Podcasts about verdi

Für viele Italiener ist Giuseppe Verdi DER Nationalkomponist. Wie Wagner in Deutschland wurde auch Verdi in Italien zu einem Mythos stilisiert. Aber stimmt das überhaupt? Oder war das nur eine genial inszenierte Geschichte?

Für viele Italiener ist Giuseppe Verdi DER Nationalkomponist. Wie Wagner in Deutschland wurde auch Verdi in Italien zu einem Mythos stilisiert. Aber stimmt das überhaupt? Oder war das nur eine genial inszenierte Geschichte?

Men-E-Men Stüdyo tarafından hazırlanan iki yüz yirmi dokuzuncu bölüm sizlerle.Yılın en büyük organizasyonu 2026 FIFA Dünya Kupası, siz bu kaydımızı dinlediğinizde başlamış olacak. 48 ülkenin katıldığı, 3 ülkenin ev sahibi olduğu bu müthiş turnuvadan bahsettik yeni bölümümüzde. İlk kez katılacak olan takımları, açılış törenlerini ve tabii ki Türkiye milli takımını konuştuk.Ardından, tüm dinleyicilerine çok uzun gelen 6 yılın ardından sahneye geri dönen Şebnem Ferah'tan bahsettik. Verdiği harika konserin önemli anlarını, gecenin duygusal yoğunluğunu ve performans sonrasında konuşulanları özetledik. Yaptığı nazik jest sayesinde konseri izlememizi sağlayan güzel insana sevgilerimizle...

In Folge 221 des Dachthekenduetts sprechen Sascha Koll und Martin Moczarski über KI-Boom und Arbeitsmarkt, Mario Voigts KI-Affäre, Merz und Merkel, CDU/FDP-Brandmauer, AfD-Proteste, Belfast und Stuttgart 21.Möchten Sie unsere Arbeit unterstützen?––––––––––––––––––––––––––––––––––––––––––––––––Spenden Sie Werkzeuge für die libertäre GlücksschmiedePayPal (auch Kreditkarte) / Überweisung / Bitcoin / Monero:

A cura di Paolo PellegriniGiuseppe Verdi, I MasnadieriMassimiliano, Carlo CavaCarlo, Renato CioniFrancesco, Licinio MontefuscoAmalia, Luisa MaraglianoArmino, Dino FormichiniMoser, Graziano Del VivoRolla,Valiano NataliOrchestra e Coro del Maggio Musicale FirenzeRiccardo Muti, direttoreFirenze 16.12.1969

En El Ojo Crítico entrevistamos al escritor argentino Eduardo Sacheri por "Demasiado lejos", una novela histórica sobre la Guerra de las Malvinas de 1982 que aborda el conflicto entre Argentina y Reino Unido desde la mirada de quienes lo vivieron lejos del frente. Una historia coral que retrata la vida cotidiana durante uno de los episodios más significativos de la historia contemporánea argentina.Además, conversamos con Ramón Martín, codirector junto a Julio Martí de Noches del Botánico, el festival que celebra su 10º aniversario en la Universidad Complutense de Madrid y que se ha consolidado como una de las principales citas musicales del verano gracias a una programación ecléctica con artistas nacionales e internacionales.Nuestro colaborador Inko Martín nos adelanta el concierto de este viernes en el Teatro Monumental de Madrid con la Orquesta y Coro RTVE, que interpretará obras de Dvořák, Shostakóvich y Verdi. Y Pedro Torrijos nos descubre el origen real de la popular “Casita de Bad Bunny”, inspirado en los diseños residenciales creados por el arquitecto William Levitt en Levittown (Long Island) en 1947, uno de los desarrollos urbanísticos más influyentes del siglo XX.Escuchar audio

Annemieke Bosman in gesprek met regisseur Jetske Mijnssen. Mijnssen regisseert bij De Nationale Opera, in het kader van het Holland Festival, de opera Simon Boccanegra van Giuseppe Verdi. Deze opera vol politieke intriges, liefde en verraad vertelt het verhaal van Simon Boccanegra, die kort na het verlies van zijn geliefde én zijn dochter, wordt uitgeroepen tot leider van het politiek verscheurde Genua. Verdi schetst een portret van een vader en politicus die tevergeefs verlangt naar rust en vrijheid.   Het werk van Jetske Mijnssen kenmerkt zich door een scherp oog voor de psychologie van haar personages. Internationaal heeft ze bovendien een bijzondere reputatie opgebouwd met haar expertise in barok en vroegklassiek werk. Haar productie van Rossi's Orfeo werd bekroond met de Grand Prix du Syndicat de la Critique en bij Opernhaus Zürich ensceneerde ze onder meer Hippolyte et Aricie, Orlando Paladino, Platée en Agrippina. Daarnaast regisseerde zij onder anderen Dialogues des Carmélites (Opernhaus Zürich en Semperoper Dresden), Pelléas et Mélisande (Bayerische Staatsoper München) en Parsifal (Glyndebourne Festival). Bij De Nationale Opera tekende zij eerder voor de regie van Donizetti's Tudor-trilogie (Anna Bolena, Maria Stuarda, Roberto Devereux).

C'est une scène extraordinaire où il a vécu quelques moments forts de sa carrière. Ludovic Tézier sera de retour, le 4 juillet, au Théâtre antique d'Orange, pour une version de concert de La Traviata de Verdi, aux côtés de Jessica Pratt, Eléonore Pancrazi ou encore Javier Camarena et sous la direction de Paolo Arrivabeni. Une soirée qui s'annonce comme l'un des moments forts de la nouvelle édition des Chorégies d'Orange.Le baryton reviendra ce soir à notre micro sur ses liens avec les chorégies où il a laissé tant de grands souvenirs. Il y fut Escamillo dans Carmen de Bizet, Marcello dans La Bohème de Puccini et y chantera cet été l'un de ses rôles fétiches, celui de Giorgio Germont, un personnage auquel il sait donner tant de profondeur et d'humanité.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 01:28:35 - par : Aurélie Moreau - Véritable icône du chant, la soprano Jessye Norman confiait à Brigitte Massin : « La musique seule est ma vraie demeure : en elle je me sens vraiment bien et délivrée de toute angoisse ». Aujourd'hui : Duparc, Strauss, Berlioz, Verdi, Bizet, Wagner… - réalisation : Cécile Bonnet des Claustres, Benjamin Orgeret - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Nach mehreren Warnstreiks gibt es bei der Deutschen Telekom eine Tarifeinigung für rund 60.000 Beschäftigte. Die Vereinbarung hat eine Laufzeit bis Ende 2028 und sieht neben Entgeltsteigerungen auch eine Verlängerung des Schutzes vor betriebsbedingten Kündigungen vor.

