Podcasts about b du bois

De Stokely Carmichael, figure des luttes noires du XXème siècle, on connaît surtout le combat aux États-Unis, comme dirigeant des Black Panther. On sait moins qu'en 1968, Carmichael a rejoint la Guinée avec son épouse, la chanteuse sud-africaine Miriam Makeba. Il est alors devenu un proche collaborateur du président ghanéen en exil Kwame Nkrumah et s'est engagé aux côtés de la révolution guinéenne. Bokar Ture, fils de Stokely Carmichael, a accordé un entretien à RFI : il raconte les années africaines de la vie de son père. RFI : Votre père a été un acteur important des luttes noires du XXème siècle. Aux États-Unis, où il a été l'un des responsables des Black Panther… mais aussi dans son parcours transatlantique puisqu'il vient s'installer en 1968 en Guinée. Parlez-nous d'abord de lui. D'où vient-il ? Comment est née cette conscience militante noire ?  Bokar Ture : Kwame Ture est né Stokely Carmichael à Trinidad et Tobago, connu aussi en français comme Trinité-et-Tobago, en 1941. Il immigre plus tard aux États-Unis pour retrouver sa mère -donc ma grand-mère- qui y était déjà installée quelques années plus tôt. Elle avait pu avoir sa nationalité américaine parce qu'elle était née à Panama. Comment a commencé cette conscience ? Déjà, il avait un penchant politique très tôt. Il y a une de ses tantes qui racontait une anecdote : quand il était jeune, il la poussait à aller voter pour un syndicaliste à l'île de Trinidad. Et au lycée, aux États-Unis, il fréquentait déjà des groupes gauchistes. Un de ses amis de classe était le fils du président du Parti communiste américain dans les années 1952. Et donc, très tôt, il a pu découvrir les discours marxistes. Et bien sûr, il vivait au sud du Bronx, à côté de Harlem. Et la 125e rue de Harlem est une rue reconnue pour des discours politiques de tout genre, de différents groupes.  Il a été l'un de ceux qui ont travaillé l'idée de Black Power. Il a même coécrit, en 1967 avec Charles Hamilton, un ouvrage qui le théorise, intitulé Black Power, the politics of Liberation in America.  Effectivement, le concept de Black Power existait avant. Il y avait un livre qui s'appelait Black Power par Richard Wright, qui a été écrit pendant les années 1950 et qui était un ouvrage dédié à Kwame Nkrumah. Mais personne n'a rendu l'idée de Black Power aussi populaire que Kwame Ture - Stokely Carmichael à l'époque. Notamment durant une marche contre la peur au sud des États-Unis, aux côtés de Martin Luther King, où il disait, plus ou moins : « On est fatigué de mendier notre liberté, comme on l'a fait ces dernières années dans les droits civiques. Maintenant, ce qu'on va faire, c'est de demander le Black Power », le pouvoir noir, qui était un appel à une autodétermination en termes de structures politiques et économiques pour les personnes noires descendantes d'africains aux États-Unis.  En 1968, votre père épouse une première femme, la chanteuse sud-africaine Miriam Makeba. Au-delà de la relation amoureuse qui s'est nouée entre eux, cette union reflète-t-elle aussi une pensée de votre père, de plus en plus tournée vers l'Afrique et vers le panafricanisme à cette époque ?  Ce n'est pas un tournant, c'est une continuité. Kwame Ture a toujours été Africain dans l'âme. Il vient d'un milieu où l'Afrique est centrale dans l'identité noire. Bien avant qu'il ne se marie avec Miriam Makeba. On le voit dans des photos au début des années 1960 avec ses camarades où il est en tenue africaine. Il se sentait toujours africain. Pour lui, être noir et africain, il ne voyait pas de distinction et toute sa vie était ainsi. Quand il a marié Tantie Miriam, comme je l'appelle, c'était juste une continuité. Après aussi, ma mère, Marlyatou Barry, qui était aussi une Guinéenne. C'était juste une continuité de sa façon de vivre.  Comment se fait concrètement la connexion entre votre père et le premier responsable guinéen, Ahmed Sékou Touré ? Stokely Carmichael, à l'époque, faisait une tournée mondiale et il a rencontré Shirley Graham Du Bois, qui était la veuve de W.E.B Du Bois, qui est aussi une légende de l'histoire de la lutte antiraciste et du développement du panafricanisme. Elle a invité Stokely Carmichael à venir en Guinée pour une conférence du Parti démocratique de Guinée pour rencontrer Kwame Nkrumah et Sékou Touré. Quand il est venu, il a rencontré les deux présidents. Il avait déjà beaucoup entendu parler de Kwame Nkrumah, parce que mon grand-père a travaillé dans un bateau un moment. Il est parti au Ghana et quand il est revenu à New York, il expliquait que c'était la première fois qu'il avait vu une nation noire, indépendante, avec sa propre armée, un président, etc. et il expliquait ceci à un jeune Stokely Carmichael. Cela a vraiment marqué sa pensée. Quelques années plus tard, ils se voient face à face avec Kwame Nkrumah. Après la conférence, en quittant la Guinée, il part dire au revoir à Sékou Touré, qui lui dit : « Écoute, mon fils. Ici, c'est chez toi, tu peux revenir quand tu veux. C'est ta maison. »  Il part voir Kwame Nkrumah qui lui dit « Écoute, moi, je cherche un secrétaire politique, donc si ça t'intéresse, tu es toujours le bienvenu. » Un an et demi plus tard, deux ans pratiquement, il était de retour avec sa nouvelle épouse, Miriam Makeba.  Qu'est ce qui fait qu'il vient s'installer à Conakry à cette époque ?  Pour lui, c'était le coin le plus révolutionnaire en Afrique. Lumumba a été assassiné très tôt donc il n'y avait plus le Congo. Après, il y a eu le coup d'État contre Kwame Nkrumah en 1966. Modibo Keïta en 1968. Quand lui est arrivé, le seul autre pays, c'était la Tanzanie, mais qui était beaucoup moins radicale. Donc il a choisi la Guinée. C'était le pays qui s'alignait le plus avec sa pensée du pouvoir noir à l'échelle mondiale.  Il est aussi menacé aux États-Unis. C'est aussi pour cela qu'il quitte les États-Unis ? De toute façon, mon père était prêt à se martyriser. Il a vu Malcolm X tué, il a vu Martin Luther King tué et les agences voulaient sa tête. Il a échappé à pas mal d'attentats. Mais ce n'était pas la raison centrale. Déjà, il y avait l'invitation. Ensuite, il ne voyait pas les États-Unis comme le centre de cette lutte à laquelle il a dédié sa vie. Il voyait l'Afrique comme étant une partie essentielle. Pour lui, en venant en Guinée, il rejoignait l'Afrique, il rejoignait la révolution africaine qui pouvait donner la dignité à tout le peuple noir à travers le monde.  Diriez-vous qu'il y a un vrai projet politique international derrière cette volonté de s'installer en Guinée ?  Il a toujours eu ce projet. Quand il parlait de Black Power, déjà, dans le livre dont vous avez parlé, il parlait aussi des colonies en Afrique. Dans Black Power, lui et Charles Hamilton faisaient le parallèle entre la situation que vivaient les Afro-Américains aux États-Unis et la situation que vivaient les Africains en Afrique et aux Caraïbes aussi. Il faisait ce parallèle. Dans sa tête, c'était quelque chose qui était un combat international dès le début.  Quelles sont les idées sur lesquelles votre père, Stokely Carmichael – Kwame Ture, une fois qu'il change de nom – et Ahmed Sékou Touré se retrouvaient ?  On parle de personnes qui avaient la même vision d'une Afrique unie, une Afrique libre où il n'y a pas d'inégalités. Ils étaient tous deux penchés vers des idées socialistes. Ils étaient totalement alignés idéologiquement. Sékou Touré était un de ses mentors, une de ces personnes qui l'ont formé dans cette idéologie.  Ils se retrouvent dans l'idée, qui est défendue par Ahmed Sékou Touré à l'époque, d'authenticité africaine ? À 100 %. Et il s'intègre à 100 %. Je peux vous dire que moi, par exemple, j'ai très peu de souvenirs de mon père en habit occidental. Il s'habillait en tenue africaine, cousue en Afrique. Il s'est enraciné dans la population africaine. Ce qui était quand même unique parce que tout le monde était tourné vers une façon de vivre occidentale. Et lui non, il voulait se réapproprier son héritage culturel.  Et la volonté de promouvoir les cultures africaines, de leur donner leur vraie place ? C'est exactement cela, revaloriser la culture africaine, la culture noire, se réapproprier celle-ci. Et ne pas avoir de complexes vis-à-vis des cultures européennes, dominantes et autres.  Depuis le début de cet entretien, on joue avec deux noms pour parler de votre père, Stokely Carmichael, Kwame Ture. À un moment donné de sa vie, il décide de passer du nom de Stokely Carmichael à celui de Kwame Ture. C'est une démarche qui dit aussi beaucoup de choses sur le lien qu'il a avec Kwame Nkrumah et Ahmed Sékou Touré.  