Podcasts about Othello

The Hamlet Podcast - now bringing you a twice weekly exploration of Shakespeare's Othello. Act One, Scene Three | Othello is to be sent to Cyprus to fight against the Ottomans - but what is to become of his new wife? Written and presented by Conor Hanratty

The Hamlet Podcast - now bringing you a twice weekly exploration of Shakespeare's Othello. Act One, Scene Three | Desdemona arrives, and answers her father's complaints. Written and presented by Conor Hanratty

The Hamlet Podcast - now bringing you a twice weekly exploration of Shakespeare's Othello. Act One, Scene Three | Othello tells the story of how he wooed Desdemona. Written and presented by Conor Hanratty

Merriam-Webster's Word of the Day for August 19, 2026 is: balmy • BAH-mee • adjective Balmy is an adjective that is often used to describe weather that is warm, calm, and pleasant. It can also be used to describe someone or something (such as an idea) that is foolish or irrational. // After a long, eight-hour drive, we were rewarded with a mild, balmy evening at our vacation spot on the shores of Lake Erie. // Despite being a devout Green Bay fan, she finds the idea of attending games in head-to-toe yellow and green body paint to be a bit balmy. See the entry > Examples: “Everyone is encouraged to bring chairs, snacks and coolers, and remember the flashlights for the walk back to the parking lot. Leashed dogs are welcome, too. These evenings are all about enjoying good music on a balmy summer night.” — The Sun (Elizabethtown, New York), 18 June 2026 Did you know? Aromatic ointments and fragrances are the bomb. They are also, literally, balms: healing substances and soothing scents with the power to ease both mind and body. The original balm, what Latin-speakers referred to as balsamum, was the oleoresin of a species of balsam tree. In Anglo-French, balsamum became basme and baume, spellings which entered Middle English and later became balm. Balm eventually begat the adjective balmy, used to describe things with a balm's comforting, calming qualities, as when Shakespeare's Othello speaks of “balmy slumbers.” Today balmy is typically used to describe the weather—balmy breezes, balmy temperatures, balmy spring afternoons, et al—conditions that are neither too hot nor too cold, but just right—Goldilocks conditions, even.

The Hamlet Podcast - now bringing you a twice weekly exploration of Shakespeare's Othello. Act One, Scene Three | Othello gets to speak for himself - and shows himself a very fine orator, putting his life on the line in the most extraordinary way. Written and presented by Conor Hanratty

Julian Schlossberg - MovieTalk, Memoirs & the Magic of Show Business Learn more about Julian at: JULIAN SCHLOSSBERG - Home    Listen to his podcast at: Home | Julian Episode Highlights   The Radio That Fueled Imagination: Julian grew up with radio first—imagining the Lone Ranger's range and Jack Benny's vault. Television's arrival felt like magic: free shows, baseball games, and variety programs, all in his home.   The Audition That Never Happened: On his first day job hunting, Julian told a white lie to an interviewer—"You don't remember me, but you told me to finish college and come back." The interviewer said, "I remember." He got the job. His mother couldn't believe it happened on day one.   The Ziegfeld Miracle: As a 27-year-old running the "white elephant" Ziegfeld Theater, Julian booked *That's Entertainment*, *Tommy*, and *Roller Coaster*—grossing $3 million in one year when top tickets were $3-$4. Studios decided he "must know something."   The Barry Diller Negotiation: When Paramount's Barry Diller wanted Julian in LA, Julian refused to leave New York. Diller offered two weeks in NY, two in LA. Julian said no again—and got hired anyway.   “Nobody But You": Early in his marriage, Julian complained about his office messing up. His wife said, "Nobody but you." It took the wind right out of his sails—and kept him grounded.   The Orson Welles Restoration: Julian's proudest achievement: restoring and distributing Orson Welles' *Othello*, which had languished in a vault for 40 years. No one else wanted it. He spent eight months raising money and fixing the film so the world could finally see it.   Stay on the Ledge: Julian's advice to aspiring creatives: "You don't let go of the ledge. Actors are wounded people—they've been rejected constantly, yet they kept going because they wanted the prize.   Show Notes   

The Hamlet Podcast - now bringing you a twice weekly exploration of Shakespeare's Othello. Act One, Scene Three | Othello and Brabantio arrive at the Duke's Chamber, and accusations are hurled. Written and presented by Conor Hanratty

Monday, August 10, 2026 The Dominant Duo – Total Dominance Hour -Celebrating 50 years of radio with Al Eschbach from Othello's in Norman, Mayor of Norman Stephen Tyler Holman proclamation, Bob Stoops calls in from Jackson Hole, Berry's "Al" memories, Joe Castiglione joins, Dean's "Al" memories and more. Follow the Sports Animal on Facebook, Instagram and X PLUS Jim Traber on Instagram, Berry Tramel on X and Dean Blevins on X Follow Tony Z on Instagram and Facebook Listen to past episodes HERE! Follow Total Dominance Podcasts on Apple, Google and SpotifySee omnystudio.com/listener for privacy information.

