restricted intensity.    Strategically, the operation offered Japan short-term tactical advantages—notably through localized envelopments and the temporary pressure of combined-arms support—but it failed to translate these gains into a sustained strategic result. The fighting also strained Japanese logistics in central China, especially given that the offensive was not followed by major reinforcements. At the same time, it exposed continuing vulnerabilities in rugged terrain where Chinese guerrilla activity and organized counteraction could offset superior firepower.   Ultimately, the Central Hubei Operation produced no net territorial gains. By the end of the week, Japanese troops had returned to positions that did not fundamentally alter control in central Hubei. Local clashes may have disturbed formations and disrupted movement temporarily, but the campaign did not create durable forward bases, did not change administrative control meaningfully, and did not permanently disrupt key supply corridors. The territorial status quo largely persisted: Chinese Fifth War Area forces maintained positions north of the Yangtze River, and there was no widespread abandonment of strongholds sufficient to indicate a strategic collapse.   In the months following the Japanese repulse in central Hubei in November 1940, enemy forces remained largely immobilized across the Jing-Xiang plains, their earlier ambitions checked by determined Chinese resistance. Seeking to regain momentum and draw Chinese strength away from other theaters, the Japanese high command prepared a massive offensive into southern Henan in late January 1941. By the end of the month they had concentrated an imposing array of seven infantry divisions, one independent cavalry brigade, three independent armored regiments, and one independent artillery regiment. In all, more than 150,000 infantrymen, over 8,000 cavalry, 550 artillery pieces, 300 tanks, and 200 armored cars stood ready. Over a hundred aircraft were massed at forward bases in Anyang, Xinxiang, Huaiyang, and Xinyang. From early January onward, ammunition and equipment had been laboriously shipped up the Yangtze and moved inland to Xinyang, while Japanese reconnaissance planes repeatedly overflew Chinese rear areas. Additional troops were concentrated in southern Henan itself.   On 20 January, as a preliminary move to pin down Chinese forces and facilitate the main effort in central Henan, the Japanese 18th Independent Mixed Brigade, together with elements of the 39th and 4th Divisions, launched a limited attack against the Chinese 29th and 33rd Army Groups. The principal assault, however, began on 24 January under the overall command of Lieutenant General Katsuichiro Enbu. The Japanese organized their southern Henan forces into three powerful columns: The Left Flank Force, built around the entire 3rd Division reinforced by the 8th Regiment of the 4th Division and the Mizuno Armored Unit, commanded by Lieutenant General Fusataro Hanjima of the 3rd Division. The Central Force, centered on the 17th Division (less one regiment) and strengthened by the 67th Regiment of the 15th Division and the Yoshimatsu Armored Unit, commanded by Lieutenant General Amaya of the 40th Division. The Right Flank Force, formed around the main body of the 40th Division, also under Lieutenant General Amaya.   In support of this main thrust, Japanese forces in northern Anhui and eastern Henan—principally the 4th Cavalry Brigade with the Hirabayashi Tank Regiment—advanced westward from Haozhou toward Woyang. The Ouda Regiment of the 21st Division pushed west from Suzhou, while the Uguchi and Kobayashi Regiments of the 35th Division, accompanied by engineer, cavalry, artillery, and tank units, moved from Kaifeng, Tongxu, and Zhuxian Zhen along the north bank of the Yellow River and through the flooded areas toward Zhengzhou. These supporting columns were intended to tie down Chinese reserves and prevent reinforcement of the southern front.   The National Military Council in Chongqing correctly assessed the enemy's intention: to drive north along the Beiping-Hankou Railway with their main strength, force a decisive battle against the Chinese field armies, and rely on the northern Anhui–eastern Henan forces to strike westward in coordination. Accordingly, the Council instructed the Fifth War Area to avoid a costly frontal engagement. Instead, a small portion of its troops would offer delaying resistance along the railway, while the main force would maneuver to the enemy's flanks and rear, severing communications and launching devastating counterattacks. In compliance, the Fifth War Area left only a single division near Xiping on the Beiping-Hankou line. The bulk of its strength—carefully concealed in depth on both sides of the enemy's expected axis of advance—remained highly mobile, ready to strike the Japanese flanks or rear the moment the enemy divided his forces or pushed toward Runan, Yancheng, or Wuyang. This elastic strategy proved decisive.   At dawn on 25 January the Japanese southern Henan forces advanced in three columns. The Left Flank Force moved along the line from Xiaolindian to Gucheng and Chashan. The Central Force struck northward from the Minggang area. The Right Flank Force crossed the Huai River between Huaijiao Zhen and Chengyang under heavy air support. Japanese planes bombed Chinese positions relentlessly. True to plan, Chinese units employed only light screening forces to harass the enemy with ambushes and flank attacks, preserving their main strength for the decisive moment.   By 26 January the Japanese had reached the line from Piyang to Gaoyi, Xingtian, and Queshan. On the 27th they pressed on to Chunshui, Shahetian, and Zhumadian. At this point Chinese mobile forces sprang into action. The 13th Corps of the 31st Army Group swung northward toward Xiangheguan, while the main body of the 85th Corps moved toward Shangcai to begin an enveloping maneuver. The 68th Corps of the 11th Army Group struck the enemy rear south of Xiangheguan; the 55th Corps advanced from Tanghe to Piyang; and the 59th Corps of the 33rd Army Group pushed toward Nanyang. On 29 January the 13th Corps attacked the Japanese Left Flank Force near Jieguanting and Xiaoshidian south of Wuyang, while the 85th Corps struck the Right Flank Force around Runan, southeast of Shangcai. The enemy's Central Force, advancing along and west of the railway, found the Chinese positions already evacuated and failed to trap any major units. The Japanese columns on the extreme flanks suffered over 3,000 casualties and lost six tanks in the fighting around Jieguanting.   By 31 January the enemy, desperate to rescue his exposed flank columns, reordered his forces. The Central Force executed turning movements on both sides: elements of the 15th Division swung right from Suiping through Shangcai to converge with troops moving north from Runan against the 85th Corps, while the main body of the 17th Division split into two columns and advanced from Suiping through Xiping toward Wuyang. Simultaneously, the main force of the 3rd Division and part of the 4th Division also converged on Wuyang, hoping to link with the 17th Division and crush the 13th Corps near Jieguanting and Xiaoshidian. Before the trap could close, however, the Chinese 13th and 85th Corps withdrew in good order to the area north of Ye Xian, between Yancheng and Shangshui, and north of the Sha River. When the Japanese broke through at Wuyang and Shangcai they found no major Chinese forces to destroy.   Meanwhile, Chinese troops from western Henan, the 59th, 55th, and 68th Corps, advanced from Tanghe, Piyang, and points north to strike the enemy rear at Wuyang. On 29 January the 84th Corps and local guerrillas in western Anhui recaptured Chengyang and continued the pursuit. The Japanese, having failed to concentrate superior strength or control the battlefield, now found themselves isolated. Their rear communications were severed, and they were under constant pressure from the 68th, 55th, and 59th Corps. After days of exhausting combat the enemy began to withdraw southward on the night of 2 February. Leaving only rear guards at Wuyang and Baoanzhai to tie down the 13th Corps, the main body of the 3rd Division moved from Fangcheng toward Nanyang and Zhenping. The 13th Corps immediately counterattacked, recaptured Baoanzhai and Wuyang, and pursued the enemy toward Fangcheng.   On the night of 2 February, as the Japanese main force approached Nanyang, the 17th Division together with elements of the 15th and 4th Divisions had already pushed south from Wuyang via Xiangheguan toward Piyang, hoping to link with forces moving east from Nanyang and trap the Chinese 68th, 55th, and 29th Corps. Fierce resistance by the 68th Corps near Xiangheguan inflicted heavy losses and forced the enemy to abandon large quantities of supplies. Further south, the 29th Corps exacted still greater casualties around Piyang. On the night of 7 February the trapped Japanese column split: part retreated along the Tanghe–Piyang highway, while the main body withdrew along the Tongbo–Xinyang highway toward Xinyang, leaving many dead behind. The Chinese 85th Corps pursued southeastward, while elements of the 13th, 29th, 55th, and 59th Corps harried the enemy toward Xinyang. By the time the fighting ended, all Chinese units had regained their original positions.   In coordination with the southern Henan offensive, the Japanese forces in northern Anhui and eastern Henan advanced westward in four columns on the morning of 25 January. The Ouda Regiment of the 21st Division struck west from Suzhou. The 4th Cavalry Brigade, reinforced by the Hirabayashi Tank Regiment, split into three routes from Bozhou to attack Woyang, Shanheji, and Shuangqiao, clashing bitterly with a Chinese cavalry division near Shizihe and Niqiuji. The Uguchi Regiment of the 35th Division advanced through the flooded areas from Tongxu and Zhuxian Zhen, while the Kobayashi Regiment moved westward along the north bank of the Yellow River near Zhengzhou. Japanese aircraft intensified their bombing of Chinese cities and front-line positions, including Zhoujiakou, Zhengzhou, Yancheng, Ye Xian, Xiangcheng, Wuyang, and Luoyang. On 29 January one enemy column reached Santaiji and suffered heavy losses under Chinese attack. Threatened on the left by forces near Huaiyang, two Chinese corps withdrew temporarily to the line from Fuyang to Taihe and Jieshou. On 5 February the Japanese captured Taihe and Jieshou, but a Chinese counterattack on the morning of 6 February regained both towns, forcing the enemy to retreat northeastward.   The Battle of Southern Henan, which opened on 25 January and concluded on 10 February after seventeen days of continuous fighting, ended in a clear Chinese victory. Japanese casualties exceeded 9,000; when the enemy withdrew from Nanyang more than 300 military vehicles were left burning on the battlefield. Large quantities of arms, ammunition, and supplies fell into Chinese hands. Chinese losses were significantly lighter. The enemy had hoped to force a decisive battle along the railway and shatter the Chinese armies of the Fifth War Area. Instead, skillful Chinese maneuver, timely flank attacks, and relentless pressure on the enemy's rear and communications had turned the Japanese offensive into a costly failure. The victory not only preserved the integrity of the central Chinese front but also demonstrated once again the effectiveness of elastic defense and mobile counteroffensive tactics against a numerically superior but overextended foe.   In the wake of their costly repulse in central Hubei the previous November and the even more humiliating defeat in Southern Henan between late January and early February 1941, the Japanese sought once more to regain the initiative in the spring of 1941. Their target was western Hubei, where Chinese forces continued to deny them freedom of movement along the middle Yangtze. The entire Japanese 13th Division garrisoned the Yichang salient. Its regiments were deployed in a defensive arc: the 65th Regiment and the 19th Artillery Regiment held positions east of the city at Longchuanpu, Tumenya, and Yaqueling; the 104th Regiment guarded the northwest approaches; and the 17th Cavalry Regiment patrolled the Yangchalu–Baishanao sector. On the west bank of the Yangtze, the 58th Regiment had constructed strong bridgehead fortifications between Chaojialing and Shangwulongkou, ready to support any renewed thrust westward.   Facing this entrenched enemy was the Chinese 26th Corps, entrusted with the critical mission of river defense on the west bank of the Yangtze opposite Yichang. The corps commander had organized his forces into three sectors. The 41st Division held the right zone, anchoring its line from Mujiatian and Tanjiataizi northward to the vicinity of Fanjiah u. The 32nd Division defended the left zone, stretching from Mujiatian through Ceyang to Xiangzikou. The 44th Division remained in corps reserve near Caojiafan, poised to reinforce either flank or exploit opportunities for counterattack.   On 6 March 1941 the Japanese struck. Having quietly reinforced their forces west of Yichang to more than three regiments, supported by cavalry and artillery, they opened the assault at 5:30 a.m. with a violent artillery barrage, followed immediately by infantry advances under cover of air strikes. Chinese security positions at Tanjiataizi and Chaojiadian were overrun. The enemy then hurled itself against the main line at Changgangling. Simultaneously, 600 to 700 Japanese troops, backed by planes and guns, assaulted Fanjiah u. After hours of bitter fighting both localities fell. On the morning of 7 March, Japanese aircraft again spearheaded the attack, enabling the capture of positions at Qianjiatai and Wujiaba. The enemy pressed on toward Qianjiachong and Yutaishan but was thrown back. Meanwhile, the force that had taken Fanjiah u clashed fiercely with the Chinese 44th Division around Taipingqiao; although the division was eventually compelled to withdraw to the eastern end of the bridge under relentless air attack, it continued to resist stubbornly. When the enemy seized Hut zeye from the direction of Fanjiah u, the 32nd Division fell back in good order to the line from Tunziqiao to Tuyanzhong, where it beat off further assaults. By this stage the Japanese had driven themselves into a dangerously narrow salient, exposed on both flanks.   