Effectivement. Il y avait un précédent aux États-Unis. Il y avait pas mal d'Afro-Américains, notamment dans son milieu révolutionnaire, qui changeaient de nom. Notamment Malcolm X, Mohamed Ali. Bien sûr, le nom est inspiré de Kwame Nkrumah et de Sékou Touré. L'anecdote, c'est qu'il était en Tanzanie lors d'un entretien radio. Après l'entretien, apparemment, un vieil homme venu à pied d'un village lointain est venu le voir et lui a dit : « Écoute mon fils, j'ai vraiment aimé ton entretien. Mais il y a une chose : ton nom sonne un peu bizarre, un peu féminin, il faut le changer ». Il a alors pris le nom de Kwame Nkrumah et de Sékou Touré. Lorsqu'il venait l'annoncer à Sékou Touré et lui dire : « J'ai pris le prénom de Kwame », Sékou Touré lui a répondu : « C'est bien, parce qu'à chaque fois que nous avons des débats, tu prends toujours son parti. » Il lui a répondu : « Mais j'ai pris le nom Touré comme nom de famille. ». Ce qui était approprié, car c'étaient ses deux mentors. À lire aussiKwame Ture, le destin hors du commun d'un Black Panther parti s'installer en Guinée [1/2] Comment est-ce que vous décririez les liens qu'il entretenait avec Kwame Nkrumah et Ahmed Sékou Touré ? En Kwame Nkrumah, il voyait un symbole de cette lutte. Il était prêt à le suivre. Il a mené quelques opérations au Ghana pour essayer de voir s'il pouvait réinstaurer Kwame Nkrumah au pouvoir. Il était très proche de lui. Et Sékou Touré était comme un père pour lui. En 1970, votre père vit l'un des moments charnières de l'histoire de la Première République guinéenne, à savoir l'attaque contre Conakry du 22 novembre 1970. Savez-vous comment il a vécu ces journées ?  Je sais qu'il était un participant dans l'action de repousser les troupes portugaises. Il était armé ce jour et a dû utiliser son arme. Selon ce que j'ai appris, il était un des premiers à alerter les autorités, y compris le président, du fait qu'il y avait une attaque qui venait. Ca tirait sur sa case, donc il devait quitter sa maison. Lui et Miriam Makeba ont dû se réfugier quelque part d'autre où il l'a laissée et lui est ressorti pour aider à défendre la ville.  Cette opération conjointe de militaires portugais et de rebelles guinéens a conduit à la plus grande vague d'arrestations en Guinée de toute la Première République. La vie du pays va être rythmée pendant de longs mois par des confessions publiques de personnes présentées comme les complices d'un « complot impérialiste » aux ramifications tentaculaires. Comment est-ce que votre père se positionnait par rapport à cette thèse du complot permanent contre la Guinée ? Et plus généralement, quel regard portait-il sur l'État policier qu'était aussi devenu la Guinée de cette époque ?  C'est quelque chose de très complexe et malheureusement, la Guinée ne s'est toujours pas réconciliée avec ce passé et les positions sont assez ancrées. Maintenant, si on parle de Kwame Ture précisément, pour lui, c'était un régime panafricaniste, le seul régime panafricaniste radical. Et malgré toutes ses erreurs, c'était celui qui pouvait tenir jusqu'au bout cette conviction qu'il avait lui-même. Il était totalement d'accord avec le fait qu'il fallait conserver ce régime pour qu'il ne bascule pas dans un régime néocolonialiste.  À tout prix ? À tout prix.  En 1974, il y a un autre évènement important pour l'Afrique et plus généralement pour le monde noir, c'est le combat en Afrique, à Kinshasa, entre Mohamed Ali et George Foreman. Dans un livre de mémoires, votre père indique qu'il a été invité par Mohamed Ali lui-même à venir à Kinshasa pour le combat. Est-ce que vous savez ce que représentait cet affrontement pour votre père ?  Mohamed Ali était son ami. Il y avait ce symbole de Mohamed Ali qui représentait l'Africain fier et George Foreman qui était un peu l'opposé de cela. Mais après, il a rencontré George Foreman et il disait que George Foreman l'avait séduit avec son charme, l'a embrassé et tout. Je pense qu'au-delà du symbolique, mon père était beaucoup plus intéressé par ce qui se passait au Congo démocratique, c'est-à-dire le Zaïre à l'époque, et le fait que c'était sous le régime de Mobutu Sese Seko, auquel il était farouchement opposé par ce qu'il représentait en termes de corruption et d'alignement avec les puissances coloniales. Qui sont de manière générale les acteurs politiques qui fréquentaient le salon de votre père dans ces années 1970 et au début des années 1980, pendant la Première République en Guinée ? On parle d'un melting pot qui ne dit pas son nom. Que ce soit des artistes - Miriam Makeba et Nina Simone, qui était une de ses amies très proches - ou des activistes de partout dans le monde. Qui venaient à Conakry et qui venaient le rencontrer ? Qui venaient à Conakry ou qui y vivaient. Parce que vous savez qu'à une époque, Conakry était un centre du monde noir où on conciliait l'art, les mouvements de libération, etc. Il y avait un grand nombre de personnes qui y vivaient, comme Amilcar Cabral, comme Kwame Nkrumahn, avant même il y avait Félix-Roland Moumié du Cameroun, pour ce qui est de la politique. Concernant les arts et la littérature, il y avait Ousmane Sembène qui y vivait, il y avait Maryse Condé qui y vivait. C'était vraiment un centre… et il se retrouve chez lui avec toutes ces personnes, plus ou moins de différentes sphères. Moi, je peux raconter avoir vu des activistes exilés sud-africains, Tsietsi Mashinini, qui a commencé la révolte estudiantine de Soweto, qui était parmi d'autres exilés sud-africains. Il y avait beaucoup d'Afro-Américains, bien sûr, des Black Panthers exilés. Il y avait la diplomatie guinéenne, des diplomates de pays gauchistes et souverainistes, il y avait tout un monde. Mais aussi, il faut savoir que Kwame Ture était vraiment penché vers la masse, la masse populaire. Donc autour de tout ça, on voit un chef villageois qui est assis ou on voit la personne déshéritée du quartier qui est là, assise, qui peut recevoir un repas. Parce que notre maison était comme un centre communautaire pour la jeunesse du quartier. Il amenait tous les enfants du quartier à la plage chaque dimanche. Puis se retrouvait peut-être un mardi à saluer un chef d'État. Puis avait une conférence avec un groupe communautaire. Moi, j'ai vu tout cela dans cette maison. C'était quelque chose de magique. Il recevait où, justement ? Dans son salon, dans son bureau ? Y avait-il un rituel autour de la réception de ses amis politiques ? Déjà, il avait une véranda où il était assis… parce que c'était un bibliophile. Il lisait beaucoup, il écrivait beaucoup. Il ne lisait pas pour le plaisir, mais il lisait pour ses conférences. Après, il y a des gens qui venaient pour le rencontrer. Je sais qu'il y a eu Charles Taylor qui était venu de nulle part pour le rencontrer. C'était vraiment un melting pot.    À cette époque, votre père continue aussi ses voyages et ses tournées, il n'est pas tout le temps à Conakry ? Il était très organisé. Sur toutes ses photos, il écrivait les dates et les lieux. On se demande comment il pouvait parcourir toutes ces distances en si peu de temps. Un jour, on le voit au Connecticut. Le lendemain, on le voit à Paris, banni, chassé. En Angleterre, peut-être, d'où il est banni et chassé. Parce que c'était très compliqué pour lui d'avoir accès a beaucoup de pays. Après, on le voit en Californie... Il était partout. Sékou Touré disparaît en 1984. Mais votre père continue, lui, son engagement pour ses idées au sein du Parti démocratique de Guinée. Qu'est-ce qui a marqué ces années de militantisme politique sous Lansana Conté ? Le contexte a vraiment changé !  Et c'est là que l'on voit vraiment les convictions de l'homme. Parce que, du jour au lendemain, tout a changé. Il a été arrêté par le régime de Lansana Conté. Donc, il a perdu les privilèges qu'il avait, bien sûr, où il connaissait le président et était sous sa tutelle. Mais malgré cela, il a décidé de rester en Guinée. La moitié de sa vie guinéenne, quinze ans, s'est passée ainsi. Il a décidé malgré tout de rester en Guinée, d'être actif dans la vie politique guinéenne et la vie sociale de la Guinée.  … Et de rester fidèle à ses convictions.  Exactement. Vous êtes à l'époque enfant. Quel souvenir est-ce que vous gardez de ces années, de votre maison à Conakry, de ceux qui y passaient ? Quelle était l'ambiance ? Vous disiez tout à l'heure que tout le quartier se retrouvait chez vous…  C'est cela. Mon père était d'une gentillesse rare, d'un altruisme qu'on ne retrouve pas très souvent. Donc effectivement, c'était pour moi quelque chose de très formateur. Comment quelqu'un peut traiter un chef d'État avec le même respect qu'il traite la personne la plus déshéritée du quartier. Et toutes ces personnes pouvaient se retrouver chez lui, devant lui, avec le même respect, ou peut-être même le déshérité avec un peu plus d'amour.  Vous appelez régulièrement les Guinéens à se souvenir de votre père, Stokely Carmichael / Kwame Ture. Avez-vous le sentiment que son histoire a été oubliée en Guinée ?  Je parle de manière générale. Il y a une politique de mémoire en Guinée qui doit être améliorée. Stokely Carmichael est un pont unique entre l'Afrique et l'Amérique. On parle d'un personnage qui a passé la moitié de sa vie en Guinée. À ce stade, l'État guinéen n'a pas fait une seule initiative pour se réapproprier de l'héritage de cette personnalité.  Donc il y a un vrai chantier ? Il y a un chantier.  Une dernière question plus personnelle. Quel père a été Stokely Carmichael ? Quelle image retenez-vous de lui ?  Un père adorable, d'une gentillesse rarissime, qui m'a beaucoup appris, que j'ai profondément aimé. Quelqu'un qui était attaché à tout ce qui est beau dans le monde, à commencer par les enfants. ►A lire pour aller plus loin : BERTHO Elara, Un couple panafricain, Editions Rot-Bo-Krik, 2025 À (ré)écouterElara Bertho: «Replacer Conakry au centre des imaginaires, c'était un peu l'idée de cet ouvrage»