Jim Traber is live from Othello’s in Norman to celebrate Al Eschbach’s 50 Years in Oklahoma Sports Radio. Do Little League coaches take advantage of these kids and their families? Do you feel the WNBA is being shoved down your throat? The Top 10 teams in college football that could go undefeated. The Tulsa Little League team cheating at the World Series.See omnystudio.com/listener for privacy information.

Jim Traber is live from Othello’s in Norman to celebrate Al Eschbach’s 50 Years in Oklahoma Sports Radio. What do you make of Enes Kanter and Royce White declaring for the WNBA? Is there money to be made in cheating in Little League? Is Jordan Love an elite level quarterback?See omnystudio.com/listener for privacy information.

Jim Traber is live from Othello’s in Norman to celebrate Al Eschbach’s 50 Years in Oklahoma Sports Radio. Your stories about listening to Al for 50 years! Do Little League coaches take advantage of these kids and their families? Do you feel the WNBA is being shoved down your throat? The Top 10 teams in college football that could go undefeated. The Tulsa Little League team cheating at the World Series. Is there money to be made in cheating in Little League? What do you make of Enes Kanter and Royce White declaring for the WNBA? Is Jordan Love an elite level quarterback?See omnystudio.com/listener for privacy information.

The Hamlet Podcast - now bringing you a twice weekly exploration of Shakespeare's Othello. Act One, Scene Three | We shift to the Duke's chamber, where reports are flying in about the threat to Cyprus from the Ottoman empire. Written and presented by Conor Hanratty

The Hamlet Podcast - now bringing you a twice weekly exploration of Shakespeare's Othello. Act One, Scene Two | Brabantio and his cohort appear, furious, but Othello shows real authority in how he handles the situation - despite yet more racist abuse from the old man. Written and presented by Conor Hanratty

Tuesday, August 04, 2026 The Dominant Duo – Total Dominance Hour -Al's 50th Party @ Othello's August 10th, Little League World Series thoughts, OU football, DeMarco Murray (2008), Kevin Wilson position at OU and more. Follow the Sports Animal on Facebook, Instagram and X PLUS Jim Traber on Instagram, Berry Tramel on X and Dean Blevins on X Follow Tony Z on Instagram and Facebook Listen to past episodes HERE! Follow Total Dominance Podcasts on Apple, Google and SpotifySee omnystudio.com/listener for privacy information.

Shakespeare and law school might not be as far apart as you thought. Guest Len Niehoff is a professor of law at the University of Michigan Law School and the author of the recent book “Meeting Shakespeare at the Bar: Reading the Bard Through the Lens of the Law,” a book written for both lawyers and non-lawyers offering practical insights into how Shakespeare's works illuminate the questions of law, ethics, and advocacy. As an innovative professor and a lifelong fan of the Bard, Niehoff began studying, and encouraging students to study, Shakespeare's interest in the rule of law, what puts the rule of law at risk, personal responsibility, and how law can be twisted into the unlawful. “It was kind of a natural transition to turn to Shakespeare,” he says. Indeed, “Measure for Measure” and “The Merchant of Venice” have trials at their heart. But Niehoff and his students look at how the law works it into other plays, such as “Julius Caeser,” “MacBeth” and “Hamlet.” Now imagine a group of lawyers meeting up with Shakespeare one evening at a local bar, sharing war stories, funny moments, and issues of ethics, and morality and the law. That's the book. Niehoff's fascinating examination of Shakespeare's work and the law may have you thinking about the human condition differently. Have a question, comment, or suggestion for an upcoming episode? Get in touch at MRogson@SkywardInsurance.com or JAReederJr@gmail.com. Resources Mentioned:  “Meeting Shakespeare at the Bar: Reading the Bard Through the Lens of the Law,” by Leonard M Niehoff “Tanner v. United States”, Justia  “Cattle: Related Cases,” AnimalLaw.info Twombly and Iqbal, “Twiqbal,” Wikipedia “The Crucible,” by Arthur Miller “Shakespeare Unlimited Podcast,” Folger Shakespeare Library “Macbeth,” Shakespeare, full play “Titus Andronicus,” Shakespeare, full play “Henry VI, Part 2,” Shakespeare, full play “Othello,” Shakespeare, full play “Hamlet,” Kenneth Branagh, full movie, free, YouTube American Bar Association American Bar Association Litigation Section

The Hamlet Podcast - now bringing you a twice weekly exploration of Shakespeare's Othello. Act One, Scene Two | Iago has found Othello - at the Sagittary, as planned - and it seems that all of Venice is abuzz tonight. But not, perhaps, with news of Othello's marriage.... Written and presented by Conor Hanratty

The Hamlet Podcast - a twice weekly exploration of Shakespeare's Othello. Act One, Scene One | Iago makes himself scarce, and Brabantio rallies his household to hunt for Desdemona - led, would you believe, by Roderigo. Written and presented by Conor Hanratty

Tuesday, July 28, 2026 The Dominant Duo – Total Dominance Hour -OSU - data center conversation, Al's 50th is coming (08-10-2026 @ Othello's), Berry's thoughts on data centers and OSU, Sam Presti's abilities and more. Follow the Sports Animal on Facebook, Instagram and X PLUS Jim Traber on Instagram, Berry Tramel on X and Dean Blevins on X Follow Tony Z on Instagram and Facebook Listen to past episodes HERE! Follow Total Dominance Podcasts on Apple, Google and SpotifySee omnystudio.com/listener for privacy information.

