Podcasts about Othello

Hamlet wagers 6 Barbary horses against 6 French swords. Falstaff talks about fighting with a Barbary hen. Bassanio in Merchant of Venice talks about travelling merchants going to foreign lands including "Tripolis, Mexico and England, Lisbon, Barbary, and India" There are also an additional 5 references to Barbary horses.   The Barbary States were Algeria, Tunisia, Tripolis, and Morroco. These were powerful coastal societies tied in various ways to the Ottoman world, and in Shakespeare's day they were central to English fears about piracy and captivity. Ships were seized. Sailors were enslaved. Families, merchants, churches, and governments negotiated over the price of a human life.  English first hand accounts of the Muslim world and the Barbary States in particular were sparse, even non-existent prior to Richard Knolles publication in 1603 where he writes the History of the Turks, the same year Shakespeare publishes his Ottoman-heavy play with a Moor in the title role, Othello.   Today we are joined by Daniel Vitkus, editor of Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England, and Abdulhamit Arvas, Associate Professor of English at the University of Pennsylvania and expert on early modern Muslims, Barbary pirates, and Shakespeare. They are here to help us explore the place of the Barbary Coast in Shakespeare's England, to understand the culture of hostages and holding someone ransom, what was happening to Britons that were taken captive and sold into slavery by the Barbary pirates, as well as to explain the surprising dichotomy of being afraid of the Barbary nation while admiring their products, like horses. 

The Hamlet Podcast - a twice weekly exploration of Shakespeare's Othello. Act One, Scene One | Roderigo and Iago enter, arguing over some bad news. Written and presented by Conor Hanratty

The Hamlet Podcast - a twice weekly exploration of Shakespeare's Othello. Greetings from Venice! I am here on holiday but figured this was the right place to launch our journey through Othello. Episode 01 will be with you in just a couple of days but this introduction will lay some groundwork for the story. Written and presented by Conor Hanratty

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comStephen is a psychoanalyst and author. He used to teach clinical technique at the Institute of Psychoanalysis, and also psychoanalytic theory at University College London. He's the author of The Examined Life: How We Lose and Find Ourselves, and his latest book is Love's Labor: How We Break and Make the Bonds of Love.For two clips of the episode — on what psychoanalysis is really for, and the benefits of friendship vs romantic love — head to our YouTube page.Other topics: born in Gary, Indiana; his birth defect requiring many surgeries; his Jewish family emigrating from Eastern Europe; college at Berkeley and Oxford; arrested at the Chicago Dem convention; befriending Anna Freud; Sigmund and his studies in hysteria; loneliness in adolescence; how falling in love is very different than love; my own psychoanalyst of 25 years; trauma from my childhood; the losses that marriage entails; breakthroughs after breakdowns; detaching from the idea of yourself; legal marriages vs psychological ones; falling back into trauma because it's familiar; the power of love's precarity; victimology; Philip Roth's “the ecstasy of sanctimony”; lessons from Othello; surrender vs submission; Esther Perel's Mating in Captivity; seeking traits in a partner that mirror a dysfunctional parent; how sex is different for men and women; gay promiscuity; male-male marriages lasting the longest; HIV and the threat of deportation; dating with HIV in the ‘90s; and how to be a better listener.Browse the Dishcast archive for an episode you might enjoy. Coming up: David Thomson on cinema in US history and culture, John O'Sullivan on conservatism, Robby George on natural law, and Megan McArdle on pretty much anything. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

It's André Sills's biggest season yet at Ontario's Stratford Festival. The award-winning actor is taking on two of Shakespeare's most iconic roles: Oberon, the King of the Fairies in A Midsummer Night's Dream, and the title role in Othello, one of Shakespeare's most powerful and controversial tragedies. André joins Tom to talk about travelling to Italy, Cyprus and Morocco to prepare for Othello, and how a church production first set him on the path to a career in theatre.

A new week means new questions! Hope you have fun with these!What is the "Big 4 of Britpop"?Before the Carson era, Steve Allen & Jack Paar were hosts of which show?What two colors are the discs in Othello?Which medal was the award for bravery in the German army from 1871 to 1945 and was derived from the insignia of the medieval Teutonic Order and borne by its knights from the 13th century?What two US Presidents died on the same day, the 50th Anniversary of the adoption of the Declaration of Independence?Of which common metal is bauxite the chief ore? And for 2 extra pts, of which rare metal is it also the main source?What are the only 2 countries to win the World Cup in consecutive years?Michael Jackson famously loved the cinema, earning this nickname based on his musical reign and a movie theatre staple.Now known for its handbags and leather goods, which French luxury goods company was named for its founder, not the Greek messenger god?Of the roughly 200 national anthems in current use, four have no official lyrics, name them( bonus point if you know the name of the anthems)Which Carthaginian general provoked the Second Punic War with the Roman Republic?Which band's famous logo includes red lips and a tongue sticking out?Did Stonehedge get constructed before or after the Great Pyramid of Giza were built?Fill in the last three words of The New York Times' famous slogan, "All The News That's __ __ __"Who is the Roman god Neptune's Greek equivalent?Launched in 1972, what number mission was the final one of NASA's Apollo program?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