Nach dem Sprung über die Marke von 25.000 Punkten nimmt der DAX Gewinne mit. Der Leitindex verliert 0,8 % auf 25.185 Punkte und schließt nahe am Tagestief. Belastend wirken die neuen US-Angriffe auf den Iran, der kräftig gestiegene Ölpreis und neue Zinssorgen. Brent steigt um 4 % auf 100 USD, WTI ebenfalls um 4 % auf 97 USD. EZB-Direktorin Isabel Schnabel hält deshalb eine Zinserhöhung im Juni für angemessen. An der Wall Street läuft der Handel trotzdem freundlich, vor allem KI- und Raumfahrtwerte bleiben gefragt. Marvell, Micron und Intel ziehen deutlich an, SpaceX-Fantasie treibt Satelliten- und Raketenaktien. Bei den Firmenmeldungen trennt sich BP von Verwaltungsratschef Albert Manifold, die Aktie fällt zeitweise mehr als 9 %. Groupon streicht bis zu 400 Stellen. Hapag-Lloyd verliert COO Maximilian Rothkopf. Verdi ruft bei der Telekom zu Warnstreiks auf und fordert 6,6 % mehr Lohn plus 660 € Mitgliederbonus. Eli Lilly kauft drei Impfstofffirmen für bis zu 3,83 Mrd. USD. Fresenius Medical Care startet ein Aktienrückkaufprogramm über 1 Mrd. Euro. Und zum Schluss die Börsenweisheit des Tages. Sie kommt von Jesse Livermore: "Märkte sind niemals falsch, Meinungen oft."

A cura di Paolo PellegriniGiuseppe Verdi, La Battaglia di LegnanoArrigo, Franco CorelliRolando, Ettore BastianiniLida, Antonietta StellaFederico Barbarossa, Marco StefanoniI Console di Milano, Silvio MaionicaII Console di Milano, Agostino FerrinPodestà di Como, Antonio ZerbiniMarcovaldo, Virgilio CarbonariImelda, Aurora CattellaniAraldo,Rinaldo PelizzoniOrchestra e Coro del Teatro alla Scala di MilanoGianandrea Gavazzeni, direttoreIntroduzione, Vito Stabile

Negli Stati Uniti e nel mondo si alimenta il dibattito sugli incontri ravvicinati del terzo tipo. Nelle ultime ore, infatti, il Pentagono americano ha pubblicato una seconda tranche di 64 file legati a Ufo e Uap, ovvero: i fenomeni anomali non identificati.

Nei Grigioni si vota per rinnovare Gran consiglio e Consiglio di stato, un'elezione in cui particolarità regionali e personalità dei candidati pesano altrettanto, se non più, di temi e partiti. A questo appuntamento con le urne, fissato per il 14 giugno, per il Gran Consiglio si presentano su sei liste 522 candidati per 120 seggi. Per il governo i candidati sono invece nove, fra cui quattro uscenti. Modem ha invitato i rappresentanti dei sei partiti che hanno presentato una lista per il Gran consiglio. In un primo dibattito si discute di economia e dintorni e nel secondo, in onda venerdì prossimo, si toccheranno i temi sicurezza e sanità. Presenti nello studio di Coira: Anita Mazzetta, presidente cantonale dei Verdi, candidata per il Gran consiglio Nora Saratz Casin, candidata per Consiglio di stato e Gran consiglio per i Verdi Liberali Marcus Caduff, Consigliere di Stato in carica del Centro e responsabile del dipartimento dell'economia pubblica e socialità 

Sıcak gelişmeler CHP'nin uzun süre daha siyaset gündeminin merkezinde olacağını gösteriyor. Kılıçdaroğlu uzun zaman sonra video paylaştı ve 'arınma' mesajı verdi. Kılıçdaroğlu'na yakın isimler de sosyal medyada "Ayağa kalkın" çağrısı yaptı. Cumhurbaşkanı Erdoğan'ın grup toplantısı konuşması neden 'veda' gibi algılandı, Erdoğan ne yanıt verdi? ABD Başkanı Trump bu kez de "Savaş yakında bitecek" dedi. Günün öne çıkan gelişmelerini özetledik.

A cura di Paolo PellegriniGiuseppe Verdi, La Forza del DestinoDonna Leonora, Maria CanigliaDon Alvaro, Galliano MasiniDon Carlo di Vargas, Carlo TagliabuePadre Guardiano, Tancredi PaseroPreziosilla, Ebe StignaniFra Melitone, Saturno MelettiIl Marchese di Calatrava, Ernesto DominiciCurra, Liana AvogadroMastro Trabuco, Giuseppe NessiUn Alcade, Ernesto DominiciUn Chirurgo, Dario CaselliOrchestra Sinfonica e Coro dell'E.I.A.R. di TorinoGino Marinuzzi, direttore

* William Moseley Talks An Enemy Within, His Edgar Allan Poe - imperialists, scapegoats, and wolves * Mitchel Cohen's recording of US political prisoner Assata Shakur in exile * Bro on Verdi's Falstaff * & Garland Nixon!

