Podcasts about Gertrude Stein

Jahrhundertelang wurde auf der Opernbühne geliebt, heterosexuell geliebt. Seit wenigen Jahrzehnten erst stehen eine Handvoll schwule Paare, noch weniger lesbisch Liebende und bloss eine trans Person im Zentrum von ein paar wenigen Opern. Die universelle Kunstform Oper war doch eigentlich schon immer recht queer – oder doch nicht? Seit den ersten Werken der Gattung traten schliesslich Männer verkleidet als Frauen auf, Frauen verkleidet als Männer. Hohe Stimmen intonierten männliche Charaktere, tiefe weibliche. Stimm- und Kleidertravestie waren gang und gäbe. Lange fielen explizit queere Stoffe und Homoerotik aber der Zensur oder Verschleierung zum Opfer, gleichgeschlechtliche Liebe durfte auch auf der Bühne nicht sein. Doch seit der letzten Jahrtausendwende werden die Liebespaare in Opern nun allmählich diverser, und das Repertoire beginnt so, die gesellschaftliche Realität etwas adäquater abzubilden. Einer der Pioniere, der ein fesselndes Werk mit schwulem Protagonistenpaar komponiert hat, ist der Basler Andrea Scartazzini. In der Sendung erzählt er von der Entstehung seines hochdramatischen und gross besetzten «Edward II.» aus dem Jahr 2017 und von dessen musikalischen Besonderheiten. In St. Gallen feierte 2023 die erste abendfüllende Oper über eine trans Ikone ihre Uraufführung: «Lili Elbe» des US-Amerikaners Tobias Picker. Um die Geschichte der dänischen Landschaftsmalerin authentisch erzählen zu können, arbeitete Picker während des Kompositionsprozesses mit der Baritonistin Lucia Lucas zusammen, welche auch ihre eigenen Erfahrungen einbrachte. Philipp Venables schliesslich vertonte für die Opernfestivals in Aix-en-Provence und Bregenz ein queeres Kultbuch aus den 1970er-Jahren: «The Faggots & Their Friends Between Revolutions» und schuf damit ein weiteres schillerndes Werk, welches andere Lebenswelten als die heterosexuelle auf die Bühne bringt. Ein Streifzug durch die queere Operngeschichte bis heute. Gespielte Werke: W. A. Mozart: Apollo et Hyacinthus (1767) K. Szymanowski: Król Roger (1926) F. Poulenc: Les Mamelles de Tirésias (1947) B. Britten: Billy Budd (1951) St. Wallace: Harvey Milk (1995) P. Eötvös: Angels in America (2004) R. Gordon: 27 (Kammeroper über Gertrude Stein und Alice B. Toklas, 2014) Ch. Wuorinen: Brokeback Mountain (2014) A. Scartazzini: Edward II. (2017) K. Chemirani: Negar (2022) P. Venables: The Faggots & Their Friends Between Revolutions (2023) T. Picker: Lili Elbe (2023) - - Literaturhinweis: Casta Diva - Der schwule Opernführer Rainer Falk & Sven Limbeck Querverlag, 2019

Piše Jože Štucin, bereta Igor Velše in Eva Longyka Marušič. V knjigi Martine Potisk Ena na ena je šestdeset pesmi, naslovljenih zgolj po zaporednih številkah. Vse so napisane dosledno brez punktuacije (razen v štiriinpetdeseti pesmi ko se za V pojavi pika), v prostem verzu in z jezikom, ki se rad spreobrača iz visokega do pogovornega, na trenutke celo "pošvedranega" z neštetimi besednimi igrami, kalki, asociativnim pisanjem, kjer se verzi pretakajo drug v drugega na videz brez "repa in glave", se pa pretakajo, točijo v razne plasti, v nadpomene, podpomene in prazne marnje ... Tako nekako, kot se civilizacija vedno bolj striktno spreminja v cvilizacijo. To po že znani tezi ljubega nam pesnika, da gre vse počasi h koncu "ne s treskom, temveč s cviljenjem". Vsaj še eno pesnico poznam, Vido Mokrin Pauer, ki goji tovrstno pisanje. Beseda porodi besedo, asociacija dvigne pulz do nove prispodobe, vse se nekako po principu ena na ena kotali iz verza v verz, vmes je nekaj besednih iger, veliko je slengovskih prekucij, neprestano pa brbota in rine v smer jezikovnih "norosti", kjer se težko odločamo, ali gre za realije ali nemara samo fekalije – besede prenesejo vse, bralčevi percepciji se pa potem vrti v glavi od jezikavih erupcij. Da ne bo nesporazuma, Martina Potisk to počne na žlahtno sproščen način, brez sile se prepušča toku, kjer "cvilita" oba, bralec in pesnica. Občasno se spozabi in pove kakšno bolj "uravnoteženo" misel, na primer v devetnajsti pesmi, kjer je poezija čistejša in jasnejša: "ne / ni zvezd / mandragorinih gnezd / samo nenasitljivi naprstci / komarji v predpasnikih in pijanska / srepota pred paradoksalnim strelskim / postankom ko bo treba odmetati mrzle / kanje in premostiti pretrgane glasove / na vranje pogreti podstrehi ker / roko na srce / res ne morem / minirati tako eh / majhnih njih / potem ostanem sama // do neba". Igra je pač igra, besedne so pa sploh zabavne. Asociativni tok je za prmajduš nekaj, česar ne prinašajo podnebne spremembe, ni plaz, niti povodenj, sploh ne ogroža sveta, je pa strašen in nenasiten v svoji ekspanziji. Pesništvo prejšnejga stoletja je že dodobra preigralo vse take besedilne vulkane, se pa v resnici nikoli ni odpovedalo dejstvu, da so človeški možgani, ko si zares začnejo izmišljati poezijo, samozadostno vesolje, ki planetarno resničnost mimogrede, brez muje, stisne v kot in jo naredi drobceno. Tako, če strnemo brez pik in vejic, so vse to res "parnasovske pompadure" in se pesmim prav dobro godi. Nič jih ne ovira pri nastanku; pesnica se jim blagovoljno prepušča, da jo izkoriščajo kot medij, kot ročno izdelano žensko torbico (pompaduro), v kateri lahko najdeš več reči, kot jih volumen sploh lahko sprejme. Tudi literarnih eksperimentov je v pompaduri na pretek. Če se omejimo samo na prosto verzifikacijo in zapis brez punktuacije, smo že na njivi svobodnega doživljanja poezije brez vnaprejšnjih diktatov. Bralec tekst brez ločil seveda lahko bere in akceptira po svoje, mu dodaja svoj pomen, se ritmično obnaša kot jazzovski bobnar in pogosto bere celo "sinkopirano". Poudarke in intence poezije lahko prestavi na čisto druge pomene in vrednote. Na tej točki se pesnica naveže na slavne prednike, Eliota, Pounda in Gertrude Stein, če omenimo samo najbolj znane, svoje pa so k takemu slogu prispevali še nadrealistični ustvarjalci in pesniki beat generacije. Mogoče res že malo pozabljen pristop, saj se postmodernistična lirika raje ogleduje v narcisovem ogledalu jaza, avtopoetik pa se je v zadnjih desetletjih razcvetelo za več deset arboretumov, ampak ti tokovi, ti prosti tokovi, ti svobodni curki besed, te iskrive povodnji, ki v svojo strugo lahko spravijo kakršno koli besedo ali metaforo, ta "frajgajst" ima v modernem času spet svoj pomen - pesniku dati avtonomijo in svobodo, da brez pomisleka lahko napiše: "vem / vas ne zanima / na samem merim v sence sonca / dokler do donebnega poka prodira / od oka koralna bilanca".

