Podcasts about Gertrude Stein

Nuevo fin de semana, el primero del mes de junio, y con él llegan las horas de radio viajera más intensas de Rpa, hoy sábado 6 de junio grandes sabios pasarán por los micrófonos de Un buen día para viajar…entre ellos Alicia Vallina que en la sección de Mujeres Extraordinarias nos hablará de Gertrude Stein la novelista, poeta, dramaturga y coleccionista de arte estadounidense, con una vida que merece ser contada…coge el testigo Víctor Guerra en la sección de caminería, sendas y veredas de Asturias, iniciando nuevos recorridos por el concejo de Lena, zona de pasos claves entre Asturias y la meseta, haremos una introducción a lo que llamaremos Caminos Lenenses…para cerrar la primera hora hablaremos de los Astures, en la sección que lleva magníficamente bien el historiador Alfonso Sánchez, para hablarnos de cómo se organizaba un castro por dentro, las edificaciones características, sus elementos más singulares y mucho más…gran segunda hora que iniciaremos con la historiadora, profesora, egiptóloga y especialista en lenguas orientales Amparo Arroyo de la Fuente que nos tratará un tema apasionante, la evolución del llamado mito de Osiris, sus iconografías y simbologías en el antiguo Egipto…y cierre de lujo con el investigador y profesor Chemi Lombardero que nos versará la vida de un personaje poco conocido pero con un trascendental papel en el desarrollo comercial del occidente asturiano en el siglo XIX, el comerciante, empresario y naviero luarques y muchas cosas mas, Antonio González…dos grandes horas de radio e historia en Rpa!!

Diving into the working ways of some of the world's greatest artists. -----SourcesDaily Rituals - Mason Currey-----Time Stamps:3:49 - Benjamin Franklin: The two questions and the "air bath."6:05 - Scott F. Fitzgerald: Work like a lion9:04 - Paul Erdos: Drugs and stimulants12:20 - William Gass: Work angry14:07 - Anne Rice: Flexibility, ease, and uninterrupted time16:42 - David Lynch: Find a thinking place17:40 - Umberto Eco: Thinking in the cracks 19:05 - Henri de Toulouse-Lautrec: Is it sustainable?20:50 - Twyla Tharp: Building a bridge22:20 - Graham Greece: Burn your youth, sustain as you age23:50 - Marcel Proust and Philip Roth: Go monk mode26:25 - Carl Jung: Make it boring28:15 - Thomas Mann: Setting Boundaries30:05 - Gustav Mahler, Twyla Tharp: Preparing to  be creative32:47 - Nicholson Baker, Thomas Wolfe, Fredreich Schiller, Woody Allen - Get creative, find your way37:20 - Pyotr Ilich Tchaikovsky: Do the unpleasant first40:25 - Bernard Malamud: The only thing that matters42:03 - Anthony Trollope - Advice on starting a craft44:52 - Gustave Flaubert: the ups and downs of the creative process46:38 - Ernest Hemingway: Keep some juice in the tank47:30 - James Boswell: The morning reminder49:55 - Gertrude Stein, Martin Amis, Joyce Carol Oates - Genius in endurance in disguise 52:22 - Ideas on making time, finding effortless work, and inspiration54:20 - Karl Marx: The right regrets56:00 - William James: The Solomon Paradox58:26 - Rene Descartes - Don't compromise your working way-----Check out my books below:Daily Greatness: Short Stories and Essays on the Act of Becoming Chasing Greatness 2nd Edition - Timeless Stories on the Pursuit of ExcellenceStay connected and check out more on our website:

durée : 00:13:31 - Les émissions culturelles de France Culture - par : Marie Labory - L'autrice britannique Deborah Levy dresse dans son nouveau roman le portrait par petites touches de Gertrude Stein, mère de la scène artistique parisienne des années 1920, celle de la Génération Perdue. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O, Céline du Chéné Productrice à France Culture Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:27:33 - Les émissions culturelles de France Culture - par : Marie Labory - Dans ce débat critique, un programme dédié à la littérature étrangère avec les déambulations de narrateur.rices à Paris et à New York, entre narrative nonfiction et roman. Au menu : "Lonely City" d'Olivia Laing et "Une année à Paris avec Gertrude Stein" de Deborah Levy. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O, Céline du Chéné Productrice à France Culture Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Esta madrugada, el cantante y compositor Guille Galván ha venido a "El Faro" para presentar su debut en solitario, "Nadie con ese nombre vive aquí", un disco atravesado por el duelo por la enfermedad y, después, el fallecimiento de su padre. Le ha acompañado Alejandro Pelayo, quien, además, nos ha hablado de qué supuso para Eric Clapton el duelo por la pérdida de su hijo, que reflejó en la canción "Tears in Heaven", y de cómo Pat Martino se convirtió en un virtuoso del jazz en dos ocasiones, antes y después de la operación cerebral que le quitó la memoria. Además, hemos hablado de "la generación perdida", ese grupo de artistas, escritores y pintores que, tras la I Guerra Mundial, buscaron refugio en París. Heridos en muchos casos, frustrados y poco valorados en sus países de origen, encontraron en la capital francesa un lugar y a una persona, Gertrude Stein, que les ofreció la libertad creativa que necesitaban. Hemingway les retrató a la perfección en "Fiesta", y hoy nos ha acompañado Rodrigo Fresán, autor de "Sol, sombra y Fiesta", un estudio sobre la novela que saldrá publicado en octubre (editorial Debate).

durée : 00:56:28 - Le Book Club - par : Marie Richeux - Dans son dernier livre, Deborah Levy fait dialoguer les époques en suivant une narratrice d'aujourd'hui dans une ville traversée par les fantômes : celui de Gertrude Stein et de sa compagne Alice B. Toklas, mais aussi ceux de l'histoire, de la politique et de l'art. - réalisation : Vivien Demeyère - invités : Deborah Levy Ecrivaine