This week, I'm joined by bass Barnaby Rea for a longer-than-usual opera special I mean if we're doing opera, we've gotta go long, right?!), recorded backstage at the Royal Opera House, London.Barnaby is a British/Irish bass who trained at the Guildhall School of Music & Drama and the National Opera Studio. He was a Harewood Artist at English National Opera and a member of the Oper Frankfurt solo ensemble. He has also appeared with companies including the Royal Opera House, Deutsche Oper Berlin, Zurich Opera, Teatro Real, Opéra de Lyon, Scottish Opera and Opera North.We recorded this while Barnaby was performing Doctor Grenvil in Verdi's La traviata, in Richard Eyre's long-running Royal Opera production.This episode was also partly inspired by a recent visit to Milan and the extraordinary Teatro alla Scala, which got me thinking about opera not just as music, but as architecture, social ritual, commerce, class, spectacle and power.So this is partly a conversation about opera singing, partly a look at the machinery of a major opera house, and partly an attempt to understand why opera can feel both thrillingly immediate and socially intimidating.We talk about opera vs musical theatre, why singers train for so long, how a voice can fill a huge theatre without amplification, what “placement” and resonance mean, and why vibrato is not just decorative wobbling.We also get into opera's social context: boxes, gods, stalls, ticket prices, access, prestige, and whether opera's elitist reputation is entirely fair.There's also a wider reflection on live music now: why huge arena shows can dominate the public story of the music industry while smaller venues, grassroots promoters, festivals and independent musicians are struggling.This is a longer episode than usual, but that feels fitting for opera: there is a lot of voice, history, scale and backstage machinery to get into.In this episode00:00 – Steve introduces the opera special, Barnaby Rea, the Royal Opera House and the Milan / La Scala inspiration01:35 – Barnaby's route into opera: school swing band, musical theatre, Sweeney Todd, Guys and Dolls and early training07:30 – Guildhall, opera school, learning the craft, and why opera takes so long to train for properly12:30 – Singing in different languages and understanding what you are actually saying15:40 – Opera vs musical theatre: amplification, stamina, acting, dancing and vocal demands20:45 – Inside the Royal Opera House: backstage scale, sets, docks, ballet and multiple productions24:45 – La Scala, opera boxes, social hierarchy, standing tickets and opera as mass entertainment30:05 – Arena economics, struggling grassroots venues, festivals and why smaller gigs matter36:50 – Is opera elitist? Ticket prices, access, class, prestige and opera culture in Europe42:35 – Entertaining Noises: Barnaby demonstrates the bass voice43:00 – Breath, resonance, placement, formant, range and preparing different roles50:15 – Show days, double casting, vocal recovery, travel, jump-ins and the pressure of saying yes55:00 – Berg, volume, singing without microphones, working with the room, and breathing with the orchestra01:00:30 – Vibrato: what it is, why it exists, and why it is not just decorative wobbling01:03:10 – Steve attempts a brief opera lesson01:07:40 – Learning roles, memory, punctuality, preparation and what performers can control01:12:45 – What is music for? Barnaby on release, escape, connection and performance01:15:50 – Music as personal soundtrack, film scoring, galleries, headphones and emotional recontextualising01:16:40 – Barnaby's links, La traviata and walking into productions with decades of history01:18:35 – Outro: Peter Grimes, Wilton's Music Hall, Ocean Songs, the website and what's coming nextGuestFind Barnaby Rea at barnabyrea.com and on Instagram at @barnabyrea_bass.Support the show on Patreon: patreon.com/StevePrettyOnTheOriginofthePiecesStay musically curious! Hosted on Acast. See acast.com/privacy for more information.

Eccoci qua! Bentornati a Life in the Garden. In questo episodio ho avuto il grande piacere di intervistare Costanza Mondani, architetto di giardini con specializzazione in giardini terapeutici e consulente feng shui per il benessere abitativo. Costanza ci racconta di come abbia deciso di intraprendere il mestiere di architetto di giardini e poi del suo lavoro di progettazione e realizzazione di Spazi Verdi Terapeutici con Andrea Mati, che da anni si dedica a questo tipo di creazioni.In particolare abbiamo parlato di due Spazi Verdi Terapeutici per Alzheimer uno a San Sepolcro e uno a Cesena e di uno per autismo presso un monastero a Vittorio Veneto.Non vi anticipo altro, ma vi lascio all'ascolto di questa bella chiacchierata!I libri consigliati da Costanza sono:"Salvarsi con il verde" di Andrea Mati, edito da Giunti"Lettere d'amore alla Madre Terra" di Thich Nhat Hanh"La vita segreta delle piante" di Peter Tompkins e Christopher Bird, edito da Il Saggiatore.Se volete supportare Life in the Garden potete condividere l'episodio sui social e lasciare cinque stelle di valutazione al podcast su Spotify. Per commenti e suggerimenti scrivetemi su instagram a @enricodella23 !Buon ascolto!Credits: Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/brock-hewitt-stories-in-sound/seasonsLicense code: YZPGVVH6UGBAI3ATMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/brock-hewitt-stories-in-sound/a-new-dayLicense code: ZQANLKALRUGW2ZSI

