Podcasts about Othello

Twas a good Dopeycon this year - maybe the last - I wish I had said more - but it was a truly beautiful experience and show. The place was packed - and I am super grateful for all the people who came, participated and sponsored!Special thanks to Mountainside Recovery for being our title sponsor, LICR for taking in Jay, Recovery.com, RELEASE RECOVERY, The Phoenix House, Wellbridge Recovery, Curious Elixers, Cirque Lodge, Redemption Addiction Treatment Centers, Mike's Amazing Mustard, SoBrewed Coffee, Claire Comai, Rachel Hechtman, Katz's Delicatessen, The Great Cormac, Shortbread Society for the Othello, Janie's Life Changing Baked Goods, Shirley Haperin, My Brother in Law and super amazing producer/stage manager Louis Buelli, Kelly Wills from BRAIN FLOWER DESIGN, Dolmar Pedro, Howard 'Beach', Buksbaum, Danny Ameri, Jason Cabello and Recovery Unplugged, Hardest Working Dope Eric Papa Smurf, Dopey Art Director Britta Borgman, My Cousin Ivy, Ginny, Caroline Dowling, Gil Sachs, Ned Van Zandt, Scott Apgar, Dave Goldweitz, Jim Sondow for coming early and Novak's Video guy Isaac - and anyone ive forgotten please send me an email at dopeypodcast@gmail.com. All the folk in the show! (in order of appearance)Adam David, IDGAF FOOD, Kari Nautique, Brandon Novak, Brace Belden, Handsome Evan, Roddy Bottom, Shane Enholm, The Great Ray Brown, My Beautiful  and Brilliant Linda, James Frey,  Hank Azaria, Fentanyl Jay, Lenny from the Beach, Carl Radke, Sam Miller, Alan ManheimSUPER BIG THANKS TO TOM FREY and all the fucking bums from the BEACH! AND MASSIVE SHOUT OUT for all the super dopes who came - you guys are the best - too many to mention but super thanks to MarK F for the record, Jen for the Chocolae and James Glenny for the tireless art and travel!Special thanks to all Facebook Admins/ Dopey Zoom Hosts/ Arists/ musicians, writers and anyone who has been a part of our weird and wild podcast family. It all is very emotional for me.Super Special thanks to my family! Linda, susan and Norah for putting up with me through the insanity leading up to dopeycon. And super big thanks to my dad alan for sending me down the long horrible road of addiction that lead to recovery and dopey.Dopeycon is a ton of emotion for me - to see us all come together and have a good time means more than i can share. To hear that Dopey means anything to you is just so special and powerful for me. I know how much it would mean to Chris too. Stay Strong to our brothers and sisters in and out of recovery and fucking toodles for Chris. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Crack the Book, I'm still in awe of Shakespeare — and not ready to leave him behind. Somewhere between Falstaff's jokes and Othello's heartbreak, I realized just how much I've climbed the Shakespeare learning curve. The language that once felt impossible now feels like music, and these plays — Henry IV, Parts 1 & 2, and Othello — have been my favorite week yet.To start, though, I covered a little of Shakespeare's own history, so that we can better understand what was happening around him as he wrote his plays.The Henry IV plays are part of Shakespeare's “Henriad,” tracing Prince Hal's transformation from tavern-dwelling prankster to King Henry V. Part 1 sets up the tension between fathers and sons — King Henry and Hal, Northumberland and Hotspur — while Falstaff brings both comedy and chaos. I was surprised by how much I loved the histories: the mix of battle and banter, the political drama, and the emotional depth. By Part 2, the story turns elegiac. Henry IV is aging, Hal is ready to lead, and Falstaff's charm finally wears thin. The final father–son scenes left me sobbing under a tree outside our hotel — Shakespeare reached across 400 years and hit me right in the heart.Then comes Othello, which could not be more different. Where Falstaff is funny, Iago is chilling. He's not a misunderstood fool — he's pure manipulation, the “honest” man who deceives everyone. I was struck by how quickly Shakespeare draws each character: Desdemona's sweetness, Emilia's courage, Othello's nobility. The tragedy lands hard because we believe them all. And even here, amid jealousy and death, Shakespeare finds humor — like a quick, ridiculous debate about national drinking habits.I watched the Royal Shakespeare Company productions of Henry IV with Anthony Sher's Falstaff, and they were brilliant — vivid sword fights, excellent pacing, and real warmth. By Othello, I'd developed my ear enough to read without watching.This project keeps surprising me — and this week, it reminded me why Shakespeare endures. His plays aren't ancient; they're alive, human, and heartbreakingly funny.This is a year-long challenge! Join me next week for Giorgio Vasari's Lives of the Artists and Benvenuto Cellini's Autobiography.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts -

Antonín Dvořák - Othello OvertureBBC Philharmonic OrchestraStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550600Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 01:31:16 - Les Nuits de France Culture - par : Albane Penaranda - Dès son plus jeune âge, Orson Welles adorait Shakespeare. Il l'adapte plusieurs fois à la radio et lui consacre trois longs métrages : Macbeth, Othello, Falstaff. Ce numéro des Mardis du cinéma évoque avec plusieurs spécialistes les nombreuses similitudes entre les univers de Welles et Shakespeare. - réalisation : Emily Vallat - invités : Jean-Pierre Berthomé Critique, historien et enseignant (cinéma); François Thomas Historien du cinéma, collaborateur de la revue Positif et professeur à la Sorbonne Nouvelle

