Podcasts about Screenwriting

Stand back because fabulous powers are about to be granted to us as we hold aloft our magic sword between our glorious legs! Skeletor4Prez and Shahir are about to discover the secrets of Castle Greyskull and Travis Knight's rap history as we discuss "Masters of the Universe" If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Filmmaker Billy Luther talks with Sandy about his coming-of-age film, ‘Frybread Face and Me,' which was executive-produced by Taika Waititi and distributed by Ava DuVernay's company, Array, on Netflix.Written and directed by Billy, ‘Frybread Face and Me' was selected for SXSW 2023's Narrative Spotlight and TIFF 2023's Discovery and New Wave Selects. Billy's feature documentary, Miss Navajo, premiered at the 2007 Sundance Film Festival and aired nationally on PBS' Independent Lens that same year.Billy has also served as a writer and director on the hit AMC series Dark Winds, adapting Tony Hillerman's novels featuring Navajo tribal police investigations.You can watch ‘Frybread Face and Me,” ‘Miss Navajo,' and all of Billy's films for free on his website here: https://billyluther.comIf you have Netflix, go watch ‘Frybread Face and Me' right now!  Pick up the remote, click the link.  Do.  The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

  CinemAddicts Episode 348 features reviews of movies coming out the week of June 12th. They are The Furious, This Tempting Madness, Find Your Friends, Stop! That! Train! and Amores Perros. Also reviewed are Hokum (on Digital), Ricky (on Digital) and the short film Mon Taxi. Bruce Purkey so reviews All That Jazz - one of Mitch Burns' favorite films.  Timestamps 00:00 - Thoughts on Mitch Burns, who was a dear friend of the show and creator of the CinemAddicts Movie Club. 17:47 - The Furious. 6/12 in theaters. Images: Lionsgate 24:04 - This Tempting Madness. 6/12 in theaters & On Demand. Images: Vertical 29:11 - Find Your Friends hits Shudder 6/12. Images: Shudder 43:47 - Mon Taxi (website). Plays Tribeca Film Festival 6/13. 47:35 - Ricky. Now available on Digital Platforms including Amazon. 56:55 - Bruce Purkey shares his thoughts on our friends William Lindus and Mitch Burns. 69:08 - Stop! That! Train! 74:03 - Amores Perros in theaters June 12. Images: MUBI 83:11 - Hokum 90:00 - All That Jazz Support CinemAddicts by using our Amazon Site Stripe and/or Affiliate links for your purchases. We receive a slight commission - thank you! CinemAddicts are Bruce Purkey, Eric Holmes, and Greg Srisavasdi Facebook Facebook Group Patreon YouTube Channel Deepest Dream Thanks to our Patreon Community Ryan Smith Stephen Schrock Susan Charles Peterson Nelson B. McClintock Diana Van De Kamp Pete Abeyta Tyler Andula Stephen Mand Edmund Mendez Abbie Schmidt Jeff Tait Robert Prakash Kristen Chris M Jeremy Chappell Lewis Longshadow Iver Alex Clayton Daniel Hulbert Andrew Martin Angela Clark Myron Freeman Kayn Kalmbach Aaron Fordham Tracy Peters Grant Boston Ken Cunningham    

Many writers assume that Christian stories are defined by clean content, religious themes, or explicit references to faith. But a Christian worldview is not a genre.In this episode of The Storyteller's Mission, Zena Dell Lowe explains why many faith-based stories feel preachy, emotionally shallow, or dramatically ineffective despite their good intentions. More importantly, she reveals how writers can create stories that communicate biblical truth at a deep structural level without relying on overt religious content.Through examples from Die Hard, Lethal Weapon, Strong Fathers, Strong Daughters, and modern storytelling trends, you'll discover the difference between worldview and genre, truth and signaling, and why some secular stories often resonate more deeply than many faith-based films.Topics Covered:• Christian worldview vs Christian genre • Why faith-based films often struggle • Storytelling and moral truth • Die Hard and biblical morality • Lethal Weapon as moral storytelling • Principles vs rules in story • The problem with preachy writing • Writing stories that resonate • Biblical worldview in screenwriting • Christian storytelling and cultureCHAPTERS00:00 A Secular Story Can Tell More Truth 01:12 What People Mean by "Christian Film" 02:00 Why Die Hard Matters 03:00 Principles vs Rules 05:30 Compassion vs Justice 06:30 What a Worldview Really Is 07:10 Genre vs Worldview 08:20 The Strong Fathers, Strong Daughters Example 10:30 Why Nuance Matters 11:10 Secular Stories and Biblical Truth 11:25 Lethal Weapon vs Modern Storytelling 12:40 The Postmodern Worldview Shift 14:00 What Writing a Christian Worldview Actually Means 15:25 Stop Trying to Write Christian Stories 15:50 Why the Faith-Based Industry Struggles 17:35 What This Means for Writers 19:45 We Need More Truthful StoriesWatch this episode on YouTubeFree Resources for Writers:Seven Deadly Plot Points FREE TRAINING VIDEO Free Video Tutorial for ScreenwritingSign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.

Bestselling author Meg Shaffer spoke with us about paying homage to fairy tales, defending libraries against censorship, and her latest cinematic, genre-bending bestseller, THE BOOK WITCH. Meg Shaffer is the bestselling author of The Lost Story and The Wishing Game, which was a Book of the Month finalist for Book of the Year as well as a Reader's Digest and Washington Post Best Book of the Year, and has been translated into 23 languages. Shaffer holds an MFA in TV and Screenwriting from Stephens College. Her latest is the instant bestseller The Book Witch, described as a novel that's part mystery, part love letter to libraries and booksellers, and a direct, timely meditation on book-banning. Booklist called it a “whimsical tale of lost love, family secrets, and how books can change a reader's life” and Kirkus calls it “catnip for anyone who ever wished they could walk around in their favorite book.”  [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Meg Shaffer, Milena, and I discussed: How she wrote a couple dozen romance novels under her real name The rules set forth in her latest book about entering the worlds of beloved childrens' series Why the author's writing is best when she's having fun Channeling the iconic sci-fi writer Ray Bradbury Why "all books are kids' books if the kid can read" How she aims to make readers appreciate the books they read as children And a lot more! Show Notes: megshaffer.com The Book Witch: A Novel By Meg Shaffer (Amazon) Meg Shaffer Amazon Author Page Meg Shaffer on Instagram Meg Shaffer on Facebook Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jeff Goldsmith talks to creator-screenwriter Mike Makowsky about his limited TV series, Death by Lightning. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

How to Direct A-List Talent: Ol Parker on Rom-Coms, Rejection & Set Etiquette How do you maintain your creative voice while directing some of the biggest movie stars on the planet? This week, Giles Alderson and Dom Lenoir sit down with Hollywood hitmaker Ol Parker to unpack the business of making audiences feel good. Known for writing and directing global smashes like Mamma Mia! Here We Go Again, The Best Exotic Marigold Hotel, and Ticket to Paradise, Ol joins host Giles Alderson to discuss his latest feature film, the Netflix R-rated corporate comedy Office Romance, starring Jennifer Lopez, Brett Goldstein, and a massive ensemble of comedy heavyweights. Ol delivers a masterclass in longevity, collaboration, and set management. He opens up about the unique challenge of directing a script written by his lead actors, how to balance hard-R comedy with touching narrative beats, and why a director's job is often about listening to the experts around them.

Screenwriting Legends SCOTT ALEXANDER and LARRY KARASZEWSKI discuss their origin stories of being film nerds, drive-in movies, how looking on the back of Variety was glorious when they were kids, how Shakey's Pizza's silent movies influenced them, meeting the first hour at school and deciding to go to the Nuart Theater in Los Angeles, why they program screenings including The Wrong Guy, what makes a good story from real life, why offbeat losers make better subjects than heroes, how directors like Tim Burton are loyal to the script and love stories of art and outsiders, why awards are fun but stupid, their process of deciding on ideas in a shockingly random way, sinking time into ideas that go nowhere, the amazing Marx Brothers movie that can't seem to get made, how they can't shake a movie once they love it, how producers are just as stupid as they are, whether everyone has a movie in their lives and why someone doesn't make a bio movie about them, and how pickleball can save your life! Bio:SCOTT ALEXANDER and LARRY KARASZEWSKI met when they were freshman roommates at USC's School of Cinema. On a whim, they wrote a screenplay during their senior year, which sold a week after graduation. They are best known for writing very unusual biopics with larger-than-life characters. They wrote the highly-acclaimed ED WOOD, for which they were nominated for Best Screenplay by the Writers Guild. They followed this with THE PEOPLE VS. LARRY FLYNT, for which they won the Golden Globe for Best Screenplay, as well as a special Writers Guild award for civil rights and liberties. They scripted the extremely postmodern MAN ON THE MOON, the life story of Andy Kaufman. They wrote BIG EYES, the strange-but-true story of Margaret and Walter Keane, for which they received an Indie Spirit Best Screenplay nomination. For their first television project, they created the hit miniseries AMERICAN CRIME STORY: THE PEOPLE V. O.J. SIMPSON, for which they won the Emmy, Golden Globe, PGA and WGA Award for Best Limited Series. Their most recent film, DOLEMITE IS MY NAME, is the celebrated tale of Rudy Ray Moore. Other than biopics, Alexander and Karaszewski are quite eclectic. They wrote the hit Stephen King adaptation 1408. They produced the Bob Crane biopic AUTO FOCUS, and they wrote and directed the comedy SCREWED. They have also written numerous family films, including PROBLEM CHILD, PROBLEM CHILD 2, AGENT CODY BANKS, and GOOSEBUMPS. Learn more about your ad choices. Visit megaphone.fm/adchoices

Keir and Mike are joined by a very special guest and friend of the show—Pulitzer Prize-winning author Daniel Kraus!—to dissect Billy Wilder's 10 Rules for Screenwriting. Which ones are still relevant? Which ones aren't even rules? Listen and find out! Join our Patreon for episodes and content you won't find anywhere else! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Adam Chase Rani and Christine Chen celebrate reaching 188 episodes of the Get Reelisms filmmaking podcast and reflect on nearly six to seven years of documenting their careers. They discuss recent Oscars results, including a tie and Sam Davis winning after their interview, and debate why genre films like Sinners may struggle for Best Picture despite winning Best Original Screenplay, while One Battle After Another wins Best Picture and PTA earns Best Director. They talk about attention spans, frustration with people assuming indie films are “on Netflix,” and Christine's behind-the-scenes photo from Shakespeare on the Range being featured in the Academy Museum, a milestone linked to early career growth. Christine shares her decision to pause First AD work to focus on directing, developing a sketch-based branded micro-series, and adapting to vertical content trends. Adam plugs his “Create Your Own Content” course on getreelisms.com.   Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast. For more information about Christine Chen: christinewchen.com   Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.   00:00 Movies All Day 00:22 Podcast Origins 00:54 188 Episodes In 02:03 Oscar Winner Interview 02:54 Oscars Predictions 06:15 Awards Drama Talk 07:07 Short Attention Spans 09:20 Netflix Question Rage 12:36 Academy Museum Photo 14:31 Shakespeare On The Range 18:02 OG Crew Lessons 20:16 BTS Photo Insecurities 20:56 Film History Connections 21:30 How We First Met 22:34 From Stress to Podcast 24:05 Hiatus From First AD 27:30 Friends in Film Sketches 30:29 DIY Filmmaking Revival 32:26 Vertical Video Future 35:43 Budgets and Crew Reality 38:10 Housekeeping and Farewell   WEBISODE version of the Podcast Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

