Podcasts about Synthesizer

I quite like this one. I think you will, too. Start Deserta, Be So Blue, Black Aura My Sun6.03 Ludmila, Day 3, 1 Day 1 Track9.37 Keith Schwartz, Raindance Lake, Voices in Accord14.24 George Wallace, State of Grace, The Art of Imagining23.06 Darshan Ambient, A Deeper Blue, A Day Within Days29.54 David Helpling & Scott […]

This one’s all over the place, but you’ve come to expect that by now. A few dips into the new stuff, but for the most part we root around on the deep shelves of the library and come away with some nice sounds. Enjoy. Start Alexandre Klinke, Carimbo, Subtropical Tape Sessions3.18 Tim Stebbing, Ascension, Voyage […]

Robert Margouleff has some amazing stories to tell. From his early days pushing the limits of synthesizers and what sounds you could create, to working with Stevie Wonder to create some of the best music, not only of his career, but of all time. Oh, and he also worked with Devo.Robert has written a memoir called "Shaping Sound," it is out now and you should get it. For more information, check out Robert's website.

Today our hosts welcome Phillip Carter of the 40 Watt Podcast. It takes them 45 minutes to get to his object because they're all just so good at conversing! They talk about blues, jazz, early influences, discovery of tube amps, the importance of the right speaker, and of course ask the big questions like: are guitar solos good? Check out all things 40 Watt: https://40wattpodcast.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @40wattpodcast, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Two sets this time around. The first starts off with a jolt of feel-good energy and ends with a piece that makes your host feel things. The second will bring you home quietly. Enjoy. Start Joss Jaffe & Jim “Kimo” West, Party Wave, Delphinus3.59 Sundad, Earthling Lies, Way Station One10.31 Synth Replicants, Aisa, Gemstones VI14.27 […]

Wie entstehen die epischen Action-Grooves von Alarm für Cobra 11? Begleite Komponist Nik Reich exklusiv in sein Studio und lerne seine besten Workflow-Tricks kennen. Nick Reich komponiert seit Jahren die Musik für Alarm für Cobra 11 – eine der erfolgreichsten deutschen Action-Serien. In dieser Folge nimmt er uns mit in sein Studio in Augsburg und zeigt uns, wie er arbeitet. Themen in dieser Folge: Lexicon Model 200: Warum ein 80er-Jahre-Hardware-Hall für Nick unverzichtbar ist – und wie er ihn live mit vier Reverbs vergleicht Analog vs. Digital: Warum echte Synthesizer und Outboard-Gear im Mix anders sitzen als virtuelle Instrumente Das Cobra-11-Template: Wie eine über Jahre gewachsene Session-Vorlage den Workflow beschleunigt Percussion layern: Wie aus Gummibändern, Taikos und gesampelten Archivloops ein actionreicher Groove entsteht Organisation: Wie Nick seine eigene Musik in iTunes mit Tags und Ratings archiviert – und warum das bei über 100 Cobra-Folgen überlebenswichtig ist Sampling-Tricks: Music Math, Logic Sampler statt Kontakt, und warum echtes Pitch-Shifting besser klingt als Time-Stretching Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Podcast: https://sounthcast.podbean.com/ Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt https://sounth.de https://www.facebook.com/tim.heinrich.524/ https://www.instagram.com/tim_heinrich/ Facebook Gruppe 'Filmmusik komponieren & Sounddesign': https://www.facebook.com/groups/309751689699537 Perfekte Orchester-Mockup-Balance: Orchestra Guide https://www.sounth.de/orchestra-guide/ Dieses Video ist auch auf YouTube zu sehen: https://youtu.be/wzTFRr_0YC0  

On this week’s show, Gerald shares his top five summer grilling tips, Marie and Giselle take a look at the new blockbuster I Think I Maybe Might Have a Slight Idea What You Did Last Summer or Maybe it was Fall, and we celebrate the long-awaited return of Newton, the Singing Sugar Glider!Or maybe it’s […]

What went into creating one of the most recognizable sounds of the '80s?In this highlight from Booked On Rock, producer Robert Margouleff reveals the surprising story behind DEVO's “Whip It” — including the unusual recording setup and the moment it didn't go quite as planned.Margouleff, known for his groundbreaking work with Stevie Wonder and as co-creator of the TONTO synthesizer, shares how creativity, experimentation, and a little risk led to a sound that became iconic.