Our Corman Graduates series on exploitation filmmaker Jack Hill continues as we move on from Jack's American International Pictures days of COFFY and FOXY BROWN and move on to the next phase of his career, which gets a little help from Corman's New World Pictures staff, as he moves on to 1974's THE SWINGING CHEERLEADERS and 1975's SWITCHBLADE SISTERS.    Joining us to discuss the worlds of undercover college journalism and female gangs is none of than author and film historian Nathaniel Thompson of Mondo-Digital.com!   Nathaniel shares his love of Jack Hill with us, including stories about seeing his films in theaters, his theories on Jack Hill's career, and whether SWITCHBLADE SISTERS was indeed adapted from Shakespeare's Othello.  Why did Jack leave AIP? How did these two movies come about? Is THE SWINGING CHEERLEADERS a comedy? How did New World have a part (if any) in these movies? We do our best to answer these questions and celebrate the exploitation madness that is Jack Hill. To buy Nathaniel's book, The FrightFest Guide to Vampire Movies, head here. For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/

Hi everyone, thanks for listening. Drop a line or two about the episode! Omkara, Vishal Bhardwaj's critically acclaimed adaptation of Shakespeare's Othello, is unarguably one of the best Hindi film adaptations of all-time. Jamie Alter joins me as we look back on one of our favorite films of last 25 years.If you enjoy the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2025Support the showIf you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support

Back with more Shakespeare! Before we get started with Romeo and Juliet, A Midsummer Night's Dream, and The Tempest, I share a little about my experience with Shakespeare before this project.In short, it was almost ZERO. I tell you this so you can have confidence as you start your own Shakespeare journey. I have been shocked, amazed and gratified at how rewarding the time put in with Shakespeare has been. And now, on to the plays!This week's Shakespeare trio is a true mix of tones.Romeo & Juliet isn't merely a teen love story—it's an indictment of a society where everyone stays locked in their roles. No one is evil, yet parents, the Nurse, and Friar Lawrence all fail to act, and two young lives pay the price. Far more than “star-crossed lovers,” it's a drama of systemic failure that rewards an adult reread.After four tragedies, A Midsummer Night's Dream felt light and mischievous. Dame Judi Dench as Titania (in the 1960s BBC version) was delightful, though I found myself too drained for full comedy—still, it's hilarious on stage.Finally, The Tempest surprised me most: part adventure, part morality play. Prospero's obsession with magic—and his choice to reclaim true leadership—offers a sharp reminder that power and technology can distract from real responsibility.Three plays, three moods, and a deeper appreciation for Shakespeare's range. And we aren't done! Join us next week to finish our Shakespeare trilogy with a couple of histories and the wonderful, tragic, Othello.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)My Romeo and Juliet Movie PickMy Midsummer Night's Dream Movie PickCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Send us a textJoin me and writer/translator Michael Curtotti on a discussion about the literary patronage of the Este court. Centered around Micheal's new translation of the playwright and novella author Cinzio, our discuss dives deep into the cultural moment of Duke Ercole d'Este's Ferrara. Michael walks us through the history of Cinzio and his work, both in theater and prose. Further, Michael leads us through his translation of the short story that would eventually influence Shakespeare's Othello, primarily investigatin notions of Renaissance misogyny and racism.Acquire Michael Curtotti's "Cinthio's Desdemona: The Story that Inspired Othello": https://beyondforeignness.org/book/cinthios-desdemona-the-story-that-inspired-othelloSupport/Watch/Follow: linktr.ee/italian_renaissance_podcastGet additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

When Shakespeare wrote Othello, he set his Moorish general against the “general enemy Ottoman.” Elsewhere in his plays, he invoked “Turks,” “Saracens,” and “infidels”—terms that reveal just how present the Islamic world was in the English imagination. From Elizabeth I's diplomatic exchanges with Persia to the cultural impact of the Ottoman Empire, the Islamic world loomed large in the politics, religion, and drama of Shakespeare's England.This week, we're joined by Dr. Chloe Houston (University of Reading), a leading authority on Persia in early modern drama, and Dr. Mark Hutchings (University of Valladolid), whose research explores England's engagement with Islam on the Renaissance stage. Together, they unpack how Elizabethans understood the Ottomans, Persians, and North Africans, and how those encounters shaped both history and Shakespeare's works.Discover how global trade, diplomacy, stereotypes, and real-life ambassadors influenced depictions of Moors, Persians, and “Turks” onstage, and why Shakespeare's audiences would have found these references powerful, familiar, and sometimes unsettling.Listen now and explore the fascinating world of Elizabethan encounters with Islam in Shakespeare's plays. Hosted on Acast. See acast.com/privacy for more information.

