Podcasts about Othello

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Robert Mikluš letos zazářil na Letních shakespearovských slavnostech coby Othello. Do povědomí veřejnosti ale pronikl jako strážmistr Topinka ze seriálu Doktor Martin.

Send us a textWelcome to Celebrate Creativity - Episode 458 - The Greatest of Them All, Part Two“In Episode 1, we followed Shakespeare from Stratford-upon-Avon to the bustling streets and theatres of London, watching him experiment with history, tragedy, and love. But the story doesn't stop there. From these early works, Shakespeare climbed higher, perfecting his craft and tackling the deepest questions of humanity.Take Hamlet, for instance. Here is a prince torn between revenge, morality, and his own inaction. With the simple, yet profound, words ‘To be, or not to be…,' Shakespeare captures a question that has haunted humans for centuries: what does it mean to act, and what does it mean to live? In King Lear, he explores family, power, and madness, peeling back the layers of human pride and vulnerability. In Othello, we watch jealousy and manipulation destroy trust, while Macbeth examines ambition, guilt, and the blurred lines between fate and choice. In each play, characters are no longer symbols or types—they are fully human, with thoughts, fears, and contradictions that mirror our own.That's like a musician dropping three platinum albums in twelve months. Shakespeare wasn't just producing — he was redefining what theater could be.This is the run that still leaves critics gasping: the great tragedies. Between about 1600 and 1608, he wrote Hamlet, Othello, King Lear, and Macbeth. It's the Shakespeare equivalent of The Beatles going from Help! to Sgt. Pepper in a handful of years.Support the showThank you for experiencing Celebrate Creativity.

Spoilers Warning! If you haven't finished reading the 900 pages of The Hallmarked Man and don't want to hear details from the novel, you will not enjoy this conversation about Strike8.John read the latest Strike-Ellacott novel by Thursday morning using the pre-publication head start, the Robert Glenister audiobook dropped early Tuesday morning, a bootleg epub version on his wife's iPad, and the codex hardcover that arrived at 5:00 on the day of release. Nick didn't finish until early Saturday but was already half-way through his second reading via audiobook by Sunday night.John didn't especially enjoy reading the book as fast as he did; Nick was frustrated that he could not read it faster than he did. Both were delighted by Rowling's work and are looking forward to the coming weeks of re-reading and ‘Tools, Springs, and Threads' analysis of its artistry and meaning.In this week's conversation, they touch on fandom disappointment with the new book before discussing how three predictions they'd made about Hallmarked Man played out, the three Real World targets of Rowling's wrath in her current work, John's preliminary work on the novel's epigraphs (and the Aurora Leigh-esque forgotten tome of epic poetry that may be Strike8's Rosmersholm or Faerie Queene), and what's next in their reading of Cormoran Strike.As is their wont, Nick and John refer to ideas and to people that Serious Readers will want to check up on or learn more about. Here are a selection of links to many of these subjects with their apology for those they've missed and their invitation to share counter-sources or requests for other links.They thank everyone who listens to these Lake and Shed conversations, those who join in the discussions in the comment thread below (how was your first reading of Hallmarked Man?), and especially for our paid subscribers who were polled for their questions and concerns last week for our consideration before we put our notes together.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Anteros-Eros Distinction in Cormoran StrikeCormoran & Robin and Odysseus & Penelope (Joanne Gray, 2019)I found out that this is actually the statue of Anteros—not Eros as it is popularly called. Anteros is the subject of the Shaftesbury Memorial in Piccadilly Circus, London, where he symbolizes the selfless philanthropic love of the Earl of Shaftesbury for the poor. The memorial is sometimes given the name The Angel of Christian Charity and is popularly mistaken for Eros, cf., Lloyd & Mitchinson (2006) The Book of General Ignorance “Because of the bow and the nudity… everybody assumed it was Eros, the Greek god of love.”https://en.wikipedia.org/wiki/Anteroshttps://www.theoi.com/Ouranios/ErosAnteros.htmlEros is the brother of Anteros and also pretty much the opposite of Eros.Reading Rowling at Four Levels (John Granger, 2021)Robin and Cormoran, even if you want to include Sam Barclay, are not a soul exteriorization akin to Harry, Hermione, and Ron. The psychomachia of the Strike novels is built on the Shakespearean soul-Spirit romantic model rather than the Platonic-Patristic body-mind-spirit soul triptych of ancient, Medieval, and contemporary film and written fiction. In this model, the man and woman lede players take the part of soul and spirit, Coomaraswamy's duo sunt in homine human and divine aspects, either as fixed roles as in Othello and The Tempest or in relation to the other, each being soul and embracing the other as supra-natural as in Romeo and Juliet and Antony and Cleopatra (see Lings and Pogson for that). Rowling's embedded models for this exteriorized drama of human sanctification are the myths of ‘Leda and the Swan‘ and ‘Psyche and Cupid‘ and the psychomachia spiritual allegories of Eros and Anteros, true and false Cupid, within Spenser's Faerie Queen, the Redcrosse Knight and Una as well as Britomart and Artegell.On Valentine Longcaster as the Erotic Cupid (Strike being the Anterotic Cupid)Valentine Longcaster is a hilarious cryptonym for Cupid, for whom Valentine is a second name (see the post on Valentine's Day in the Psyche and Eros post) and ‘Longcaster' is a reference to his weapon of choice, the bow and arrow of the god of love. He pricks Strike at the direction of Venus-Charlotte, in some myths his mother, in others a lover and cousin or brother (murky waters!), and sets in motion the long-range plan of the envious ex to destroy Robin and Cormoran's budding relationship.Add ‘Valentine Longcaster' to the pile of evidence for this particular backdrop and let's continue to look for parallels and links Rowling has playfully embedded in the psycho-spiritual, neo-mythological allegory of the soul's journey to perfection, and specifically the souls of women.For much more on this Eros-Anteros distinction and its importance in grasping the allegorical meaning of the Strike-Ellacott relationship, see Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (John Granger, 2022)Fandom Response to Hallmarked Man:From the Reddit r/Cormoran Strike page:Hogwarts Professor Predictions for Hallmarked Man:* Charlotte was Murdered (Nick Jeffery), Really, It Wasn't a Suicide (John Granger)‘Charlotte' mentioned twice as often in Strike 8 as ‘Cormoran' and Valentine Longcaster's interview with Robin Ellacott has a major ‘tell' at its finish (cf. p 451, ch 62).* Robin Ellacott is Sterile (John Granger), Rowling Studies podcastEctopic Pregnancy consequent to PID and Murphy Pregnancy Trap leading to de facto sterility prediction appears as story-line in Chapter 3 of Hallmarked Man* The Baby in the LakeHallmarked Man is Rowling's ‘Baby Novel.'Rowling's Three Targets in Hallmarked Man's Surface Story* The Ideologically Captured Police and Media and the ‘False Religion' of Freemasonry's Control of the Police in Hallmarked ManRowling's Week of publication tweets and retweets about UK police taking the side of Trans Activists and against Gender Critical feminists: * https://x.com/iain_masterton/status/1963545948711219320 (JKR retweet)* https://x.com/joannaccherry/status/1963547738722668666 (ditto)* https://x.com/jk_rowling/status/1963528602164555894* https://x.com/jk_rowling/status/1963297139905167722* https://x.com/jk_rowling/status/1962847107343139014* https://x.com/jk_rowling/status/1963465628053848363* https://x.com/jk_rowling/status/1963299236365140305* https://x.com/jk_rowling/status/1963298726417457300* https://x.com/soniasodha/status/1963185964630647295 (JKR retweet; nota bene)* https://x.com/Jebadoo2/status/1962959405160239135 (JKR retweet)* https://x.com/joannaccherry/status/1962930361035374703 (retweet)* https://x.com/jk_rowling/status/1962932333025067268* https://x.com/JohannLamont/status/1963658557007749364 (retweet)Boris Johnson and Lord BranfootBoris Johnson hosting the show. 2003 (YouTube)Boris Johnson's Personal Image or Brand (Wikipedia)Max Hastings referred to Johnson's public image as a "façade resembling that of P. G. Wodehouse's Gussie Fink-Nottle, allied to wit, charm, brilliance and startling flashes of instability",[4] while political scientist Andrew Crines stated Johnson displayed "the character of a likable and trustworthy individual with strong intellectual capital".[5] Private Eye editor Ian Hislop has defined him as "Beano Boris" due to his perceived comical nature, saying: "He's our Berlusconi ... He's the only feel-good politician we have, everyone else is too busy being responsible."[6] To the journalist Dave Hill, Johnson was "a unique figure in British politics, an unprecedented blend of comedian, conman, faux subversive showman and populist media confection".* “Mentally Ill Islamophobes”2021-22 Census ~ Islam in the UK Demographics: 6% UK, 6.7% England, 15% LondonUK 'Grooming Gangs': Deriving Per-Capita Offence Rates by EthnicityInstitute for Social Policy Research (UK) An independent, data-driven social-policy research institute focusing on UK political affairs.We therefore conclude that consistent with widespread public perceptions, whilst available evidence is not exhaustive, the mean rate derived from four of the most comprehensive studies available to date on share of CSEGG crimes by ethnicity does affirm the picture that Asians and Blacks are overrepresented in such crimes. Curiously, with much of the attention devoted to “Asians” (predominantly Pakistani gangs), it is notable that Blacks are similarly overrepresented, with our weighted rate providing limited evidence of even greater over-representation than Asians.Please note, however —For the CEOP study that ISPR use, footnote 1 shows the selection criteria, excluding all abuse initiated in a familial or fraternal (house based) relationship:"Where “localised-grooming” is defined as: “a form of sexual exploitation – previously referred to as ‘on street grooming' in the media - where children have been groomed and sexually exploited by an offender, having initially met in a location outside their home. this location is usually in public, such as a park, cinema, on the street or at a friend's house. Offenders often act together, establishing a relationship with a child or children before sexually exploiting them. some victims of ‘street grooming' may believe that the offender is in fact an older ‘boyfriend'; these victims introduce their peers to the offender group who might then go on to be sexually exploited as well. abuse may occur at a number of locations within a region and on several occasions. ‘Localised grooming' was the term used by CEOP in the intelligence requests issued to police forces and other service agencies in order to define the data we wished to receive.” (footnote 1, p. 7)"They also exclude the 39% of cases where race was not included in the data. It would be sensible to assume that ethnicity was not recorded when the ethnicity of both perpetrators and the victim were the UK default.Removing the selection criteria shows that people of Asian ethnicity are under-represented in child sex abuse cases compared to White British: https://www.csacentre.org.uk/app/uploads/2024/02/Trends-in-Offical-Data-2022-23-FINAL.pdfJulie Blindel pushes back on the ‘Grooming Gang as Muslim problem' narrative:To say that the only reason the police were complacent when it came to the grooming gangs of Rochdale, Rotherham, Telford, and elsewhere was because (some of) these men were Pakistani Muslim, is madness. The ethnicity and religion of these men is relevant, but not in the way the racists would have us believe. It is relevant because it was seen as a phenomena perpetrated because of ethnicity as opposed to male violence towards females. Look at it any other way betrays the vast majority of girls that fall prey to these men.The Epigraph Authors — and a hidden Book Behind the Book?* Albert Pike, Confederate States of America General* Louise Freeman Davis on John Oxenham's Maid of the Silver Sea* Aurora Leigh (Elizabeth Barret Browning) and Ink Black Heart* The Ring and the Book (Robert Browning)* Pompilia: A Feminist Reading of 'The Ring and the Book'Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