In this episode, Pulitzer Prize-winning historian David Levering Lewis joins to unpack Du Bois' life, legacy, and enduring impact on American history and discuss his new memoir, The Stained Glass Window.     Resources David Levering Lewis, The Stained Glass Window: A Family History as the American Story, 1790–1958, (2025) David Levering Lewis, W.E.B. Du Bois: A Biography 1868–1963, (2009) American Historical Association, “W.E.B. Du Bois (1868–1963): Historian, Sociologist, Editor, Activist,” Perspectives on History, (2023) W.E.B. Du Bois, The Talented Tenth, (1903) W.E.B. Du Bois, The Souls of Black Folk: Centennial Edition, (2003) Stay Connected and Learn More Questions or comments about the show? Email us at ⁠⁠⁠⁠⁠⁠⁠podcast@constitutioncenter.org⁠⁠⁠⁠⁠⁠⁠ Continue the conversation by following us on social media @ConstitutionCtr. ⁠⁠⁠⁠⁠⁠⁠Sign up⁠⁠⁠⁠⁠⁠⁠ to receive Constitution Weekly, our email roundup of constitutional news and debate. Follow, rate, and review wherever you listen. Join us for an upcoming ⁠⁠⁠⁠⁠⁠⁠live program⁠⁠⁠⁠⁠⁠⁠ or watch recordings on ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠. Support our important work. ⁠⁠⁠⁠⁠⁠⁠Donate

The Negro Project: MLK and W.E.B. Dubois were supporters of Margaret Sanger's racist agenda!To get a free resource explaining how a Gold IRA could benefit you, click here: http://thebiblicalconservative.com/GoldJoin this channel to get access to perks:  / @thebiblicalconservative  Bringing Biblical Truth back to the government, the culture and the church.There is an assault on the black community.  This attack is subtle in its nature but insidious in its aim.  The aim is to move the community and in particular men away from dependence on God and into dependence on the government.  This dependency will lead to continued poverty, struggle, and defeat.This page and the associated channel are here to present truth in a loving way.  We want to see lives changed and families restored.Because we are not victims.  We are empowered for greatness!Music by audionautix.com#thebiblicalconservative#plannedparenthood#mlk#blackcommunityTranscriptFollow along using the transcript.Show transcript

In celebration of Juneteenth, Pulitzer Prize–winning historian David Levering Lewis, author of the definitive two-volume biography of W.E.B. Du Bois, explores Du Bois' life, legacy, and enduring impact on American history, while also discussing his own new memoir, The Stained Glass Window. Jeffrey Rosen, president and CEO of the National Constitution Center, moderates. Resources David Levering Lewis, The Stained Glass Window: A Family History as the American Story, 1790–1958, (2025) David Levering Lewis, W.E.B. Du Bois: A Biography 1868–1963, (2009) American Historical Association, “W.E.B. Du Bois (1868–1963): Historian, Sociologist, Editor, Activist,” Perspectives on History, (2023) W.E.B. Du Bois, The Talented Tenth, (1903) W.E.B. Du Bois, The Souls of Black Folk: Centennial Edition, (2003) W.E.B. Du Bois, Black Reconstruction in America: An Essay Toward a History of the Part Which Black Folk Played in the Attempt to Reconstruct Democracy in America, 1860–1880, (2014) W.E.B. Du Bois and Guy B. Johnson, Encyclopedia of the Negro: Preparatory Volume with Reference Lists and Reports, (1940) David Levering Lewis, W.E.B. Du Bois: The Fight for Equality and the American Century, 1919–1963, Read by Courtney B. Vance, (2001)   Stay Connected and Learn More Questions or comments about the show? Email us at podcast@constitutioncenter.org Continue the conversation by following us on social media @ConstitutionCtr. Sign up to receive Constitution Weekly, our email roundup of constitutional news and debate. Follow, rate, and review wherever you listen. Join us for an upcoming live program or watch recordings on YouTube. Support our important work. Donate

ORIGINALLY RELEASED Jul 24, 2023 Dr. Gerald Horne, renowned historian, prolific author, and leading scholar of African American history, joins host Breht O'Shea and guest co-host PM Irvin for the inaugural episode of a compelling new series dedicated to exploring the profound life and influential work of W.E.B. Du Bois. A towering figure in American intellectual history, Du Bois was an innovative sociologist, pioneering Marxist socialist thinker, distinguished historian, and a passionate advocate of Pan-Africanist civil rights and liberation. In this richly detailed discussion, Dr. Horne provides his deep historical expertise and sharp analytical insight to illuminate Du Bois's groundbreaking masterpiece, Black Reconstruction in America. This seminal text revolutionized the historiography of the Reconstruction era by highlighting the central role that African Americans played in striving for democracy and liberation following the Civil War, while powerfully dismantling the myths perpetuated by white supremacist narratives of American history. Listeners will gain a profound appreciation for Du Bois's rigorous methodology, his penetrating critique of capitalist exploitation and racial oppression, and his visionary perspective on racial solidarity and international struggle. This episode not only marks the beginning of a comprehensive exploration of Du Bois's prolific intellectual contributions but also serves as a crucial foundation for understanding the historical dynamics that continue to shape racial politics and liberation movements today.   Check out our other interviews with Professor Horne over at Guerrilla History:   Texas and the Roots of US Fascism and The Counter-Revolution of 1776   Also check out Dr. Horne's writings in The Nation ---------------------------------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow, Subscribe, & Learn more about Rev Left Radio https://revleftradio.com/