Today our hosts welcome back Doctor John Snyder of Electronic Audio Experiments. We catch up on his latest project, released into the world today: a hybrid delay pedal made in collaboration with Chase Bliss called Big Time. He also brings with him the Caroline Guitar Company Wave Cannon, a rad distortion pedal that likely set him on the path toward being a go-to collaborator and in-demand brilliant mind of our industry. The release day energy is good and we're all just excited to talk about pedal architecture! Check out EAE: https://www.electronicaudioexperiments.com/ Check out Big Time: https://www.chasebliss.com/big-time Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @electronicaudioexperiments, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Episode: 2588 Synthetic Sound Waves.  Today, the sound of music.

This episode features an interview with Robert Margouleff, author of Shaping Sounds: Stevie Wonder, DEVO, The Synth Revolution, and My Life Behind the Music.Grammy Award-winning producer Robert Margouleff takes you inside one of the most groundbreaking eras in music history. From co-creating the massive TONTO synthesizer to helping shape Stevie Wonder's classic run of albums—Music of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale—Margouleff shares firsthand stories of innovation, risk-taking, and redefining what popular music could sound like.He also reflects on his work during the rise of the synth revolution, his connection to DEVO, and the creative breakthroughs that changed recording forever. This is a rare, in-depth conversation with the man behind the sound.Purchase a copy of Shaping Sounds: Stevie Wonder, DEVO, The Synth Revolution, and My Life Behind the MusicVisit Robert Margouleff's websiteEmail Robert Margouleff: Robert.Margouleff@gmail.com----------

Wir machen heute „Nägel in Köpfen.“In der neuen Folge von Good.Old.Days reisen Felix und Markus wieder musikalisch zwischen zwei völlig unterschiedlichen Jahrzehnten: Mit „Don't Go“ von Yazoo aus dem Jahr 1982 geht es zurück in die Zeit, als Synthesizer noch klangen, als würden sie aus einem UFO direkt ins Studio gebeamt. Dazu gesellt sich „Work It“ von Missy Elliott, ein Song, der selbst rückwärts abgespielt noch Kultstatus hat. Eine Folge zwischen Nostalgie, Beats und Wochenend-RealitätUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

# Jeden Tag ein Set Podcast 130 # by Roumex ROUMEX meldet sich nach längerer Zeit zurück – mit einem frischen Sound, der zwischen treibendem Techno und groovigem House wieder stärker an ihre Wurzeln anknüpft. Bekannt sind die Beiden von Festivals wie SonneMondSterne, Open Beatz, Klangtherapie und vielen weiteren. Die Integration von Live-Instrumenten wie Geige, Gitarre oder Synthesizer, bleibt dabei auch in Zukunft ein fester Bestandteil ihrer Shows. Für die Jeden Tag ein Set liefern sie einen neuen Podcast – kraftvoll, edgy und gemacht für die Tanzfläche und zeigt ihrem frischen Style. Viel Spaß mit ROUMEX! Mehr Sets gibt es auf www.JedenTagEinSet.de Roumex findet ihr unter @roumex

Today our hosts welcome Shelby Pollard of Black Bobbin. He brings with him the city of Chicago, as well as a 65/61 Jazzmaster refin that set him on the path of Jazzmaster expertise back in his days working at Chicago Music Exchange. Today, Black Bobbin is a curated boutique of interesting guitar products, including the Black Bobbin JM, which represents the culmination of Shelby's knowledge and preferences in the world of Jazzmasters (you've also heard Dan yapping about how much he likes his). There's a lot of insight and tidbits of knowledge throughout this one - go hit play! Check out Black Bobbin: https://blackbobbin.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

What’s in this one? Well, some piano, a few drifty things, a bit of whump whump, some kinda weird stuff, and a Hall of Fame artist name. A quick glance at the playlist gives that away. Start       Carl Weingarten, Sandwave, This is Where I Found You6.42       Joe Frawley, Wrist Piece, Body […]