On this episode, we discuss the best (and worst) film adaptations of Shakespeare's OTHELLO and why it translates well cinematically!  Panel: Kristin Battestella, Amy Thomasson, Jaylan Salah Visit insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe on your podcast app of choice! insessionfilm.com/subscribe

New music from Lecrae, Shad, Anike, and more! Playlist: "Rise Again" by MC Jin "Pass Me The Mic" by Victor Claye "Wins" by Brad Sabat "Don't Mind Me (ft. Shad)" by Propaganda "On Time (ft. Miles Minnick)" by Lecrae "Jesus Muzik (ft. Queen Lee, 1k Phew)" by Anike (Wande) "Vibrations (ft. Krum)" by Sareem Poems "Answer" by River Movement "Eyes On The Lord" by Kidd Lee "Agape (ft. ATTAM & Joshua Penn)" by J.Solo "Godfather" by YakiTheKid & tonyxtrotter "CAREFUL (ft. Cordae)" by NF "Dip (ft. BigBreeze, Swaizy, MEEZO!)" by 116 "Now That I'm Older (ft. JustMe)" by Cas Metah "Willie Vasquez" by The Battery "Bars and BBQs" by Shad "Brand New Day (ft. Othello, Consafos, DJ Aslan)" by Sivion Vote on the playlist at www.definitionradio.com/show/964 Leave your requests/shout-outs on our socials www.facebook.com/DefinitionRadio www.instagram.com/DefinitionHH www.twitter.com/DefinitionHH www.krosswerdz.com

There are no spoilers in this episode. Alex breaks down the opening segment of Akira Kurosawa's masterpiece, “High and Low,” before bringing Nick on to review Spike Lee's remake, “Highest 2 Lowest.” The guys discuss Spike's post-“Inside Man" career, seeing Denzel Washington in “Othello” on Broadway, other remakes of Kurosawa's work, Matthew Libatique, Dean Winters, Jules Dassin, and much more.Follow @WAYW_Podcast on Twitter / Instagram / LetterboxdSend mailbag questions to whatareyouwatchingpodcast@gmail.com

Welcome back to the 243rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 243rd episode we have an episode of “The Cup: Editorial” in which Co-Artistic Producers Mackenzie and Ryan discuss famous faces, the history of exorbitant ticket prices, and what Canadian producers might be able to learn from the success of Denzel Washington's Othello on Broadway. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuRyan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow us on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

James Shapiro wears many hats – author, scholar, cultural historian, consultant to New York's Public Theatre – discusses his work with actors and students, as well as his invaluable books A Year in the Life of William Shakespeare: 1599, The Year of Lear: Shakespeare in 1606, and Shakespeare in a Divided America. Shapiro also shares experiences of working on this summer's Twelfth Night in New York's Central Park; working with Denzel Washington and Jake Gyllenhaal on Broadway in Othello; how he first discovered Shakespeare; what he learns from working with actors; the power of knowing whether a thou is a formal thou or an eff-you thou; being scolded (rightly!) by F. Murray Abraham; whether he prefers to be known as a historian, a mensch, or the Shakespeare Guy; how his thoughts about America have evolved since he wrote Shakespeare in a Divided America; how his correspondence with a Supreme Court justice was the Shakespeare in the coal mine; and how we look at the news for what's happening today but turn to Shakespeare to find out what's at stake. (Length 26:51) The post Shakespearean James Shapiro appeared first on Reduced Shakespeare Company.

In Episode 148, we dissect the media's role in gaslighting, rewriting, or ignoring the Russia collusion narrative, once touted as fact but now unraveling. Former CIA Director John Ratcliffe reveals more disclosures are imminent from the CIA and FBI, exposing the narrative's cracks. We then explore Shakespeare's timeless insights into human emotions and ambitions, mirrored in today's news: Othello reflects Russiagate's deceit, The Tempest echoes Project Mockingbird's control, Julius Caesar exposes media manipulation of public sentiment, and Macbeth warns of ambition justifying unethical means. The episode concludes with the fiery Texas redistricting showdown, where political lines fuel debate, CNN's Abby Phillip clashing over a debunked NYTimes photo hoax, and Senator Elizabeth Warren's support for Mamdani's socialist agenda. Join us for a deep dive into how media, literature, and politics intertwine, revealing truths about power and deception in today's world. Tune in for Episode 148! Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR,  TRUTH Social and YouTube by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!!

Freddie interviews Othello Martins they talk about the release of his new book A Night's Tale and how the concept came about. How he pulls from different life experiences to grab inspiration and how it translates from pen to paper. Where poetry is best performed and if the performance aspect will become a goal for him if he's overseas traveling. How artists can use books, songs or past scenarios to turn into different avenues such as tv shows. His future endeavors he wants to pursue whether it be more books, songwriting and or collaborating with other artists to put projects out in the future. Thanks for all the support if you haven't already drop a review and rate to spread the word. Subscribe to the youtube channel for the videos. www.youtube.com/freddieamadi Instagram: @freddieamadi Instagram: @itsrealserious Instagram: @othellomartins Instagram: @wordsbyothellomartins

durée : 01:24:35 - Les Nuits de France Culture - par : Albane Penaranda - En 1996, un an après sa disparition, un portrait de Miklos Rozsa, un des plus grands compositeurs de musique de cinéma. Trois Oscars : en 1945 pour "La Maison du docteur Edwardes" d'Alfred Hitchcock, en 1947 pour "Othello" de George Cukor, et pour "Ben-Hur" de William Wyler en 1959. - réalisation : Virginie Mourthé - invités : Miklos Rosza

In this episode, we dive deep into Orson Welles' ambitious and visually stunning 1951 adaptation of Shakespeare's Othello. Known for its turbulent production—spanning years, continents, and funding challenges—Welles' Othello is as much a story about the making of a film as it is about the tragic Moor of Venice. We'll explore how Welles' unique cinematic vision transformed Shakespeare's text into a noir-infused, dreamlike masterpiece, analyzing his bold use of shadow, striking close-ups, and inventive editing. We'll also discuss the film's performances, including Welles' commanding yet vulnerable take on Othello and Micheál Mac Liammóir's chilling portrayal of Iago. Finally, we'll examine how this film fits into Welles' career and why it remains one of his most underappreciated works.Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

What happens when you combine decades of sales wisdom with cutting-edge AI coaching? You get a fascinating conversation about the future of sales performance. In this episode, Chris and Corey sit down with Jared Zelman, CEO of Othello (formerly Cicero), who's built an AI virtual assistant that coaches sales reps through every part of their deals in real-time. From whispered suggestions during discovery calls to automated follow-ups, Othello is turning B-players into A-players and saving top performers 7+ hours per week. Discover why Sandler methodology emerged as the AI's preferred approach, learn the difference between going "rote" versus "rogue" in sales situations, and find out how simple desktop notifications are creating 15% win rate improvements across Fortune 500 companies. Whether you're struggling with team performance consistency or looking to scale coaching across your organization, this episode reveals how AI is finally solving the age-old challenge of converting average performers into top producers. Join us for this episode, "Rote vs. Rogue: The Fine Line Between Sales Mastery and Sales Mediocrity." https://www.othello.ai/ 