Lundi 26 mai 2025"Après Sappho", Selby Wynn Schwartz, éditions Gallimard - L'imaginaireSelby Wynn Schwartz nous présente son ouvrage Après Sappho, traduit de l'anglais.En dialogue avec Clovis Maillet.« Notre premier acte a été de changer de nom. Nous allions devenir Sappho. »c'est ainsi que s'ouvre le premier roman de Selby Wynn Schwartz, hommage vibrant à celles qui ont emprunté la voie ouverte par la poétesse grecque Sappho.Ces écrivaines, peintres et artistes ont toutes bravé l'oppression en exprimant dans leurs œuvres leurs identités profondes. Après Sappho nous entraîne à la rencontre de leurs destins au moyen d'une prodigieuse narration chorale, et nous guide à travers les débuts trépidants du XXᵉ siècle aux côtés de figures incontournables : Natalie Barney, Renée Vivien, Romaine Brooks, Gertrude Stein, Virginia Woolf, Sarah Bernhardt, Isadora Duncan, Lina Poletti, Eleonora Duse, Colette ...Biographie, roman, portrait, manifeste, récit expérimental, ce livre est aussi une méditation lumineuse sur l'héritage des pionnières de notre passé. Ode à la liberté, il est fait de lutte et de joie.Selby Wynn Schwartz est une écrivaine américaine. Elle est titulaire d'un doctorat en littérature comparée (italien/français) de l'Université de Berkeley. Son premier livre, "The Bodies of Others : Drag Dances and Their Afterlives" (2019), a été publié par University of Michigan Press et a reçu le prix Sally Banes 2020 de l'American Society of Theatre Research. Sa novella "A Life in Chameleons" a remporté le Reflex Press Novella Award en 2021. Son livre, "After Sappho" (2022), publié par Galley Beggar Press, a été sélectionné pour le 2022 Booker Prize et pour le 2023 Orwell Prize in Political Fiction et le 2023 James Tait Black Prize in Fiction.Clovis Maillet (1981, France) a publié La parenté hagiographique (2014) et Les genres fluides (2020). Il a dirigé plusieurs numéros de revues scientifiques tout en menant des recherches sur les usages de l'histoire dans l'art contemporain (Witch TV, 2021 ; Un Moyen âge émancipateur, avec Thomas Golsenne, 2021). Clovis Maillet pratique, avec Louise Hervé, la performance, l'installation et réalise des films depuis le début des années 2000. Ils ont publié Attraction Étrange, 2013, Spectacles sans objet, 2015 et L'Iguane, 2018. Clovis Maillet a co-écrit avec le collectif Foulles le spectacle Medieval Crack.

In this rich conversation, Francesca Wade joins Adam Biles to discuss her biography Gertrude Stein: An Afterlife. Wade explores the complexities of Stein's life, legacy, and literary innovations, foregrounding Stein's long-overlooked partner, Alice B. Toklas, as a powerful and persistent force behind the myth. They dive into questions of biography, erasure, performance, and gender, as well as Stein's fraught political affiliations during WWII. Wade's approach is both formally inventive and deeply human, highlighting unpublished interviews and fresh archival finds that illuminate the tension between public persona and private life. Whether you're a Stein devotee or merely curious about modernism's most elusive icon, this episode offers a fascinating entry point into the world of radical art, language, and love.Buy Gertrude Stein: An Afterlife: https://www.shakespeareandcompany.com/books/gertrude-steinFrancesca Wade's first book, Square Haunting, was longlisted for the Baillie Gifford Prize and shortlisted for the RSL Ondaatje Prize. She has held fellowships at the New York Public Library's Cullman Center and the Harvard Radcliffe Institute. Her work has appeared in The New York Review of Books, London Review of Books and Granta, among other places.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

VEM: Johan Rabaeus.YRKE: Skådespelare.AVSNITT: 685.OM: Att försonas med ''papi Bengt'' efter 15 år, grejen med Gertrude Stein på Dramaten, sin borliga diplomatuppväxt, varför han och Kristoffer skulle kunna bli osams, huruvida konsten var bättre förr och givetvis en hel del om att fortsätta med sitt pensum efter 77, inshallah.Värvet sommar börjar 4/7: 'Livet – en handbok' inläst av självaste Johan Rabaeus. Men blir du otålig går den att köpa till exempel på Adlibris, Akademibokhandeln eller Bokus.SAMTALSLEDARE: Kristoffer TriumfPRODUCENT: Ninni WestinKONTAKT: varvet@triumf.se och InstagramHosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

VEM: Johan Rabaeus.YRKE: Skådespelare.AVSNITT: 685.OM: Att försonas med ''papi Bengt'' efter 15 år, grejen med Gertrude Stein på Dramaten, sin borliga diplomatuppväxt, varför han och Kristoffer skulle kunna bli osams, ankaret Camilla Thulin, tjusningen med segling, förhållandet till publiken, huruvida konsten var bättre förr och givetvis en hel del om att fortsätta med sitt pensum efter 77, inshallah.Värvet sommar börjar 4/7: 'Livet – en handbok' inläst av självaste Johan Rabaeus. Men blir du otålig går den att köpa till exempel på Adlibris, Akademibokhandeln eller Bokus.SAMTALSLEDARE: Kristoffer TriumfPRODUCENT: Ninni WestinKONTAKT: varvet@triumf.se och InstagramHosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Send us a textMargaret Vandenburg is back with American in Paris, the prequel to Craze! In this episode, we talk about Henri's confidence in her career vs. her person, gender identity, and her relationships to two powerful salon leaders - and how these factors all shaped her character development. We also get into the difference between the salons of Gertrude Stein and Natalie Barney, their egos, free love, and monogamy. As always, thank you for listening! If you enjoy our podcast, please leave us a review. Download and share, and reach out to us on Instagram, TikTok or email.Insta/TT: @LesbianBookClubPodEmail: lesbianbookclubpod@gmail.com

On this episode, we were joined by Francesca Wade to discuss her groundbreaking new biography, Gertrude Stein: An Afterlife. This book paints a dual portrait of Gertrude Stein by dividing her story into two parts: her life and her afterlife. Doing this not only brings her partner, Alice B. Toklas, into clearer view, but also separates Stein's work and its lasting impact from her larger-than-life personality. Francesca takes us behind the scenes of her exhaustive research—from exploring the Yale archives, which hold over 75 years of manuscripts, personal letters, and photographs, to visiting the French countryside where Stein and Toklas lived during the German occupation.  We also discuss how Toklas, left behind after Stein's death, devoted herself to preserving Stein's legacy, even as she struggled with legal battles and near-poverty while living surrounded by Picassos she couldn't bring herself to sell.Hosted by Ryan Edgington and Olivia Robinson. 

A l'occasion du Pride Month, découvrez ces couples de femmes et ces couples d'hommes, qui se sont battus pour vivre leur amour. Gertrude Stein fut une figure majeure de l'avant-garde du siècle dernier. Tant par son écriture que par sa collection de peinture qui contribua à la diffusion du cubisme. Auprès d'elle, une autre femme. Alice Babette Toklas. Une silhouette discrète, dans l'ombre de sa compagne. Pour elle, aimer c'est admirer. Vivre dans l'ombre d'un génie et exister à travers elle. Un podcast Bababam Originals Ecriture et voix : Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

A double anniversary (of a wedding and of a life-saving medical cure) inspired this toast—with allusion to Gertrude Stein, Wendell Berry, and “The Office.” Resources & links related to this episode: The most purely happy day of my life Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. See omnystudio.com/listener for privacy information.

We think we know what a genius is: a tortured poet; rebellious scientist; monstrous artist; or a tech disruptor. You can tell what a society values by who it labels as a genius says Helen Lewis in her new book, The Genius Myth: The Dangerous Allure of Rebels, Monsters and Rule-Breakers. From Leonardo da Vinci to Elon Musk, she asks if the modern idea of genius, as a class of special people, is distorting our view of the world.With ten platinum albums Tupac Shakur was one of the stars of hip hop music when he was murdered at the age of 25. His music was very influential and his name is also associated with the legacy of Black Panther politics. In Words for My Comrades: A Political Biography of Tupac Shakur, Dean Van Nguyen argues that while much of the energy of the Black political movement was absorbed by the commercial music culture of the 1990s – Tupac's contribution lives on today. Gertrude Stein was considered a genius by some, a charlatan by others. She posed for Picasso's portrait; hosted Matisse and Hemingway in Bohemian Paris; and she dazzled American crowds on her sell-out tour for her sensational Autobiography of Alice B Toklas, a version of the relationship with her partner. Francesca Wade's new book Gertrude Stein: An Afterlife, explores the creation of the Stein myth. Presenter: Adam Rutherford Producer: Ruth Watts

It's time to watch To Wong Foo, Thanks for Everything, Julie Newmar! and get ready for PRIDE!  Put on your most rainbow-y outfit and catch this, the first of two special PRIDE episodes this month!  Today's episode we introduce Alice B. Toklas.  Lover, confidant and essentially spouse to writer Gertrude Stein, she also was a writer in her own right and one of her books The Alice B. Toklas contained a recipe for Haschich Fudge that made her a counterculture icon.  (we will of course share the recipe here in the show notes, we are nothing if not full service.)  She also wrote, had her ups and downs and saw Gertrude through her final days, staying on alone afterwards.  So join us in this special PRIDE episode (the first of two this month) and enjoy!Haschich Fudge (which anyone could whip up on a rainy day)This is the food of Paradise—of Baudelaire's Artificial Paradises: it might provide an entertaining refreshment for a Ladies' Bridge Club or a chapter meeting of the DAR. In Morocco it is thought to be good for warding off the common cold in damp winter weather and is, indeed, more effective if taken with large quantities of hot mint tea. Euphoria and brilliant storms of laughter; ecstatic reveries and extension of one's personality on several simultaneous planes are to be complacently expected. Almost anything Saint Theresa did, you can do better if you can bear to be ravished by “un évanouissement reveillé.”Take 1 teaspoon black peppercorns, 1 whole nutmeg, 4 average sticks of cinnamon, 1 teaspoon coriander. These should all be pulverised in a mortar. About a handful each of stoned dates, dried figs, shelled almonds and peanuts: chop these and mix them together. A bunch of cannabis sativa can be pulverised. This along with the spices should be dusted over the mixed fruit and nuts, kneaded together. About a cup of sugar dissolved in a big pat of butter. Rolled into a cake and cut into pieces or made into balls about the size of a walnut, it should be eaten with care. Two pieces are quite sufficient.Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

Francesca Wade is the author of Square Haunting: Five Women, Freedom and London Between the Wars, which was longlisted for the Baillie Gifford Prize and shortlisted for the RSL Ondaatje Prize. She has received fellowships from the Dorothy and Lewis B. Cullman Center at the New York Public Library, the Leon Levy Center for Biography and the Harvard Radcliffe Institute, and her work has appeared in The New York Review of Books, London Review of Books, Granta and other places. On this episode of Little Atoms she talks to Neil Denny about her latest book Gertrude Stein: An Afterlife. Hosted on Acast. See acast.com/privacy for more information.

Name: HilaryReading: Tender Buttons, Gertrude SteinWhy did you want to read this? I had a few different ideas but Tender Buttons won out for being the most fun to read aloud. I have a few deadlines at the moment and it was therapeutic to spend thirty minutes thinking of nothing but the shapes and sounds of the words, focusing on not tripping up because nothing unfurls in an expected way. The lines have their rhythm though, and I find a strange or altered sense of emotionality in them which cannot be tied to meaning, like in dreams—which was fun to think about in the reading. How did you record yourself? In my studio surrounded by oil heaters in April, a little awkwardly so as not to block the microphone with the book. There was some background noise of the trams, traffic and voices on the street below, and some knocking about in the rooms next door, but not loud enough to be picked up by my laptop mic (I hope). 

Today's poem is If I Told Him, A Completed Portrait of Picasso by Gertrude Stein. The Slowdown is currently taking a break. We'll be back soon with new episodes from a new host. This week, we're revisiting some favorites from Major Jackson's time as host. Today's episode was originally released on December 27, 2023. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's poem is a touchstone example of art that altered how we hear words, but also, how we perform language to transform words into elements of our yielding and will.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

How does timestamping shape the preservation and curation of literary sound? This roundtable episode brings together four SpokenWeb researchers––Jason Camlot, Tanya Clement, and Mike O'Driscoll in conversation with moderator Michael MacKenzie––to explore this deceptively simple yet profoundly complex question. What emerges is a layered, multidisciplinary view of timestamping, not just as a technical task, but as an archival, aesthetic, and philosophical practice.In Part One, the conversation begins by situating timestamping in broader historical and intellectual contexts. Panelists reflect on the epistemology of time, from ancient timekeeping and annalistic history to modern digital temporality. What does it mean to mark time, and how does a timestamp compare to a page number, an index, or a narrative structure?Part Two asks what it means to think critically about timestamping. Here, the guests draw on their scholarly practices to examine the subjectivity of timestamps, the tension between precision and ambiguity, and the role of annotation. The discussion turns to digital media's microtemporalities and how timestamps carry expressive, affective weight beyond their data function.In Part Three, the panel listens to an experimental performance by Jackson Mac Low and considers the challenge of timestamping layered or deliberately disorienting sound. What responsibilities do timestampers have in maintaining a balance between accessibility and artistic intention? Can timestamping illuminate without flattening?Part Four focuses on vocabulary. Why does it matter if we tag something as a “reading” versus a “performance”? How do controlled vocabularies shape what we can learn from large-scale literary audio corpora? This final section explores how even the smallest metadata decisions reflect theoretical commitments and institutional values.Ultimately, this episode makes one thing clear: timestamping is never neutral. It is an interpretive act, grounded in choices about meaning, representation, and access. From poetic performance to archival platforms, timestamping remains central to how we listen to—and understand—literary sound. Show Notes and Resources:Abel, Jordan. Nishga. McClelland & Stewart, 2021. pp.243-73Bernstein, Charles. “‘1–100' (1969) .” Jacket2, jacket2.org/commentary/1%E2%80%93100-1969. Accessed 17 Apr. 2025.Though cut from the episode, this appeared as an example from O'Driscoll during the uncut roundtable and stands alone as a fascinating example of marking time. You can access a full performance of the short poem by Bernstein hosted at the above link, at Jacket2. O'Driscoll: “The numerological is itself potentially … not a neutral medium. It is potentially an expressive medium … so that timestamps can have an aesthetic, they carry value and meaning, they can shape the way that we think about things and that they're subject to a level of performance as well too.”“Charles Bernstein (Poet).” Wikipedia, Wikimedia Foundation, 15 Feb. 2025, en.wikipedia.org/wiki/Charles_Bernstein_(poet).Bolter, Jay David, and Richard Grusin. Remediation. MIT Press, 2000.One central point of departure for our research, though we had to cut our remediation questions due to time. “Eadweard Muybridge.” Wikipedia, Wikimedia Foundation, 10 Apr. 2025, en.wikipedia.org/wiki/Eadweard_Muybridge.Eliot, T. S. “‘Burnt Norton' from Four Quartets.” Four Quartets - 1 Burnt Norton, www.davidgorman.com/4quartets/1-norton.htm. Accessed 17 Apr. 2025.“Gertrude Stein.” Wikipedia, Wikimedia Foundation, 28 Mar. 2025, en.wikipedia.org/wiki/Gertrude_Stein.“Hayden White.” Wikipedia, Wikimedia Foundation, 5 Mar. 2025, en.wikipedia.org/wiki/Hayden_White.“Jackson Mac Low at SGWU, 1971.” Edited by Jason Camlot and Max Stein, SpokenWeb Montréal, 17 Aug. 2015, montreal.spokenweb.ca/sgw-poetry-readings/jackson-mac-low-at-sgwu-1971/#1.The full version of the recording shown during the episode can be found here. The portion shown during the episode begins at 1:09:35.“Jackson Mac Low.” Wikipedia, Wikimedia Foundation, 30 Mar. 2025, en.wikipedia.org/wiki/Jackson_Mac_Low.“Susan Stewart (Poet).” Wikipedia, Wikimedia Foundation, 14 Sept. 2024, en.wikipedia.org/wiki/Susan_Stewart_(poet).Though cut from the episode, Stewart's work on the “souvenir” appeared as an example from Camlot during the uncut roundtable helping bridge the gap between timestamp and annotation. Camlot: “I would probably want to think of it as a dialectical relation between the timestamp, sort of the demarcated moment and times unfolding, and then the larger narrative account within which the timestamp has significance … like Susan Stewart's work on the souvenir … this sort of partial representation of a whole that can only be supplemented by narrative.”“Wolfgang Ernst (Media Theorist).” Wikipedia, Wikimedia Foundation, 12 Apr. 2024, en.wikipedia.org/wiki/Wolfgang_Ernst_(media_theorist).More information about our participants can be found at: “Jason Camlot.” Concordia University, www.concordia.ca/faculty/jason-camlot.html. Accessed 17 Apr. 2025.“Michael O'Driscoll.” English and Film Studies, University of Alberta, apps.ualberta.ca/directory/person/mo. Accessed 17 Apr. 2025.“Tanya Clement.” College of Liberal Arts at UTexas, liberalarts.utexas.edu/english/faculty/tc24933. Accessed 17 Apr. 2025.Music Credits:This podcast uses music from www.sessions.blue: For post-question pauses, we used Jemeneye by Blue Dot Sessions (www.sessions.blue).For framing the podcast itself, we used the song The Griffiths by Blue Dot Sessions (www.sessions.blue).For framing the roundtable and preceding questions, we used portions of the song “Town Market” by Blue Dot Sessions (www.sessions.blue).This podcast also uses these sounds from freesound.org:"Mechanical Keyboard Typing (Bass Version)" by stu556 ( https://freesound.org/people/stu556/sounds/450281/? ) licensed under Creative Commons 0"Monitor hotler", by iluminati_2705 ( https://freesound.org/people/iluminati_2705/sounds/536706/ ) licensed under Creative Commons 0"Monitor hotler", by tobbler ( https://freesound.org/people/tobbler/sounds/795373/ ) licensed under Attribution 4.0“aluminum can foley-020.wav”, by CVLTIV8R ( https://freesound.org/people/CVLTIV8R/sounds/800102/ ) licensed under Creative Commons 0“whoosh_fx”, by ScythicBlade ( https://freesound.org/people/CVLTIV8R/sounds/800102/ ) licensed under Creative Commons 0“ignite_dry_02”, by DaUik ( https://freesound.org/people/DaUik/sounds/798712/ ) licensed under Creative Commons 0“Dewalt 12 inch Chop Saw foley-049.wav”, by CVLTIV8R ( https://freesound.org/people/CVLTIV8R/sounds/802856/ ) licensed under Creative Commons 0“Electronic Soap Dispenser 5”, by Geoff-Bremner-Audio ( https://freesound.org/people/Geoff-Bremner-Audio/sounds/802734/ ) licensed under Creative Commons 0 Acknowledgments:We thank Jason Camlot, Tanya Clement, and Michael O'Driscoll for their contributions to the roundtable. Additional thanks to Michael O'Driscoll, Sean Luyk, and the SpokenWeb Podcast team for production support. Technical support was provided by the Digital Scholarship Centre, University of Alberta.

(Como, 2025) Con Kate Briggs, autora; y Carlota Melguizo, traductora. ¿Cómo dar voz y convertir en co-protagonista de una novela a quien todavía no es capaz de pronunciar palabra, a quien, por su corta edad, es siempre la encarnación de un misterio? Kate Briggs asume en su escritura el riesgo de enfrentarse a un lugar común, el de la maternidad, y sin embargo su enfoque (atravesado por las ideas de pensadores y escritores de toda índole, desde John Dewey a Donald Winnicott, pasando por E. M Forster y Gertrude Stein) interroga la esencia misma de qué implica continuar existiendo al lado de otra persona.

Gertrude Stein is a name that inspires equal amounts of both awe and fear in prospective readers. An absolute icon in her time, she was an unparalleled tastemaker: collecting work from Picasso and Matisse when they were unknown local painters; mentoring Hemingway and Fitzgerald as bright-eyed, unpublished hopefuls; and hosting ‘talk of the town' salons at her Parisian abode. However, when it comes to her writing, things have always been a bit more complicated.To help me unpack the life, legacy, and ‘afterlife' of this fascinating figure, today I have the pleasure of speaking with biographer, author and journalist Francesca Wade. Her new book, Gertrude Stein: An Afterlife, is set to hit shelves in the upcoming month. It was a great chat, and I hope you enjoy it.

Arnaldo Greco"E anche scrittori"Come ci siamo messi tutti a scrivereUtet Libriwww.utetlibri.it«È noto che solo con il Novecento l'amore romantico è diventato realmente alla portata di tutti. Non che prima non esistesse, ovvio, ma era appannaggio di una cerchia molto ristretta di persone e cioè di chi poteva permetterselo. Oggi anche la letteratura vive qualcosa di simile. Perché così come, a un certo punto, tutti hanno cominciato ad amare, a un certo punto tutti hanno cominciato a poter scrivere, a poter pubblicare, a poter essere letti e a ricevere complimenti per ciò che scrivono.Ormai esistono Scrittori per le chat con gli amici, Scrittori di gruppi WhatsApp e Scrittori di messaggi di buongiorno. Scrittori di Facebook, X o Instagram. Scrittori di recensioni per Amazon, Scrittori di meme, Scrittori di articoli di giornali senza lettori e Scrittori di lettere ai giornali, Scrittori di preghiere per comunità numerose di cui non immaginiamo neppure l'esistenza e Scrittori di catene di Sant'Antonio, Scrittori di messaggi farneticanti e Scrittori di poesie per strada. Esistono anche Scrittori con un libro nel cassetto, ma – per quanto numerosi – sono ormai una retroguardia blasé.»Non si tratta di accusare gli altri di vanità o velleitarismo: sarebbe bene ammettere che tutti noi, ormai, siamo anche scrittori. Anche noi cerchiamo la parola giusta, riscriviamo se la prima versione non ci soddisfa, pensiamo a come catturare l'attenzione dei nostri lettori. Anche noi sfruttiamo le nostre vite e i nostri ricordi come repertori di materiale letterario e vogliamo essere letti, e apprezzati, da più persone possibile.Arnaldo Greco ha identificato per primo questo vero e proprio mutamento antropologico e in questo delizioso e acuminato volumetto inventaria i pregi, i difetti, i tic, le nevrosi, le virtù di tutti noi, anche scrittori. Che sono simili a quelle dei grandi scrittori del passato, ma con una differenza fondamentale: come osservava perfidamente Gertrude Stein, infatti, «i piccoli artisti hanno tutti i dolori e le infelicità dei grandi artisti, solo che non sono grandi artisti».Arnaldo Greco (Caserta, 1979) lavora come autore televisivo e scrive per riviste e giornali. Ha pubblicato con Fandango, Einaudi e il Mulino. Odia e ama le note biografiche spiritose, leggendo questo libro si capisce perché.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Playwright, lyricist, and dramaturg Arianna Rose returns to Lights Up! for a heartfelt conversation about MAKE MULCH FROM IT, a 15-minute drama that tenderly explores the aftershocks of love lost, the ache of unresolved endings, and the longing to heal. Arianna reflects on how she turned heartbreak into art and honors the sacredness of memory. We also explore her process as a teacher and ever-evolving writer, and how she draws on history and personal experience to ground her work.Keep an eye for Arianna's other exciting works in development!• Musical: A Collectible Sensation—a bold, time-bending journey where the Cone sisters, Gertrude Stein, and Alice Toklas confront love, art, and the power of unapologetic selfhood.• Play: The Lesser Leyendecker—a rich, memory-driven play exploring art, addiction, and identity through the lives of illustrators Frank and Joe Leyendecker.Play Starts (1:00)Join New Play Exchange to follow along.Conversation Starts (18:34)Actors:Gordon: Joel Sanchez-AvantesSusan: Claire BartlettDirected by Garry Lee PoseySoundscape by Eric "Red" WyattLinks to follow Arianna:Arianna's WebsiteSoundCloudFacebookInstagram: @ariannarosewritesmusicalsBluesky: @ariannarose.bsky.socialThreads: ariannarosewritesmusicals Hosted on Acast. See acast.com/privacy for more information.