Those of us fortunate enough to have employment in our chosen field should have (in theory) a pension / superannuation plan to take care of us in our autumn years. Sadly, some professions including ones that bring us most joy don't always look after the practitioners. Opera composer Giuseppi Verdi knew that so he did something about it.   Welcome to episode 134 of See Hear Podcast.   It's our first episode back after a hiatus, and what a film we have to talk about. Kerry and I were thrilled to have film producer Christine La Monte join us. She and director Yvonne Russo have brought into the world a film guaranteed to bring happiness to all who see it – Viva Verdi!   Giuseppi Verdi seems to have been a rare beast in the arts world – he was financially secure into his later years. He realised that many of his fellow travellers however (composers, musicians, singers) did not have a pension in their later years when they could not work. Verdi had a philanthropic background, and so he decided to develop a retirement home for musicians.   The documentary Viva Verdi takes a look at the residents of Casa Verdi over the last few years. All these musicians (mostly in their 80s and 90s) are still vital and have stories to tell and work to do. Keeping musically active in the retirement home helps keep dementia at bay, and makes the residents feel as important as they ever were. Christine tells us about her childhood love of opera when her peers were into rock and roll, the wonderful people she and Yvonne met, Verdi's generosity….and Kerry and I agree that Viva Verdi was robbed at the Oscars.   We also briefly explore another opera related documentary Christine produced “Ai Weiwei's Turandot”. As opposed to Viva Verdi which celebrates the individual, the Aiweiwei documentary looks at the themes of opera to celebrate the collective. It's social commentary in a world gone mad. At the time of posting this, Viva Verdi is only available for streaming in North America, though, Christine is working on a wider distribution method. It's having limited cinema screenings in the US, or it can be streamed at https://www.jolt.film/ (if you're outside the US, you'll need to turn on your VPN...don't get me started on these archaic region rules....) It's a wonderful film and worth the effort. Our conversation, however, is self contained, so you can listen and enjoy without having seen the film. See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:26:10 - par : Lionel Esparza - L'une des plus impressionnantes production du XXe siècle, Don Carlo dirigé par Carlo Maria Giulini et mis en scène par Lucchino Visconti, en 1958 à Covent Garden, est resté dans les mémoires. Quelques années après, le chef italien en gravait une version avec une distribution hollywoodienne... - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Those of us fortunate enough to have employment in our chosen field should have (in theory) a pension / superannuation plan to take care of us in our autumn years. Sadly, some professions including ones that bring us most joy don't always look after the practitioners. Opera composer Giuseppi Verdi knew that so he did something about it.   Welcome to episode 134 of See Hear Podcast.   It's our first episode back after a hiatus, and what a film we have to talk about. Kerry and I were thrilled to have film producer Christine La Monte join us. She and director Yvonne Russo have brought into the world a film guaranteed to bring happiness to all who see it – Viva Verdi!   Giuseppi Verdi seems to have been a rare beast in the arts world – he was financially secure into his later years. He realised that many of his fellow travellers however (composers, musicians, singers) did not have a pension in their later years when they could not work. Verdi had a philanthropic background, and so he decided to develop a retirement home for musicians.   The documentary Viva Verdi takes a look at the residents of Casa Verdi over the last few years. All these musicians (mostly in their 80s and 90s) are still vital and have stories to tell and work to do. Keeping musically active in the retirement home helps keep dementia at bay, and makes the residents feel as important as they ever were. Christine tells us about her childhood love of opera when her peers were into rock and roll, the wonderful people she and Yvonne met, Verdi's generosity….and Kerry and I agree that Viva Verdi was robbed at the Oscars.   We also briefly explore another opera related documentary Christine produced “Ai Weiwei's Turandot”. As opposed to Viva Verdi which celebrates the individual, the Aiweiwei documentary looks at the themes of opera to celebrate the collective. It's social commentary in a world gone mad. At the time of posting this, Viva Verdi is only available for streaming in North America, though, Christine is working on a wider distribution method. It's having limited cinema screenings in the US, or it can be streamed at https://www.jolt.film/ (if you're outside the US, you'll need to turn on your VPN...don't get me started on these archaic region rules....) It's a wonderful film and worth the effort. Our conversation, however, is self contained, so you can listen and enjoy without having seen the film. See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Sağduyu programında Tarık Çelenk, konuğu Prof. Dr. Şaban Ali Düzgün ile İslam dünyasının temel sorunları, özgür irade, akıl, kader, kelam, Mutezile, Maturidilik, Gazali, İbn-i Sina ve din-devlet ilişkisini tartışıyor. Programda “Allah insana özgür irade verdi mi?”, “İslam dünyası neden geri kaldı?”, “Din neden otorite aracına dönüştü?”, “Kur'an insanı merkeze mi koyuyor?”, “Sebep-sonuç ilişkisini reddetmek İslam dünyasını nasıl etkiledi?” gibi sorulara yanıt aranıyor. Şaban Ali Düzgün; Eşarilik, Mutezile, Maturidilik, Gazali, İbn-i Sina, Kant, David Hume ve modern teoloji tartışmaları üzerinden İslam düşüncesindeki kırılmaları anlatıyor. Programda ayrıca din, vicdan, hikmet, özgürlük, devlet, otorite, ahlak ve insan merkezli evren tasavvuru üzerine dikkat çeken değerlendirmeler yapılıyor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Umay Acar-Sümer |Writer and Composer of ‘Beowulf the MusicalBio:Umay Acar-Sümer is a Turkish singer and composer based in Hampshire, UK. Having completed an MA in Medieval Studies and MMus in Music Composition at Royal Holloway, Umay draws inspiration from medieval literature and history in her writing. She is the writer and composer of ‘Beowulf the Musical', a two-act musical made up of 35 song based on the medieval epic poem Beowulf. ‘Beowulf the Musical' premiered at the Edinburgh Fringe Festival in 2024 with Umay playing the role of Freawaru; the musical is now set to release an album with many of the original cast and orchestra members reprising their roles. Umay's writing influences include late medieval authors like Geoffrey Chaucer, Sir Thomas Malory and Chrétien de Troyes as well as anonymous poems from the Anglo-Saxon period such as The Wanderer, The Battle of Maldon and The Seafarer. Musically she is inspired by contemporary composers such as Alan Menken, Andrew Lloyd Webber, Lin Manuel Miranda and Anais Mitchell as well as the works of Handel, Verdi, Mozart and Strauss. Umay is currently working on her next musical; a sapphic fairytale about a girl with a magical harp teaming up with a disgraced knight to defeat a dragon.Links:Website:https://umaymakesmusic.wordpress.com/TikTok: https://www.tiktok.com/@umaymakesmusichttps://www.tiktok.com/@beowulfthemusical Facebook:https://www.facebook.com/umayisnotherehttps://www.facebook.com/beowulfthemusicalInstagram:https://www.instagram.com/umayisnotherehttps://www.instagram.com/beowulfthemusical Spotify:https://open.spotify.com/artist/5IrAUtyarBSJGbvzazeBuZ YouTube:https://youtube.com/@umayisnothereTagspodcast for creativescreative podcastpodcast creator interviewsprofessional podcastcreative podcastspodcast host interviewscreative podcast ideasSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

(00:00) Sigla iniziale(00:45) Un traballante castello di dazi(15:39) L'euro-declino minaccia l'euro(39:04) Elettricità e gas, la coppia non si disaccoppia(58:09) UK, Verdi di tasse con conti in rosso(01:17:23) La Cina esporta anche le perdite di bilancio(01:21:08) Cartoline da EuroCialtroniaFatti e notizie che hanno attirato l'attenzione del vostro TitolareDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/phastidio-podcast--4672101/support.Ora disponibile: "Paziente Zero: come la sindrome italiana ha contagiato l'Europa (e l'Occidente)"Volete donare a questo podcast? Ora potete!