The Hamlet Podcast - a twice weekly exploration of Shakespeare's Othello. Act One, Scene One | Brabantio appears, the racism continues, and first we dicsuss Commedia dell'Arte - for reasons that will become clear as we proceed! Written and presented by Conor Hanratty

The episode opens with the passing of saxophonist Plas Johnson, 94, a player whose name might not mean much outside musician circles but whose sound is embedded in popular culture.  Johnson's cool, slinking work on Henry Mancini's Pink Panther theme is his best-known contribution, but the wider CV is properly formidable: Frank Sinatra, B.B. King, Joni Mitchell, Marvin Gaye, The Beach Boys, Nat King Cole, Ella Fitzgerald, Linda Ronstadt and Aaron Neville all appear on the roll call. how Links Henry Mancini - The Pink Panther Theme (Official Audio)  Plas Johnson - I Hadn't Anyone Till You  Plas Johnson obit in Rolling Stone  Dr John Gris-Gris Gumbo Ya Ya  Tom Waits - "Heartattack And Vine"  Hardly Strictly Bluegrass Festival website Silo — Season 3 Official Trailer | Apple TV  Evolver 62 | Official Trailer | The Beatles' Breakthrough Year That Changed Music Forever | Out Now!  EVOLVER:62 Beatles and cakes in the village hall  The Odyssey - Official 'Completely in IMAX' Behind the Scenes Clip (2026) Othello, The Black Commando 1982 full movie Max H. Boulois Tony Curtis  Aaron Lee Tasjan - The Real (Official Music Video) 

The Hamlet Podcast - a twice weekly exploration of Shakespeare's Othello. Act One, Scene One | Iago reveals some choice information about himself, but Roderigo fixates on other matters. Written and presented by Conor Hanratty

Hamlet wagers 6 Barbary horses against 6 French swords. Falstaff talks about fighting with a Barbary hen. Bassanio in Merchant of Venice talks about travelling merchants going to foreign lands including "Tripolis, Mexico and England, Lisbon, Barbary, and India" There are also an additional 5 references to Barbary horses.   The Barbary States were Algeria, Tunisia, Tripolis, and Morroco. These were powerful coastal societies tied in various ways to the Ottoman world, and in Shakespeare's day they were central to English fears about piracy and captivity. Ships were seized. Sailors were enslaved. Families, merchants, churches, and governments negotiated over the price of a human life.  English first hand accounts of the Muslim world and the Barbary States in particular were sparse, even non-existent prior to Richard Knolles publication in 1603 where he writes the History of the Turks, the same year Shakespeare publishes his Ottoman-heavy play with a Moor in the title role, Othello.   Today we are joined by Daniel Vitkus, editor of Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England, and Abdulhamit Arvas, Associate Professor of English at the University of Pennsylvania and expert on early modern Muslims, Barbary pirates, and Shakespeare. They are here to help us explore the place of the Barbary Coast in Shakespeare's England, to understand the culture of hostages and holding someone ransom, what was happening to Britons that were taken captive and sold into slavery by the Barbary pirates, as well as to explain the surprising dichotomy of being afraid of the Barbary nation while admiring their products, like horses. 

The Hamlet Podcast - a twice weekly exploration of Shakespeare's Othello. Act One, Scene One | Roderigo and Iago enter, arguing over some bad news. Written and presented by Conor Hanratty