We have a rare Sunday Yay, where Jake and I bring on Brittany Sims, an actress who has worked with the Custom Made Theatre, the Oakland Theatre Project and the African American Shakespeare Company. She talks about her upbringing, her work in bay area theatre and where she sees herself in the future. Brittany can be contacted directly via Instagram: @iluvbritbrat89 Jameelah Rose has her own business selling healthy drinks - MelanA☥D is a black owned business that specializes in alkaline elixirs used to heal the mind and body. It's currently being sold at the Mandela Shopping Mart and you can find more info on MelanA☥D on this Facebook page: https://www.facebook.com/melanaid We also want to thank Charles Blades Barbershop for sponsoring The Yay! Charles Blades Barbershop is located at 180 Second Street in downtown Oakland. It's a very cool, relaxing place where you can get your cuts and they'll even serve you a complimentary drink. Book an appointment online here: https://www.charlesblades.com Kehinde Koyejo (Episodes 214 and 262) has been a friend of mine since 2005, when I stage managed her for the Ray of Light musical, Bat Boy. She's an amazing actress, model and creative artist. She's also an incredible entrepreneur – and I want to introduce you to her business, Kalm Korner. Kalm Korner is an online boutique that specializes in aromatherapy gifts – love rubs, moisturizers, sprays, tea blends and candles. Kalm Korner also sells Choc'late Mama cookies – she brought some over the last time we interviewed her and it was fantastic. Let's support a black female-owned business, a local business and make your first order by going to this website: https://kalmkorner.com/ SHOWS: Les Blancs (Oakland Theatre Project Extended through August 3 Brittany Sims (Episode 328) and Jeunee Simon (Episode 297) is in the show https://oaklandtheaterproject.org/blancs The Return (Golden Thread) August 7 – 24 Wynne Chan (Episode 327) is a part of the production company https://goldenthread.org/productions/the-return/ Man of Tomorrow (part of Free Play Festival) August 2 (6pm), August 3 (8pm) August 15 (6pm), August 17 (8pm) Zoe Chien (Episode 285), Jake & Jessica Fong (Episode 289), Tom Reilly (Episode 40), Tony Daniel (Episode 240), Sylvia Kratins (Episode 141) are in the show Reg Clay wrote and directed the show; Neil Harkins (Episode 222) is the assistant director https://playground-sf.org/freeplay/ La Cucaracha (part of Free Play Festival) August 1 (6pm); August 2 (2pm); August 3 (2pm) Richard Perez (Episode 314) is directing the show https://playground-sf.org/freeplay/ Disruption: A Musical Farce (San Francisco Mime Troupe) July 4 – August 3 Jed Parsario (Episodes 63 & 186) is in the show https://www.sfmt.org/ The Last Goat (Central Works) June 28 – July 27 Gary Graves (Episodes 24 & 227) wrote and directed the play Jan Zvaifler (Episode 170) is in the show https://centralworks.org/the-last-goat/ Seeds of Time Festival (Marin Shakes) July 15 – August 3 Ae'Jay Antonis Marquis (Episode 165) is the festival curator Torange Yeghiazarian has written “Leili and Magnun” to be performed July 26 & 27 Julius Rea (Episodes 227 & 319) has written “Othello.exe” to be performed Aug 2 & 3 https://www.marinshakespeare.org/seeds/ The Day The Sky Turned Orange (SF BATCO) Sept 5 – Oct 5 Julius Rea is a part of the writing team https://www.sfbatco.org/orange?_gl=1*hw20cb*_gcl_au*MTM3MjExODcyMi4xNzQ2ODkxNzQ0*_ga*MTQ1MDQyNzIxNS4xNzQ2ODkxNzQ0*_ga_J4D8M8TLG0*czE3NDY4OTE3NDQkbzEkZzAkdDE3NDY4OTE3NDQkajYwJGwwJGgw Dracula: a Comedy of Terror (City Lights Theatre) Sept 25 – Oct 19 Nick Mandracchia (Episode 43) is in the show https://cltc.org/event/dracula/ The Wisdom of Eve (Altarena Playhouse) Oct 24 – Nov 23 Kimberly Ridgeway (Episodes 155 and 251) directs the play https://www.altarena.org/2025-season-announcement/the-wisdom-of-eve-2025/ Follow us on Facebook and Bluesky (TheYayPodcast)

I had the pleasure to talk to Wynne Chan a year ago when we did our live Yay at Camp Monologa for Plethos' fundraiser – now Jake and I get the chance to speak to her one on one. Wynne Chan is the managing director at Golden Thread Productions and has worked with other companies like the Pear Theatre, Plethos Productions, the Masquers Playhouse and SDC Productions. You can find out more information about Wynne on her website: https://www.wynnechan.info/ Jameelah Rose has her own business selling healthy drinks - MelanA☥D is a black owned business that specializes in alkaline elixirs used to heal the mind and body. It's currently being sold at the Mandela Shopping Mart and you can find more info on MelanA☥D on this Facebook page: https://www.facebook.com/melanaid We also want to thank Charles Blades Barbershop for sponsoring The Yay! Charles Blades Barbershop is located at 180 Second Street in downtown Oakland. It's a very cool, relaxing place where you can get your cuts and they'll even serve you a complimentary drink. Book an appointment online here: https://www.charlesblades.com Kehinde Koyejo (Episodes 214 and 262) has been a friend of mine since 2005, when I stage managed her for the Ray of Light musical, Bat Boy. She's an amazing actress, model and creative artist. She's also an incredible entrepreneur – and I want to introduce you to her business, Kalm Korner. Kalm Korner is an online boutique that specializes in aromatherapy gifts – love rubs, moisturizers, sprays, tea blends and candles. Kalm Korner also sells Choc'late Mama cookies – she brought some over the last time we interviewed her and it was fantastic. Let's support a black female-owned business, a local business and make your first order by going to this website: https://kalmkorner.com/ SHOWS: The Return (Golden Thread) August 7 – 24 Wynne Chan (Episode 327) is a part of the production company https://goldenthread.org/productions/the-return/ Man of Tomorrow (part of Free Play Festival) August 2 (6pm), August 3 (8pm) August 15 (6pm), August 17 (8pm) Zoe Chien (Episode 285), Jake & Jessica Fong (Episode 289), Tom Reilly (Episode 40), Tony Daniel (Episode 240), Sylvia Kratins (Episode 141) are in the show Reg Clay wrote and directed the show; Neil Harkins (Episode 222) is the assistant director https://playground-sf.org/freeplay/ La Cucaracha (part of Free Play Festival) August 1 (6pm); August 2 (2pm); August 3 (2pm) Richard Perez (Episode 314) is directing the show https://playground-sf.org/freeplay/ Disruption: A Musical Farce (San Francisco Mime Troupe) July 4 – August 3 Jed Parsario (Episodes 63 & 186) is in the show https://www.sfmt.org/ The Last Goat (Central Works) June 28 – July 27 Gary Graves (Episodes 24 & 227) wrote and directed the play Jan Zvaifler (Episode 170) is in the show https://centralworks.org/the-last-goat/ Seeds of Time Festival (Marin Shakes) July 15 – August 3 Ae'Jay Antonis Marquis (Episode 165) is the festival curator Torange Yeghiazarian has written “Leili and Magnun” to be performed July 26 & 27 Julius Rea (Episodes 227 & 319) has written “Othello.exe” to be performed Aug 2 & 3 https://www.marinshakespeare.org/seeds/ The Day The Sky Turned Orange (SF BATCO) Sept 5 – Oct 5 Julius Rea is a part of the writing team https://www.sfbatco.org/orange?_gl=1*hw20cb*_gcl_au*MTM3MjExODcyMi4xNzQ2ODkxNzQ0*_ga*MTQ1MDQyNzIxNS4xNzQ2ODkxNzQ0*_ga_J4D8M8TLG0*czE3NDY4OTE3NDQkbzEkZzAkdDE3NDY4OTE3NDQkajYwJGwwJGgw Dracula: a Comedy of Terror (City Lights Theatre) Sept 25 – Oct 19 Nick Mandracchia (Episode 43) is in the show https://cltc.org/event/dracula/ The Wisdom of Eve (Altarena Playhouse) Oct 24 – Nov 23 Kimberly Ridgeway (Episodes 155 and 251) directs the play https://www.altarena.org/2025-season-announcement/the-wisdom-of-eve-2025/ Follow us on Facebook and Bluesky (TheYayPodcast)

Remember that Othello movie project starring Daniel Craig? Or a remake of Chitty Chitty Bang Bang? Less than a year, Bond film fans cared. Not so much now.

