Podcasts about slim line

Микс из треков SLIM LINE сыгранный в эфире Радио Рекорд 2025 еще: music.yandex.ru/artist/582261 vk.com/artist/djriga

mini-music-TUESDAY! Lou plays Adelle a super-duper-lost Deep Wound song: Hey Bud, Let's Partyrecorded on a Panasonic Slim Line portable cassette player in Lou's parent's attic in 1983 (or 4). This leads to a conversation about families staying in touch via cassette circa the 70s and 80s. Lou then plays a demo of a brand new song, recorded on the same model Slim Line an hour before: Bloodshot Eyes. see Lou live (with Adelle and Izzy in tow) on the east coast SOON! https://www.eventbrite.com/o/lou-barlow-17083068226our Substack (new songs, recipes etc!) lives here:https://barlowfamilygeneral.substack.comfor things you can touch: https://barlowfamilygeneralstore.com Hosted on Acast. See acast.com/privacy for more information.

Musicians often view the public relations side of the industry with a degree of suspicion. Sometimes outright hostility. This is occasionally the result of misinformation, or perhaps just a poor level of understanding of what can be a crucial cog in the wheel of an artist's career. But like most things in music there can be a slightly unsavoury side to the construction of narrative and crafting of messages of the sort that PRs get up to which justifies a certain level of cynicism. Melissa Taylor, we can rest assured, is not one of the bad ones. The owner of https://tailored-communication.com/ (Tailored Communication), her day job as a PR guru(!) also involves management, and music consultancy. She was formerly press officer at https://www.fabriclondon.com/ (Fabric) in London, and is a current board member of the streaming co-operative Resonate. She is also an engaging and witty conversationalist, and someone who is unafraid to be disagreed with - which is fortunate as we did have some points of departure in the course of this episode. But that's what a free exchange of ideas is all about, right? And in woefully short supply in the music conversation generally. We cover topics including the problems of the streaming model, the role of co-operatives in a potential improvement, what it was like promoting a record in the early 2000s, the inability of the industry to deal with diversity issues, the Berlin club scene, the death of music reviews, and much else besides. A great episode, you'll love it. On Hotflush-affiliated labels this week we welcome Jayson Wynters to Rhythm Nation, and check https://yaeltrip.bandcamp.com (Etapp Kyle's remix of Glaskin's Slim Line monster). Some links from Melissa: https://resonate.is/pricing/ (https://resonate.is/pricing/) https://pioneerworks.org/broadcast/library-music-liz-pelly (https://pioneerworks.org/broadcast/library-music-liz-pelly) Join us in the https://discord.com/invite/98423K8gap (Hotflush Discord Server) Listen to all the music discussed on the show via the https://open.spotify.com/playlist/6gs2nOUls8kP3UmMVPWhL3?si=00ba0908e4c14c4f (Not A Diving Podcast Spotify playlist) For more links and other info visit https://scubaofficial.io (the official Scuba website) Follow Scuba: https://twitter.com/scubaofficial (twitter) https://instagram.com/scubaofficial (instagram) http://scubaofficial.bandcamp.com/ (bandcamp) http://spoti.fi/scuba (spotify) https://music.apple.com/us/artist/scuba/220276686 (apple music) https://www.beatport.com/artist/scuba/1550 (beatport)

Ich war drei Tage auf der Superbooth in Berlin, dem Event für Modular-Synthesizer. Vor Ort habe ich einige Künstler, Nerds und Hersteller getroffen, um mit ihnen über die Zukunft der Modular-Szene, die aktuellen Trends und Produkte, sowie ihre Musik zu sprechen. Modular-Künstler Anatol Locker und der ehemalige Chefredakteur von Keyboards und Sound&Recording, Jörg Sunderkötter, nennen uns ihre Highlights der Superbooth. Dieter Doepfer stellt die neue Slim Line vor, erklärt seine Rolle als Vater des Eurorack-Systems, und spricht über den Einfluss durch Behringer auf den Synthesizer Markt. Außerdem gibt es Produktvorstellungen zum Drumcomputer UNO Drum von IK Multimedia, den neuen Korg-Geräten Volca Nubass, Minilogue XD und Nu:Tekt, und dem neuen Modul 1 von Manikin, einem 8-Kanal-Analog-USB-Interface. Zum Schluss gibt es noch ein kleines Messe-Wrap-up von meinem Kollegen Lukas Bilz aus der Redaktion von Gitarre&Bass und mir.

How technology has changed and drives retail and consumerism, and the use of statistics and date.

Transcript -- How technology has changed and drives retail and consumerism, and the use of statistics and date.

How technology has changed and drives retail and consumerism, and the use of statistics and date.

Transcript -- How technology has changed and drives retail and consumerism, and the use of statistics and date.