Podcasts about Behringer

Dans cette 182e matinale, on parle de la nouvelle interface audio de MOTU, la 16A, de la mise à jour de la 404mkII chez Roland, de la version plugin de la Woodrow '55 chez Universal Audio et du synthé 2-XM de Behringer

Dans cette 179e Matinale, on parle de la version 88 touches du KeyLab mk3, d'un dé-esseur chez Sonible, d'une version 2 entrées du PodTrak de Zoom et de 2 nouveaux préamplis bien connus chez Behringer.

Mit "Behringer und die Toten" macht der "Tödliche Dienst-Tag" wieder Station in Bamberg! Am 18.03. & 25.03., jeweils um 20:15 Uhr ist das Ermittler-Team rund um Antoine Monot und Cosima Henman den Kriminellen auf der Spur. Nach dem großen Erfolg der ersten beiden Filme geht es mit zwei neuen spannenden Fällen bei RTL weiter. Im "RTL erleben – der RTL Deutschland Podcast" spricht der Schauspieler Antoine Monot mit Host Leyla Karsak über sein Wirken, gibt Einblicke in die Dreharbeiten und beschreibt, wie sich Behringers Charakter im Laufe der Folgen entwickelt. Und was verbindet er persönlich mit Bamberg? Die neue Folge ist ab sofort auf RTL+ sowie weiteren Podcast-Plattformen kostenfrei abrufbar.

Welcome back to the Cover Band Confidential Podcast! Join Adam and Dan as they dive deep into the ultimate gear showdown: Behringer Wing vs X32 vs Soundcraft UI24R! From size and weight to preamps and connectivity, we compare every spec and feature you need to know. Plus, updates on Adam's son's theater debut and tech week adventures, and Dan's exciting boot progress. Whether you're a cover band musician or band leader, learn how to rock more and suck less with our in-depth analysis! Don't miss out - hit play now!Blank Contracts & Riders: https://www.coverbandconfidential.com/store/performance-contractsBacking Track Resources: https://www.coverbandconfidential.com/store/backing-track-resourcesMaestroDMX (10% off discount link): https://maestrodmx.com/discount/DISCOUNT4CBC?redirect=%2Fproducts%2FmaestrodmxThank you so much for tuning in!  If you want to help be sure to like, subscribe and share with your friends!  Linktree: linktr.ee/adampatrickjohnson                linktr.ee/coverbandconfidentialFollow us on Instagram!@coverbandconfidential@adampatrickjohnson@danraymusicianIf you have any questions please email at:Coverbandconfidential@gmail.comConsider supporting us on Patreon! www.patreon.com/coverbandconfidentialOr buy us a cup of coffee!paypal.me/cbconfidentialAnd for more info check out www.coverbandconfidential.com00:00 Introduction and Podcast Overview00:10 Adam's Son's Theatrical Debut01:37 Dan's Recovery Journey04:06 Band Equipment Upgrades05:40 Wireless DMX Setup10:26 Community Contributions and Housekeeping12:33 Comparing Audio Mixers: X32 Rack vs. Wing21:48 Routing and Mixing Options22:48 Preamps and Audio Quality25:02 User Interface and Control27:32 Routing Flexibility30:58 Effects Processing34:02 Connectivity38:38 Price Point and Final Thoughts

Dans cette 174e Matinale, on parle de la nouvelle norme MIDI, de Fusion EZX la nouvelle banque de sons, de la nouvelle copie de Behringer et de Native Instruments qui donne des nouvelles pour rassurer ses utilisateurs.

Daymien Weiss verrät bei der großen Reunion von Germany Shore, dass zwischen ihm und Walentina Doronina etwas im toteln Winkel lief, noch bevor sie die Beziehung zu Can Kapplan beendet hätte. Wir sprechen mit Celine Behringer über ihren Eindruck vor Ort. Außerdem besucht Mimi Gwozdz ihre Busenfreundin Karina bei Make Love Fake Love. Das lief vor Make Love Fake Love zwischen Mimi und Maurice!Und für alle Snack-Liebhaber: Mit unserem Rabattcode BLITZLICHTGEWITTER sparst du 5% auf deine nächste Bestellung bei KoRo– perfekt, um dich für die nächste Folge einzudecken!

Well, NAMM has come and gone. With it, the easy dopamine of the new synthesised releases of all the big names in electronic music. We're running down our key takeaways and the interesting pieces of gear that caught our eye. Help Support the Channel: Patreon: https://www.patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt Lars Haur - Audionaut Producer Jonathan Goode - Audionaut Producer TIMESTAMPS 00:00 - Intro 02:00 - What we're up to 07:00 - Stylophone DS-2 15:00 - Roland ARIA Compacts 30:00 - ROLI Airwave 42:00 - Behringer 49:00 - Yamaha SEQTRAK 55:00 - General Takeaways 60:00 - Community Corner

Dans cette 2e vidéo récapitulative du NAMM 2025, on parle de la 6e version des claviers Nord Piano, du retour de Kurzweil, de la nouvelle gamme V-STAGE de Roland et de Behringer qui propose sa version du Yamaha DX1.

www.patreon.com/banjopodcast Today we have a follow-up episode to #152, which featured the engineers behind the innovative ToneDexter product, by Audio Sprockets. In this one, host Keith Billik demonstrates what ToneDexter can do, by programming wavemaps using every combination of 3 different banjo pickups (by K&K, Schatten, and EMG) and 5 different microphones (by Rode, Behringer, Shure, Audio Technica, and Mesanovic). Sponsored by Elderly Instruments, Peghead Nation, Sullivan Banjos, and Bluegrass Country Radio Episode Time Codes: Intro & explanation of WaveMap Shootout - 03:40   Microphone Base Samples (Not using ToneDexter): Rode NT5 (Small diaphragm condenser) - 12:27 Behringer ECM8000 (Omnidirectional measurement microphone) - 17:27 Shure SM57 (Dynamic cardioid) - 22:29 Audio Technica AT4047(Large diaphragm Condenser) - 27:05 Mesanovic Model 2 (Figure 8 ribbon) - 31:46   Pickup Base Samples (Not using ToneDexter): K&K Banjo Twin - 40:38 Schatten BJ-02 - 47:13 EMG ACB Barrel - 53:47   Wavemap Samples   K&K Pickup wavemaps: Rode NT5 - 42:18 Behringer ECM8000 - 43:18 Shure SM57 - 44:16 Audio Technica AT4047 - 45:14 Mesanovic Model 2 - 46:14   Schatten Pickup WaveMaps: Rode NT5 - 48:26 Behringer ECM8000 - 49:29 Shure SM57 - 50:32 Audio Technica AT4047 - 51:38 Mesanovic Model 2 - 52:42   EMG ACB Barrel Pickup WaveMaps: Rode NT5 - 55:02 Behringer ECM8000 - 56:08 Shure SM57 - 57:16 Audio Technica AT4047 - 58:22 Mesanovic Model 2 - 59:30   Conclusion + Keith's Reaction - 1:00:36   Contact the show: pickyfingersbanjopodcast@gmail.com  

For the seventieth episode of the It's Just A Hill Cycling Podcast, Jon sits down with Jason Behringer from NBX for an engaging conversation about all things bikes. Jason shares his personal cycling journey, starting with his childhood love for the bike. The discussion delves into the period of Jason's life where cycling took aContinue reading "Single Speeding, Endurance Events, and Local Gravel with Jason Behringer from NBX | IJAH Pod 070"

Vi har fortfarande Fölster med oss och i detta avsnitt pratar vi om hur vi konsumerar gitarrgrejer. Fölster funderar över det här med att flyga med gitarrer. I veckans pryl testar vi Behringer UV300 Ultra Vibrato. I veckans avsnitt: Fender, Gibson, Hamstead, Matchless, Dumble, Komet, Two-Rock, Bruno, Hamer, Taylor, Boss, Behringer, UA.