Today the whole Object Worship world suffers a Setback - did I say suffers? I mean revels in! Our hosts are talking all about the new Old Blood Noise Endeavors Setback, a reverse pedal with all the bells and whistles. They start with some anecdotes about their personal gear journeys, then dive into Setback: the development process, control choices, art and name, and why you're gonna wanna set back and play one. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Did I do what I said I’d do. Maybe.What do you think? Start      Tom Eaton & Vin Downes, Kaleidoscope (feat. Jeff Oster), Until the Light Was Gone (releases in May)4.43       Michael Whalen, 60 Times Around The Sun, When the Rain Learned to Sing8.17       Chronotope Project, Spirit Walk, Kaleidoscope12.43    […]

Im zweiten Teil gehen wir der Frage weiter nach: Was macht Synthesizer zur Legende – und wo hört man den Unterschied wirklich?Wir vergleichen Hardware und Software direkt miteinander:Korg PS-3300 (Original vs. Plug-in), Elka Synthex Stereo-Architektur, Minimoog-Charakter, Juno-60-Chorus und die Modulationsmatrix des Oberheim Matrix 12.Es geht um Feedback-Schaltungen, analoge Nichtlinearitäten, Stereo-Breite, MIDI-Integration und die physikalischen Grenzen digitaler Simulation.Ein technischer, aber musikalischer Deep Dive für Produzenten, Sounddesigner und alle, die Synthesizer nicht als Preset-Maschinen, sondern als Instrumente verstehen.Sound&Recording-Magazin | Studiosofa PodcastWebsite: ⁠⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠⁠Website:⁠ synthesizerstudioberlin.com⁠Website: ⁠synthesizermuseum.info⁠Webinare: ⁠⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠/webinare⁠WhatsApp-Gruppe: ⁠⁠⁠⁠soundandrecording-magazin.de/whatsapp⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠@soundandrecording.magazin⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠@StudiosofaPodcast⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠@soundandrecording.mag⁠⁠⁠⁠

KEXP presents Spacemoth performing live at 25th Street Recording in Oakland, California, during Noise Pop 2026. Recorded February 25, 2026. 1. Do We Exist?2. Internet Fantasy3. Round In Loops4. UFObird Maryam Qudus - Lead Vocals, Guitar, Synthesizer, SamplerMarika Stuurman - Background Vocals, Bass Guitar, Synth BassDerek Barber - GuitarCody Rhodes - Drums, Sampler Host: Cheryl WatersAudio Engineer: Kevin SuggsGuest Audio Engineer: 25th Street CrewAudio Mixer: Beau SorensonMastering Engineer: Julian Martlew 25th Street Crew:Gabriel ShepardKarishma KumarCollin Purdue https://www.spacemoth.spacehttps://www.noisepopfest.comhttps://www.25thstreetrecording.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by: Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Louie, Ryan & Al come from the fiery pits of Taco Bell to discuss Electrix Six's wacky video for their hit, "Danger! High Voltage." From garage rock to uncomfortable make out sessions, nothing is off limits in this installment.

Wir sprechen über Musikinstrumente und stellen schnell fest: Fast alles, womit man Musik machen kann, ist top! Janusz erzählt, wie er sich als Jugendlicher das Geld für seine erste Gitarre verdient hat. Dann schwärmen wir von Schlagzeug, Bass, Trompete, Synthesizer und vielen anderen Instrumenten. Am Ende landen wir bei dem Instrument, das uns wohl am nächsten ist… der menschlichen Stimme.   Transkript und Vokabelhilfe Werde ein Easy German Mitglied und du bekommst unsere Vokabelhilfe, ein interaktives Transkript und Bonusmaterial zu jeder Episode: easygerman.org/membership   Sponsoren Hier findet ihr unsere Sponsoren und exklusive Angebote: easygerman.org/sponsors   Top oder Flop: Musikinstrumente Familienunternehmen (Easy German Podcast 25) Vater und Sohn (Easy German Podcast 484) Jon Batiste (YouTube) Rejestracja - Wariat (YouTube) Mumford & Sons - House Of The Rising Sun (YouTube) Tangerine Dream (YouTube) Klaus Schulze - Kontinuum (YouTube) Jean-Michel Jarre - Oxygene (YouTube)   Support Easy German and get interactive transcripts, live vocabulary and bonus content: easygerman.org/membership