P1 Kultur gästas av en ny Ellen Key-pjäs, läser Keys Barnets århundrade med samtidens blick, och undersöker barns tillgång till kultur i fängelse. Lyssna på alla avsnitt i Sveriges Radios app. Författaren, folkbildaren och rösträttskämpen Ellen Key är kontroversiell – men kanske också evigt aktuell.100 år efter hennes bortgång sätter Catti Brandelius och Anneli Jordahl upp den nyskrivna föreställningen ”Ellen Key måste stoppas!” på Tensta Konsthall i Stockholm.Vem var Ellen Key? Varför är det viktigt att hennes minne lever vidare? Och varför är ett musikperformance ett särskilt bra format för att gestalta henne?EN SAMTIDA LÄSNING AV ELLEN KEYS ”BARNETS ÅRHUNDRADE”Influerad av sin tids utvecklingsidéer tänkte Ellen Key att mänskligheten kunde förädlas – om man börjar med barnen. 1900-talet ska bli barnets århundrade!Bland annat ger hon sig in i förra sekelskiftets politiska debatt om ungdomsbrottslighet, där en diskuterad lösning var att sänka straffbarhetsåldern till 14 år.Hur är det att ta sig an Keys reflektioner från år 1900 idag? P1 Kulturs kritiker Emma Engström har läst Ellen Keys mest kända verk, ”Barnets århundrade”.KULTUR FÖR 13-ÅRIGA INTAGNA PÅ KUMLA-ANSTALTENÄven idag präglas det politiska samtalet av ungdomsbrottslighet. Just nu förbereder sig anstalter, som Kumla, för att till sommaren kunna ta emot barn mellan 13 och 15 år.Hur ska anstaltens höga säkerhetskrav klaffa med allt en kommunal grundskola kan erbjuda? Hur kommer musiklektionerna se ut? Är Kriminalvården redo?Kulturnytts Tanja Ulriksson har varit på Kumla och pratat med rektor och lärare, och besökt de lokaler som kommer bli klassrum för grundskolans estetiska ämnen.ESSÄ: GERTRUDE STEIN SOM INREDNINGRedan på 1950-talet sades det att skrivandet låg femtio år efter måleriet. Det abstrakta och intresset för formen i sig samt för själva skapelseprocessen var sällsynt i litteraturen. Men en som försökte hålla jämna steg var den Parisboende amerikanskan Gertrude Stein.Hennes salong och liv med Alice B Toklas och tidens konstnärliga avantgarde är mytomspunnet. En ny banbrytande biografi berättar om vilken central roll hennes texter hade i detta liv. Mattias Hagberg har läst den.JOJJE WADENIUS VISSTE VAD SOM VAR VIKTIGT I LIVETDen 1 maj 2026 gick musikern Georg ”Jojje” Wadenius bort, bara några dagar innan sin 81-årsdag. Han jobbade med nästan varenda stor musiker under 60-, 70- och 80-talet.Jazzradions och P1 Kulturs Lisa Wall minns honom som en av världens bästa gitarrister, och en man som lärt henne att man är värd att älskas. Förra året intervjuade hon Jojje, och pratade med honom om döden. Nu gästar hon studion och pratar om hans arv.Programledare: Saman BakhtiariProducent: Sara Ek

Mattias Hagberg läser en banbrytande biografi över Gertrude Stein och funderar över sin relation till författaren som ville dröja i skrivandets presens. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Jag lever med Gertrude Stein. Jag vet inte varför det har blivit så. En dag flyttade hon in i mitt liv, och nu finns hon där; som en återkommande följeslagare; som en ständig referens för tankar och insikter; som en litterär vän.Jag läser ett stycke här och ett stycke där, jag styrker under och jag skriver av. Med jämna mellanrum tar jag mig an hennes monumentala portalverk, det tusensidiga romanbygget ”The Making of Americans”, men jag kan inte påstå att jag förstår särskilt mycket – egentligen ingenting.Många av hennes texter är tröga och ogenomträngliga. Men det är som det ska. Inför Gertrude Steins verk står man naken – avklädd allt man lärt sig, all kunskap och alla språkliga och kulturella referenser. Man är som ett barn, ett mycket litet barn, som försöker treva sig fram genom språket, via dess ljud och melodier, tvärsigenom rytmer och upprepningar, men inte för att nå fram till ett svar eller en bild, utan för att språket finns där, som en fond.Vad många av hennes texter gör är just att de ställer oss inför språket i sig självt, inför dess yta och dess materialitet. Här är språk just språk, inte ett medel som pekar bortom sig självt. Hon vill inte säga något och hon vill inte berätta något. Hon vill bara vara i orden, meningarna och syntaxen.Hennes texter går inte att förstå, de går bara att erfara.Lyssna bara på den här meningen ur textsamlingen ”Ömma knappar” från 1914, en samling som ibland beskrivits som kubistisk, eftersom Stein hämtade inspiration från sina konstnärsvänner Pablo Picasso och George Braque, men lika ofta stämplats som oläslig:”En blind rörelse är manlig och ytterst.”Vad ska man göra med en sån rad? Hur ska man hantera en syntax som verkar bryta samman framför ögonen på en?Det är lätt att tolka författarskapet som kyligt och abstrakt, som närmast omänskligt i sitt brott med konventionell innebörd. Men jag tror att det är fel.I Gertrude Steins texter pulserar livet – men på ett helt annat sätt än i mycket annan litteratur. Hennes texter är inte representationer av det levande, nej, de är rester av ett görande, av ett ständigt och aktivt varande med orden och deras sammanlänkande.Författaren och konstnären Jonas J. Magnusson har förklarat detta förhållande med en talande bild från Steins hem i Paris, där hon levde tillsammans med Alice B Toklas, samlade konst och höll sin berömda salong för dåtidens modernistiska avantgarde. Magnusson skriver: ”I Steins och Alice B. Toklas hushåll bedrevs en långtgående domesticering av modern konst – där handlade det inte om att förstå svår modern konst, utan om att leva med den: att damma mästerverk tycks överträffa att analysera dem…”.På samma sätt förhöll hon sig till orden och satserna, hon umgicks med dem, plockade ömsint med dem, som om de var kära ägodelar.Samma insikt präglar ett av vår tids mest intressanta biografiska verk. I ”Gertrude Stein: An Afterlife” från 2025 tecknar den brittiska författaren Francesca Wade en mångfasetterad bild av Gertrude Steins skrivande liv, med betoning på skrivande. Det går, menar Wade, inte att skilja på liv och verk i Gertrude Steins fall, eftersom allt hon skrev bottnade i den situation hon befann sig i. Hon skrev världen omkring sig – mycket bokstavligt. Alla hennes texter är därför situerade, sprungna ur ett aktuellt nu. Eller som Stein själv uttryckte saken, i en rad som bör läsas mycket bokstavligt: ”Facts of life makes literature”.Det som intresserade henne var med andra ord inte resultatet utan processen. Det var ”författaren i färd med att skriva” som var det väsentliga, inte den slutgiltiga texten på pappret.På många sätt försökte hon göra för litteraturen vad en av hennes största förebilder, Paul Cézanne, gjort för måleriet. Han ville fånga det dialektiska spelet mellan konstnärens blick och motivet i sina bilder. Hon ville dröja i skrivandets presens.Just detta lyckas Francesca Wade konkretisera i sin biografi. Och hon gör det på det mest självklara sätt, genom att fokusera Gertrude Steins vardag, och framför allt hennes liv tillsammans med Alice B. Toklas. Hon visar hur de båda nästan dagligen umgicks med och genom Steins texter. Hur de levde i orden, nästan som i symbios.Det är rörande och vackert. Utan Alice B. Toklas omsorg om Gertrude Stein och om hennes arbete hade förmodligen inget av det vi idag känner blivit skrivet. Och omvänt. I Steins arbete hittar Francesca Wade ständigt exempel på små, dolda kärleksförklaringar till Alice B. Toklas.Visst, deras liv tillsammans var inte okomplicerat. Som samhällsvarelse verkar Gertrude Stein ha varit en idiot, med böjelser för översitteri och politisk fascism. Alice B. Toklas likaså. Men inför texterna var vardagen varmare. Dessa vårdade de gemensamt, som om deras kärlek kunde materialisera sig just där, i just den stunden.Gertrude Stein avvek ett fåtal gånger från sitt djupa intresse för textens nu, bland annat i sitt mest kända verk, ”Alice B. Toklas självbiografi”, en metalitterär lek med sanning, biografiskt skrivande och den framväxande kändiskulten, en text som snabbt skulle få kultstatus och bli en storsäljare. Men även här, i textens minimala skiftningar och i dess tillkomsthistoria, ligger en vardaglig kärlek nedlagd, trots att texten ibland kan upplevas som hård och lite raljant. Francesca Wade visar hur boken går att läsa som en gåva till Alice B. Toklas efter en större schism i deras relation. Ja, de båda kvinnorna vårdade och dammade inte bara sina konstverk, kärleken gällde i än högre grad texten. Det vill säga Gertrude Steins eviga skrivande. Och det var en kärlek som fortsatte även efter hennes död i juli 1946. Därav titeln på Francesca Wades biografi – ”Gertrude Stein: ett efterliv”. Alice B. Toklas fortsatta att leva med sitt livs kärlek genom att ta hand om hennes texter, genom att långsamt och med närmast svartsjuk motvilja ge ifrån sig bitar av deras liv tillsammans, men också genom att kämpa för texternas status. Hon ville, precis som Stein själv, att de skulle få världsrykte.Jag har lätt för att förstå henne, också jag lever med dessa texter. Jag försöker vårda dem, umgås med dem, som om allt fortfarande hängde på dem. För mig är de en ständig påminnelse om att litteratur kan vara så mycket.Mattias Hagbergförfattare och journalistLitteraturFrancesca Wade: Gertrude Stein – an afterlife. Faber & Faber, 2025.