In Section 3, I discuss some of the prominent movements and themes occurring in between two World Wars, particularly the Great Migration characterized by the movement of millions of blacks from the rural agricultural south to the urban industrial north as well as highlighting some important proponents of the Harlem Renaissance like Zora Neale Hurston, Countee Cullen, Langston Hughes (the Shakespeare of Harlem), Paul Laurence Dunbar (who inspired the movement after passing away in 1906) and others. The Harlem Renaissance influenced the Great Migration just as the Great Migration influenced the Harlem Renaissance. Not only was there a growth in a black intelligentsia or bourgeoisie, there also was an increase in the black urban worker described in past podcasts. Denied not only political protections and equality but also entry into certain occupations, housing, credit, and capital, there would be immense organization for rights. The Declaration of Rights of the UNIA, established in Harlem, would be spearheaded by perhaps the greatest black organizer in American history Marcus Garvey, who sought not only economic advancement for blacks, but support and self help through his organization for African Americans and the black diaspora around the world. Garvey, heavily influenced by Booker T. Washington yet being way more expansive in his demands for education and political opportunity, would be skeptical of the NAACP and W.E.B Du Bois limited political actualization. However, some community organizers would take it a step further than Garvey, demanding not only a radical redistribution of wealth but world revolution. In part 2 of the Great Migration, Harlem Renaissance, and World War 1915-1954, we will see an increased proclivity, prevalence, and sympathy towards communist ideology, influenced by the 1917 Russian Revolution. Not only would blacks recognize race exploitation as tied to wider class exploitation, but in doing so they would seek solidarity with other working class whites in the fight against what Cyril V. Briggs would term "Private Capitalism."Is such an ideology conducive to accommodating a liberal integrationist perspective of the future Civil Rights movement? In some ways yes and in some ways no. Without a doubt, this period saw not only a bursting of literary creativity and a fundamental critique of white oppression and caste democracy, it would also provide the seeds for marxist theories advocated by future leaders and intellectuals like Fred Hampton, Dr. Angela Davis, and Dr. Cornell West. The failures of the economic system, as evidenced by the Great Depression, only heightened a sentiment towards more radical and alternative economic perspectives. Is the problem corruption, capitalism, or political inequality? This would be a question that many people of this period from 1915-1954 would engage with as American after the Great Depression and World War II would enter an era of immense prosperity. However, within two decades it would be short lived.Next video and podcast coming out Friday February 21:Section 3- From Plantation to Ghetto: The Great Migration, Harlem Renaissance, and World War, 1915-1954 Part 2 of 2Monday February 24 will come out:Section 4- We Shall Overcome: The Second Reconstruction, 1954-1975 Part 1 of 2Tuesday February 25 will come out:Section 4- We Shall Overcome: The Second Reconstruction, 1954-1975 Part 2 of 2Friday February 28 will come out (either in 1 or 2 parts):Section 5- The Future in the Present: Contemporary African-American Thought, 1975 to the Present

We talk about African Americans who helped shape the lives of African Americans in American History.Andrew's Sources- The Measure of a Man: A Spiritual Autobiography by Sidney Poitier- Hollywood Black: The Stars, Films, and Filmmakers by Donald BooleWyatt's Sources- What to the Slave is the 4th of July? By Frederick Douglas- Poetry Foundation Website

We discuss W. E. B. Du Bois and a new world movement of thought, and its relationship to the disintegration of the American Empire.

Containing Matters of VacancyTimestamps:W.E.B. Du Bois background (0:00)"The Comet" non-spoiler discussion (41:54)spoiler summary and discussion (52:07)Bibliography:Horne, Gerald - "W.E.B. Du Bois: A Biography" (2009)VanderMeer, Jeff and Ann (eds.) - "The Big Book of Science Fiction" (2016)

Effie Lee Newsome (1885–1979) was a Harlem Renaissance poet and activist. She is most famous for her volume of children’s poetry, Gladiola Garden: Poems of Outdoors and Indoors for Second Grade Readers. As the NAACP got started, Newsome also worked extensively with W.E.B DuBois on TCrisis magazine, writing poetry for the magazine and editing the “Little Page” column. Her writings merged nature with the fight for civil rights, linking natural history and conservation to the problems of segregation. For Further Reading: Wonders: The Best Children's Poems of Effie Lee Newsome Double-take: A Revisionist Harlem Renaissance Anthology Effie Lee Newsome, Poems in "The Crisis," 1910-1926 This Black History Month, we’re talking about Renaissance Women. As part of the famed cultural and artistic Harlem Renaissance movement, these women found beauty in an often ugly world. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Producer/Host: R.W. Estela Hi, I'm RW Estela: Since 1991, I've been presenting A Word in Edgewise, WERU's longest-running short feature, a veritable almanac of worldly and heavenly happenings, a confluence of 21st-century life in its myriad manifestations, international and domestic, cosmopolitan and rural, often revealing, as the French say, the more things change, the more they stay the same — though not always! Sometimes in addressing issues affecting our day-to-day lives, in this age of vagary and ambiguity, when chronological time is punctuated elliptically, things can quickly turn edgy and controversial, as we search for understanding amid our dialectic. Tune in Monday mornings at 7:30 a.m. for an exciting journey through space and time with a few notable birthdays thrown in for good measure during A Word in Edgewise . . . About the host: RW Estela was raised as a first-generation American in Colorado by a German mother and a Corsican-Basque father who would become a three-war veteran for the US Army, so RW was naturally a military brat and later engaged in various Vietnam-era civil-service adventures before paying his way through college by skiing for the University of Colorado, playing Boulder coffeehouses, and teaching. He has climbed all of Colorado's Fourteeners; found work as an FAA-certificated commercial pilot, a California-licensed building contractor, a publishing editor, a practitioner of Aikido, and a college professor of English; among his many interdisciplinary pursuits are the design and building of Terrell Residence Library (recently renamed the Terrell House Permaculture Living & Learning Center at the University of Maine), writing Building It In Two Languages (a bilingual dictionary of construction terminology), aerial photo documentation of two dam removals (Great Works and Veazie) on the Penobscot River, and once a week since 1991 drafting an installment of A Word In Edgewise, his essay series addressing issues affecting our day-to-day lives — and WERU's oldest continuous short feature. When pandemics do not interfere, he does the Triple Crown of Maine open-water ocean swims (Peaks to Portland, Islesboro Crossing, and Nubble Light Challenge) and the Whitewater Downriver Point Series of the Maine Canoe and Kayak Racing Organization. RW is the father of two and the grandfather of three and lives with his partner Kathleen of 37 years and their two Maine Coons in Orono. The post A Word in Edgewise 2/24/25: Of Teilhard de Chardin, W.E.B. Du Bois, & John Greenleaf Whittier . . . first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Tune in to the Power of Reading Week! Yay! Host, Nichel Anderson returns this month of February celebrating the power of reading. What are your favorite books? Ms. Anderson returns reading Dr. W.E.B. DuBois infamous book ' Souls of Black Folk' in the chapter called "Of the Wings of Atlanta" where you will be a breakdown analysis by Ms. Anderson afterwards to grasp the gems left for us to all continue learning of the culture and new frontier.    Song music in background; "Atlantans" by Nichel MOLIAE aka Nichel Anderson  Next episode in celebration the wonderfulness of books on Wednesday!    =============     Listen, Download this song and share it here; Support Nichel's M-Film Dream;    -------- SHOP ON OFFICIAL WEBSITE; Purchase the Remix of Nichel's songs of her forthcoming song only here; You Know Me | SONG Remix;  https://moliae.com/song    or the catalog of songs here; https://moliae.com/shop   SHOP MOLIAE HOODI'S, Tshirts; https://moliae.com/product/wings-of-atlantis-moliae-hoodi/ ====== --- ***Apple Music My Song Links:    You Know Me:  https://music.lnk.to/yVTBWP     Don't You Remember The Times https://music.lnk.to/mXk8Xf   Atlantans https://music.lnk.to/Fgg572     Kingship   https://music.lnk.to/XORSTW   When love was divine      --- Stream Spotify Nichel's songs:  Kingship https://open.spotify.com/track/6PqzW6hkAkx0dHUMabj6pN?si=dc3e0b2c990f441b -- You Know Me https://open.spotify.com/album/4gd09XfrS5KFby3JbAjDxC?si=Jq-RRza7QrWDdY_aZ_53NQ -- Atlantans  https://open.spotify.com/album/1V2DjkvDteCb9UFwr0m6OC?si=AMNciL30SKyOz1agxoE7oA -- We Are Atlantans https://open.spotify.com/album/3ecYQyZ2INxYcTQ1yEUd9l?si=DzGSldhjRSS-ySjz_haVDA     --- When Love Was Divine https://open.spotify.com/track/6ta4GKvwYSBfffeZ2NHhaO?si=2cf54113cc434d6e   ---- Get the NFTs Support the M-Film Project | Pyramids Mystery Temple Reunion (PMTR)   MOLIAEWorld.com Mint.MOLIAEWorld.com     --- Check out another episode this week! Share this!          