I recently obtained a copy of the rare pirate recording entitled “Bubbles on the Nile (and Other Rare Phenomena): Familiar Divas in Unfamiliar Repertoire.” It foregrounds 13 favorite twentieth-century divas singing roles with which they were not commonly associated. Prominently featured, of course, is the artist featured in a lovingly caricatured drawing on the cover of the LP, Beverly Sills (AKA Bubbles) singing, as the title implies, the title role of Verdi's Aida, a role which she seldom sang, and then only at the beginning of her career. Today I am offering the (somewhat expanded) contents of that album, which also features Ghena Dimitrova, Licia Albanese, Regina Resnik, Virginia Zeani, Renata Tebaldi, Montserrat Caballé, among others, in operatic roles that might surprise you. I am hoping that today's episode might lead to a series of similar episodes this summer: I did a survey earlier this week among my listeners about what favorite divas they would like to see featured in uncommon roles and I received some amazing recommendations and suggestions. So take your seats and hold tight: the maiden voyage of this barge is about to depart down the Nile. (And for those of you who are concerned that I never seem to have a snarky word to say about anyone, you'll want to fasten your seatbelts: I might have a choice word or two about some of the singers heard today!) Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.    

Continua il racconto di Giampaolo Musumeci dal Libano, dove i raid israeliani hanno fatto salire il numero dei morti a 2.759, come annuncia il ministerio della Salute, con un aumento di 32 decessi nelle ultime 24 ore. Nel Regno Unito le elezioni locali hanno evidenziato una forte disaffezione verso il partito laburista e un'impennata di Reform UK e dei Verdi. Ne parliamo con Arianna Giovannini, professoressa di Sociologia politica all'Università di Urbino Carlo Bo.La parata del 9 maggio a Mosca e la visita di Marco Rubio a Roma. Ne parliamo con Antonella Scott de Il Sole24Ore e con Dario Fazzi, docente di Relazioni transatlantiche all'Università di Leiden.

Amerikan Başkanı Donald Trump, ABD ve İran'ın Orta Doğu'daki savaşı sona erdirmek için ilk anlaşmayı sonuçlandırmaya yaklaştıklarını söyleyerek, uluslararası toplumun barış umutlarını bir kez daha yükseltti.

Guido Olimpio spiega perché il programma di Teheran, principale obiettivo della guerra scatenata da Israele e Usa, non è stato danneggiato. Sara Gandolfi racconta la vicenda della nave da crociera Hondius diretta a Tenerife e sulla quale 3 dei quasi 150 passeggeri sono morti dopo essere stati contagiati. Luigi Ippolito presenta il voto locale di oggi, che potrebbe travolgere laburisti e conservatori, scavalcati dai populisti di destra e sinistraSanzioni, nucleare e Hormuz: chi vince e chi perde tra Trump e l'Iran (e perché la Cina si rafforza)Che cos'è l'hantavirus, che ha colpito i passeggeri della nave HondiusParla Polanski, leader dei Verdi britannici (e anti-Farage): «No alle carceri e alla Nato. E dico sì al ritorno di Londra nell'Ue»

Fuchs, Jörn Florian www.deutschlandfunk.de, Kultur heute

Segunda parte de nuestra charla con este cineasta, pintor, ilustrador, historietista, escritor, fotógrafo… incluso marionetista y compositor ocasional. Creador de una gamberra webserie “Justicia Sangrienta”; un puñado de novelas y obras de teatro; decenas de cortometrajes y cuadernos de viaje; centenares de pinturas, relatos, cómics, caricaturas, poemas y miles de dibujos. Es ilustrador habitual en la Revista ESQUIRE, ha realizado animaciones para Netflix, Amazon Prime, los Premios Forqué, el Teatro Real o en cadenas de television como Antena3 y TeleCinco. Entre sus publicaciones se cuentan el libro Alétheia: Diálogos filosoficómicos en torno a la Verdad, las novelas Un conflicto infantil e Introducción a un mundo sin arte, el poemario Nacerán flores amargas, el ensayo La quimera del éxito y el libro enciclopédico Caricaturas de grandes creadores: Músicos clásicos. De sus obras audiovisuales destacan Historia de la Música (Lecciones ilustradas), usada en conservatorios de todo el mundo, o los cortos de animación Verdi vs Wagner, Lady Burka, How to make a real weapon y Our best soldiers: A Covid-19 tutorial video.

For a Chinese-Indonesian Verdi Sulaeman, becoming an actor means defying stereotypes, carving his own path without his father's shadow and proving that the face of Indonesia has never been just one. - Bagi Verdi Sulaeman yang keturunan Tionghoa, menjadi aktor berarti melawan stereotip, membangun jalur sendiri tanpa bayang-bayang sang ayah, dan membuktikan bahwa wajah Indonesia tidak pernah hanya satu bentuk.

Statt großer Opernstimmen lässt Klieser Rossini, Verdi und Puccini nur durch den warmen Klang seines Horns sprechen.

Primera parte de nuestra charla con este chico canario, asentado en Madrid, que se define a sí mismo como un renacentista del siglo XXI. Es cineasta, pintor, ilustrador, historietista, escritor, fotógrafo… incluso marionetista y compositor ocasional. Es creador de una gamberra webserie "Justicia Sangrienta"; un puñado de novelas y obras de teatro; decenas de cortometrajes y cuadernos de viaje; centenares de pinturas, relatos, cómics, caricaturas, poemas y miles de dibujos. Es ilustrador habitual en la Revista ESQUIRE, ha realizado animaciones para Netflix, Amazon Prime, los Premios Forqué, el Teatro Real o en cadenas de television como Antena3 y TeleCinco. Entre sus publicaciones se cuentan el libro Alétheia: Diálogos filosoficómicos en torno a la Verdad, las novelas Un conflicto infantil e Introducción a un mundo sin arte, el poemario Nacerán flores amargas, el ensayo La quimera del éxito y el libro enciclopédico Caricaturas de grandes creadores: Músicos clásicos. De sus obras audiovisuales destacan Historia de la Música (Lecciones ilustradas), usada en conservatorios de todo el mundo, o los cortos de animación Verdi vs Wagner, Lady Burka, How to make a real weapon y Our best soldiers: A Covid-19 tutorial video.

Il primo dibattito elettorale che le Voci del Grigioni Italiano propongono in vista delle elezioni cantonali del 14 giugno 2026, è dedicato al circolo di Roveredo, che dispone di tre seggi in Gran Consiglio ai quali ambiscono nove candidati.I partiti hanno indicato ciascuno i propri rappresentanti per il confronto: hanno partecipato Leda Ramelli per i Verdi, biologa, Eleonora Righetti, direttrice scolastica e gran consigliera uscente per Il Centro, Samuele Censi, sindaco di Grono e gran consigliere uscente per il Partito liberale (PLR), Romano Losa, ex dirigente scolastico, per l'Unione democratica di centro (UDC) e Paolo Paganetti, biologo in pensione, per il Partito socialista (PS). Gli altri candidati del Circondario sono: Manrico Duzzi e Mauro Piccamiglio (UDC), Emma Negretti (PS) e Patrick De Cristophoris (Il Centro).Il dibattito si è aperto con il tema di stretta attualità dei permessi di dimora e delle società “bucalettere”, tornato alla ribalta dopo i recenti arresti avvenuti a Roveredo nell'ambito di un'indagine internazionale sulla mafia. I candidati hanno espresso una diffusa insoddisfazione per la recente risposta del Governo cantonale, chiedendo controlli più rigorosi, un rafforzamento degli strumenti legislativi e una maggiore collaborazione tra Comuni e Cantone, anche prendendo spunto da quanto avviene in Ticino.Si è poi parlato di crescita demografica, un fenomeno particolarmente marcato nel circolo di Roveredo. L'aumento della popolazione è stato valutato in larga parte come un'opportunità, ma anche come una sfida per la pianificazione territoriale, le infrastrutture, le scuole e i servizi, con l'esigenza di uno sviluppo sostenibile che tuteli l'identità del territorio ed eviti una cementificazione eccessiva.Ampio spazio è stato dedicato anche al tema dell'invecchiamento della popolazione e alle case per anziani, analizzando i costi elevati a carico di famiglie e Comuni, il ruolo del Cantone nel finanziamento delle cure e l'importanza di rafforzare la medicina di prossimità e le sinergie tra cure a domicilio e strutture residenziali.In chiusura, ciascun candidato ha indicato il proprio cavallo di battaglia in caso di elezione, richiamando in particolare la necessità di far sentire con maggiore forza la voce del Grigioni italiano a Coira, valorizzare il plurilinguismo, sostenere giovani e famiglie, rafforzare la sensibilità ambientale e affrontare in modo unitario le sfide delle regioni di confine.

Il primo dibattito elettorale che le Voci del Grigioni Italiano propongono in vista delle elezioni cantonali del 14 giugno 2026, è dedicato al circolo di Roveredo, che dispone di tre seggi in Gran Consiglio ai quali ambiscono nove candidati.I partiti hanno indicato ciascuno i propri rappresentanti per il confronto: hanno partecipato Leda Ramelli per i Verdi, biologa, Eleonora Righetti, direttrice scolastica e gran consigliera uscente per Il Centro, Samuele Censi, sindaco di Grono e gran consigliere uscente per il Partito liberale (PLR), Romano Losa, ex dirigente scolastico, per l'Unione democratica di centro (UDC) e Paolo Paganetti, biologo in pensione, per il Partito socialista (PS). Gli altri candidati del Circondario sono: Manrico Duzzi e Mauro Piccamiglio (UDC), Emma Negretti (PS) e Patrick De Cristophoris (Il Centro).Il dibattito si è aperto con il tema di stretta attualità dei permessi di dimora e delle società “bucalettere”, tornato alla ribalta dopo i recenti arresti avvenuti a Roveredo nell'ambito di un'indagine internazionale sulla mafia. I candidati hanno espresso una diffusa insoddisfazione per la recente risposta del Governo cantonale, chiedendo controlli più rigorosi, un rafforzamento degli strumenti legislativi e una maggiore collaborazione tra Comuni e Cantone, anche prendendo spunto da quanto avviene in Ticino.Si è poi parlato di crescita demografica, un fenomeno particolarmente marcato nel circolo di Roveredo. L'aumento della popolazione è stato valutato in larga parte come un'opportunità, ma anche come una sfida per la pianificazione territoriale, le infrastrutture, le scuole e i servizi, con l'esigenza di uno sviluppo sostenibile che tuteli l'identità del territorio ed eviti una cementificazione eccessiva.Ampio spazio è stato dedicato anche al tema dell'invecchiamento della popolazione e alle case per anziani, analizzando i costi elevati a carico di famiglie e Comuni, il ruolo del Cantone nel finanziamento delle cure e l'importanza di rafforzare la medicina di prossimità e le sinergie tra cure a domicilio e strutture residenziali.In chiusura, ciascun candidato ha indicato il proprio cavallo di battaglia in caso di elezione, richiamando in particolare la necessità di far sentire con maggiore forza la voce del Grigioni italiano a Coira, valorizzare il plurilinguismo, sostenere giovani e famiglie, rafforzare la sensibilità ambientale e affrontare in modo unitario le sfide delle regioni di confine.

ABD Başkanı Donald Trump İran ile imzalanan iki haftalık ateşkes sona ermeden saatler önce anlaşmayı uzatmaya karar verdi. Ancak İran'ın tepkisi henüz belli değil.

Dan Wang joins Ben Yeoh for a conversation about culture, ambition, and what different societies choose to value. They discuss why Silicon Valley can feel thinner-skinned and less culturally alive than it once did, why London remains rich in artistic life but struggles to build homes, infrastructure, and energy; and why China's extraordinary physical capacity has come with tighter limits on cultural expression. Along the way, they get into AI hype and real-world harms, censorship, food culture, neurodiversity in tech, opera, Shakespeare, theatre, writing craft, and Dan's advice for ambitious young people. Link to transcript and episode site: www.thendobetter.com/arts/2026/4/21/dan-wang-silicon-valley-culture-londons-building-crisis-and-chinas-cultural-squeezeChapters00:00 Intro: Dan Wang and Breakneck00:21 Why Tech Lacks Humour02:09 Silicon Valley and the Arts05:28 London Versus California08:31 China, Censorship, and Culture12:56 Food Culture in China and America18:58 AI Hype, Doom, and Real Harms23:04 Energy, Permitting, and AI Bottlenecks30:58 Why Britain Struggles to Build34:28 Neurodiversity in Silicon Valley37:04 Cadets, Discipline, and Rule-Breaking39:15 Philip Glass, Mozart, Verdi, and Wagner42:04 The Most American Shakespeare44:06 King Lear and Political Collapse45:31 What Dan Learned From the Book Tour48:09 Retyping Great Writers52:56 Reading Plays Aloud55:46 Why Arcadia Matters58:29 Do Playwrights Write Differently?01:01:38 Overrated, Underrated, Correctly Rated01:08:00 Markets Versus Real Value01:09:37 What Dan Is Reading Now01:10:21 Advice for Your Twenties01:13:24 Closing