TODAY on The Great Women Artists podcast is the esteemed writer, Deborah Levy on avant-garde pioneer Gertrude Stein. The author of several novels, including August Blue, Hot Milk and Swimming Home, alongside the critically acclaimed Living Autobiography trilogy (some of my favourite books of all time): Things I Don't Want to Know, The Cost of Living and Real Estate, Deborah Levy is one of the most recognisable and influential writers working today. She has been shortlisted twice each for the Goldsmiths Prize and the Booker Prize, is a fellow of the Royal Society of Literature, and has written for the Royal Shakespeare Company. But the reason why we are speaking with Levy today is because she has just published a new novel, My Year in Paris with Gertrude Stein, which follows a narrator who has travelled to Paris to find out more about Stein, the enigmatic, trailblazing writer and patron; a woman who bolted through the 19th to the 20th century and paved the way for modernism as we know it today, with her daring, experimental writing, from Tender Buttons to The Autobiography of Alice B. Toklas, and her patronage of artists such as Picasso, Cezanne, and Matisse – and I can't wait to find out more. My Year in Paris with Gertrude Stein https://www.waterstones.com/book/my-year-in-paris-with-gertrude-stein/deborah-levy/2928377373535 THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: www.famm.com/en/ www.instagram.com/famm_mougins // www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

This week, we're wrapping up our Modernist mini-season by reading "Three Lives" by Gertrude Stein. We discuss our relationships with Stein and other Lost Generation writers, Stein's tactile language, and why something so well written is also so painfully racist.As always, we hope that you enjoy the conversation.

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

“That's my story, but not where it ends.” — Bob Dylan, “Key West (Philosopher Pirate)”Fitzgerald said there were no second acts in the American story. But it is, of course, a narrative of second chances. And there's no more of an American story than Bob Dylan, whose second act may be more memorable than his first.Robert Polito — poet, National Book Critics Circle Award-winning biographer, and former director of creative writing at the New School — has written what may be the (anti) definitive book on Dylan's second act. After the Flood: Inside Bob Dylan's Memory Palace covers the years from “Time Out of Mind” in 1997 through “Rough and Rowdy Ways” in 2020. It's structured as an abecedarium — twenty-six chapters, A to Z — because Polito explains, he wanted a form that acknowledged the limits of what anyone can know about Dylan. There is no rosebud sled buried in the Tulsa archive. So an alphabet book as good as we are gonna get.Digging into Dylan's Tulsa archive, Polito found much blood on the tracks — multiple drafts for every work, songs ripped up and redistributed line by line. The freewheeling spontaneity of Dylan's first act, Polito suggests, was replaced by something more deliberate: an American folk process merging into literary modernism. A hostage to his own memory palace, Dylan weaves Civil War poetry, Ovid's exile poems, Homer, and nineteenth-century speeches into songs that know more than any single listener can interpret.Polito argues that “Rough and Rowdy Ways” is Bob Dylan's real Nobel Prize speech — his self-reflection on his own art, delivered in his own forms and idioms. This pinnacle of Dylan's second act is his story, but not where it ends. Five Takeaways•       Rough and Rowdy Ways Is Dylan's Real Nobel Prize Speech: The 2020 album is Dylan's self-reflection on his own art, delivered in his own forms and idioms. Every song addresses his craft, his legacy, his audience. I Contain Multitudes, Key West, Murder Most Foul, My Own Version of You — each one a chapter in the speech the Nobel committee was waiting for. That's when Polito knew he could write the book.•       Dylan Works Harder Than Anyone Would Expect: The Tulsa archive reveals multiple drafts of songs that change radically from version to version. For Time Out of Mind, Dylan completed three or four songs, then ripped them up and redistributed the lines across different tracks. The spontaneity of the first act gave way to something more deliberate — folk process merging into literary modernism. Eliot, Joyce, Gertrude Stein.•       The Memory Palace Is Real: Dylan embeds Civil War poetry, Ovid's exile poems, Homer, nineteenth-century speeches, and movies into his late songs. The classical mnemonic device — depositing memories in specific rooms — became Polito's image for how much those songs know. There is no rosebud sled buried in the Tulsa archive. The memory palace is the art itself.•       That's My Story, But Not Where It Ends: The last line of Key West — probably Polito's favourite song on Rough and Rowdy Ways. If the song had ended with “that's my story,” there would have been a definitiveness about it. Instead, Dylan subverts the line in the very next breath. Tentativeness and self-skepticism, all the way through.•       The Police Didn't Believe He Was Bob Dylan: Wandering around New Jersey in the rain, looking for where Springsteen grew up. The police pick him up. What's your name? Bob Dylan. What's your real name? Robert Zimmerman. Where do you live? That's a good question. The more precisely he told the truth, the more they assumed he was lying. Knowing innocence. About the GuestRobert Polito is a poet, critic, and biographer. His biography of Jim Thompson, Savage Art, won the National Book Critics Circle Award. He is a former director of creative writing at the New School. After the Flood: Inside Bob Dylan's Memory Palace is published by Farrar, Straus and Giroux.References:•       After the Flood: Inside Bob Dylan's Memory Palace by Robert Polito (FSG) — the book under discussion.•       Episode 2849: How Stories Can Save Us — Colum McCann on Narrative Four. McCann's “that's his story, but not where it ends” is also Dylan's line.About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - (00:31) - Introduction: Fitzgerald, second acts, and A Complete Unknown (02:57) - Team Dylan? No — tentativeness and self-skepticism (04:00) - The abecedarium: twenty-six chapters, A to Z, no rosebud sled (06:13) - Dylan the movie guy: always watching films on the tour bus (07:13) - The memory palace: how much those late songs know (09:26) - The interlude: the Grammy lifetime achievement speech and starting over (12:11) - Time Out of Mind and the Tulsa archive: how hard Dylan works (15:55) - Folk process meets literary modernism: Eliot, Joyce, Stein (18:34) - Lanois, the spoken vs. written word, and why albums are just a stage (21:41) - Rough and Rowdy Ways as Dylan's real Nobel Prize speech (24:19) - Key West: that's my story, but not where it ends (26:04) - The sacrificial quality: he was given something and shouldn't squander it (30:24) - Race, the civil war, and Love and Theft as minstrel acknowledgment (34:32) - Murder Most Foul: take me back to Tulsa, to the scene of the crime (40:56) - Picked up by police in New Jersey looking for Springsteen's house