Brian, Blake, and Richard are back for Episode 547 of the Chasing Tone Podcast - New year, new gear, someone has been imitating Brian, and the scent of John Petrucci The band is back together and they chat about the Christmas break, Blake's jerk boss, and why Brian has been swinging a hammer in anger. Brian received some ire from the internet (shock horror) about an Ai advert and it upset Richard but made Brian happy. A video comparing every current Wampler drive pedal has been put up on YouTube and the guys discuss it.Richard built a guitar over Christmas by taking a Squier donor and it didn't go quite according to plan so he tells us about it in quite a bit of detail. There are some great tips for anyone wanting to build a guitar - namely by doing the opposite of some of the things Richard did. Brian tries to lead Richard into more gear purchases. The guys then look at a response to Behringer about their LM Drum from one of the pioneers of music synthesis. The debate about budget pedals rolls on as Keeley announces some wallet friendly pedals so the guys talk about it before lamenting one of Brian's less successful pedals. Richard has some of John Petrucci's cologne and the guys discuss their signature scents. Brian had a tip off from one of our good friends and he discovered someone has been ripping him off.270 degrees of tabs, Special pyjamas, Hammer talk, Terrible jokes, Codpasting, James Walkenlots, Bert Weedon...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Youtube:https://www.youtube.com/channel/UCdVrg4Wl3vjIxonABn6RfWwContact us at: podcast@wamplerpedals.comSupport the show

Join Dr. Tamara Beckford and the incredible Dr. Christopher Behringer for a transformative session on achieving fulfillment as a medical professional! Medicine is an art, and as physicians, we have the creativity, intelligence, and drive to thrive not only in our profession but in ways that align with our deepest passions. Dr. Behringer will guide you on how to become an "Artist of Medicine," blending your professional expertise with personal fulfillment. Dr. Christopher Behringer is an American Board Certified Family Medicine, OMT, and Lifestyle Medicine physician and keynote speaker currently based in South Central Kentucky. A graduate from the Lake Erie of College of Osteopathic Medicine, he completed his Family Medicine residency at the Sampson Regional Medical Center in Clinton North Carolina. Dr. Behringer has a focus on non-pharmacologic modalities towards health achievement and functional freedom. He serves as a Course Director helping teach medical education and family medicine practices for LECOM, as well as serves as Chief Learning Officer for the medical education company ReelDx. He has presented for universities across the United States as well as spoken at national conferences. Dr. Behringer was born and lived 19 years in Saudi Arabia and has a strong passion for helping the country he was raised in; helping to author articles for their Family Medicine Essentials Guide.

Cette semaine dans la 166e matinale , on parle de la nouvelle pédale de tc elecronic, du nouveau synthé Behringer, de la nouvelle pédale de réverbe et delay de GFI System et de la 4ème version de Pro-Q 4 de Fabfilter.

AI continues its spread into every facet of our live, including that of music production. Izotope have just released a new delay plugin that supposedly uses AI to remove muddiness. Did we ask for it? No, Did they give it to us? Yes. Is there a point to it? Lets find out. Our favourite morally questionable company has released 'swords' a mutable instruments clone modular device. We're checking it out. In the final Round Robin of the year, we are expressing our gratitude for our community and the line of work we do. all in the festive spirit. Help Support the Channel: Patreon: https://www.patreon.com/c/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli, Stephen Setzepfandt, Mike K Smith & Justin Licameli Lars Haur - Audionaut Engineer Jonathan Goode - Audionaut Producer Join the Discord: https://discord.gg/KHd97Zdh Sunwarper: https://sunwarper.com Kh3rtis: https://kh3rtis.com TIMESTAMPS 00:00 - Intro 02:00 - What we're up to 06:00 - Izotope announces Cascadia 11:00 - What's the point? 40:00 - Behringer and Mutable Insruments 45:00 - What do we think? 54:00 - Round Robin: Expressing Gratitude

Guests Gaz Williams - Producer, bassplayer, music technologist Rich Hilton - Nile Rodgers Studio guy, keyboards for Chic Youtube Video: https://www.youtube.com/watch?v=-JFeOOYa3JY For preshow and Ad free version and much more: Patreon.com/sonicstate iZotope Cascadia -Discover intelligent delay without distraction. Reinforce your rhythms and create deep echoes, tight slapbacks, and creative textures – all while keeping instruments and vocals focused in the mix with easy, adaptive unmasking. Save an extra 10% on any software purchase with the code SONIC10 at checkout.   Save 50% on NI Cyber Monday Sales: Komplete 15 bundles have everything you need to make the music that matters to you. With an unparalleled range of plugins designed to take your productions from start to finish, explore what's new in the latest version. And exclusively for listeners of Sonic TALK, take 10% off your software purchase at Native-Instruments.com with the  code SONIC10. Some restrictions apply. 00:00:13 SHOW START 00:02:15 AD: SonicState Patreon 00:08:46 Icy Synths For Winter 00:16:27 AD: iZotope Cascadia 00:17:42 JHS Respond to Pricing Questions 00:26:32 Carrot Audio adapter 00:32:38 Erica Synths Steampipe is now Available 00:45:23 AD: N.I. Cyber Sale! 00:46:30 Behringer Wave Where to Watch/Listen - We now stream the live show to Youtube Live, Twitch,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED 

Brian and Richard are back for Episode 543 of the Chasing Tone Podcast - Is Rock music ready for the nursing home?  Brian struggles with percentages but it's ok - Richard is telepathic - and they are sadly without 1/3rd of the regular crew as Blake is unwell thanks to those pesky kids! Brian tells us about some strange customs in the Wampler household and Richard thinks he's a comedian. He also has some nice things to say about his missing brother in arms. Brian inspires a new mega business idea. Is Rock music as we know it dead or dying? The guys ponder this because there are worrying signs and Richard thinks the time might be up for this period of wonderful guitar based music. He also tells tales of British school life and Brian is amused. One of Richard's favourite musicians has retired and he reflects on that.Richard has ordered a new breadboard and a new pedal kit and he is excited as Brian also finds some new toys. The guys talk about their travel guitar arrangements and Richard is impressed with Brian's choice of serenade. Richard is off to Crimson guitars to learn how to break his guitars more and he is pretty excited. Behringer have lit the blue touch-paper with their clone strategy and came out with some fighting talk so the guys chat a little about this.  Body sanitizer, Stay Tuned, Boss Katana, Indiana Jones and the mysterious rhombus, Cookie rant, UFOs...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Youtube:https://www.youtube.com/channel/UCdVrg4Wl3vjIxonABn6RfWwContact us at: podcast@wamplerpedals.comSupport the show

Send us a textBrought to you by Analog Pedals, Franklin Straps, Green Beard, and Mean Beard. More Gibson talk, Behringer drops again, follow up on the 4000 dollar guitar debate and some more.Thanks for sticking around.

Send us a textThis episode is brought to you by Franklin Straps, Mean Beard, Green Beard, and Analog Pedals!I talk a little about dad and a lot about Gibson, my take on the Ross pedal situation, the behringer 68 vibe and this new pedal clone army they are making. Also I get into this Question.What guitar would I buy with 4000 dollars.The end gets rough because a kids starts to cry and I couldn't ride it out.Thank everyone for dealing with me during this time. 

Episode 558 is is brought to you by... ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10% ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Truefire⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Wangs Amps⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to send us mail? 60 Cycle Hum #615 9450 Mira Mesa Blvd. San Diego, CA 92126 ⁠⁠⁠LINK HERE FOR PHOTOS ⁠⁠ 00:00 - Green Screen Les Paul 9:32 - Behringer Klon 14:33 Gibson sent a Cease and Desist to Trump Guitars 27:55 Guitar pedal companies AREN'T ripping you off 45:39 Aerosmith Tuning Amp 50:51 Thanks Patreon! 52:27 Let's talk about the Chase Bliss Mystery Boxes 57:25 Black Diamond 1:07:15 - This week's music was sent by Ben Smith of Picket Wounds and is called "Cultist Reckoning" **************************** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Something with our affiliate links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ +++++++++++++++++++++ Social Media Stuff: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram and Twitter @60cyclehum ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #60cyclehum #guitar #guitars #shameflute

Cette semaine dans la 163e matinale, on parle de Polyend Synth un nouveau synthé qui en a, de Behringer qui cloné la légendaire Tone Bender en gardant son principal défaut, delà nouvelle banque de sons de batteries undergroud de Toontrack et de Paintaudio qui propose un multi-effets qui fonctionne sous Windows et qui se met sur votre pedalboard.