Seizing the moment, the River Defense Force reorganized its lines. The 103rd Division of the 8th Corps relieved the sector from Mujiatang through Yingzishan to Chaotianguan, while the 26th Corps consolidated new positions at Yutaishan, Pijiashan, Qingshuiba, Guangongling, and Xiaopingshanba. The plan was clear: hold the enemy east of this line, then launch a converging counterstroke to destroy the invaders and restore the original front. On 8 March two guerrilla columns from the 41st Division struck at Changgangling and Fanjiayuan, while another detachment hit the enemy east of Pifengjian. More than 2,000 Japanese troops assaulted the 44th Division's positions from Gaolingpo and Dajiaobian toward Wanghuzizhong; determined resistance by the 44th Division, supported by elements of the 41st, brought the attack to a standstill. Later that day the enemy managed to penetrate the 32nd Division's line at Tianwangshi, forcing Chinese troops to fight a delaying action along the outskirts of the Shibai Fortress from Mingjiachong to Heitangou.   Dawn on 9 March brought renewed Chinese initiative. The 103rd Division occupied the line from Tutiling to Shizinao and advanced in several columns against the enemy. A portion of the 44th Division waged a grim holding action on the high ground flanking Guojiaba, suffering heavy losses but buying time for the main body to launch a powerful flank attack against the Japanese at Taipingqiao and Xianglingkou. By dusk Chinese forces had captured the enemy strongpoints at Dujiaoba and Dajiaobian along the highway, annihilating numerous enemy troops. The 32nd Division threw its main strength against the area northwest of Dajiaobian; heavy fighting raged around Wanghuzizhong into the afternoon until enemy reinforcements were driven off. The 41st Division, meanwhile, executed effective flank attacks that yielded significant gains. On 10 March the 103rd Division recaptured the high ground at Xiawulongkou and north of Tianzipo, while guerrillas of the 41st Division continued to harass the enemy through every gap in his lines. When positions at Hongshipo and Lungtanping held by the 44th Division were breached, the division withdrew to the western heights of Bomuping and faced the enemy anew.   At dawn on 11 March, after suffering severe casualties, the Japanese resorted to smoke screens and began withdrawing eastward along several routes. Chinese pursuit forces swiftly retook Xianglingkou, Guojiaba, Guangongling, Tianwangshi, and Dajiaobian. By 12 March the enemy had fallen back to a defensive line running from east of Taipingqiao to Hu z'ai and Huangnikeng. On 13 March Chinese units launched general counterattacks. Unable to withstand the pressure, the Japanese retreated to their original positions. The eight-day engagement thus ended exactly where it had begun.   The battle had been fought with only a portion of the available Chinese forces, yet it proved decisive. The Japanese, who had hoped to crack the river defenses and resume their westward drive, instead suffered 4,000 to 5,000 casualties. The swift and skillful Chinese counteroffensive not only restored the front but left the enemy shaken and apprehensive. Their design to push deeper into western Hubei was decisively thwarted, buying precious time for the broader Chinese war effort in the Yangtze theater and demonstrating once again that determined defense, timely reinforcement, and aggressive counteraction could blunt even the most carefully prepared Japanese offensive. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. In November 1940, a Central Hubei Operation using five task forces attempted to exploit Chinese dispersal but achieved no territorial gains despite local successes. A larger January 1941 offensive into southern Henan deployed 150,000+ troops but again failed strategically. Despite Japanese tactical advantages and superior firepower, logistical constraints and rugged terrain favored mobile Chinese resistance. Both campaigns ended with Japanese withdrawals and restored Chinese positions, demonstrating that determined defense and timely counteraction could blunt large-scale Japanese operations.