In this episode of the School of Podcasting, Dave Jackson shows you how to stop being “just another podcast” and start becoming someone's favorite show (I love that line from Jay Acunzo).You'll learn how to:Clarify what your podcast is actually about in one sentenceChoose (or tweak) your name and description so they signal your unique angleDeliver on the promise of your premise so listeners trust youUse your own stories, quirks, and background as an unfair advantage no AI can copyWhether you're launching a new show or trying to revive an existing one, this episode will help you stand out in a crowded market.The Four C's of Building a Favorite Show1. You Need a Clear “What Is It?” Line (Clarity)If you can't describe your show in one sentence, your listeners definitely can't.Think of it like a movie logline:“A shark terrorizes a beach town.” → Jaws“A lawyer can't lie for 24 hours.” → Liar LiarIf your answer sounds like “me and my buddy talking about stuff and stuff,” you have a clarity problem.2. Your Name & Description Should Create ContrastIf your show is called something generic like “Thinking Outside the Box,” you're competing with dozens of identical names.Simple test: say your show's name to someone and ask, “What do you think it's about?”If their answer doesn't match your actual content, your name isn't doing its job.Your description should:Say who the show is forSay how it's differentPromise what they get every episode - and then give it to themUse your listeners' own words from reviews/emails to sharpen your description.3. Deliver on the Promise of Your Premise (Consistency)Your title, artwork, and description are a promise. Your content has to deliver.Click‑baity titles and vague descriptions might get a first click, but if the episode doesn't do what it says, you won't get a second one.Examples:Joe Rogan: long-form, open-ended conversations where people actually talk through ideas.Podnews and Podnews Weekly Review: global podcast news with strong host chemistry and a predictable format.4. Your Stories and Style Are Your Uncopyable Advantage (Character)AI can write scripts and headlines—but it doesn't have your bike ride, your great nephew, or your specific regrets and realizations.You have stories, you just need to write them down.5. Use “Homework for Life” to Capture StoriesFrom Matthew Dicks' Storyworthy: at the end of each day, ask:“What happened today that might be a story?”Write down one sentence—just enough to remind you later.Use any note tool (NoteJoy, Apple Notes, Google Keep, voice-to-text, etc.).Over time you build a story library you can draw from to explain concepts and stand out from AI‑generated, story‑less shows.Action Steps From This EpisodeBy the end of this episode, challenge yourself to:Write your one-sentence “What is it?” line.If you can't say it clearly in one breath, cut it down.Ask 2–3 non-podcaster friends:Show them your title, cover art, and description.Ask, “What do you think this show is about?”If their answer doesn't match your intention, revise your name/description.Search your show's name in Google and major podcast apps.Is the name crowded? Already used?Is there a dormant show with the name you want? Consider reaching out and asking to take over/buy the feed.List 5 story moments from the last 30 days.Use “homework for life” style notes.Circle 1–2 you can use in upcoming episodes to explain a lesson.Rewrite your podcast description to:Say who the show is forSay how it's differentPromise what they'll consistently get each time they listenResources MentionedStoryworthy by Matthew Dicks – Book on storytelling and “homework for life.”Notejoy captiring toolResearch LinksPodcasting Morning ShowSave the Cat!: The Last Book on Screenwriting You'll Ever NeedHot Ones' Guests Impressed by Sean Evans' Questions | Vol. 6 - YouTubePacino Arrests Everybody (Samuel L. Jackson Cameo) | Sea of Love - YouTubeHomework for Life | Matthew DicksHow Stories Happen: Creators and Entrepreneurs Dissect Their Signature Stories — Jay Acunzo - Jay always says, "Don't just be a podcast, be someone's FAVORITE podcast."Podcast Network Insights - A show About Podcasting networks.Podcast Momentum | Build Podcast Momentum – Geared towards businessesPedal Stomper Podcast. Podcasting Lessons from a Hall of Famer: 20 Years of Wisdom with Dave Jackson - YouTubeWork With DaveIf you want help:Sharpening your “what is it?” lineChoosing or refining a podcast nameRewriting your description so it stands outAnd building a show that becomes someone's favorite…then join the School of Podcasting and get step‑by‑step guidance, resources, and a community of podcasters just like you. You can also sign up for a single podcast strategy session.Mentioned in this episode:Have You Heard About the Podpage Assistant?Here's what it can do: Identify the best search keyphrase to target — The Assistant analyzes your episode and finds the keyphrase most likely to drive organic traffic. Generate optimized SEO titles and descriptions — Get search-friendly titles and meta descriptions written for each episode automatically. Expand your show notes — Turn brief show notes into detailed, search-friendly content that helps Google understand what your episode is about. Create SEO schema — Automatically generate structured data including FAQs and key takeaways, giving search engines even more context about your content. Generate episode transcriptions — If your podcast host doesn't provide transcripts, the Assistant can create them for you. Create companion blog posts — Each episode can get a dedicated blog post that supports your episode's SEO and gives listeners another way to find you. Automatically categorize episodes — Keep your episode library organized without lifting a finger. Start your 14 day trial at www.podpage.com/preview PodpageJoin the School of PodcastingMark from Practical Prepping had been podcasting for a while, but after joining the School of Podcasting, his podcast grew at a faster rate. His Facebook group has over 30,000 members! Join the School of Podcasting and get access to: Step-by-step tutorials An amazing podcast community Unlimited One-On-One Coaching Join today worry-free with a 30-day money-back guarantee!School of PodcastingQuestion of the MonthThis might be harder question to answer because when I ask people, the sometimes freeze. The question? How do you measure success for your podcast beyond download numbers? I need your answer by June 26th, 2026. Don't forget to tell us a little bit about your show and your website address so I can link to it in the show notes.Question of the MonthCheck Out Dave's Newsletter With Behind the Scenes ContentIn each issue of Podcasting Observations, I share my thoughts on what

If you're not careful and you noclip out of reality in the wrong areas, you'll end up listening to this week's episode about Kane Parson's Backrooms. Get lost listening to us in liminal spaces!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rewind. Sandy and Terry will discuss Billy Wilder's 10 tips for screenwriters. Few screenwriters are as pedigreed as Billy Wilder, who is renowned as one of the most creative filmmakers of American cinema's Golden Age. Wilder was nominated 21 times at the Academy Awards, 13 for screenwriting and 8 for direction. He won the Best Director award for his 1945 film "The Lost Weekend" and again 15 years later for "The Apartment." Thanks to the success of "The Apartment," Wilder became the first person to win an Academy Award as a producer, director, and screenwriter for the same movie. Cameron Crowe said, “There's no better film school than listening to what Billy Wilder says.”The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

On this episode, we review two movies that are coming out on Friday, June 5th, 2026: Seven Snipers and Carolina Caroline. I also talk about a Separate podcast that I will be adding for our Patreon and Apple Podcasts subscription members called "The Junketeer." The pod will cover the following: 1. My years being a Press Junket interviewer (starting at 1991) from my days at the UCLA Daily Bruin, the 19 plus years I worked at Westwood One, and the 10 plus years I've been dedicating to my website Deepest Dream and the CinemAddicts podcast 2. The pod will also feature my first reactions to movies I review. 3. Continuing tips on Podcasting/Website writing that I have learned (and am learning over the years. 4. All of the material covered on The Junketeer will be exclusive to the podcast. Join our Patreon community or subscribe to our Apple Podcasts Subscriptions for access. Episode Timestamps: 00:00 - Intro and discussion of my Patreon/Apple Podcasts pod "The Junketeer" 08:24 - Seven Snipers Review 18:28 - Carlina Caroline Review 35:43 - Carolina Caroline Spoilers Support CinemAddicts by using our Amazon Site Stripe and/or Affiliate links for your purchases. We receive a slight commission - thank you! ***Purchase/rent Seven Snipers on Amazon. CinemAddicts are Bruce Purkey, Eric Holmes, and Greg Srisavasdi Facebook Facebook Group Patreon YouTube Channel Deepest Dream Thanks to our Patreon Community Ryan Smith Stephen Schrock Susan Charles Peterson Nelson B. McClintock Diana Van De Kamp Pete Abeyta Tyler Andula Stephen Mand Edmund Mendez Abbie Schmidt Jeff Tait Robert Prakash Kristen Chris M Jeremy Chappell Lewis Longshadow Iver Alex Clayton Daniel Hulbert Andrew Martin Angela Clark Myron Freeman Kayn Kalmbach Aaron Fordham Tracy Peters Grant Boston Ken Cunningham   #SevenSnipers #CarolinaCaroline #Podcasts     

This fortnight, we finally reach the last season of The Boys (14:24), and fair warning, the spoilers are all over this one, so I'd not listen to this until you've seen the show if that's a concern. And then we also review Star Wars: The Mandalorian & Grogu (40:32), with a little more spoiler discpline. Plus bonus chat about Detectorists and the Evangelion anniversary special.

Host Jeff Goldsmith talks to writer-producer Aline Brosh McKenna about her latest film, The Devil Wears Prada 2. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Eliminators (1986) Director: Peter Manoogast Cast: Andrew Prine, Denise Crosby, Patrick Reynolds, Roy DotriceRobots. Cavemen. A ninja who shows up two-thirds of the way through for absolutely no reason. A mandroid who can't stay on a boat. This is Eliminators, and it is exactly the fever dream you're hoping it is.This week, John and Sean dive headfirst into the 1986 Charles Band-produced sci-fi action romp that somehow got a PG rating despite side boob, constant explosions, and a villain who gets yeeted 100,000 years into the past by a random keyboard punch. It's stupid. It's charming. It almost works. We love it.In this episode, we discuss:"Bubblegum, Paperclips, and Tank Treads" — The plot holds together by vibes alone, and that's somehow fine. The mandroid falls off the back of a boat mid-river, John rewinds it twice, and we break down why this movie's relentless, logic-free momentum is actually its greatest asset."The Sandbox Theory of Screenwriting" — Robots, time travel, Neanderthals, a ninja who materializes from the woods two-thirds in — John's thesis is that this script was written by handing kids a box of action figures and transcribing the chaos. We make the case for why that works here when it absolutely shouldn't."The Mandroid Disguise Industrial Complex" — A fedora, a tarp-cape, and a giant red flashlight bolted to his head. Incognito. We also settle the tank tread debate: hyped in the trailer, used for five minutes, abandoned, brought back only to fall over. A true cinematic crime."PG? Are You Sure About That?" — Wet T-shirts, a bar brawl led by someone named Bayou Betty, laser violence, side boob. Apparently all fine in 1986. We dig into what the ratings board was and wasn't paying attention to, and what it says about this gloriously unhinged era of filmmaking.We Also Talked About:Mr. Inbetween (Hulu) — An FX series Sean fell hard for: 26 half-hour episodes about an Australian hitman balancing contract kills with single parenthood. Dark, funny, completely addictive.The Magician (2005) (Tubi) — The Scott Ryan mockumentary that originated the Ray Shoesmith character before Mr. Inbetween existed. Essential context.WWE Biographies: Legends (Amazon) – The Von Erichs — Three hours of documented tragedy covering the same ground as The Iron Claw but with more Kevin, more Sportatorium, and more time to sit in the sadness. Sean watched it. He reports back.Video Vixen (Bloodstream) — A shot-on-video indie slasher streaming on Bloodstream (free, but they want your email, which John resents) about a cam girl with a snuff fetish that eventually stops being a fetish and just becomes murder. The most interesting thing about it is the intentionally chaotic camera work — 1080p to vertical phone shot to Super 8 grain, switching based on which influencer is on screen. Cool concept, largely forgettable execution. John supports it on principle because indie filmmakers need somewhere to put their stuff, but he's not going to pretend it's good.King Kong (1976) (Pluto) — John revisited the Jeff Bridges-and-Jessica-Lange remake. Practical effects, a worthy successor to the original, and a soft spot for a giant ape that never fully goes away.SNL on Peacock — John went back to episode one and kept going. What he found: a legitimately fascinating variety show buried under 40 minutes of content per 90-minute slot, missing skits, and enough '90s-era comedy choices to keep a content moderation team busy for years.Some of the above links are affiliate links — if you purchase through them we get a small kickback, and it's the best way to support the show.New episodes of the Dewey Pod Monster podcast drop every week. We're proud members of the YouRun Podcast Network at https://yourunpodcast.com.

In this podcast, Dan Howarth talks about Drone, Lionhearts, Northern Republic, and much more. [4:35] Conversation start/biggest changes for Dan in the last year. [19:00] Screenwriting. [20:00] Lionhearts. [26:00] Journey to publication. [45:30] Writing a comedy. [50:45] Editorial process. [1:01:15] David Peace influence on book covers. [1:05:10] Drone. [1:09:00] Creating dread from a sound. [1:15:20] Inspiration for Drone. [1:18:20] How to decide which idea is for a novel and which a novella. [1:23:40] Lessons learnt writing Drone. [1:25:30] Landing the ending. [1:30:25] Northern Republic and where Dan will and won't submit stories going forward. [1:38:50] Connect with Dan and final thoughts. Full podcast show notes are available here: https://www.thisishorror.co.uk/tih-666-dan-howarth-on-drone-lionhearts-and-northern-republic Support This Is Horror Podcast on Patreon: https://www.patreon.com/thisishorror

In today's episode, we're diving into a key principle of screenwriting: SHOW DON'T TELL. This simple yet powerful rule can truly elevate your writing to new heights. These three words hold a lot of meaning—so what exactly does SHOW DON'T TELL mean? Join us as we explore this idea and share some great examples from well-known films and TV shows that beautifully illustrate this principle.Executive Producer Kristin Overn Creator/Executive Producer Sandy Adomaitis Producer Terry Sampson Music by Ethan Stoller 

Filmmaking is a time machine and we're going back to the late 1990s to quietly observe Sasha's family move into a small Vancouver Island community and try to deal with their son Jeremy's ever increasing social disconnection. The subtle sleight of hand in Sophy Romvari's Blue Heron sneaks up on Matt and Shahir in one of the most praised films of the year. If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CinemAddicts Episode 349 features reviews for the week of Friday May 29, 2026. They are Tuner, Speed Demon, and The Currents. Bruce Purkey also reviews The Yogurt Shop Murders and The Bride.  Timestamps 00:00 - Intro 01:59 - Remembering our friend William Lindus, co-host of the Movie Bears Podcast.  10:20 - Speed Demon hits theaters, Digital and On Demand May 31.

ABOUT THE EPISODE --In Episode 270 of Reel Therapy, Daniel and Donavon are joined by UCA Professor of Film, Dr. Bruce Hutchinson, to discuss the 2006 classic, "The Devil Wears Prada". Does it hold up twenty years later? What's the deal with Nate's character? Should Andy have kept her job? Does the script hold up two decades later? We break it all down with the professor before we see the sequel and let us know in the comments below what you thought of the film and what are your thoughts on the "The Devil Wears Prada 2".TABLE OF CONTENTS --00:00:00 - About the Episode00:00:32 - Greetings from Dr. Bruce Hutchinson00:01:01 - The Devil Wears Prada01:56:33 - Before We GoABOUT THE MOVIE --"The Devil Wears Prada" follows Andy Sachs, an aspiring journalist who lands a coveted job as assistant to Miranda Priestly, the powerful and demanding editor-in-chief of a leading fashion magazine. Thrust into the fast-paced world of high fashion, Andy must navigate impossible expectations, office politics, and the growing tension between her career ambitions and personal life. Blending sharp humor, memorable performances, and insightful commentary on work-life balance and ambition, the film has become a modern classic about success, sacrifice, and finding your own path.Before We Go: Additional Reading --"Spinstack" App: https://spinstackios.app"Wuthering Heights" - Directed by Emerald Fennell: https://www.imdb.com/title/tt32897959/"Widow's Bay" on Apple TV: https://www.imdb.com/title/tt33332385/"Scriptnotes: A Book About Screenwriting and Things That Are Interesting to Screenwriters" - Written by John August and Craig Mazin: https://a.co/d/02TyU3FmArt House Cinema: https://www.arthouse-cinema.netFIND US --To learn more about Bruce and follow his work, find him on:Instagram: @bdhutchX: @bdhutchAnd for more movie breakdowns checkout:LINK: https://www.thehutchfiles.com/For everything Reel Therapy and 241 Studios, check out our website:LINK: https://www.241studios.com/Follow us on:Instagram: @reeltherapy_podcastFacebook:   / reeltherapypod  TikTok: @reeltherapy_podcast

  Though Tess Slesinger wrote only 12 films her contribution to classic Hollywood screenwriting and adaptation deserves focus.  Born on July 16, 1905 to Jewish parents of Hungarian-Russian heritage, Slesinger grew up with three older brothers on New York's Upper West Side.  Her father worked in the garment world and her mother, Augusta Slesinger went from being … Continue reading "Empowered Women Ran in Her Family and Her Heroines: The Screenwriting Career of Tess Slesinger – Dr. Rosanne Welch, Script Magazine, May 2026" Related posts: Trusted to Write for the Greatest Stars of the Silent Screen: The Screenwriting Career of Ruth Cummings – Dr. Rosanne Welch, Script Magazine, January 2026 From Missouri to Musicals: The Screenwriting Career of Dorothy Yost – Dr. Rosanne Welch, Script Magazine, November 2025 Writing Successful Films into her 60s? Zelda Sears Did It! – Dr. Rosanne Welch, Script Magazine, March 2024

CinemAddicts co-host Eric Holmes interviews What's The Story, Wishbone? director Joey Stewart, producer Betty Buckley, and Larry Brantley (voice of Wishbone). For more info on What's The Story, Wishbone?: https://www.whatsthestorywishbone.com/ Pre-order the film on Apple TV  CinemAddicts are Bruce Purkey, Eric Holmes, and Greg Srisavasdi Facebook Facebook Group Patreon YouTube Channel Merch store Deepest Dream Thanks to our Patreon Community Ryan Smith Stephen Schrock Susan Charles Peterson Nelson B. McClintock Diana Van De Kamp Pete Abeyta Tyler Andula Stephen Mand Edmund Mendez Abbie Schmidt Jeff Tait Robert Prakash Kristen Chris M Jeremy Chappell Lewis Longshadow Iver Alex Clayton Daniel Hulbert Andrew Martin Angela Clark Myron Freeman Kayn Kalmbach Aaron Fordham Tracy Peters Grant Boston Ken Cunningham   #WhatsTheStoryWishbone #Podcasts #Documentary  

Listen to learn the emotional impact of revealing secrets vs discovering them. In this episode Stu, Chas and Mel apply the Landmark–Hidden–Secret framework (from DZ-126) across two very different genres: the thriller SIDE EFFECTS (2013) and the tragicomic pilot of SHRINKING. SIDE EFFECTS is a film of two genres. The first half plays as a drama about depression and over-medication; the second half is a 90s thriller. We talk about how every time Dr Jonathan Banks uncovers a new piece of information, it puts him in danger — and that danger motivates him to uncover more. In SHRINKING, we see a different use of the framework. "What are psychologists but detectives of the mind?" Rather than the cost of finding secrets, it's about the cost of sharing them. Chas also comes out of this with a paradigm he's been building toward (but we're keeping what that is secret until you listen!) And inevitably we go on some tangents: whether SIDE EFFECTS should even have been an erotic thriller! As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. LIKE THIS EPISODE? Discuss with our Patrons on Patreon. Join the discussion on Reddit. Watch and comment on YouTube. Send us feedback. Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre and Lily. → Read the transcript for this episode. ——— "Every time Dr Jonathan Banks uncovers a new piece of information, it puts him in danger -- and that danger motivates him to uncover more." — Chas Fisher @ 00:26:04 ——— CHAPTERS 00:00:00 – Cold Open 00:00:16 – Intro: Secrets and Clues 2 - the Cost of Revelation 00:01:03 – Previously on Secrets and Clues (Recap of Part 1) 00:04:24 – Flashforward Insights 00:09:29 – SIDE EFFECTS 00:20:18 – › The First Half: Push and Misdirection 00:28:41 – › Genre Shift: Banks Becomes the Detective 00:48:06 – SHRINKING 01:00:02 – › The Inverted Paradigm: When Everyone Knows 01:07:47 – › The Cost of Sharing 01:22:02 – › Power Through Honest Acknowledgement 01:35:37 – The Key Tool Chas Learned 01:39:28 – Key Learnings & Wrap Up 01:50:48 – Many Thanks to our Patrons! FILMS SIDE EFFECTS (2013) — (w) Scott Z Burns (d) Steven Soderbergh SHOWS SHRINKING 1x1 "Coin Flip" — James Ponsoldt (d), Brett Goldstein, Jason Segel, Bill Lawrence (w) SCRIPTS Study the script: SIDE EFFECTS (2013) — Scott Z Burns LINKS Website: DIY & dragons: Landmark, Hidden, Secret Website: The Alexandrian » Advanced Node-Based Design Website: Ascii Dreams: The Quest for Quests Website: Ascii Dreams: The Quest for Quests EPISODES IN THE SECRETS AND CLUES SERIES DZ-126: Secrets and Clues DZ-127: Secrets and Clues 2 - The Cost of Revelation RELATED EPISODES DZ-90: Setups & Payoffs in EVERYTHING EVERYWHERE ALL AT ONCE ——— More Draft Zero is brought to you by our awesome Patreons. If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. Full show notes at: https://draft-zero.com/2026/dz-127/ Download episode: DZ-127.mp3

Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - The Best Time For Filmmakers To Reach Out To A Producer's Rep 13:21 - Managing Filmmakers Expectations 22:59 - What 99% Of Filmmakers Don't Understand About Distribution 31:29 - If Only Filmmakers Knew This Before They Made Their Movie 40:32 - What Filmmakers Need To Know Before They Sell Their Movie 52:17 - Former Netflix Executive Breaks Down Movie Financing 1:03:01 - Why Most Filmmakers Today Want To Get Their Movie On Netflix 1:12:40 - Where Can Filmmakers Make The Most Money 1:27:45 - If You Want To Make A Profitable Movie Here's What You Should Know 1:44:48 - Why Filmmakers Should Go To Film Markets Zac Reeder is an Emmy-nominated producer and seasoned media executive with leadership roles at Netflix, Hallmark, and MarVista. Now as a producer's rep and distribution/financing consultant, he helps independent film and TV producers secure deals, maximize exposure, and navigate the evolving media landscape through his company, Lucky 27 Media. His website is Lucky27 (dot) com. CONNECT WITH ZAC REEDER https://lucky27.com https://www.imdb.com/name/nm0715800 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage ►BOOKS WE RECOMMEND: STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob

Send us Fan MailTim and Jay had the opportunity to talk with Brett Neveu, playwright, professor, and screenwriter of (the play and) film Eric LaRue, directed by Michael Shannon. We talk about the differences between writing for the stage and writing for the screen; the absurdity of grief, pastors trying to help, and good intentions. Along the way, Brett gives us great insight into crafting a compelling story.You can watch Eric LaRue at Kanopy through your local library.Find more information about Brett here.Red Orchid Theatre.Some of the films we discuss in this episode: Eric LaRue and Mass.Come find us:WebsiteInstagramFacebookTwitterYouTube (starting with Episode 81)Opening music: "Let's Start at the Beginning," Lee RosevereClosing music: "Découvre moi," Marc Senet & Simon Grivot

In this episode, Anika has a wonderful conversation with Chapman University screenwriting professor William Stribling.They discuss:- power of storytelling- learning and breaking rules- being more open to change- advice for creativesand more...Stay tuned for new episodes every week and for more updates follow Anika on Instagram @thecreativehustlewithanikag

REWIND. We continue our conversation about how PAGE Awards Judges evaluate your screenplay with Karen Craig and Scott Barkan. Next week, to wrap up this four-part series, we'll be talking to Kristin Overn, the Founder and Executive Director of the PAGE International Screenwriting Awards.Karen Craig is a professional screenwriter and script doctor whose credits include AMERICAN PSYCHO II, starring Mila Kunis and William Shatner, and FORBIDDEN SECRETS, starring Kristy Swanson. Karen has served as a judge for the PAGE Awards for the past 12 years, reviewing both Thriller/Horror scripts and Family Films.Scott Barkan is a professional screenwriter with several produced films and sold scripts to his name. He has worked with Blumhouse and Lionsgate and is represented by Mainstay Entertainment and CAA. Scott is also a university professor, teaching music and communications. As a PAGE judge, he primarily reads Action/Adventure, Thriller/Horror, and Science Fiction scripts.

REWIND. Two PAGE Awards Judges, Victoria Lucas and Laurie Ashbourne, discuss how they evaluate your screenplays, whether you're just starting or have a script in the competition. You do not want to miss this inside talk.⭐️ Laurie Ashbourne began her film career in Disney animation and has worked over the past 20 years as a story consultant, writer, and producer for Disney, Amazon, and many independent producers. She has more than 30 features and short films to her credit, including her new family feature, CHRISTMAS TIME, which is currently in post-production. As a PAGE judge, Laurie reviews scripts across several genre categories, including Family Films, Comedies, Dramas, and Shorts.⭐️ Victoria Lucas is an independent producer who has developed scripts for projects starring Antonio Banderas, Scarlett Johansson, Wesley Snipes, and Hilary Swank. Among her favorite projects is the highly acclaimed coming-of-age film The Island on Bird Street, which won the Silver Bear at the Berlin International Film Festival. Victoria is also a judge for the PAGE Awards, covering a variety of genres, including Drama and Historical Films.

REWIND. PAGE Awards Judges David Portlock and John Evans continue our conversation about how they evaluate your screenplay. These two judges share a lot of helpful information in this interview.✰ David Portlock has worked as a script reader for United Talent Agency and currently works for Bassett Vance Productions. Over the past 15 years, David has consulted and assisted dozens of writers in developing their films. Also a screenwriter, David wrote and directed a feature film picked up by HBO, Cinemax, and Starz; a short film that premiered at Sundance; and a horror script that topped the Bloodlist. As a PAGE judge, David evaluates screenplays in the Science Fiction, Thriller/Horror, Comedy, and Drama categories.✰ John Evans received his MFA in Screenwriting from Boston University. Since moving to LA, he has worked in the development departments at ABC Studios, The Donners Company, Kopelson Entertainment, and AEI. John has also taught writing at the college level, authored six educational books, and worked as a copywriter and editor for several film distribution companies. John is the editor of our PAGE Awards ezine, and as a contest judge, he primarily reads Thriller/Horror scripts and TV Drama Pilots.

REWIND of two more PAGE Awards Judges, Dwayne Smith and Mike Kuciak, continues the conversation about how they evaluate your screenplay.Mike Kuciak has two movies coming out in 2022; he's the writer-director of one and the writer-producer of the other. He's a producer on a third film scheduled to begin production in late 2022. He has served as a producer and executive producer on several independent films. He was the senior vice president of development for a literary management-production company and, after that, the founder/CEO of his own company before hanging that up to focus on writing/directing/producing.Dwayne Smith has been a professional screenwriter since 1999 and has written scripts for Warner Bros., Lionsgate, Intermedia, and Gold Circle. His urban thriller PAY THE LADY is in post-production, and his sci-fi feature IMPLANT is in pre-production. Representing the management firm Circle of Confusion at numerous screenwriting conferences and festivals, Dwayne has listened to hundreds of pitches and read countless screenplays in search of new writing talent. As a judge for the PAGE Awards, he reads Comedies, Thriller/Horror, Science Fiction, and Action/Adventure scripts.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer/Terry SampsonMusic by Ethan StollerIf you enjoy the show, please remember to follow us and leave a review where you listen to podcasts. 

Be careful what you wish for because we're breaking the willow branch on Curry Barker's "Obsession" and following madly head over heels!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, Charles sits down with Mike Bernard, a Boston-area author, screenwriter, and playwright who came to writing later in life and hasn't slowed down since. Mike has published eight novels, written a stage musical, and optioned multiple screenplays through prestigious competitions including the Academy Nicholl Fellowship, the Page International Screenwriting Awards, ScreenCraft, and the Nantucket Film Festival. The conversation weaves together music, memory, friendship, and the creative life — all anchored in the gritty, soulful sounds of the 1970s and early '80s. Mike's live music journey begins with a memorable — if reluctant — first show: escorting his grandmother to see Liberace at the Cape Cod Melody Tent. His real musical awakening came when he saw the J. Geils Band at the old Boston Garden as a teenager, an experience he still counts among his best. The blues-driven energy of "House Party" and "Musta Got Lost" made a lifelong impression, and he draws a sharp distinction between that era of J. Geils and the MTV-era band that followed. Other standout shows include Elvis Costello at the Cape Cod Coliseum — where the opening silhouettes under blue light during "Watching the Detectives" hit him like a gut punch — and an extraordinary 1990 benefit concert at Worcester's Clark University featuring Don Henley, Glenn Frey, Timothy B. Schmit, Bob Seger, Jackson Browne, Bonnie Raitt, and Jimmy Buffett all on the same bill. And for pure comedic gold, Mike recounts the moment a Little River Band guitar pick landed — and stuck — to his bare thigh at the Melody Tent, with zero competition from the crowd for the souvenir. Charles and Mike then discuss Mike's book Concert Dates; a fictional story told in interview form — inspired by Daisy Jones & The Six — that follows six friends who meet at a concert at age 15 and are reunited decades later through a video diary. The backdrop is the Cape Cod Coliseum, a converted hockey rink that hosted an extraordinary run of classic rock shows from 1972 to 1983, including Van Halen, The Clash, Talking Heads, Peter Frampton, Lynyrd Skynyrd, and J. Geils (twelve times). Mike also shares the remarkable story of connecting with photographer Rudy Childs — a previous Seeing Them Live guest — through a Facebook group dedicated to the Coliseum, only to discover that Rudy's candid parking lot photos included a picture of Mike and his own friends from a Clash show. Listeners who enjoy music, nostalgia, and deeply human storytelling will find Concert Dates — and Mike's wider catalog, including Crossing the Sagamore — well worth picking up on Amazon. BANDS: Aerosmith, Black Sabbath, Billy Joel, Bob Seger, Bon Iver, Bonnie Raitt, Don Henley, Eagles (Glenn Frey, Timothy B. Schmit), Elvis Costello, Engelbert Humperdinck, Frankie Avalon, Huey Lewis and the News, J. Geils Band, Jackson Browne, Jeff Beck, Jimmy Buffett, Liberace, Little River Band, Lynyrd Skynyrd, Marshall Tucker Band, Neil Young, Ozzy Osbourne, Peter Frampton, R.E.M., Ray Charles, Seals and Crofts, Sly & the Family Stone, Talking Heads, The Clash, The Four Tops, Tom Petty, Van Halen. VENUES:  Boston Garden, Cape Cod Coliseum, Cape Cod Melody Tent, United Center (Chicago), University of Illinois lecture hall (Champaign). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

CinemAddicts Episode 345 features reviews of movies coming out the week of May 22, 2026. Movies include Saccharine, Relentless, Ask E. Jean, Sick Puppy. Bruce Purkey also reviews the new Netflix series The Boroughs and he joins Joseph Bridges to review Scared S**tless.  Review Timestamps 00:00:  Intro 08:09:  Saccharine (Theaters 5/22. 

In this episode of Everything Is Personal, Len May sits down with writer, producer, and creative force Jennifer Manocherian for a conversation about reinvention, storytelling, and the lifelong pursuit of curiosity. Jennifer shares how her journey through therapy, theatre production, screenwriting, and novel writing helped shape her understanding of creativity, relationships, and personal growth. The discussion explores what it means to keep evolving through every stage of life, why some people never stop creating, and how curiosity can become a powerful tool for resilience and transformation. The episode also dives into family dynamics, emotional growth, creative challenges, aging with purpose, and the importance of continuing to explore new ideas even when the world expects you to slow down. This conversation is ultimately about staying open to possibility and refusing to stop becoming who you are meant to be. The conversation also covers family, relationships, creative challenges, personal growth, writing, and how curiosity and adaptability can help shape a meaningful and fulfilling life. EndoDNA: Where Genetic Science Meets Actionable Patient Care EndoDNA bridges the gap between complex genomics and patient wellness. Our patented DNA analysis platforms and AI technology provide genetic insights that support and enhance your clinical expertise. Click here to check out to take control over your Personal Health & Wellness   Connect with EndoDNA on SOCIAL: IG | X | YOUTUBE | FB Connect with host, Len May, on IG     Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Get over here as we get nice and toasty with Simon McQuoid's new player in video game adaptations... Mortal Kombat 2! JM8 from Second Wind rejoins the pod and throws us a friendship fatality while we try to figure out if this really was a flawless victory!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rewind. Spend some time with Sandy and Terry as they explore one of the most iconic last lines in cinema, "Forget it, Jake. It's Chinatown," from the 1974 film CHINATOWN, written by Robert Towne, directed by Roman Polanski, and starring Jack Nicholson and Faye Dunaway. In this episode, they reveal the fascinating story of how this memorable line nearly didn't make it and why!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

CinemAddicts Episode 344 reviews three movies that are coming out the week of Friday, May 15, 2026. They are Mobile Suit Gundam Hathaway: The Sorcery of Nymph Circe, Magic Hour, and Forge. Due to technical difficulties, Bruce Purkey's CinemAttic will not be made available this week! Timestamps 00:00 - Intro and Taco Bell talk 08:59 - Mobile Suit Gundam Hathaway: The Sorcery of Nymph Circe

In this episode of Salt & Light, Zena Dell Lowe examines the Academy Award nominated film Blue Moon starring Ethan Hawke and asks an important storytelling question:What happens when a film portrays a broken man truthfully without glorifying him?At first, Blue Moon feels frustrating. Its protagonist, legendary lyricist Lorenz Hart, is bitter, self-destructive, arrogant, emotionally stagnant, and deeply trapped in alcoholism and self-pity.But as the story unfolds, the deeper moral framework begins to emerge.This isn't a story asking us to admire Hart. It's asking us to confront the cost of refusing humility, gratitude, accountability, and change.In this conversation, Zena explores:the difference between tragedy and moral inversionwhy modern culture confuses cynicism with wisdomhow stories portray addiction and human bondagethe difference between understanding a character and endorsing themwhy tragic stories can still communicate moral truthwhat writers should understand about broken protagonistsSalt & Light is a worldview analysis series from The Storyteller's Mission that explores what stories reveal about morality, reality, and the human condition.If you enjoy film analysis, storytelling discussions, screenwriting conversations, worldview critique, or character-driven narratives, this episode is for you.Watch this episode on YouTubeFree Resources for Writers:Seven Deadly Plot Points FREE TRAINING VIDEO Free Video Tutorial for ScreenwritingSign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.

Colby Day is a breath of fresh air who refuses to be performative. In an industry that runs on heat and carefully curated perception, he just gives it to you straight. Day is an Emmy-nominated writer whose credits include the Netflix film "Spaceman" starring Adam Sandler and "In the Blink of an Eye," which premiered at Sundance this past year. He also served as a writer and story editor on Apple TV's For All Mankind season five. He is also the creator of Hollyweird, a Substack where he documents the unglamorous reality of being a working writer in Hollywood with more honesty than almost anyone else in this business. His directorial debut "The Comedy Hour "with Tim Heidecker and Tatiana Maslany is up next. This was one of my favorite chats of the year so far. Colby and get super real about 10-year timelines, selling a show and watching it collapse, why transparency is a radical act in this industry, and what keeps us going when everything falls apart. Tune in! xx CG

Send us a message.We open with a letter — Rilke's first letter to a young poet, written in 1903 — and the question at the center of it: must I write? Not do I want to, not is it going well, but must I. We talk about what it means to look outward for reassurance while making something, how that search for validation reshapes work before it's even finished, and what happens when you're writing toward an external voice instead of your own.That leads us into a broader conversation about photography as a practice of finding things rather than making them — and what that distinction reveals about why certain work holds and other work doesn't. We walk through what it means to stand in front of a print by Eggleston or Crewdson or Deana Lawson, what a body of work asks of the people presenting it, and what gets lost when criticism becomes a form of signaling rather than a genuine attempt to see. We end somewhere near solitude: the argument that if you've found the thing you need to do, everything else is secondary — and that's been true since at least 1903. -AiSupport the show If you enjoyed this episode, please consider giving us a rating and/or a review. We read and appreciate all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG 

The film series "Wallace Shawn: The Master Builder" celebrates the work of the New York-native actor, screenwriter, and playwright. It was curated by comedian and actor John Early and director Lucas Kane, who also collaborated with Shawn on his new play, "What We Did Before Our Moth Days." The series runs at Metrograph through May 22. Wallace Shawn, Early, and Kane join us. Film still courtesy of Metrograph: Wallace Shawn in 'A Master Builder' Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gird your loins because Matt, Jamie and Shahir are about to give a performance evaluation to one of fashion's most notorious bosses. Put on your best heels because The Devil Wears Prada 2 is sashaying down the runway with the return of Andy, Emily and Nigel in a post print journalistic quagmire!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's show, Sandy shares some fun insights about onomatopoeia, which can be a writer's best friend when you want to avoid using the same dull words repeatedly—especially in action scenes. Onomatopoeia is when a word is formed to imitate a sound, like “Boom!”, “Pow!”, or “Splat!”. If you're a screenwriter, it's a handy trick to keep in your toolkit, especially when crafting exciting action moments. Using onomatopoeia can really bring your writing to life and make it more engaging for your readers, actors, or development executives reading your screenplay.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

CinemAddicts Episode 343 features reviews of movies comingout the week of Friday, May 5, 2026 (Affection, Sleeping Dog, Silent Friend). Eric reviews Netflix's Apex and Bruce Purkey offers his thoughts on No Other Choice. Timestamps 00:00 - Intro 08:50 - Affection (

What happens when a story needs something to happen… so the character suddenly stops thinking?In this episode of The Storyteller's Mission, we examine a common storytelling failure: when plot demands override character integrity.From Alex Rider to Sherlock to Game of Thrones, we explore why intelligent characters suddenly make unbelievable decisions—and why audiences immediately feel that something is off.This episode breaks down the difference between tension and frustration, how writers unintentionally manipulate character behavior, and what to do instead.Because when characters stop acting like themselves, the audience stops believing the story.Watch this episode on YouTubeFree Resources for Writers:Seven Deadly Plot Points FREE TRAINING VIDEO Free Video Tutorial for ScreenwritingSign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.

What if the secret to creative success isn't perfection, but actually daring to suck? Brandon Firla, series regular on Suits and award-nominated screenwriter, reveals how embracing failure transformed his multi-faceted career spanning acting, writing, and restaurant ownership. From his breakout role as Jonathan Sidwell to co-owning a Pasadena restaurant for over a decade, Brandon shares the mindset shifts that helped him navigate uncertainty while juggling creative projects across continents. His insights about building trust on set, collaborating without ego, and finding success through incremental progress offer a refreshing perspective on sustainable creativity.Brandon's journey from Calgary to Los Angeles wasn't just about landing roles-it was about learning to let go of perfectionism and trust the process. Whether he's punch-up writing comedy scenes, surviving restaurant challenges during COVID and the Altadena fires, or teaching sitcom writing, his approach centers on one powerful principle borrowed from Aerosmith: dare to suck. You'll discover how this counterintuitive strategy opens doors to breakthrough moments, why becoming a parent shifts your entire relationship with time, and how building genuine trust with collaborators creates space for your best work to emerge.Want to start your own podcast, grow your show, or get featured as a guest? Let's map it out together. Book a free clarity call with Olivia to explore the next best move for your podcast strategy whether you're building from scratch, ready to scale, or looking to use guesting to grow your brand. MeetwithOlivia.meNeed more inspiration or tools?Access Olivia's book, podcast growth resources, and done-for-you support at Achieving-Success.comGet the Podcast Growth Partner For Yourself: Want to cut your content time from 12–20 hours a week down to under 30 minutes without sacrificing strategy, voice, or quality? The Podcast Growth Partner is the customized AI system built from Olivia Atkin's proven frameworks, giving you titles, descriptions, SEO, and monetization support in minutes. Access it here and get your free 3 day trial: Podcast Growth PartnerStay Connected With Us:LinkedIn: achieving-success-llcInstagram: @_achievingsuccessTwitter: @_achievesuccessFacebook: @Achieving SuccessBecome a supporter of this podcast: https://www.spreaker.com/podcast/achieving-success-with-olivia-atkin--5743662/support.

CinemAddicts Episode 342 features reviews of movies coming out Friday, May 1, 2026. They are The Last One for the Road, Casa Grande, and Two Pianos. Bruce Purkey reviews the assigned pick Gloria and Eric Holmes has a digital release recommendation with Late Shift.   Two Pianos (Theaters 5/1).

This week we have an old school Meg and Lorien dive deep into the life and world of screenwriting. The day to day life stuff. The bucket of S*it stuff. The things that swirl in your head stuff. And the, "I still have to write" stuff. If you want to feel seen, heard, understood and connected to others and have a good laugh... this is the episode for you! Learn more about your ad choices. Visit megaphone.fm/adchoices