Send us a textThis Episode is brought to you by Mean Beard, Green Beard, Analog Pedals, and Franklin Straps.My father has been super sick and he finally passed. I appreciate every who still listens. Im sorry. First part of episode is rough but I settle in.

Cette semaine dans la 162e matinale , on parle de toutes les nouveautés de la version 14 de Cubase, du nouveau synthé Behringer, de Rhodes qui dévoile leur clavier d'anthologie en plug-in et des nouveautés de Maschine 3.

All about the gear this week as both Ableton AND Behringer have dropped small lil' boxes of wonders. We're going through them and seeing what's up Help Support the Channel: Patreon: https://www.patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli, Stephen Setzepfandt, Jaycee Lewis, Mike K Smith & Justin Licameli Lars Haur - Audionaut Producer Jonathan Goode - Audionaut Producer

Guests Gaz Williams - Producer, bassplayer, music technologist Richard Nicol founder and product designer Pittsburgh Modular Youtube video version: https://www.youtube.com/watch?v=ypQrLqBhuTI For preshow and Ad free version and much more: Patreon.com/sonicstate   Show Sponsors: iZotope Plasma  - Give your tracks exactly what they need, exactly where and when they need it. Unlike traditional saturators that apply a static effect, Plasma's groundbreaking Flux Saturation technology analyzes your sound and applies dynamic processing, adding precise warmth, depth, and character to bring out the best in your mixes and masters. Save an extra 10% on any software purchase with the code SONIC10 at checkout. Whether you're crafting goosebump-inducing scores, deep dancefloor grooves, chart-topping hooks, or pushing boundaries with experimental sounds, Komplete 15 bundles have everything you need to make the music that matters to you. With an unparalleled range of plugins designed to take your productions from start to finish, explore what's new in the latest version. And exclusively for listeners of Sonic TALK, take 10% off your software purchase at Native-Instruments.com with the  code SONIC10. Some restrictions apply. 00:00:16 SHOW START 00:02:09 AD: SonicState Patreon 00:10:32 Zoom L6 Pocket Mixer 00:27:44 AD: iZotope Plasma 00:28:54 Fron2 Nice idea 00:35:19 Behringer Grind 00:46:46 AD: N.I. Kompete 15 is Coming 00:48:18 Elektron Tonverk Leak 00:56:37 Future Music No More Where to Watch/Listen - We now stream the live show to Youtube Live, Twitch,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED 

La quedada de septiembre es bastante extensa. Así que la hemos dividido en dos partes. En esta primera parte se tratan los siguientes temas: Gafas con audio Bluetooth OHO Sunshine. Gafas con inteligencia artificial Ray-ban Meta. Enlaces de interés: Micrófono SE Electronics Dynacaster. en Amazon. Enlace a Amazon micrófono SE Electronics Dynacaster Brazo articulado Tonor en Amazon. Enlace a Amazon brazo Tonor interfaz de audio Behringer umc-22 en Amazon. Enlace a Amazon interfaz audio Behringer Gafas audio bluetooth OHO Sunshine en Amazon. Enlace a Amazon gafas OHO Sunshine Artículo de las gafas con auriculares OHO Sunshine en infotecnovisión.  Enlace a artículo sobre OHO Sunshine en Infotecnovision -Web de Ray-Ban Meta en España. Enlace a la tienda en la web de Ray-Ban España Ring mirilla digital door view cam.  Enlace a Amazon de la mirilla Ring

Video: https://youtu.be/tp0cphTKRzA Topics discussed: YouTube rolling out thumbnail A/B comparisons and why Thumbnails are important, the Behringer D2 Podcast Pro, Recording without monitoring, why we present differently on different mics, why AI CANNOT replace Podcastage, the fact I wear grandma glasses and weird hats, the importance of seeking meaning instead of happiness, if AI is okay for creative projects, The Hobbit, and Sounds Speeds Podcast joining Geeks Rising!   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Behringer D2 Podcast Pro: I don't feel like linking it Heritage Audio i73 PRO2: n/a   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:17 - YouTube Thumbnail A/B Comparison Creator Insider video: https://www.youtube.com/watch?v=1KAYAhIWsdY Old Creator Insider Video: https://www.youtube.com/watch?v=JZoLw141o78 Focus on Title & Thumbnails: https://www.youtube.com/watch?v=S0N6nC7heqc 08:37 - WIBT: Behringer D2 Podcast pro 11:35 - WYHTS: Recording Without Monitoring? 13:18 - WYHTS: Sucky DVD Special Features 14:55 - WYHTS: Presenting Differently on Different Mics 19:16 - WYHTS: Why AI CANNOT Replace Podcastage 24:12 - WYHTS: Grandma Glasses and Weird Hats 28:40 - Value for Value 36:45 - V4V: Seeking Happiness vs. Seeking Meaning 43:40 - V4V: Is Using AI for Creative Projects Okay? 46:03 - V4V: Have I Watched Supernatural? 47:27 - V4V: How Big are Bigfoots Feet? 48:15 - Weekly Weckomendation Algowithm 49:45 - ANNOUNCEMENT 50:53 - Outro

'Beyond Polarities' has been out for a week and the man himself returns to the show! It's a perfect opportunity to sit down and talk to Eonlake about his new release and that is exactly what we're doing! Full engines go, we've got a peek into project files and we're discussing mixing with intent and how to gain clarity in the mix. We've got questions from ourselves, as well as questions from our community on Discord. Also in the news, we're taking a look at the new SY-1 release from Behringer. Another knockoff.... What do we make of it? Help Support the Channel: Patreon: https://www.patreon.com/audionautic Members get exclusive discord channels, the ability to come on the show & more :) Eonlake joins the Audionautic Roster, check out 'Beyond Polarities' here: https://eonlake.bandcamp.com/album/beyond-polarities Join the Audionautic Discord: https://discord.gg/BrVmRnRKb8 Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt Lars Haur - Audionaut Producer Jonathan Goode - Audionaut Producer Join the conversation:

Guests Paulee Bow Magical Synth Adventurer Robin Vincent Molten Music Tech Video Version: http://youtube.com/watch?v=53Fi8Y5e-OY For preshow and Ad free version and much more: Patreon.com/sonicstate IZotope RX11 is the industry trailblazer for audio repair and enhancement. Powered by machine learning technology, RX's comprehensive suite of tools tackles everything from common audio problems to the trickiest of sonic rescues, for music, audio post production, and content creation. Save an extra 10% on any software purchase with the code SONIC10 at checkout. Save up to 60% In the Summer of Sound sale through July 8th 2024, Unbeatable deals on music production software and hardware. Get all the creative tools you could need with 50% off Komplete 14 bundles, or choose your own individual instruments, effects, and Expansion sound packs. Pick up iconic synths for only 17.00, or step up your studio setup with huge hardware and software bundles. And exclusively for listeners of Sonic TALK, take 10% off your software purchase at Native-Instruments.com with the  code SONIC10. Some restrictions apply. 00:00:16 SHOW START 00:02:03 AD: SonicState Patreon 00:12:12 Behringer 1273 00:22:15 AD: iZotope RX 11 00:23:19 BeardyTron Coming Soon 00:32:10 Behringer Syncussion SY-1 00:43:09 AD: N.I. Summer Of Sound 00:44:11 Kristoffer Lislegaard 01:10:56 Win Plogue   Where to Watch/Listen - We now stream the live show to Youtube Live, Twitch,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED 

Welcome to another episode of Poducer, the podcast for producers! In this episode, we dive deep into the Chicago beat-making scene and the world of modular synthesis with our special guest, Fess Grandiose. Support Us by Buying a Hat https://poducer.bigcartel.com/product/poducer-green-corduroy-ball-cap Sponsorships: QUAKE Earplugs Use code "POD15" at checkout to save 15% https://quake402.bigcartel.com/product/dub-mufs-v2 Affiliates: https://www.lalal.ai/?fp_ref=poducer Follow Fess Grandiose: https://linktr.ee/fessgrandiose https://www.instagram.com/openbeats/ Follow Poducer: https://linktr.ee/poducerpodcast Chapters: 00:00 Introduction and Name Discussion 01:31 Fess Grandiose's Background and Role 02:14 Working at Reverb and Open Beats 05:13 First Concert Experiences 07:32 Musical Influences and Transition from Metal to Hip-Hop 16:04 Starting Music Production and DJing 24:17 Influence of Gear and Producers 26:13 Reverb's Fest Picks and Favorite Gear 31:03 Roland's Impact on Music Technology 34:51 Overhyped Brands and Behringer's Controversies 41:53 Teenage Engineering and New Innovations 48:39 Community and Networking in the Beat Scene 52:06 Origin of Open Beats 57:24 Inclusivity and Multi-Genre Approach at Open Beats 01:01:12 Advice for Starting an Event 01:05:42 Evolution and Future of the Beat Scene 01:12:07 Impact of AI on Music Production 01:19:04 Best Stem Separators 01:21:59 Comparing Music Conferences: NAMM vs. Superbooth 01:27:28 Starting a Modular Journey 01:35:43 Boutique Brands and Pedal Comparisons 01:40:19 Unique Characteristics of Maths Module 01:44:51 Exploring Modular and Pedal Integration 01:53:06 Enhancing Sampling Through Synthesis Knowledge 01:55:13 WFXR Duo and Modular Performances 02:00:00 Improv and Live Performances 02:02:49 Most Impactful Concert Experience 02:07:46 Shoutouts and Community Support 02:11:09 Chicago Beat Scene vs. Other Cities 02:15:16 Where to Find Fess Grandiose Online 02:16:24 Closing Remarks

In this podcast episode, I was delighted to be able one of the most prominent people of the audio developer landscape: Fabian Renn-Giles.Fabian is a former lead developer of JUCE, currently working as an independent contractor. He has worked with many great companies (e.g., iZotope, Behringer) and has an incredible portfolio. He is regarded as an expert of real-time, low-latency C++ audio programming.You may know him from his talks at the Audio Developer Conference or at CppCon.He's also an incredibly kind and modest person; anyone that I've talked to about Fabian only had praise for his skills and his very down-to-earth attitude.In the light of all the above, this interview is a real treat for everyone who'd like to become a real-time audio C++ expert!Note: If you like the podcast so far, please, go to Apple Podcasts and leave me a review there. You can do so on Spotify as well. It will benefit both sides: more reviews mean a broader reach on Apple Podcasts and feedback can help me to improve the show and provide better quality content to you. You can also subscribe and give a like on YouTube. Thank you for doing this

This week, our new label mate Jonathan Goode joins us on the show for an interview and discussion about his debut release 'Juxtaposition Junction'. Together we'll be dissecting narrative and story telling with music as we gain greater understanding of Jonathan's motivations, inspirations and sonic expeditions. We'll also be taking a look at the new VINTAGE synth from Behringer. A free VST supposedly modeled on retro synths like the Sequential Prophet and Oberheim OB-X. Behringer say it's worth $100... we'll run through the UI and sound banks so you can make the decision for yourself :) Grab Juxtaposition Junction here: https://jonathangoode.bandcamp.com/album/juxtaposition-junction Join the Audionautic Discord Server: https://discord.gg/f57EVEGS59 Help Support the Channel: Patreon: https://www.patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt Lars Haur - Audionaut Producer Jonathan Goode - Audionaut Producer Time Stamps: 2:00 Show Start 5:00 Behringer Vintage Demo/UI Walkthrough 25:00 Community Corner 30:00 Crafting Story through Music with Jonathan Goode 53:00 What We're Up To

Guests Yoad Nevo - producer, mix engineer Waves Developer Rich Hilton - Nile Rodgers Studio guy, keyboards for Chic Paulee Bow Magical Synth Adventurer For preshow and Ad free version and much more: Patreon.com/sonicstate Video version on Youtube: https://www.youtube.com/watch?v=3GhV_QKl_3M Trash has a whole new take on mangling and transforming your sound. Have a blast bringing out the color and chaos in your tracks with over 600 distortion types and impulse responses. Or, roll the dice to explore new, unexpected directions. Escape reality and discover the beauty of imperfection with Trash. Save and extra 10% on any software purchase with the code SONIC10 at checkout. Spark your creativity with Guitar Rig 7 Pro - an inspiration suite filled with sought-after guitar and bass amp simulators, studio effects, and pedals. Get instant flavor with over 100 new rack presets, or mix and match modules to sculpt your own tones. Add analog warmth with four new lo-fi components, perfect for adding texture to any track. And exclusively for listeners of Sonic TALK, take 10% off your software purchase at Native-Instruments.com with the  code SONIC10. Some restrictions apply. 00:00:01 SHOW START 00:01:45 AD: SonicState Patreon 00:03:21 Win amazing FabFilter prizes 00:13:56 Behringer Soft Synth 00:22:24 AD: iZotope Trash Re-Issue 00:25:14 Digitakt II 00:38:15 AD: N.I. Guitar Rig Pro 7 00:39:27 Steinberg VST Live 2 00:58:29 The Real Story About Bands on The Road Where to Watch/Listen - We now stream the live show to Youtube Live, Twitch,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED 

The first LinuxFest is back and better than ever. We share stories and friends from one of the best Linux gatherings of the year: LinuxFest Northwest.Sponsored By:Tailscale: Tailscale is a programmable networking software that is private and secure by default - get it free on up to 100 devices!Kolide: Kolide is a device trust solution for companies with Okta, and they ensure that if a device isn't trusted and secure, it can't log into your cloud apps.Support LINUX UnpluggedLinks:

In a world where the phrase "the customer is always right" often rules, managers can be caught in the difficult situation when a customer or client is acting inappropriately with one of their team members. Hopefully those listening to this podcast will not face this kind of moment. But if you do, our guest Kelsey Behringer offers some sound advise on how to navigate this kind of situation. Our Website: https://conversation-with-a-manager.captivate.fm

For the latest installment of "Giving Tuesday," John talks to the Richmond Animal League's Lauren Behringer, who tells us all about the work that that organization is doing for pets in need. (You can learn more about RAL here.)

https://www.youtube.com/live/UD4l9aMamoo?si=YcSnAg5bMvWJeUto

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.* In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the Chief Executive Scientist for Audio and Multimedia fields at Fraunhofer International Audio Laboratories - Juergen Herre from Erlangen, Germany. Juergen Herre received a degree in Electrical Engineering from  Friedrich-Alexander-Universität in 1989 and a Ph.D. degree for his work on error concealment of coded audio. He joined the Fraunhofer Institute for Integrated Circuits (IIS) in Erlangen, Germany, in 1989. There he has been involved in the development of perceptual coding algorithms for high-quality audio, including the well-known ISO/MPEG-Audio Layer III  coder (aka “MP3”). In 1995, he joined Bell Laboratories for a PostDoc term working on the development of MPEG-2 Advanced Audio Coding (AAC).  By the end of 1996, he went back to Fraunhofer IIS to work on the development of more advanced multimedia technology including MPEG-4,  MPEG-7, MPEG-D, MPEG-H and MPEG-I, currently as the Chief Executive  Scientist for the Audio/Multimedia activities at Fraunhofer IIS,  Erlangen. In September 2010, Prof. Dr. Herre was appointed full professor at the University of Erlangen and the International Audio  Laboratories Erlangen. He is an expert in low-bit-rate audio coding/perceptual audio coding, spatial audio coding, parametric audio object coding, perceptual signal processing and semantic audio processing.  Prof. Dr.-Ing. Herre is a fellow member of the Audio Engineering Society  (AES), chair of the AES Technical Committee on Coding of Audio Signals and vice chair of the AES Technical Council. Prof. Dr.-Ing. Juergen  Herre is a senior member of the IEEE, a member of the IEEE Technical  Committee on Audio and Acoustic Signal Processing, served as an associate editor of the IEEE Transactions on Speech and Audio Processing and was an active member of the MPEG audio subgroup for almost three decades. Juergen explains the science of the key technology concepts behind the worldwide adopted family of MPEG codecs and we discuss the latest addition of the reference model for the virtual and augmented reality audio standard - MPEG-I Immersive Audio. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to immersiveaudiopodcast.com If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.* In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by composer and sound artist Mariam Gviniashvili from Oslo, Norway.  Mariam works as a composer and sound artist  – combining electronics, electroacoustics and 3D sound technology with visuals, dance and live performance to penetrate deep into the physical and emotional essence of sound and space. Growing up in eastern Georgia, she sang and played the piano, and studied composition in Tbilisi, Budapest and Oslo. Through her subject matter, her compositions display a curiosity about the world and society – from distractions during online meetings in DAYDREAMING (2022), to the viral patterns in DECONSTRUCTION (2020). Other works explore the Syrian war, a globally- sourced collection of songs and prayers, and a river soundscape in Oslo. Gviniashvili's music has appeared at festivals all over the world – the New York Electroacoustic Music Festival (USA), BEAST FEaST (UK), Transitions at CCRMA (USA), ICMC (Korea), Mixtur Festival (Spain), ARD Hoerspieltage (Germany), Ars Electronica (Austria), Klingt Gut (Germany), Heroines of Sound (Germany) and Ultima Festival (Norway). Mariam talks about her journey as a conventional composer evolving into a multidisciplinary sound artist performing her work in spatial audio on multi-channel arrays in different immersive spaces across the world. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to immersiveaudiopodcast.com If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

This last year has seen the introduction of easy access for all of us to generative AI tools. How can managers best use these new tools to improve their performance and the performance of others? Our guest Kelsey Behringer explores this question suggesting where AI can be best applied to the work of a manager [currently] and where it is not yet ready to be applied. Our Website: https://conversation-with-a-manager.captivate.fm

Albath, Maikewww.deutschlandfunk.de, Büchermarkt

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.* In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by electronic music producer and AV artist Halina Rice, from London, UK.  Halina Rice is an ‘immersive first' electronic music producer and AV artist working at the intersection of music, art and technology with her sold-out live shows being described as “part rave, part art-happening.” Creating music that spans from abstract sound design to beat-driven IDM, her performances and installations are often presented in spatial sound in both physical venues as well as metaverse and VR environments. Halina also gives masterclasses and keynotes on the use of spatial sound in immersive performance. Halina talks about the process of producing and preparing material for her live sets, working with L-Acoustic's L-ISA system, and shares practical insights on how performing with a spatial audio array differs from working with traditional playback systems. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://immersiveaudiopodcast.com If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.* In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the members of the BBC R&D Audio team Dave Marston and Matt Firth from the United Kingdom. We talk about the Next Generation Audio for Live Event Broadcasting, covering aspects such as immersion, interactivity, personalisation and workflows featuring cutting-edge codecs and metadata for Audio Definition Model (ADM), Serial ADM (S-ADM), and OSC-ADM. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://immersiveaudiopodcast.com/episode-88-dave-marston-matt-firth-bbc-rd/ If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.* In this episode of the Immersive Audio Podcast, Oliver Kadel is joined by the academic and researcher at Imperial College - Lorenzo Picinali from London, United Kingdom. Lorenzo Picinali is a Reader at Imperial College London, leading the Audio Experience Design team. His research focuses on spatial acoustics and immersive audio, looking at perceptual and computational matters, as well as real-life applications. In the past years Lorenzo worked on projects related to spatial hearing and rendering, hearing aids technologies, and acoustic virtual and augmented reality. He has also been active in the field of eco-acoustic monitoring, designing autonomous recorders and using audio to better understand humans' impact on remote ecosystems. Lorenzo talks about the breadth of research initiatives in spatial audio under his leadership of the Audio Experience Design group and we discuss the recently published SONICOM HRTF Dataset developed to improve personalised listening experience. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://immersiveaudiopodcast.com/episode-87-lorenzo-picinali-imperial-college-london/ If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinIn this episode the guys discuss the press statement from Behringer that had allot of people asking question? Does Behringer truly not care about audio influencers? Does behringers press release rub people the wrong way? Is Behringer right for feeling the way they do about not collaborating or sending their gear to anyone to test out? Lets find out?Please subscribe to our YouTube and rate our podcast it helps us a lot! https://linktr.ee/myaudionerds➡️ GET THE HMD ROSETTA EQ: https://www.helpmedevvon.comFollow Ushttps://www.instagram.com/helpmedevvonFollow The CastDevvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@LJean1Courtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.* In this episode of the Immersive Audio Podcast, Oliver Kadel is joined by theatre sound designer and engineer at Autograph Sound - Luke Swaffield and co-founder and lead developer at Innovate Audio Daniel Higgott from London, United Kingdom. Dan and Luke talk about the world of theatre sound and immersive live events and the fast adoption of spatial audio which offers creative opportunities and the need for innovative solutions. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://immersiveaudiopodcast.com/episode-86-daniel-higgott-luke-swaffield-innovate-audio/ If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

Guests Paulee Bow Magical Synth Adventurer Robin Vincent Molten Music Tech Robbie Puricelli Pro Synth Network Youtube video version: https://www.youtube.com/watch?v=FkcAyMowOVI For preshow and Ad free version and much more: Patreon.com/sonicstate   For more than 25 years, Native Instruments has been at the heart of musical innovation. Native Instruments hardware, software, and digital services provide fully-integrated solutions for musicians, producers, and DJs of all genres and levels of experience. And exclusively for listeners of Sonic TALK, take 10% off your software purchase at Native-Instruments.com with the code SONIC10. Some restrictions apply.   The Future of Mastering is Ozone 11 - Craft the perfect listening experience with the ultimate collection of mastering tools. Whether you're putting the finishing touches on the next chart-topping hit or producing your first song, Ozone 11 delivers cutting-edge processing and AI-powered workflows. Effortlessly make your tracks release-ready and unlock the full potential of your productions. Don't forget the code SONIC10 to save 10%   00:00:17 SHOW START 00:01:19 AD: SonicState Patreon 00:03:19 SYNTHFEST UK 00:21:24 AD: N.I. Kontrol S Series 00:23:06 Analogue Solutions Maixmus 00:29:56 Akai APC64 00:40:35 AD: iZotope Ozone 11 00:43:16 1010Music Tangerine 00:57:30 nickhowesuk asks  via - [twitch] - QQ for this week. Given Ben Jordan Jorb and others now seem to be on the warpath against Behringer do the panel feel like it's time to just all just enjoy what kit we have/own/want to use and not spend an eternity bun fighting about music technology as most of us don't care if you have a room full of CS80s or Jupiter 8's what we care about is making music and enjoying our hobby/profession Where to Watch/Listen - We now stream the live show to Youtube Live,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED 

Topics include:Max Roach on PBS Oct. 6th Epic Games sells Bandcamp 1800Flowers guy wants his house back from Katy PerryBehringer says no free stuff but put our shit on the gramSLAPS: Rick Ross and Meek Mill, U2, *NSYNC ft. Justin Timberlake, Lyrical Lemonade ft. Lil' Durk and Kid CudiJames will be at One Three Guitar on Saturday 10/14 from 10a-noon to show his new pedal setup & more!Tan.gent on Spotify, BandcampFollow The Rumble TrioFollow NOBS BRASS BandDoes It Slap Playlist The Hustle Season on Patreon Our Linktree:::::ADVERTISE ON THE HUSTLE SEASON PODCAST:::::Have a business/event you want to get out to listeners?Are you an out of town band coming to Richmond and want to promote your gig ?? Buy a spot on the Hustle Season Podcast, starts at $25. So easy!!

The Mackie DLZ Creator is out, and after taking some cues from Rode, they have a pretty good piece of kit on their hands. George had a chance to catch up with its creator at "Podfest 23", so took the opportunity to record a chat about some of the more interesting features and some of the ideas that sparked its creation. See it here: https://mackie.com/intl/products/livestreaming-podcasting/dlz/dlz_creator.html A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite   If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson    Summary In this episode of Pro Audio Suite, the team invites listeners to take advantage of a $200 off tribooth offer and encourages likes and ratings. Key part of the episode is George Wittam's experience at Podcast Movement in Denver, where he met Matthew Heron, the product manager and designer of the Mackie DLZ, a digital podcast mixer. Heron discusses the user-friendly and versatile features of the mixer, including three distinct user modes (beginner, intermediate, professional), auto mix functionality, full dynamic processing, and more. Despite its similarities with the RODECaster model, the Mackie DLZ showcases its unique design ideology. This episode also ponders on what additions Rode might introduce in their firmware updates. The mixer's integrability into an AV media production suite and its future updatable platform are other highlighted features. The team ends the podcast with anticipation of discovering the significance behind the three letters in 'DLZ'. #ProAudioSuite #PodcastTech #RoadcasterInsights    Timestamps [00:00:00] Pro Audio Suite: Introductions and Special Offer Code   [00:01:08] Exclusive Interview: Matthew Heron and Mackie's DLZ at the Denver Podcast Movement     [00:02:58] Exploring the Multifunctional DLZ Digital Podcast Mixer         [00:05:21] The DLZ Advantage: Auto Mix Features and User Guidance   [00:08:52] DLZ's Promote Channel View and Dynamic Processing Capabilities     [00:11:17] Comparing the DLZ with the RODECaster Model        [00:12:22] The RODECaster Pro Two: Master Fader and Dedicated Automix     [00:19:49] DLZ in Home Studio: Setting up a Monitor Mix     [00:23:22] Exploring the DLZ's Specifications and Inclusions       [00:25:15] The DLZ as a Future Updateable Device    [00:26:36] Final Words and Outro: Stay Ahead of the Game     [00:26:52] Closing Thanks and Provide Tech Support Invitation    Transcript Speaker A: Y'all ready be history.,Speaker B: Get started.,Speaker C: Welcome.,Speaker B: Hi.,: Hi.,Speaker B: Hello, everyone, to the Pro Audio Suite. These guys are professional and motivated with tech.,Speaker C: To the Vo stars George Wittam, founder of Source Elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo Austrian audio making passion heard. Source elements. George the tech. Wittam and robbo and AP's. International demo. To find out more about us, check thepro audiosuite.com line up.,: Learner.,Speaker B: Here we go.,Speaker C: Welcome to another Pro audio suite. Don't forget, if you want to get yourself a tribooth, use the code tripap 200 and you'll get $200 off your tribooth.,Speaker A: And don't forget, also yes, we need some likes and ratings and comments.,Speaker C: Yes, tell us how much you love us.,Speaker B: Give us where's the best place to do that?,Speaker A: Well, I'll tell you what, look in the show notes and I'll stick a link there. That's the best way.,Speaker B: Okay, got it.,Speaker C: Or just give us a comment on your favorite platform. Wherever you listen.,Speaker B: Exactly.,Speaker C: That'd be very handy. Now, George, a couple of weeks ago you were in Denver, colorado, I should say Nanu. Nanu. But that's boulder, very cryptic. Human this morning. And you were at the podcast movement.,Speaker B: Yes, I was.,Speaker C: And you bumped into someone over there. But before we get to the interview you did with the product manager of the new Mackie DLZ creator, you had a bit of a look at that and we're looking at it now. It looks very Roadcaster to me.,Speaker B: Yeah, well, everything that's followed since the roadcaster has looked very RODECaster because they literally invented a category.,Speaker A: Talk about setting a design standard. Good on your road there, you yeah.,Speaker B: Yeah, they're the big dogs still. I mean, for sure. I was at Podcast Movement in Denver, and I was there partially supported and sponsored by BSW, the dealer, Pro Audio dealer here in the US. And they brought along a rep from Road to be with the booth. So I was hanging out with Road and BSW, and of course, there were other vendors there as well, including Mackie. So I had a moment to sit down or stand and take a little interview in with Matthew Heron. He's actually the product manager. And what's really cool is he's not just a sales guy, he is the designer of the DLZ.,Speaker A: Oh, wow.,Speaker B: So you'll hear him explain when and why the thing came to be, and he gets into a bit of detail. He talks very fast because there's a lot to cover in the short amount of time. But, yeah, it's a very impressive piece of kit, as we like to say.,Speaker A: Well, let's have a listen.,: Hey, everybody. It's George, the tech at Podcast Movement. And I've made my way finally over to Mackie and we're getting an interview here with Matthew before it gets too noisy in here and he's going to show us his baby. What do we got?,: Matthew well, we're here today. We've got the brand new DLZ creator. We launched this back in May and we've been working on this thing for about two and a half years. So that's what I kind of a lot of people learned how to make sourdough over COVID and I decided to design a mixer. We're here with it and we're really excited about this. I think there's definitely some highlights. Obviously this is a digital podcast mixer. You can use it for live sound, but it's really designed for podcast use, case streamers folks that are creating content, right? Mackie's been behind the content creator since 1989 only it used to be grunge, long hair and flannel. But today it's podcasters, it's unboxing toys, right? It's things like that. That's what people want to do. And so what we're trying to do is democratize audio, make it easier no matter what your experience level. So how we've done that is we've put three distinct user modes in one product and what this effectively does is allows you to work however comfortable you are. If you're brand new, you've never done anything. We have an easy mode that hides almost every parameter from you and allows you to just kind of have a preset based workflow because it's very easy to load which microphone you're using right now. We also have an enhanced mode. This is very similar to other products you'll see in market. There's a lot of competitors out there, but it's going to be the feature set that a lot of folks are comfortable with. If you're coming from a RODECaster, for example, in pants, mode is going to be very comfortable for you. And then finally we have a Pro mode and what that does is that kind of goes back into Mackie's. Our back end Master Fader is a really good example of a pro product that we put out for many years. But we wanted to have all the features that you imagine. So just to jump into easy mode fairly quickly, I'll just kind of show you the channel view. We made it as easy as we possibly can. You're loading a preset for the channel. We've got our Em 99 B microphones. So you can just pick the microphone you're using and load it right up. We also have the SM Seven B and many other a little bit more generic microphone as well. Right? Plenty of choices, right? The easy customer could then label the channel. Right, we want to change the color. Let's make it blue. Let's go ahead and put a little person in there, right? We can do that. That changes the color. Yeah, there's a Scribble strip as well, so we can label it as well. So we can call this one Joe, for example. This is Joe's Mic. I'm doing it upside down so I'm a little slower than I'd normally be, but it's Joe's Mic and it's a digital product and I'll be quite honest I've worked on analog consoles, and I love board tape. It's kind of a fun, tactile thing. But I'll be honest, if you have a digital console, there's no reason you shouldn't be able to label it digitally, right. Put in the name, color, icon, that sort of thing. And that's really been true for Mackie since the DL products.,: Tell us about Auto Mix, because that is something that really stands out.,: Yeah, let's do it. Yeah. So if you are brand new, right, we can help you set up the channel very easily. But we also have auto mix. What this really does is allows you to do it's kind of based on Dugan style gain sharing, right? So each microphone, if there's no signal present, it doesn't get any gain. But if there is signal present, it gets all the gain. And what this does is this helps it helps reduce feedback from other microphones because they're not live. It helps reduce noise because those other microphones aren't live at that point in time.,Speaker A: Right.,: So really, it just helps clean up the whole system. Another huge benefit is when people talk over one another. Now, you could ride the faders, and that's something that you can do, and a lot of people do do. But if you don't want to do that, this is a really great feature. You can just have everybody set to medium and you're all sharing gain. So if you talk over one another, it'll reduce the overall volume and you can hear everybody as opposed to everyone talking over one another.,: For me, that's important because I host a show and I'm the sound engineer. So riding the faders and being engaged in a conversation, you can't really do it well. The Auto Mix clears up cross talk between channels. We use condensers, so it really cleans up a mix. When you have Auto Mix set up.,: Yeah, it's really helpful. And we've actually gone one step further, and we actually added in these priorities. And what that does is it allows you to set priority. So you're talking about being the host. As the host, you could set your priority to high. And what that will do is that will allow you to be the loudest no matter what. So if you're running a political podcast and, you know, the people might talk over one another or they might get a little argumentative, you can always set yourself to just one level higher. And what that will do is that way you can come in and go, hey, guys, we got to take a commercial break, or what have you. You can kind of help control the conversation a little bit more easily, a.,: Little bit like ducking.,: Sort of similar to that framework. Yeah. But when you combine it with the Auto Mix yeah. It becomes very powerful. Like I said, that's our easy mode. And one step further on, the easy mode, which is kind of cool, is we have this setup assistant. This will literally walk the customer through everything you need to do to get the mixer set up. Tells you to push up the channel faders. We know that if you've been in the audio industry for a long time, you have to push up the channel faders to get audio to pass through the mixer. That's not in apparently obvious to a brand new user. Why do I have to push those up? Well, you need to and so we tell the user to do that. We have them plug in their headphones. We then pipe audio to the headphones and allow you to turn up each headphone to whatever level feels most comfortable. And I'll be honest, I got my start in tech support. So we built tech support in headphone help, right?,: We were saying before, the reason this product is so good is because you came from support. You understand we're all the issues are and you designed it right in, right.,: So we put in a lot of places where people do have pain points. We hope to eliminate those pain points. Same thing with the microphones. We help you set up the microphones, tell you where to plug in the microphones. We go ahead and say, hey, here's your microphone. One, you can kind of select the microphone by picture also, so if you know what your microphone looks like, you can kind of get going. Also, we have automatic gain setting. So for each one of the microphones you don't need to know how to set gain. You can press listen and set for me. And depending on how far you are from the microphone, how strong your voice is, how much gain your microphone really needs, we will go ahead and automatically set that on the back end. The mixer is smart enough to do that for you. Also, again, microphone help. Aren't you not hearing anything? Try some of these suggestions.,: That's great. They're going to learn a lot. I bet if they want to, they'll learn a lot about engineering from going through all that.,: Absolutely.,: Going to be familiar with all the functions and the inputs and they'll learn terminology and stuff.,: Yeah, awesome. Yeah. And then like I said, in Promote, we'll jump straight to promote. And obviously in Promote, I'm going to go ahead and turn off set up assistant right now. But in promote it's in the no holds barred, right? So we go into a channel view. You have full dynamic processing. You have access to 48 volts fan power, independent delay and reverb sends pan control. Also, we hide pan from our beginning users because they're only going to hurt themselves with it. And again, full EQ, full gate, full compressor, DeEsser, all the stuff that you would expect in a full dynamic digital mixer like this without any limitations. Now, the other really cool thing about it, we took a lot of time to figure this out, but all of this is nondestructive. So what's really cool is a pro. If you have this product, if you have multiple users that have different experience levels, everyone can benefit from the same product. A pro can jump in, set up all the channels, get it all absolutely dialed in with all of the processing, switch it over into easy mode, hand it off to their brand new user, and that brand new user will get access to all that cool processing, but it's been hidden from them so they don't get lost. And it's completely nondestructive.,: I can tell somebody to get this.,: Yes.,: I can set up all that stuff in pro mode. It's locked away in easy mode and they can't mess anything up.,: Exactly. And it hides it all from them. And the cool thing is, too, is you can load them a preset specifically for their voice and name it, and then they can just load that preset. So it's really, really flexible in those situations. And like I said, whether you're growing with a mixer, you're brand new and you want to grow to become a pro, or if you have a situation where this is going to be put in a studio and the studio is going to be used by both pros and people that have no idea, it's really a lot more flexible. And what it does is it helps avoid what I call smear. And so a lot of times you see consoles in this category, and what they'll do is they'll be kind of easy, sort of easy to use, but they're not quite easy enough for someone who has no idea what they're doing. And then a pro will get in there and they'll say, well, yeah, I have those controls, but they're kind of clunky or they're difficult to use. And so what we really try to do is make it happy for both users. And what that means is actually separating out those user modes into two distinct interfaces.,: Yeah, it's a beautiful product. I'm looking forward to banging on it a little bit and giving you some tests and trying it out in the real world. And congratulations on the launch. It's a beautiful product. Thanks so much. We'll talk again another time when we have less background noise. Maybe we can do sort of a from home zoom session together and really talk a little deeper about product design. I think that'd be a lot of fun.,: I think that'd be great.,Speaker B: All right.,: I really enjoy it.,: Thank you.,Speaker A: So, without knowing too much about this thing, George, as we mentioned before the interview there, it is very much a roadcaster I won't say ripoff, but very much based on the RODECaster model. Right?,Speaker B: Yeah. He was very clear that this was something that he had seen, they had seen, the whole industry saw. And so it was time that Mackie throw their hat in the ring and he spent the majority of the pandemic developing it. So when it came out it came out recently, I think it came out after the RODECaster Pro Two because it did just release like in the last couple of weeks. And so it feels even more like the RODECaster Pro Two, as you could imagine. But they still threw at it some of the Mackie kind of design ideology, which is, I mean, obviously the road is designed to be easy, but these guys took it to another level of being easy, I think. Well, the first thing that really wanted to be friendly yeah, well, the first.,Speaker A: Thing that strikes me and the first thing I said to you when we were talking about this before the show is it's got a master fader, which is interesting in and of itself.,Speaker B: I know it does.,Speaker A: Yeah.,Speaker B: Right. So whereas Rhode chose to condense the thing down a little bit smaller and lose things like a master fader, mackie, I think, wouldn't dare lose that fader. And I should have asked him about it, but I didn't think to. But he didn't dare lose it because it's an audio mixer in the world of Mackie, like, you always have a master fader.,Speaker A: Yeah, well, if you don't have one, you're going to create one anyway. You're going to dedicate one to being a master fader. It's somewhere along the way, surely.,Speaker B: Probably, yeah. That is one of the things that Rhode clearly chose to leave out because they felt like it's not needed for what people are using it for. But Mackie chose to leave in but what Mackie did, which she explained really know in the audio, was that it really is a tool that will suit total newbies and beginners to professionals. And the way they do it is by having three different types of user experiences beginner or easy, sort of a medium or moderate. And then the full on Pro. We didn't look at the moderate version. He kind of gave me a good overview of the beginner version and the pro version. But the beginner version, it literally has a wizard and it walks you through very much a step by step process of how to get your show set up on the mixer, even to the point of setting levels for you and all that stuff.,Speaker A: So these are just different softwares in the same box? Or are these completely different products, though, like the beginner, the intermediate and the professional?,Speaker B: In the world of firmware, it's all software, right? Basically whatever you want to show on that screen is what the experience is going to be. Right. So they have the easy mode and then I think when you first power the unit on default, it's going to start in easy mode. So it has a very simplified interface. It doesn't get into notch filters and thresholds. It's very simplified. It has a ton of presets for different microphones. It will set the gain for each of your microphone sources by listening to the source and then setting the gain for you. And then it gets you started very easily. And then it also has a dedicated automix, which he talked about. It's the Dugan Automix, which is very much a trademark kind of patented system. But they're not using in the branding and in the design. They're not infringing theoretically on any patents because it's their own algorithm that they're doing. But they've created an automix method where you can prioritize on three different levels, each of it the inputs. Right. So if you want to be priority, you make yourself high. You can make your guests medium priority and you could make like an audience mic or, I don't know, a sound effects channel or some other things be low. So it will keep things from stepping on each other and it'll keep your mix cleaner. And that is a function that the RODECaster Pro Two does not have, is the auto mix. So it doesn't mean they couldn't add it later because it is firmware.,Speaker A: They will now.,Speaker C: Absolutely.,Speaker B: Yeah. Well, I think what's going to be really interesting is watching what Rode adds to the RODECaster Pro Two's firmware to be on more of a parody with what the Mackie is doing, it's inevitable. Right. So it's going to be a very interesting thing to watch happen. But it was cool to talk to the real guy, the guy who worked on the design and maybe one day we'll get him on the show. He said I talked to him after, he said he would love to come on another interview and get more into the geeky nuts and bolts of the design.,Speaker C: Yeah, interesting.,Speaker A: Absolutely.,Speaker C: Because I'm kind of curious as to where they've come at this from, whether they came at it like road have where they've just gone, okay, straight into podcasting or has Mackie come going, okay, we can tap into podcasting, but we're also looking know the normal kind of audio studio kind of thing as yeah, yeah.,Speaker B: Well, Mackie, clearly they want to be in podcasting without abandoning. So yeah, it definitely has a feeling of you could pull this out and do a live show with it and you'd have mostly what you need to do that. It doesn't have nearly the number of outputs like a live mixer does. It doesn't have all the auctions.,Speaker A: So can I use those faders to control my door?,Speaker B: I don't know. I didn't get into that level. I literally had an eight minute presentation.,Speaker A: Yeah, right.,Speaker B: So I didn't have the time to dig deep into it. There was so much to see at the show for me that I would have sat there and played with it for an hour. I just had too much networking to do. I didn't want to squander that time, but I would have gotten more into it. But yeah, I hope to eventually get my hands on one and put it into its paces. And if I had had one for the studio I did most recently, I probably would have used it because the auto mix I think is a useful tool. Then again, I think automix is extremely important for live streaming, live mix, but not at all important for a podcast because in a podcast you want to capture everything flat and raw and then do all of that in post.,Speaker A: Unless you're not going to mix it in post. Then that auto mix thing would actually be completely would be very powerful, wouldn't it? If you were the type of person who just wanted to do a two track edit and didn't want to worry about having to balance a mix and all that sort of stuff.,Speaker B: That would be that's what we do. Yeah. On VOBs, that's what we do. We do a live to drive so it mixes baked and if I blow the mix, then it's know it sucks. In fact, we did an appearance, I did VOBs from the trade show Floor. So I was on the panel when we had on Elaine Clark and then we interviewed Ryan from Road on the show. And in post, Dan had kind of a mess on his hands because the noise floor was so high. It was so annoying for me that I was riding the Gain. I was riding the level going to Dan. So what he hears in the mix is kind of a mess because the room tone is changing constantly as I'm turning the mics up and down. Right. So he very cleverly took some room tone and laid that over the entire mix okay. To clean it up because he said it was really distracting. He said, did you use a gate? I said, no, that's called human gate. Just riding my Gain because it got ungodly noisy in that space. And it was one of the most reverberant, horribly echoey convention experiences I've ever had. It was absolutely terrible.,Speaker C: I always find that really quite bizarre that you're actually selling basically audio stuff in this case and you're in an environment that just doesn't showcase it very well at all.,Speaker A: What are you going to do?,Speaker B: It just shows how much of a lack of understanding of what is needed for a good experience by the attendants or the customers from the owners of that building. And the owners of that building are Marriott, you may have heard of them.,Speaker C: Yeah.,Speaker A: Can I take you back a step? You said if you had have known about this you would have put this in a build that you did recently with the auto mix thing. Would you use that if you were setting this up for someone in a home studio? Would you use that to manage their feed from the client studio to sort of keep a decent mix in their headphones, to keep them down lower if that's what they wanted or up higher.,Speaker B: Or whatever you could yeah. It never would have occurred me to use it in that way. But you certainly could set up a monitor mix for your headphones using the auto mix so that you don't get blown out of your cans. Your voice is kind of over top of whatever's coming back at you.,: A lot of singers like to sing into a compressor, and sometimes you don't necessarily track it with that, you just have it there. It's kind of like singing into some reverb. It's the same thing as that guy that likes to sit there with the volume knob, David. He could just buy a compressor and maybe not get culpal tunnel syndrome.,Speaker B: One of these days. I'll set that up for him. He still has that Affliction muscle memory thing going.,Speaker A: Yeah.,Speaker B: But yeah, it's definitely a matter of changing the way you hear everything in the headphones and controlling the experience for the performer. And that would be a clever way to do it, actually. Yeah.,: Mackie's late to the game, but coming out with something pretty good.,Speaker B: Yeah. Waited and watched what Road did and then just like, all start. Let's start from scratch. Seeing the success of this thing and go all the way through the end and see what we build. And that's what they did. It's like an $800 retail unit, so it's a little bit more expensive. It's sort of like the RODECaster pro. Two baquito mach plus.,Speaker A: Let's see what the first thing Robert notices is when he looks at the picture. Let's see, what the first thing jumping.,Speaker C: Online to have a look at it.,Speaker A: See if he picks up one. I pick what's it called? The DLC creator. Tell me what the first thing is that pops in your head when you just look at it. There's something on there that made me go, Is that a blah?,Speaker C: And I'm only saying Z because I know it's American.,: It's the Deals.,Speaker A: Deals creator.,: So basically, Robo thought, is this an eight fader unit for my pro tool system with a touchscreen?,Speaker A: No, there's something on there that's not on the RODECaster.,: A master fader.,Speaker A: There you go. First cap off the rank.,: Just like me.,Speaker A: Rip off the master fader.,: But they did pretty much rip them off. Pretty much.,Speaker A: That's the second part of the conversation.,: Buttons on the bottom, buttons on the top, side by side. Colorful buttons on the right. OOH, you get two more faders. You get a master fader, you get some knobs that you don't have. Are those knobs digital encoder knobs.,Speaker B: Right. So, like, we're on the roadcaster. The knobs have really a one trick.,: And how much is a RODECaster, too?,Speaker B: Like 699. And here, I can buy this one for 679-0679.,: They're discounted it's retail 800.,Speaker B: So it's a very tough customer in terms of competition. It's physically bigger. It's not going to fit on. Everybody's workstation, that's for sure. But that touch screen is extremely compelling. It's the size of like an iPad mini.,Speaker A: Wow.,Speaker B: Very large, easy to use, and very good looking screen. The knobs on the side of the screen that are assignable make the knobs infinitely more flexible.,Speaker C: Out of interest, what preamps are they using there? Is it their onyx? Are they onyx?,: They're vlzs for the DLZ?,Speaker B: Yo, yo, yo. That's a darn good question. I don't recall him saying that they are onyx. I don't know, and I don't think that's probably even possible.,: Maybe they're the exerges or what the hell does Behringer call their onyxes? We took a few letters and rearranged them preamps.,Speaker B: I think it's kind of Mackie's turn to rip off or knock off another brand after being knocked off by Barranger for the last ten years.,Speaker A: Yeah, it says four onyx 80 microphone preamps. Yeah. Onyx 80s onyx eighty s. Okay.,: Does that mean 80 decibel? You'll use disabilities?,Speaker B: Close to it. I think, yeah, I think he said it's around 74, 75 DB of gain. Wow.,: For all your SM, seven b's.,Speaker B: It's another product out there in the midst and time will tell to see how it holds.,: Do you get the backpack with it? Does it come with the slick carrying case?,Speaker B: You doubt it?,: It looks like it does. I mean, maybe you have to pay extra for that, but it looks like it's got a nice little bag to it.,Speaker B: Yeah, it'd be a nice idea if it did. I'm sure they'll sell it to you, but yeah, I think that really stood out from the interview from Matthew was that he came from years in customer service. And I think when you have a product that was designed from somebody that comes from customer service, they understand what all the questions are going to be because they know the client, they know the user differently than somebody that just designs a product to meet a price point and have a certain fill a skew. We really got to make an X, right?,: I must ask, what is the ethernet for?,Speaker B: It is a future updatable platform feature device. I was told inside scoop of what it will do. I don't think I can tell you, but right now it's just firmware updates like the RODECaster Pro two. It's the ethernet only for software.,: Might it do anything that I'm thinking about?,Speaker B: If you can think of three letters that indicate sending information into another space or time, then yes. That's what you're thinking of? Yes. Anyway, yeah, it's a future I think they're going to release by the time you guys hear this. Maybe they've already released a firmware update for the ethernet port, but I know it's coming. And it will be infinitely more like integratable into a current three letters.,: Beginning with an A?,Speaker B: No, but it'll integrate into an AV media production suite or facility. More slickly seamlessly.,Speaker C: I'm still trying to think what the three letters are.,Speaker A: Well, I don't think we can say that, can we?,: Three?,Speaker C: Yeah, I'm wondering what they are.,Speaker B: Three letters.,Speaker C: Three letters.,Speaker B: Three letters.,Speaker C: This is like a cryptic quizzing on the weekend.,Speaker B: I know letters.,: I'm going to have to think about that one.,Speaker B: I'll tell you offline.,Speaker C: All right, let's finish this show because it's killing me already. Let's go. All right, we're out. See it. What are the three letters?,: Yeah, just end the show so we can find out and that's our out.,Speaker B: That's a good one.,Speaker C: I've had enough of this show. I just want to know what the three letters are.,: Well, that was fun. Is it over?,Speaker C: The Pro audio suite with thanks to Tribute and Austrian audio recorded using Source Connect, edited by Andrew Peters and mixed by Robo Got your own audio issues? 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