Criterion hasn't shown us a lot of classic westerns; this is only our sixth western in a broad definition, and of those only our third made before 1980 (or 1960 for that matter). I don't know if there's any conclusions to be drawn, but it seems a bit weird given how popular the genre has been throughout film history. Anyway, when we do get them, Criterion seems to favor ones that are elevate melodrama to Shakespearean levels, and Delmar Daves Jubal (1956), "Othello on the Range", is firmly in that camp, with an absolutely phenomenal cast to boot.

Danger doesn't always announce itself with bruises or broken bones. Sometimes it lurks beneath the surface, wrapped in excuses, disguised as sleep, masquerading as concern. During this powerful episode, we uncover the reality of psychological abuse that happens within the supposed safety of intimate partnerships. We explore three particularly devastating forms: abuse disguised as sleep disorders, where partners deliberately cause harm and then claim they were dreaming; delusional jealousy (clinically known as Othello's syndrome), where irrational accusations of infidelity become tools for control; and identity invalidation, a systematic erasure of a person's history, accomplishments, and sense of self.These patterns often go unrecognized because they don't fit conventional understandings of domestic violence. A husband who presses on his wife's eyeballs in the night and claims he was fighting monsters in his dreams isn't just having a parasomnia episode—he's creating a perfect cover for deliberate harm. A partner who becomes fixated on implausible affairs with pastors or distant acquaintances isn't merely insecure—they're establishing grounds for surveillance and isolation. And when someone rewrites your childhood memories or diminishes your professional identity because you've paused your career to raise children, they're not being critical—they're systematically dismantling your sense of self.We also address the complex question of why women stay, especially in situations where material comfort masks emotional devastation. "Leaving isn't always safe, and sometimes the prison has chandeliers." The contrast between a mansion and a shelter, between marble floors and survival mode, creates painful dilemmas that outsiders rarely understand.If you recognize these patterns in your relationship or in someone you love, please reach out to the National Domestic Violence Hotline at 1-800-799-7233. Remember: you are not crazy, you are not alone, and your life—your real, beautiful, whole life—is not up for debate. Stay safe, stay sane, and stay supported.Support the show

Theatre and magic collide as Erik Christopher Peterson kicks off a seven-episode Harry Potter and the Cursed Child cast takeover on the podcast. In this deep-dive conversation, Erik reflects on growing up with a theatre educator dad, trading in his baseball glove for the stage, and eventually making his Broadway debut as Scorpius Malfoy. He shares the inspiration behind some of his original plays (like the hilariously surreal The Tragedy of Clownpheus and EuridIceCream), how Shakespeare continues to influence his work, and the joy of building his version of Scorpius eight shows a week. Erik talks about navigating the illusion-heavy world of Cursed Child, from mastering time turners and flaming trolleys to discovering emotional nuance in the show's father-son themes and the beautifully complex friendship between Scorpius and Albus. He opens up about performance anxiety, self-care, and the unexpected fan art that continues to move him. It's a candid, heartfelt look at what it means to debut on Broadway in one of its most technically complex productions. Erik Christopher Peterson is a writer, director, and actor whose credits include The Importance of Being Earnest, Othello, and several original plays he co-created, such as The Tragedy of Clownpheus and EEuridIceCream. He graduated from Webster University and currently stars as Scorpius Malfoy in Harry Potter and the Cursed Child on Broadway. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Erik IG: @erik.c.peterson Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

January 18, 1604: King James, a Protestant, announces that he will commission an English translation of the Bible.January 16, 1605: Miguel de Cervantes' Don Quixote is published in Spain. It is considered to be the first modern novel. Every sophisticated storytelling device used by the best writers today made its initial debut in Don Quixote.February 28, 1605: A 41-year-old Italian named Galileo publishes an astronomical text written as an imagined conversation. A pair of Paduan peasants talk about Kepler's Supernova.One says, “A very bright star shines at night like an owl's eye.”And the other replies, “And it can still be seen in the morning when it is time to prune the grapevines!”The observations of the peasants clearly disprove the widely held belief that the earth is the center of the universe. The authorities take note. Uh-oh for Galileo.November 1, 1605: Shakespeare's Othello is first performed for King James in the banqueting hall at Whitehall Palace in London.Meanwhile, a group of English Roman Catholics stack 36 barrels of gunpowder under the floor of the Palace of Westminster. Their plan is to blow up the king, his family, and the entire legislature on November 5, 1605.The Gunpowder Plot is discovered by a night watchman just a few hours before Guy Fawkes was to have lit the fuse.Shakespeare immediately begins writing a new play. In it, a ruler gives enormous power to those who flatter him, but his insanity goes unnoticed by society. “King Lear” is regularly cited as one of the greatest works of literature ever written.May 13, 1607: One hundred and four English men and boys arrive in North America to start a settlement in what is now Virginia. They name it “Jamestown” after King James. The American Experiment has begun.Don Quixote, Galileo, Shakespeare, the crisis of King James, and the founding of Jamestown in the New World…All of this happens within a span of just 28 months. Flash forward…May 2, 1611: The English Bible that will be known as the King James Version is published.April 23, 1616: Shakespeare and Cervantes – the great voices of England and Spain – die just a few hours apart. (Galileo continues until 1642.)July 4, 1776: The 13 colonies of the American Experiment light a fuse of their own and the Revolutionary War engulfs the Atlantic coast.November 19, 1863: Abraham Lincoln looks out over a field of 6,000 acres. He says,“Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure.”Lincoln ends his speech one minute later. His hope is that “government of the people, by the people, for the people, shall not perish from the earth.”Lincoln's fear is that “the people” will not remain firmly united enough to resist the takeover of a tyrant. We know this because he opens his speech by referring to our 1776 Declaration which rejected crazy King George. America had escaped George's heavy-handed leadership just –”four...

This week, we plunge headfirst into the moral void—starting with Cristiano Ronaldo, who just inked another Saudi contract big enough to make oil executives blush and human rights quietly weep. Then we introduce the world's most jealous woman, a walking red flag with night vision goggles and a court order pending. Ever wondered which profession cheats the most? We've got the stats—and let's just say your next physical might include an emotional scar. Finally, BlackRock is suing UnitedHealthcare in a corporate Thunderdome so savage, even Satan called it “a bit much.”Grab your headphones, hide your spouse, and prepare to lose a little more faith in humanity.

In this episode of IDM, Shorts and Othello go after the trend of people saying they've 'read' a book they've actually 'listened to' on Audible. And the ASMR blowjob craze that's running amok on YouTube.

