Podcasts about truth freely the life

In conversation with Mia Bay Chad L. Williams is the author of Torchbearers of Democracy: African American Soldiers in the World War I Era, winner of the Liberty Legacy Foundation Award from the Organization of American Historians. The Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University, he has earned fellowships from the Radcliffe Institute for Advanced Study at Harvard University, the Ford Foundation, and the Schomburg Center for Research in Black Culture. He is the co-editor of Charleston Syllabus: Readings on Race, Racism and Racial Violence, and has contributed articles and opinion pieces to a variety of publications, including The Washington Post, Time, and The Atlantic. In The Wounded World, Williams draws from a deep pool of source material to recount the story of W. E. B. Du Bois' disillusionment with his country for its betrayal of Black American veterans of World War I. A scholar of American and African American intellectual, cultural and social history, Mia Bay is the Roy F. and Jeanette P. Nichols Professor of American History at University of Pennsylvania. Her books include The White Image in the Black Mind: African-American Ideas about White People, 1830-1925; To Tell the Truth Freely: The Life of Ida B. Wells; and Traveling Black: A Story of Race and Resistance, winner of the Bancroft Prize. She is currently finishing a book on the history of African American ideas about Thomas Jefferson. (recorded 4/27/2023)

Today we offer a quote from journalist, anti-lynching and women's rights activist Ida B. Wells Barnett, from her 1895 book The Red Record: Tabulated Statistics and Alleged Causes of Lynching in the United States. Learn more about the woman who received a posthumous Pulitzer Prize for journalism in 2020, honored the centennial of the U.S. Suffragist Movement in a mosaic art installation, and in 2022, was added by Mattel to their Barbie Inspiring Women Series.More sources: New York Times review of the 1999 biography on Wells Crusade for Justice - Wells' autobiography Ida: A Sword Among Lions from 2009 by Paula J. GiddingsTo Keep the Waters Troubled: The Life of Ida B. Wells by Linda O. McMurry To Tell the Truth Freely: The Life of Ida B. Wells by Mia Bayhttps://goodblacknews.org/2021/02/23/bhm-good-black-news-celebrates-ida-b-wells-journalist-anti-lynching-activist-womens-rights-advocate/https://www.npr.org/local/309/2019/11/04/775915510/ida-b-wells-lasting-impact-on-chicago-politics-and-power?fbclid=IwAR31f0ItNqDh6lOmgETL8Hd0WfNXQQfAr6s-c4AU-nd90xgTfQusiJs_HKchttps://goodblacknews.org/2020/08/23/ida-b-wells-portrait-to-go-on-display-august-24th-in-d-c-s-union-station-to-honor-suffragist-centennial/https://www.youtube.com/watch?v=ML8XiKVStWQ

Author of "To Tell the Truth Freely: The Life of Ida B. Wells"

I can't remember when I first saw one of those horrible photographs of a lynching, with crowds of white people, kids included, laughing and pointing at the mangled black body hanging from a tree. I do know that such images were part of my childhood mental archive of atrocities, together with stacks of dead bodies in the liberated concentration camps and naked children running from napalm in Vietnam. Images like that made me a historian. But I didn't have to live any of that history. Ida B. Wells did. A young journalist, she happened to be out of town when a game of marbles escalated into the lynching of three men who were pillars of the Memphis black community. She knew all of them; one was a close friend. Ida B. Wells was nobody's fool – she'd already sued two train companies for denying her a seat in the “Ladies' Car” and she'd long written about racial injustice. But she wasn't prepared for the viciousness of this lynching, or for the subsequent defamation of its victims in the white press. She published a strongly-worded editorial, moved north – after that editorial, there was a warrant on her life in the South – and became an internationally-known crusader against lynching. In her book, To Tell the Truth Freely: The Life of Ida B. Wells (Hill and Wang, 2009), historian Mia Bay takes us from Wells's Reconstruction-era Mississippi childhood, through the anti-lynching work for which she's best remembered, and on to her work for urban reform in Chicago during the Great Migration. Along the way we see struggles around race, class, and gender in American history: the linkage of sexual and racial terror in lynching, of course, but also questions about what it meant for a minimally-educated Black woman to be an activist. Mia Bay is associate professor of history and the associate director of the Center for Race and Ethnicity at Rutgers University. Read her book – you'll be glad you did. Learn more about your ad choices. Visit megaphone.fm/adchoices

I can’t remember when I first saw one of those horrible photographs of a lynching, with crowds of white people, kids included, laughing and pointing at the mangled black body hanging from a tree. I do know that such images were part of my childhood mental archive of atrocities, together with stacks of dead bodies in the liberated concentration camps and naked children running from napalm in Vietnam. Images like that made me a historian. But I didn’t have to live any of that history. Ida B. Wells did. A young journalist, she happened to be out of town when a game of marbles escalated into the lynching of three men who were pillars of the Memphis black community. She knew all of them; one was a close friend. Ida B. Wells was nobody’s fool – she’d already sued two train companies for denying her a seat in the “Ladies’ Car” and she’d long written about racial injustice. But she wasn’t prepared for the viciousness of this lynching, or for the subsequent defamation of its victims in the white press. She published a strongly-worded editorial, moved north – after that editorial, there was a warrant on her life in the South – and became an internationally-known crusader against lynching. In her book, To Tell the Truth Freely: The Life of Ida B. Wells (Hill and Wang, 2009), historian Mia Bay takes us from Wells’s Reconstruction-era Mississippi childhood, through the anti-lynching work for which she’s best remembered, and on to her work for urban reform in Chicago during the Great Migration. Along the way we see struggles around race, class, and gender in American history: the linkage of sexual and racial terror in lynching, of course, but also questions about what it meant for a minimally-educated Black woman to be an activist. Mia Bay is associate professor of history and the associate director of the Center for Race and Ethnicity at Rutgers University. Read her book – you’ll be glad you did. Learn more about your ad choices. Visit megaphone.fm/adchoices

I can’t remember when I first saw one of those horrible photographs of a lynching, with crowds of white people, kids included, laughing and pointing at the mangled black body hanging from a tree. I do know that such images were part of my childhood mental archive of atrocities, together with stacks of dead bodies in the liberated concentration camps and naked children running from napalm in Vietnam. Images like that made me a historian. But I didn’t have to live any of that history. Ida B. Wells did. A young journalist, she happened to be out of town when a game of marbles escalated into the lynching of three men who were pillars of the Memphis black community. She knew all of them; one was a close friend. Ida B. Wells was nobody’s fool – she’d already sued two train companies for denying her a seat in the “Ladies’ Car” and she’d long written about racial injustice. But she wasn’t prepared for the viciousness of this lynching, or for the subsequent defamation of its victims in the white press. She published a strongly-worded editorial, moved north – after that editorial, there was a warrant on her life in the South – and became an internationally-known crusader against lynching. In her book, To Tell the Truth Freely: The Life of Ida B. Wells (Hill and Wang, 2009), historian Mia Bay takes us from Wells’s Reconstruction-era Mississippi childhood, through the anti-lynching work for which she’s best remembered, and on to her work for urban reform in Chicago during the Great Migration. Along the way we see struggles around race, class, and gender in American history: the linkage of sexual and racial terror in lynching, of course, but also questions about what it meant for a minimally-educated Black woman to be an activist. Mia Bay is associate professor of history and the associate director of the Center for Race and Ethnicity at Rutgers University. Read her book – you’ll be glad you did. Learn more about your ad choices. Visit megaphone.fm/adchoices