Tune in to the Power of Reading Week! Yay! Host, Nichel Anderson returns this month of February celebrating the power of reading. What are your favorite books? Ms. Anderson returns reading Dr. W.E.B. DuBois infamous book ' Souls of Black Folk' in the chapter called "Of the Wings of Atlanta" where you will be a breakdown analysis by Ms. Anderson afterwards to grasp the gems left for us to all continue learning of the culture and new frontier.    Song music in background; "Atlantans" by Nichel MOLIAE aka Nichel Anderson  Next episode in celebration the wonderfulness of books on Wednesday!  Share this!   Song music in background; "Kingship" by Nichel MOLIAE aka Nichel Anderson with featured Rapper "Chris Jenkins" | IG @chrisjenkinstvg     Listen, Download this song and share it here; Support Nichel's M-Film Dream;    -------- SHOP ON OFFICIAL WEBSITE; Purchase the Remix of Nichel's songs of her forthcoming song only here; You Know Me | SONG Remix;  https://moliae.com/song    or the catalog of songs here; https://moliae.com/shop   SHOP MOLIAE HOODI'S, Tshirts; https://moliae.com/product/wings-of-atlantis-moliae-hoodi/ ====== --- ***Apple Music My Song Links:    You Know Me:  https://music.lnk.to/yVTBWP   Don't You Remember The Times https://music.lnk.to/mXk8Xf   Atlantans https://music.lnk.to/Fgg572   Kingship https://music.lnk.to/XORSTW   When love was divine  --- Stream Spotify Nichel's songs:  Kingship https://open.spotify.com/track/6PqzW6hkAkx0dHUMabj6pN?si=dc3e0b2c990f441b -- You Know Me https://open.spotify.com/album/4gd09XfrS5KFby3JbAjDxC?si=Jq-RRza7QrWDdY_aZ_53NQ -- Atlantans  https://open.spotify.com/album/1V2DjkvDteCb9UFwr0m6OC?si=AMNciL30SKyOz1agxoE7oA -- We Are Atlantans https://open.spotify.com/album/3ecYQyZ2INxYcTQ1yEUd9l?si=DzGSldhjRSS-ySjz_haVDA --- When Love Was Divine https://open.spotify.com/track/6ta4GKvwYSBfffeZ2NHhaO?si=2cf54113cc434d6e   ---   Check out another episode this week! Share this!    

This week, we're talking about WEB DuBois' time in Atlanta, which spans two different periods and a total of 24 years. Arriving first in 1897, he lived here during the death of his son, the lynching of Sam Hose, the 1906 Race Massacre and the publishing of several books and magazines. His second arrival was in 1934, where is once again taught at Atlanta University and published several more books.   Want to support this podcast? Visit here Email: thevictorialemos@gmail.com Facebook | Instagram   

Wendy MacNaughton on her Substack Draw Together talked about negative space this week and she wrote,“Negative Space performs many functions: it focuses our eyes on the subject, it moves our eyes around a drawing or it keeps them still, it allows for visual space/room to breathe, and sometimes it gives the subject an extra layer of meaning.“For example, ever seen this logo before?“Sure, you've probably seen it a million times.“But have you noticed the hidden symbol in the logo?! Focus your attention on the negative space of the logo - the space between the letters. Do you see it? Look between the E and the X. Now do you see the arrow?? YES. It's subtle. It took me YEARS to see it. But once you see the arrow formed by the negative space you can't unsee it. In this case, designer Lindon Leader used the negative space to create an image that informs the meaning of the subject. An arrow takes your package from here to there. Very clever, Lindon.”This obviously has societal implications, which she writes about as well. She talks about sociologist W.E.B Du Bois' work Data Portraits: Visualizing Black America, which shows in data and visualization what was and wasn't going on.In writing, we call this negative space white space, right?How writers use it impacts readers' experiences.It focuses attention on shorter words and paragraphs. It gives a visual break—especially when it's at the end of the scene or chapter, right? A new chapter almost always begins on a new page. There's a reason for that. It's to let that last bit resonate. It's to signal, “Hey! Rock star! You just read a chapter!”So… how do you create white space?Make your sentences shorter. Vary these babies. Make your paragraphs shorter. Vary these babies, too. In articles, make lists. Make sure in dialogue that each person speaking gets their own paragraph. Don't embed the dialogue.WHY NEGATIVE SPACE IS GOOD IN OUR LIVES, TOOLast week, on our blog, I talked about how boredom is actually a pretty awesome thing.But basically, being bored allows us to have creativity, to replenish, to incubate ideas a and thoughts.RANDOM THOUGHT LINKOur random thought came from here.DOG TIP FOR LIFEPOGIE AND MR MURPHY DOG: This is 100% positive truth. We live about 65% of our lives in this white space where you think we're sleeping but we're really just chilling and trying to figure out how to get snacks in new ways.PLACES TO SUBMITThe Masters Review Short Story Award for New WritersEligibility: Emerging writers only Prize: $3,000 + publication + agency review Entry Fee: $20 Deadline: February 2, 2025Matthew Power Literary Reporting Award Eligibility: Early-career nonfiction writers Prize: $12,500 Deadline: February 19, 2025SHOUT OUT!The music we've clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here's a link to that and the artist's website. Who is this artist and what is this song? It's “Summer Spliff” by Broke For Free.WE HAVE EXTRA CONTENT ALL ABOUT LIVING HAPPY OVER HERE! It's pretty awesome. We have a podcast, LOVING THE STRANGE, which we stream biweekly live on Carrie's Facebook and Twitter and YouTube on Fridays. Her Facebook and Twitter handles are all carriejonesbooks or carriejonesbook. But she also has extra cool content focused on writing tips here. Carrie is reading one of her raw poems every once in awhile on CARRIE DOES POEMS. And there you go! Whew! That's a lot! Subscribe

More at https://www.philosophytalk.org/shows/web-du-bois. Sociologist, historian, philosopher, editor, writer, and activist, W.E.B. Du Bois was one of the most influential intellectuals of the twentieth century. The first African-American Ph.D. from Harvard University, Du Bois died in Ghana after having renounced his American citizenship. In between he co-founded the NAACP and wrote The Souls of Black Folk (1903) as well as a number of other influential books that had a decisive impact on the development of African-American culture in the twentieth century. John and Ken discuss Du Bois' life and thought with Lucius Outlaw from Vanderbilt University, author of "On Race and Philosophy."