Heath is joined by footballer, actor, writer, filmmaker Cristo Fernandez! Best known for the role of Dani Rojas on the hit Apple TV series “Ted Lasso,” Cristo is now a real professional football/soccer player for El Paso Locomotive in the USL Championship.  Heath and Cristo talk about the challenges of pursuing your football dreams, partying with Ronaldinho, and Cristo's new children's book, “Fútbol Is Life!”  Watch Orange Slices every Tuesday and Thursday wherever you get your podcasts! Orange Slices connects the past, present, and future generations of U.S. internationals around our collective soccer story.  Hosted by former U.S. international Heath Pearce the show is an unfiltered celebration of our national teams and soccer Americana. From the muddy fields of our youth to the games won and lost on the world's stage, weekly episodes will feature guests from different generations of American soccer sharing stories, insights, and commentary on their soccer experiences and the American game.  Sign up now for your twenty-five dollar bonus on FanDuel Predicts. Go to FanDuel.Com/Predicts to sign up.

Acting As If is one of the most powerful spiritual practices for personal transformation, conscious creation, and living from a higher state of awareness. In Week 16 of The Science of Mind Journey, Rev. Lee Wolak explores how to stop waiting for outer conditions to change and begin embodying the consciousness, confidence, faith, and spiritual identity of the person you are becoming. This teaching reveals how your thoughts, beliefs, emotions, choices, and actions shape your experience of life. Acting As If is not pretending, faking, or denying reality. It is aligning your inner world with the truth of who you are before the outer world has fully caught up. When you think, speak, feel, and act from your desired state of being, you begin to impress the subconscious mind and move in harmony with spiritual law. This video is for anyone seeking spiritual growth, self-awareness, mindset transformation, manifestation, emotional healing, inner power, faith, and a deeper understanding of Science of Mind principles. Learn how to live from possibility, embody your vision, and become an active participant in creating your life. Subscribe for more teachings on self-realization, spiritual growth, inner transformation, universal principles, and awakening to the power within. Sign up for my daily thought and weekly newsletter by clicking this link: https://www.agapespiritualcenter.com/free-affirmations If you find value in what Agape offers—spiritually, emotionally, and in community—consider becoming a supporting member. Your recurring contribution helps us continue to share truth, healing, and transformation with the world. Click here to become a supporter: https://www.agapespiritualcenter.com/recurring-contributions/

President Trump claims he is unshackling America's spy chief by making Bill Pulte the director of national intelligence. Yet, he doesn't even have a security clearance. Plus, the outrage is growing over Ivanka Trump's plan to build a luxury resort on a secluded island.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

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A hilarious chat about therapy, doomscrolling, being typecast in your own life, and finding yourself in middle age. Actor, comedian, writer, and producer Billy Eichner burst onto the scene in 2011 with Billy on the Street, a satirical TV game show he created and starred in, where Billy walked the streets of New York City asking people to compete in pop culture trivia challenges. The show has not only become a dominant force on social media with hundreds of millions of views but remains one of the most beloved and respected comedy acts in the industry.  In this episode we talk about: Why Billy refuses to call his memoir a self-help book His complicated relationship with meditation  Why he only started therapy in his early 40s Acting class as accidental therapy The real Billy vs. the Billy on the Street character How his parents shaped his confidence and career A bar mitzvah breakdown and his mom's advice And much more Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel Additional Resources:  Billy on Billy: An Audio Memoir Join Dan, Sebene Selassie, and Jeff Warren for Meditation Party, a 3-day immersive retreat at the Omega Institute in Rhinebeck, NY, October 16–18. Grab your in-person spot here, or sign up to livestream here! To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris

Trump just named Bill Pulte — a 38-year-old nepo baby from the massively Jewish private equity field — as acting Director of National Intelligence, replacing Tulsi Gabbard. No intelligence experience. No national security background. Just another loyal stooge installed to further weaponize the government against Americans. Justin Harvey joins us after Lakeland locals crushed a shady data center developer meeting, refusing to surrender our land and water. From geoengineering and Bill Gates bugs to the full U.S.-Israel military merger, real Americans are waking up and fighting back against the globalist takeover.

This week we interview Rhea Seehorn about working with Vince Gilligan on 'Better Call Saul' and the AppleTV+ show 'Pluribus'. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Republican voters in Iowa rejected President Trump's pick for governor in last night's primary, a rare moment of pushback as voters in six states set up key November matchups including House races that could decide control of Congress. The Justice Department is scrapping President Trump's nearly $1.8 billion dollar anti-weaponization fund after sustained bipartisan backlash, though the DOJ says part of the IRS settlement shielding Trump and his family from past tax investigations still stands. And President Trump has named Federal Housing Finance Agency Director Bill Pulte as acting Director of National Intelligence despite his complete lack of intelligence experience, drawing skepticism even from Senate Republicans.Want more analysis of the most important news of the day, plus a little fun? Subscribe to the Up First newsletter.Today's episode of Up First was edited by Megan Pratz, Anna Yukhananov, Rebekah Metzler, Mohamad ElBardicy and Lindsay Totty.It was produced by Ziad Buchh and Nia Dumas.Our director is Christopher Thomas.We get engineering support from Stacey Abbott. Our technical director is Carleigh Strange.And our Supervising Producer is Michael Lipkin.(0:00) Introduction(01:59) Primary Results(05:58) DOJ Scraps Anti-Weaponization Fund(09:40) Trump Appoints Acting DNISee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

P.M. Edition for June 2. President Trump has named Bill Pulte, leader of the Federal Housing Finance Agency, as acting director of national intelligence. WSJ White House reporter Natalie Andrews discusses how Pulte has urged investigations into the president's perceived enemies and lawmakers' criticism of his appointment. Plus, the Trump administration is abandoning its $1.8 billion “anti-weaponization” fund after it drew broad condemnation from GOP lawmakers. And, we hear from Jason Zweig, who writes WSJ's Intelligent Investor column, about how the year of the mega IPO is triggering changes by index providers—the firms that compile market averages like the S&P 500 and the Nasdaq 100–to accommodate these titanic deals. SpaceX, one of those massive IPOs, is eyeing a valuation of around $1.75 trillion. Alex Ossola hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

(5) Samuel Ben-Ur assesses that Hamas's military wing has been degraded to the point of acting primarily as an internal police force in Gaza. The group's command structure has been "wiped out" following years of war and recent Israelidecapitation strikes, leaving only one pre-war senior leader, Immad Ael, remaining. To replenish its ranks, Hamas is increasingly recruiting child soldiers as young as 16 or 17. Despite these losses, Hamas continues to pay approximately 50,000 staff members and maintains control over the shrinking portion of Gaza not held by the IDF.1938 RAMALLAH