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In a chilling interview, FCC Commissioner Anna Gomez is sounding the alarm about government censorship, the Trump administration’s attacks on the First Amendment and what this means for the rights of all Americans. In this episode, Gomez sits down with host Maria Hinojosa to talk about how the federal government is pressuring media companies to bend to its will, how growing up in Colombia shaped her into the woman she is, and why she’s willing to fight for Democracy, even if it means losing her job at the FCC. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.
Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he dives into today's top stories shaping America and the world. In today's episode, we cover Durham Annex Confirms Trump-Russia Hoax Origins Newly declassified findings show Hillary Clinton's campaign fabricated the Trump-Russia collusion narrative to distract from her own email scandal. The FBI launched its Crossfire Hurricane investigation without evidence, with questions mounting over Obama-era intelligence officials' involvement. Clapper Threatened Whistleblower, New Letter Reveals A whistleblower says he was pressured by James Clapper's team to endorse a false intelligence assessment. When he refused, his promotion was threatened. Senate Democrats reportedly ignored his warning. The mainstream press remains silent as Pulitzer Prize-winning outlets avoid revisiting the debunked narrative. Jobs Report and Trump's Federal Workforce Cuts The July jobs number arrives today with major implications for interest rate policy. Meanwhile, 154,000 federal workers have taken Trump's buyout offer. ICE and DHS are ramping up hiring, while the administration pushes toward leaner government staffing. Tariff Deadlines, Trade Deals, and Whirlpool's Comeback Trump's tariffs defuse a looming war between Thailand and Cambodia. New trade deals are signed and global rates reset to a baseline of 10 to 15 percent. Whirlpool celebrates the policy shift, but legal challenges could bring tariff chaos this winter unless Congress steps in. Nvidia Chips for Rare Earths Sparks Backlash Trump authorizes a controversial swap allowing China to buy U.S. AI chips in exchange for critical minerals. Lawmakers are outraged, warning the deal risks U.S. technological leadership. Meanwhile, the White House scrambles to rebuild a domestic supply chain for rare earth magnets. U.S. Missile Shortage and War Readiness During the Israel-Iran conflict, the U.S. used 25 percent of its THAAD interceptor stockpile. New funding will boost production, but critical components still rely on Chinese supply chains. Analysts warn of vulnerabilities if conflict with China erupts. Biden-Era Migrant Flow Through Panama Stops Cold The Darien Gap, once a highway for 80,000 monthly migrants under Biden, now sees just 10. The collapse of the route confirms the migrant crisis was always a policy choice. Arab League Calls for Hamas to Disarm In a rare move, Arab states and Turkey publicly demand Hamas step down and hand over weapons to the Palestinian Authority. While Israel and Trump cautiously welcome the news, aid delivery failures and propaganda missteps complicate hopes for peace. Iran's Cultural Pivot from Islam to Ancient Persia Facing declining popularity, Iran's regime embraces its pre-Islamic Persian heritage. Analysts say the shift is meant to unify the country with cultural pride amid internal discontent and war fatigue. U.S. Opens Visa-Free Travel for Argentina Trump gifts President Milei a visa-free travel program, but critics warn it may increase transnational crime. Lawmakers call for stricter travel vetting and question the expansion of Obama-era ESTA policies. AI's Disruption Hits Rural Colombian Schools Students in a small town near Bogotá are using Meta's AI tool to fake homework, failing tests as a result. Teachers crack down with new policies. Bryan reflects on AI's impact on youth, work, and future voting behavior, urging thoughtful policy before Big Tech decides for us. "And you shall know the truth, and the truth shall make you free." - John 8:32
In this explosive revelation, Tulsi Gabbard, former Congresswoman and now high-level intelligence official, drops a bombshell: Operation Mockingbird, the once-secret CIA program to control U.S. media through paid journalists and editors, was never shut down—it's still active today. Originally uncovered in 1977 by Pulitzer Prize-winning journalist Carl Bernstein, Mockingbird placed intelligence assets inside America's most trusted newsrooms to shape public opinion. Gabbard's discovery reignites scrutiny, revealing the continued use of coordinated messaging, disinformation, and propaganda across modern outlets—even implicating current government efforts to suppress her findings. As Gabbard fights to shut it down, figures like Sen. Tom Cotton move to strip her authority. If true, this may be the most significant media scandal in modern American history—and a turning point in the war over truth.
Today on The Truth Central, Dr. Jerome Corsi takes a deep dive into New York Times' Reporter Walter Duranty, who was given a Pulitzer Prize for his fictional accounts of Josef Stalin's rule over the Soviet Union, serving as the communist dictator's public relations agent and promoter. Duranty's glowing stories about Stalin and the communist oppression included lies about life under the dictatorship, propping the murderous tyrant up into celebrity status (at least for those who believed the stories) and willfully hiding Holodomor - the starvation of Ukrainians - from the world.Still, there was an even darker side to Duranty and his alliance with evil: the disgraced reporter's life was one of debauchery, sinister behavior, quid-pro-quo deals with Soviet leaders and a close bond with Satanist Aleister Crowley.Visit The Corsi Nation website: https://www.corsination.comIf you like what we are doing, please support our Sponsors:Get RX Meds Now: https://www.getrxmedsnow.comMyVitalC https://www.thetruthcentral.com/myvitalc-ess60-in-organic-olive-oil/Swiss America: https://www.swissamerica.com/offer/CorsiRMP.phpGet Dr. Corsi's new book, The Assassination of President John F. Kennedy: The Final Analysis: Forensic Analysis of the JFK Autopsy X-Rays Proves Two Headshots from the Right Front and One from the Rear, here: https://www.amazon.com/Assassination-President-John-Kennedy-Headshots/dp/B0CXLN1PX1/ref=sr_1_1?crid=20W8UDU55IGJJ&dib=eyJ2IjoiMSJ9.ymVX8y9V--_ztRoswluApKEN-WlqxoqrowcQP34CE3HdXRudvQJnTLmYKMMfv0gMYwaTTk_Ne3ssid8YroEAFg.e8i1TLonh9QRzDTIJSmDqJHrmMTVKBhCL7iTARroSzQ&dib_tag=se&keywords=jerome+r.+corsi+%2B+jfk&qid=1710126183&sprefix=%2Caps%2C275&sr=8-1Join Dr. Jerome Corsi on Substack: https://jeromecorsiphd.substack.com/Visit The Truth Central website: https://www.thetruthcentral.comGet your FREE copy of Dr. Corsi's new book with Swiss America CEO Dean Heskin, How the Coming Global Crash Will Create a Historic Gold Rush by calling: 800-519-6268Follow Dr. Jerome Corsi on X: @corsijerome1Become a supporter of this podcast: https://www.spreaker.com/podcast/corsi-nation--5810661/support.
From our sister news site AL.com comes 'American Shrapnel.' The Olympics explode on a July night in 1996. The largest pipe bomb the country has ever seen. A string of bombings shakes Atlanta for the next year. Thousands of photos and videos produce one blurry image of the attacker, a photo so grainy the FBI called him “Blob Man.” Agents zero in on the wrong man, the media follows suit, and the real bomber slips away. Until Birmingham. In Alabama, the Blob Man finally makes a misstep. He detonates another bomb, but this time someone sees something. A college student asks himself a question: Why, when everyone else is rushing to see what happened, is that man running away? That curious student breaks open what was then the largest manhunt in U.S. history: the search for Eric Robert Rudolph. Years pass. No trace. Does he have help? Is he planning more attacks? In American Shrapnel, the latest podcast from the Murrow-winning Alabama Media Group, join 2x Pulitzer Prize winner John Archibald and award-winning journalist Becca Andrews as they track the path of destruction — from the bombings, through the manhunt, and back to the twisted politics that fueled it. You'll hear the stories of survivors, radicals and heroes. This isn't a story of the past. The anger that fueled it has only grown stronger today. Learn more about your ad choices. Visit megaphone.fm/adchoices
US Intelligence and the CIA have undergone radical changes in the 21st century. From the War on Terror to the turmoils of the Trump era, intelligence has shifted dramatically in both its structure and mission. Pulitzer Prize-winning journalist and author Tim Weiner joins David Rothkopf to discuss his new book, The Mission: The CIA in the 21st Century and why the intelligence community is adrift under the current administration. Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textSome monsters aren't fiction – they're buried in Dodge City Cemetery beneath stones that read "beloved husband and father."The story of Print Olive might be the most shocking true tale we've covered on Whiskey and Westerns. While sipping Bullet Bourbon (a fitting choice given Print's remarkable ability to absorb lead throughout his violent career), we unraveled the brutal history of a man whose sadistic tendencies would make even fictional villains seem tame.Print began as a Texas cattle baron in the post-Civil War era, accumulating wealth by gathering "maverick" cattle – a term derived from Samuel Maverick, who famously refused to brand his herds. But Print's legacy wasn't built on business acumen alone. His reputation for horrific violence preceded him across the frontier. He once tied suspected rustlers to trees, wrapped them in freshly skinned wet cowhides, and watched as the rawhide slowly dried and crushed them to death in the hot Texas sun. Those who crossed the Olives had a tendency to "leave the country" permanently.When Nebraska farmers Mitchell and Ketchum killed Print's brother Bob in self-defense, Print's revenge was swift and gruesome. After capturing the men through a bounty, Print hanged Ketchum while Mitchell remained handcuffed to him, forcing Mitchell to dangle by his arm while watching his partner strangle. Print then shot both men repeatedly before burning their bodies, earning the nickname "The Man-Burner." This incident forced Print to relocate to Dodge City, where he eventually met his own violent end in a Trail City saloon.Perhaps most fascinating is how Print's brutal story influenced American literature. Larry McMurtry's Pulitzer Prize-winning "Lonesome Dove" contains characters and scenes directly inspired by Print Olive's life. Jake Spoon, the hanging scene, Dietz and PI – all have roots in the actual history of this forgotten frontier monster.Want to learn more? Visit our website to download "Ladder of Rivers," the book that chronicles Print's complete story and likely inspired McMurtry's masterpiece. Our next episode will feature the Dora Hand story, another fascinating tale connected to Print's violent web of influence.Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included. "Edward Masterson and the Texas Cowboys," penned by Michael King, takes readers on an exhilarating ride through the American West, focusing on the lively and gritty cattle town of Dodge City, Kansas. This thrilling dime novel plunges into the action-packed year of Ed Masterson's life as a lawman, set against the backdrop of the chaotic cattle trade, filled with fierce conflicts, shifting loyalties, and rampant lawlessness. You can order the book on Amazon.