Today our hosts welcome Dave Gill of Baltimore Sonic Research Institute. Dave is a long-time hog, first time guest, and we have a great time getting into a lot of specifics about Boss pedals, particularly the PS-5 Super Shifter. We ponder the historical arc of Boss' popularity, the different considerations looking at a company that size vs a company like Old Blood vs a company like BSRI, and we reiterate that the best thing about this industry is the people. It's a good hang, and you're invited! Buy some BSRI: https://www.bsriaudio.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @bsriaudio, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Jacuzzis, moonlight, a room with a view, a little bit o’ tenderness, and it’s all in your vivid imagination. Honestly, what more could a podcast listener want? And once again I spoil you with a non-stop ride. All aboard! Start      Jeff Greinke, The Great Butterfly Migration, Late Rain7.24       Clariloops, Slowly I […]

Today our hosts welcome Blair White, owner of Eastside Music Supply in Nashville Tennessee. As a stockist and a friend, Blair's history runs in parallel with Old Blood's in a lot of ways, and we talk a lot about what it's like to create a business around the idea that a Nashville guitar store should actually be weird and cool and a good time. We focus the object talk around his Rickenbacker 330, and talk about the many ways he experiences music, whether at the shop, playing out, playing at home, or on the road teching for Adrian Belew. Visit Eastside Music Supply online: https://eastsidemusicsupply.com/ (And if you're in or around Nashville, go check it out in person!) Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @eastsidemusicsupply, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

You think it’s easy, having all these tracks catching my ear? After a while it really take a toll on your ear! But for you, I endure the pain. We take off at velocity, hit cruising speed before too long, and wind up on…Planet Funk? You know how it goes around here. Enjoy. Start    […]

Today it's a whole bunch of topics! Dan starts with an anecdote about selling gear, and the listeners bring in their would-you-rathers, guest suggestions, and other pressing thoughts and concerns. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Trapped in the inescapable prison of the Gruul on Tarkivon-6, Captain Steel and his second-in-command, Christy Starfox, need to find a way to contact the crew of the Valiant Intrepid before the Unkithol spy who has been impersonating Steel can launch the Ultimate Questromatron missile the ship is supposed to be transporting to the front […]

Today our hosts talk about Andy's experience recording with last episode's guest, and his discovery of the Roland JC-40 through that process. An amp that manages to be both a direct-in silent recording solution and an in-the-room tool. We talk about various tonal revelations, and get reminders that sometimes you need the confidence to say this is good and I will now perform well. Also we're both coming off head colds so who knows what we were on about! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

You might want to turn this one off when you hear the chime. I had the gain on my mic set a little too high so I’m a bit hot on the talky outro bit. I could have gone back and re-recorded but…nah. Meanwhile, there’s sixteen big tracks of goodness that goes a little all […]