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In this episode, I am joined by the award winning fantasy author, Tim Powers, and my friend, iSamwise, to discuss Tim's newest book, The Mills of the Gods (Baen 2025). We talked about pagan gods, Ernest Hemingway, Gertrude Stein, Pablo Picasso, Alexander Scriabin, and all of the weird things going on in post-WWI Paris. Enjoy!The Mills of the Gods can be found here: https://www.baen.com/Chapters/9781668073018/9781668073018.htm iSamwise has a YouTube channel that can be found here: https://www.youtube.com/@iSamwise *************************************************************************************************************Follow me on Twitter @AaronIrberSubscribe to my YouTube channel https://www.youtube.com/@imightbelieveinfaeries7563Subscribe to my Substack for updates on the show, essays, and more!Like my Facebook page - I Might Believe in FaeriesBattle Of The Creek by Alexander Nakarada | https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Logo Art by Linnea KisbyThis podcast and its content may not be used for training and developing A.I. systems without permission. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit aaronirber.substack.com/subscribe

Hoy vamos a hablar de literatura. De literatura que definió toda una época. De literatura resacada que poetizó sobre el fracaso y las ilusiones perdidas. Hoy en Nadie al Volante vamos a iniciar una saga de programas acerca de una de las generaciones más deslumbrantes de la historia de la literatura estadounidense que, tras el final de la Primera Guerra Mundial, se convirtió en la narradora de los acontecimientos de la Era del Jazz, que determinaron la década de los años veinte hasta el Crack de 29 que acabó con todo ese despilfarro dichoso. Y para acometer esta mastodóntica empresa que nos hemos encomendado, hemos llamado a nuestro editor, traductor y filólogo de cabecera, Rafael Peñas Cruz, para abrir su sección Filología Inglesa, y tratar de desentraña a toda una generación de escritores y la apasionante época que les tocó vivir, y que la vivieron sin reservarse nada para la vuelta, explosionando tras los años de cambios vertiginosos que sufrimos en Occidente durante las dos primeras décadas del siglo XX. En los siguientes programas de esta sección haremos monográficos de los escritores más representativos de esta brillante generación, pero en este primer programa vamos a dar unas pinceladas generales para poner en contexto y podamos prepararnos para entender las biografías y las obras que trataremos en toda la saga. Además, tendremos una sorpresa muy especial porque contaremos con la participación de uno de nuestros colaboradores favoritos, desde Londres, que como le hemos dicho que hoy hablábamos de fiestas, de alcohol, de literatura y de locura, pues que se apuntaba a nuestro carro para liarla. Así que viajaremos por las calles del París de entreguerras, pararemos en los cafés para discutir con Breton y Chagall, iremos de visita a la casa de Gertrude Stein, y la encontraremos acompañada por Picasso, mientras que ella repasa la primera novela de Hemingway. Después nos iremos a una fiesta con los Fitzgerald hasta que amanezca, porque el lema del momento es vivir al límite. Hablamos de la Generación Perdida.

Oooooof, it's been a hot minute. Between walking pneumonia, slight psychosis, and grappling with the world being on fire we are finally BACK to wrap up the illustrious Gertie Stein. This episode gets REAL with moral conflict and is too OH-SO-RELATABLE to the inner turmoil we are facing now. So get ready to feel WEIRD, but maybe also supported/validated? We love you so much!  Xoxo

On the happy occasion of the publication of Francesca Wade's magnificent Gertrude Stein: An Afterlife, we speak with the biographer about Stein's life, work, and complicated relationships.Wade describes her access to new Stein archives that afforded her a fresh look on the enigmatic writer, the difference between Stein's legend and her life, the particular value of her various publications, and what she was ultimately trying to capture with her singular writing style. Wade also explores Stein's “afterlife,” the controversial legacy that her writings and persona have left us.We also discuss the fraught Hemingway-Stein relationship, that cryptic passage in A Moveable Feast, and what each might have meant to the other.Join us for a new consideration of one of Hemingway's oldest friendships and rivalries! 

Autobiografía de Alice B. Toklas, de Gertrude Stein, es muchas cosas, incluyendo su carácter (auto)biográfico. Por ello, en esta ocasión, me limitaré a decirles a modo de lista qué puede ser este libro, teniendo la impronta de que lo recomiendo altamente. Aquí va: es una autobiografía, también una biografía; es un recorte de época y un pulso artístico; es la farándula de la década del veinte en el siglo pasado y también una historia de amor. En fin, es un libro que me parece de un brillante que no se puede obviar, y si acaso no lo ves, deberías regresar e intentarlo una vez más.

ART TOPIC is is an exploration of a topic through visual arts or vice-versa. Hosted by Joana P. R. Neves, this episode is an experiment in opposing writing to oral communication. It also engages with queer lives at the height of modernism, the notion of genius and its patriarchal tendencies, as well as the intriguing, unique couple of Gertrude Stein and Alice B. Toklas.Discover Joana's text "G is for Genius, Grammar and Girl", published on her Substack Art Thinkosaurus. She reads it here as a performance of sorts, with mistakes, reflexions and all, to test voice versus word. What will she discover?Explore Joana's Substack and become a member for the price of a latte: https://joanaprneves.substack.com/What you get from this episode:How do we write about art? Is talking about art different than writing about it?Is Modernism entangled in Gender issues? How did gender influence modernism and vice-versa? Why were we obsessed with the "genius"? To know more about our guests and our ideas → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.⁠⁠⁠⁠⁠⁠⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠+ you can become a member and support us.→ DONATE (give it some time for the donorbox window to charge):⁠⁠⁠⁠⁠⁠⁠⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠If you appreciate Exhibitionistas but can only go for a small donation: ⁠⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast#visualarts #visualartist #arteducation #joanaprneves #exhibitionistas #exhibitionistaspodcast #arttalk #art #visualartsepisode #visualartspodcast #contemporaryart #talkart #londonexhibitions #londongallery #londonmuseum #bestlondonart #arthistory #arttheory #exhibition #gertrudestein #alicebtoklas #modernism #gender #queerlives #queerart

Talking with writer, reader, wanderer Znore , anonymous author of the blog Group Name for Grape Juice and his essay collection exploring imagination across philosophy, religion, literature, conspiracy, culture, a name plucked from Finnegans Wake, a pseudonym as portal, a thumb raised to the Dao of ideas.On hitchhiking as a philosophy of life, on synchronicities, on conversations continuing between strangers, on looking for the connective narrative between Blake and Nietzsche and McLuhan, on perception as incarnation, on bodying forth a world through the senses, on Nietzsche's claim that we are all greater artists than we know, on the imagination as Christ, on supercharging passive perception into active creation, on the non-dual lurking beneath, on CS Lewis and Tolkien and the myth that is also history, on Owen Barfield and original participation, on Steiner's evolution of consciousness, on animism as the religion of the earth, on the 8 million kami of Shinto and finding spirits in toilets and trees and rocks, on idolatry as the epoch of separation, on Philip K. Dick and the band that only played once but left many recordings, on finding God in the litter of the street, on Joyce and the refusal to separate high and low culture, on Finnegans Wake, on Vipassana, on prayer as the fastest route to sacred space, on Meister Eckhart's , on the original sangha and the early Christians as communists, on Marx's alienation mapped onto Barfield's idolatry, on the potlatch and the destruction of surplus, on Robert Anton Wilson's axiom that communication only happens between equals, on politics as the great distraction from the spiritual project, on the Chöd ritual and monks inviting demons to devour them in charnel grounds, on the eye atop the conspiracy pyramid being your own ego, on Jacob Böhme's God of wrath and God of love as one God, on AI as both Pentecost and Antichrist, on masks as honest practice, on raising children, on quiet resistance, on the cosmic communism of saving all beings from suffering, on life, on practice, on love.ExcerptsOn HitchhikingEvery time you're on the road and you put your thumb out, you're tapping into the DAO and just any ride that you get, completely alters the course of your life in a certain way.On ImaginationThe primary imagination is the imagination of the I am, which is God, but it's reflected in us through our perception.And so we all have this, we all have the imagination of God in the sense that we perceive things and we create the world that we behold with our senses. It's already anti-authoritarian. But I'll call myself an anarchist anyway, just to just to emphasize that, that my main focus is freedom and liberty, right? And especially that includes above all the freedom of the imagination. The liberty of the imagination.On PoliticsCosmic communism, not related to state control and Stalinism, none of that, but it's save all beings from suffering. That's what my politics are all about…Death Sweat of the Cluster: Selected Essays from Groupname for Grapejuice.By ZnoreAn inebriated exploration of reality and other myths featuring Finnegans Wake, William Blake, Robert Anton Wilson, Philip K. Dick, Emma Goldman, Ezra Pound, Robert Duncan, Terence McKenna, Gertrude Stein, Carl Jung, Marshall McLuhan and others as guides and waylayers. A cast of hundreds. Blog becomes book becomes new medium entirely. Synchronicity, siddhis, numerology, psychedelics, anarchy, the gods, yes. The poetics of anti-authority. Beautifully illustrated. Read with tea.Group Name for Grape Juicehttps://groupnameforgrapejuice.blogspot.com/ Get full access to Leafbox at leafbox.substack.com/subscribe

In today's episode, a conversation with Francesca Wade, author of Gertrude Stein: An Afterlife, a biography as unconventional and surprising as the life it tells. 'Think of the Bible and Homer, think of Shakespeare and think of me,' wrote Gertrude Stein in 1936. Admirers called her a genius, sceptics a charlatan: she remains one of the most confounding - and contested - writers of the twentieth century. In this literary detective story, Francesca Wade delves into the creation of the Stein myth. We see her posing for Picasso's portrait; at the centre of Bohemian Parisian life hosting the likes of Matisse and Hemingway; racing through the French countryside with her enigmatic companion Alice B. Toklas; dazzling American crowds on her sell-out tour for her sensational Autobiography - a veritable celebrity. Yet Stein hoped to be remembered not for her personality but for her work. From her deathbed, she charged her partner with securing her place in literary history. How would her legend shift once it was Toklas's turn to tell the stories - especially when uncomfortable aspects of their past emerged from the archive? Using astonishing never-before-seen material, Wade uncovers the origins of Stein's radical writing and reveals new depths to the storied relationship which made it possible. This book truly shows Gertrude Stein as she was when nobody was watching: captivating, complex and human, and of particular note, it grants pertinent insight into her life with, and the life of, her companion Alice B. Toklas.  Enjoyed what you heard? Click here to purchase the book: https://www.readings.com.au/product/9780571369317/gertrude-stein--francesca-wade--2025--9780571369317

Song 1: Ride Downtown (composed & performed by John V Modaff, with Dave Merrill on 2nd & 3rd guitars and harmonica)        Poem 1: “Eleanor Remembers” by Susan Aizenberg, published in 2025 in On the Seawall, a community gallery of new writing, art, and commentary. Susan is a poet living in Iowa City; her latest book is:A Walk With Frank O'Hara (U of New Mexico Press, 2024.) Fiction: “She Always Knew What She Wanted,” a short story by Lynn C. Miller. Her fifth novel, The Surrogate, comes out March 31, 2026 from the University of Wisconsin Press. https://uwpress.wisc.edu/Books/T/The-Surrogate Feed the Cat Break: “Estranged” (composed & performed by John V. Modaff) Poem 2: “Fireflies,” by Rebecca Aronson, poet, professor and editor. She is the author of three collections of poetry, most recently Anchor, and is a winner of several awards for her poetry. https://www.rebeccaaronsonpoetry.com/ Song 2: Beyond the Other Side (by David R. Merrill / performed by D.R. Merrill and J.V. Modaff on bass & percussion)                                                                   Episode artwork by Lynda Miller  Show theme and incidental music by John V. Modaff  The Unruly Muse is recorded in Albuquerque, NM and Morehead, KY  Produced at The Creek Studio, Morehead, KY  NEXT UP: Mar/ 2026, Episode 57: “Hello, is anyone there?”    Thank You to our listeners all over the world. Please tell a friend about the podcast. Lynn & John

Ernest Hemingway (1899-1961) was one of the most famous American writers of the twentieth century. His plain, economical prose style--inspired by journalism and the King James Bible, with an assist from the Cezannes he viewed in Gertrude Stein's apartment--became a hallmark of modernism and changed the course of American literature. In this episode, Jacke and Mike take a look at an author and novel, The Sun Also Rises (1927), they've been reading and discussing for decades. Want more Hemingway? We took a new look at an old argument in Episode 47 Hemingway vs Fitzgerald. Love everything about the Lost Generation? Spend some time with the coiner of the phrase in Episode 127 Gertrude Stein. Rather be tramping through Europe? Try Episode 157 Travel Books (with Mike Palindrome). [The bulk of this episode was originally released on October 3, 2018. It has been unavailable for several years.] Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing ⁠⁠jackewilsonauthor@gmail.com⁠⁠ or ⁠⁠masahiko@johnshorstravel.com⁠⁠, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca is excited to chat with Dr. Kasia Van Schaik about her latest book, Women Among Monuments: Solitude, Permission, and the Pursuit of Female Genius,  published on February 17, 2026 by Dundurn Books.  https://www.dundurn.com/books_/t22117/a9781459752627-women-among-monuments : A lyrical meditation on the enduring obstacles women artists and writers face in a world still unaccustomed to recognizing female genius. What does it take for a woman to don the mantle of genius — a title long reserved for male artists? From her studies in Montreal to a dead-end job in Berlin, a midnight tour of Paris, a bankrupt art residency on the Toronto Islands, and a mysterious sculpture garden in the Karoo desert, South African—Canadian author and professor Kasia Van Schaik considers what it means for a young woman to call herself an artist and claim a creative life. Drawing on a diverse web of literary and cultural sources and artistic icons — from Georgia O'Keeffe to Ana Mendieta, Gertrude Stein to Jamaica Kincaid, Leslie Marmon Silko to Bernadette Mayer — Women Among Monuments asks, What, beyond a room of one's own, are the necessary conditions for female genius? Where does the inner flint of artistic permission come from? What is the oxygen that keeps it burning? In her memoir interwoven with incisive biographies of female solitude, constraint, and perseverance, Van Schaik blazes a trail for more inclusive artmaking practices, communities, and monuments.   Books and Authors mentioned: The Lonely City: Adventures in the Art of Being Along by Olivia Lainy Ginny Ross series (Amelia Earhart) by Heather Stemp  Voyage in the Dark; Wide Sargasso Sea by Jean Rhys We Have Always Lived in the Castle by Shirley Jackson https://www.unb.ca/faculty-staff/directory/arts-fr-english/van-schaik-kasia.html https://gillerprize.ca/scotiabank-giller-prize-spotlight-kasia-van-schaik/ https://www.instagram.com/kasia_writes https://electricliterature.com/why-i-left-men-for-books/    

Okay, okay, okay... you just knew we couldn't attack the task of talking about someone so ICONIC without spreading it out... so welcome two part 2 OF 3, POSSIBLY 4 OR 5 OR 6 AS MANY AS IT TAKES of Gertrude Stein... because when you're dealing with someone who was at the epicenter of so much happenings and drama, it's worth spending a little extra time sipping' the tea!  Thank you for diving in with us into the life of the hot steamy brainy babe! We lysm it's not even funny!  Xoxo   The BB's

In this second installment, Peter and Afua examine Stein's boldest move: ghostwriting her partner's "autobiography" to claim the global stardom she felt she deserved. They confront the darkest corners of her history, including her bitter public feuds and her controversial survival as a Jewish woman during the Nazi occupation of France.Stay connected with LegacyFollow us for clips, behind-the-scenes stories, and new episode drops: Instagram: @originallegacypodcastTikTok: @legacy_productionsExplore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com Hosted on Acast. See acast.com/privacy for more information.

Peter and Afua discuss the life of Gertrude Stein, an influential figure in the Parisian art and literature scene. They explore her relationships with artists like Picasso and her complex personality.Stay connected with LegacyFollow us for clips, behind-the-scenes stories, and new episode drops: Instagram: @originallegacypodcastTikTok: @legacy_productionsExplore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com Hosted on Acast. See acast.com/privacy for more information.

In this episode of Biographers in Conversation, Francesca Wade chats with Dr Gabriella Kelly-Davies about Gertrude Stein: An Afterlife. Here's what you'll discover in this episode: Gertrude Stein: An Afterlife was sparked by Francesca's access to previously unpublished Leon Katz interview transcripts with Alice B. Toklas, revealing how Gertrude Stein deliberately constructed her public persona and how Toklas spent 20 years stewarding Stein's posthumous legacy as instructed by Stein's will. Francesca challenges the conventional biographical form by structuring the narrative in two parts: first telling Stein's life story as she presented it, then interrogating and deepening that account through posthumous archival discoveries, dramatising how biographical knowledge is constructed rather than simply discovered. Francesca deliberately exposes the archival ‘workings' behind biography, showing how Yale archivist Donald Gallup's negotiations with Toklas over burning love letters and sealing documents shaped what future generations could know about Stein's life and her relationships. The central enigma Francesca explores is Stein's binary reputation: celebrated as either a radical modernist writer or merely a personality symbolising 1920s Paris bohemia. This tension frustrated Stein in her lifetime and continues to complicate her literary legacy. Francesca concludes that biography is fundamentally an artificial and odd enterprise of converting life's messiness into linear narrative, with every sentence representing a decision shaped by the biographer's attitudes and biases. This makes biographical practice itself worthy of interrogation and experimentation

OMG OMG OMG oh my GAHHHHH! We love a hotty Aquarian artist and this one was a DISRUPTOURRRRRR of her time! Yes, she knew how to look at the society rules and say, "you know what... FUCK THE RULES!" YES THIS IS THE KIND OF ENERGY WE NEED RIGHT NOW! So when everything feels insane and unbearable... come drink some TEA with us! Because lesbi-honest, times are tough and we all need a little break from the bullshit. Xoxo The BB's

To kick off Black History Month 2026 (which, contrary to the current US administration, is still a thing, and not just on Countermelody, either!), I present to you another Zwischenfach singer, the (mezzo-)soprano Inez Matthews. She was born in Ossining, NY on 23 August 1917 and died in the Bronx on 28 March 2004. She is probably most famous for singing the role of Serena on the legendary 1951 (nearly) complete recording of Porgy and Bess (as well as lending her voice to the 1959 Otto Preminger film) which was conducted by Lehman Engel and starred icons Lawrence Winters and Camilla Williams. She also created the role of Irina in Kurt Weill's Lost in the Stars (opposite Todd Duncan, who created the role of Porgy in 1935). She also sang in the 1952 revival of Virgil Thomson and Gertrude Stein's Four Saints in Three Acts, alongside her brother Edward, who created the role of Saint Ignatius in the work's 1934 premiere. In spite of these impressive credentials, Inez Matthews today is not nearly as well-remembered as, say, either Winters or Williams. In addition to these accomplishments, Matthews also recorded in 1954 Schubert's two major song cycles Schöne Müllerin and Winterreise as well as the posthumous Schwanengesang collection. That as early the mid-1950s Inez Matthews was the first Black artist (and only the second woman after Lotte Lehmann) to record those Schubert cycles, is extroardinary; that her performances are so exceptionally good, lends these recordings more than mere historical value. However, until the song cycles were recently reissued by Parnassus Records as part of their “Black Swans” series, these remained virtually inaccessible to listeners. Today's episode includes selections from almost all the above-mentioned recordings, as well as an exceptional 1953 recording of spirituals accompanied by Jonathan Brice, brother of the esteemed contralto Carol Brice. And let us also tip our hats to Herr Schubert, who just celebrated his 229th birthday! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Three lives, all alike in indignity. Stein's debut book is a collection of stories about three working-class woman at the turn of the 20th century. In it, we see the beginnings of her unique literary voice - full of repetition, repetition, poetic vernacular, and repetition.This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.Head to MarleySpoon.com/offer/overdue for 45% off your first order and free delivery!Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Dinner with literary greatsErin Janssens is a big fan of the Northfield Arts Guild Theater, and she is looking forward to their play “Little Wars,” which opens Friday. Set in the French Alps on the night before France falls to the Nazis, the play imagines a dinner party of female literary greats: Agatha Christie, Gertrude Stein, Dorothy Parker, Alice B. Toklas and Lillian Hellman. The play runs Fridays and Saturdays at 7:30 p.m., and Sundays at 2 p.m., through Feb. 8.As the characters discuss what they can do to help Jewish people targeted by the Nazis, Erin says the play raises questions that feel timely.Erin says: What do you want your legacy to be? How do you want to be remembered? Do you want to be remembered as someone who did something to help someone? Or do you want to just be someone who stood back and watched while others helped? There are some serious themes in the show. They deal with antisemitism, xenophobia and your own moral responsibility.— Erin JanssensClassical words meet musical improvisationMinneapolis author Cheri Johnson is looking forward to seeing the Ken Takata Ensemble set the words of Shakespeare, Jane Austen and other classic authors to music. The free event takes place this Saturday, Jan. 31, from 2 to 3:30 p.m. at George Latimer Central Library, as part of the St. Paul Winter Carnival. Hear examples of Takata's work here.Cheri says Takata began by setting the songs in Shakespeare's plays to music, but he's expanded to include short Shakespearean passages, often starring female characters, as well as passages from other classic works. She says the music style varies to fit the words.Cheri says: Ken started out as mostly a jazz musician, but there's [also] stuff that sounds very classical, and then other times he does R&B, or it sounds very musical theater. He just sort of chooses a style, it seems, based on what inspires him in the text and how he can imagine a production looking.— Cheri JohnsonA gospel tradition, continuedElla Gates-Mahmoud of Minneapolis says she's been to nearly all the productions of “The Sound of Gospel” since it began in 2018. The production, presented by Second Chance Outreach, takes place Sunday, Feb. 1, at 3 p.m. at the O'Shaughnessy at St. Catherine University in St. Paul.Ella says to expect an array of music, from spirituals to quartets, solos to choirs, spanning the history and styles of gospel.Ella says: I think it's important to note that gospel music is really a transformative experience. It covers an array of life experiences, and it encapsulates people's emotions, from happiness and joy to sadness to celebration. It encompasses all of that, and you can find yourself crying and laughing at the same time. It's just a beautiful experience.— Dr. Ella Gates-Mahmoud

Francesca Wade's biography, Gertrude Stein: An Afterlife, follows on from her acclaimed Square Haunting (Faber, 2020) to present a portrait of one of 20th century modernism's most rowdy and confounding geniuses, in what Lisa Appignanesi has described as both a ‘discerning literary biography and a page-turning whodunit'. Wade was joined by Lara Pawson, author of Spent Light (CB Editions, 2024). More from the Bookshop: Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠ From the LRB: Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbkshppod Bags, binders and more at the LRB Store: ⁠⁠https://lrb.me/storebkshppod Get in touch: podcasts@lrb.co.uk

Adam Morgan discusses his new biography, A Danger to the Minds of Young Girls: Margaret C. Anderson, Book Bans, and the Fight to Modernize Literature (Atria/One Signal Publishers, 2025).  Morgan's book is the first biography solely devoted to Margaret C. Anderson, the founder of the avant-garde literary and arts magazine The Little Review, which she began publishing in Chicago in 1914. The influential Little Review showcased many famous writers of its time, including T.S. Eliot, Gertrude Stein, Hart Crane, Sherwood Anderson and Hemingway. But it would become most celebrated—and notorious—for being the first publisher of James Joyce's towering modernist novel Ulysses. After putting out nearly two thirds of the novel in serial installments from 1918 through 1920, Margaret Anderson and her romantic partner and co-editor Jane Heap were charged and found guilty of obscenity under the Comstock Act for distributing Joyce's sexually frank passages through the mail. They were deemed "a danger to the minds of young girls."   A Danger to the Minds of Young Girls tells a very compelling story of an iconoclastic woman who was determined to make a space for difficult and challenging art and whose efforts changed forever what could be addressed in literature and what could be considered beautiful.  Adam Morgan is himself the founder of the indispensable Chicago Review of Books, and a great promoter of the literature of our city. We are especially thrilled to be having this conversation now, as we just began a six-month discussion group on Ulysses at our library. Listen to hear why Ulysses wouldn't exist without Chicago and how understanding Anderson's life helps reveal the true stakes, triumphs, and world-changing "dangers" of James Joyce's masterpiece.  Adam Morgan is a culture journalist and critic who lives near Chapel Hill, North Carolina. His writing has appeared in Esquire, WIRED, Scientific American, Inverse, The Paris Review, Los Angeles Times, and elsewhere. He writes a newsletter about forthcoming books called The Frontlist. He is the founding editor of the Chicago Review of Books, the Southern Review of Books, and the Chicago Literary Archive.  You can check out A Danger to the Minds of Young Girls in our Podcast Collection, featuring books and other materials by past guests of the show. Find out more about Adam Morgan at his website.  We hope you enjoy our 70th interview episode! ​​Each month (or so), we release an episode featuring a conversation with an author, artist, or other notable guests from Chicagoland or around the world. Learn more about the podcast on our podcast page. You can listen to all of our episodes in the player below or on Apple Podcasts, Spotify, or anywhere else you listen to podcasts. We welcome your comments and feedback—please send to podcast@deerfieldlibrary.org.  

Gertrude Stein (1874-1946) has long been one of the most famous - and most polarizing - figures in modernism. Was she a trailblazing genius? Or a literary charlatan? Her bestselling memoir of 1933, The Autobiography of Alice B. Toklas, which made her internationally famous, only added fuel to the fire. In this episode, Jacke talks to biographer Francesca Wade about the amazing archival materials, much of it never before seen by previous biographers, that helped Francesca write Gertrude Stein: An Afterlife, a groundbreaking new examination of Stein's life and legacy. PLUS Jacke takes a look at John Ruskin's recommendation for the only way to get art. AND Holly Baggett (Making No Compromise: Margaret Anderson, Jane Heap, and the "Little Review") stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act soon - there are limited spots available! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

https://www.francescawade.com/booksBUY THE BOOK HERE https://www.simonandschuster.com/books/Gertrude-Stein/Francesca-Wade/9781982186012

I saw an adaptation of a Thornton Wilder play at The Public and it made me real mad. My only comfort is that apparently Thornton Wilder used to get real mad at everything he saw as well, so I guess I'm in good company.The show was an adaptation of The Skin of Our Teeth, which, for the most part, just involved throwing some songs into it. It was mostly harmless, I suppose. I'd never seen The Skin of Our Teeth and this production made me go straight home to read it so I guess it did me the service of catching me up on an American classic. To keep reading ⁠⁠⁠⁠⁠⁠⁠This Show Needed Gertrude Stein⁠ ⁠⁠visit the Songs for the Struggling Artist blog. This is Episode 480Song: Gertrude & Stein⁠Image by CHUTTERSNAP via UnsplashTo support this podcast:Give it 5 stars in Apple Podcasts. Write a nice review!Rate it at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PayPal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mastodon - @erainbowd@podvibes.coBlue sky - @erainbowd.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Nyligen kom nyheten att Balmain byter ut sin exceptionellt framgångsrika designer Olivier Rousteing. Lyssna på alla avsnitt i Sveriges Radios app. I veckans avsnitt av Samtal med Stil frågar vi oss vad Olivier Rousteing lämnar för arv efter sig på Balmain och så pratar vi om det anrika franska modehusets grundare Pierre Balmain. En man som var kompis med it-paret Gertrude Stein och Alice B. Toklas och hade en väldigt nära relation till sin mamma.

Meet Penelope Fletcher, who runs two Paris bookshops, side by side near the Luxembourg Gardens. The shops: The Red Wheelbarrow and The Red Balloon The Red Balloon is just for children's books, and is almost certainly the most likely of all shops in Paris to have all our own children's books.  Addresses: 9-11 Rue de Médicis, 75006. This episode is from The Earful Tower podcast archives.  Here are all the books that Penelope mentioned, in order: Books for adults Stories from the Magic Canoe of Wa'xaid, by Cecil Paul.  A Moveable Feast, by Ernest Hemingway. Selected Letters, by Madame De Sevigne. The Autobiography of Alice B. Toklas, by Gertrude Stein. The Flight Portfolio, by Julie Orringer. Almost French, by Sarah Turnbull. Circe, by Madeline Miller. Walking on the Ceiling, by Aysegül Savas. Demystifying the French, by Janet Hulstrand. Books for children Paris Chien, Adventures of an Expat Dog, by Jackie Clark. Marielle in Paris, by Maxine Schur. I'm sure you can find these and more at The Red Wheelbarrow. Check out the site here. Music in the episode was from Pres Maxson, his take on the classic Charles Aznavour song Hier encore. *********** The Earful Tower exists thanks to support from its members. For the past 92 months and counting it has cost just $10 a month to unlock almost endless extras including bonus podcast episodes, live video replays, special event invites, and our annually updated PDF guide to Paris.  Membership takes only a minute to set up on Patreon, or Substack. Thank you for keeping this channel independent.  For more from the Earful Tower, here are some handy links: Website  Weekly newsletter  Walking Tours

Judith Thurman is a staff writer at "The New Yorker," and the author of many books, including "Isak Dinesen: The Life of a Storyteller" and "Secrets of the Flesh: A Life of Colette."------------Keep Talking SubstackSpotifyApple PodcastsSocial media and all episodes------------(00:00) “How'd you get to be that thing you are?”—origin story(02:18) Precocious reader, teacher mom, “foreordained” to write(04:52) Yes-and-no confidence; from drivel to good(07:10) Poet in Europe: barmaid, tutor, no money(09:48) 1970s NYC—dangerous, electric, cheap rent, first bylines(12:22) Nation → Ms. magazine → journalism takes off(14:05) Knocking on The New Yorker's door; Gottlieb says yes(16:40) How a New Yorker piece gets made—editors, rewrites, heat(19:12) Subjects and boundaries: strong & “lost” women(21:58) Emily Wilson to Vanessa Beecroft; fasting spa detour(24:41) Writing (against) Gertrude Stein; Handmaid's Tale hindsight(27:20) Why Stein's “cult” endures—salon as tourist attraction(29:58) Anne Frank's freedom to feel; the monumental annotation(32:36) Amelia Earhart—image-making, legend, and dying young(34:28) Biographies as marriages; choosing a life to live with(35:57) Isak Dinesen begins: Ms. piece, Denneny, the $10k “bride price”(38:43) Rethinking colonialism—Kenyan correspondent, mea culpa(41:52) Writing life: night vs. morning, momentum, humility; truth famine & journalism's role

Seattle's Hotel Sorrento has long been called one of the most haunted hotels in America. Guests whisper about phantom piano music, drinks that slide across tables, and a playful spirit said to be none other than Alice B. Toklas—famed partner of Gertrude Stein and counterculture icon. But did Toklas ever even set foot in the hotel? And if not, who really haunts these historic halls?In this episode, we peel back the layers of legend to uncover the strange story of how a celebrity ghost came to overshadow a very real tragedy inside the Sorrento. From moving glasses and phantom roses to a forgotten bellboy's death, we dive into folklore, fact, and the psychology of haunted places. LINKS FOR MY DEBUT NOVEL, THE FORGOTTEN BOROUGHwww.hauntedamericanhistory.comBarnes and Noble -   https://www.barnesandnoble.com/w/the-forgotten-borough-christopher-feinstein/1148274794?ean=9798319693334AMAZON: https://www.amazon.com/dp/B0FQPQD68SEbookGOOGLE: https://play.google.com/store/books/details?id=S5WCEQAAQBAJ&pli=1KOBO: https://www.kobo.com/us/en/ebook/the-forgotten-borough-2?sId=a10cf8af-5fbd-475e-97c4-76966ec87994&ssId=DX3jihH_5_2bUeP1xoje_SMASHWORD: https://www.smashwords.com/books/view/1853316 !! DISTURB ME !! APPLE - https://podcasts.apple.com/us/podcast/disturb-me/id1841532090SPOTIFY - https://open.spotify.com/show/3eFv2CKKGwdQa3X2CkwkZ5?si=faOUZ54fT_KG-BaZOBiTiQYOUTUBE - https://www.youtube.com/@DisturbMePodcastwww.disturbmepodcast.com YOUTUBE⁠⁠⁠⁠https://www.youtube.com/@hauntedchris⁠⁠⁠⁠⁠⁠ TikTok- @hauntedchris LEAVE A VOICEMAIL - 609-891-8658  Twitter- @Haunted_A_H Instagram- haunted_american_history email- hauntedamericanhistory@gmail.com Patreon- ⁠⁠⁠⁠⁠⁠https://www.patreon.com/hauntedamericanhistory⁠⁠⁠⁠⁠⁠     Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode: 3323 We learn a new way of speaking in the 1930s.  Today, biting words.

A double anniversary (of a wedding and of a life-saving medical cure) inspired this toast—with allusion to Gertrude Stein, Wendell Berry, and “The Office.” Resources & links related to this episode: The most purely happy day of my life Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. See omnystudio.com/listener for privacy information.