US Intelligence and the CIA have undergone radical changes in the 21st century. From the War on Terror to the turmoils of the Trump era, intelligence has shifted dramatically in both its structure and mission. Pulitzer Prize-winning journalist and author Tim Weiner joins David Rothkopf to discuss his new book, The Mission: The CIA in the 21st Century and why the intelligence community is adrift under the current administration. Learn more about your ad choices. Visit megaphone.fm/adchoices
What if your struggle with food isn't a personal failing, but the result of a system designed to confuse you? Today we unpack the real reasons eating has become SO tricky. We get back into your grandma's kitchen to find out when diet culture snuck in, hear how food companies are engineering addictive foods & convincing you they're healthy, plus we ask in all this noise - is Ozempic the answer? Along the way, you'll hear from food historians, Pulitzer prize winning journalists and medical experts including Prof Marion Nestle, Michael Moss, Christy Harrison, Nick Fuller, and food historian Dr Lauren Samuelsson as we trace the forces shaping what (and how) we eat.
On today's show, we hear selections from Pulitzer-prize winning author Chris Hedges in celebration of the release of his most recent book, A Genocide Foretold: Reporting on Survival and Resistance in Occupied Palestine at the First Congregational Church of Oakland on Thursday, May 29th with host Cat Brooks. FUND DRIVE SPECIAL – Pledge $120 and receive Chris Hedges new book, A Genocide Foretold: Reporting on Survival and Resistance in Occupied Palestine. In it, the Pulitzer Prize–winning former Middle East Bureau Chief for The New York Times, explores Zionist settler colonialism in Gaza with a powerful emotional depth. A Genocide Foretold confronts the stark realities of life under siege in Gaza and the heroic effort ordinary Palestinians are waging to resist and survive. Weaving together personal stories, historical context, and unflinching journalism, Chris Hedges provides an intimate portrait of systemic oppression, occupation, and violence. —- Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Chris Hedges Live in Oakland w/ Cat Brooks appeared first on KPFA.
“Eighty years ago this week,” writes Vermont journalist Garrett Graff, “a group of physicists and military leaders changed warfare — and the world — forever.”August 6 marks the 80th anniversary of the United States atomic bombing of Hiroshima, Japan, which was followed three days later by the atomic bombing of Nagasaki. These two bombings are estimated to have killed over 200,000 people.Graff recounts the scientific and political backstory of the dawn of the nuclear age in his latest book, “The Devil Reached Toward the Sky: An Oral History of the Making and Unleashing of the Atomic Bomb.” This exhaustive work includes testimonies from 500 people who “tell the intertwined story of nuclear physics, the rise of fascism in Europe in the 1930s, the arrival and advance of World War II in the Pacific, and the tremendous effort of the Manhattan Project to deliver two atomic bombs that helped end the war, as well as the haunting on-the-ground stories of Hiroshima and Nagasaki themselves,” writes Graff.Graff says that the story of what gave rise to the nuclear age is “as important now as ever,” as countries around the world, such as Iran, are racing to start or expand their nuclear arsenals.“The world actually stands much closer to the edge of nuclear danger than we have for most of the 80 years since the end of World War II,” Graff told The Vermont Conversation. “This year has already seen two major world conflicts set against nuclear tensions. We've seen open warfare between India and Pakistan already this spring, the two largest nuclear arsenals to ever come into open conflict in world history. And we also saw, of course, the US and Israeli strikes against the Iranian nuclear program.”“There's a possibility, ironically, 15 years after Barack Obama tried to set us on a path toward nuclear abolition, where in the 2020s and 2030s we may actually see more countries join the nuclear club than have ever existed before.”Garrett Graff describes himself as a historian whose work is often filed under current events. He writes about inflection points in history with an eye towards how they impact the present and future. This includes his 2024 book, “When the Sea Came Alive: An Oral History of D-Day,” and his 2022 book, “Watergate: A New History,” which was a finalist for the Pulitzer Prize in History. He is also the editor of an oral history of the COVID-19 pandemic in Vermont that was published earlier this year by the Vermont Historical Society.Graff has had a busy 2025. This spring, his 7-part podcast series dropped, “Breaking the Internet.” In it, he explores how a tool that promised to bring people together has instead driven them apart and has fueled authoritarian movements. This is the fourth season of Long Shadow, Graff's award-winning history podcast.Graff also shares his writing about current politics in his online newsletter, Doomsday Scenario.Graff said that as the U.S. approaches its 250th anniversary, “We are witnessing an unraveling of our small-d democratic traditions in the United States and sort of backsliding in our democracy and the creeping approach of authoritarianism.”“It doesn't feel [like] a coincidence to me that we are watching this backsliding in our democracy at the precise moment 80 years later where we are losing the last members of the Greatest Generation,” those who lived through the Great Depression and World War II. “There is no preordained rule that America remains a democracy," Graff said. "And there's no preordained rule that we remain an economic hegemon. We let both of those things disappear at our own societal and national peril.”
“It's so insidious, people don't realize it,” Barbara Kingsolver told me, describing the prejudice against “country people.” Kingsolver is one of those “country people,” as well as a literary legend in her own time, who set out to write the “great Appalachian novel.” And I think she did. “Demon Copperhead” won the Pulitzer Prize in 2023, and we taped this conversation later that year. And I wanted to re-air it because the divide between rural and urban America remains just as strong today, and as relevant to our politics. And Kingsolver might be the country's sharpest and most poignant observer of it.Mentioned:Shiloh and Other Stories by Bobbie Ann MasonBook Recommendations:Landings by Arwen DonahueRaising Lazarus by Beth MacyPod by Laline PaullThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Mixing by Sonia Herrero, with Aman Sahota.Our senior engineer is Jeff Geld. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Elias Isquith, Marina King, Jan Kobal, Kristin Lin and Jack McCordick. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Pulitzer Prize-winning journalist Julie K. Brown joins Joanna Coles to unpack the latest twist in the Epstein saga—why Trump's former personal lawyer, Todd Blanch, now number two at the Justice Department, personally visited Ghislaine Maxwell in prison. What did she tell him, and who is on the rumored list of 100 names possibly connected to Jeffrey Epstein's sex crime activities? As Epstein's victims speak out in anger and fear, Brown reveals why Maxwell could now be in danger too—and why the Epstein cover-up still haunts the White House. Coles and Brown also dig into Florida's ex-AG Pam Bondi, the deleted Elon Musk tweet, and why Epstein may have believed he'd never done anything wrong. With new subpoenas looming and Congress demanding answers, the question remains: what's in the Epstein files—and who doesn't want them released?Pulitzer Prize-winning journalist Julie K. Brown joins Joanna Coles to unpack the latest twist in the Epstein saga—why Trump's former personal lawyer, Todd Blanch, now number two at the Justice Department, personally visited Ghislaine Maxwell in prison. What did she tell him, and who is on the rumored list of 100 names possibly connected to Jeffrey Epstein's sex crime activities? As Epstein's victims speak out in anger and fear, Brown reveals why Maxwell could now be in danger too—and why the Epstein cover-up still haunts the White House. Coles and Brown also dig into Florida's ex-AG Pam Bondi, the deleted Elon Musk tweet, and why Epstein may have believed he'd never done anything wrong. With new subpoenas looming and Congress demanding answers, the question remains: what's in the Epstein files—and who doesn't want them released? Hosted on Acast. See acast.com/privacy for more information.
Here comes the “flying palace.” It turns out that “free” jet from Qatar will cost US taxpayers nearly one billion dollars to renovate. That money is coming frm a fund meant to upgrade aging U.S. nuclear weapons. Reports indicate that at the end of Trump's term, the plane will go to the Trump Presidential Library Foundation. That's a big gift from both Qatar and the Amercan people. Pulitzer Prize winning author and investigative reporter David Cay Johnston joins to discuss.The Mark Thompson Show 7/29/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal. https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com
In the season finale of Gays Reading, host Jason Blitman reconnects with author and former college classmate J.R. Dawson to discuss her new novel, The Lighthouse at the Edge of the World. Their conversation explores the book's themes of grief, memory, and navigating life's inevitable transitions—while also diving into debates about ketchup, Chicago-style pizza, and music in their first chat in fifteen years. Later, Jason welcomes Guest Gay Reader Jonathan Capehart, the Pulitzer Prize-winning journalist and author of Yet Here I Am, who opens up about his lifelong relationship with books and reading.J.R. Dawson (she/they) is the Golden Crown award-winning author of The First Bright Thing. Her shorter works can be found in places such as F&SF, Lightspeed, and Rich Horton's Year's Best. Dawson currently lives in Minnesota with her loving wife. She teaches at Drexel University's MFA program for Creative Writing, and fills her free time with keeping her three chaotic dogs out of trouble.Pulitzer Prize-winning journalist Jonathan Capehart is a co-host of the morning edition of The Weekend on MSNBC. From 2020 until 2025, he was anchor of The Saturday Show and The Sunday Show on MSNBC. Capehart is Associate Editor at the Washington Post, where he is also an opinion writer. He is also an analyst on The PBS News Hour. Capehart was deputy editorial page editor of the New York Daily News (2002-2004) and served on its editorial board (1993-2000). His editorial campaign in 1999 to save the Apollo Theater earned the board the Pulitzer Prize for Editorial Writing. His memoir Yet Here I Am was published in May 2025.BOOK CLUB!Sign up for the Gays Reading Book Club HERE August Book: No Body No Crime by Nicci Cloke SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com
This time John discusses Trump's new rule that Government contractors have to promise that they don't use paper straws in their business and promise not to penalize the use of plastic ones. He also talks about the gay makeup artist - Andry José Hernández Romero - who was deported to a prison in El Salvador after seeking asylum in the US - then being sent back to Venezuela in a prisoner swap deal. Next, he interviews Pulitzer Prize winning journalist Karen Elliott House who was also a former managing editor at The Wall Street Journal. They talk about her new book "The Man Who Would Be King: Mohammed bin Salman and the Transformation of Saudi Arabia". And finally, John chats with content creator, historian, and best selling author Sam Kelly about his new book "Human History on Drugs: An Utterly Scandalous but Entirely Truthful Look at History Under the Influence".See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Pulitzer Prize-winning journalist David Cay Johnston has spent his career exposing corruption in business and government. A relentless muckraker, he's written The Making of Donald Trump and It's Even Worse Than You Think, offering a searing look at the Trump administration's impact on America. This archival episode with David Cay Johnston first aired in 2018, during Donald Trump's first term. The conversation remains just as urgent and relevant today.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch. Hosted on Acast. See acast.com/privacy for more information.
Pat Forde is a senior writer for Sports Illustrated who covers college football and college basketball as well as the Olympics and horse racing. He cohosts the College Football Enquirer podcast and is a football analyst on the Big Ten Network. He previously worked for Yahoo Sports, ESPN and The (Louisville) Courier-Journal. Forde has won 28 Associated Press Sports Editors writing contest awards, has been published three times in the Best American Sports Writing book series, and was nominated for the 1990 Pulitzer Prize. Presented by Ingles Markets. Sponsored by Rhoback, use code GMPOD for 20% off. Produced by Richmond Weaver
The queens play poetry matchmakers and nine months later, boom, there's a poetry baby!Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.Robyn Schiff's most recent book is Information Desk: An Epic (Penguin Poets, a finalist for the Pulitzer Prize in 2024).Read more about Karyna McGlynn's book I Have to Go Back to 1994 and Kill a GirlCheck out Randall Mann's latest book, a new and selected, from Copper Canyon.Do yourself a favor and buy Laura Newbern's book A Night in the Country (also available on the awful conglomerate) and check out Newbern's website.Watch this tribute to Eavan Boland. You can find many poems of Richard Siken's on his website. Watch this half-hour interview with Mark Strand (from when he was Poet Laureate).
Ed Park is the author of the novels Same Bed Different Dreams (2023), a Pulitzer Prize finalist and winner of the Los Angeles Times Book Prize, and Personal Days (2008), a finalist for the PEN/Hemingway Award. His fiction, essays, and reviews have appeared in The New Yorker, The New York Review of Books, Harper's, The Atlantic, Bookforum, McSweeney's, and elsewhere. He is a founding editor of The Believer and the former literary editor of The Village Voice, and has worked in newspapers and book publishing. An Oral History of Atlantis is his debut story collection. These 16 stories are utterly original and very funny. Some were written over a period of years, others in an hour. He joins Marrie Stone to talk about the collection and all the dozens of decisions that went into creating these stories. He also talks about his writing career, the things that made the biggest difference in his training, and his advice to writers. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on July 2, 2025) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
When Andrés tried translating Colombian slang to his American boyfriend, he stumbled into a deeper question: what do these words really mean? In this episode, Andrés traces the roots of everyday slang in Colombian Spanish used not only by the queer community, but by the public at large. What he finds reveals more about his queerness and culture than he thought. In this story, he brings us the painful, often overlooked history behind a few words that he has been using both in his home country and here in the U.S. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.
Ian Johnson's new book, The Souls of China: The Return of Religion After Mao (Pantheon, 2017), was called "a masterpiece of observation and empathy" by The New York Review of Books, and The Economist, who included the book on its Best of 2017 list, said the book, "Shows how a resurgence of faith is quietly changing the country." The Guardian said the book is "full of moving encounters with Chinese citizens ... Johnson succeeds in having produced a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism." I just finished the book myself and was stunning in its portrayals. If you hope to understand the trajectory of modern China, arguably the fastest-rising international superpower, understanding the religious Taoist, Christianity, folk religion, and Islam of China will be helpful, if not essential. A Pulitzer-Prize winning journalist, Ian Johnson is a regular contributor to The New York Review of Books and The New York Times; his work has also appeared in The New Yorker and National Geographic. He is an advising editor for the Journal of Asian Studies and teaches courses on religion in Beijing. He is the author of The Souls of China, Wild Grass, A Mosque in Munich, and The Rise of the Muslim Brotherhood in the West. Greg Soden is the host "Classical Ideas," a podcast about religion and religious ideas. You can find it on iTunes here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Ian Johnson's new book, The Souls of China: The Return of Religion After Mao (Pantheon, 2017), was called "a masterpiece of observation and empathy" by The New York Review of Books, and The Economist, who included the book on its Best of 2017 list, said the book, "Shows how a resurgence of faith is quietly changing the country." The Guardian said the book is "full of moving encounters with Chinese citizens ... Johnson succeeds in having produced a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism." I just finished the book myself and was stunning in its portrayals. If you hope to understand the trajectory of modern China, arguably the fastest-rising international superpower, understanding the religious Taoist, Christianity, folk religion, and Islam of China will be helpful, if not essential. A Pulitzer-Prize winning journalist, Ian Johnson is a regular contributor to The New York Review of Books and The New York Times; his work has also appeared in The New Yorker and National Geographic. He is an advising editor for the Journal of Asian Studies and teaches courses on religion in Beijing. He is the author of The Souls of China, Wild Grass, A Mosque in Munich, and The Rise of the Muslim Brotherhood in the West. Greg Soden is the host "Classical Ideas," a podcast about religion and religious ideas. You can find it on iTunes here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Ian Johnson's new book, The Souls of China: The Return of Religion After Mao (Pantheon, 2017), was called "a masterpiece of observation and empathy" by The New York Review of Books, and The Economist, who included the book on its Best of 2017 list, said the book, "Shows how a resurgence of faith is quietly changing the country." The Guardian said the book is "full of moving encounters with Chinese citizens ... Johnson succeeds in having produced a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism." I just finished the book myself and was stunning in its portrayals. If you hope to understand the trajectory of modern China, arguably the fastest-rising international superpower, understanding the religious Taoist, Christianity, folk religion, and Islam of China will be helpful, if not essential. A Pulitzer-Prize winning journalist, Ian Johnson is a regular contributor to The New York Review of Books and The New York Times; his work has also appeared in The New Yorker and National Geographic. He is an advising editor for the Journal of Asian Studies and teaches courses on religion in Beijing. He is the author of The Souls of China, Wild Grass, A Mosque in Munich, and The Rise of the Muslim Brotherhood in the West. Greg Soden is the host "Classical Ideas," a podcast about religion and religious ideas. You can find it on iTunes here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
Ian Johnson's new book, The Souls of China: The Return of Religion After Mao (Pantheon, 2017), was called "a masterpiece of observation and empathy" by The New York Review of Books, and The Economist, who included the book on its Best of 2017 list, said the book, "Shows how a resurgence of faith is quietly changing the country." The Guardian said the book is "full of moving encounters with Chinese citizens ... Johnson succeeds in having produced a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism." I just finished the book myself and was stunning in its portrayals. If you hope to understand the trajectory of modern China, arguably the fastest-rising international superpower, understanding the religious Taoist, Christianity, folk religion, and Islam of China will be helpful, if not essential. A Pulitzer-Prize winning journalist, Ian Johnson is a regular contributor to The New York Review of Books and The New York Times; his work has also appeared in The New Yorker and National Geographic. He is an advising editor for the Journal of Asian Studies and teaches courses on religion in Beijing. He is the author of The Souls of China, Wild Grass, A Mosque in Munich, and The Rise of the Muslim Brotherhood in the West. Greg Soden is the host "Classical Ideas," a podcast about religion and religious ideas. You can find it on iTunes here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
Ian Johnson's new book, The Souls of China: The Return of Religion After Mao (Pantheon, 2017), was called "a masterpiece of observation and empathy" by The New York Review of Books, and The Economist, who included the book on its Best of 2017 list, said the book, "Shows how a resurgence of faith is quietly changing the country." The Guardian said the book is "full of moving encounters with Chinese citizens ... Johnson succeeds in having produced a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism." I just finished the book myself and was stunning in its portrayals. If you hope to understand the trajectory of modern China, arguably the fastest-rising international superpower, understanding the religious Taoist, Christianity, folk religion, and Islam of China will be helpful, if not essential. A Pulitzer-Prize winning journalist, Ian Johnson is a regular contributor to The New York Review of Books and The New York Times; his work has also appeared in The New Yorker and National Geographic. He is an advising editor for the Journal of Asian Studies and teaches courses on religion in Beijing. He is the author of The Souls of China, Wild Grass, A Mosque in Munich, and The Rise of the Muslim Brotherhood in the West. Greg Soden is the host "Classical Ideas," a podcast about religion and religious ideas. You can find it on iTunes here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ian Johnson's new book, The Souls of China: The Return of Religion After Mao (Pantheon, 2017), was called "a masterpiece of observation and empathy" by The New York Review of Books, and The Economist, who included the book on its Best of 2017 list, said the book, "Shows how a resurgence of faith is quietly changing the country." The Guardian said the book is "full of moving encounters with Chinese citizens ... Johnson succeeds in having produced a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism." I just finished the book myself and was stunning in its portrayals. If you hope to understand the trajectory of modern China, arguably the fastest-rising international superpower, understanding the religious Taoist, Christianity, folk religion, and Islam of China will be helpful, if not essential. A Pulitzer-Prize winning journalist, Ian Johnson is a regular contributor to The New York Review of Books and The New York Times; his work has also appeared in The New Yorker and National Geographic. He is an advising editor for the Journal of Asian Studies and teaches courses on religion in Beijing. He is the author of The Souls of China, Wild Grass, A Mosque in Munich, and The Rise of the Muslim Brotherhood in the West. Greg Soden is the host "Classical Ideas," a podcast about religion and religious ideas. You can find it on iTunes here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
More than 1,000 Palestinians seeking food have been killed by Israeli forces in just the last few months, according to the United Nations. Israel's blockade on aid, ongoing bombardment, and the dismantling of independent relief efforts have pushed Gaza to the brink of mass famine. At least 600,000 people are suffering from severe malnutrition, and aid groups warn of a manufactured humanitarian catastrophe.“It's not about the distribution of food, it's not about humanitarian aid. It's about creating — luring Palestinians who are desperate into the south, putting them into a closed military zone,” says Chris Hedges, the Pulitzer Prize-winning journalist and former Middle East bureau chief for the New York Times.This week on The Intercept Briefing, host Jordan Uhl speaks with Hedges about how we got here and what's at stake. Hedges spent seven years covering the conflict between Israel and the Palestine, much of that time in Gaza. He's the author of 14 books, the most recent being “The Greatest Evil Is War” and “A Genocide Foretold.”Listen to the full conversation of The Intercept Briefing on Apple Podcasts, Spotify, or wherever you listen.You can support our work at theintercept.com/join. Your donation, no matter the amount, makes a real difference. Hosted on Acast. See acast.com/privacy for more information.
Candido was working at a car wash when ICE agents pulled up in white vans, blocked all the entrances, and took him and his coworkers. The agents collected their phones but didn’t notice Candido’s Apple Watch right away. He used it to call his family, who otherwise wouldn't have known what happened to him. We hear his story, and then, Maria Hinojosa speaks with Cal Matters investigative reporter Sergio Olmos about a new tool that exposes ICE’s targeted strategy of terror against Latinos in California. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.
Jess, Sarina, Jennie and Jess are all here to talk about taking a break from various angles: the mechanics angle, the guilt angle, the fear angle, the identity angle and inspiration angle. Mechanics. * Leave yourself notes about the project when you leave off, for example, “The next thing that needs to happen is this…” so when you come back, you know how to get back into the project. This is Sarina's daily practice, but it really helps when she has to leave a project behind. This can be especially helpful when you have to go away for an unexpected emergency. * Jennie adds that the only way you can do this is if you have a place to keep and find those notes to yourself. In one of your 47 notebooks or in the document itself? Or, as Jess adds, on the side of the cardboard box you use for trash in your basement workshop that you almost recycle by accident. * Jennie also notes that you have to have intentionality, to know what you are writing so you can know what comes next, whether that's in your outline, inside outline, or whatever. * Jennie has a little notebook she brings on vacation with her and she downloads those ideas into that just before going to sleep at night when she's away. * These vacation inspiration moments are much like shower thoughts, part of the magic of our brain unhooking, getting into deep default mode network, and becoming its most creative. * Sarina mentioned an article about how walking makes you more creative, also a study in why tapping into the default mode network is so effective as a practice. Fear * The only way to get over this is to sit down and do it. Open the document. Just start. * Jennie points out that getting back into a manuscript when it's disappeared feels horrifying but it's much easier than it sounds and has happened to one of our frequent guests, Sarah Stewart Taylor, when her then-toddler created a password for the document that was not recoverable. She had to give in to the fact that her book was gone, and recreate it out of her memory. Guilt and Identity* It only took Jess until her fiftieth year to figure out that her process - of walking, gardening, beekeeping, musing - is a part of writing, and that's cool. * Can you be a writer if you are not actively writing? Yes, if research, planning, thinking and otherwise cogitating is a part of your writing process. Get over it. The words have to land on the page eventually, of course, but if you are doing both, have grace for the not-actively-writing part of the writing process. #AmReadingTess Gerritsen's series set in Maine (The Spy Coast and The Summer Guests) and, once she finished those two books, Jess went back to The Surgeon, where it all started for Tess Gerritsen. Stay tuned for our interview with her! Andy Weir's Project Hail Mary (Don't watch the movie trailer if you plan to read the book!)Sarah Harman's All the Other Mothers Hate MeAmy Tintera's Listen for the LieRosemerry Wahtola Trommer The UnfoldingRichard Osman's The Thursday Murder Club (coming to Netflix in August!)Janelle Brown's What Kind of Paradise Want to submit a first page to Booklab? Fill out the form HERE.Writers and readers, KJ here, if you love #AmWriting and I know you do, and I know you do, and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly #AmReading email. Is it about what I've been reading and loving? It is. And if you like what I write, you'll like what I read. But it is also about everything else. I've been #AmDoing: sleeping, buying clothes and returning them, launching a spelling bee habit, reading other people's weekly emails. Let's just say it's kind of the email about not getting the work done, which I mean that's important too, right? We can't work all the time. It's also free, and I think you'll really like it. So you can find it at kjdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing.Come hang out with me. You won't be sorry.Transcript below!EPISODE 458 - TRANSCRIPTKJ Dell'AntoniaWriters and readers, KJ here. If you love Hashtag AmWriting, and I know you do, and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly Hashtag AmReading email. Is it about what I've been reading and loving? It is. And if you like what I write, you'll like what I read. But it is also about everything else. I've been ‘hashtag am-doing', sleeping, buying clothes and returning them, launching a spelling bee habit, reading other people's weekly emails. Let's just say it's kind of the email about not getting the work done—which, I mean, that's important too, right? We can't work all the time. It's also free, and I think you'll really like it. So you can find it at KJdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing or of course in the show notes for this podcast. Come hang out with me. You won't be sorry.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is the Hashtag AmWriting Podcast, the weekly podcast, while writing all the things—short things, long things, pitches, proposals, fiction, nonfiction. And somebody told me they thought this was a recorded intro. And I just want you to know I do this live every time, which is why there's this, come on, there's more variety here, people, and you should know that. Anyway, here we are, all four of us, for we got a topic today. But before we do that, we should introduce ourselves in order of seniority, please.Jess LaheyI'm Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation. And I laugh, because when you said seniority, all I could do was think of us in our little eave space in my old house, down the street from you, not knowing what the heck we were doing. But yeah, we've been doing this for a long time now. You can find my... you can find my journalism at The New York Times, at The Washington Post, at The Atlantic, and everything else at Jessicalahey.com.Sarina BowenI'm Sarina Bowen. I'm the author of many novels. My new one this fall is called Thrown for a Loop, and it will be everywhere that books are sold, which is very exciting to me, and all about me at Sarinabowen.com.Jennie NashI am the newest of the co-hosts, and so happy to be among this group of incredibly smart and prolific and awesome women, and I'm the founder and CEO of Author Accelerator, which is a company on a mission to lead the emerging book coaching industry. And you can find us at bookcoaches.com or authoraccelerator.com.KJ Dell'AntoniaI'm KJ Dell'Antonia. I'm the author of three novels, the latest of which is Playing the Witch Card, and the most televised of which is The Chicken Sisters—Season Two coming soon to a Hallmark network near you. And I'm also the former editor and lead writer of The Motherlode, making me our... well, and Jennie too, like the crossover. I've done too many different kinds of writing—probably should have stayed in my lane. Oh well. And our plan today—as we're recording, it is summer. And a pretty frequent thing that happens in the summer is that you need to put your project down for a little while, because you have house guests, because you're going on the kind of vacation that does not involve working, because you just need a break or you're sick. That's not really a summer thing, but it definitely happens. Anyway, we wanted to talk about how, you know, what—what do you do to make that work better?Jess LaheyI think a lot about being a parent and needing to take a break too. And you know, this is something I talk a lot about with, you know, other writers who are sort of struggling, especially since I read a lot about parenting—who are struggling to—with that guilt of, you know, like, I feel like I owe my time to the words, and I feel like I owe my time to the children. And finding a way to take a break from the words and not feel guilty about not being with the words can be really, really hard, especially when you're going gung-ho on something. So I want to make sure that we figure out a way to have a break without guilt. That's like the big question I get a lot—is, how do you, you know, either from the parenting or the writing side?KJ Dell'AntoniaAnd I was thinking about it more from a mechanics side.Jess LaheyYeah.KJ Dell'AntoniaHow do you put this thing aside for a week or two weeks or even a month? And know where you were?Jess LaheyRight.KJ Dell'AntoniaAnd come back and feel like it does not take you forever to dig in.Sarina BowenYeah. Um, so we've got the guilt question. We've got the mechanics of how to do it. And I would just like to add a layer, which is the fear factor.Jess LaheyYeah.Sarina BowenI have this thing where, when I walk away from a manuscript, I become afraid of it. So it seems scarier when I take a break. Like, even if it's not true—that I don't know where I am or that I become unmoored from the channel of that book and it seems intimidating to go back to.Jess LaheyCan I add one more layer as well? And that's the identity factor. You know, if I identify as a writer, what am I if I'm not actively writing something? And that messes my head up a lot. So I would love to add that added layer in as well and make sure we discuss that.Jennie NashWell, and I have something totally different from all of those, which is that I often find when I go on vacation, I am more inspired and motivated to work on my project than I was in my real life. It tends to light a fire under me. So then I'm faced with that choice of, you know, wanting to really lean into it. And, you know, just like a really small piece of that story is, I love to write on airplanes. I just love it. Give me a very long flight, and it's—I just want to work and not talk to anybody. And, you know, it's awesome. So I feel some guilt around that. When I'm with my family, it's like, don't talk to me, don't watch movies. You know, I'm—I'm enjoying my plane time, doing my work. So I have that reality.KJ Dell'AntoniaWell, that's the choice that you have to start with, is, am I just, you know, can I not? Am I—do I need to accept the reality, which is that this is a beach trip with extended family and some, you know, my—to multiple generations, and I inevitably am going to be the person who is cooking and figuring out where the garbage has to go in the Airbnb? I should, you know, I—I will feel better if I just accept the reality that I'm not going to wake and work. Or, you know, is it a—is it a trip where you can schedule some work time and want to? Or is it a trip where you affirmatively want to give yourself a break? Or is it also, I mean, I sort of think that the last possibility—well, there are probably multiples—is I just want to touch this every day. So I feel like you can kind of—you're like, you're either like, just—no, not going to happen, not going to pretend it's going to happen, not going to feel the guilt. That's the—that's where we are. And there's sort of a, I just want to open the file every day and keep it warm and friendly. And on, you know these three—three days I have an hour.Jess LaheySo let's do this. Let's—let's do mechanics first, since that's the real nuts-and-bolts stuff, and then we'll talk about all the touchy-feely stuff after that. So let's do mechanics first. It sounds like you have thoughts, KJ…?KJ Dell'AntoniaWell, I was actually thinking that Sarina did this pretty recently.Jess LaheyYeah, that's true.Sarina BowenYeah. Like, you know, I, um, I have found mechanically that leaving yourself notes every time you walk away from your manuscript is a good thing. So this is sort of like a best practices in your life idea, where I will have a writing day, and it's done now, and I'm going to get up and go do other things in my life. If I pick up my notebook, and I write down where I am—like, okay, and the next thing that has to happen is this—like, it could be really short or not. But taking better notes about the structure of the thing I'm working on is serving me on so many levels that it just slots right in here. Like, I took a big trip in April, and I thought I might work, but then I didn't, and I really seamlessly came right back in, because I knew where I was, and I avoided a lot of my own fear. So, if the practices that help you become a good day-to-day writer also can be practices that help you in this very instance, the mechanics of picking up your book again are that you left yourself a note right in your document, um, or in your notebook, that says, and here's what I think is supposed to happen next. And, yeah.KJ Dell'AntoniaThat's going to be gold for an unexpected break too, because that happens, you know, right? You get one of those phone calls, and it's a week before you're back or more.Sarina BowenYeah.KJ Dell'AntoniaYeah. I love this practice. This is one of those things I forget to do.Jennie NashI feel like I—I feel like I have to add to that a couple things. That the only reason you can do that is, A, if you have a place to take notes, which—which could be your, the document itself that you're working on. But Sarina talked about a notebook, right? You have a place that you know, that you can find that, which is not an insignificant thing to have, or...Sarina BowenCorrect!Jennie NashRight?! Or, in the case of me, it's like, I have 47 notebooks. Well, which one did I put the note in?Sarina BowenRight.Jennie NashBut then the second thing is, I mean, this is something that I find so inspiring about the way you work, Sarina, and it—and it's a thing that I teach—is you have to know what you're writing, you know, in order to know where you are, what the structure is, and what you're doing, and to ask those—like, you have to have done the thought work of what, what it is you're trying to do and what your intention is. Otherwise, you sort of don't ever know where you are or where you're going. So...Sarina BowenRight, but that's on two levels. Like, you could—let's just say you have successfully written yourself an Inside Outline, you know, the way that you do it—you still might need that granular thing.Jennie NashOh yeah!Sarina BowenLike, you might know where you are in the arc of the book, but you might actually need the note that's like, "And now we're going to wash the dishes." I mean, let's please not put that in the novel, but you know what I mean.Jennie NashYeah, yeah. But that intentionality of, on the big picture, what am I doing, and on the small picture—in this chapter, in this scene, in this moment, and with this character—what was I... how'd that fit into the whole? What was I thinking? And those things are not—they're not easy. Like, we're talking about them like, "Oh, you just..." You know, like I was saying, what if you have 47 notebooks? That literally is a problem I have. It's like, I know I wrote this note down, and I don't know where I put it—digitally or analog.Sarina BowenRight. I confess I actually do still have this problem. Like, even with all of my best practices, like, put into—sometimes it's like, well, is that in the document, or is it in my notebook? And then—or I thought about it at four in the morning and actually didn't write it down anywhere. And I'm looking anyway...Jennie NashOh, I do that too. I absolutely do that too. I'm convinced that I left a note while I was driving—that's a thing I often do. I'll leave—I'll have Siri write me a note, and then somehow it doesn't appear, or it's like, I know I did this, I know I asked her to do this... you know.Jess LaheyI actually have—I was doing the recycling, and I realized that I was in big trouble because three sides of a box I'd had down in the basement with me while I was working on a project—I was doing something with my, getting some beehives ready—and I was listening to an audiobook that is research for a project I'm working on, and I had scribbled some really important notes to myself about how I was supposed to start a chapter on. And it was a great start. It was like a whole paragraph on the three sides of the box, with an old Sharpie I found down in the basement. And then I realized I almost recycled, like, some really useful outline stuff.Multiple Speakers[all laughing]Jess LaheySo normally—no, so I actually have them. While you guys are talking about something else, since we do see each other while we're recording this, I'll show you later. But the thing that I normally do is either in the document, like right where I left off, or in my main notebook, because I am so bad at finding those notes that I have strewn all over my office or on the side of a cardboard box.KJ Dell'AntoniaI have had the problem lately of I'm not in a manuscript, and that it's much easier when you're in a manuscript to come back to a manuscript, but I'm in a notebook full of assorted random Blueprint challenge, you know, like trying to—I'm, I'm in figuring out where this is going mode, which means I do a lot of thinking while I'm not working that then hopefully I go and write down. But it also means that I frequently sit down and I'm like, well, am I going to think about who these people are? Am I going to think about what the plot is? What am I going to do? So I've been trying to leave myself like a task, something that will, that will just get me, get me back in, because sometimes that's the problem. I, you know, I open the notebook, and there's no obvious thing to do, and the next thing I know, I'm buying running shoes.Jennie NashWell, since we're talking about nuts and bolts, when I said that I often get inspired when I go away or go on vacation and I want to work, I'm not talking about I'm going to go sit in a library or coffee shop for three hours. What, what I mean by that is I often have ideas that I want to capture, and so I have a little notebook that I bring on vacation, and what I like to do is go to bed early enough that I can download all the things I thought that day. I need that space and time to—if it's, if I'm working on something, it's in my head. It's not going to not be in my head. And so the one sort of new mechanical thing that I, that I do, is have that "vacation notes notebook" with me.KJ Dell'AntoniaI always carry one, and I never use it. So there's that.Jess LaheyI get—I am at my most inspired to write when I specifically can't write, which is usually behind the wheel of my car. So I use, in my car, I have been known to, you know, either scribble on things—which, totally don't do that—or to record myself on my phone. But then, audio things, I'm particularly bad at going back and listening to; that seems like it's just too much work. So those tend to get lost a lot. I need to come up with a better system for that. But it is predictable that if I am in a place where I cannot physically write, I will be at my most inspired to write.Jennie NashJess, that's kind of what I'm talking about. That's what happens to me, is I might say I'm leaving all work behind. I'm going off the grid. I'm not doing the thing. And that's when I most want to do the thing. And I, like, my brain seems to really get inspired. What? What do you think that's about? Is that...Jess LaheyI, you know, I, I was very worried that it was my sort of, um—sorry, what's the word I'm looking for? It was—it's my, my brain's way of saying, "Oh, you couldn't possibly work now, so let's have some of the best ideas so that you seem like a good little doobie writer, but it's physically impossible for you to write now." It's just a really weird thing, and maybe one of the other things I thought about is that I'm often listening to a book that I'm really into, which also inspires me to write. I've been listening to a lot of really great books lately, and you can't listen to a book—even one that inspires you deeply—and actually write at the same time, which is another quandary.Sarina BowenYou know what, though? This is not uniquely your brain messing with you—like, this is shower thoughts.Multiple Speakers[Overlapping: “Mm-hmm.” “Sorry.” “Ohhh...”]Sarina BowenBut everybody—everybody has those great ideas in the shower, and it's because you have unhooked yourself. You are just in there with the shampoo and the conditioner and that razor that you probably should change the blade with, and like, you know, there is nowhere to write and nothing to do. So your brain is like, I am free right now to unclench and actually solve this problem of chapter 17, and that's what—that's what happens.Jess LaheyIt is my duty, whenever we mention this, to bring up that—years ago, Ron Lieber, the write... uh... the "Your Money" columnist at The New York Times, told me that he has a waterproof little whiteboard situation that's— that lives in the shower. He and his wife, Jodi Kantor—amazing writer as well, Pulitzer Prize–winning writer, even— that these would be people who might just need a waterproof whiteboard in the shower with them.Sarina BowenBut would that ruin the magic…?KJ Dell'AntoniaIt might just...Multiple Speakers[all laughing]Jess LaheyIf you had a place to write it down, your brain would—like—be... your brain would say, "Sorry, I'm not coming up with good ideas."Sarina BowenBecause I don't think I am willing to take this risk. I take a lot of risks in my life, but this one—like; we do not mess with the shower thoughts. I think, I think...KJ Dell'AntoniaSo, so what do we do if you didn't do any of this? If what—you know—what are—you're listening to this podcast, coming back from your trip, and you're like, I... was writing... something...Sarina BowenYou know what, though? I almost feel that we should point out the fact that, like, that is kind of unlikely. Like, somebody should feel welcome to take this trip and to have all those thoughts, and even if you didn't write them down on your whiteboard in the shower or on your handy notebook, like, I would argue that unhitching yourself in the first place possibly leads to a lot of creative development that, even if you don't capture it in the moment, is still with you. Like, I had this fantastic trip in April. I thought I was going to work, and then I did not, and it was, like, the best two weeks of my life. So then, the other day, my husband said, “Hey, there's a new article you need to read in The Athletic,” which is a New York Times sports blog, and I have just pulled it up so that we can recommend it, about how walking makes you a better problem solver. And the framing story of this article is about a retired baseball coach, but, um, but then, when they got around to studying it, um, they said this question planted the seed for the first set of studies to measure if walking produces more creativity. In the series of experiments, Oppezzo and Schwartz [Marily Oppezzo & Daniel L. Schwartz] asked 176 college students to complete different creative thinking tasks while sitting, walking on a treadmill, walking outside through campus, or being pushed in a wheelchair. In one example, the students had to come up with atypical uses for random objects, and anyway, on average, the students' creative output increased by 60% when they were walking.Jennie NashThat's so cool!Sarina BowenAnd the article is—it's so cool—it's called An MLB manager found value in long walks. Research suggests it's a ‘brain-changing power'.Jess LaheyI have put a spot for it in the show notes. And I should mention that this is all part of what we call the default mode network. This is the—the part of our brain that is the wandering, most creative part of our brain. And we can get there lots of ways. Walking is a fantastic way to do it.KJ Dell'AntoniaSarina, if you do have the fear of the manuscript when you're coming back to it, like, take—you know, travel back in time to maybe when you were a little less confident in your abilities. What do you do to get past the fear and sit down?Sarina BowenThere is only one solution, and that is sitting down. And I'm not so great at this—like, when, when the fear creeps up on me, in spite of my best intentions, man, I will do anything to avoid that sucker. And then when I finally do, and I wade back in, almost every time my response is, Oh, this isn't so bad. I know where—I kind of remember now. It's going to be fine, you know. But it's so easy to put off work out of fear. It's—it's the—it's the one big obstacle. Like, I don't put work off for other reasons, you know, because I'm tired or whatever. It's because I'm afraid that there's something fundamentally wrong with the project, or fundamentally wrong with me, and that is almost always what's keeping me from doing good work.Jennie NashThere was, back in the day before computers became what they are now, people would frequently lose manuscript drafts. It was just much harder to save your work. And I can't—I can't explain exactly what changed, but it was. People frequently lost huge chunks of their work if they didn't actively back up. And when I was a new coach and working with writers who would lose their manuscripts, they would be—understandably—beyond devastated. And this often was full manuscripts, just unrecoverable, full manuscripts. And it was true that if they sat down to recreate what they'd written, it would really flow from them, for that same reason—it was still in their brain. They—they had—they'd written it, so there was a sense that they had, they owned it, and they could sit down, and it was kind of quite remarkable. And I would confidently say to them, just sit down, start writing. I think it will come to you, and it always did. It's very interesting.Jess LaheyThere's an example—we've interviewed Sarah Stewart Taylor many times now, and she tells the story of, a long time ago, her youngest managed to crawl across the computer in such a way as to create a password for the document itself, and there's nothing that can be done. She was on the phone with Word—with Microsoft—for a long time, and they're like, look, this is a password you created. We can't—that's not recoverable. So she had to go and recreate—I believe she was about a third of the way into a book—but she said that it actually flowed really well, and that, you know, she'd had it, it had been cooking and stuff like that. So that massive fear of, oh my gosh, how am I going to get back into this project when it has just disappeared? It turned out to be not a thing—that it actually came really easily to her.Jennie NashJess, you're bringing all the very weird stories today, and I'm so here for it—notes on boxes, babies making passwords.Jess LaheyYeah, well, and the hard part—the funny part about that—is like, you cannot recreate a toddler, essentially, like bashing away at your keyboard and creating a password that's never coming back. Sorry.Sarina BowenThere is a writer—she once gave a talk that I heard—a very successful young adult author, Cynthia Leitich Smith, and she apparently wrote a discovery draft of the novel to, like, figure out what it was about and then deleted it and started over on purpose.Jennie NashOn purpose?!Sarina BowenYes, and everyone in the room gasped because, of course, you know that I just rather, like, been in a lot of pain. I'd rather have oral surgery than delete my first draft of a novel. But, um... but yeah, if she was unafraid to get back there after that kind of break, then I think we can all handle it.KJ Dell'AntoniaThis is true. I've never deleted a draft, but I have just gone—poofft—"Let's, let's, let's start again." In fact, almost every time. Kind of sad. I'm doing it now, actually, but it's not a full draft. Anyway. So take the breaks, right? That's what we're saying here.Sarina BowenYeah, take the break.KJ Dell'AntoniaYou can break however you do it, you know, whichever thing you pick, and if you don't do what you thought you were going to do, that's cool, too. It's going to—it's going to be fine.Jess LaheyCan I mention something that has—so that now that we've sort of done mechanics, we've done a little bit about the fear thing, the—the identity thing—has been really hard for me, in that I have these two books that I've written, and I've written a bunch and researched a bunch of things over the past couple of years, and people keep asking me, what are you writing? What are you writing? And the reality is, like, I'm not. I'm working on something, I'm researching something, and I've written a lot of things. In fact, now I'm holding up my cardboard box pieces—I found them. But the day—I'm not, like, meeting a 1200-words-a-day goal. And sometimes I feel really... I feel like a fraud. I feel like a massive fraud. Like, what kind of writer is not actually sitting down and writing 2,000 words a day? And that's incredibly difficult for me. Like, I don't deserve to call myself a writer, even though I have a couple of books out there and I wrote—you know—did all this other stuff. But the thing that I have—there are a couple of things that have really helped—and one of those is to understand that and have some grace for myself around what I happen to know full well what my process is. Yes, I wrote a couple of book proposals that didn't turn into books, but it was only through writing the book proposals that I discovered that those books weren't something that I wanted to write, and only through doing all of this research on audiobooks and writing on the side of cardboard boxes. That's the way I've written every one of my books. And it's not—it's just what works for me. And so having a little bit of this, you know, this feeling of insecurity as a writer, I don't think is—I don't think is unique to me. I think a lot of writers feel this, and it's...KJ Dell'AntoniaNo, all the rest of them are...Jess LaheyAll of them are really...KJ Dell'AntoniaYeah, no, everyone else is just like, well, of course. No, I'm not an imposter.Jess LaheyBut what's great is when I sit down with other writers and I say, what is an integral part of your process that isn't actually about putting the words on the page? That's not some bogus, like, excuse for not writing. You know, the gardening is part of it, the—the research is part of it, the listening to audiobooks is part of it. The writing—or the walking—is part of it. And it's not just a part of it. It is an incredibly important part of it for me, and—and understanding that and owning that about myself has been really a good thing for allowing myself to not—I'm not productive when I just feel guilty or like an imposter every day. It—that's not good for my process. But none of you ever feel that, right?KJ Dell'AntoniaOr apparently the people around you…Jess LaheyThe other thing that has been—well, the other thing that's been really, really helpful is the—and especially from the parenting perspective—is, or the marriage perspective, or the dog perspective, or the bees perspective, is I need to be fully committed to the thing right in front of me when I'm doing that thing. And if I'm feeling guilty about not being with the words when I'm with my children, or not being with my children when I'm with the words, that is awful, too. And so I have found that when I have to let go of all the other stuff and be fully, 100% in, I'm highly distractible. And so if I'm not fully in the thing, and that—all that guilt of not being over there doing that other thing—that's just taking away from the actual process of writing or researching or whatever it is, or taking care of my bees. I have to be fully in the thing I'm in and not feel guilty about not doing something else. And that's been a growth moment for me, too. It only took me—how old am I? I'm 55 now, and I got there somewhere around 50, I think.Jennie NashThere is also—I mean, I—I love what you're saying, and that is a thing to strive for, for sure—to be, to be present in whatever you're doing. But there is also this idea—I always think of it as mental real estate—that you leave for your project, for your idea, for your writing, for your book. That you, that you have a space in your brain devoted to that, and that you visit, whether or not you're producing words. And I think that that, too, is writing. I think, in some ways, that's more writing than sitting at the keyboard. I mean, I always object to the process of just putting words down. And a lot of the things that challenge writers to do that, because they skip that part—the thinking part and the having-the-part—you know, the real estate-in-your-brain part. And I think this connects to the shower—shower thoughts, right? You're gardening or beekeeping, you're walking, you're thinking, you're writing proposals and throwing them out. You're doing all that, that, that's writing. That's the—that's writing in my mind.KJ Dell'AntoniaAnd it's not... I mean the other thing we do say a lot is, you know, "Good writing comes last."Jennie NashYeah.KJ Dell'AntoniaYou've got to do the other stuff. So you can do it on vacation, or you could not do it on vacation. This—I don't think—we just—maybe I—this was my idea, and I think maybe I just needed the reassurance. I have a couple weeks coming up where I'm probably not going to do anything, and I just needed a reminder that that's cool. That's cool. It's all right. It's going to be okay. That's what I—if y'all could just pat me on the head and say "it's going to be okay."Multiple Speakers[Overlapping voices: “Mm-hmm,” “Sorry,” “Ohhh...”]KJ Dell'AntoniaSix or ten times an hour, that might be about what I need.Jess LaheyWell and one of the other things that has been really cool this summer is I've been on a streak of really good books. And every one of those really good books that I've been reading has made me like, Oh, I could do this. Oh my gosh, I could do that. I could write like her. I could I could write this other thing. And it's, it's all that energy is good and it's all a good thing to sit on a beach and read a book, or sit in the woods and read a book. It's all great.KJ Dell'AntoniaAll right, everybody, go collect some energy. Hey, on that note, who's read something good lately?Jennie NashI want to hear all these great books, Jess.Jess LaheySo I really have been on this roll. I've already talked about Atmosphere in an earlier podcast, the Taylor Jenkins Reid thing. But then I've been on this Tess Gerritsen jag, because we're—I'm interviewing Tess Gerritsen later this week. You guys will get to hear her later this summer. I am... Sarina and KJ, I believe, read the first of her new series that she has set in Maine and with a couple of retired CIA agents and spies in Maine. And then I enjoyed those so much that I went all the way back to the beginning—to her first book, The Surgeon, which I didn't even know was turned into this whole series called Rizzoli and Isles. It's a television show—I had no idea. And now I'm deep into Tess Gerritsen land. I'm still—I found out that there's going to be a movie of the book by the guy who wrote The Martian, Andy...Sarina BowenAndy WeirJess LaheyAndy Weir, thank you. And I was warned very specifically on social media not to watch the preview—the trailer—for the new movie that is going to be coming out with Ryan Gosling later on this summer, because it ruins the book. The book is called Hail Mary… Project Hail Mary. So I very quickly turned away from social media and said, Ooh, I better read the book really quickly before anyone ruins it for me, and I am enjoying the heck out of Project Hail Mary. So it's been really fun. Yeah.Sarina BowenI am reading a book that KJ put into my hands. And the fun part is that I don't remember why she put it into my hands, you know. Like, why did I pick up this book? Like, it happens all the time. It's called All the Other Mothers Hate Me by Sarah Harman.Jennie NashWhat a great title.Sarina BowenYeah, like, I picked up this book, and my husband said, oh my God, what a great title. And so, yes, that's super cool. And it's very voice-y. And the—the flap copy has the—a premise that smacks of a thriller, but the voice isn't like all deep, dark thriller. And so I think maybe the contrast of those two things might be why KJ put it into my hands. But I am enjoying the fabulous writing, and I'm—I'm still at the beginning, but the way she introduces characters is really sharp. So even that alone is like a little master class on introducing characters.KJ Dell'AntoniaYeah, that was why I gave it to you, was that we'd been talking about, you know, the voice, and also because we'd been talking about, like, funny thrillers versus thriller-y thrillers. And this isn't funny, but it's super voice-y. It reminds me of the one you pressed into my hands, which maybe is a little funnier—Listen for the Lie.Sarina BowenYeah, yeah.Jennie NashWell, I'm reading something very different, which is not—not very beachy. I go to a yoga class that is taught by a middle grade English teacher, and she runs her yoga class sort of like English class, where she always starts with a poem and throughout the class, she refers back to the poem in a very embodied way that you're doing the yoga around. And then she reads the poem again at the end. It's—its spectacular. She's—she's so popular at our yoga studio that you have to, you know, fight your way in. But she read a poem by a woman named Rosemerry Wahtola Trommer—and that's Rosemerry like Christmas Merry, so: Rosemerry. And the book is called The Unfolding. And I say it's very different from what you are all mentioning because this woman experienced the death of her young son and father in very close proximity, and her poems are ostensibly about grief, but they're just filled with joy and hope and delight. And, you know, it's kind of that thing you're talking about, Sarina—that it's—here's a book about tragedy and grief, but it's—there's something about the voice that just is—is fresh. And they're just—they're just stunning, just absolutely stunning. And I have gone and ordered all her books, of which there are—are many. So she's a new voice to me, and I just—I can't get enough of them. They're incredible.KJ Dell'AntoniaWell, here I am going to go back to the fiction summary read-y thing. I am very late to The Thursday Murder Club party, but it is joy. It is so much fun—really your sort of classic Agatha Christie stuff, but way, way funnier and more entertaining, with a dash of elderly spies. So we're on that theme. And then I also want to mention, just because I liked it so much—and I'm not sure I want everyone to read it—What Kind of Paradise by Janelle Brown. This could be your lit fic read of the summer. It's somewhere—but—but it's still a page turner. And I thought the premise was extremely great. Basically, it's: what if the Unabomber had also raised a young daughter with him in the woods on all of his theories, back when the Unabomber was living in the woods, and inadvertently involved her in his first kill before she got away? And now she's an adult looking back at what happened. And Janelle Brown is a Silicon Valley person. She's really steeped in this culture. She really knows this world. It's a really good book—plus super entertaining.Jennie NashI love it.KJ Dell'AntoniaThat's it!Jess LaheyI love it when we have a lot of good stuff, because there have been a couple weeks this year where we were like, I was just let down this time around. But yay, I'm loving this.KJ Dell'AntoniaAll right, I think that's it for us this week, kids. Remember, if you support the podcast, you get bonus content every week right now, because we are killing it. You might get Jess's Soup to Nuts series, where she is coaching a fellow writer on creating a nonfiction proposal that also will work with her speaking career. You can join me and Jennie on a weekly basis as we flail our way through the beginnings of writing a couple of books. And of course, on a monthly basis, we've got the Booklab, where we look at the First Pages of novels submitted by listeners. And if you'd like to submit to the Booklab, that'd be great. Jess will put the link in the show notes.Jess LaheyIndeed, Jess will. And until next week, everyone, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
Watch us on YouTube: https://youtu.be/LjM6XrBB440Don't forget to follow/subscribe to your favourite podcasting platform!Join our Patreon community to get access to bonus episodes, discounts on merch and more: https://bit.ly/UnholyPatreonAs the war nears its 22nd month, the humanitarian crisis in Gaza deepens — with harrowing footage of children searching for food sparking growing outrage, even among Israel's staunchest allies. Meanwhile, the Israeli government prepares to push forward a controversial draft bill, fuelling an already volatile political climate. This week, Yonit and Jonathan are joined by Pulitzer Prize-winning journalist Thomas Friedman for a wide-ranging conversation on the war, Donald Trump, his thoughts on the man who would be New York mayor: Zohran Mamdani and the question everyone's asking: is there a way out?
Pulitzer Prize and Oscar-winning director and journalist Mstyslav Chernov joins to discuss his new documentary, "2000 Meters to Adriivka." The film follows an assault brigade of Ukrainian soldiers fighting to take back control of the small village of Adriivka. "2000 Meters to Adriivka" is in theaters today, and will premiere on PBS later this year.*This episode is guest-hosted by Tiffany Hanssen.
In this episode, Pulitzer Prize-winning historian David Levering Lewis joins to unpack Du Bois' life, legacy, and enduring impact on American history and discuss his new memoir, The Stained Glass Window. Resources David Levering Lewis, The Stained Glass Window: A Family History as the American Story, 1790–1958, (2025) David Levering Lewis, W.E.B. Du Bois: A Biography 1868–1963, (2009) American Historical Association, “W.E.B. Du Bois (1868–1963): Historian, Sociologist, Editor, Activist,” Perspectives on History, (2023) W.E.B. Du Bois, The Talented Tenth, (1903) W.E.B. Du Bois, The Souls of Black Folk: Centennial Edition, (2003) Stay Connected and Learn More Questions or comments about the show? Email us at podcast@constitutioncenter.org Continue the conversation by following us on social media @ConstitutionCtr. Sign up to receive Constitution Weekly, our email roundup of constitutional news and debate. Follow, rate, and review wherever you listen. Join us for an upcoming live program or watch recordings on YouTube. Support our important work. Donate
In Season 1 of Bone Valley, Pulitzer Prize-winning author Gilbert King tells a story of a man, Leo Schofield, fighting to prove his innocence in the case of his wife Michelle’s murder. In Season 2, “JEREMY” Gilbert King brings us a story about her actual killer, Jeremy Scott, fighting to prove his guilt. The State of Florida does not believe either man. Bone Valley Season 3 | GRAVES COUNTY is a new story about a new case. A story that shares many familiar themes with the first two seasons of Bone Valley - an unspeakable crime, a dubious investigation, half-truths that ensnare innocent people, and heartbroken families caught in the middle. GRAVES COUNTY is hosted by Maggie Freleng, Pulitzer Prize-winning journalist and one of the hosts of Lava For Good’s Wrongful Conviction and is executive produced by Gilbert King. Maggie is going to take us to a small town in Graves County, Kentucky, where a terrible discovery on the front lawn of a middle school invites a string of amateur and professional investigators to try to solve a murder. Maggie is the latest investigator to get pulled in. And she’ll take all of us along as she teases out this complicated web of rumors and lies, and perhaps even the truth. Bone Valley Season 3 | GRAVES COUNTY will be available every Wednesday beginning July 30 wherever you get your podcasts. To binge the entire season, ad-free, starting July 30, subscribe to Lava for Good+ on Apple Podcasts. Bone Valley is a production of Lava for Good™ Podcasts in association with Signal Co. No1.See omnystudio.com/listener for privacy information.
Hello, Katie Couric Fans! We want to share a new show you might like, Latino USA. About the show: Latino USA is the longest-running news and culture radio program in the U.S. centering Latino stories, hosted by Pulitzer Prize winning journalist Maria Hinojosa Every week, the Peabody winning team brings you revealing, in-depth stories about what’s in the hearts and minds of Latinos and their impact on the world. Listen here and subscribe to Latino USA on the iHeartRadio app or wherever you get your podcasts!See omnystudio.com/listener for privacy information.
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
In this powerful episode, Dr. Becky sits down with Pulitzer Prize–winning New York Times science reporter Matt Richtel to explore the urgent mental health crisis facing today's teens—and the science behind what's really going on in the adolescent brain.Expanding on his acclaimed reporting, Matt shares insights from his groundbreaking new book How We Grow Up, diving deep into the neurological, biological, and social transformations that define adolescence.This episode is brought you by Chomps. When it comes to school snacks, I've never been the “pack my kid a portable charcuterie board” kind of parent. If you are, more power to you. I'm more of a “grab-and-go” type - I want something simple, nutritious, and easy for my kids to reach for as we're heading out the door.That's why I like Chomps. Their full-size meat sticks have 10 grams of protein and zero sugar. They're filling and made from real ingredients, so it's one less thing to think about. And if you've ever opened your kid's backpack to find a half-eaten snack from who-knows-when still wrapped up in there, Chomplings are great. They're smaller sticks (the right size to toss in a lunchbox or that little front backpack pocket) with 4 grams of protein and zero sugar.Chomps are made of high-quality ingredients like 100% grass-fed beef, venison, and antibiotic-free turkey. They're also free from the top nine allergens, so you don't have to worry about sending them to school. Check out all the sizes and delicious flavors at Chomps.com/DRBECKY for 15% off plus free shipping.Good Inside is now eligible for HSA/FSA reimbursement with a Letter of Medical Necessity! We're partnering with Truemed to make the process easy - go to https://www.goodinside.com/fsa-hsa-eligibility/ to learn more.Good Inside Members, love the podcast and want to keep the conversation going? Starting Tuesday, August 5th, join us every Tuesday at 10:30am for Podcast Club to dive deeper, share reflections, and connect with other listeners.Get the Good Inside App by Dr. Becky: https://bit.ly/4fSxbzkYour Good Inside membership might be eligible for HSA/FSA reimbursement! To learn more about how to get your membership reimbursed, check out the link here: https://www.goodinside.com/fsa-hsa-eligibility/Follow Dr. Becky on Instagram: https://www.instagram.com/drbeckyatgoodinsideSign up for our weekly email, Good Insider: https://www.goodinside.com/newsletterFor a full transcript of the episode, go to goodinside.com/podcast.
It’s been a successful few months for 40-year-old writer Branden Jacobs-Jenkins and his play, “Purpose,” which won both the Pulitzer Prize for Drama and the Tony Award for Best Play. Senior arts correspondent Jeffrey Brown spoke with him recently at Broadway’s Hayes Theater for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders
The Trump administration has the will, the plans and now the resources to ramp up immigration enforcement. Trump's Border officials say Americans will soon see ICE agents flood sanctuary cities run by Democrats. At Trump's request, the Republican led Congress earmarked more than $170 billion over the next four years for increased immigration enforcement, detention and deportation. It seems the immigration arrests happening across the country will only become more severe and widespread. We will talk about all of it and so much more with Pulitzer Prize winning investigative journalist and author David Cay Johnston. The Trump administration now has the go ahead from the Supreme Court to dismantle the US Department of Education. We welcome the Education workers union president, Brittany Coleman. She's the AFGE Local 252 Chief Steward and an attorney for the Office for Civil Rights (OCR) in Dallas. It is Tech Tuesday once again on The Mark Thompson Show and that means Jefferson Graham will join us to talk about the latest gadgetry. The Mark Thompson Show 7/22/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal. https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com
The National Archives has released hundreds of thousands of pages of FBI documents about Martin Luther King Jr. by order of President Trump - what's in them? Pulitzer Prize-winning author Dr. David Garrow joins Michael to break down the truth behind the infamous FBI letter urging King to take his own life, the disturbing audio recordings, and the real reason behind the Bureau's campaign to discredit him. Was anything truly new in this week's document drop—or is it all old news being misunderstood? Dr. Garrow, who has studied the FBI's surveillance of MLK for nearly 50 years, explains why these files matter and what they don't show. A must-listen for anyone interested in history, civil rights, and the intersection of power and privacy in America. Original air date 22 July 2025.
We have published 120 episodes since 2019. For this new season, we thought it would be a good idea to look back on some of the highlights of our conversations and select 20 episodes that resonated with veterans, service members, military families, and the civilians who support them.But first up, you'll hear from some of the folks at Home Base who wake up every day with the same mission in mind, no matter what they do at the Center of Excellence in the Navy Yard and beyond. For this episode, you will hear a brief conversation with Air Force Veteran and Regional Associate Director, Regional & Tribal Relations, of Home Base Arizona, Marcus Denetdale. Marcus has been instrumental in facilitating Home Base's partnership with ASU's College of Health Solutions to launch the Warrior Health & Fitness program for Arizona Veterans and their families. He has worked closely with tribal Nations and communities in various capacities. As a nonprofit administrator, he has developed college scholarship programs, recruited Native American college students, and secured research grants for higher education projects totaling over $2.4 million. Marcus has studied civil, environmental, & sustainable engineering within the sustainability specialty area. His research areas include tribal housing, infrastructure & commercial buildings for economic growth and opportunities. His latest project is partnered with ASU to provide safe water access on the Navajo Nation.Following my conversation with Marcus, you'll hear part two of an episode from 2023 with the Pulitzer Prize and Emmy winner Cartoonist, Garry Trudeau. Ron and Garry talk about gaining the trust from military leadership during wartime, with the opportunity to visit Kuwait during the Gulf War after getting the call directly from the battlefield, and how just like visiting Walter Reed, these are chances to Get it Right in order to follow him or her from service member to veteran and from deployment to home. They discuss how he's not really that guy who could ever really tell a joke, and where his humor seems to come from, about his love for putting on a show ever since he was a little kid, and how he shares the mission to support veterans with fellow cartoonist (among other things), Jake Tapper.Run To Home Base: Join Ron and his team and sign up individually or on another team at the 16th annual Run To Home Base on July 26th, 2025, at Fenway Park! Go to runtohomebase.orgPlease visit homebase.org for updates, programming, and resources if you or someone you know is struggling.Home Base Nation is the official podcast for the Home Base Program for Veterans and Military Families. Our team sees veterans, service members, and their families addressing the invisible wounds of war at no cost. This is all made possible thanks to a grateful nation. To learn more about how to help, visit us at www.homebase.org. If you or anyone you know would like to connect to care, you can also reach us at 617-724-5202.Follow Home Base on Twitter, Facebook, Instagram, LinkedInThe Home Base Nation Team is Steve Monaco, Army Veteran Kelly Field, Justin Scheinert, Chuck Clough, with COO Michael Allard, Brigadier General Jack Hammond, and Peter Smyth.Producer and Host: Dr. Ron HirschbergAssistant Producer, Editor: Chuck CloughChairman, Home Base Media Lab: Peter SmythThe views expressed by guests on the Home Base Nation podcast are their own, and their appearance on the program does not imply an endorsement of them or any entity they represent. Views and opinions expressed by guests are those of the guests and do not necessarily reflect the views of the Massachusetts General Hospital, Home Base, the Red Sox Foundation, or any of its officials.
Megan Marshall, winner of the Pulitzer Prize for biography, has long been revered for her narrative skills and deep insights into historical figures. In her new book “After Lives: On Biography and the Mysteries of the Human Heart” she takes those skills to her own art and life.
An exclusive behind-the-scenes look at the work of Pulitzer Prize-winning jazz trumpeter and bandleader Wynton Marsalis, one of America's greatest living musicians. How does a great artist pass on the lessons and traditions of their culture to the next generation? We follow Wynton and the Jazz at Lincoln Center Orchestra as they prepare for the international premiere of Wynton's Democracy! Suite. This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.
Mike Rothmiller : California Democrats legalize child prostitutionMike Rothmiller is a New York Times Bestselling Author, nominee for the Pulitzer Prize, historian, former cop and Army medic. He's also served as a TV reporter, an award winning documentary producer and television host for ESPN, PBS and other international television markets. He's written and produced over 25 television documentaries, numerous TV and radio ads and has authored movie scripts. His nonfiction book, “My Hero. Military Kids Write About Their Moms and Dads” (St. Martin's Press) received international acclaim and holds the honor of being the only book in history to have forwards written by three living Presidents and General Norman Schwarzkopf. He has served on numerous non-profit boards. Additionally, he's been a corporate President/CEO and directed three divisions of Sony Electronics EMCS-America. He's authored 23 books and his most recent; Secrets, Lies and Deception….And Other Amazing Pieces of History was featured on Fox News and over 40 Television News Stations across America.Readers of his books include; three Presidents, former First Lady Laura Bush, the late Charlton Heston and Queen Elizabeth II. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
In this episode, our Executive Editor Maria Garcia reflects on the legacy of Soraya Montenegro, her favorite telenovela villain of all time. Maria explores what Soraya’s legacy reveals about being labeled an evil woman, and even, human evolution. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.
The Trump administration is facing more than 300 legal challenges, many of which are being litigated by the American Civil Liberties Union led by Anthony Romero. The executive director has been at the helm through historic legal battles—from voter supression and “muslim” bans, to exposing torture in military detention and defending immigrant and reproductive rights. Romero sits down with host Maria Hinojosa and guides us through the ACLU’s current fight to protect our constitutionally enshrined rights in an era of raids, denaturalization threats and attempts at ending birthright citizenship. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.
It's a bird, it's a plane, no it's journalist Lois Lane, winning Pulitzer Prizes and exposing the evils of the world with guts, smarts and determination. Friend of the show Joey Patt swings by to shed light on the history of this Superman character, and the blueprint she left behind for other women in comics after her.See omnystudio.com/listener for privacy information.
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