This is the last episode of Notes from America with Kai Wright.If you've been with the show through its multi-year history and iterations as a NYC-based narrative podcast and local call-in show called The United States of Anxiety before becoming a nationally distributed program, then you may remember the conversation in this finale.It's with cultural historian, Columbia University professor and MacArthur fellow Saidiya Hartman, who introduces host Kai Wright to young women whose lives were obscured by respectability politics. Hartman is the author of "Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals," which offers an intimate look into some of the Black people that have been seemingly erased from the history books. Through a series of readings, they explore the complicated role of Black intellectuals like W.E.B DuBois, the Black family and how a damaging moralism continues to inform the policing of marginalized communities, public space and American cultural politics today.This episode was originally published as “The ‘Beautiful Experiments' Left Out of Black History” on February 8, 2021.Find Notes From America's archive of episodes here, including the following companion listening for this episode:“Faith Ringgold Creates Space for Black Americans” (1/5/2023)Faith Ringgold's art is an intimate dialogue and debate between generations of Black women, stretching from the formerly enslaved to today. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

Augusta Savage (1892-1962) was a Black American sculptor during the Harlem Renaissance. She was commissioned to create busts of W.E.B Dubois, Marcus Garvey, and a pinnacle piece in the 1939 World’s Fair. Although talented and well known, she was poor and unable to preserve her pieces, many of which are now lost to history. For Further Reading: The Black Woman Artist Who Crafted the Life She Was Told She Couldn't Have Sculptor Augusta Savage Said Her Legacy Was The Work Of Her Students Augusta Savage: Sculptor This month we're talking about Go-Getters. Women who purposefully—or accidentally!—acquired life-changing wealth, good fortune, or influence. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Hannah Bottum, Adrien Behn, Alyia Yates, and Vanessa Handy. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Greetings Glocal Citizens! This week our Writing as Activism @ Pa Gya! 2024 continues in conversation with Liberian novelist, journalist, film critic, curator, speaker and lecturer of African Literature and Arts at Leiden University in the Netherlands, Vamba Sherif. Vamba has written several novels, including The Emperor's Son (2024), a novel about emperor Samori Touré, The Witness (2011), Bound to Secrecy (2007), The Kingdom of Sebah (2003), Land of My Fathers (1999), and the memoire Unprecedented Love (2021). He has curated several anthologies, including the bestselling Black: Afro-European literature in the Netherlands and Belgium. His work, which has been translated in many languages, deals with themes such as migration, belonging, love, the history of slavery, colonialism and the African resistance to it, and the mysteries of existence. These are all themes that Vamba brings to vivid life in our discussion. Click the and check out Vamba's Pa Gya! session (https://www.youtube.com/live/GIP5DqSjC_k?si=uV_GjrsM0mwn_wJK) centering his latest book The Emperor's Son. Where to find Vamba? On LinkedIn (https://www.linkedin.com/in/vamba-sherif-50767755/) On Instagram (https://www.instagram.com/vamba.omarsherif/) On Facebook (https://www.facebook.com/vamba.sherif) On X (https://x.com/vambasherif) Vamba's essential Pan-African activism reading list: [The Radience of the King)(https://en.wikipedia.org/wiki/TheRadianceoftheKing) by Camara Laye (https://en.wikipedia.org/wiki/Camara_Laye) and excerpt to the introduction by Toni Morrison (https://www.nybooks.com/articles/2001/08/09/on-the-radiance-of-the-king/?srsltid=AfmBOoqxwN5ZH14QIhyQGo80szFC7bLl7aF7ogRxSVSw6N6M5oh1mwJc) Other topics of interest: Who was Samori Touré (https://en.wikipedia.org/wiki/Samori_Ture)? Kolahun, Liberia (https://en.wikipedia.org/wiki/Kolahun_District) Liberia's First Civil War (https://en.wikipedia.org/wiki/First_Liberian_Civil_War) About Edward Wilmot Blyden, father of Pan-Africanism (https://en.wikipedia.org/wiki/Edward_Wilmot_Blyden#:~:text=As%20a%20writer%2C%20Blyden%20has,of%20the%20%22African%20race%22.) About the Gulf War (https://en.wikipedia.org/wiki/Gulf_War) Senegalese filmmaker, Ousmane Sembène (https://en.wikipedia.org/wiki/Ousmane_Semb%C3%A8ne) About Groningen (https://en.wikipedia.org/wiki/Groningen) Why lekker (https://www.iamexpat.nl/expat-info/dutch-expat-news/why-dutch-always-lekker) is so sweet… The Comet (https://youtu.be/aQzgZTmwAPc?si=O9t7qHFyV2PeYLYa) by W.E.B Dubois

Author Freeden Blume Oeur discusses the article, "Of the Meaning of Pedagogy: W. E. B. Du Bois, Racial Progress, and Positive Propaganda," published in the October 2024 issue of Teaching Sociology.

Brent Hayes Edwards and Adam discuss the ‘ur-text of Black political philosophy', W.E.B. Du Bois's The Souls of Black Folk. Spanning autobiography, history, biography, fiction, music criticism and political science, its fourteen essays set the tone for black literature, political debate and scholarly production for the course of the twentieth century. Souls was an immediate bestseller, the subject of furious debate and a foundational work in the new field of sociology.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Subscribe to Close Readings:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsBrent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

1914 - Yolanda, la hija de 14 años del sociólogo, activista, panafricanista y escritor estadounidense, William Edward Burghardt Du Bois, deja su casa para ir a estudiar a Inglaterra. Su papá le haría llegar después, esta carta. Un espacio de Bárbara Espejo.

Chad L. Williams is the Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University. Chad earned a BA with honors in History and African American Studies from UCLA, and received both his MA and Ph.D. in History.

Donald and Luke talk with Aziz Rana about his latest book, The Constitutional Bind: How Americans Came to Idolize a Document That Fails Them. Rana discusses why constitutional veneration has remained (for now) "a naturalized, unremarked-upon feature” of American life despite the Constitution's flagrantly undemocratic nature. Along the way, he touches on the Socialist Party of America's constitutional skepticism, the impact of war and foreign revolutions on constitutional ideology, and the risks and rewards of our current moment. Rana integrates the lives of several important people, including Crystal Eastman, W.E.B DuBois, Eugene Debs, Afemi Shakur, and Charles Beard.

HIT RECORD AND LET IT ROLL! Coach Durant We had A Day…. You made the podcast better today! We get into a lot of topics W.E.B DuBois

We Are the Leaders We Have Been Looking For (The W. E. B. Du Bois Lectures) by Eddie Glaude Jr. https://amzn.to/3JQZWyM We are more than the circumstances of our lives, and what we do matters. In We Are the Leaders We Have Been Looking For, one of the nation's preeminent scholars and a New York Times bestselling author, Eddie S. Glaude Jr., makes the case that the hard work of becoming a better person should be a critical feature of Black politics. Through virtuoso interpretations of Martin Luther King, Jr., Malcolm X, and Ella Baker, Glaude shows how we have the power to be the heroes that our democracy so desperately requires. Based on the Du Bois Lectures delivered at Harvard University, the book begins with Glaude's unease with the Obama years. He felt then, and does even more urgently now, that the excitement around the Obama presidency constrained our politics as we turned to yet another prophet-like figure. He examines his personal history and the traditions that both shape and overwhelm his own voice. Glaude weaves anecdotes about his evolving views on Black politics together with the writings of Ralph Waldo Emerson, John Dewey, Toni Morrison, James Baldwin, and Ralph Ellison, encouraging us to reflect on the lessons of these great thinkers and address imaginatively the challenges of our day in voices uniquely our own. Narrated with passion and philosophical intensity, this book is a powerful reminder that if American democracy is to survive, we must step out from under the shadows of past giants to build a better society―one that derives its strength from the pew, not the pulpit.

What's on my Mind: Uninformed Citizenry: https://aeon.co/ideas/the-right-to-vote-should-be-restricted-to-those-with-knowledgehttps://www.sparknotes.com/us-government-and-politics/political-science/politics-and-political-science/summary/News:Democracy on Trial: https://www.politico.com/live-updates/2024/04/18/trump-hush-money-criminal-trial/gag-order-redux-00153015https://www.msnbc.com/deadline-white-house/deadline-legal-blog/trump-hush-money-trial-witness-testimony-takeaways-rcna149542https://apnews.com/article/fake-electors-trump-2020-arizona-indictments-059a719514b0c6cb56f7d7339e87d0d5Conversations with an Atheist: Our Post Apocalyptic Future:https://www.neh.gov/article/rise-rapture-horror-culturehttps://www.gcrr.org/post/rapture-anxietyClosing: Start Early: https://www.blackbusiness.com/2024/04/tatiyana-danyelle-jyniah-smith-black-siblings-make-history-youngest-ceos-maryland.html

Saturday in Duluth will be Ethel Ray Nance Day, the birthday of a Duluth-born civil rights activist who would have been 125 years old. Her father established the Duluth branch of the NAACP in 1920 after three Black men were lynched in the city. Ethel carved her own path, becoming the first Black woman to work as a stenographer at the state legislature, an executive secretary for W.E.B DuBois and one of the first black policewomen in Minnesota. She has been an unsung hero until now. Her story is now being published by her granddaughter, Karen Nance, the author of “Ethel Ray: Living in the White, Gray and Black”. MPR News host Cathy Wurzer talked with Karen Nance about her grandmother and the book, out Saturday.

A huge thanks to Seth White for the awesome music!Thanks to Palmtoptiger17 for the beautiful logo: https://www.instagram.com/palmtoptiger17/Facebook Page: https://www.facebook.com/thewayfourth/?modal=admin_todo_tourYouTube: https://www.youtube.com/channel/UCTd3KlRte86eG9U40ncZ4XA?view_as=subscriberInstagram: https://www.instagram.com/theway4th/ Kingdom Outpost: https://kingdomoutpost.org/My Reading List Goodreads: https://www.goodreads.com/author/show/21940220.J_G_ElliotChristian Peace and Nonviolence: https://www.goodreads.com/book/show/11451761-christian-peace-and-nonviolence?from_search=true&from_srp=true&qid=lpCu4Cfk0v&rank=8The Souls of Black Folk: https://www.goodreads.com/book/show/318742.The_Souls_of_Black_Folk?ref=nav_sb_ss_1_18Public Domain Version: https://www.gutenberg.org/files/408/408-h/408-h.htm*Due to the recreation of an older work written by DuBois, this episode contains racial language that some listeners may be offended by.  Thanks to our monthly supporters Philip Does Laverne Miller Jesse Killion ★ Support this podcast on Patreon ★

In this episode of History Rage, Chad Williams, a historian specializing in African American military history at Brandeis University, discusses the often overlooked contributions of African Americans in World War I and the profound impact it had on civil rights. The conversation delves into the experiences of black soldiers, the role of W.E.B. Du Bois, and the lasting legacy on the broader struggle for equality.African American Units in World War I:Segregation in the U.S. military during World War I.The experiences of black soldiers in the 92nd Division compared to the Harlem Hellfighters.The impact of racial segregation on their military service.W.E.B. Du Bois and his Support for the War:W.E.B. Du Bois's significance as a black intellectual in American history.Du Bois's support for the war and its connection to the broader struggle for civil rights.The disillusionment that followed when the promised changes did not materialize.African American Soldiers and Allies:Treatment of African American soldiers by different nations during World War I.Contrasting attitudes: The French vs. the British.The role of desperation in shaping the treatment of black soldiers.Impact on Civil Rights Movement:The Red Summer of 1919 and the postwar racial violence faced by black veterans.Determination of African American veterans to fight for their rights upon returning.The groundwork laid during the 1920s and 30s influencing the civil rights movement of the 1950s and 60s.W.E.B. Du Bois's Political Evolution:Du Bois's role as a pacifist supporting the war for the potential benefits.The disillusionment and the weight of his decision to support the war.Du Bois's evolution into a radical peace activist in the aftermath of World War II.Individual Highlight: Colonel Charles Young:Colonel Charles Young's pivotal role as the highest-ranking black officer at the start of the war.His symbolic significance for African Americans.The tragic circumstances of his retirement and subsequent reinstatement.Preserving and Documenting History:The growing interest in documenting African American involvement in wars.Steps to ensure accurate documentation and sharing of this history.The importance of educating the public about black contributions to wars.You can, and should, read Chad's book “Wounded World: W.E.B Du Bois and the First World War” which you can buy here and you can follow him on Twitter @Dr_ChadWilliamsFollow History Rage on Twitter @HistoryRage and join the conversation using the hashtag #HistoryRage.Become a part of our 'Angry Mob' on Patreon. For just £5 per month, you get episodes 3 months early, a chance to ask questions, entry into our prize draws, and the coveted History Rage mug. Hosted on Acast. See acast.com/privacy for more information.

This week we're joined by USC Faculty colleagues Alison Trope, Clinical Professor of Communication, and DJ Johnson, Associate Professor of Practice, Cinematic Arts. Together they direct the Critical Media Project (CMP), a free media literacy web resource for educators and students (ages 8-21) that enhances young people's critical thinking and empathy, and builds on their capacities to advocate for change around questions of identity. The website includes around 700 pieces of media and wraparound pedagogical resources that focus on seeing across difference, in order to surface questions that can then be addressed in the open. It can be used independently, and is also aligned with the Common Core for use in schools. Throughout this episode we'll listen to media examples with Alison & DJ to discuss how CMP works and how it can be used.Alison and DJ begin by telling us about their own media backgrounds, and how they reconcile their own positionality in these issues of identity when teaching and bring that conversation into the classroom, so it can become a shared space of engagement for all. After digging into some of the areas of identity currently tackled by CMP, we discuss how students and educators have engaged with it, both by using the resources as well as creating their own media, and through their latest curricular project, the fully-online Critical Makers Lab.Here are some of the references from this episode, for those who want to dig a little deeper:Alison TropeDJ JohnsonCritical Media ProjectCritical Makers LabCMP DIY Activities:I am, but I'm not...Making ChangeMapping My World + CommunityIdentity CollageApplying the Common Core - Critical Media ProjectAlison & DJ's childhood TV favorites:Wonder Woman (TV Series 1975–1979) - IMDbCharlie's Angels (TV Series 1976–1981) - IMDbCHiPs (TV Series 1977–1983) - IMDbBattle of the Planets (TV Series 1978–1980) - IMDbVideos we watched and discussed, as they appear with discussion questions on the CMP site:Zootopia - Press Conference SceneChimamanda Ngozi Adichie: The danger of a single story | TED TalkRise (dinner table)I'm Trans, But I'm NotShips at a DistanceAlso mentioned:educator, author, and media literacy advocate Renee HobbsW.E.B Du Bois's 1890s infographics Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com. Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.––––––––––––––––––––––––––––––In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

As the Power of Reading week wraps up today on Dr. W.E.B DuBois birthday! and the global release of "Kingship" song by Nichel aka Nichel MOLIAE tune in to hear Nichel read Dr. W.E.B. DuBois essay "Of the Wings of Atalanta" and talk about her song being release and how it corelates to the message in her creative work and the power of reading books, such as by Dr. DuBois' "Of the Souls of Black Folks".   --   If you wish to support and donate to Nichel's dream to turn her Mitsrayim book into a feature film you can at;    https://paypal.me/NichelAnderson --and-- stay in the know of the expansion of MOLIAE official website that created the MOLIAE World, the nfts they are available now for sale go to MOLIAEWorld.com --   you can support to donate on MOLIAE.com/donate that is the upcoming of other projects and all tied towards helping to raise funds for the film.  