George Othello, 72 ans, passe du coaching sportif à la prêtrise. by TOPFM MAURITIUS

Mr. Joe discusses his past weekend events, which led to his self-questioning of pathological jealousy. He reviews Othello Syndrome with the neighborhood, providing personal details and incidents.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Send us a textWelcome to Celebrate Creativity - Episode 458 - The Greatest of Them All, Part Two“In Episode 1, we followed Shakespeare from Stratford-upon-Avon to the bustling streets and theatres of London, watching him experiment with history, tragedy, and love. But the story doesn't stop there. From these early works, Shakespeare climbed higher, perfecting his craft and tackling the deepest questions of humanity.Take Hamlet, for instance. Here is a prince torn between revenge, morality, and his own inaction. With the simple, yet profound, words ‘To be, or not to be…,' Shakespeare captures a question that has haunted humans for centuries: what does it mean to act, and what does it mean to live? In King Lear, he explores family, power, and madness, peeling back the layers of human pride and vulnerability. In Othello, we watch jealousy and manipulation destroy trust, while Macbeth examines ambition, guilt, and the blurred lines between fate and choice. In each play, characters are no longer symbols or types—they are fully human, with thoughts, fears, and contradictions that mirror our own.That's like a musician dropping three platinum albums in twelve months. Shakespeare wasn't just producing — he was redefining what theater could be.This is the run that still leaves critics gasping: the great tragedies. Between about 1600 and 1608, he wrote Hamlet, Othello, King Lear, and Macbeth. It's the Shakespeare equivalent of The Beatles going from Help! to Sgt. Pepper in a handful of years.Support the showThank you for experiencing Celebrate Creativity.