Im Februar 2001 hat das französische House-Band Daft Punk ihr zweites Album "Discovery" veröffentlicht. Auf dem Album ist mit "One More Time" auch einer der erfolgreichsten Songs der Gruppe. Daft Punk sind eine der größten House-Bands aller Zeiten. Den internationalen Durchbruch haben sie mit ihrer Single "Around The World" und dem dazugehörigen Album "Homework" geschafft. Mit ihrem zweiten Album "Discovery" hat die Gruppe ihren Stand gefestigt und gezeigt, dass sie keine musikalischen Eintagsfliegen sind. Ab da ist die Erfolgskurve von Daft Punk, die man auch dadurch kennt, dass sie selbst immer mit Roboterhelmen verkleidet in der Öffentlichkeit aufgetreten sind, weiter steil nach oben gegangen. Daft Punk machen auf "Discovery" – und auch in der Zeit danach – eine besondere Form der House-Musik, nämlich: "French House". Diese spezielle Spielform hat ihre Ursprünge auch im französischen Hip-Hop, der vor allem in den äußeren Bezirken von Paris, den sogenannten "Banlieues" entsteht und stark vom Jazz geprägt ist, erklärt Musikredakteur Stephan Fahrig im Podcast. Wie genau das Erfolgsrezept von French House und Daft Punk zusammengesetzt ist, erklärt Meilensteine Gast Sascha Simnovec. Dabei beginnt alles mit einem sehr genauen 4/4-Drumbeat, einer funky Bassline und einer Portion Nile Rodgers und Chic. Was sonst noch reingehört in das fein abgeschmeckte Rezept, das hört ihr im Meilensteine Podcast. Darüber hinaus lassen Daft Punk auf ihrem Album auch die Klänge verschiedener Instrumente verschwimmen. Es gibt Synthesizer, die wie Gitarren klingen, und Gitarren, die wie Synthesizer klingen – House-, Elektro-, Hip Hop- und Rockelemente bekommen hier vollkommen neue Klanggewänder übergezogen. Das hört man zum Beispiel auch beim Song "Digital Love". Auf ihrem Album "Discovery" bedienen sich Daft Punk auch ganz häufig bei mehr oder weniger bekannten, aber bereits veröffentlichten Songs – oft aus den 70ern. Hier werden einzelne Schnipsel von Songs genommen, stark bearbeitet und damit wird dann etwas Neues geschaffen. Auf die Spitze treiben Daft Punk es damit bei dem Song "Face To Face" wie Stephan Fahrig findet. Mit ihrem Album "Discovery" und ihrem French-House-Stil, haben Daft Punk die Popmusiklandschaft und Dancemusik der nachfolgenden Jahrzehnte stark beeinflusst, beweist Podcast Gast Sascha Simnovec mit Musikbeispielen von Lady Gaga, Madonna, Coldplay, The Weeknd und anderen Popmegastars. __________ Über diese Songs vom Album "Discovery" sprechen wir im Podcast (28:09) – "One More Time"(45:03) – "Digital Love"(50:17) – "Harder, Better, Faster, Stronger"(01:01:54) – "Face To Face"__________ Alle Shownotes und weiterführenden Links zur Folge "Discovery" findet ihr https://x.swr.de/s/daftpunkdiscovery __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Heidi Sabertooth, a NYC-based singer, multi-instrumentalist, DJ, producer and co-founder of Synth Library NYC, talks about electronic music and the library which is dedicated to giving “equal access to the means of production,” giving access to a wide array of synthesizers and creating a diverse community around it.    Photo: TR-808 Musical instrument Museum, Phoenix, AZ (Bryan Pocius from New York, USA, CC BY 2.0, via Wikimedia Commons)

Wherein I exercise my right as host to play whoever I damn well please even if I just played them a couple episodes ago, and to knock off 20 minutes early if I damn well feel like it. Don’t worry, you still get the full 90. Start       Computerchemist, Sankt Nikolaus auf der Autobahn, […]