Våren är i gång. Liksom närbedrägerierna. När Malmö stad ville kolla hur väl de anställda klarade av phishingförsök fick de avbryta testet. Alltför många gick på det. Minnesmärket över terrorattacken på Drottninggatan är faktiskt löjligt. Snuttefiltar är för barn och idén med uppvärmda minnesmärken som publiken kan kladda på är just kladdigt. Det är tidstypiskt att eländet får god kritik. Att vänsterpartisters antisemitism beskrivs som "misstag" är skrattretande. Man vidarebefordrar inte bilder som kunde ha publicerats i SS-tidningen Der Stürmer av misstag. Men den öppna antisemitismen tillåts ofta passera, även på universiteten, där Doku grävt fram vad en del universitetslärare häver ur sig utan konsekvenser. Är amerikanerna på väg att fly sitt land? Nja, men en hel del akademiker och forskare tittar sig ändå omkring. Kommer amerikaner, som annars brukar vara så rädda för okända länder, i och med detta bli mer kosmopolitiska? Vi får väl se. Det brukat vara en viss typ av amerikaner som väljer att bli européer, som vi påmindes om när vi såg Johan Rabaeus som Gertrude Stein på Dramaten. Och så Trump. Suck. Och Albin Sandell, 28, som hittat på krismat. Och sist ett försök till barnbokskanon, som en hyllning till Marianne von Baumgarten, som begravdes i fredags. Become a member at https://plus.acast.com/s/hakeliuspopova. Hosted on Acast. See acast.com/privacy for more information.

Lecture par l'autrice, Anne F. Garréta, Margot Gallimard, Estelle Meyer, Suzette Robichon & Céline Sciamma Après Sappho nous entraîne au moyen d'une prodigieuse narration chorale à la rencontre du destin d'écrivaines, de peintres et d'artistes qui ont bravé l'oppression, et nous guide à travers les débuts trépidants du XXᵉ siècle aux côtés de figures incontournables : Natalie Barney, Renée Vivien, Romaine Brooks, Gertrude Stein, Virginia Woolf, Sarah Bernhardt, Isadora Duncan, Lina Poletti, Eleonora Duse, Colette … Biographie, roman, portrait, manifeste, récit expérimental, ce livre est aussi une méditation lumineuse sur l'héritage des pionnières de notre passé. Ode à la liberté, il est fait de lutte et de joie. À lire – Selby Wynn Schwartz, Après Sappho, trad. de l'anglais (États-Unis) par Hélène Cohen, préfaces d'Anne F. Garréta et Estelle Meyer, Gallimard, coll. « Hors-Série L'Imaginaire », 2024.

Beau Shipley and Keeby Styles barely survive the WWI battle of the Meuse-Argonne. Beau returns to Charleston in a fatalistic attempt to stop his former girlfriend's wedding to a rival, while Keeby remains in Paris to become a writer.Beau discovers that time, the war, the Spanish Flu, and a dark family secret have left the Charleston he remembered unrecognizable, so he returns to Paris to live as a painter.On separate but intertwining paths, Beau and Keeby are swept up in what Gertrude Stein called the Lost Generation, two aspirants mired in the panoramic parade of ambitious expats seeking fame and fortune in the world of arts and letters.Then, drunken and desperate, Beau one night makes a fateful choice that will change both their lives—forever.22 Rue Montparnasse is a tale about high aspirations and bad decisions, with cameo appearances by the likes of Gertrude Stein, Alice B. Toklas, Tsugahiro Foujita, Ernest Hemingway, Georges Brach, Amedeo Modigliani, Misia Sert, Coco Chanel, and Ezra Pound.Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

Surnommée « la papesse de l'avant-garde », l'écrivaine et esthète américaine Gertrude Stein a choisi Paris pour imprimer sa marque sur la modernité artistique du début du XXe siècle. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Founded in Chicago in 1914, the avant-garde journal the Little Review became a giant in the cause of modernism, publishing literature and art by luminaries such as T.S. Eliot, Djuna Barnes, William Butler Yeats, James Joyce, Ezra Pound, Pablo Picasso, Max Ernst, Gertrude Stein, Jean Toomer, William Carlos Williams, H.D., Amy Lowell, Marcel Duchamp, Joseph Stella, Hans Arp, Mina Loy, Emma Goldman, Wyndham Lewis, Hart Crane, Sherwood Anderson, and more. Perhaps most famously, the magazine published Joyce's Ulysses in serial form, causing a scandal and leading to a censorship trial that changed the course of literature. In this episode, Jacke talks to scholar Holly A. Baggett about her book Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review, which tells the story of the two Midwestern women behind the Little Review, who were themselves iconoclastic rebels, living openly as lesbians and advocating for causes like anarchy, feminism, free love, and of course, groundbreaking literature and art. PLUS Phil Jones (Reading Samuel Johnson: Reception and Representation, 1750-1970) stops by to discuss his choice for the last book he will ever read. Additional listening: 600 Doctor Johnson! (with Phil Jones) 564 H.D. (with Lara Vetter) 165 Ezra Pound The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jacopo Veneziani"La grande Parigi"1900-1920. Il periodo d'oro dell'arte modernaFeltrinelli Editorewww.feltrinellieditore.itJacopo Veneziani partecipa a "Mi prendo il mondo" a Parma, il 26 gennaio, alle ore 17:30 - Paganini CongressiSalone Internazionale del LibroAttraverso una serie di indirizzi fondamentali, Jacopo Veneziani racconta i vent'anni che hanno reso Parigi l'epicentro dell'arte mondiale, in una fitta trama di incontri e passaggi di testimone, profonde rivalità e collaborazioni fortuite.Ottobre 1900. Dopo un estenuante viaggio di trenta ore, due giovani artisti arrivano alla Gare d'Orléans, carichi di bagagli e attrezzi del mestiere, ma soprattutto di sogni. Si chiamano Pablo Picasso e Carlos Casagemas. Fuori li aspetta, immensa ed elettrizzante, Parigi, il luogo in cui – dopo la rivoluzione degli Impressionisti e di straordinari scultori come Auguste Rodin – ogni artista vuole essere. È la città degli infiniti cantieri e dell'Esposizione Universale, delle invenzioni mirabolanti e delle folle febbrili. Ovunque rimbomba il brulicare minaccioso ed eccitante della grande metropoli, con le sue luci, i teatri e i locali notturni, ma anche con le sue librerie e le nuove gallerie d'arte. Jacopo Veneziani accompagna passo passo il lettore per le strade della Parigi di quegli anni, e ci racconta la grande capitale nel momento magico e irripetibile in cui divenne, come scriverà Gertrude Stein, “il posto dove bisognava essere per essere liberi” e l'epicentro dell'arte mondiale. La abitano pittori e poeti squattrinati che si incontrano nello sgangherato Bateau-Lavoir a Montmartre, i Fauves trascorrono giornate intere a dipingere sulle rive della Senna, gli eccentrici futuristi sognano di scalzare il Cubismo, e le serate scorrono discutendo di arte africana o declamando versi seduti en terrasse in un caffè del Carrefour Vavin, cuore pulsante di Montparnasse. Mentre il demone della modernità contagia chiunque sia di passaggio in città con una furia creativa che non ha precedenti. Un viaggio che ci conduce dal 1900 al 1920, anni di straordinario fervore culturale e indicibile catastrofe. In compagnia di ineguagliabili artisti come Picasso, Matisse, Modigliani, Soutine, Chagall, Brâncuși, di singolari poeti come Guillaume Apollinaire, Max Jacob e Jean Cocteau, di eroine silenziose come Berthe Weill, Fernande Olivier e Jeanne Hébuterne, protagonisti di un sorprendente racconto corale che ci svela perché, allora, solo Parigi poteva diventare la capitale mondiale dell'arte. Amicizie e rivalità, sodalizi indissolubili e incontri fortuiti, passioni e tradimenti che hanno reso Parigi la capitale mondiale dell'arte.Jacopo Veneziani ha vissuto a Roma e Parigi, studiato Storia dell'arte alla Sorbonne. Con alcuni profili social - Twitter, Youtube, Instagram - parla "di arte, della sua storia e un po' di più".Con Mondadori Electa ha pubblicato nel 2020 il volume #Divulgo, che raccoglie una parte di contenuti e pensieri sull'arte. Nel 2021 è uscito Simmetrie mentre nel 2023 esce per Feltrinelli La grande Parigi. 1900-1920. Il periodo d'oro dell'arte moderna.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

During the 19th SIMM-podcast episode we assist to a conversation between biologist Olivier Hamant (Institut Michel Serre) and musician Jean-Luc Plouvier (Ictus Ensemble) on ideas and experiences they share with each other from their work on the natural world and the world of music-making. SIMM-founder Lukas Pairon interviews them. Referenced during this podcast-episode: Philippe Boesmans, John Cage, "Un homme ça s'empêche" (Albert Camus), eco-anxiety, free jazz, Philip Glass, Glenn Gould, Goodhart's law, Olivier Hamant's 'Antidote to the cult of performance', Olivier Hamant's 'De l'incohérence - philosophie politique de la robustesse', Olivier Hamant's 'La troisième voix du vivant', Ictus Ensemble, Steve Reich's 'Music for 18 Musicians', Ircam, robustness, serendipity, Michel Serre Institut, Reich's psychoacoustic by-products of repetition and phase-shifting, Simon Sinek's conference on 'The Infinite Game', systems thinking, Gertrude Stein, stochastic processes in biologyThe transcription of this episode can be found here.And during this episode music is shortly heard from Steve Reich's 'Music for 18 Musicians' (played by the Steve Reich Ensemble), as well as rehearsal recordings of the Kinshasa based traditional drummers ensemble Beta Mbonda.

durée : 00:59:03 - Julien Daïan "Suppose It Is Butter" - par : Nicolas Pommaret - Julien Daïan nous revient avec un nouvel opus, “Suppose it is Butter”, citation énigmatique extirpée d'un poème de Gertrude Stein qui donne le ton à ce voyage musical iconoclaste. Parution chez French Paradox.

Isabella Kolar www.deutschlandfunkkultur.de, Aus den Archiven

En el París de principios del siglo XX, Gertrude Stein fue mucho más que una escritora: fue la anfitriona de los artistas y escritores que definieron la vanguardia. Este episodio explora su vida desde sus años en Estados Unidos hasta su llegada a París, donde su apartamento en la rue de Fleurus se convirtió en el centro de la modernidad artística. Stein, conocida por su estilo literario experimental y su relación de casi 40 años con Alice B. Toklas, desafió las convenciones literarias y sociales de su tiempo. Analizamos cómo su obra, desde Tres vidas hasta Tender Buttons, rompió con las estructuras narrativas tradicionales, y cómo su mecenazgo fue clave en el éxito de figuras como Picasso y Hemingway. Una pionera del modernismo literario y del amor entre mujeres, Stein dejó una huella imborrable en la historia cultural del siglo XX. Las musiquitas, aquí: https://open.spotify.com/playlist/4j1Gl0KfgZxNHWmAMFECvf?si=de1ab7f7ee9f4d23

Perhaps best known for his novels Motherless Brooklyn (1999), The Fortress of Solitude (2003), and Chronic City (2009)—or, more recently, Brooklyn Crime Novel (2023)—the author, essayist, and cultural critic Jonathan Lethem could be considered the ultimate modern-day Brooklyn bard, even if today he lives in California, where he's a professor of English and creative writing at Pomona College. His most celebrated books take place in Brooklyn, or in the case of Chronic City, on Manhattan's Upper East Side, and across his genre-spanning works of fiction, his narratives capture a profound sense of the rich chaos and wonder to be found in an urban existence. Lethem is also the author of several essay collections, including the newly published Cellophane Bricks: A Life in Visual Culture (ZE Books), which compiles much of his art writing from over the years written in response to—and often in exchange for—artworks by friends, including Gregory Crewdson, Nan Goldin, and Raymond Pettibon.On the episode, Lethem discusses his passion for book dedications; the time he spent with James Brown and Bob Dylan, respectively, when profiling them for Rolling Stone in the mid-aughts; how his work is, in part, a way of dealing with and healing from his mother's death in 1978, at age 36; and why he views his writing as “fundamentally commemorative.”Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Jonathan Lethem[5:35] Cellophane Bricks[5:35] High School of Music and Art[5:35] Motherless Brooklyn[5:35] The Fortress of Solitude[5:35] The Disappointment Artist[5:35] Maureen Linker[7:15] Carmen Fariña[8:26] Julia Jacquette[8:26] Rosalyn Drexler[9:08] The Great Gatsby[9:08] Brooklyn Crime Novel[10:59] Lynn Nottage[13:08] Bennington College[13:08] Bret Easton Ellis[13:08] Donna Tartt[23:41] The Collapsing Frontier[23:41] Italo Calvino[23:41] Cold War[23:41] Red Scare[23:41] J. Edgar Hoover[27:37] Dada movement[27:37] Ernest Hemingway[27:37] Gertrude Stein[27:37] Dissident Gardens[29:38] Reaganism[29:38] “Does intergenerational transmission of trauma skip a generation?”[31:21] John Van Bergen[31:21] Nan Goldin[34:33] “The Ecstasy of Influence”[34:33] Lawrence Lessig[35:31] Copyleft movement[35:31] Hank Shocklee[38:46] Hoyt-Schermerhorn Station[42:32] “Being James Brown: Inside the Private World of the Baddest Man Who Ever Lived”[42:32] “The Genius and Modern Times of Bob Dylan”[51:00] Chronic City[54:04] The Thalia[55:50] “Lightness” by Italo Calvino[1:06:26] Jorge Luis Borges

I'm no Einstein, more Demi Moore, the unforgettable Divine, don't overcook Jake's steak, the tragedy and triumph of Theresa Saldana, Cedars-Sinai is the place to die, some cold logic from Alfred Hitchcock, a superhero on Hollywood Boulevard, more artificial unintelligence, not talking about sex, a bat boy turned rap superstar, the death of sports in the city of Oakland, a little Gertrude Stein, going to see A's games with my grandpa, the wild and entertaining Billy Ball era, the legendary Crazy George, you can't put a dollar sign on everything, being kind of a dick to a neighbor, another ridiculous commercial, and some bands that spooked me as a kid. Stuff mentioned: Kingpin (1996), Mortal Thoughts (1991), Endangered Species (1992), Choose Me (1984), Trouble in Mind (1985), Footloose (1984), Raging Bull (1980), Defiance (1980), Suspicion (1941), Salt-N-Pepa "Let's Talk About Sex" (1991), Salt-N-Pepa A Salt with a Deadly Pepa (1988), MC Hammer Feel My Power (1986), MC Hammer "Ring 'em" (1986), New Edition "Mr. Telephone Man" (1984), The First Wave Oakland Athletics vs. New York Yankees (October 15, 1981 https://www.youtube.com/watch?v=_sqGxQoORYE), Remington Balder Boss "Shave Your Head in 90 Seconds" (2023 https://www.ispot.tv/ad/1881/remington-balder-boss-shave-your-head-in-90-seconds-three-payments-of-2499), Midnight Oil "Beds Are Burning" (1987), Yes "Owner of a Lonely Heart" (1983 https://www.youtube.com/watch?v=SVOuYquXuuc), Yes "Heart of the Sunrise" (1971), Yes Fragile (1971), Fine Young Cannibals "She Drives Me Crazy" (1989), Fine Young Cannibals The Raw & the Cooked (1989), and "Weird Al" Yankovic "She Drives Like Crazy" (1989 https://www.youtube.com/watch?v=4PdqNHyEyXY).

Looking for a great place to meet creative people in NYC? Visit Salon 21! Imagine a haven where artists, designers, and visionaries converge to engage in stimulating discussions, savor delectable cuisine, and foster meaningful connections. The space will transport you to a modern-day incarnation of Gertrude Stein's legendary apartment at rue de Fleurus, Paris. Salon 21 is a dynamic ecosystem of rotating art and design exhibitions complemented by an array of captivating programming, capturing the zeitgeist of contemporary culture and the NYC art scene. These exhibitions serve as the backdrop for a vibrant calendar of events, including elegant dinner and cocktail parties, thought-provoking panels, brand pop-ups, and much more.Contact Salon 21: ALEX@SALONTWENTY-ONE.COM Website: https://www.salontwenty-one.com/the-salon Event Calendar: https://www.salontwenty-one.com/events Salon 21 Instagram: https://www.instagram.com/salon.21 Mentioned in the episode:Brianna Lance: https://www.salontwenty-one.com/exhibitions/brianna-lance-this-contains-magic Armitano Domingo https://www.armitanodomingo.com/ Apollo Circle: https://engage.metmuseum.org/members/apollo-circle/ FREE ARTS NYC: https://www.freeartsnyc.org/ Gage Academy of Art: https://gageacademy.org/ Silent Book Club: https://silentbook.club/ Coworking & Figure Drawing: https://www.salontwenty-one.com/events/coworking-figure-drawing Join the Arts & Crafts Table, a Discord for creatives: https://discord.gg/Dz752tYpsZ Host and artist Stephanie Scott breaks down the practicality of the art career with topics including: sustainable creative practices, social media skills, and mindsets to keep us in the studio. New episodes every Tuesday! Submit to Brush Work: https://www.stephaniescott.art/brush-work-submission Instagram: https://www.instagram.com/stephaniescott.art/ Website: http://www.stephaniescott.art/brushwork Music by @winepot https://www.instagram.com/thewinepot/ Podcast Cover photo by Maryna Blumqvist https://instagram.com/picturemaryna

In this episode I'm joined by Dalkey Archive's editorial director, Chad W. Post. We discuss the republication of the late Marguerite Young's cult-classic work of fiction, Miss MacIntosh, My Darling (Dalkey Archive Press, 2024). A colossal novel of over 1,000 pages, a kaleidoscopic cast of characters, permanent opium-induced hallucinations, a sprawling sense of scope, and a truly distinct and lyrical prose style--it's a doozy. I haven't finished yet myself, having stopped and restarted multiple times over the years, but that's the beauty of it; it's challenging, wandering, dense, at times utterly absurd, but always rewarding. Chad painstakingly walks us through the book's editorial legacy, and the gargantuan task of excavating this text and introducing it to new generations. Chad W. Post is the publisher of Open Letter Books and Editorial Director for the Dalkey Archive Press. He also writes a Substack called "Mining the Dalkey Archive." Marguerite Young, a descendant of Brigham Young, was born in Indiana in 1909 and spent most of her life in Greenwich Village, where she associated with writers like Richard Wright, Carson McCullers, Truman Capote, and Gertrude Stein. In addition to Miss MacIntosh, My Darling she published two works of poetry, a work of nonfiction (Angel in the Forest), a collection of essays and stories (Inviting the Muses), and Harp Song for a Radical: The Life and Times of Eugene Victor Debs, which was published posthumously. Tyler Thier, your host, is a faculty member and administrator in the Department of Writing Studies & Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode I'm joined by Dalkey Archive's editorial director, Chad W. Post. We discuss the republication of the late Marguerite Young's cult-classic work of fiction, Miss MacIntosh, My Darling (Dalkey Archive Press, 2024). A colossal novel of over 1,000 pages, a kaleidoscopic cast of characters, permanent opium-induced hallucinations, a sprawling sense of scope, and a truly distinct and lyrical prose style--it's a doozy. I haven't finished yet myself, having stopped and restarted multiple times over the years, but that's the beauty of it; it's challenging, wandering, dense, at times utterly absurd, but always rewarding. Chad painstakingly walks us through the book's editorial legacy, and the gargantuan task of excavating this text and introducing it to new generations. Chad W. Post is the publisher of Open Letter Books and Editorial Director for the Dalkey Archive Press. He also writes a Substack called "Mining the Dalkey Archive." Marguerite Young, a descendant of Brigham Young, was born in Indiana in 1909 and spent most of her life in Greenwich Village, where she associated with writers like Richard Wright, Carson McCullers, Truman Capote, and Gertrude Stein. In addition to Miss MacIntosh, My Darling she published two works of poetry, a work of nonfiction (Angel in the Forest), a collection of essays and stories (Inviting the Muses), and Harp Song for a Radical: The Life and Times of Eugene Victor Debs, which was published posthumously. Tyler Thier, your host, is a faculty member and administrator in the Department of Writing Studies & Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Welcome to the second episode of Season Ten of the Bagley Wright Lecture Series on Poetry podcast.   Season Ten is comprised of lectures written and delivered by Srikanth Reddy during his tenure as a Bagley Wright Lecturer, in 2015. Srikanth Reddy's series of lectures consider a range of questions concerning poetry and visual art, including theories of likeness, ekphrasis, and wonder. Today, we'll hear "Like a Very Strange Likeness and Pink," recorded at Seattle Arts and Lectures, December 1, 2015. This lecture examines the question of likeness in Emily Dickinson's similes and Gertrude Stein's portraits as a way of thinking about social identity and difference in modern American poetry. To view a gallery of works referenced in this talk, visit the BWLS website.   Reddy's book based on his BWLS lectures, ⁠The Unsignificant: Three Talks on Poetry and Pictures⁠, is forthcoming from Wave Books, and is available ⁠here⁠.  Visit us at our website, bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturer's archive page, including selected writings. Music: "⁠I Recall⁠" by ⁠Blue Dot Sessions⁠ from the ⁠Free Music Archive⁠ CC BY NC

Charles Holdefer's new short story collection, Ivan the Terrible Goes on a Family Picnic (Sagging Meniscus Press, 2024) weaves together ten stories that connect through America's pastime. Did the Russians invent baseball? Is there a connection between Babe Ruth's cross-dressing and Gertrude Stein's secret mission to New York? What does history tell us about what lies beyond heaven? From the American heartland to Hiroshima, to Paris, to shopping malls and caves with prehistoric art, Ivan the Terrible Goes on a Family Picnic is a wild ride across generations and frontiers of the imagination. Holdefer sends readers into extra innings with this satirical and heartfelt collection.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Charles Holdefer's new short story collection, Ivan the Terrible Goes on a Family Picnic (Sagging Meniscus Press, 2024) weaves together ten stories that connect through America's pastime. Did the Russians invent baseball? Is there a connection between Babe Ruth's cross-dressing and Gertrude Stein's secret mission to New York? What does history tell us about what lies beyond heaven? From the American heartland to Hiroshima, to Paris, to shopping malls and caves with prehistoric art, Ivan the Terrible Goes on a Family Picnic is a wild ride across generations and frontiers of the imagination. Holdefer sends readers into extra innings with this satirical and heartfelt collection.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Subscriber-only episodeSend us a Text Message.Amy discusses the good and bad of audiobook narration in this week's bonus episode, then dives into the origins of the commercial audiobook industry. Founded in 1952, Caedmon Records was the brainchild of two young women who achieved their smash debut success by convincing Dylan Thomas to record himself reading some of his most popular work, including “A Child's Christmas in Wales.” The recording company went on to record LPs of work by a wide array of literary stars, including Gertrude Stein, Sylvia Plath, Ernest Hemingway, T.S. Eliot and J.R.R. Tolkien, thus paving the way for today's burgeoning audiobook market.For episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

The late ballplayer Billy Bean talked about his intentions when he was first named Major League Baseball's gay Ambassador for Inclusion in 2014 (interviewed by Chrisanne Eastwood and Wenzel Jones), and his success is proven by the response to last week's homophobic incident involving Boston Red Sox outfielder Jarren Duran. Gertrude Stein and Alice B. Toklas are known for being literary mavens, and for Toklas' mastery of French cooking. In this rare Pacifica Radio Archives selection from a Verve record, Ms. Toklas herself reads the most popular recipe from The Alice B. Toklas Cookbook, and tells the story behind its publication. And in NewsWrap: the U.S. Supreme Court denies an emergency request from the Department of Justice to enforce its queer-inclusive interpretation of “Title IX” bias protections, Pope Francis joins with LGBTQ activists from Uganda and Ghana in condemning anti-queer legislation in both nations, Team LGBTQ would have finished in 7th among nations for the most medals at the 2024 Olympic Games in Paris, gay British Olympic diver Tom Daley is retires after winning another Silver medal, Kim Coco Iwamoto will be the first out transgender candidate to win election to state office in Hawai'i, gay Chilean flamingoes Curtis and Arthur give birth to their new chick at South West England's Paignton Zoo in Devon, and more international LGBTQ news reported this week by Marcos Najera and Sarah Montague (produced by Brian DeShazor with technical assistance by Daniel Huecias).  All this on the August 19, 2024 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/

Tonight, we'll read “The Good Anna”, a short story written by Gertrude Stein as part of her first published book, titled “Three Lives” published in 1909. We first read this story back in 2020. Stein was an American novelist, poet, playwright, and art collector. Born in the United States, she moved to Paris as an adult and stayed there the rest of her life. She hosted a Paris salon, where the leading figures of modernism in literature and art, such as Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald and Henri Matisse would meet. Two quotes from Stein's works have become widely known: "Rose is a rose is a rose is a rose," and "there is no there there” The Good Anna is set in the fictional city of Bridgepoint, which is modeled after Baltimore, MD where Stein lived at one time. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Margaret Wise Brown (May 23, 1910 – November 13, 1952) was an American writer of children's books, including Goodnight Moon (1947) and The Runaway Bunny (1942), both illustrated by Clement Hurd. She has been called "the laureate of the nursery" for her achievements.Brown was born in the Brooklyn borough of New York City, the middle child of three children of Maude Margaret and Robert Bruce Brown. She was the granddaughter of politician Benjamin Gratz Brown. Her parents had an unhappy marriage. She was initially raised in Brooklyn's Greenpoint neighborhood, and later attended Chateau Brilliantmont boarding school in Lausanne, Switzerland, in 1923, while her parents were living in India and Canterbury, Connecticut.In 1925, Brown attended The Kew-Forest School. She began attending Dana Hall School in Wellesley, Massachusetts, in 1926, where she did well in athletics. After graduation in 1928, Brown went on to Hollins College in Roanoke, Virginia.Brown was an avid, lifelong beagler and was noted for her ability to keep pace, on foot, with the hounds.Following her graduation with a B.A. in English from Hollins in 1932, Brown worked as a teacher and also studied art. While working at the Bank Street Experimental School in New York City she started writing books for children. Bank Street promoted a new approach to children's education and literature, emphasizing the real world and the "here and now". This philosophy influenced Brown's work; she was also inspired by the poet Gertrude Stein, whose literary style influenced Brown's own writing.Brown's first published children's book was When the Wind Blew, published in 1937 by Harper & Brothers. Impressed by Brown's "here and now" style, W. R. Scott hired her as his first editor in 1938. Through Scott, she published the Noisy Book series among others. As editor at Scott, one of Brown's first projects was to recruit contemporary authors to write children's books for the company. Ernest Hemingway and John Steinbeck neglected to respond, but Brown's hero, Gertrude Stein, accepted the offer. Stein's book The World is Round was illustrated by Clement Hurd, who had previously teamed with Brown on W. R. Scott's Bumble Bugs and Elephants, considered "perhaps the first modern board book for babies". Brown and Hurd later teamed on the children's book classics The Runaway Bunny and Goodnight Moon, published by Harper. In addition to publishing a number of Brown's books, under her editorship, W. R. Scott published Edith Thacher Hurd's first book, Hurry Hurry, and Esphyr Slobodkina's classic Caps for Sale.-bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Diving into routines and rituals of the world's greatest artist from Mason Currey's book: Daily Rituals -----4:45 - Gertrude Stein and  Haruki Murakami - Short vs long routines6:50 - Ernest Hemingway - Leave some juice in the tank9:30 - Marcel Proust - Is it sustainable 12:40 - Beethoven  and Soren Kierkegaard - Walks as an aid to creativity 17:30 - Woody Allen and Nicholas Baker - The importance of novelty 21:15 - David Lynch - Meditation 23:50 - N.C. Wyeth - Limit Distractions25:40 - Creativity Reminders 30:00- Do's and Don'ts-----Check out my new book Chasing Greatness: Timeless Stories on the Pursuit of ExcellenceYou can get some Chasing Greatness Apparel here

The second episode of the reading group, When A Guy Writes, on Gertrude Stein's The Autobiography of Alice B Toklas. August 4th, 1 PM CST: Kate Bornstein's A Queer and Pleasant Danger: https://discord.gg/D4JDKzpTPh?event=1254870250487545988 The intro and outro music is by Lynn July. You can listen to more of her music at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinytachyon.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow the pod on twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/WhenAGuyHas⁠⁠⁠⁠⁠⁠⁠⁠⁠ The patreon is on pause for a little while Jolene recalibrates some stuff, you can find it here anyways: https://www.patreon.com/user?u=85347146 The RSS Feed: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/s/9877d600/podcast/rss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donate to our Kofi, if you're so inclined: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/whenaguyhas⁠⁠⁠

Send us a Text Message.There was GLEE In the grid, literally, in this Tuesday crossword by Gary Larson and Amy Ensz. A few recent answers made reappearances - we just saw 68A, Ensemble of eight, OCTET, and it's been less than a month since 9D, Unit of butter, PAT, melted into view. One answer that hasn't been clued as such in aeons also arose, that being 14A, Thrice repeated words in one of Gertrude Stein's truisms, AROSE (as in AROSE is AROSE is AROSE).In other news, Mike cleared the very low bar of not making a total fool of himself in today's Triplet Tuesday -- deets inside, so check it out!Show note imagery: The KARASEA, just north of SiberiaContact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

In this episode of Self Help Witch, Dana and fellow astrologer Alex Amorosi dive deep into the profound impacts of Saturn returns and its transformative power. They discuss the intricacies of Saturn's cycles, its role in shaping individual identity, and the constructive outcomes of navigating these challenging astrological periods. They also reflect on the personal experiences and common themes of Saturn returns while offering invaluable insights for anyone approaching or going through this significant life event. Work with Dana Book a reading: https://selfhelpwitch.com/store Join the Cosmic Co-Creator Club: https://selfhelpwitch.com/club Work with Alex: Book an astrology reading and explore Alex's other services: https://alexamorosi.com 0:00 Introduction and Greetings 02:49 Getting to Know Alex 03:22 Alex's Saturn Return Story 04:15 Understanding Saturn Returns 06:11 Gertrude Stein's Insight on Saturn 07:52 The Role of Saturn in Astrology 10:20 Navigating Saturn Returns 28:25 The Broader Saturn Cycle 33:18 Final Thoughts and Reflections 36:28 Conclusion and Contact Information

This  is an adaptation of an obscure jazz composition that was written in Paris in the 1930s.  I added some things. Doesn't sound like anything you hear today.  See if you can hear the echoes of Fitzgerald and Hemingway and Gertrude Stein haunting the cafes ......For more references on this topic, please visit: www.thedoctorwithin.comNewsletter ArchiveVideos

by Gertrude Stein