The summer season has officially arrived in central Ohio.Along with the regularly high temperatures, there is plenty of creative heat moving through the local arts community.For this week's edition of All Sides Weekend: Arts and Culture, join Classical 101 Morning Host Christopher Purdy and his guests for a preview of arts and cultural events happening around central Ohio.Host:Christopher Purdy, Classical 101 Morning hostGuests:Jabari Johnson, actor in “Othello,” Actors' Theatre of ColumbusOrlay Alonso, pianist/artistic director, Music at St. Mary

The summer season has officially arrived in central Ohio.Along with the regularly high temperatures, there is plenty of creative heat moving through the local arts community.For this week's edition of All Sides Weekend: Arts and Culture, join Classical 101 Morning Host Christopher Purdy and his guests for a preview of arts and cultural events happening around central Ohio.Host:Christopher Purdy, Classical 101 Morning hostGuests:Jabari Johnson, actor in “Othello,” Actors' Theatre of ColumbusOrlay Alonso, pianist/artistic director, Music at St. Mary

Shakespeare's plays Othello and Much Ado About Nothing start with the same storyline: someone tells a lie about a relationship that threatens an entire community. But when does the lie become a weapon? When someone chooses to believe it. True leaders must push back against lies, even when it's risky and unpopular.Carol Ann LloydTEDx talk: 3 Leadership Secrets from Shakespeare@shakeuphistoryhttps://carolannlloyd.com/ https://patreon.com/carolannlloyd https://bookshop.org/shop/carolann The Tudors by NumbersCourting the Virgin QueenSupport the showSupport the showHistory reveals what's possible.

Comic Relief! Meeting Prince! Seasoned food!  Sir Lenny Henry is a hugely celebrated comedian, actor, writer and broadcaster. He first appeared on our screens in 1975 when, at the age of 16, he made his debut on the talent show New Faces. Over fifty years later, he joins us to talk through some of the choice moments of his career, providing a fantastic taster of his current show, Still At Large. We have some cookery crossover, too, with Lenny famously playing Michelin starred Gareth Blackstock in the ‘90s sitcom, Chef! The part came with hours of training and prep work, cutting parsley and gutting rabbits which, as he explains, helped sharpen his skills as a stand-up. There's lots of love for Lenny's mum, a fantastic cook with a natural flair for great home-cooked meals, but less fondness for any food with antennae.  From his very first outing as a comic and impressionist to taking on Othello at the age of 50, Lenny relives a number of pivotal milestones in his career over a delicious bowl of seared scallop & tomato tagliatelle. This is accompanied by a glass of Paolo Leo Fiano del Salento, and a couple of great stories about encountering Prince... and then working with him.   Still At Large is on tour across the UK until November 3 and you can buy tickets at fane.co.uk/lenny-henry.   You can watch full episodes of Dish on YouTube and on Spotify.  All recipes from this podcast can be found at waitrose.com/dishrecipes The recipe for seared scallop & tomato tagliatelle was created for Waitrose by Silvana Franco. A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk  Dish from Waitrose is made by Cold Glass Productions 00:00 Coming up on Dish...00:13 Welcome!01:03 It's scallop season02:34 Sir Lenny Henry is here03:51 Lenny's return to stage06:23 First time performing09:43 Food likes10:28 KFC lunatic11:52 Butter Chicken12:36 Nothing with antennas13:42 Dash it in!15:44 Lenny's cooking credentials16:54 Food is served!20:10 Wine pairing23:48 From comedy to Shakespeare28:50 Comic Relief32:55 Meeting Prince!38:31 Fast food quiz40:42 End of the show question Learn more about your ad choices. Visit megaphone.fm/adchoices

Wendell Pierce is working as hard as ever. He says he's motivated by the "ticking clock of mortality" — and the desire to challenge himself as an actor. He's currently starring in the Shakespeare Theatre Company production of “Othello.” He spoke with Tonya Mosley about aiming for a trifecta of TV, film and theater roles, why he almost left ‘The Wire,' and caring for his late father. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Wendell Pierce is working as hard as ever. He says he's motivated by the "ticking clock of mortality" — and the desire to challenge himself as an actor. He's currently starring in the Shakespeare Theatre Company production of “Othello.” He spoke with Tonya Mosley about aiming for a trifecta of TV, film and theater roles, why he almost left ‘The Wire,' and caring for his late father. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Othello – Act I scene 3 A Turkish fleet heads for Cyprus. Othello tells a love story. Desdemona speaks her mind. Iago makes a plan.