Get ready for an impactful and inspiring segment as we wrap up this week Power of Reading celebrating books, essays, and the journey to how books has influenced your path forward. As the Power of Reading week concludes, what a wonderful wraps up today on Dr. W.E.B DuBois birthday! and the global release of "Kingship" song by Nichel aka Nichel MOLIAE tune in to hear Nichel read Dr. W.E.B. DuBois essay "Of the Wings of Atalanta" and talk about her song being release and how it corelates to the message in her creative work and the power of reading books, such as by Dr. DuBois' "Of the Souls of Black Folks".   *If you are interested in purchasing Nichel's books, journals, or notebooks you can on official website;    https://nichelanderson.com   --    

Born on February 23, 1868, in Great Barrington, Massachusetts, W.E.B. Du Bois emerged as a prominent figure in sociology and history. His extensive studies delved into the Black experience, earning him acclaim among historians. He is also renowned for pioneering Pan-Africanism, advocating for people of African descent to unite in the struggle for their freedom. Du Bois played a pivotal role in the establishment of the National Association for the Advancement of Colored People (NAACP) and contributed significantly to its early endeavors. Notably, he authored 16 research monographs between 1897 and 1914, further solidifying his scholarly contributions. He died in Ghana in 1963 at 95 years old. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, W.E.B. Du Bois. William Edward Burghardt Du Bois was an American sociologist, civil rights activist, and historian. Throughout his career, Du Bois was a founder and editor of many groundbreaking civil rights organizations and literary publications, such as The Niagara Movement and its Moon Illustrated Weekly and The Horizon periodicals, as well as the hugely influential National Association for the Advancement of Colored People (NAACP) and its monthly magazine The Crisis. An adamant socialist and peace activist, his writing for these journals was pointedly anti-capitalist, anti-war, and pro-women's suffrage, on top of his core pursuit of the dismantling of systemic racism and discrimination. Possessing a large and hugely influential body of work, Du Bois is perhaps most notably the writer of the authoritative essay collection The Souls of Black Folks (1903) and his monumental work Black Reconstruction in America 1860–1880 (1935). Du Bois never stopped fighting for and evolving his beliefs, joining the Community Party at the age of 93. This episode includes a reading by Austin Antoine of Du Bois' poem, “The Song of Smoke”  featured in our 2023 Get Lit Anthology.“The Song of Smoke”I am the Smoke KingI am black!I am swinging in the sky,I am wringing worlds awry;I am the thought of the throbbing mills,I am the soul of the soul-toil kills,Wraith of the ripple of trading rills;Up I'm curling from the sod,I am whirling home to God;I am the Smoke KingI am black. I am the Smoke King,I am black!I am wreathing broken hearts,I am sheathing love's light darts;Inspiration of iron timesWedding the toil of toiling climes,Shedding the blood of bloodless crimes—Lurid lowering 'mid the blue,Torrid towering toward the true,I am the Smoke King,I am black. I am the Smoke King,I am black!I am darkening with song,I am hearkening to wrong!I will be black as blackness can—The blacker the mantle, the mightier the man!For blackness was ancient ere whiteness began.I am daubing God in night,I am swabbing Hell in white:I am the Smoke KingI am black. I am the Smoke KingI am black!I am cursing ruddy morn,I am hearsing hearts unborn:Souls unto me are as stars in a night,I whiten my black men—I blacken my white!What's the hue of a hide to a man in his might?Hail! great, gritty, grimy hands—Sweet Christ, pity toiling lands!I am the Smoke KingI am black.Support the showSupport the show

[REBROADCAST FROM November 7, 2023] In 1920, W.E.B Du Bois created the first American magazine addressing Black children. The Brownies' Book invited the era's most prolific Black creatives to submit material—poems, illustrations, songs—so that Black children could feel seen and represented (the magazine was the first to publish a Langston Hughes poem). A new collection, The New Brownies' Book: A Love Letter to Black Families, celebrates the history of the magazine alongside new material for children today. The book was created by married duo Dr. Karida L. Brown, a sociologist and Du Bois expert, and her husband, artist Charly Palmer. Brown and Palmer join us to discuss.  

In this fouth installment of our ongoing W.E.B. Du Bois series, Breht and PM sit down with Saudia Durrant and Geo Maher from the W.E.B. Du Bois Movement School for Abolition and Reconstruction. Together, they discuss Du Bois, their organization, abolition, the struggle for socialism and communism, the failure of reconstruction, the Palestinian liberation struggle, Cop City in Atlanta, and much more. Follow PM on Twitter or Insta Follow Rev Left on Insta ---------------------------------------------------------------------------------------------- Support Rev Left Radio and get access to multiple bonus episodes a month

In 1920, W.E.B Du Bois created the first American magazine addressing Black children. The Brownies' Book invited the era's most prolific Black creatives to submit material—poems, illustrations, songs—so that Black children could feel seen and represented (the magazine was the first to publish a Langston Hughes poem). A new collection, The New Brownies' Book: A Love Letter to Black Families, celebrates the history of the magazine alongside new material for children today. The book was created by married duo Dr. Karida L. Brown, a sociologist and Du Bois expert, and her husband, artist Charly Palmer. Brown and Palmer join us to discuss.  

Dr. Charisse Burden-Stelly joins Breht and PM for a second installment of our Du Bois series, this one focusing on Du Bois' human rights and peace activism and how he tied that in with his revolutionary Marxism. Together they discuss Du Bois' political evolution, the influence of his friend, comrade and wife Shirley Graham Du Bois, his book "In Battle for Peace", DR. CBS' articles on Du Bois, the targeting and trial of Du Bois by the US State, what he meant by "real pacifism", the Black Alliance for Peace, and much more!   Check out Dr. CBS' article “In Battle for Peace During Scoundrel Time” Check out her upcoming book  "Black Scare / Red Scare: Theorizing Capitalist Racism in the United States You can find PM on IG @worldmaking_   Or find out more about him and his work HERE Check out the Black Alliance for Peace and their Solidarity Network music 'Balloons'  by Noname (feat. Jay Electronica & Eryn Allen Kane)   Support Rev Left Radio or make a one time donation

Dr. Gerald Horne joins Breht and guest-co-host PM Irvin to launch our new series on the life and work of W.E.B. Du Bois, the famous American sociologist, Marxist socialist, esteemed historian, and Pan-Africanist civil rights activist, starting with his major work Black Reconstruction in America.   Check out our other interviews with Professor Horne over at Guerrilla History:   Texas and the Roots of US Fascism and The Counter-Revolution of 1776   Also check out Dr. Horne's writings in The Nation   ---------------------------------------------------------------------------------------- Support Rev Left Radio: https://www.patreon.com/RevLeftRadio

Many of us think that we know all there is to know about W.E.B Du Bois was the early 20th century's most significant thinker, writer, and philosopher of the U.S. civil rights movement. He saw an extraordinary opportunity during World War 1 to advance the rights of black Americans. He encouraged them to “close ranks” and support the Allied cause in World War 1, enlisting to fight in the war. This decision would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for over two decades, Du Bois attempted to write the definitive history of black participation in World War 1. His book, however, remained unpublished. Today's guest is Chad Williams, author of “The Wounded World,” an account of Du Bois's efforts to complete what would have been one of his most significant works of history. He reveals Du Bois's struggles to reckon with both the history and troubling memory of the war, along with the broader meanings of race and democracy for black people in the 20th century. He also addresses larger questions of why lynchings against black Americans spiked following the war.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3101278/advertisement

The white man smirked. He was confident. The debate topic in 1929: were Black people equal to whites? But with one sentence, W.E.B DuBois had the white man laughed offstage – and ruined his whole career! _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In 1917, the most prominent spokesperson for African Americans, W.E.B. DuBois, shocked many when he threw his support behind enthusiastic and patriotic participation in World War I. He thought it was the key to expanding rights and treatment for African Americans. He was only to be later disappointed by the treatment of soldiers in France, the treatment of veterans when they came home, and the revision of history after the war to downplay accomplishments of African American soldiers. He struggled to write a book but could never come to terms with his own role in World War I and what came after. We discuss the life and legacy of the author and activist W.E.B. DuBois with Chad L. Williams, the Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University. He is the author of The Wounded World: W. E. B. Du Bois and the First World War. -- We are part of Airwave Media Network Music by Lee Rosevere Want to support us? - We have a Patreon - go to www.myhistorycanbeatupyourpolitics.com Advertise: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

From Dr. Williams' website: When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to “close ranks” and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished. In The Wounded World, Chad Williams offers the dramatic account of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising story of this unpublished book offers new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century.   Drawing on a broad range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most significant scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today.   Where to buy:   https://bookshop.org/p/books/the-wounded-world-w-e-b-du-bois-and-the-first-world-war-chad-l-williams/18402495?ean=9780374293154 The BFWWP is on Patreon: https://www.patreon.com/BattlesoftheFirstWorldWarPodcast.    Any questions, comments or concerns please contact me through the website, www.firstworldwarpodcast.com. Follow us on Twitter at @WW1podcast, the Battles of the First World War Podcast page on FaceBook, and on Instagram at @WW1battlecast. Not into social media? Email me directly at verdunpodcast@gmail.com. Rate, review, and subscribe to the Battles of the First World War Podcast on iTunes or wherever you get your podcasts.