James Mercer II is our next guest on The Yay – James is a veteran actor, who has worked with ACT, Berkeley Rep, African-American Shakespeare Company, Irish Rep, and Arden Theatre Company. Jake and I talk about James' Philly roots, his work in the bay area and where he sees himself in the future. James can be reached directly via email: jwdlmercer2@gmail.com. Jameelah Rose has her own business selling healthy drinks - MelanA☥D is a black owned business that specializes in alkaline elixirs used to heal the mind and body. It's currently being sold at the Mandela Shopping Mart and you can find more info on MelanA☥D on this Facebook page: https://www.facebook.com/melanaid We also want to thank Charles Blades Barbershop for sponsoring The Yay! Charles Blades Barbershop is located at 180 Second Street in downtown Oakland. It's a very cool, relaxing place where you can get your cuts and they'll even serve you a complimentary drink. Book an appointment online here: https://www.charlesblades.com Kehinde Koyejo (Episodes 214 and 262) has been a friend of mine since 2005, when I stage managed her for the Ray of Light musical, Bat Boy. She's an amazing actress, model and creative artist. She's also an incredible entrepreneur – and I want to introduce you to her business, Kalm Korner. Kalm Korner is an online boutique that specializes in aromatherapy gifts – love rubs, moisturizers, sprays, tea blends and candles. Kalm Korner also sells Choc'late Mama cookies – she brought some over the last time we interviewed her and it was fantastic. Let's support a black female-owned business, a local business and make your first order by going to this website: https://kalmkorner.com/ SHOWS: A Midsummer Night's Dream (Marin Shakespeare Company) LAST SHOW TOMORROW! Adrian Deane (Episodes 82 & 266) is in the show https://www.marinshakespeare.org/midsummer/ Man of Tomorrow (part of Free Play Festival) August 2 (6pm), August 3 (8pm) August 15 (6pm), August 17 (8pm) Zoe Chien (Episode 285), Jake & Jessica Fong (Episode 289), Tom Reilly (Episode 40), Tony Daniel (Episode 240), Sylvia Kratins (Episode 141) are in the show Reg Clay wrote and directed the show; Neil Harkins (Episode 222) is the assistant director https://playground-sf.org/freeplay/ La Cucaracha (part of Free Play Festival) August 1 (6pm); August 2 (2pm); August 3 (2pm) Richard Perez (Episode 314) is directing the show https://playground-sf.org/freeplay/ Disruption: A Musical Farce (San Francisco Mime Troupe) July 4 – August 3 Jed Parsario (Episodes 63 & 186) is in the show https://www.sfmt.org/ The Last Goat (Central Works) June 28 – July 27 Gary Graves (Episodes 24 & 227) wrote and directed the play Jan Zvaifler (Episode 170) is in the show https://centralworks.org/the-last-goat/ Seeds of Time Festival (Marin Shakes) July 15 – August 3 Ae'Jay Antonis Marquis (Episode 165) is the festival curator Torange Yeghiazarian has written “Leili and Magnun” to be performed July 26 & 27 Julius Rea (Episodes 227 & 319) has written “Othello.exe” to be performed Aug 2 & 3 https://www.marinshakespeare.org/seeds/ The Day The Sky Turned Orange (SF BATCO) Sept 5 – Oct 5 Julius Rea is a part of the writing team https://www.sfbatco.org/orange?_gl=1*hw20cb*_gcl_au*MTM3MjExODcyMi4xNzQ2ODkxNzQ0*_ga*MTQ1MDQyNzIxNS4xNzQ2ODkxNzQ0*_ga_J4D8M8TLG0*czE3NDY4OTE3NDQkbzEkZzAkdDE3NDY4OTE3NDQkajYwJGwwJGgw Dracula: a Comedy of Terror (City Lights Theatre) Sept 25 – Oct 19 Nick Mandracchia (Episode 43) is in the show https://cltc.org/event/dracula/ The Wisdom of Eve (Altarena Playhouse) Oct 24 – Nov 23 Kimberly Ridgeway (Episodes 155 and 251) directs the play https://www.altarena.org/2025-season-announcement/the-wisdom-of-eve-2025/ Follow us on Facebook and Bluesky (TheYayPodcast)

My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare's works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues. Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history. Singh's book shows how our reading of Shakespeare's plays such as ‘The Tempest,' ‘Hamlet,' and ‘Othello' has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh's book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field. Author of the article on The Tempest mentioned at around 35:40 is as follows: Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare's works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues. Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history. Singh's book shows how our reading of Shakespeare's plays such as ‘The Tempest,' ‘Hamlet,' and ‘Othello' has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh's book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field. Author of the article on The Tempest mentioned at around 35:40 is as follows: Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare's works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues. Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history. Singh's book shows how our reading of Shakespeare's plays such as ‘The Tempest,' ‘Hamlet,' and ‘Othello' has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh's book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field. Author of the article on The Tempest mentioned at around 35:40 is as follows: Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the year 1603, just as Shakespeare was writing Othello and the reign of Elizabeth I was transitioning to James I, Galileo Galilei—famous for exploring the heavens—was also measuring the invisible. Among his lesser-known inventions was a device called the thermoscope, an elegant glass instrument that could detect changes in temperature—centuries before the modern thermometer. Today, we call it the Galilean thermometer, named after Galileo because he discovered the principle that the density of a liquid changes in proportion to its temperature—a concept that set the foundations for modern meteorology.To help us explore how Galileo made his discoveries, exactly how a Galilean thermometer works, and how these scientific advancements were received in Shakespeare's England, we're joined by Dr. Dario Camuffo, author of extensive research on Galileo's contributions to the measurement of temperature and the early development of thermometers. Hosted on Acast. See acast.com/privacy for more information.

Up now on Patreon (3hr20h)3 months in the making, we get into a century of Dropping Out, DIY, and the conditions of self-preservation featuring mathematician Alexander Groethendieck, artist Lee Lozano, Cormac McCarthy, Shelly Duvall, and Sarah Records. As public life become further cauterized some will declout, some join the Santa Fe institute, and some refuse to speak to other woman for 27 years. Time to find out why Groethendieck's reasons for leaving the mathematics community, abstract financial systems and their influence on human creativity, ‘healthy disillusionment', the hollowing out of Pax Americana, Applied Quantum Mechanics, Cindy Lee album, reason's obscure other, ‘comparing yourself to old stories', Kazemir Malevich: Suprematism, from Shakespeare's Othello, King Leer, Macbeth, Industry Plant Aktion, refusing the art-world, semiotic superficially, ‘High-Energy Scattering', Dictator to Oneself, Wim Wender's “Perfect Days”, the infamous Shelly Duvall Dr. Phil episode, Alex Bienstock, what people learn from Wittgenstein, Bristol's Sarah Records and the politics of C86 jangle pop, micro-science and more.

Othello and Shorts swap stories from their IDM family 4th of July celebration together. Shorts explains why he's terrified of his upcoming vacation and shares some breaking personal news with The DAWGZ.

Divadelní, filmový i seriálový herec Robert Mikluš, který proslul rolí strážmistra Topinky, se narodil v Ostravě, odkud se později na studia přestěhoval do Brna. Jednou z jeho domovských divadelních scén byla i Husa na provázku. „Potkal jsem tam lidi, kteří formovali moje divadelní i lidské myšlení. Byla to úžasná setkání,“ vzpomíná. Jeho nejnovější rolí je Othello v Letních shakespearovských slavnostech.Všechny díly podcastu Host Lucie Výborné můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Divadelní, filmový i seriálový herec Robert Mikluš, který proslul rolí strážmistra Topinky, se narodil v Ostravě, odkud se později na studia přestěhoval do Brna. Jednou z jeho domovských divadelních scén byla i Husa na provázku. „Potkal jsem tam lidi, kteří formovali moje divadelní i lidské myšlení. Byla to úžasná setkání,“ vzpomíná. Jeho nejnovější rolí je Othello v Letních shakespearovských slavnostech.

In this episode, cohosts Alex Simmons and Chris Ryan highlight the importance of community through attending events like Stoker Con, sharing personal experiences overcoming imposter syndrome, and emphasizing the value of putting your work out there. Alex introduces his plan to release six new Blackjack stories starting in July. Our cohosts also discuss creating and publishing works like Chris's It's Been a Privilege and Alex's Sherlock Holmes and the Hands of Othello, stressing the importance of revisions and letting stories passionately evolve. They wrap it up with insight on creating and publishing new short fiction, like Alex's upcoming Blackjack serialized action adventure series.Have any questions, comments, or suggestions?Then, please leave them in the Comments Section.Write: TTDSOnAir@gmail.comAnd follow us on ...⁠⁠⁠⁠⁠⁠@Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠www.TellTheDamnStory.comwww.Facebook.com/Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube.com/ Tell The Damn Story⁠⁠⁠⁠⁠⁠⁠⁠If you're enjoying these episodes, please take a moment to help wet our whistle by clicking on the link to ... ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee⁠⁠⁠⁠!⁠⁠⁠⁠

In this episode READ MORE PLAYS hosts Ricardo Frederick Evans and Jennifer Sassaman discuss Othello By William Shakespeare!  Theme music by Kalyn Harewood, with additional music by Bob Sassaman.Links:Follow us on Twitter, Facebook, and Instagram for updates and discussions you can participate in.  Support us on Patreon to get bloopers, dramaturgy, and other bonus content. Please like and subscribe wherever you get your podcasts.

The JBP begins the latest episode with quick recaps from Lil Wayne's concert at Madison Square Garden last Friday (16:00) along with Marc's attendance at ‘Othello' and meeting Denzel Washington (21:40). The room then dives into a full recap of the 2025 BET Awards including performances and award winners (45:15), Tyler Perry's speech warning the erasure of black history (1:16:14), as well as Wale's run in with Kai Cenat (1:31:30). Also, Ciara tells Jim Jones that it's time to get married leading the crew to discussing the unintentional disrespect behind the comments (1:46:55), QueenzFlip shares his experience at the Puerto Rican Day Parade (1:59:40), Sexyy Red checks Ray J (2:47:37), Coco Gauff's French Open win leads to post-match comments from her opponent Aryna Sabalenka (3:01:26),  and much more! Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden  Sleeper Picks:  Joe | Leon Thomas & Kehlani - “DIRT ON MY SHOES” Ice | EST Gee - “Take my time Geeski SH Feb 23” Parks | Coyote - “Product Of Immigration” Ish | DAMEDAME* - “PROMISE” Melyssa | Leven (feat. Grace Weber) - “Meet Up” Marc | The Roots - “Star/Pointro”

PAUTA SECRETA DO CAPÍTULO 1151 NA ÁREA! Cravamos na semana passada

Don Lemon sits down with acclaimed Broadway producer Brian Anthony Moreland for a powerful conversation about representation, storytelling, and the transformative power of theatre. As the only Black lead producer on Broadway this season, Moreland is making waves with the bold new revival of Othello. Whether you're a theatre lover or just someone who believes in the power of art to shape culture, this is a conversation you won't want to miss. This episode is sponsored by ZBiotics. Go to https://zbiotics.com/LEMONDROPS and use LEMONDROPS at checkout for 15% off any first time orders of ZBiotics probiotics. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Sick of us? Leave!" More reaction! Arrest Tish? Are Moors black? Derek Chauvin debate drags on! Saving a horse that fell in the mud!The Hake Report, Thursday, May 29, 2025 ADTIMESTAMPS* (0:00:00) Start* (0:05:05) Beaten-down men, propped up women, anxious kids* (0:14:18) Hey, guys!* (0:15:53) HADEN, TX: Ronnie's trolling chat* (0:20:03) HADEN: Trump investigating shenanigans* (0:28:56) HADEN: Obama 3rd term?* (0:31:41) HADEN: Maze comeback: Look away!* (0:32:37) JEFF, LA: Obama, Michelle, Fani Willis, Alvin Bragg, Letitia James* (0:36:17) JEFF: Trump the truest American; F— it!* (0:39:10) JEFF: Stev'n hates Southern accents?! Blacks "building"* (0:41:24) Supers / Coffees … Moors? Clark Gable?* (0:51:10) Rumble Rant … If they left… Dianne Feinstein* (0:53:39) GRAHAM, PA: Ronnie mask-off!* (0:56:52) DANIEL, TX: Moors, Othello* (1:01:57) DANIEL: Identifying with being white* (1:07:13) Coffee: Stung by a bee* (1:09:49) MIT, Australia: Trump have a time machine? Overseas calling* (1:14:32) MARK, L.A.: Deportations… African countries, U.S. cities…* (1:19:30) MARK: Watch out for the black conservative; State of the country* (1:24:11) MARK: CJ on Chauvin: Innocent? … Chinese Communism* (1:34:03) Supers… Saving a horse from the muddy water* (1:42:01) WILLIAM, CA: Ranch work; Chauvin* (1:47:25) WILLIAM: Ronnie's trolling super chat* (1:49:11) ARDENE, CO: Chauvin was hateful!* (1:54:00) ClosingLINKSBLOG https://www.thehakereport.com/blog/2025/5/29/the-hake-report-thu-5-29-25PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2025/5/29/jlp-thu-5-29-25Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/showVIDEO YT - Rumble* - Pilled - FB - X - BitChute (Live) - Odysee*PODCAST Substack - Apple - Spotify - Castbox - Podcast Addict*SUPER CHAT on platforms* above or BuyMeACoffee, etc.SHOP - Printify (new!) - Cameo | All My LinksJLP Network: JLP - Church - TFS - Nick - Joel - Punchie Get full access to HAKE at thehakereport.substack.com/subscribe

In honor of sound designer Lindsay Jones's recent Webby victory for his work on the series, Next Chapter Podcasts presents the complete Play On Podcast series, OTHELLO, in its entirety. The series also earned Lindsay an Ambie for Best Original Score and Music Supervision in 2024. The Play On Podcast series, “OTHELLO”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MFONISO UDOFIA. Radio play by CATHERINE EATON. Directed by VICTOR MALANA MAOG.   The cast is as follows:   JEREMY TARDY as OTHELLO BARRET O'BRIEN  as IAGO KAYLI CARTER  as DESDEMONA PAUL JUHN as RODERIGO FRANCESCA FERNANDEZ as EMILIA TOMMY SHRIDER as CASSIO LAKISHA MAY  as BIANCA CHRISTOPHER GURR as BRABANTIO AND LODOVICO RACHEL CROWL as MONTANO NATALIE HEGG as DUKE, CLOWN AND GRATIANO   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Cultural Consultant and Dramaturg: MARTINE KEI GREEN-ROGERS   Original Music, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Production Assistant: Michael Christopher Turner. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES.   With very special thanks to the MA IN SOUND ARTS AND INDUSTRIES AND VIRGINIA WADSWORTH WIRTZ CENTER FOR THE PERFORMING ARTS AT NORTHWESTERN UNIVERSITY   The Play On Podcast Series “OTHELLO” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠ncpodcasts.com⁠ for more about the Play On Podcast Series. Visit ⁠playonshakespeare.org⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to ⁠playonpodcasts.com⁠ for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “BEWARE OF JEALOUSY”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

 The latest JBP episode begins with a recap of Mother's Day 2025 (19:00) as well as the room's review of Kendrick Lamar & SZA's show at Metlife Stadium last Friday night (26:38). Melyssa shares her experience at the Broadway revival of Shakespeare's "Othello" featuring Denzel Washington and Jake Gyllenhaal (52:38), P. Diddy's trial is underway (1:03:10), and the latest from Tory Lanez after he was rushed to a hospital following a stabbing (1:23:34). Also, the NBA's Draft Lottery (1:44:37) and Michael Jordan is set to join NBA on NBC (1:52:40), triggering text messages and communication expectations (1:56:49), Jayden Daniels mother appears on ‘The Pivot' to address her public backlash (2:19:35), Joe says he's standing with Teyana Taylor (2:44:55), and much more! Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden  Sleeper Picks:  Joe | Mariah the Scientist - “Burning Blue” Ice | Snoop Dogg - “Unsung Heroes” Parks | Ben Kenobe - “SMOKE” Ish | TA Thomas - “Devotion” Melyssa | Anike - “WAKANDE”

Elizabeth I's excommunication by the Pope in 1570 marked the beginning of an extraordinary - and little-known - English alignment with Muslim powers that were fighting Catholic Spain in the Mediterranean. This engagement with, and awareness of, Islam found its way into scores of plays, including Shakespeare's Othello.In this episode of Not Just the Tudors, first released in September 2021, Professor Suzannah Lipscomb talks to Professor Jerry Brotton about England's fascinating relations with the Muslim world, which were far more extensive, and often more amicable, than we might think.Presented by Professor Suzannah Lipscomb. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Watch Mike Loades embark on a hands-on exploration into the amazing history of dogs in his new History Hit documentary, Dogs of the Tudors. Sign up to History Hit for that and hundreds more hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at: https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

The lovely ladies of Xscape joined the Rickey Smiley Morning Show Podcast. They spoke about everything from new music, touring, family and Kandi producing Othello on Broadway with her husband Todd. See omnystudio.com/listener for privacy information.

In September 1987, Othello was staged at the Market Theatre in Johannesburg during the apartheid regime in South Africa. The Immorality Act, which banned sexual relationships between white people and non-white people, had been repealed in 1985. But the Shakespeare play was controversial, especially the scene where the black actor, John Kani, kissed the white actress playing his wife. The play was directed by South African born actress Dame Janet Suzman, who looks back on the remarkable story. Produced by Jen Dale.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Joanna Weinberg, left, Richard Haines, rear centre, and John Kani, right, performing Othello. Credit: Ruphin Coudyzer/AP)

WIFI on Planes… Doomsday Russian shortwave message… WH Office of Science and Technology Policy – Claims we can manipulate time and space… Best States to work from home… Open AI Social app?... Email: ChewingTheFat@theblaze.com... Fyre Festival 2 postponed… Fox Nation game show… Time 100 2025… Who Died Today: Vaughn P Drake 106 / Aaron Boupendza 28… Michele Trachtenberg cause of death… Othello the Aldabra Tortoise euthanized at 100+ yrs… Coffin Birth?... www.blazetv.com/jeffy Promo code: Jeffy… Easter Message from the King… Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

Most of us can only wonder what goes on in U.S. national security leaders' group chats, but The Atlantic's Editor-in-Chief Jeffrey Goldberg doesn’t have to. Last week, Goldberg was accidentally included in a Signal group chat with high-ranking members of the Donald Trump administration, in which they discussed imminent war operations. Yes, this actually happened. Plus, the whopping $2.1 billion verdict you might’ve missed over Roundup weed killer. And, we smile over what’s happened since congestion pricing went into effect in Manhattan — all while dropping some Latin vocab. Here's everything we talked about today: “The Trump Administration Accidentally Texted Me Its War Plans” by The Atlantic “Bayer Drops After $2 Billion Verdict in Latest Roundup Trial” from Bloomberg “Third Circuit Rules Failure to Warn Claims Preempted by FIFRA” from the National Agricultural Law Center “Denzel Washington and Jake Gyllenhaal break Broadway box office records with ‘Othello'” by CNN “Congestion Pricing is a Policy Miracle” by Better Cities via Substack Got a question or comment for the hosts? Email makemesmart@marketplace.org or leave us a voicemail at 508-U-B-SMART.

Ira and Louis discuss Ira's tenure on The Floor, the drama surrounding Snow White, the chilling new series Adolescence and ticket prices for Othello on Broadway. Jeffery Self joins them to discuss the best portrayals of sex workers in film, his own history as a sex worker, and his new memoir Self-Sabotage: And Other Ways I've Spent My Time. Nathan Lane joins to discuss his new series Mid-Century Modern, favorite Guys & Dolls memories, and why he also enjoys dastardly roles.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast

The legendary actor discusses the prophecy that changed his life, his Oscar snub and his upcoming role starring alongside a “complicated” Jake Gyllenhaal in “Othello” on Broadway.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.