Othello; Act 2, Scene 1 IagoJune 17, 2026 Who says, "I have to bring my truth to the part I'm playing": Ben Turner or Iago? In the Shakespeare Theatre of DC's new production of Othello, Ben Turner reveals the humanity and heart beneath Iago's machinations, transforming Shakespeare's most overtly “evil” creation into something much more recognizably (and terrifyingly) human. The production runs until June 28. Click here for information about Othello Click here to follow along with the text. Click here for a Scanned version Click here for a First Folio version.

***⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠ *** “We Gave Everything We Had”: Actor Randall Duk Kim and Director Annie Occhiogrosso reflect on their lives as artists, creating American Players Theater, how much you can learn from studying “Hamlet” over fifty years, what it takes to be great, where to find the best audiences in the country, how strawberries and chocolate can make all the difference on Press Day, the importance of language, what Keanu Reeves reads between takes, how Laurence Fishburne found his way into “Othello”, why every actor should start a theater, being Asian on an island, how Edwin Booth, Walt Whitman and a slaughtered lamb all played a part in bringing world class productions to a town of 1,200 people in rural Wisconsin, why it's important to plant the seeds of inspiration in young people if we want to have any hope for our future, and much, much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Braunwart is the managing owner of Progene Plant Research, a genetic research-based company bringing new innovations and old uses to current varieties in the market. The company is known for their spring and winter pea program, as well as their work in oats and triticale. Braunwart discusses his career in this industry, how he started and built Progene, how he identifies oddball traits that can have mainstream applications, some of the differences and similarities between spring and winter peas, and his hopes for the future as he transitions the company over to new ownership. He began his career as a fieldman for Rogers Seed Company in 1974 in Twin Falls, Idaho. In 1980, he moved to Colfax, Washington, as Plant Manager and later to Othello, Washington, as Operations Manager. In 1995, he purchased and carried forward a dry pea breeding program from Rogers Seed Company. This business became ProGene Plant Research in 1996.“ What we were finding through the whole team was that we've got ways to improve the roots of those peas, to contribute back to soil health. And that yes, we can do that with spring peas, but we can do it way better with winter peas because their ratio of roots to top growth is more roots than in spring peas.” - Kurt BraunwartThis Week on Growing Pulse Crops:Meet Kurt Braunwart, the managing owner of Progene Plant ResearchDiscover the creation and mission of ProgeneExplore the differences and similarities between spring and winter peasLearn where he sees the future of crop developmentGrowing Pulse Crops is produced by Dr. Audrey Kalil and hosted by Tim Hammerich of the Future of Agriculture Podcast.

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own.

Award-winning actor and activist Wendell Pierce shares why he challenged himself to an annual acting trifecta as he stars in three major productions this year: the classic Shakespeare play Othello, Tom Clancy's Jack Ryan: Ghost War, and the CBS police procedural Elsbeth.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

***⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠ *** “We Gave Everything We Had”: Actor Randall Duk Kim and Director Annie Occhiogrosso reflect on their lives as artists, creating American Players Theater, how much you can learn from studying “Hamlet” over fifty years, what it takes to be great, where to find the best audiences in the country, how strawberries and chocolate can make all the difference on Press Day, the importance of language, what Keanu Reeves reads between takes, how Laurence Fishburne found his way into “Othello”, why every actor should start a theater, being Asian on an island, how Edwin Booth, Walt Whitman and a slaughtered lamb all played a part in bringing world class productions to a town of 1,200 people in rural Wisconsin, why it's important to plant the seeds of inspiration in young people if we want to have any hope for our future, and much, much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

For the latest Whisper in the Wings from Stage Whisper, we welcomed back on the actors Will Watkins, Clayton Hamburg, and Leah Schwartz from Atlas Shakespeare Company's Othello. These fantastic artists sat down with us and shared some inspired insight and brilliant ideas regarding this iconic Shakespearean drama. So be sure that you tune in and get your tickets now for this fantastic production!Atlas Shakespeare Company Presents OthelloJune 16th-28th@ The Abrons Arts Center Tickets and more information are available at abronsartscenter.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions: atlasshakespearecompany.com@atlasshakespeare@shroomerhasitleah-schwartz.com@_itsjustleah_williamoliverwatkins.com@wowatkings

 Listen to the Show Right Click to Save GuestsPenfold Theatre Company VincentAustin Playhouse Seared What We Talked About Rent 30th to stream Extentions? – Jellicle Ball (extends) Largest grossing B'way season Chrissy metz B'way Debut Awake and Sing Othello in DC Girls Girls Chance Chance Music Music Buena Vista Social Club – West End Free copy of Giant Drag Queen Christmas Tour The Last Ship in the West End Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)  

Alan sits down with Broadway producer Brian Anthony Moreland for a candid, high-energy conversation about the realities of commercial theatre. Brian shares the fascinating story of how he caught the theatre bug playing Santa Claus in the third grade , his formative years at a performing arts boarding school , and his early career as a non-union dancer dealing with the exhausting audition grind in New York City. He opens up about the pivotal moment he decided to pivot to producing, starting with a grueling five-and-a-half-year journey to bring Thoughts of a Colored Man to Broadway. Alan and Brian pull back the curtain on the industry's economic pressures, debating Broadway financials, escalating production costs, and what it truly takes to balance commercial viability with meaningful, artistic storytelling. The conversation centers deeply on Brian's extraordinary relationship with the work of August Wilson. He recalls the serendipitous train ride to Pittsburgh that led to him producing the record-breaking revival of The Piano Lesson , and how Denzel Washington personally asked him to lead-produce his next Wilson project. Brian breaks down the profound themes of identity, healing, and family preservation driving his latest production at the Barrymore Theatre, Joe Turner's Come and Gone, sharing delightful insights into working with legendary director Debbie Allen and the joyful, nurturing energy that stars Taraji P. Henson and Cedric the Entertainer bring to the rehearsal room. Finally, Brian takes on the 60-second plot challenge, pitches a classic musical, and reflects on the timeless power of theatre as a space where you can be anything. Brian Anthony Moreland is a transformative Broadway producer dedicated to shaping the contemporary cultural landscape through visionary, inclusive storytelling. Originally from California, he began his career as a performer before transitioning into producing. His impressive Broadway repertoire includes the ground-breaking global hit Othello starring Denzel Washington and Jake Gyllenhaal, the record-breaking revival of August Wilson's The Piano Lesson, The Wiz, The Lifespan of a Fact, Sea Wall / A Life, and The Sound Inside. A respected industry leader, Moreland serves on the Board of Governors of The Broadway League, where he co-chairs the Multicultural Task Force. He also holds leadership roles as a Trustee for Broadway Cares/Equity Fights AIDS, a Trustee of The American Academy of Dramatic Arts, a Board Director for NYC Tourism and Conventions, and is an active member of the Theatre Development Fund (TDF). Connect with Brian: IG: @therealbrianmoreland Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join me (Anna Stone) and guest host Brooke Zapata as we discuss William Shakespeare's Othello and the 2001 film adaptation "O". In this episode, we share why a 2000s North Carolina boarding school is the perfect modern setting, admit our own shortcomings when jealousy is involved, and consider whether some of the changes were beneficial or not. Follow on Instagram @stonestoptensEmail stonestoptens@gmail.com KeywordsOthello, Shakespeare, film adaptation, jealousy, racism, character analysis, modern relevance, classic literature, cultural commentary, storytelling film analysis, violence in media, teen drama, bullying, racism, sexual assault, coaching styles, character performance, fashion trends, Shakespeare adaptation Othello, film adaptation, character analysis, cultural commentary, modern casting, soundtrack, narrative choices, film critique, themes, storytelling

Episode 217:‘King Lear', the play that is now often regarded as Shakespeare's finest and deepest work is most often compared to the other two great tragedies of this period in Shakespeare's writing, ‘Hamlet' and ‘Othello', and of course there are thematic comparisons that can be made with those plays, but it has to be pointed out that ‘King Lear' is also a very different play in tone and structure. Whether we rate ‘King Lear' as Shakespeare's best play or not it is a play that has deeply affected audiences and critics through the centuries and I can only imagine the mark it leaves on actors who take on the main roles. Sadly, what we lack is much detail about initial reactions to the play.The early performance and publishing history of the playThe influences and sources for the playThe opening scene of the play and the abandonment of the natural orderThe questions of judgement and miscommunication in the playThe character of GonerilEdmund as one of Shakespeare's truly evil charactersKent as the voice of reason and loyaltyLear and the Fool in the stormLear's moral awakeningSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

Tom Vasel gives his opinions on games in the middle of the Board Game Geek rankings.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about a truly underrated star: Laurence Fishburne! Our B-Sides include: Bad Company, Fled, Hoodlum, and Biker Boyz. Conor and guest host Mitchell Beaupre discuss Fishburne's early work, his movie star run (the mid-90s, of which three of our B-Sides are a part of!), and the roles he passed on over the years.  They debate whether or not Kevin Hooks' Fled (a ‘90s take on The Defiant Ones) is worth the watch, if Oliver Parker's Othello works as a movie, and that other time Fishburne played a character based on famous gangster Bumpy Johnson (that would be Francis Ford Coppola's underrated The Cotton Club). There's a celebration of Bill Duke's directorial career (the legendary actor made Hoodlum and also Deep Cover, both starring Fishburne) and a conversation about Biker Boyz internal conflict in being a Fast & Furious movie.

Othello May 19, 2026 “What's he, then, that says I play the villain?” Few questions more clearly reveal where each of us stands in today's deeply polarized society. Recorded on the eve of a profoundly tense moment in global geopolitics, we speak with Eric Tucker and Bedlam discussing their critically acclaimed four-person production of Othello, running through May 31 in New York City. Click here for information about Othello

BUY TICKETS TO DOPEY SHORT FILM FESTIVAL: https://buytickets.at/thedopeyfoundation/2216905 Join Patreon For Cheap Tickets and much more: www.patreon.com/dopeypodcast Long Summary Notes: Dave opens the Dopey Total Replay by revisiting Episode 27, “Detox Withdrawal,” one of the earliest foundational episodes of Dopey. He explains how the episode introduced both graphic designer Ryan — creator of the iconic nodding Dopey logo — and Todd Curry, Dave's longtime using buddy who would later die in 2018, just weeks before Chris. Dave reflects on Chris's original idea for a “Dopey Stories” book made up of listener submissions and stories from the show. He talks about failed attempts to pitch the project to publishers and wonders whether self-publishing a Dopey book on Amazon might finally make sense. He invites listeners to resend their best stories to dopeypodcast@gmail.com. Disclaimer: I think I called Spanish People Stupid - but it was meant totally with love. Dave then shifts into a recap of Music on the Mountain in Vermont, where he attended with Linda and the kids. He talks about seeing Anders Osborne, Daniel Donato, Jackie Greene, Karina Rykman, Eggy, Lamp, and others. Susan celebrates her eighth birthday and hilariously insists on introducing bands onstage after Dave lets her introduce Karina Rykman. Dave admits Susan might actually be a better MC than him. Dave promotes the upcoming Dopey Short Film Festival at the SVA Theater, mentioning Mountainside as a possible title sponsor and joking about Katz's desserts and Othello cookies potentially being involved. He reads Patreon and Spotify comments reacting to the previous replay episode, including discussion of Rush, Basketball Diaries, Knicks playoff hopes, bread basket addiction, and people missing Chris. Dave goes on multiple tangents about bread, fitness, the Knicks, and Cleveland versus Detroit. The replay itself begins with Chris and Dave just starting to record when Todd randomly calls in. Todd immediately launches into a story about getting arrested while allegedly trying to buy weed in a housing project. Chris and Dave immediately question the story while Todd insists he was only trying to buy marijuana. The conversation spirals into stories about community service, Delancey Street cleanup duty, reverse discrimination jokes, airport profiling, Todd's history with Dave, and their years selling drugs together. Chris openly campaigns for Todd to become a recurring Dopey guest while Dave resists because Todd is still actively using heroin and weed. Graphic designer Ryan joins the conversation and explains why he loved Dopey from the beginning — because it wasn't a traditional recovery podcast. He says recovery shows felt too church-like, while Dopey mixed active addiction stories with recovery in a way that could actually reach addicts. Todd and Dave argue about whether active users should appear on Dopey. Ryan attempts to sober coach Todd live on the air, asking him what heroin does for him emotionally. Todd admits heroin covers feelings of loneliness, insecurity, and self-hatred. He describes failed relationships, yoga classes, women, and using heroin to cope with emotional pain. Ryan explains the basics of abstinence and recovery while Todd half-jokes and half-confesses his inability to stop using. Chris mostly eggs the entire thing on while enjoying the chaos. The episode shifts into stories about Mountainside and the infamous “Phase Four” extended-care house. Ryan explains how he entered treatment planning only to save money for heroin afterward, but somehow ended up getting sober instead. Dave admits he originally thought Ryan would never stay sober, while Dave himself eventually relapsed despite appearing more serious about recovery at the time. Ryan tells wild detox stories involving escaping treatment during withdrawal, trading a $2,500 laptop for heroin bundles, walking through snowstorms, and eventually landing at Mountainside. The group discusses relapse, sobriety, AA sponsorship disasters, yoga, heroin addiction, and the randomness of getting sober. The episode eventually devolves into jokes about Dave's disgusting toenail, Instagram photos, podcast structure, and arguments about whether episodes should be one hour long. Chris insists on ending every episode with “Good So Bad,” while Dave complains nobody wants long podcasts — ironic considering modern Dopey episodes often run three hours. Back in present-day narration, Dave reflects emotionally on hearing Todd and Chris together again. He reveals that Todd eventually appeared on Dopey multiple times, including once when he left mid-recording to go downstairs and shoot heroin before returning to finish the episode high. Dave closes by talking about Ryan's later recovery work at Berkshire Transition Network and how foundational he was to early Dopey. He reflects on the pain, foreshadowing, and innocence captured in the episode before ending with “Good So Bad” and a tribute to Chris and Todd. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Coming this June - after a little break to recover from the end of King Lear, we shall begin a journey through Shakespeare's Othello. I hope you'll join me.

This week's episode of Radio Night Live Fun Friday! is a fun-filled celebration of all things New York, from Broadway, to sports, dance and more. Kevin & Cristyne share their excitement about the upcoming Subway Series, a classic rivalry between the Mets and the Yankees, and the 20th Annual Dance Parade, a vibrant event that's free and open to everyone. Meanwhile, they also highlight some fantastic performances and events happening in the city, including a Broadway play and an air show. This episode is a great mix of sports, culture, and community, with Kevin & Cristyne sharing their enthusiasm for the city's many offerings. They chat about the history of the Subway Series and the Mayor's Trophy, a unique competition that was popular before interleague play began. They also give a shout-out to a talented dancer who will be performing in the Dance Parade, and highlight some exciting events happening in the city, including a Broadway play and an air show. Kevin also takes a moment to acknowledge the achievements of Cristyne, who has been recognized with a prestigious award for her contributions to tourism in New York City. It's a heartwarming moment that adds a touch of warmth to the episode. If you're looking for a dose of New York City spirit, this episode is a must-listen. Join Kevin & Cristyne as they explore the city's many wonders, from Broadway, sports, to dance and beyond. Don't miss this fun and lively conversation that's all about the best of New York. FUN FRIDAY GUEST BRIAN ANTHONY MORELAND, FOUNDER OF B-MORE NOW PRODUCTIONS AND PRODUCER OF JOE TURNER'S COME AND GONE. Brian spoke about his latest production of Joe Turner's Come & Gone. The show has been nominated for FIVE Tony Awards (Best Featured Actor for Ruben Santiago-Hudson for his portrayal of Bynum Walker, Best Costume Design by Paul Tazewell, Lighting Design, Sound Design, and Original Score) Brian Anthony Moreland recently made waves on Broadway as a producer of the groundbreaking revival of Othello, starring Denzel Washington and Jake Gyllenhaal, and directed by Tony Award-winner Kenny Leon. The production shattered box office records, becoming the highest-grossing play in global history.  WEBSITES:  www.bmorenowproductions.com; www.joeturnerbway.com  FUN FRIDAY GUEST CHRIS O'BRIEN, PRESIDENT OF SAIL4TH 250. Chris was a featured panelist at the Broadway Association's May luncheon, focused on “summer in the city”. Chris speaks about what to expect during the Tall Ships parade this July. DATES OF SAIL4TH 250: July 3 through July 8th, 2026 (rain or shine!) WEBSITE: www.sail4th.org  Go to ThatPassportLife.com to see how you can win a free trip for two to Italy! Hang out with Kevin McCullough of ThatKEVINShow; Aimee McCullough of C'est Si Bon, Linda Perillo of Radio Night Live: Travel Tuesday (daughter of the great, Mario Perillo of Perillo Tours); & Cristyne L. Nicholas of Radio Night Live: Fun Friday!

Othello – Act I scene 2 The newly married Othello is warned against the threat of his father-in-law, and urgently sought after by two search parties.

 Listen to the Show Right Click to Save GuestsJarrott Productions DestinationAustin Shakespeare Much Ado About NothingBroadway in Austin The Wiz What We Talked About Book of Mormon Outer Critics Circle Awards Hamlet & Othello Participation Fees? B-Roll in performances? Paranormal Activity Adrienne Warren in Proof Rent 30th anniversary concertThank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)  

Othello is really into a new Netflix show that takes a SHOCKING turn. IDM checks in with The DAWGZ to see what jokes they're slinging and wonders if having intercourse with pregnant women is abnormal.

Our guest today is Sir Lenny Henry, the pioneering comedian, entertainer, actor and campaigner, who tells Gyles his story, and it's an impressive one: from the streets of Dudley in the West Midlands, to winning New Faces at only 16 years old, to an acclaimed run as Othello at the West Yorkshire Playhouse. Lenny brings his childhood home to life - his mother, a gifted preacher who came to the UK from Jamaica, and whose formidable personality was a huge influence on Lenny. His dads - Winston and Uncle Albert. The "tall food". The park. The mood board on his bedroom wall. This is an evocative, fascinating and very funny edition of Rosebud.This episode was recorded at Riverside Studios in Hammersmith in London, in front of a live audience, as part of Riverside's 50th birthday celebrations.Lenny Henry is on tour nationwide, tickets are available here.Don't forget to subscribe to our YouTube here. Join The Rosebud Family here. And visit our website here. Hosted on Acast. See acast.com/privacy for more information.

A century after Shakespeare's death, his words were in danger of being forgotten. While plays like King Lear and Othello still played to packed houses across England, audiences saw only the bowdlerized versions—censored, rewritten, and stripped of anything that could be considered distasteful. How, then, did Shakespeare's original works re-emerge? Thank the Shakespeare Ladies Club, a group of influential women who rescued his reputation(and his double entendres) from obscurity. In their book, The Shakespeare Ladies Club: The Forgotten Women Who Saved the Bawdy Bard, Christine and Jonathan Hainsworth uncover the club's unsung contributions to Shakespeare's legacy. Thanks to the Hainsworths, Westminster Abbey has now officially recognized the Shakespeare Ladies Club for their campaign to memorialize Shakespeare in Poets' Corner. But, they reveal, the club's influence goes even deeper than that. In this episode, Christine and Jonathan Hainsworth shine a light on this remarkable group of women and how they made Shakespeare the cultural icon he is today.

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Composer Lindsay Jones sits down for a brand new Film.Music.Media conversation! Lindsay is a composer, sound designer, performer and educator who works across all media. Lindsay has worked across film, TV, theater, podcasts, and audiobooks. He recently won a 2025 Webby Award for Original Music and Sound Design for Othello, which is part of Next Chapter Podcasts' Play On Shakespeare series. *This interview was recorded the day before he won. A Film.Music.Media Production | Produced & Presented by Kaya Savas

Send us Fan MailS6: E4: Jyotsna G. Singh on Shakespeare, Postcoloniality, and Global InterconnectednessFor a complete episode transcript, http://www.womenandshakespeare.comInterviewer and Producer: Varsha PanjwaniGuest: Jyotsna G. SinghTranscript: Benjamin PooreArtwork: Wenqi WanSuggested Citation:  Singh, Jyotsna G. in conversation with Panjwani, Varsha (2026). S6: E4: Jyotsna G. Singh on Shakespeare, Postcoloniality, and Global Interconnectedness.Women & Shakespeare [podcast], Series 6, Ep.4. http://womenandshakespeare.com/Insta: earlymoderndocEmail: earlymoderndoc@gmail.com

Today we're diving into the incredible, globe-spanning journey of Julee Cerda, who traded the high-energy grind of New York City's Broadway stages for a new life in London. From booking a major nine-episode arc on Blindspot after taping an audition in a camping cabin, to landing a coveted role in Othello alongside legends like Denzel Washington and Jake Gyllenhaal, she opens up about navigating a thriving career while raising a family. Julee also shares hilarious and high-stakes audition stories, including running late to her very first major TV audition… and still booking the job. It's a candid, inspiring conversation about trusting your instincts, embracing the chaos, and finding truth on both stage and screen. These are the unforgettable stories that landed Julee Cerda right here. Credits: Blindspot The Mighty Ducks: Game Changers SOLO MIO Descendants: Rise of the Red Orange is the New Black Vacation Friends 2 Homeland Maintenance Required NCIS: New Orleans FBI Billions Descendants The Intern Manifest Nurse Jackie Guest Links: IMDB: Julee Cerda, Actress THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition SELF-TAPE MAY CLASS: Starting May 7th - FREE What's My Frame APRIL PUBLIC POP UP: April 24th - $25 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR - 50% THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Episode 211:Through the last few episodes on Shakespeare's plays, we seem to have seen a playwright in a serious mood, even when he was writing comedies. ‘Twelfth Night' and ‘Measure For Measure' are often referred to as having an autumnal tone, something serious underlying the comedy and of course we also have the even darker worlds of the tragedies of ‘Hamlet' and ‘Othello'. The next play we come to from Shakespeare fits well into this group, but I choose my words carefully there because I can't say for sure that ‘All's Well That Ends Well' was his ‘next' play after ‘Measure For Measure' as the dating of this comedy is difficult.The dating of the playThe sources for the playA brief summary of the plotHow Shakespeare subverts the original folk tale into a comedyIrony in the playThe two sides of the character of HelenWhat does Helen see in Bertram?The role reversal between Helen and BertramThe character of BertramThe bed trickThe character of ParolasSome examples of criticism of the playThe performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

In Shakespeare's Othello, the Second Senator in Act One warns of a Turkish fleet bearing down on Cyprus. Later in that same scene, the Duke of Venice remarks, "The Turk with a most mighty preparation makes for Cyprus. Othello, the fortitude of the place is best known to you." References to Cyprus appear again and again throughout the dialogue—calling attention to wars, naval battles, and the conflicts surrounding the island, including, as Iago puts it, the struggle between "grounds Christian and heathen." Shakespeare places Othello in Cyprus at a moment of extreme tension. In the play, the island has just faced an imminent invasion by the Ottoman Turks. The Venetian fleet is mobilized, generals are dispatched, and Cyprus is on high alert. It makes for an exciting story—but what's even more compelling is that the setting Shakespeare chose mirrors real history almost exactly. In 1570 and 1571, Cyprus—then a Venetian possession—was attacked by the Ottoman Empire. The final and most famous stronghold was a city called Famagusta, whose siege became infamous across Europe. For Shakespeare's audience, Cyprus under Turkish threat was not fictional—it was recent news. When Othello opens with fears of invasion, Shakespeare is tapping into a collective memory of terror and loss that was still emotionally raw. To help us explore how the play connects to the real history Shakespeare's audience would have recognized immediately, I'm delighted to welcome our guest today, Michael Walsh.

Shakespeare wrote every word of his plays with the firm expectation that the female parts would be acted by men or boys. No female was allowed to act in a public theater. That would be shockingly indecent. In England, that expectation was dashed in a 1660 production of Othello. We know for sure that Desdemona was played by a woman. We're just not sure which woman it was. This episode explains how English theater came to accept women on the stage. Visit the ⁠⁠⁠⁠website⁠⁠⁠⁠ (herhalfofhistory.com) for sources, transcripts, and pictures. This show survives on the support of listeners like you. Support the show on my ⁠⁠⁠⁠⁠Patreon page⁠⁠⁠ (https://www.patreon.com/user?u=83998235) for ad-free episodes, bonus episodes, and polls. Or make a one-time donation on ⁠⁠⁠⁠⁠Buy⁠⁠⁠⁠ ⁠⁠⁠⁠Me a Coffee⁠⁠. Your support helps me keep bring the stories of past women into the present. Join ⁠⁠⁠Into History⁠⁠⁠ for a community of ad-free history podcasts plus bonus content. Visit ⁠⁠⁠Evergreen Podcasts⁠⁠⁠ to listen to more great shows. Follow me on ⁠⁠⁠Threads⁠⁠⁠ as Her Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Dr. David Puder is joined by forensic psychiatrist Dr. Michael Cummings, who has spent his career at the world's largest forensic state hospital, and child psychiatrist Dr. Blaire Heath, to examine how fixed false beliefs, or delusions, can lead to aggression and violence. Each guest brings their expertise to discuss the major delusion types most associated with harm in forensic settings, including persecutory, Capgras (impostor syndrome involving loved ones), Cotard's ("I am dead"), erotomanic, jealous (Othello syndrome), somatic, and referential delusions.  The episode covers practical clinical tools, including the Simple Delusional Syndrome Scale and Brown Assessment of Beliefs Scale, the role of clozapine in reducing violence risk, and the use of cognitive behavioral therapy to create psychological "escape routes" by treating delusions as testable hypotheses. Modern risks are also addressed, including how AI chatbots and algorithms can reinforce and amplify delusional thinking and contribute to emerging cases of AI-related psychosis.  By listening to this episode, you can earn 1.5 Psychiatry CME Credits. Link to blog Link to YouTube video

Many readers turn to Shakespeare for the beauty of his language or the power of his stories. But in Thinking Through Shakespeare, Oxford scholar David Womersley suggests that the plays offer something else as well: a way of exploring some of the deepest questions about human life. Womersley looks at tragedies like Othello, Hamlet, Macbeth, and King Lear to show how Shakespeare places audiences inside difficult moral and philosophical problems. The plays raise questions about identity, power, and the tension between doing what is right and doing what is personally advantageous. Rather than presenting clear answers, Shakespeare lets these ideas collide on stage. In this episode, Womersley explains how Shakespeare's plays become what he calls “crucibles” for thinking. As characters struggle with competing values and impossible choices, audiences go on that journey with them—testing ideas, reconsidering assumptions, and confronting the same enduring dilemmas that have shaped human thought for centuries.