Im Februar 1986 hat die britische Band Talk Talk ihr drittes Studioalbum "The Colour Of Spring" rausgebracht – das erfolgreichste Album der Band. Dass "The Colour Of Spring" von Talk Talk tatsächlich das erfolgreichste Album der Gruppe ist, scheint schon fast kurios. Denn es fehlen mit "Such A Shame" und "It's My Life" zwei der erfolgreichsten Singles der Band auf dem Album. Auch wenn Talk Talk bekannt sind für ihren Synthie-Sound und ihre kultigen 80er-Vibes, kommt die Band – und vor allem Sänger Mark Hollis – eigentlich aus dem Punk und Post-Punk mit verzerrten Gitarren und jeder Menge Tempo. Einen großen Einfluss auf den jungen Mark Hollis hatte sein größerer Bruder, der als leidenschaftlicher Plattensammler, wie Stephan Fahrig im Podcast erklärt, seinem Bruder ganz viel unterschiedliche Musik vorgespielt hat und damit die Musikbegeisterung des Jungen aus Tottenham weiter befeuert hat. Die ersten eigenen musikalischen Gehversuche im Rahmen eines Bandgeflechts sind 1979 nach nur zwei Jahren und ohne echte Erfolge schon wieder vorbei. Aber Mark Hollis bleibt dran, schreibt weiter Songs und gründet eine weitere Band: "Talk Talk". Gemeinsam nimmt die Gruppe verschiedene Demos auf und schickt diese ganz selbstbewusst an die Plattenfirma EMI – und die ist begeistert. Auch wenn Talk Talk als Band am Anfang ihrer Karriere mit synthesizerlastiger Musik bekannt geworden sind und damit große Erfolge gefeiert haben, zum Beispiel mit "Such A Shame" oder "It's My Life", war der Synthesizer doch alles andere als das Lieblingsinstrument von Sänger Mark Hollis, erklärt Stephan Fahrig. Darum hat die Band sich bei ihrem Album "The Colour Of Spring" von dem Synthie-Sound weiter entfernt und das Album anders und organischer klingen lassen – das hören wir schon beim Albumopener "Happiness Is Easy". Die Band bringt keine poppigen Melodien, die sofort im Ohr bleiben, sondern zieht die einen langsam in das Album rein. Mit diesem Album steht die Band auf dem Höhepunkt ihres Schaffens, da sind sich die SWR1 Musikredakteure einig. Talk Talk hat mit "The Colour Of Spring" die Tür auch für andere Musiker und Musikerinnen aufgestoßen, neue Wege zu gehen und alte Strukturen aufzubrechen. __________ Über diese Songs vom Album "The Colour Of Spring" sprechen wir im Podcast (17:22) – "Happiness Is Easy"(38:37) – "I Don't Believe In You"(45:06) – "Life's What You Make It"(50:12) – "Living In Another World"(01:00:34) – "Chameleon Day"__________ Alle Shownotes und weiterführenden Links zur Folge " The Colour Of Spring " findet ihr https://x.swr.de/s/talktalkcolourofspring __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Today our hosts welcome back Jeremy SH Griffith. He's guested, he's guest-hosted, and now he... well we don't know, he's just a friend making great conversation. He has a few objects to talk about, chief among them the Vhikk X Forge-TME, and opens the conversation with a question about objects more broadly: what is the value of a complex hardware setup to a young producer in an in-the-box world? Listen to Jeremy's album Kimbo: https://jeremyshgriffith.bandcamp.com/album/kimbo Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @_j_s_h_g_, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today our hosts discuss experiments in gear: those times where you buy something, experience or learn something new with it, then realize it is no longer for you. They revisit one of Dan's objects of the past, take a lot of calls, and analyze a lot of common thoughts around what drives a gear purchase and, eventually, a gear sale. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

A big dip into the library this time around, pulling mostly from my “Tracks to Play” list. But how do we start? Oh, I have an idea… Start       Ab Uno, Le Vendeur de Lames, Les Gens de Mogador6.42       Concepción Huerta, The Sacredness- Minerals & Rhizome, The Earth Has Memory11.35      […]

There’s new stuff, there’s old stuff, and it’s not blended the way I said it would be. There was just a lot of good new stuff, and I ran with it for a bit, then headed to the stacks. All in all, it’s 90 minutes of tasty aural goodness. Dig in. Start       MICADO, […]

It’s been about a year since we last got lazy, so I figure it’s probably time. Half a dozen long tracks here, though I will warn you that the first one is a bit odd in spots. But I like it, so just…get odd with me. Taking off in 3…2…1……..   Start        […]

Episode 419 Dante Villagomez: Pocket Piano, Flutes, Synthesizer and Effects Night at Sea is an avant-garde music podcast aiming to shift the mind towards a meditative state. Collaborating with Pittsburgh and Denver musicians, Spices Peculiar presents a weekly improvised instrumental deep listening journey. Turn On, Tune In, Drop Out Produced by Dante Villagomez New episode uploaded every Tuesday @ 9 P.M. Eastern Explore the full array of music, videos, and art at www.spicespeculiar.com/ spicespeculiar.bandcamp.com/ Instagram: @spicespeculiar -true wisdom is only heard in silent darkness

In unserer finalen Episode zur besten Musik in Martial-Arts-Filmen steigen wir noch einmal in den Ring der Filmmusik-Giganten: Wir stellen den zeitlosen Rocky-Score von Bill Conti dem pulsierenden, treibenden 80s-Sound von Vince DiCola gegenüber.Großes Orchester gegen wuchtige Synthesizer, Gänsehaut-Pathos gegen pure Trainingsenergie – welcher Sound bringt dein inneres Montage-Mindset zum Explodieren?Und damit nicht genug: Vince DiCola ist bei uns im Interview und spricht offen über seine Musik, den unverwechselbaren Spirit der 80er und darüber, warum seine Kompositionen Trainingsmontagen – und ganze Generationen – bis heute antreiben.