Giovanni Bietti"Beethoven. Sinfonia n.6 Pastorale"ùCarocci Editorewww.carocci.itFra tutte le sinfonie di Beethoven, la Pastorale occupa un posto unico: è la sola a cui il compositore ha voluto dare un esplicito carattere extramusicale attribuendo a ogni suo movimento un titolo che evoca precise sensazioni e ricordi “della vita in campagna”. Con un linguaggio accessibile e chiaro, il volume esamina il contesto storico e artistico nel quale vide la luce e ne analizza la composizione, soffermandosi in particolare sulla diffusione della musica “descrittiva” e sulle strategie compositive con le quali Beethoven riproduce ruscelli, paesaggi e fenomeni naturali attraverso le note. Il lettore potrà così seguire il percorso della Sesta Sinfonia passo dopo passo e, grazie alle tracce audio che corredano il libro, entrare nel vivo di questo capolavoro scoprendone le melodie e i materiali musicali.Giovanni BiettiÈ uno dei migliori divulgatori musicali italiani e voce storica delle Lezioni di musica di rai Radio Tre. Ha pubblicato libri su Beethoven, Mozart, Haydn, Schubert, Verdi e ChopinDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

In this episode, we bring you the next edition of "Serious Fun with Opera," a "Behind the Curtain" mini-series that takes a romp through operatic themes with Dr. Kristi Brown-Montesano. This episode takes us into the story and the music of Verdi's "Falstaff," which lights up the LA Opera with hilarity from April 18-May 10. Delight in the details of the revenge plot of "The Merry Wives of Windsor" and then get your tickets to "Falstaff" at LAOpera.org.

Known to history as “The Scourge of God,” Attila was a rampaging conqueror who famously turned aside from the city of Rome after a meeting with the Pope.  In this version, Attila is also opposed by a vengeful slave, a morally flexible Roman general, and a wily and determined warrior woman.  Historical? Not so much.  But this stunning opera from early-career Verdi, Attila is a work that deserves to be heard and enjoyed, full of exquisite arias, duets, ensembles, choral numbers, and what may be opera's most expeditious on-stage lead character death. Hosted by Pat with co-host Grant

Ellis Verdi is a prominent American advertising and marketing executive best known as the Founder and President of DeVito/Verdi, an independent, award-winning agency based in New York City. Professional Career & DeVito/Verdi Early Career: Verdi spent the first half of his career on the "client side," holding positions at PepsiCo (managing Mountain Dew and diet brands), American Home Products Ltd., and the Grey Group, where he served as Vice President of Account Management. Agency Founding: In 1989, he launched his own firm, Ellis Verdi & Partners, as a one-man operation from his living room, famously making over 100 cold calls a day to build his client list. Partnership: In 1993, he partnered with creative director Sal DeVito to form DeVito/Verdi. Under his leadership, the agency has been named "The Best Agency in the U.S." six times by the American Association of Advertising Agencies (4As).

In this episode, Richard Seaver Music Director James Conlon walks us through the history, the plot, and of course, the music of Verdi's "Falstaff." Don't miss this merry farce, playing April 18-May 10. Get your tickets now at LAOpera.org.

Hello, fans and listeners! I am “Óut of the Office” for the next two weeks, hence the tongue-in-cheek title of this episode, the first of four recycled potpourri episodes bringing you four records issued on the pirate label Historical Recordings Enterprises in the 1970s. Two of them (including today's) feature great sopranos of that era, and two of them celebrate “ten top tenors” each. A few years ago, David was preparing to downsize to a new apartment in NYC and one of my tasks was to go through his LPs. In doing so, I discovered the two soprano volumes. Low impact, perhaps, in terms of my prep level, but high calorie in terms of content! Here are some of the greatest sopranos of the 1970s (and earlier) in incendiary live performances which will leave you gasping for air (at least I was!) Included are such favorites of the Opera Queens (of whatever persuasion or orientation) as Montserrat Caballé, Leyla Gencer, Magda Olivero, Renata Scotto, and Beverly Sills in addition to such personal favorites of mine as Ileana Cotrubaș, Sylvia Sass, and Gilda Cruz-Romo. Many of these singers have been featured on their own spotlight episodes on Countermelody but the performances featured here are typical of the pirate releases of the 1970s, rare material in sometimes spotty sound but representing these sopranos at their thrilling best. There's a lot of Verdi, but also some Puccini, Donizetti, and even Mozart. All told a thrilling and rare collection which I am thrilled to share with my pals as I step away from the mic for a couple weeks! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

The soprano, Elsa Dreisig, has just released a new Erato album, 'Invocation'. Joined by the Orchestra e Coro dell'Opera Carlo Felice Genova conducted by Massimo Zanetti, it gathers together arias by Dvořák, Janáček, Puccini, Verdi, Gounod, Wagner, Rossini, Flotow, Peter Heise, and Carolina Uccelli, as well as songs by Grieg, Amy Beach and Bizet, all with a unifying theme. James Jolly talked to Elsa Dreisig in Naples, where she was in rehearsals for Puccini's La bohème in which she was singing the role of Mimì.    Today's podcast is sponsored by Kirker Holidays, creators of short breaks and tailor-made holidays for curious, discerning travellers to cultural destinations throughout Europe and beyond. For more information or to speak to one of Kirker's expert human beings, call 020 7593 2283 or visit kirkerholidays.com. 

Forgiveness. Comeuppance. Transformation. And the power of storytelling. In this episode of the Behind the Curtain miniseries Opera in the Community, scholar Dr. Tiffany Kuo talks to Melissa Chalsma of the Independent Shakespeare Company. They probe the enduring power of Shakespeare's comedies and enlighten us on some of the class and gender themes we'll uncover in LA Opera's production of Verdi's Falstaff, playing April 18th to May 10th at the Dorothy Chandler Pavilion. Get your tickets for this merry farce at laopera.org.

