Podcasts about shakespeare's othello

The Shakespeare Lite series will be highlighted on our podcast throughout the month of June. This episode is all about Shakespeare's OTHELLO, as performed on American Stage's virtual stage. In this episode you will hear from L. Peter Callender who played Othello in this production, the director Benjamin Ismail, the prologue delivered before the performance by Kianna Jackson, a scene  from the performance itself, and the chat back conversation with the cast.   You can join us for a live performance of Shakespeare Lite each Sunday in June at 2pm.  Audio production: Sadie Lockhart 

In this episode, I break down the sociopolitical background that inspired Shakespeare's "Othello".

Today's episode is with Patrick Torres, the Artistic Director at Raleigh Little Theatre. We talk about theater as a community experience, the social need for art and ritual, and the enduring relevance of Shakespeare's Othello.You can learn about the Theatre's upcoming shows and events at Raleigh Little Theatre and follow along on Twitter at @RLT1936. Enjoy!

Look, I'm gonna be real with you, we recorded this awhile ago and I don't really remember what we talked about. It certainly wasn't the topic (Shakespeare's Othello) the whole time. So yea. I got nothing. Have a nice day. Email: SaltCirclePodcast@gmail.com Twitter: @SaltCirclePod Hank's Twitter: @ComicPanels Ben's Twitter: @Bean_LP Logo Artist: bellamy.world/

An exciting new podcast by Marc Eliot Stein of Literary Kicks. Why is opera relevant in 2019? This sometimes-lost art form hides a fascinating, vibrant world. In our first episode, we discuss whether Verdi's Otello is better than Shakespeare's Othello, whether Othello had PTSD, and what it means that Mozart's Le Nozze di Figaro is an Italian opera by a German Austrian and a Venetian Jew based on a French play that takes place in Spain. Welcome to the first episode of Lost Music: Exploring Literary Opera!

All you need to know to enjoy seeing Shakespeare's classic tragedy, "Othello."

Theater critic J. Wynn Rousuck joins us today with reviews of two plays now running in the region: Red Velvet, by the Chesapeake Shakespeare Company, and All She Must Possess, a world premiere at Rep Stage, on the Howard Community College campus.Chesapeake Shakespeare's Red Velvet (profiled on Midday's January 31st show) tells the story of Ira Aldridge, a celebrated and controversial African American actor who won international renown for his groundbreaking portrayal of Shakespeare's Othello at a London theater in 1833. The play by Lolita Chakrabati is directed by Shirley Basfield Dunlap, and features Christian R. Gibbs as Ira Aldridge and Yuri Lomakin as a London theater manager.All She Must Possess, directed at the Rep Stage by Joseph Ritsch, is the world premiere of a play by Susan McCully, who portrays the lives of Baltimore's Victorian-era Cone sisters -- Dr. Claribel and Etta Cone. The iconic pair's passion for collecting art and curios from around the world brings them into the rarified company of many of the artistic and literary geniuses of their day, including avant-garde writer Gertrude Stein.Red Velvet at Chesapeake Shakespeare Company, and All She Must Possess at Rep Stage in Columbia, both continue through February 25.

Race is messy, literally and figuratively, as Professor Brigitte Fielder (Wisconsin-Madison) argues in her project on the non-linear transferability of race in nineteenth-century America. Shakespeare's Othello in America became a minstrel play warning against the dangers of miscegenation -- what does it mean with Othello's blackface makeup begrimes Desdemona? At the 2017 conference of the American Studies Association, PhDiva Xine chats with Brigitte about anti-racist mentoring, pedagogy, and colleagueship in higher ed and their discipline as a dynamic entity. How can we change a field of study and whose shoulders do we stand upon? (Shoutout to work in early Black studies, like the the Just Teach One-Early African American Print Project: http://jtoaa.common-place.org/ and the Colored Conventions project: coloredconventions.org/) More on Brigitte Fielder's work: http://www.brigfield.org/

On Start the Week Andrew Marr talks to the writer and performer Kate Tempest about her desire to bring out the epic in everyday lives, and to show the poetry in lived experience. Tracy Chevalier has taken the themes of Shakespeare's Othello and transported them to a US elementary school, while Hanif Kureishi mines the dark world of jealousy and revenge in his latest novel. Lewis Hyde looks back to mythical mischief makers from Hermes to Loki to celebrate modern day rule breakers as the shapers of culture. Producer: Katy Hickman Image: Kate Tempest Photographer: Hayley Louisa Brown.

Host Stuart Wright talks to Beautiful Devils director James Marquand about his modern retelling of Shakespeare's OTHELLO. BEAUTIFUL DEVILS is out in cinemas now. For full listings see https://www.ourscreen.com/film/Beautiful-Devils VOD and streaming to be announced. Podcast from www.britflicks.com "Carefree" Kevin MacLeod (incompetech.com) 
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/ Gaslamp Funworks by Kevin MacLeod is licensed under a CC Attribution 3.0.
incompetech.com/music/royalty-fre…isrc=USUAN1100826.

Writer, director, composers, The Q Brothers, GQ and JQ, return to the stage with the New York premiere of their most recent show, OTHELLO Remixed. The show is a hip hop retelling of the classic Shakespeare play, Othello. The brothers sit down for a chat with me about the show and the usage of rap to tell this story. About the Q Brothers: http://qbrothersofficial.com/ OTHELLO REMIXED: http://othellotheremix.com/ Keith Price's Curtain Call: http://www.keithpricecurtaincall @keithpricurtaincall on Instagram @kpcurtaincall on Twitter FB: https://www.facebook.com/Keith-Prices-Curtain-Call-1380539615593807/