If I was you, I’d turn this off as soon as the music stops. I had a bit of a cold when I recorded the outro, which probably could have waited. But you’re 99% here for the music, right? And there’s a bunch of it, and none of it has a cold. Start      […]

KEXP presents Martin Dupont performing live at ESMA in Rennes, France, during Trans Musicales 2025. Recorded December 02, 2025. No Hands I Met The Beast Like A Lion Reality Inside Out Alain Seghir - Vocals, BassOlli (Ollivier Leroy) - Vocals, Synthesizer, ProgrammingThierry Sintoni - GuitarsBeverley Jane Crew - Carinet, SaxophoneSendrine Casado - Vocals Host: MorganAudio & Mastering Engineer: Matt OgazGuest Audio Engineer & Mixer: Samuel Collet https://martindupont.bandcamp.comhttps://www.lestrans.com/https://www.esma-artistique.comhttps://www.tourisme-rennes.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/joinSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

More of what you’ve come to expect. But man, look at that Hall of Fame album title on the second track! Woo! Start      Resonating With Life, Life Finds a Way, Resonating With Life4.41       Ken Elkinson, I Thought It Was Water, Music for Commuting, Vol. 9 & 10 Next Wednesday / Next […]

Episode 417 Dante Villagomez: Pocket Piano, Flutes, Synthesizer and Effects Night at Sea is an avant-garde music podcast aiming to shift the mind towards a meditative state. Collaborating with Pittsburgh and Denver musicians, Spices Peculiar presents a weekly improvised instrumental deep listening journey. Turn On, Tune In, Drop Out Produced by Dante Villagomez New episode uploaded every Tuesday @ 9 P.M. Eastern Explore the full array of music, videos, and art at www.spicespeculiar.com/ spicespeculiar.bandcamp.com/ Instagram: @spicespeculiar -true wisdom is only heard in silent darkness

Okay, this time I’m actually shuffling the deck so you don’t know what’s new and what’s library unless you’re a good guesser. You get analog-style yumminess on this one, along with some metal-flaked post-rock, live performances, feel-good finger-snappers, and more. Start      Michael Brückner, A Sequence of Colours – Parts 8 – 10, A […]

Episode 416 Dante Villagomez: Pocket Piano, Synthesizer and Effects John O'Brien: Electric Guitar and Effects www.theclockreads.band/ Night at Sea is an avant-garde music podcast aiming to shift the mind towards a meditative state. Collaborating with Pittsburgh and Denver musicians, Spices Peculiar presents a weekly improvised instrumental deep listening journey. Turn On, Tune In, Drop Out Produced by Dante Villagomez New episode uploaded every Tuesday @ 9 P.M. Eastern Explore the full array of music, videos, and art at www.spicespeculiar.com/ spicespeculiar.bandcamp.com/ Instagram: @spicespeculiar -true wisdom is only heard in silent darkness

In which good intentions are stated and then done away with. The resultant flow is uninterrupted, if occasionally odd. Enjoy. Start      John Butler, Watturu Chant, Running River10.14     City of Dawn, Sherry Finzer & Karasvana, Memory of Awakening, The Journeying Sun13.39     David Helpling, I Too Am Coming Home (Featuring Miriam Stockley), IN19.55  […]

Last one of the year, friends. As always, thank you for listening and thank you to the artists for sending the music. Start      Barry Cleveland & Robert Rich, Beckoning Voices, Elliptical Passages6.25       Bill Leslie, Cinque Terre, Paradise10.57     Barry DeGroot, Serenity, Unspoken Conversations14.28     Mount Maxwell, The Missing Day, Birds of […]

Skimming through the tanks one day, a pair of old-school-ish tracks caught my ear, so I decided to start there. After that, a quiet mood took over and I knew it was not the time to barge in and get all chatty on you. So we float, we glide, and we bring things back around […]

What’s in this episode? Oh, lots of new stuff, along with some remasters and re-imaginings, a single with a story, an album with a story, and…can you hit a curveball? ‘Cuz I’m throwing one. Start      Robert Scott Thompson, Subaltern Locution, Telemetry (Remixed)6.20       Pietro Zollo, The Future is Now, The Future is […]