Liza Libes is defending literature like it's under siege, and after this conversation, you will understand why. Liza went to Columbia wanting to study Tolstoy and came out having read more Edward Said and Sartre she signed up for. We got into how her English degree turned into a theory degree overnight, why Anna Karenina isn't the feminist manifesto her professors taught it as, and why so much of what gets published now has had the backstory and the beauty edited right out of it by agents chasing a formula. Liza's family fled the Soviet Union, and her grandfather was imprisoned for being Jewish. Watching that same ideology resurface in new packaging on American campuses is terrifying. Find Liza at PensandPoison.org She also runs Advictus Prep and is shopping her first novel, which is basically a love letter to beauty written in spite of a literary world that's decided beauty is suspect. If you've been meaning to finally pick up that classic on your shelf, this is your sign! Memorable Quotes: "I don't think I met anyone in the English department who had the same reaction... A lot of people I think were actively trying to push this agenda because it had been sold to them." — Liza "Good fiction is inherently moral. That's not to say moral in one specific restricted sense, but good fiction should teach us something about the way to live our lives." — Liza "A lot of our art today is ironic, nihilistic, cynical, and just downright amoral." — Liza "If your response to [boredom in a marriage] is I'm just going to abandon this whole thing that gives everyone meaning, then that is going to lead you to a dark place." — Liza, on Anna Karenina "People will hold onto their identity more than the truth." — Polina, paraphrasing Chase Hughes "My family kind of went through horrific examples of antisemitism twice, just in our personal lives... and it's horrific that it's happening again." — Liza "If you're going to make one change in your life to lead a more full and fulfilling life, read classic literature." — Liza Follow us on Instagram  @thecuriousmiddlepod Our Website: https://curiousmiddlepod.com Email us: thecuriousmiddlepod@gmail.com Substack: https://curiousmiddle.substack.com Episode Time Stamps 04:32 — Arriving at Columbia expecting to study literature, getting Edward Said and postcolonial theory on Jane Austen instead 06:36 — Same pattern outside the English department — a philosophy class teaching Hegel through the lens of BLM, and why she eventually stepped back from academia 08:46 — How Pens and Poison started, and the slow, stuck-at-20K-followers climb before it took off 11:05 — The daily messages from silenced students and aspiring writers — and how the same ideological capture spread into publishing 13:15 — Columbia's Core Curriculum as a partial exception, and why STEM friends noticed the politicization more than English majors did 15:29 — Pausing to unpack just how deep this runs — you can't study literature today without studying Marx 17:39 — Edward Said and the "settler colonist" framing; Sartre's introduction to The Wretched of the Earth 19:57 — More on Sartre's radicalization, Simone de Beauvoir, and the ideas of theirs still taught as fact 22:10 — Derrida, deconstruction, and the postmodern claim that literature has no objective meaning 24:21 — Paulo Freire and how "social justice as the point of education" filtered into every subject, not just humanities 28:55 — Why you don't need to be a humanities major to benefit from literature — it as a stand-in for religious meaning 31:19 — Anna Karenina as a case study: Tolstoy's actual argument vs. balancing tradition with modern life 33:37 — T.S. Eliot's The Waste Land, the cost of losing ritual, and the case for reading fiction (not just nonfiction) 38:12 — My Year of Rest and Relaxation as an example of fiction that critiques without offering anything — the retreat from beauty and sincerity in "serious" art 40:14 — Does bleak fiction reflect a bleak culture or create one? Introducing her novel-in-progress, inspired by Mann's Doctor Faustus 44:44 — The same pattern in music, art, and publishing; does fiction need a moral lesson, or is beauty enough? 47:06 — Noticing beauty as the theme of her novel, and the one contemporary book she's excited to read — Theo of Golden, rejected by publishers, self-published, then sold millions 49:12 — Why contemporary fiction gets rejected or forced into a formula: word counts, no backstory, action on page one 51:37 — What's lost without backstory or physical description — fiction that never lets you rest with an idea 53:39 — Her own reading habits: rereading Dostoevsky in the original Russian, and why she's wary of new bestsellers 55:44 — Life-changing book #1: Mann's The Magic Mountain and how it reshaped her sense of time 58:06 — Life-changing book #2: Zweig's The World of Yesterday and the loss of creative freedom 1:00:29 — Why so many young people can't name their own values 1:02:41 — How literature classrooms swap out "morality" for ideology without saying so (Anna Karenina as "anti-feminism") 1:04:58 — Othello and The Merchant of Venice taught through one narrow lens instead of the whole picture 1:07:08 — Social justice as a stand-in religion, and the Columbia encampments 1:09:25 — Her family's history: fleeing the USSR on political asylum, her father imprisoned and her great-grandfather killed for being Jewish, and where to find her — Pens and Poison (pensandpoison.org)

The Hamlet Podcast - a twice weekly exploration of Shakespeare's Othello. Greetings from Venice! I am here on holiday but figured this was the right place to launch our journey through Othello. Episode 01 will be with you in just a couple of days but this introduction will lay some groundwork for the story. Written and presented by Conor Hanratty

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comStephen is a psychoanalyst and author. He used to teach clinical technique at the Institute of Psychoanalysis, and also psychoanalytic theory at University College London. He's the author of The Examined Life: How We Lose and Find Ourselves, and his latest book is Love's Labor: How We Break and Make the Bonds of Love.For two clips of the episode — on what psychoanalysis is really for, and the benefits of friendship vs romantic love — head to our YouTube page.Other topics: born in Gary, Indiana; his birth defect requiring many surgeries; his Jewish family emigrating from Eastern Europe; college at Berkeley and Oxford; arrested at the Chicago Dem convention; befriending Anna Freud; Sigmund and his studies in hysteria; loneliness in adolescence; how falling in love is very different than love; my own psychoanalyst of 25 years; trauma from my childhood; the losses that marriage entails; breakthroughs after breakdowns; detaching from the idea of yourself; legal marriages vs psychological ones; falling back into trauma because it's familiar; the power of love's precarity; victimology; Philip Roth's “the ecstasy of sanctimony”; lessons from Othello; surrender vs submission; Esther Perel's Mating in Captivity; seeking traits in a partner that mirror a dysfunctional parent; how sex is different for men and women; gay promiscuity; male-male marriages lasting the longest; HIV and the threat of deportation; dating with HIV in the ‘90s; and how to be a better listener.Browse the Dishcast archive for an episode you might enjoy. Coming up: David Thomson on cinema in US history and culture, John O'Sullivan on conservatism, Robby George on natural law, and Megan McArdle on pretty much anything. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

It's André Sills's biggest season yet at Ontario's Stratford Festival. The award-winning actor is taking on two of Shakespeare's most iconic roles: Oberon, the King of the Fairies in A Midsummer Night's Dream, and the title role in Othello, one of Shakespeare's most powerful and controversial tragedies. André joins Tom to talk about travelling to Italy, Cyprus and Morocco to prepare for Othello, and how a church production first set him on the path to a career in theatre.

Brian Anthony Moreland joins Chrystal Genesis to discuss what it means to produce theatre at the highest level. As Broadway's only Black lead producer, Brian has become one of the industry's most influential creative forces, bringing productions including The Piano Lesson, Othello and Joe Turner's Come and Gone to the stage. In this wide-ranging conversation, they discuss the producer's role, working with actors including Denzel Washington, Jake Gyllenhaal, Samuel L. Jackson, Taraji P. Henson and Cedric "The Entertainer", the enduring importance of August Wilson's work and why theatre remains one of the most powerful spaces for storytelling.  Together, they chat about representation, creative leadership and the challenge of balancing artistic ambition with commercial risk in one of the world's most competitive creative industries. If you like what you heard, please leave a review, subscribe, and explore more at stancepodcast.com and on socials @stancepodcast. Stance is Hosted by Chrystal Genesis and Produced by Etay Zwick. Show Notes: Joe Turner's Come and Gone website Brian Anthony Moreland IG B More Now Productions Brian's latest production, August Wilson's Joe Turner's Come and Gone, directed by Debbie Allen and marking Taraji P. Henson's Broadway debut, is now playing on Broadway through 26 July.  

A new week means new questions! Hope you have fun with these!What is the "Big 4 of Britpop"?Before the Carson era, Steve Allen & Jack Paar were hosts of which show?What two colors are the discs in Othello?Which medal was the award for bravery in the German army from 1871 to 1945 and was derived from the insignia of the medieval Teutonic Order and borne by its knights from the 13th century?What two US Presidents died on the same day, the 50th Anniversary of the adoption of the Declaration of Independence?Of which common metal is bauxite the chief ore? And for 2 extra pts, of which rare metal is it also the main source?What are the only 2 countries to win the World Cup in consecutive years?Michael Jackson famously loved the cinema, earning this nickname based on his musical reign and a movie theatre staple.Now known for its handbags and leather goods, which French luxury goods company was named for its founder, not the Greek messenger god?Of the roughly 200 national anthems in current use, four have no official lyrics, name them( bonus point if you know the name of the anthems)Which Carthaginian general provoked the Second Punic War with the Roman Republic?Which band's famous logo includes red lips and a tongue sticking out?Did Stonehedge get constructed before or after the Great Pyramid of Giza were built?Fill in the last three words of The New York Times' famous slogan, "All The News That's __ __ __"Who is the Roman god Neptune's Greek equivalent?Launched in 1972, what number mission was the final one of NASA's Apollo program?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

The summer season has officially arrived in central Ohio.Along with the regularly high temperatures, there is plenty of creative heat moving through the local arts community.For this week's edition of All Sides Weekend: Arts and Culture, join Classical 101 Morning Host Christopher Purdy and his guests for a preview of arts and cultural events happening around central Ohio.Host:Christopher Purdy, Classical 101 Morning hostGuests:Jabari Johnson, actor in “Othello,” Actors' Theatre of ColumbusOrlay Alonso, pianist/artistic director, Music at St. Mary

The summer season has officially arrived in central Ohio.Along with the regularly high temperatures, there is plenty of creative heat moving through the local arts community.For this week's edition of All Sides Weekend: Arts and Culture, join Classical 101 Morning Host Christopher Purdy and his guests for a preview of arts and cultural events happening around central Ohio.Host:Christopher Purdy, Classical 101 Morning hostGuests:Jabari Johnson, actor in “Othello,” Actors' Theatre of ColumbusOrlay Alonso, pianist/artistic director, Music at St. Mary

Shakespeare's plays Othello and Much Ado About Nothing start with the same storyline: someone tells a lie about a relationship that threatens an entire community. But when does the lie become a weapon? When someone chooses to believe it. True leaders must push back against lies, even when it's risky and unpopular.Carol Ann LloydTEDx talk: 3 Leadership Secrets from Shakespeare@shakeuphistoryhttps://carolannlloyd.com/ https://patreon.com/carolannlloyd https://bookshop.org/shop/carolann The Tudors by NumbersCourting the Virgin QueenSupport the showSupport the showHistory reveals what's possible.

Comic Relief! Meeting Prince! Seasoned food!  Sir Lenny Henry is a hugely celebrated comedian, actor, writer and broadcaster. He first appeared on our screens in 1975 when, at the age of 16, he made his debut on the talent show New Faces. Over fifty years later, he joins us to talk through some of the choice moments of his career, providing a fantastic taster of his current show, Still At Large. We have some cookery crossover, too, with Lenny famously playing Michelin starred Gareth Blackstock in the ‘90s sitcom, Chef! The part came with hours of training and prep work, cutting parsley and gutting rabbits which, as he explains, helped sharpen his skills as a stand-up. There's lots of love for Lenny's mum, a fantastic cook with a natural flair for great home-cooked meals, but less fondness for any food with antennae.  From his very first outing as a comic and impressionist to taking on Othello at the age of 50, Lenny relives a number of pivotal milestones in his career over a delicious bowl of seared scallop & tomato tagliatelle. This is accompanied by a glass of Paolo Leo Fiano del Salento, and a couple of great stories about encountering Prince... and then working with him.   Still At Large is on tour across the UK until November 3 and you can buy tickets at fane.co.uk/lenny-henry.   You can watch full episodes of Dish on YouTube and on Spotify.  All recipes from this podcast can be found at waitrose.com/dishrecipes The recipe for seared scallop & tomato tagliatelle was created for Waitrose by Silvana Franco. A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk  Dish from Waitrose is made by Cold Glass Productions 00:00 Coming up on Dish...00:13 Welcome!01:03 It's scallop season02:34 Sir Lenny Henry is here03:51 Lenny's return to stage06:23 First time performing09:43 Food likes10:28 KFC lunatic11:52 Butter Chicken12:36 Nothing with antennas13:42 Dash it in!15:44 Lenny's cooking credentials16:54 Food is served!20:10 Wine pairing23:48 From comedy to Shakespeare28:50 Comic Relief32:55 Meeting Prince!38:31 Fast food quiz40:42 End of the show question Learn more about your ad choices. Visit megaphone.fm/adchoices

Wendell Pierce is working as hard as ever. He says he's motivated by the "ticking clock of mortality" — and the desire to challenge himself as an actor. He's currently starring in the Shakespeare Theatre Company production of “Othello.” He spoke with Tonya Mosley about aiming for a trifecta of TV, film and theater roles, why he almost left ‘The Wire,' and caring for his late father. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Othello – Act I scene 3 A Turkish fleet heads for Cyprus. Othello tells a love story. Desdemona speaks her mind. Iago makes a plan.

Othello; Act 2, Scene 1 IagoJune 17, 2026 Who says, "I have to bring my truth to the part I'm playing": Ben Turner or Iago? In the Shakespeare Theatre of DC's new production of Othello, Ben Turner reveals the humanity and heart beneath Iago's machinations, transforming Shakespeare's most overtly “evil” creation into something much more recognizably (and terrifyingly) human. The production runs until June 28. Click here for information about Othello Click here to follow along with the text. Click here for a Scanned version Click here for a First Folio version.

***⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠ *** “We Gave Everything We Had”: Actor Randall Duk Kim and Director Annie Occhiogrosso reflect on their lives as artists, creating American Players Theater, how much you can learn from studying “Hamlet” over fifty years, what it takes to be great, where to find the best audiences in the country, how strawberries and chocolate can make all the difference on Press Day, the importance of language, what Keanu Reeves reads between takes, how Laurence Fishburne found his way into “Othello”, why every actor should start a theater, being Asian on an island, how Edwin Booth, Walt Whitman and a slaughtered lamb all played a part in bringing world class productions to a town of 1,200 people in rural Wisconsin, why it's important to plant the seeds of inspiration in young people if we want to have any hope for our future, and much, much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Braunwart is the managing owner of Progene Plant Research, a genetic research-based company bringing new innovations and old uses to current varieties in the market. The company is known for their spring and winter pea program, as well as their work in oats and triticale. Braunwart discusses his career in this industry, how he started and built Progene, how he identifies oddball traits that can have mainstream applications, some of the differences and similarities between spring and winter peas, and his hopes for the future as he transitions the company over to new ownership. He began his career as a fieldman for Rogers Seed Company in 1974 in Twin Falls, Idaho. In 1980, he moved to Colfax, Washington, as Plant Manager and later to Othello, Washington, as Operations Manager. In 1995, he purchased and carried forward a dry pea breeding program from Rogers Seed Company. This business became ProGene Plant Research in 1996.“ What we were finding through the whole team was that we've got ways to improve the roots of those peas, to contribute back to soil health. And that yes, we can do that with spring peas, but we can do it way better with winter peas because their ratio of roots to top growth is more roots than in spring peas.” - Kurt BraunwartThis Week on Growing Pulse Crops:Meet Kurt Braunwart, the managing owner of Progene Plant ResearchDiscover the creation and mission of ProgeneExplore the differences and similarities between spring and winter peasLearn where he sees the future of crop developmentGrowing Pulse Crops is produced by Dr. Audrey Kalil and hosted by Tim Hammerich of the Future of Agriculture Podcast.

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Award-winning actor and activist Wendell Pierce shares why he challenged himself to an annual acting trifecta as he stars in three major productions this year: the classic Shakespeare play Othello, Tom Clancy's Jack Ryan: Ghost War, and the CBS police procedural Elsbeth.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

***⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠ *** “We Gave Everything We Had”: Actor Randall Duk Kim and Director Annie Occhiogrosso reflect on their lives as artists, creating American Players Theater, how much you can learn from studying “Hamlet” over fifty years, what it takes to be great, where to find the best audiences in the country, how strawberries and chocolate can make all the difference on Press Day, the importance of language, what Keanu Reeves reads between takes, how Laurence Fishburne found his way into “Othello”, why every actor should start a theater, being Asian on an island, how Edwin Booth, Walt Whitman and a slaughtered lamb all played a part in bringing world class productions to a town of 1,200 people in rural Wisconsin, why it's important to plant the seeds of inspiration in young people if we want to have any hope for our future, and much, much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

 Listen to the Show Right Click to Save GuestsPenfold Theatre Company VincentAustin Playhouse Seared What We Talked About Rent 30th to stream Extentions? – Jellicle Ball (extends) Largest grossing B'way season Chrissy metz B'way Debut Awake and Sing Othello in DC Girls Girls Chance Chance Music Music Buena Vista Social Club – West End Free copy of Giant Drag Queen Christmas Tour The Last Ship in the West End Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)  

Alan sits down with Broadway producer Brian Anthony Moreland for a candid, high-energy conversation about the realities of commercial theatre. Brian shares the fascinating story of how he caught the theatre bug playing Santa Claus in the third grade , his formative years at a performing arts boarding school , and his early career as a non-union dancer dealing with the exhausting audition grind in New York City. He opens up about the pivotal moment he decided to pivot to producing, starting with a grueling five-and-a-half-year journey to bring Thoughts of a Colored Man to Broadway. Alan and Brian pull back the curtain on the industry's economic pressures, debating Broadway financials, escalating production costs, and what it truly takes to balance commercial viability with meaningful, artistic storytelling. The conversation centers deeply on Brian's extraordinary relationship with the work of August Wilson. He recalls the serendipitous train ride to Pittsburgh that led to him producing the record-breaking revival of The Piano Lesson , and how Denzel Washington personally asked him to lead-produce his next Wilson project. Brian breaks down the profound themes of identity, healing, and family preservation driving his latest production at the Barrymore Theatre, Joe Turner's Come and Gone, sharing delightful insights into working with legendary director Debbie Allen and the joyful, nurturing energy that stars Taraji P. Henson and Cedric the Entertainer bring to the rehearsal room. Finally, Brian takes on the 60-second plot challenge, pitches a classic musical, and reflects on the timeless power of theatre as a space where you can be anything. Brian Anthony Moreland is a transformative Broadway producer dedicated to shaping the contemporary cultural landscape through visionary, inclusive storytelling. Originally from California, he began his career as a performer before transitioning into producing. His impressive Broadway repertoire includes the ground-breaking global hit Othello starring Denzel Washington and Jake Gyllenhaal, the record-breaking revival of August Wilson's The Piano Lesson, The Wiz, The Lifespan of a Fact, Sea Wall / A Life, and The Sound Inside. A respected industry leader, Moreland serves on the Board of Governors of The Broadway League, where he co-chairs the Multicultural Task Force. He also holds leadership roles as a Trustee for Broadway Cares/Equity Fights AIDS, a Trustee of The American Academy of Dramatic Arts, a Board Director for NYC Tourism and Conventions, and is an active member of the Theatre Development Fund (TDF). Connect with Brian: IG: @therealbrianmoreland Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about a truly underrated star: Laurence Fishburne! Our B-Sides include: Bad Company, Fled, Hoodlum, and Biker Boyz. Conor and guest host Mitchell Beaupre discuss Fishburne's early work, his movie star run (the mid-90s, of which three of our B-Sides are a part of!), and the roles he passed on over the years.  They debate whether or not Kevin Hooks' Fled (a ‘90s take on The Defiant Ones) is worth the watch, if Oliver Parker's Othello works as a movie, and that other time Fishburne played a character based on famous gangster Bumpy Johnson (that would be Francis Ford Coppola's underrated The Cotton Club). There's a celebration of Bill Duke's directorial career (the legendary actor made Hoodlum and also Deep Cover, both starring Fishburne) and a conversation about Biker Boyz internal conflict in being a Fast & Furious movie.

BUY TICKETS TO DOPEY SHORT FILM FESTIVAL: https://buytickets.at/thedopeyfoundation/2216905 Join Patreon For Cheap Tickets and much more: www.patreon.com/dopeypodcast Long Summary Notes: Dave opens the Dopey Total Replay by revisiting Episode 27, “Detox Withdrawal,” one of the earliest foundational episodes of Dopey. He explains how the episode introduced both graphic designer Ryan — creator of the iconic nodding Dopey logo — and Todd Curry, Dave's longtime using buddy who would later die in 2018, just weeks before Chris. Dave reflects on Chris's original idea for a “Dopey Stories” book made up of listener submissions and stories from the show. He talks about failed attempts to pitch the project to publishers and wonders whether self-publishing a Dopey book on Amazon might finally make sense. He invites listeners to resend their best stories to dopeypodcast@gmail.com. Disclaimer: I think I called Spanish People Stupid - but it was meant totally with love. Dave then shifts into a recap of Music on the Mountain in Vermont, where he attended with Linda and the kids. He talks about seeing Anders Osborne, Daniel Donato, Jackie Greene, Karina Rykman, Eggy, Lamp, and others. Susan celebrates her eighth birthday and hilariously insists on introducing bands onstage after Dave lets her introduce Karina Rykman. Dave admits Susan might actually be a better MC than him. Dave promotes the upcoming Dopey Short Film Festival at the SVA Theater, mentioning Mountainside as a possible title sponsor and joking about Katz's desserts and Othello cookies potentially being involved. He reads Patreon and Spotify comments reacting to the previous replay episode, including discussion of Rush, Basketball Diaries, Knicks playoff hopes, bread basket addiction, and people missing Chris. Dave goes on multiple tangents about bread, fitness, the Knicks, and Cleveland versus Detroit. The replay itself begins with Chris and Dave just starting to record when Todd randomly calls in. Todd immediately launches into a story about getting arrested while allegedly trying to buy weed in a housing project. Chris and Dave immediately question the story while Todd insists he was only trying to buy marijuana. The conversation spirals into stories about community service, Delancey Street cleanup duty, reverse discrimination jokes, airport profiling, Todd's history with Dave, and their years selling drugs together. Chris openly campaigns for Todd to become a recurring Dopey guest while Dave resists because Todd is still actively using heroin and weed. Graphic designer Ryan joins the conversation and explains why he loved Dopey from the beginning — because it wasn't a traditional recovery podcast. He says recovery shows felt too church-like, while Dopey mixed active addiction stories with recovery in a way that could actually reach addicts. Todd and Dave argue about whether active users should appear on Dopey. Ryan attempts to sober coach Todd live on the air, asking him what heroin does for him emotionally. Todd admits heroin covers feelings of loneliness, insecurity, and self-hatred. He describes failed relationships, yoga classes, women, and using heroin to cope with emotional pain. Ryan explains the basics of abstinence and recovery while Todd half-jokes and half-confesses his inability to stop using. Chris mostly eggs the entire thing on while enjoying the chaos. The episode shifts into stories about Mountainside and the infamous “Phase Four” extended-care house. Ryan explains how he entered treatment planning only to save money for heroin afterward, but somehow ended up getting sober instead. Dave admits he originally thought Ryan would never stay sober, while Dave himself eventually relapsed despite appearing more serious about recovery at the time. Ryan tells wild detox stories involving escaping treatment during withdrawal, trading a $2,500 laptop for heroin bundles, walking through snowstorms, and eventually landing at Mountainside. The group discusses relapse, sobriety, AA sponsorship disasters, yoga, heroin addiction, and the randomness of getting sober. The episode eventually devolves into jokes about Dave's disgusting toenail, Instagram photos, podcast structure, and arguments about whether episodes should be one hour long. Chris insists on ending every episode with “Good So Bad,” while Dave complains nobody wants long podcasts — ironic considering modern Dopey episodes often run three hours. Back in present-day narration, Dave reflects emotionally on hearing Todd and Chris together again. He reveals that Todd eventually appeared on Dopey multiple times, including once when he left mid-recording to go downstairs and shoot heroin before returning to finish the episode high. Dave closes by talking about Ryan's later recovery work at Berkshire Transition Network and how foundational he was to early Dopey. He reflects on the pain, foreshadowing, and innocence captured in the episode before ending with “Good So Bad” and a tribute to Chris and Todd. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Coming this June - after a little break to recover from the end of King Lear, we shall begin a journey through Shakespeare's Othello. I hope you'll join me.

Othello – Act I scene 2 The newly married Othello is warned against the threat of his father-in-law, and urgently sought after by two search parties.

A century after Shakespeare's death, his words were in danger of being forgotten. While plays like King Lear and Othello still played to packed houses across England, audiences saw only the bowdlerized versions—censored, rewritten, and stripped of anything that could be considered distasteful. How, then, did Shakespeare's original works re-emerge? Thank the Shakespeare Ladies Club, a group of influential women who rescued his reputation(and his double entendres) from obscurity. In their book, The Shakespeare Ladies Club: The Forgotten Women Who Saved the Bawdy Bard, Christine and Jonathan Hainsworth uncover the club's unsung contributions to Shakespeare's legacy. Thanks to the Hainsworths, Westminster Abbey has now officially recognized the Shakespeare Ladies Club for their campaign to memorialize Shakespeare in Poets' Corner. But, they reveal, the club's influence goes even deeper than that. In this episode, Christine and Jonathan Hainsworth shine a light on this remarkable group of women and how they made Shakespeare the cultural icon he is today.