I can’t remember when I first saw one of those horrible photographs of a lynching, with crowds of white people, kids included, laughing and pointing at the mangled black body hanging from a tree. I do know that such images were part of my childhood mental archive of atrocities, together with stacks of dead bodies in the liberated concentration camps and naked children running from napalm in Vietnam. Images like that made me a historian. But I didn’t have to live any of that history. Ida B. Wells did. A young journalist, she happened to be out of town when a game of marbles escalated into the lynching of three men who were pillars of the Memphis black community. She knew all of them; one was a close friend. Ida B. Wells was nobody’s fool – she’d already sued two train companies for denying her a seat in the “Ladies’ Car” and she’d long written about racial injustice. But she wasn’t prepared for the viciousness of this lynching, or for the subsequent defamation of its victims in the white press. She published a strongly-worded editorial, moved north – after that editorial, there was a warrant on her life in the South – and became an internationally-known crusader against lynching. In her book, To Tell the Truth Freely: The Life of Ida B. Wells (Hill and Wang, 2009), historian Mia Bay takes us from Wells’s Reconstruction-era Mississippi childhood, through the anti-lynching work for which she’s best remembered, and on to her work for urban reform in Chicago during the Great Migration. Along the way we see struggles around race, class, and gender in American history: the linkage of sexual and racial terror in lynching, of course, but also questions about what it meant for a minimally-educated Black woman to be an activist. Mia Bay is associate professor of history and the associate director of the Center for Race and Ethnicity at Rutgers University. Read her book – you’ll be glad you did. Learn more about your ad choices. Visit megaphone.fm/adchoices

I can’t remember when I first saw one of those horrible photographs of a lynching, with crowds of white people, kids included, laughing and pointing at the mangled black body hanging from a tree. I do know that such images were part of my childhood mental archive of atrocities, together with stacks of dead bodies in the liberated concentration camps and naked children running from napalm in Vietnam. Images like that made me a historian. But I didn’t have to live any of that history. Ida B. Wells did. A young journalist, she happened to be out of town when a game of marbles escalated into the lynching of three men who were pillars of the Memphis black community. She knew all of them; one was a close friend. Ida B. Wells was nobody’s fool – she’d already sued two train companies for denying her a seat in the “Ladies’ Car” and she’d long written about racial injustice. But she wasn’t prepared for the viciousness of this lynching, or for the subsequent defamation of its victims in the white press. She published a strongly-worded editorial, moved north – after that editorial, there was a warrant on her life in the South – and became an internationally-known crusader against lynching. In her book, To Tell the Truth Freely: The Life of Ida B. Wells (Hill and Wang, 2009), historian Mia Bay takes us from Wells’s Reconstruction-era Mississippi childhood, through the anti-lynching work for which she’s best remembered, and on to her work for urban reform in Chicago during the Great Migration. Along the way we see struggles around race, class, and gender in American history: the linkage of sexual and racial terror in lynching, of course, but also questions about what it meant for a minimally-educated Black woman to be an activist. Mia Bay is associate professor of history and the associate director of the Center for Race and Ethnicity at Rutgers University. Read her book – you’ll be glad you did. Learn more about your ad choices. Visit megaphone.fm/adchoices

I can't remember when I first saw one of those horrible photographs of a lynching, with crowds of white people, kids included, laughing and pointing at the mangled black body hanging from a tree. I do know that such images were part of my childhood mental archive of atrocities, together with stacks of dead bodies in the liberated concentration camps and naked children running from napalm in Vietnam. Images like that made me a historian. But I didn't have to live any of that history. Ida B. Wells did. A young journalist, she happened to be out of town when a game of marbles escalated into the lynching of three men who were pillars of the Memphis black community. She knew all of them; one was a close friend. Ida B. Wells was nobody's fool – she'd already sued two train companies for denying her a seat in the “Ladies' Car” and she'd long written about racial injustice. But she wasn't prepared for the viciousness of this lynching, or for the subsequent defamation of its victims in the white press. She published a strongly-worded editorial, moved north – after that editorial, there was a warrant on her life in the South – and became an internationally-known crusader against lynching. In her book, To Tell the Truth Freely: The Life of Ida B. Wells (Hill and Wang, 2009), historian Mia Bay takes us from Wells's Reconstruction-era Mississippi childhood, through the anti-lynching work for which she's best remembered, and on to her work for urban reform in Chicago during the Great Migration. Along the way we see struggles around race, class, and gender in American history: the linkage of sexual and racial terror in lynching, of course, but also questions about what it meant for a minimally-educated Black woman to be an activist. Mia Bay is associate professor of history and the associate director of the Center for Race and Ethnicity at Rutgers University. Read her book – you'll be glad you did. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies