Podcasts about verdi

Trump yönetimi Ukrayna'ya daha fazla silah aktarmaya karar verdiğini açıklarken Rusya'ya da ateşkesi kabul etmemesi durumunda yaptırım tehdidinde bulundu. Donald Trump, Rusya'nın bir barış anlaşması imzalamak için 50 günü olduğunu, aksi takdirde yıkıcı gümrük vergilerine maruz kalacağını söyledi.

El teatre madrileny organitza aquest dissabte una projecció simultània de l'òpera de Verdi a municipis d'arreu de l'Estat, per celebrar el seu 10è aniversari.

Today in honor of Bastille Day, I present an episode featuring the late Gabriel Bacquier, who considered himself an “acting singer” rather than a “singing actor.” He made his first mark as a sublime Mozart singer, from there moving into Verdi baritone parts, and finally as a supremely skilled basso buffo. What is less well-known is that he was also a superb recitalist, and in today's bonus episode, I present him in recordings primarily from the early 1960s, but ranging into the late 1970s, which display his surprising skill in mélodie (for it is rare that one singer excels to the extent that Bacquier does in both opera and song). We hear him in live performances and studio recordings of songs of Fauré, Poulenc, Ravel, Duparc, Satie, and Poulenc, as well as examples from such lesser-known lights as Henri Sauguet, Louis Beydts, Maurice Yvain, and Marc Berthomieu. Bacquier's artistry began with the word as the basis for the shape and form of the music, and this approach proves to be equally valid and successful in song as in opera. Plus that, in the early years of his career, the voice was a thing of extraordinary beauty, whether in full-throated expostulation or the merest hint of a whisper. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

FETÖ'nün 15 Temmuz 2016 tarihinde iç savaş çıkarma ve Türkiye'yi kamplara bölme ve kalkışma planının devlet millet iş birliği ile önlenmesinin 9'uncu seneidevriyesinde 15 Temmuz 2016'da vatanımız ve milletimiz için canlarını seve seve feda eden 252 şehidimizi ve binlerce gazimizi minnet ve şükranla anıyorum. 15 Temmuz gazisi ve o dönemin Terörle Mücadele (TEM) Daire Başkanı kahraman müdürümüz Turgut Aslan darbe gecesi Jandarma Genel Komutanlığı'nda darbeci FETÖ'cü askerler tarafından rehin alınmış ve koruması Hasan Gülhan'ın gözlerinin önünde infaz edildiğini açıklamıştı. Darbeci FETÖ askerleri tarafından başından vurularak ağır yaralanan Aslan, 5 ayda birçok ameliyat geçirerek hayata tutunmayı başarmıştı. Aslan, FETÖ hakkında hazırladığı rapor sonrası infaz listesine alındığını belirtti. Olaylar nasıl gelişti?

The young Aida loves the dashing military commander Radamès, and he adores her with a burning passion.Their mutual love is, however, somewhat complicated by the fact that Aida is a slave, enslaved by a princess who is equally smitten with the heroic warrior.  Further complicating matters, Radamès' military renown is founded on successfully prosecuting a war against Aida's people.  In this violent clash of the personal and political, Aida triumphs in her quest to be together “ever after” with Radamès, but certainly not in the way they had hoped.  Join us this episode to marvel at the spectacle and scale of Giuseppe Verdi's enduringly popular epic opera, Aida. Hosted by Pat with guest co-host Gerald Malone. Gerald Malone's website, TheRestIsOpera.com is brimming with commentary on opera productions that he has seen around the world, and “scuttlebutt” about opera from a suspiciously well-informed canine. Gerald Malone is also the Opera Critic of ReactionLife, a UK-based online current affairs and cultural publication.

Este domingo abrimos el programa desde el Teatro Real, emblema de la lírica y las artes escénicas en el corazón de Madrid, para hacer balance de una temporada que culmina con La traviata de Verdi y anticipar la que será su vigesimonovena temporada desde la reapertura en 1997.

Este domingo abrimos el programa desde el Teatro Real, emblema de la lírica y las artes escénicas en el corazón de Madrid, para hacer balance de una temporada que culmina con La traviata de Verdi y anticipar la que será su vigesimonovena temporada desde la reapertura en 1997.

Esiste un'analoga Legge di Gresham nei media: l'informazione cattiva scaccia quella buona. Da oltre 50 anni la grancassa dell'#ambientalismo ideologico ha diffuso una narrativa catastrofista volta a scatenare il panico nella popolazione, prima paventando il pericolo di glaciazione poi quello del riscaldamento globale globale.Ne parliamo con Giampiero Castellotti, che ha scritto il capitolo intitolato "Brutto Clima per l'Informazione" nel volume CRONACHE DEL RIMBAMBIENTALISMO edito dal collettivo Inglorious Globastards.In sostanza, l'informazione ambientalista è inquinata irrimediabilmente perché rigetta un approccio razionale, che metta in luce i problemi, indichi le soluzioni possibili e soprattutto calcoli i costi da sostenere. Invece i mestatori fanno credere all'opinione pubblica che #inquinamento ed emissioni di gas climalteranti siano causati dai "cattivi", dai "profittatori", dai "capitalismo", dai "nemici del popolo", dal "profitto". Insomma i propagandisti rossi, riverniciati di verde, hanno instillato nelle menti labili la convinzione che la transizione energetica la pagherà qualcuna altro, i "cattivi" appunto. Però quando i costi si abbattono sulle tasche della gente comune scattano le reazioni virulente, come è successo in Francia con i gilet gialli. L'esperienza disastrosa del Green New Deal europeo, fortemente voluto dalla Merkel, dalla von der leyen e da tutta la canea "progressista", dovrebbe riportare il dibattito a forti tinte ideologiche entro i confini della realtà.

Cappuccilli day - G. Verdi - Simon Boccanegra

Cappuccilli day - G. Verdi - Ambizioso spirto, tu sei Macbetto

Cappuccilli day - G. Verdi - Macbeth

In the sixth of this six-part series of The Economics Show, Martin Wolf, the FT's chief economics commentator, and Nobel Prize-winning economist Paul Krugman tackle a selection of questions, and even some criticisms, sent in by their audience. Listen to Paul Krugman's cultural coda, Carole King's It's too late, here Listen to Martin Wolf's cultural coda, Va Pensiero from Verdi's Nabucco, hereSubscribe and listen to this series on The Economics Show on Apple Podcasts, Spotify, Pocket Casts or wherever you listen to podcasts. Episodes are also available on the FT's YouTube channel.Read Martin's FT column hereSubscribe to Paul's substack hereThe Wolf-Krugman Exchange was produced by Sandra Kanthal and Mischa Frankl-Duval, and the broadcast engineer was Andrew Georgiades. The sound engineer was Breen Turner. Manuela Saragosa is the FT's acting co-head of audio.Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Las piezas que ha seleccionado en esta ocasión son 'Sempre libera deggío' de 'La traviata' de Verdi, la Sinfonía nº 2 de Brahms, 'Orgía' de las 'Danzas fantásticas' de Turina y 'Júpiter' de 'Los planetas' de Holst.

Heute besuchen wir den Landsitz von Giuseppe Verdi in Sant'Agata – einen Ort, der weniger mit Prunk, dafür umso mehr mit stiller Rebellion zu tun hat. Denn Verdi war nicht nur ein genialer Komponist, sondern auch eine Symbolfigur des italienischen Risorgimento.Geboren unter habsburgischer Herrschaft, machte er die Oper zur Bühne des politischen Aufbegehrens. Werke wie Nabucco oder La Battaglia di Legnano waren mehr als Musik – sie waren Protest in Tönen. Wie reagierten die Habsburger auf diesen musikalischen Widerstand? Warum wurde Verdi zum Hoffnungsträger einer geeinten Nation – ohne je offen zur Revolution aufzurufen? Und was bleibt von ihm – jenseits von Va, pensiero?Eine Folge über Kunst, Zensur, stille Rebellion – und einen Mann, der keine Manifeste schrieb, sondern Opern, die Europa veränderten.+++

Sürekli başarılı olmak arzusu, daima iş odaklı yaşamak, kendimizden beklendilerimiz, iş yerindeki insanların bizden beklentileri... Bunlar ilk bakışta çok normal durumlar gibi gelse de, kronikleştiği zaman insanın beden ve ruh sağlığını ciddi şekilde etkileyebiliyor. 111 Hz'in bu bölümünde modern çalışma yaşamının getirdiği en büyük tehlikelerden biri olan tükenmişlik sendromunu inceliyoruz. Bu meselenin psikolojik, nörolojik ve fizyolojik etkileri kadar sosyolojik açıklamasını da yapmaya çalışıyoruz. Sunan: Barış Özcan Hazırlayan: Özgür Yılgür Ses Tasarım ve Kurgu: Metin Bozkurt Yapımcı: Podbee Media ------- Podbee Sunar ------- Bu podcast, ⁠getirfinans hakkında reklam içerir.⁠ getirfinans iyi faizi vade beklemeden günlük kazandırır. Kredi faiz oranı düşüktür. Aidatsız kredi kartı sunar. Para transferinden ücret almaz. Sen de ⁠getirfinanslı ol.⁠ Bu podcast, Garanti BBVA hakkında reklam içerir. ⁠Bonus Platinum Dinamik'le tanışın!⁠ Kendiliğinden saatte bir değişen güvenlik koduyla internet alışverişlerinin en yeni ve daha da güvenli ödeme yöntemi!

Een uiterst boeiende aflevering met Mr. Verdi! Een zeer gedreven Merksenaar met een grote voorliefde voor onder anderen Annie M.G, Schmidt en vele anderen. Hij heeft een zeer rijke carrière belopen die zich recentelijk heeft ontsloten naar het podium waar hij gedichten en liedjes brengt. En de Trivia Kwis die deze keer als thema Sprookjes had, was aan hem wel besteed.

durée : 01:14:29 - Été Classique Matin du samedi 05 juillet 2025 - par : Judith Chaine - Sur les sentiers chamarrés de l'été en compagnie de Déodoat de Séverac, Verdi, Elgar, Albéniz, Nino Rota, Johann Adam Reincken, et aussi Keith Jarrett, Poulenc, Cage, et Tchaïkovski… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Wer liebt nicht einen üppigen Opernabend? Die Aida fällt besonders prunkvoll aus, da Verdi seine Vertragsbedingungen für Kairo besonders hart verhandelte. So wurden eigens für den Triumphmarsch die sogenannten Aida-Trompeten gefertigt. Die Oper spielt im Ägypten der Pharaonen, der ägyptische Heerführer Radamès muss sich zwischen seiner Liebe zur äthiopischen Königstochter Aida und seiner Loyalität zum Pharao entscheiden. Blind verkostet von Christine Lemke-Matwey, Kai Luehrs-Kaiser und Andreas Göbel. Moderiert von Christian Detig.

Il garden designer Carlo Gabriele torna con tanti consigli per chi non dispone di un giardino ma anela un'oasi verde nella propria casa.

arbeitsunrecht FM ist ein Radio-Magazin rund um Arbeit, Ausbeutung und Organisierung im Betrieb.Das Fachmagazin für renitente Beschäftigte, aktive Betriebsräte und solche, die es werden wollen.Eine Stunde voll mit Nachrichten, Interview, Kommentaren und guter Musik.MODERATION: Raphael SemmetUNION BUSTING-NEWS (Beginn: 11:11)Kommentierte Presseschau: Betriebsratsbehinderung, Gewerkschaftsbekämpfung und Arbeitsunrecht in Deutschland. Mit Jessica Reisner► Abfindung für Amazon-Betriebsratsmitglied► NRW: Nur noch 9% Unternehmen mit Betriebsrat► Institut der deutschen Wirtschaft: Gegen abschlagsfreie Rente ► AFD-Vorfeldorganisation Zentrum in Hannover► Erneute Reform des Betriebsverfassungsgesetzes?► Unternehmer für Lieferkettengesetz als WettbewerbsvorteilINTERVIEW ► Elmar Wigand spricht mit Özay Tarim (Beginn: 34:31 Min.) Öffentliche Aufträge an Feinde der Mitbestimmung?Özay ist Gewerkschaftssekretär von Verdi; er organisiert am Flughafen Düsseldorf Arbeiter*innen. Dazu gehört auch die Betriebsratsarbeit. Ein Unternehmen, das zur Zeit am Flughafen Düsseldorf als besonders mitbestimmungsfeindlich auffällt ist DSW. Das steht Deutscher Schutz- und Wachdienst. Verdi sieht hier ein "systematisches Muster der Missachtung von Arbeitnehmerrechten und eine gezielte Schwächung des Betriebsrats." So seien allein zwischen Januar 2023 und Juni 2025 am Arbeitsgericht Düsseldorf über 100 (!) Klageverfahren gegen DSW registriert worden – ein branchenweit beispielloser Vorgang. PLAYLISTLouis Lingg and the Bomb – Breathe outBlind Blake – Police dog bluesSarah Bassingthwaite – Syrinx (Claude Debussy)RECHTE: Wir spielen GEMA-freie Musik unter Creative Commons- oder Public Domain-Lizenz, die ihr für unkommerzielle Zwecke bedenkenlos weiter verbreiten könnt. LIZENZ: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) WER MACHT DIE SENDUNG?Der Verein Aktion gegen Arbeitsunrecht unterstützt renitente Beschäftigte, aktive Betriebsräte und konfliktbereite Gewerkschaften in ganz Deutschland. Wir sind unabhängig und finanzieren uns über Spenden und Fördermitglieder. Helft uns, macht mit!GEBT UNS FEEDBACK!Schreibt uns eine Mail: kontakt(at)arbeitsunrecht.deWir freuen uns über eure Rückmeldungen!MEHR INFOS: ⁠https://arbeitsunrecht.de/fm⁠IHR FINDET UNS GUT? ► Unterstützt uns mit einer Spende! ► https://arbeitsunrecht.de/arbeitsunrecht-fm-spende/

Trenta anni fa scompariva uno degli attivisti più significativi e originali della storia italiana. Nato in Alto Adige e presto esposto al tema dei confini e dei conflitti etnici, poi militante politico rivoluzionario, fondatore dei Verdi, parlamentare europeo, tenace e anche disperato costruttore di ponti. Con le guerre aperte nel mondo, la sua autodefinizione (non pacifista ma facitore di pace) e la usa testimonianza sono capaci di passare attraverso i tempi e le generazioni. Continuate in ciò che è giusto di Alessandro Raveggi, Bompiani Questo e gli altri podcast gratuiti del Post sono possibili grazie a chi si abbona al Post e ne sostiene il lavoro. Se vuoi fare la tua parte, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠abbonati al Post⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

3. jūlijā Dzintaru koncertzālē notiks jau trešais starptautiskais jauno operdziedātāju galā koncerts, kurā Lihtenšteinā dibinātā labdarības fonda „Sic itur ad astra” (“SIAA foundation”) stipendiāti muzicēs Latvijas Nacionālās operas galvenā diriģenta Mārtiņa Ozoliņa vadībā. Pirmais koncerts Latvijā notika 2017. gada augustā Latvijas Nacionālajā operā, otrais - pirms diviem gadiem izskanēja Dzintaru koncertzālē. Trešajā ar Festivāla orķestri uzstāsies: mecosoprāns Eglė Wyss (Lietuva), baritons Romanas Kudriašovas (Lietuva), soprāns Fan Zhou (Ķīna), tenors Lian Wang (Ķīna), soprāns Sandra Sarikovaite (Lietuva), mecosoprāns Léontine Maridat-Zimmerlin (Francija) un bass Msimelelo Mbali (Dienvidāfrika). Par gaidāmo notikumu stāsta diriģents Mārtiņš Ozoliņš un Baltijas koncertu aģentūras menedžere Marija Graudiņa. Mārtiņš Ozoliņš: Vasaras pasākumi vienmēr ir ar īpašu garšu. Organizācija, kas veicina jauno solistu attīstību - starptautiskais Luksemburgas labdarības fonds - izvēlējusies perspektīvus jaunos dziedātājus no dažādām valstīm un ved viņus pie mums. Ir liels prieks redzēt, dzirdēt jaunas balsis un iepazīt jaunus cilvēkus. Šī attīstība no gada uz gadu dod daudz ko gan pašiem dziedātājiem, gan mūsu publikai, kas var iepazīt jaunus vārdus, ko agrāk vai vēlāk mēs varbūt redzēsim arī uz lielo opernamu skatuvēm. Kāda būs programma, kā vakars kopumā muzikāli veidosies? Dzintaru koncertzāle ir brīnišķīga vieta, arī laikapstākļus sola skaistus. Opermūzika brīvā dabā - tam ir īpaša garša un publikai tas patīk. Mūsu opernamā bieži vien vasaras laikā mēs cīnāmies ar bezgaisu, krēslu ērtumu vai neērtumu, bet tur ir akustiskās priekšrocības, savukārt Dzintaru koncertzālē ir dabas klātbūtne. Tās ir divas atšķirīgas lietas. Par programmu - šādos koncertos, kur ir daudz solistu, tā ir raiba, krāšņa un daudzveidīga, sākot no Mocarta un Verdi un beidzot ar Štrausu, Ofenbahu un Kālmānu. Bet gribētu akcentēt, ka arī šeit ir interesanti darbi, kas Latvijā tik bieži neskan - šis tas no Rosīni operas “Bruskino kungs”, Masnē “Herodiāde” - tie ir nosaukumi, kas varbūt ir svešāki ikdienas lietošanā, tā kā tas arī mums ir interesants un izziņas process. Tur droši vien balsis var īpaši parādīties. Jā, domāju, tāds arī ir uzdevums, ka jaunie dziedātāji meklē un atved kaut ko tādu, kas varbūt ir ārpus ierastā un klasiskā. Vai būs īpašs Festivāla orķestris? Jā, tas būs vasaras festivāla orķestris, kur liela daļa, protams, ir Operas mūziķi, kas līdzīgi šādos opermūzikas festivālos piedalās visā Latvijā, un šis ir pirmais koncerts kopš atvaļinājuma sākuma. Tas palīdz mūziķiem uzturēt formu. To varbūt neizmanto visi mākslinieki, bet tie, kam ir interese, piedalās šādos koncertos.

This week on BEHIND THE LENS, we're taking a look at a new indie film that just released in select theatres and on Eventive VOD on Friday, SWEET RELIEF, with writer/director/editor NICK VERDI. And we'll take one more look at Dances With Films 2025 with the oh-so-funny mockumentary AMERICAN COMIC with director/cinematographer/editor DANIEL J. CLARK and writer/actor JOE KWACZALA. AMERICAN COMIC helped close out the festival last night. First up, let's turn our lens to SWEET RELIEF. Written and directed, and edited, by NICK VERDI, SWEET RELIEF is a film that starts as a slow burn, gaining momentum as seemingly unrelated characters and storylines begin to interweave until the shocking, explosive climax in this arthouse thriller. Parents and teachers in a small New England town are in a panic over kids playing SWEET RELIEF, an online murder challenge in which the player must nominate someone they'd like to see die. Three teenagers play the game as a joke, unaware of the dire consequences awaiting them. Meanwhile, Jess and Nathan are a bored, millennial couple struggling to get by. Nathan is annoyed with his mother, and Jess is annoyed with Nathan. Jess's curiosity and boredom lead to a dangerous situation of her own when she meets Gerald, a confidential police informant and perhaps a sadistic child killer. Switching gears now, let's bid farewell to Dances With Films 2025 with one of its closing night films – the hilarious mockumentary AMERICAN COMIC and my exclusive conversation with director/DP/editor DANIEL J. CLARK and writer and actor JOE KWACZALA, who I had a chance to speak with on Saturday before the world premiere of AMERICAN COMIC debuted last night. AMERICAN COMIC is a verité-style mockumentary that follows two up-and-coming stand-up comedians, who, despite their superficial "cultural" differences, share remarkable similarities when it comes to egotism, self-destruction, and social ineptitude. As the film satirically pulls back the curtain on the unique subculture of stand-up comedy, self-absorbed competitiveness intensifies, leading to some shocking and unexpected revelations. http://eliasentertainmentnetwork.com

Segur que l'Albert escoltar

Kur'an, öyle bir emanetten bahsediyor ki; dağlar, gökler ve yer bile onu yüklenmekten çekinmişken, insan kabul etmiş. Peki bu emanet neydi? Ne işe yarıyordu? Ve neden bu kadar ağırdı?Bu videoda o emaneti ve gayesini anlamaya çalışıyoruz.*Takip Etmeyi Unutma:Instagram: @maksat114bursa⁠YouTube: @maksat114Spotify: Maksat 114⁠X: @maksat114bursa⁠⁠

One hundred years ago today, Margaret Jean Roberts was born at the edge of a field before her parents could reach the hospital. The story of how she became Margherita Roberti, one of the leading dramatic sopranos in Italy, and a specialist in the music of Verdi, is a fascinating tale, indeed. My guest today on Countermelody is the author, scholar, and lecturer August Ventura, who a number of years ago unearthed a 1963 documentary entitled "In the Mouth of the Wolf" which features Roberti and her co-stars in Luisa Miller, the opening night of the season in Parma, facing off against a notoriously opinionated public that makes its strong opinions known in no uncertain terms. In 2014 Margherita gifted August with her personal copy of the film, the only known one in existence. My interview with August is supplemented with live recordings of Roberti which reveal her to be a superb singer, endowed with a glorious sense of the expansive Verdi line, a noble sense of utterance, and the vocal range and flexibility required to do justice to the heroines of Verdi's early period. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Skandalös: Im Italien der 1850er Jahre sitzt die Aristokratie in den Logen und Verdi stellt die gesellschaftlich Geächteten auf die Bühne: Singend prangert ein Buckliger den Machtmissbrauch des Adels an ... Von Christoph Vratz.

Elisabetta: Gabriella Tucci Princess Eboli: Fiorenza Cossotto Tebaldo: Judith Forst Celestial Voice: Margaret Kalil Don Carlo: Bruno Prevedi Rodrigo: Robert Merrill Philip II: Nicolai Ghiaurov Grand Inquisitor: Martti Talvela Friar: Paul Plishka Conductor: Claudio Abbado Metropolitan Opera 12 October 1968 In-house recording

Alfred Hitchcock decía: "Imaginemos que estamos los dos aquí y han puesto una bomba bajo la mesa. Tengo dos maneras de contarlo. O bien muestro al espectador la bomba en la mesa y luego vuelvo la cámara hacia el personaje, así el espectador se pregunta, ¿cuándo va a explotar? Eso se llama suspense. O bien elijo no mostrar la bomba, filmo solo a las personas y de repente hago explotar la bomba. Eso es una sorpresa". Pierre Lemaitre es un amante de Hitchcock hasta el punto de pensar en qué haría él cuando escribe. El escritor presenta 'Un futuro prometedor', editado por Salamandra/Bromera. Suspense y sorpresa, entre otras cosas, aguardan al lector de cualquiera de sus novelas, pero concretamente de la última, 'Un futuro prometedor', en la que continúan las peripecias de la familia Pelletier, protagonistas también de 'Tras el ancho mundo' y 'El silencio y la cólera'.Miguel Ángel Delgado nos acerca esta semana al lado más humano y menos conocido de una de las figuras más populares de la ciencia. En 'Cartas', de Oliver Sacks (Anagrama), encontramos confesiones íntimas, temores, equivocaciones y facetas personales que no siempre vemos reflejadas en sus obras científicas.Desde el Teatro Real de Madrid, Olga Baeza nos cuenta el cierre de temporada con una deuda saldada: La traviata, de Verdi. El montaje, previsto en 2020, fue entonces sustituido por una versión adaptada a las restricciones sanitarias. Hoy, finalmente, se alza el telón en su forma completa.Y cerramos con el documental 'Velintonia 3', de Javier Vila, que recupera la memoria viva de la casa de Vicente Aleixandre. Más que una vivienda, un refugio de creación y encuentro para generaciones de poetas que pasaron por sus estancias, leyeron en su biblioteca y conversaron con él.Escuchar audio

Heute Mailand, morgen Salzburg, dann Paris oder Berlin. Dort, wo Regula Mühlemann auftritt, brilliert sie mit ihrem lyrischen Koloratursopran, in den Mozart-Opern, in Verdis Rigoletto oder im Rosenkavalier von Strauss. Liederabende, Konzerte, CD-Produktionen gehören zu ihrem Programm wie das Leben auf der Opernbühne. Aufgewachsen ist Regula Mühlemann in der Schweiz, in einem musikalischen Umfeld. Ihre Zeit in der Luzerner Kantorei war der Grundstein für ihre Karriere. Mit Mitte 20 hatte Regula Mühlemann ihr Debut bei den Salzburger Festspielen, ein paar Jahre später folgten Engagements an der Mailänder Scala und der Wiener Staatsoper. Häuser, die heute zu ihrer künstlerischen Heimat geworden sind. Besonders ihre Mozart-Interpretationen haben für viel Aufsehen gesorgt. Mozart, ein Komponist zu dem sie eine besonders enge Beziehung hat. "Mozart werde ich immer singen, es hält die Stimme jung." Für ihr Debutalbum mit Mozart-Arien ist sie mit dem Preis der Deutschen Schallplattenkritik ausgezeichnet worden. Weitere Preise folgten: 2018 erhielt sie z.B. den OPUS Klassik als "Nachwuchskünstlerin des Jahres". Die aktuelle Saison führte Regula Mühlemann u.a. an die Staatsoper Berlin und an das Théâtre des Champs-Élysées in Paris in der Rolle der Sophie in Strauss‘ Rosenkavalier. Gerade stand sie auf dem Programm der Hamburger Elbphilharmonie mit Herbert Blomstedt und Bachs Kantate: "Jauchzet Gott in allen Landen". Beate Scheibe spricht mit Regula Mühlemann in NDR Kultur à la carte über eine beeindruckende Karriere.

In Episode 159, Scott Piehler's topics include: Alameda PD takes down a scammer, and honors one of their own. Three thousand take part in Alameda's “No Kings” rally. Mia Bonta declares “California is for all.” The latest real estate sales. Get to know Mozart and Verdi. Quilts and pinball: celebrating the achievements of women.  Events to get you up and moving. Plus, Scott mentors the next generation of podcasters. Support the show• AlamedaPost.com • Podcast • Events • Contact •• Facebook • Instagram • Threads • BlueSky • Reddit • Mastodon • NextDoor • YouTube • Apple News •

İran ile İsrail arasındaki hava savaşı devam ederken ABD Başkanı Donald Trump İran'ın nükleer hedeflerine sırtını dönmemesinin ciddi sonuçlar doğuracağını belirtti.

Arthur Chen of Verdi says there are real dollars being saved in labor and real water being conserved with their smart valve system.

Jessye Norman Atlanta Symphony Orchestra Conductor: Robert Shaw Atlanta March 1979 Broadcast

Irrigation automation has the promise of saving farmers money in labor costs while simultaneously helping them become more efficient with their water.

This episode is an in-depth analysis of the music of Rigoletto, with LA Opera Chorus Director Jeremy Frank. From his piano, Jeremy takes us on a journey through the music of Rigoletto, providing context from the end of the bel canto period into Verdi's early, middle, and late periods. This episode was recorded as part of LA Opera's learning series, now known as Exploring Opera. Tickets for Rigoletto are available now at LA Opera.org.

In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia's Humanities Course, covering Virgil's The Aeneid (Books 1–2), Ovid's Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.Key Discussion Points: Virgil's The Aeneid (Robert Fagles' Translation): Written between 29–19 BCE, The Aeneid serves as Rome's foundational epic, modeled on Homer's Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage's shore due to Juno's interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy's fall, including the Trojan Horse stratagem and Aeneas' escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas' pietas (duty to gods, family, state). Divine rivalries, notably Juno's grudge from the Judgment of Paris and Venus' protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility. Ovid's Metamorphoses (David Raeburn's Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid's era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity's decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity. The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome's Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport's notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study. Contextual Notes: The texts reflect Rome's engagement with Greek literary traditions, adapting gods' names (e.g., Hera to Juno) and themes. The course's schedule prioritizes rapid coverage to identify key works and connections.Takeaways:I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people. The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.This is a year-long challenge! Join me next week for WHATEVER IS NEXTLINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Spotify Play List of Puccini and Verdi without wordsCave...

The prospect of irrigation automation might seem like a no-brainer to some. But the reality is more complicated.

Verdi's Requiem Mass, in its fervent quest for eternal rest, stands as a powerful demonstration of the composer's ability to harness the human voice. Hailed by NPR as “simply magnificent” for their two-time Grammy Award-winning CSO Resound recording of this work, Riccardo Muti and the Chicago Symphony Orchestra and Chorus are joined by a thrilling quartet of international singers to once again deliver a masterful blend of passion and precision. Please note: This program replaces Berlioz's The Damnation of Faust. Learn more: cso.org/performances/24-25/cso-classical/muti-verdi-requiem

In this episode, LA Opera Chorus Director Jeremy Frank sits down with Rigoletto star Quinn Kelsey to discuss the baritone's artistic journey, his experience of embodying one of Verdi's most iconic roles, and how his Hawaiian cultural heritage has influenced it all. Playing now through June 21, tickets to Verdi's Rigoletto are available at LAOpera.org.

The Honest Broker's Humanities Course shifts to the Middle East and Persia, exploring the Quran (circa 800 A.D.) and the 13th-century poet Rumi, before returning to Rome next week. The reading, kept under 250 pages, includes 14 of the Quran's 114 surahs (1-5, 12, 17, 18, 32, 36, 55, 67, 103, 112) and self-selected Rumi poems. New to both texts, I approached them with curiosity, trusting the curator's selection after prior Bible readings, but found the experience underwhelming.The Quran portrays Allah as focused on division between believers and unbelievers, with frequent mentions of hell for those lacking faith. Submission to Allah's will is paramount, and praying toward Mecca symbolizes spiritual alignment and community unity. The text excludes Jews from Abraham's promise if they do wrong, though some verses suggest salvation for believers, possibly including Jews and Christians. Jesus is depicted as a prophet, not divine, contrasting Christian beliefs. Allah seems to emphasize punishing unbelievers, with hell referenced often, and fasting is highlighted as a path to righteousness, noted during Ramadan.Familiar Biblical stories—Cain and Abel, Joseph, Moses—appear but differ from their older Genesis versions. Joseph, for example, is nearly perfect in the Quran, unlike the flawed figure in the Bible. The origins of these variations remain unclear after online research. Some Quranic verses, like “God does not burden any soul beyond its capacity” (Surah 2:286), contrast with Christian teachings, such as Galatians 6:2's call to “bear one another's burdens.”Rumi's poetry feels modern and dreamlike but elusive compared to upcoming Roman poets. Plans are in place to revisit Rumi when studying Dante, a contemporary. The Quran was read on a Kindle (Clear Quran translation), which hindered the experience due to reliance on spatial memory for physical books, making note-taking and recall difficult. Nusrat Fateh Ali Khan's music and Islamic architecture were briefly explored but felt overwhelming. Next week's reading covers Virgil's Aeneid (Books 1 and 2), Ovid's Metamorphoses (Book 1), and selections from Horace, Catullus, and Sulpicia in Davenport's Portable Roman Reader, with Verdi and Puccini arias and cave art.LINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Rumi's PoemsCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Durant gaireb

Anche in inverno il giardino resta uno spazio vivo, ricco di piccoli equilibri da rispettare. Il garden designer Carlo Gabriele invita a evitare pesticidi, favorire la biodiversità e creare aree selvatiche controllate.

In this episode, musicologist Dr. Holley Replogle-Wong illuminates the women of Rigoletto and their archetypes, drawing on history, literature, and fine arts. This lecture was recorded as part of Opera for Educators, LA Opera Connects' professional development series for teachers and anyone interested in a deeper dive. Tickets to Verdi's Rigoletto are available now at LAOpera.org.

Erdoğan'ın durumu Bakü'de alarm verdi İçi geçti   Tarık Toros   Manşet   28 Mayıs 2025

In this episode, Richard Seaver Music Director James Conlon walks us through the history, the plot, and, of course, the music of Verdi's Rigoletto. Don't miss this heart-pounding drama playing May 31-June 21. Tickets are on sale now at LAOpera.org.

The German baritone Dietrich Fischer-Dieskau's 100th birthday falls on May 28. One of the most versatile singers of the last century – his operatic repertoire alone ranged from Gluck, Handel and Mozart via Verdi, Wagner and Richard Strauss to Berg, Busoni and Reimann – it's his devotion to song that remains his lasting legacy. To mark the anniversary of Fischer-Dieskau's birth, Gramophone's James Jolly spoke to song specialist and author of Schubert: The Complete Song Texts (Schirmer: 1988), Richard Wigmore. They focused on Fischer-Dieskau's audio recordings of Schubert's greatest song-cycle Winterreise (1828) which include three with Gerald Moore, as well as versions with Klaus Billing, Hermann Reuter, Daniel Barenboim, Jörg Demus, Alfred Brendel, Murray Perahia and Maurizio Pollini.

Verdi considered this character worthy of a Shakespearean tragedy, and he delivers just that! John Banther and Linda Carducci explore Verdi's masterpiece and show you what to listen for, intricacies of the characters and plot, the banned origin story, and so much more. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Send us a textMy two fantastic co-stars in Don Carlos discuss their careers from the perspective of young men experiencing Verdi for the first time. It's hilarious, insightful, and heartwarming. They love what we do.