Spoilers Warning! If you haven't finished reading the 900 pages of The Hallmarked Man and don't want to hear details from the novel, you will not enjoy this conversation about Strike8.John read the latest Strike-Ellacott novel by Thursday morning using the pre-publication head start, the Robert Glenister audiobook dropped early Tuesday morning, a bootleg epub version on his wife's iPad, and the codex hardcover that arrived at 5:00 on the day of release. Nick didn't finish until early Saturday but was already half-way through his second reading via audiobook by Sunday night.John didn't especially enjoy reading the book as fast as he did; Nick was frustrated that he could not read it faster than he did. Both were delighted by Rowling's work and are looking forward to the coming weeks of re-reading and ‘Tools, Springs, and Threads' analysis of its artistry and meaning.In this week's conversation, they touch on fandom disappointment with the new book before discussing how three predictions they'd made about Hallmarked Man played out, the three Real World targets of Rowling's wrath in her current work, John's preliminary work on the novel's epigraphs (and the Aurora Leigh-esque forgotten tome of epic poetry that may be Strike8's Rosmersholm or Faerie Queene), and what's next in their reading of Cormoran Strike.As is their wont, Nick and John refer to ideas and to people that Serious Readers will want to check up on or learn more about. Here are a selection of links to many of these subjects with their apology for those they've missed and their invitation to share counter-sources or requests for other links.They thank everyone who listens to these Lake and Shed conversations, those who join in the discussions in the comment thread below (how was your first reading of Hallmarked Man?), and especially for our paid subscribers who were polled for their questions and concerns last week for our consideration before we put our notes together.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Anteros-Eros Distinction in Cormoran StrikeCormoran & Robin and Odysseus & Penelope (Joanne Gray, 2019)I found out that this is actually the statue of Anteros—not Eros as it is popularly called. Anteros is the subject of the Shaftesbury Memorial in Piccadilly Circus, London, where he symbolizes the selfless philanthropic love of the Earl of Shaftesbury for the poor. The memorial is sometimes given the name The Angel of Christian Charity and is popularly mistaken for Eros, cf., Lloyd & Mitchinson (2006) The Book of General Ignorance “Because of the bow and the nudity… everybody assumed it was Eros, the Greek god of love.”https://en.wikipedia.org/wiki/Anteroshttps://www.theoi.com/Ouranios/ErosAnteros.htmlEros is the brother of Anteros and also pretty much the opposite of Eros.Reading Rowling at Four Levels (John Granger, 2021)Robin and Cormoran, even if you want to include Sam Barclay, are not a soul exteriorization akin to Harry, Hermione, and Ron. The psychomachia of the Strike novels is built on the Shakespearean soul-Spirit romantic model rather than the Platonic-Patristic body-mind-spirit soul triptych of ancient, Medieval, and contemporary film and written fiction. In this model, the man and woman lede players take the part of soul and spirit, Coomaraswamy's duo sunt in homine human and divine aspects, either as fixed roles as in Othello and The Tempest or in relation to the other, each being soul and embracing the other as supra-natural as in Romeo and Juliet and Antony and Cleopatra (see Lings and Pogson for that). Rowling's embedded models for this exteriorized drama of human sanctification are the myths of ‘Leda and the Swan‘ and ‘Psyche and Cupid‘ and the psychomachia spiritual allegories of Eros and Anteros, true and false Cupid, within Spenser's Faerie Queen, the Redcrosse Knight and Una as well as Britomart and Artegell.On Valentine Longcaster as the Erotic Cupid (Strike being the Anterotic Cupid)Valentine Longcaster is a hilarious cryptonym for Cupid, for whom Valentine is a second name (see the post on Valentine's Day in the Psyche and Eros post) and ‘Longcaster' is a reference to his weapon of choice, the bow and arrow of the god of love. He pricks Strike at the direction of Venus-Charlotte, in some myths his mother, in others a lover and cousin or brother (murky waters!), and sets in motion the long-range plan of the envious ex to destroy Robin and Cormoran's budding relationship.Add ‘Valentine Longcaster' to the pile of evidence for this particular backdrop and let's continue to look for parallels and links Rowling has playfully embedded in the psycho-spiritual, neo-mythological allegory of the soul's journey to perfection, and specifically the souls of women.For much more on this Eros-Anteros distinction and its importance in grasping the allegorical meaning of the Strike-Ellacott relationship, see Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (John Granger, 2022)Fandom Response to Hallmarked Man:From the Reddit r/Cormoran Strike page:Hogwarts Professor Predictions for Hallmarked Man:* Charlotte was Murdered (Nick Jeffery), Really, It Wasn't a Suicide (John Granger)‘Charlotte' mentioned twice as often in Strike 8 as ‘Cormoran' and Valentine Longcaster's interview with Robin Ellacott has a major ‘tell' at its finish (cf. p 451, ch 62).* Robin Ellacott is Sterile (John Granger), Rowling Studies podcastEctopic Pregnancy consequent to PID and Murphy Pregnancy Trap leading to de facto sterility prediction appears as story-line in Chapter 3 of Hallmarked Man* The Baby in the LakeHallmarked Man is Rowling's ‘Baby Novel.'Rowling's Three Targets in Hallmarked Man's Surface Story* The Ideologically Captured Police and Media and the ‘False Religion' of Freemasonry's Control of the Police in Hallmarked ManRowling's Week of publication tweets and retweets about UK police taking the side of Trans Activists and against Gender Critical feminists: * https://x.com/iain_masterton/status/1963545948711219320 (JKR retweet)* https://x.com/joannaccherry/status/1963547738722668666 (ditto)* https://x.com/jk_rowling/status/1963528602164555894* https://x.com/jk_rowling/status/1963297139905167722* https://x.com/jk_rowling/status/1962847107343139014* https://x.com/jk_rowling/status/1963465628053848363* https://x.com/jk_rowling/status/1963299236365140305* https://x.com/jk_rowling/status/1963298726417457300* https://x.com/soniasodha/status/1963185964630647295 (JKR retweet; nota bene)* https://x.com/Jebadoo2/status/1962959405160239135 (JKR retweet)* https://x.com/joannaccherry/status/1962930361035374703 (retweet)* https://x.com/jk_rowling/status/1962932333025067268* https://x.com/JohannLamont/status/1963658557007749364 (retweet)Boris Johnson and Lord BranfootBoris Johnson hosting the show. 2003 (YouTube)Boris Johnson's Personal Image or Brand (Wikipedia)Max Hastings referred to Johnson's public image as a "façade resembling that of P. G. Wodehouse's Gussie Fink-Nottle, allied to wit, charm, brilliance and startling flashes of instability",[4] while political scientist Andrew Crines stated Johnson displayed "the character of a likable and trustworthy individual with strong intellectual capital".[5] Private Eye editor Ian Hislop has defined him as "Beano Boris" due to his perceived comical nature, saying: "He's our Berlusconi ... He's the only feel-good politician we have, everyone else is too busy being responsible."[6] To the journalist Dave Hill, Johnson was "a unique figure in British politics, an unprecedented blend of comedian, conman, faux subversive showman and populist media confection".* “Mentally Ill Islamophobes”2021-22 Census ~ Islam in the UK Demographics: 6% UK, 6.7% England, 15% LondonUK 'Grooming Gangs': Deriving Per-Capita Offence Rates by EthnicityInstitute for Social Policy Research (UK) An independent, data-driven social-policy research institute focusing on UK political affairs.We therefore conclude that consistent with widespread public perceptions, whilst available evidence is not exhaustive, the mean rate derived from four of the most comprehensive studies available to date on share of CSEGG crimes by ethnicity does affirm the picture that Asians and Blacks are overrepresented in such crimes. Curiously, with much of the attention devoted to “Asians” (predominantly Pakistani gangs), it is notable that Blacks are similarly overrepresented, with our weighted rate providing limited evidence of even greater over-representation than Asians.Please note, however —For the CEOP study that ISPR use, footnote 1 shows the selection criteria, excluding all abuse initiated in a familial or fraternal (house based) relationship:"Where “localised-grooming” is defined as: “a form of sexual exploitation – previously referred to as ‘on street grooming' in the media - where children have been groomed and sexually exploited by an offender, having initially met in a location outside their home. this location is usually in public, such as a park, cinema, on the street or at a friend's house. Offenders often act together, establishing a relationship with a child or children before sexually exploiting them. some victims of ‘street grooming' may believe that the offender is in fact an older ‘boyfriend'; these victims introduce their peers to the offender group who might then go on to be sexually exploited as well. abuse may occur at a number of locations within a region and on several occasions. ‘Localised grooming' was the term used by CEOP in the intelligence requests issued to police forces and other service agencies in order to define the data we wished to receive.” (footnote 1, p. 7)"They also exclude the 39% of cases where race was not included in the data. It would be sensible to assume that ethnicity was not recorded when the ethnicity of both perpetrators and the victim were the UK default.Removing the selection criteria shows that people of Asian ethnicity are under-represented in child sex abuse cases compared to White British: https://www.csacentre.org.uk/app/uploads/2024/02/Trends-in-Offical-Data-2022-23-FINAL.pdfJulie Blindel pushes back on the ‘Grooming Gang as Muslim problem' narrative:To say that the only reason the police were complacent when it came to the grooming gangs of Rochdale, Rotherham, Telford, and elsewhere was because (some of) these men were Pakistani Muslim, is madness. The ethnicity and religion of these men is relevant, but not in the way the racists would have us believe. It is relevant because it was seen as a phenomena perpetrated because of ethnicity as opposed to male violence towards females. Look at it any other way betrays the vast majority of girls that fall prey to these men.The Epigraph Authors — and a hidden Book Behind the Book?* Albert Pike, Confederate States of America General* Louise Freeman Davis on John Oxenham's Maid of the Silver Sea* Aurora Leigh (Elizabeth Barret Browning) and Ink Black Heart* The Ring and the Book (Robert Browning)* Pompilia: A Feminist Reading of 'The Ring and the Book'Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

On this episode, we discuss the best (and worst) film adaptations of Shakespeare's OTHELLO and why it translates well cinematically!  Panel: Kristin Battestella, Amy Thomasson, Jaylan Salah Visit insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe on your podcast app of choice! insessionfilm.com/subscribe

New music from Lecrae, Shad, Anike, and more! Playlist: "Rise Again" by MC Jin "Pass Me The Mic" by Victor Claye "Wins" by Brad Sabat "Don't Mind Me (ft. Shad)" by Propaganda "On Time (ft. Miles Minnick)" by Lecrae "Jesus Muzik (ft. Queen Lee, 1k Phew)" by Anike (Wande) "Vibrations (ft. Krum)" by Sareem Poems "Answer" by River Movement "Eyes On The Lord" by Kidd Lee "Agape (ft. ATTAM & Joshua Penn)" by J.Solo "Godfather" by YakiTheKid & tonyxtrotter "CAREFUL (ft. Cordae)" by NF "Dip (ft. BigBreeze, Swaizy, MEEZO!)" by 116 "Now That I'm Older (ft. JustMe)" by Cas Metah "Willie Vasquez" by The Battery "Bars and BBQs" by Shad "Brand New Day (ft. Othello, Consafos, DJ Aslan)" by Sivion Vote on the playlist at www.definitionradio.com/show/964 Leave your requests/shout-outs on our socials www.facebook.com/DefinitionRadio www.instagram.com/DefinitionHH www.twitter.com/DefinitionHH www.krosswerdz.com

There are no spoilers in this episode. Alex breaks down the opening segment of Akira Kurosawa's masterpiece, “High and Low,” before bringing Nick on to review Spike Lee's remake, “Highest 2 Lowest.” The guys discuss Spike's post-“Inside Man" career, seeing Denzel Washington in “Othello” on Broadway, other remakes of Kurosawa's work, Matthew Libatique, Dean Winters, Jules Dassin, and much more.Follow @WAYW_Podcast on Twitter / Instagram / LetterboxdSend mailbag questions to whatareyouwatchingpodcast@gmail.com

Welcome back to the 243rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 243rd episode we have an episode of “The Cup: Editorial” in which Co-Artistic Producers Mackenzie and Ryan discuss famous faces, the history of exorbitant ticket prices, and what Canadian producers might be able to learn from the success of Denzel Washington's Othello on Broadway. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuRyan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow us on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

James Shapiro wears many hats – author, scholar, cultural historian, consultant to New York's Public Theatre – discusses his work with actors and students, as well as his invaluable books A Year in the Life of William Shakespeare: 1599, The Year of Lear: Shakespeare in 1606, and Shakespeare in a Divided America. Shapiro also shares experiences of working on this summer's Twelfth Night in New York's Central Park; working with Denzel Washington and Jake Gyllenhaal on Broadway in Othello; how he first discovered Shakespeare; what he learns from working with actors; the power of knowing whether a thou is a formal thou or an eff-you thou; being scolded (rightly!) by F. Murray Abraham; whether he prefers to be known as a historian, a mensch, or the Shakespeare Guy; how his thoughts about America have evolved since he wrote Shakespeare in a Divided America; how his correspondence with a Supreme Court justice was the Shakespeare in the coal mine; and how we look at the news for what's happening today but turn to Shakespeare to find out what's at stake. (Length 26:51) The post Shakespearean James Shapiro appeared first on Reduced Shakespeare Company.

In Episode 148, we dissect the media's role in gaslighting, rewriting, or ignoring the Russia collusion narrative, once touted as fact but now unraveling. Former CIA Director John Ratcliffe reveals more disclosures are imminent from the CIA and FBI, exposing the narrative's cracks. We then explore Shakespeare's timeless insights into human emotions and ambitions, mirrored in today's news: Othello reflects Russiagate's deceit, The Tempest echoes Project Mockingbird's control, Julius Caesar exposes media manipulation of public sentiment, and Macbeth warns of ambition justifying unethical means. The episode concludes with the fiery Texas redistricting showdown, where political lines fuel debate, CNN's Abby Phillip clashing over a debunked NYTimes photo hoax, and Senator Elizabeth Warren's support for Mamdani's socialist agenda. Join us for a deep dive into how media, literature, and politics intertwine, revealing truths about power and deception in today's world. Tune in for Episode 148! Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR,  TRUTH Social and YouTube by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!!

Freddie interviews Othello Martins they talk about the release of his new book A Night's Tale and how the concept came about. How he pulls from different life experiences to grab inspiration and how it translates from pen to paper. Where poetry is best performed and if the performance aspect will become a goal for him if he's overseas traveling. How artists can use books, songs or past scenarios to turn into different avenues such as tv shows. His future endeavors he wants to pursue whether it be more books, songwriting and or collaborating with other artists to put projects out in the future. Thanks for all the support if you haven't already drop a review and rate to spread the word. Subscribe to the youtube channel for the videos. www.youtube.com/freddieamadi Instagram: @freddieamadi Instagram: @itsrealserious Instagram: @othellomartins Instagram: @wordsbyothellomartins

durée : 01:24:35 - Les Nuits de France Culture - par : Albane Penaranda - En 1996, un an après sa disparition, un portrait de Miklos Rozsa, un des plus grands compositeurs de musique de cinéma. Trois Oscars : en 1945 pour "La Maison du docteur Edwardes" d'Alfred Hitchcock, en 1947 pour "Othello" de George Cukor, et pour "Ben-Hur" de William Wyler en 1959. - réalisation : Virginie Mourthé - invités : Miklos Rosza

In this episode, we dive deep into Orson Welles' ambitious and visually stunning 1951 adaptation of Shakespeare's Othello. Known for its turbulent production—spanning years, continents, and funding challenges—Welles' Othello is as much a story about the making of a film as it is about the tragic Moor of Venice. We'll explore how Welles' unique cinematic vision transformed Shakespeare's text into a noir-infused, dreamlike masterpiece, analyzing his bold use of shadow, striking close-ups, and inventive editing. We'll also discuss the film's performances, including Welles' commanding yet vulnerable take on Othello and Micheál Mac Liammóir's chilling portrayal of Iago. Finally, we'll examine how this film fits into Welles' career and why it remains one of his most underappreciated works.Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

What happens when you combine decades of sales wisdom with cutting-edge AI coaching? You get a fascinating conversation about the future of sales performance. In this episode, Chris and Corey sit down with Jared Zelman, CEO of Othello (formerly Cicero), who's built an AI virtual assistant that coaches sales reps through every part of their deals in real-time. From whispered suggestions during discovery calls to automated follow-ups, Othello is turning B-players into A-players and saving top performers 7+ hours per week. Discover why Sandler methodology emerged as the AI's preferred approach, learn the difference between going "rote" versus "rogue" in sales situations, and find out how simple desktop notifications are creating 15% win rate improvements across Fortune 500 companies. Whether you're struggling with team performance consistency or looking to scale coaching across your organization, this episode reveals how AI is finally solving the age-old challenge of converting average performers into top producers. Join us for this episode, "Rote vs. Rogue: The Fine Line Between Sales Mastery and Sales Mediocrity." https://www.othello.ai/ 

Remember that Othello movie project starring Daniel Craig? Or a remake of Chitty Chitty Bang Bang? Less than a year, Bond film fans cared. Not so much now.

Criterion hasn't shown us a lot of classic westerns; this is only our sixth western in a broad definition, and of those only our third made before 1980 (or 1960 for that matter). I don't know if there's any conclusions to be drawn, but it seems a bit weird given how popular the genre has been throughout film history. Anyway, when we do get them, Criterion seems to favor ones that are elevate melodrama to Shakespearean levels, and Delmar Daves Jubal (1956), "Othello on the Range", is firmly in that camp, with an absolutely phenomenal cast to boot.

Danger doesn't always announce itself with bruises or broken bones. Sometimes it lurks beneath the surface, wrapped in excuses, disguised as sleep, masquerading as concern. During this powerful episode, we uncover the reality of psychological abuse that happens within the supposed safety of intimate partnerships. We explore three particularly devastating forms: abuse disguised as sleep disorders, where partners deliberately cause harm and then claim they were dreaming; delusional jealousy (clinically known as Othello's syndrome), where irrational accusations of infidelity become tools for control; and identity invalidation, a systematic erasure of a person's history, accomplishments, and sense of self.These patterns often go unrecognized because they don't fit conventional understandings of domestic violence. A husband who presses on his wife's eyeballs in the night and claims he was fighting monsters in his dreams isn't just having a parasomnia episode—he's creating a perfect cover for deliberate harm. A partner who becomes fixated on implausible affairs with pastors or distant acquaintances isn't merely insecure—they're establishing grounds for surveillance and isolation. And when someone rewrites your childhood memories or diminishes your professional identity because you've paused your career to raise children, they're not being critical—they're systematically dismantling your sense of self.We also address the complex question of why women stay, especially in situations where material comfort masks emotional devastation. "Leaving isn't always safe, and sometimes the prison has chandeliers." The contrast between a mansion and a shelter, between marble floors and survival mode, creates painful dilemmas that outsiders rarely understand.If you recognize these patterns in your relationship or in someone you love, please reach out to the National Domestic Violence Hotline at 1-800-799-7233. Remember: you are not crazy, you are not alone, and your life—your real, beautiful, whole life—is not up for debate. Stay safe, stay sane, and stay supported.Support the show

Theatre and magic collide as Erik Christopher Peterson kicks off a seven-episode Harry Potter and the Cursed Child cast takeover on the podcast. In this deep-dive conversation, Erik reflects on growing up with a theatre educator dad, trading in his baseball glove for the stage, and eventually making his Broadway debut as Scorpius Malfoy. He shares the inspiration behind some of his original plays (like the hilariously surreal The Tragedy of Clownpheus and EuridIceCream), how Shakespeare continues to influence his work, and the joy of building his version of Scorpius eight shows a week. Erik talks about navigating the illusion-heavy world of Cursed Child, from mastering time turners and flaming trolleys to discovering emotional nuance in the show's father-son themes and the beautifully complex friendship between Scorpius and Albus. He opens up about performance anxiety, self-care, and the unexpected fan art that continues to move him. It's a candid, heartfelt look at what it means to debut on Broadway in one of its most technically complex productions. Erik Christopher Peterson is a writer, director, and actor whose credits include The Importance of Being Earnest, Othello, and several original plays he co-created, such as The Tragedy of Clownpheus and EEuridIceCream. He graduated from Webster University and currently stars as Scorpius Malfoy in Harry Potter and the Cursed Child on Broadway. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Erik IG: @erik.c.peterson Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

January 18, 1604: King James, a Protestant, announces that he will commission an English translation of the Bible.January 16, 1605: Miguel de Cervantes' Don Quixote is published in Spain. It is considered to be the first modern novel. Every sophisticated storytelling device used by the best writers today made its initial debut in Don Quixote.February 28, 1605: A 41-year-old Italian named Galileo publishes an astronomical text written as an imagined conversation. A pair of Paduan peasants talk about Kepler's Supernova.One says, “A very bright star shines at night like an owl's eye.”And the other replies, “And it can still be seen in the morning when it is time to prune the grapevines!”The observations of the peasants clearly disprove the widely held belief that the earth is the center of the universe. The authorities take note. Uh-oh for Galileo.November 1, 1605: Shakespeare's Othello is first performed for King James in the banqueting hall at Whitehall Palace in London.Meanwhile, a group of English Roman Catholics stack 36 barrels of gunpowder under the floor of the Palace of Westminster. Their plan is to blow up the king, his family, and the entire legislature on November 5, 1605.The Gunpowder Plot is discovered by a night watchman just a few hours before Guy Fawkes was to have lit the fuse.Shakespeare immediately begins writing a new play. In it, a ruler gives enormous power to those who flatter him, but his insanity goes unnoticed by society. “King Lear” is regularly cited as one of the greatest works of literature ever written.May 13, 1607: One hundred and four English men and boys arrive in North America to start a settlement in what is now Virginia. They name it “Jamestown” after King James. The American Experiment has begun.Don Quixote, Galileo, Shakespeare, the crisis of King James, and the founding of Jamestown in the New World…All of this happens within a span of just 28 months. Flash forward…May 2, 1611: The English Bible that will be known as the King James Version is published.April 23, 1616: Shakespeare and Cervantes – the great voices of England and Spain – die just a few hours apart. (Galileo continues until 1642.)July 4, 1776: The 13 colonies of the American Experiment light a fuse of their own and the Revolutionary War engulfs the Atlantic coast.November 19, 1863: Abraham Lincoln looks out over a field of 6,000 acres. He says,“Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure.”Lincoln ends his speech one minute later. His hope is that “government of the people, by the people, for the people, shall not perish from the earth.”Lincoln's fear is that “the people” will not remain firmly united enough to resist the takeover of a tyrant. We know this because he opens his speech by referring to our 1776 Declaration which rejected crazy King George. America had escaped George's heavy-handed leadership just –”four...

This week, we plunge headfirst into the moral void—starting with Cristiano Ronaldo, who just inked another Saudi contract big enough to make oil executives blush and human rights quietly weep. Then we introduce the world's most jealous woman, a walking red flag with night vision goggles and a court order pending. Ever wondered which profession cheats the most? We've got the stats—and let's just say your next physical might include an emotional scar. Finally, BlackRock is suing UnitedHealthcare in a corporate Thunderdome so savage, even Satan called it “a bit much.”Grab your headphones, hide your spouse, and prepare to lose a little more faith in humanity.

In this episode of IDM, Shorts and Othello go after the trend of people saying they've 'read' a book they've actually 'listened to' on Audible. And the ASMR blowjob craze that's running amok on YouTube.

My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare's works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues. Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history. Singh's book shows how our reading of Shakespeare's plays such as ‘The Tempest,' ‘Hamlet,' and ‘Othello' has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh's book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field. Author of the article on The Tempest mentioned at around 35:40 is as follows: Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare's works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues. Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history. Singh's book shows how our reading of Shakespeare's plays such as ‘The Tempest,' ‘Hamlet,' and ‘Othello' has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh's book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field. Author of the article on The Tempest mentioned at around 35:40 is as follows: Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare's works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues. Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history. Singh's book shows how our reading of Shakespeare's plays such as ‘The Tempest,' ‘Hamlet,' and ‘Othello' has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh's book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field. Author of the article on The Tempest mentioned at around 35:40 is as follows: Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the year 1603, just as Shakespeare was writing Othello and the reign of Elizabeth I was transitioning to James I, Galileo Galilei—famous for exploring the heavens—was also measuring the invisible. Among his lesser-known inventions was a device called the thermoscope, an elegant glass instrument that could detect changes in temperature—centuries before the modern thermometer. Today, we call it the Galilean thermometer, named after Galileo because he discovered the principle that the density of a liquid changes in proportion to its temperature—a concept that set the foundations for modern meteorology.To help us explore how Galileo made his discoveries, exactly how a Galilean thermometer works, and how these scientific advancements were received in Shakespeare's England, we're joined by Dr. Dario Camuffo, author of extensive research on Galileo's contributions to the measurement of temperature and the early development of thermometers. Hosted on Acast. See acast.com/privacy for more information.

Up now on Patreon (3hr20h)3 months in the making, we get into a century of Dropping Out, DIY, and the conditions of self-preservation featuring mathematician Alexander Groethendieck, artist Lee Lozano, Cormac McCarthy, Shelly Duvall, and Sarah Records. As public life become further cauterized some will declout, some join the Santa Fe institute, and some refuse to speak to other woman for 27 years. Time to find out why Groethendieck's reasons for leaving the mathematics community, abstract financial systems and their influence on human creativity, ‘healthy disillusionment', the hollowing out of Pax Americana, Applied Quantum Mechanics, Cindy Lee album, reason's obscure other, ‘comparing yourself to old stories', Kazemir Malevich: Suprematism, from Shakespeare's Othello, King Leer, Macbeth, Industry Plant Aktion, refusing the art-world, semiotic superficially, ‘High-Energy Scattering', Dictator to Oneself, Wim Wender's “Perfect Days”, the infamous Shelly Duvall Dr. Phil episode, Alex Bienstock, what people learn from Wittgenstein, Bristol's Sarah Records and the politics of C86 jangle pop, micro-science and more.

Othello and Shorts swap stories from their IDM family 4th of July celebration together. Shorts explains why he's terrified of his upcoming vacation and shares some breaking personal news with The DAWGZ.

The JBP begins the latest episode with quick recaps from Lil Wayne's concert at Madison Square Garden last Friday (16:00) along with Marc's attendance at ‘Othello' and meeting Denzel Washington (21:40). The room then dives into a full recap of the 2025 BET Awards including performances and award winners (45:15), Tyler Perry's speech warning the erasure of black history (1:16:14), as well as Wale's run in with Kai Cenat (1:31:30). Also, Ciara tells Jim Jones that it's time to get married leading the crew to discussing the unintentional disrespect behind the comments (1:46:55), QueenzFlip shares his experience at the Puerto Rican Day Parade (1:59:40), Sexyy Red checks Ray J (2:47:37), Coco Gauff's French Open win leads to post-match comments from her opponent Aryna Sabalenka (3:01:26),  and much more! Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden  Sleeper Picks:  Joe | Leon Thomas & Kehlani - “DIRT ON MY SHOES” Ice | EST Gee - “Take my time Geeski SH Feb 23” Parks | Coyote - “Product Of Immigration” Ish | DAMEDAME* - “PROMISE” Melyssa | Leven (feat. Grace Weber) - “Meet Up” Marc | The Roots - “Star/Pointro”

 The latest JBP episode begins with a recap of Mother's Day 2025 (19:00) as well as the room's review of Kendrick Lamar & SZA's show at Metlife Stadium last Friday night (26:38). Melyssa shares her experience at the Broadway revival of Shakespeare's "Othello" featuring Denzel Washington and Jake Gyllenhaal (52:38), P. Diddy's trial is underway (1:03:10), and the latest from Tory Lanez after he was rushed to a hospital following a stabbing (1:23:34). Also, the NBA's Draft Lottery (1:44:37) and Michael Jordan is set to join NBA on NBC (1:52:40), triggering text messages and communication expectations (1:56:49), Jayden Daniels mother appears on ‘The Pivot' to address her public backlash (2:19:35), Joe says he's standing with Teyana Taylor (2:44:55), and much more! Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden  Sleeper Picks:  Joe | Mariah the Scientist - “Burning Blue” Ice | Snoop Dogg - “Unsung Heroes” Parks | Ben Kenobe - “SMOKE” Ish | TA Thomas - “Devotion” Melyssa | Anike - “WAKANDE”

Elizabeth I's excommunication by the Pope in 1570 marked the beginning of an extraordinary - and little-known - English alignment with Muslim powers that were fighting Catholic Spain in the Mediterranean. This engagement with, and awareness of, Islam found its way into scores of plays, including Shakespeare's Othello.In this episode of Not Just the Tudors, first released in September 2021, Professor Suzannah Lipscomb talks to Professor Jerry Brotton about England's fascinating relations with the Muslim world, which were far more extensive, and often more amicable, than we might think.Presented by Professor Suzannah Lipscomb. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Watch Mike Loades embark on a hands-on exploration into the amazing history of dogs in his new History Hit documentary, Dogs of the Tudors. Sign up to History Hit for that and hundreds more hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at: https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on