Guest Karen Berman, Ph.D., Chaired the Department of Theatre and Dance at Georgia College and previously taught for 15 years at Georgetown University. She is Dean Emerita, College of Fellows of the American Theatre; Past President of the Association for Theatre in Higher Education; Director of 150 Holocaust and other theatre productions; and winner of the Georgia Governor's Award for the Arts and the Hillel Heroes Award. Karen is co-Artistic Director of Washington Women in Theatre. She is the co-author with Dr. Gail Humphries of the two-volume work, Stories of the Holocaust: Art for Healing and Renewal. Co-host Irene Stern Frielich was a guest on Episode 370: "Walking Where History Happened: A Daughter's Holocaust Journey." Irene is the daughter of a German Jewish Holocaust survivor—but for much of her life, the story remained unspoken. In 2017, after rediscovering her father's testimony, Irene set out to physically retrace his escape route from Nazi Germany through his survival in Holland. The result was a journey of reconciliation and healing. Her award-winning memoir, Shattered Stars, Healing Hearts, explores trauma, courage, and connection across generations. Summary In this episode, Jeff and co-host Irene Stern Frielich speak with Dr. Karen Berman about the role of the arts in Holocaust education and remembrance. Dr. Berman discusses her five-year project to co-edit two volumes featuring 33 contributors who explore how theater, music, visual art, and film illuminate the Holocaust and its aftermath. The books argue that the arts can foster empathy, healing, and social responsibility while inspiring people to become "upstanders" who actively oppose hate and injustice. The conversation explores how artistic expression functioned as both resistance and survival during the Holocaust. A powerful example is the performance of Verdi's Requiem in the Theresienstadt concentration camp, where imprisoned singers used music as a form of spiritual defiance against their captors. The discussion also examines how Holocaust education is evolving. Scholars and educators are increasingly shifting from purely historical instruction toward approaches that engage students emotionally and morally through storytelling, performance, and immersive technologies such as virtual reality and holographic survivor testimony. Ultimately, the episode emphasizes that art has the power to humanize history, deepen empathy, and transform audiences into witnesses. By connecting personal stories with creative expression, educators and artists can ensure that Holocaust memory remains meaningful—and that the lessons of history inspire moral action today. The Essential Point The episode emphasizes that art has the power to humanize history, deepen empathy, and transform audiences into witnesses. By connecting personal stories with creative expression, educators and artists can ensure that Holocaust memory remains meaningful—and that the lessons of history inspire moral action today. Social Media Website: Stories of the Holocaust: Art for Healing and Renewal: www.storiesoftheholocaust.com Georgia Governor's Award for the Arts: https://share.google/7ZF1jsonbwuBfMeDr Hillel Heroes Award: https://share.google/AVs09ck8I9RpdVIDb Kirkus ReviewsStories of the Holocaust: Art for Healing and Renewal. Volume I https://www.kirkusreviews.com/book-reviews/karen-berman/stories-of-the-holocaust/ Stories of the Holocaust: Art for Healing and Renewal. Volume II https://www.kirkusreviews.com/book-reviews/karen-berman/stories-of-the-holocaust-2/ Substack LinkedIn Referenced Defiant Requiem: Verdi at Terezín Virtual reality video of a Holocaust survivor revisiting the Majdanek concentration camp: Pilgrim in the Metaverse

Voici l'essentiel sur la paralysie totale de l'aéroport de Berlin.Here is the essential information on the total shutdown of Berlin airport.Si vous deviez voler vers ou depuis la capitale allemande ce mercredi 18 mars, bah, vous plantez un balai.If you were supposed to fly to or from the German capital this Wednesday, March 18th, well, you're out of luck.Une grève massive cloue tous les avions au sol.A massive strike is grounding all planes.Pouvez-vous imaginer le troisième plus grand aéroport d'Allemagne soudainement transformé en une immense ville fantôme ?Can you imagine Germany's third-largest airport suddenly transformed into a huge ghost town?Berlin-Brandebourg est à l'arrêt total.Berlin-Brandenburg is at a complete standstill.Cela représente 445 annulations et 57 000 passagers bloqués qui cherchent urgemment une alternative.This represents 445 cancellations and 57,000 stranded passengers urgently seeking an alternative.Le cœur du conflit, c'est une proposition salariale qui passe très mal.At the heart of the conflict is a salary proposal that is being very poorly received.Le syndicat Verdi a lancé cette grève d'avertissement face au blocage total des négociations.The Verdi union launched this warning strike in the face of a total deadlock in negotiations.L'exploitant, la FBB, offre seulement 1 % d'augmentation annuelle jusqu'en 2028, une offre jugée non négociable.The operator, FBB, is offering only a 1% annual increase until 2028, an offer deemed non-negotiable.Franchement, peut-on blâmer des travailleurs de refuser 1 % par an pendant que l'inflation dévore leur pouvoir d'achat ?Frankly, can we blame workers for refusing 1% per year while inflation eats away at their purchasing power?Face à cette colère syndicale, la direction tente de se justifier en pointant du doigt des crises bien plus vastes.Faced with this union anger, management is trying to justify itself by pointing to much broader crises. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today, we bring you another episode of "20 Years with Maestro Conlon", our miniseries in which Gail Eichenthal illuminates the legacy of Maestro James Conlon, in his culminating season with LA Opera. This time, the dynamic pair focuses on 19th-century German Opera with an emphasis on Wagner. Learn why the Ring was a must, how many rehearsals a "Rheingold" fits into, and which 20th-century composers were Wagner devotées. Maestro Conlon rounds out our 40th Anniversary Season conducting Verdi's "Falstaff" and Mozart's "The Magic Flute". Get your tickets now at LAOpera.org.

Christine La Monte discusses her career and her latest work producing a pair of opera-themed documentaries, the uplifting Viva Verdi! (2025) and the stunning Ai Weiwei's Turandot (2025). La Monte talks about the importance of opera in the modern world and the Oscar-nominated song "Sweet Dreams of Joy."For more information visit: https://www.lamonteproductions.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth