Podcasts about Pulitzer Prize

In Episode #332 of My Favorite Mistake, Mark Graban talks with Dr. Josh McConkey — emergency physician, Air Force Reserve Commander, combat-deployed medevac leader, and Pulitzer Prize–nominated author. Known as the “MacGyver Doc,” Josh has spent his career solving problems in high-pressure environments where you rarely get a second chance. Episode page with links, video, transcript, and more Josh shares the most painful mistake of his professional life: entering a business partnership without doing the proper due diligence. What followed was a cascade of red flags — Medicare violations, skimming, financial misconduct, and even a $3.4 million bribe offer he refused. The ordeal ultimately cost him nearly $5 million and forced him to rebuild his career and life with integrity front and center. In our discussion, Josh explains how this experience reshaped his understanding of leadership, accountability, and courage — especially in systems where incentives can push good people toward dangerous choices. He also reflects on two decades in emergency medicine, including the structural failures that helped fuel the opioid crisis and the pressures physicians faced to prescribe narcotics. Josh shares why he wrote Be the Weight Behind the Spear and his new children's leadership book The Heart of a Leader, and why he believes character development must start far earlier than most of us realize. We close with his decision to run for Lieutenant Governor of North Carolina in 2028 — a move grounded in service, accountability, and a desire to strengthen public leadership. This episode explores integrity, systemic failure, resilience, and the lessons we carry forward after a mistake that changes everything.

The Watergate scandal might be one of the biggest political scandals of all time - but do we really know the full truth of it? Garrett M. Graff is a Pulitzer Prize finalist and author of Watergate: A New History and joins Chris and Nikki to discuss exactly what led to the epic downfall of President Richard Nixon. Back us on Patreon! https://www.patreon.com/AmericanFriction Follow us on social media:  Bluesky Instagram  TikTok Written and presented by Chris Jones with Nikki McCann Ramirez. Audio/ Video editor: Simon Williams. Group Editor: Andrew Harrison. Executive producer: Martin Bojtos. Artwork by James Parrett. Music: Orange Factory Music. AMERICAN FRICTION is a Podmasters Production. www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

D. Esperanza is 14 years old. After traveling with his cousins from Honduras, he is held in the horrors of U.S. detention in Texas. For five months, while there, D. kept a journal of poems, drawings. It’s his memory of survival. Months later, Geraldo Iván Morales found the journal, about to be trashed. Now, D. and Gerardo are coauthors of "Detained," a book based on D.’s journal. This is their story. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

All The Drama is hosted by Jan Simpson. It is a series of deep dives into the plays that have won The Pulitzer Prize for Drama. The Pulitzer Prize for Drama: “Hamilton”2016 Pulitzer winner “Hamilton” by Lin-Manuel Miranda Hamilton Wikipedia pagehttps://wikipedia.org/wiki/Hamilton_(musical) Lin-Manuel Miranda Wikipedia pagehttps://wikipedia.org/wiki/Lin-Manuel_Miranda Lin-Manuel Miranda: The Education of read more

Earlier this year, the White House falsely claimed that millions of US taxpayers' dollars were funding “sex changes” in Guatemala — a lie used to justify gutting USAID, which has provided aid worldwide for more than 60 years. In this episode, we travel to Guatemala to uncover the truth, hear from local organizations caught in the controversy, and learn how losing USAID funding has affected these LGBTQ+ organizations and damaged U.S. credibility abroad. This reporting was produced in partnership with El Faro English and it’s part of the Ida B. Wells Society Investigative Reporting Fellowship. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

What happens when the architect of a war knows—deep down—that it cannot be won?In this episode of In Conversation with Frank Schaeffer, I speak with William Taubman and Philip Taubman about their new book, McNamara at War: A New History, which is our December “It Has to Be Read” selection.William Taubman is a Pulitzer Prize–winning historian. Philip Taubman is a longtime journalist and former New York Times Washington bureau chief and associate editor. Together, they've gone back through diaries, letters, declassified documents, and interviews that were never fully used before. What they found is a more complicated and more troubling picture of Robert McNamara than we've had until now.McNamara helped escalate the Vietnam War even as he came to believe it could not be won. Our conversation looks closely at how that happened, why he stayed silent for so long, and what that silence cost us all.For me, this isn't abstract. I lived through the Vietnam era, and years later my own son served as a U.S. Marine in Afghanistan and Iraq. As we watch Donald Trump blowing up and seizing boats in a march toward conflict with Venezuela, it's hard not to notice how often the same patterns repeat themselves.McNamara at War is our December “It Has to Be Read” because it doesn't just explain a war we lost.It forces us to reckon with why we keep losing them._____LINKSI have had the pleasure of talking to some of the leading authors, artists, activists, and change-makers of our time on this podcast, and I want to personally thank you for subscribing, listening, and sharing 100-plus episodes over 100,000 times.Please subscribe to this Podcast, In Conversation… with Frank Schaeffer, on your favorite platform, and to my Substack, It Has to Be Said. Thanks! Every subscription helps create, build, sustain and put voice to this movement for truth. Subscribe to It Has to Be Said. The Gospel of Zip will be released in print and on Amazon Kindle, and as a full video on YouTube and Substack that you can watch or listen to for free.Support the show_____In Conversation… with Frank Schaeffer is a production of the George Bailey Morality in Public Life Fellowship. It is hosted by Frank Schaeffer, author of The Gospel of Zip. Learn more at https://www.thegospelofzip.com/Follow Frank on Substack, Facebook, Twitter, Instagram, Threads, TikTok, and YouTube. https://frankschaeffer.substack.comhttps://www.facebook.com/frank.schaeffer.16https://twitter.com/Frank_Schaefferhttps://www.instagram.com/frank_schaeffer_arthttps://www.threads.net/@frank_schaeffer_arthttps://www.tiktok.com/@frank_schaefferhttps://www.youtube.com/c/FrankSchaefferYouTube In Conversation… with Frank Schaeffer Podcast

Dr. Jerome Corsi takes a deep historical dive into Walter Duranty, the New York Times reporter who was awarded a Pulitzer Prize for reporting that was later exposed as propaganda for one of the most brutal regimes in human history. This is an encore presentation.Duranty served not as a journalist, but as Josef Stalin's public relations agent, producing glowing, fictionalized accounts of life inside the Soviet Union while deliberately concealing the truth about mass repression, political terror, and the Holodomor — the engineered starvation that killed millions of Ukrainians.Dr. Corsi exposes:

The college football coaching carousel never stops spinning. With the Michigan job suddenly open, Kalen DeBoer is a name everyone keeps mentioning as a top candidate. Would he really leave Tuscaloosa for Ann Arbor? Why is he a candidate for every big job when he has one of the best in the country at Alabama? AL.com's Nick Kelly tells us the latest. Also, Pulitzer Prize-winning columnist and author John Archibald joins to reflect on the self-loathing period of Crimson Tide fandom, asking if his favorite team even deserves a spot in the College Football Playoff. Learn more about your ad choices. Visit megaphone.fm/adchoices

Film producer Jason Solomons and literary journalist Suzi Feay join Tom Sutcliffe to discuss the contemporary thriller Lurker which shows what happens when the line between popstar and fan gets blurred.They also talk about The Pelican Child a short story collection by Pulitzer Prize-nominated author Joy Williams.And the film Ella McCay is reviewed; a political comedy-drama that follows an idealistic woman juggling being state governor with a complicated family life. Tom also speaks to the film's director James L. Brooks, whose Oscar-winning work includes Terms of Endearment and As Good as It Gets. Brooks also co-created the Simpsons. Presenter: Tom Sutcliffe Producer: Claire Bartleet

The Netflix documentary film The Stringer: The Man Who Took the Photo follows war correspondent Gary Knight as he attempts to learn who actually captured the famous “Napalm Girl” picture. The hunt for the unidentified photographer will take him across the globe and put him at odds with a journalistic community deeply protective of Pulitzer Prize-winning photojournalist Nick Út's legacy. Knight enlists a visual forensics team to pinpoint which cameraman in Trảng Bàng was in position to snap the picture that altered the way many viewed the war in Vietnam.  In this episode of You Can't Make This Up, host Rebecca Lavoie interviews director Bao Nguyen. SPOILER ALERT! If you haven't watched The Stringer yet, make sure to add it to your watch-list before listening on.  Dig deeper into all of your favorite Netflix documentaries and films at tudum.com. Listen to more from Netflix Podcasts.

Video games make you violent. Video games corrupt the youth. Video games rot your brain! You've probably heard that narrative before … but Kawika Guillermo offers a fresh take in their new essay collection, Of Floating Isles: On Growing Pains and Video Games. The book is part memoir, part cultural analysis about the roles that video games play in our lives. For Kawika, games aren't just a mindless escape — they're thoughtful works of art that help us understand our identities and the world we live in. Kawika joins Mattea to talk about gaming as a catalyst for social change, rethinking shooting games and how video games helped them grapple with grief. Liked this conversation? Keep listening:Why this Pulitzer Prize winner is done with writing booksWeightlifting made Casey Johnston stronger — in muscle and mind

KPFA Theatre Critic Richard Wolinsky reviews “Sunday in the Park with George” at Shotgun Players Ashby Stage extended through January 31, 2026.   Text of Review: The late great composer lyricist Stephen Sondheim tackled a variety of subjects in his work, from an examination of relationships in Company to obsession in Passion, to gun culture in Assassins But two shows seem a bit more autobiographical, Merrily We Roll Along, which incorporates elements of his own life, and Sunday in the Park with George, which examines the role of the artist, both as creator and promoter. Because of the large cast and the giant canvas of the show itself, pun intended, Stephen Sondheim and James Lapine's Sunday in the Park is usually presented in large venues. Now Shotgun Players has taken on the Pulitzer Prize winning musical in the moreintimate confines of the Ashby Stage in Berkeley, running through January 31st, 2026. Musically, lyrically, in most ways, Sunday in the Park is sui generis. Act One focuses in on the creation by Geroge Seurat of his room sized masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, while Act Two takes place a century later as another George, his great-grandson attempts to get funding for his own art exhibit. Critics, money, getting it right, painting the perfect hat. The songs themselves serve as musical counterparts to the pointillist art George Seurat is creating on stage. The late Steven Sondheim: (actuality) As with all Sondheim musicals, lyrical precision takes as much precedence as singing voice and acting. This particular show also requires harmonies that blend together into something gorgeous and almost unearthly. Here, the Shotgun production succeeds beautifully. It also succeeds with Kevin Singer in the lead role, who fully embodies both Georges with an almost innate sense of what the creators had intended. He is complemented by Mara Sotelo, whose voice enhances Sondheim's most exquisite music. The intimacy is a different matter. A relatively small space is made smaller by putting audience members on both sides of the set, and when the entire cast is performing at once, it all feels cluttered and chaotic, actors seemingly tripping over one another. The duets, with the stage now empty, feel static. But the glorious music, the brilliant lyrics, the harmonies, the actors in the leading roles, and of course, the play's focus on art and artists, make this Sunday in the Park with George well worth visiting. Sunday in the Park with George plays at Shotgun Players Ashby Stage through January 31, 2026. For more information, you can go to shotgunplayers.org. I'm Richard Wolinsky on Bay Area theatre for KPFA The post Review: “Sunday in the Park with George” at Shotgun Players Ashby Stage appeared first on KPFA.

In this episode, Pulitzer Prize-winning historian Edward Larson discusses his newest book, Declaring Independence: Why 1776 Still Matters. This book traces the idea of American independence in one pivotal year—1776—and explores why this year continues to hold significance today. Jeffrey Rosen, president and CEO of the National Constitution Center, moderates. This program is generously sponsored by Citizen Travelers, the nonpartisan civic engagement initiative of Travelers. Resources Ed Larson, Declaring Independence: Why 1776 Matters (2025) Thomas Paine, Common Sense (1776) John Adams, Thoughts on Government (1776) George Mason, First Draft of the Virginia Declaration of Rights (1776) Stay Connected and Learn More Questions or comments about the show? Email us at ⁠⁠⁠⁠programs@constitutioncenter.org⁠⁠⁠⁠ Continue the conversation by following us on social media @ConstitutionCtr Explore the⁠⁠⁠⁠America at 250 Civic Toolkit⁠⁠⁠⁠ ⁠⁠⁠⁠Sign up⁠⁠⁠⁠ to receive Constitution Weekly, our email roundup of constitutional news and debate Subscribe, rate, and review wherever you listen Join us for an upcoming ⁠⁠⁠⁠live program⁠⁠⁠⁠ or watch recordings on ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ Support our important work ⁠⁠⁠⁠⁠⁠Donate

President Donald Trump has found inspiration for tariffs and more in the 25th President of the United States: William McKinley. This hour, we look at the life and legacy of McKinley, and why Trump is drawn to him. Plus, we'll learn about the Gilded Age and its parallels to today. GUESTS: Kevin Kern: Associate Professor of History at The University of Akron. He is co-author of Ohio: A History of the Buckeye State Beverly Gage: Professor of 20th-century U.S. history at Yale University. Her newest book, G-Man: J. Edgar Hoover and the Making of the American Century, received the 2023 Pulitzer Prize for Biography. Joan Antonson: Executive Director of the Alaska Historical Society Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. Colin McEnroe and Dylan Reyes contributed to this show, which originally aired on March 18, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Pulitzer Prize–winning columnist and Director of the Center for Urban Journalism at Morgan State University, Leonard Pitts Jr., gives his analysis on the upcoming Supreme Court decision on birthright citizenship, the New York Times lawsuit against the Pentagon, and other trending political news.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

The Author Events Series presents Carol Leonnig and Aaron C. Davis | Injustice: How Politics and Fear Vanquished America's Justice Department In Conversation with Ankush Khardori Throughout his first administration, Trump did more than any other president to politicize the nation's top law enforcement agency, pressuring appointees to shield him, to target his enemies, and even to help him cling to power after his 2020 election defeat. The department, pressed into a defensive crouch, has never fully recovered. Injustice exposes not only the Trump administration's efforts to undermine the department at every turn but also how delays in investigating Trump's effort to overturn the will of voters under Attorney General Merrick Garland helped prevent the country from holding Trump accountable and enabled his return to power. With never-before-told accounts, Carol Leonnig and Aaron C. Davis take readers inside as prosecutors convulsed over Trump's disdain for the rule of law, and FBI agents, the department's storied investigators, at times retreated in fear. They take you to the rooms where Special Counsel Jack Smith's team set off on an all-but-impossible race to investigate Trump for absconding with classified documents and waging an assault on democracy-and inside his prosecution's heroic and fateful choices that ultimately backfired. With a plethora of sources deeply embedded in the ranks of three presidencies, Leonnig and Davis reveal the daily war secretly waged for the soul of the department, how it has been shredded by propaganda and partisanship, and how-if the United States hopes to live on with its same form of government-Trump's war with the Justice Department will mark a turning point from which it will be hard to recover. Injustice is the jaw-dropping account of partisans and enablers undoing democracy, heroes still battling to preserve a nation governed by laws, and a call to action for those who believe in liberty and justice for all. Carol Leonnig, a five-time winner of the Pulitzer Prize, is the author of three bestselling books and an investigative reporter who has worked at The Washington Post for the last twenty-five years. She won the 2015 Pulitzer Prize for her reporting on security failures by the Secret Service. She also was part of Post teams awarded Pulitzers in 2024, 2022, 2018, and 2014. Leonnig, a contributor to MSNBC, is the author of Zero Fail and coauthor of A Very Stable Genius and I Alone Can Fix It. Aaron C. Davis is an investigative reporter for The Washington Post who has won the Pulitzer Prize twice and has been a finalist three times. He was a lead writer and reporter on the Post's investigative series into the January 6 attack, which won the George Polk Award, the Toner Prize, and, with other Post coverage, the 2022 Pulitzer Prize for Public Service. In 2018, he was part of a Post team that won the Pulitzer for Investigative Reporting. Davis has reported from fourteen countries. He began at The Washington Post in 2008, after reporting for the Associated Press, The Mercury News, and Florida Today. Ankush Khardori is based in Washington, D.C. and a senior writer for Politico Magazine, where he writes a column and features about national legal issues. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 11/13/2025)

The Author Events Series presents Trymaine Lee | A Thousand Ways to Die : The True Cost of Violence on Black Life in America In Conversation with James Peterson and local gun violence prevention organizers: Chantay Love, EMIR: Every Murder Is Real, Pastor Carl Day, Culture Changing Christians Worship Center Tasnim Sulaiman, Black Men Heal A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him-the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also-insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins. In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors' footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community. In A Thousand Ways to Die, Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola's legacy. Trymaine Lee is a Pulitzer Prize and Emmy Award-winning journalist and MSNBC contributor. He's the host of the ''Into America'' podcast where he covers the intersection of Blackness, power, and politics. A contributing author to the ''1619 Project'', he has reported for The New York Times, the Huffington Post, and the New Orleans Times-Picayune. A Thousand Ways to Die is his first book. James Peterson, Ph.D. is a writer, educator, and consultant. Dr. Peterson is the Host of ''Evening WURDS'' on WURD (900AM and 96.1FM) in Philadelphia, PA. He is the author of several books, including The Hip Hop Underground and African American Culture, Prison Industrial Complex for Beginners, and Hip-Hop Headphones: A Scholar's Critical Playlist. He is a columnist for The Philadelphia Citizen and has written for Fortune.com, Newsweek.com, The Guardian, The LA Times, Reuters, The Huffington Post, The Daily Beast, and The Grio.  Dr. Peterson is also a professional wordsmith who has ghostwritten and edited projects for a variety of individuals and corporate entities across a wide spectrum of professions. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 9/11/2025)

The Author Events Series presents Steven Pinker  | When Everyone Knows That Everyone Knows . . . In Conversation with Annie Duke Common knowledge is necessary for coordination, for making arbitrary but complementary choices like driving on the right, using paper currency, and coalescing behind a political leader or movement. It's also necessary for social coordination: everything from rendezvousing at a time and place to speaking the same language to forming enduring relationships of friendship, romance, or authority. Humans have a sixth sense for common knowledge, and we create it with signals like laughter, tears, blushing, eye contact, and blunt speech. But people also go to great lengths to avoid common knowledge-to ensure that even if everyone knows something, they can't know that everyone else knows they know it. And so we get rituals like benign hypocrisy, veiled bribes and threats, sexual innuendo, and pretending not to see the elephant in the room. Pinker shows how the hidden logic of common knowledge can make sense of many of life's enigmas: financial bubbles and crashes, revolutions that come out of nowhere, the posturing and pretense of diplomacy, the eruption of social media shaming mobs and academic cancel culture, the awkwardness of a first date. Artists and humorists have long mined the intrigues of common knowledge, and Pinker liberally uses their novels, jokes, cartoons, films, and sitcom dialogues to illuminate social life's tragedies and comedies.  Consistently riveting in explaining the paradoxes of human behavior, When Everyone Knows That Everyone Knows... invites us to understand the ways we try to get into each other's heads and the harmonies, hypocrisies, and outrages that result. Steven Pinker is the Johnstone Professor of Psychology at Harvard University. He has won many prizes for his teaching, his research on language, cognition, and social relations, and his twelve books, including The Language Instinct, How the Mind Works, The Better Angels of Our Nature, Enlightenment Now, and Rationality. He is an elected member of the National Academy of Sciences, a two-time Pulitzer Prize finalist, and one of Time's ''100 Most Influential People in the World Today.'' Annie Duke is an author, speaker, and consultant in the decision-making space, as well as Special Partner focused on Decision Science at First Round Capital Partners, a seed stage venture fund. Annie's latest book, Quit: The Power of Knowing When to Walk Away, was released in 2022 from Portfolio, a Penguin Random House imprint. Her previous book, Thinking in Bets, is a national bestseller. As a former professional poker player, she has won more than $4 million in tournament poker. During her career, Annie won a World Series of Poker bracelet and is the only woman to have won the World Series of Poker Tournament of Champions and the NBC National Poker Heads-Up Championship. She retired from the game in 2012. Prior to becoming a professional poker player, Annie was awarded a National Science Foundation Fellowship to study Cognitive Psychology at the University of Pennsylvania, where she earned her master's degree. In 2021 she returned to her alma mater as a Visiting Scholar, where she also teaches executive education. In 2023 Annie completed her PhD in Cognitive Psychology. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 9/25/2025)

We’re gearing up for an all new season of Medal of Honor in 2026, but in the meantime we're sharing episodes from another Pushkin Industries podcast we think you'll like. It’s called Deep Cover and it’s all about people who lead double lives and the lengths they’ll go to deceive others. This last season, they covered the stolen valor story of Sarah Cavanaugh. Sarah Cavanaugh is a civilian woman who claimed to be a decorated veteran, a Marine who saved her comrades, and a young woman fighting cancer. She was everything people wanted her to be—until she wasn’t. Turns out, no one knew the real Sarah. Lies tend to be fragile, wilting under their own weight as they get bigger. Not in the case of Sarah Cavanaugh. The bigger her lies grew, the more real they became. But she never served in the military, never received any awards, and defrauded veteran organizations out of hundreds of thousands of dollars.Pulitzer Prize-winning writer Jake Halpern and investigative journalist Jess McHugh unravel this epic six-year deception that upended the lives of countless people. Here's episode 1 of Deep Cover: The Truth About Sarah (00:16). Stay tuned to hear the full six-episode series on this feed throughout the next few weeks. We’re committed to making Medal of Honor even better, and you can help! Leave your feedback for the show by filling out our listener survey at bit.ly/mohsurvey.See omnystudio.com/listener for privacy information.

Holiday parties make you want to hide behind the cheese tray. Gift-giving season makes your budget cry. This episode is your survival guide for both. Joe Saul-Sehy, OG, and Neighbor Doug welcome Pulitzer Prize-winning author Charles Duhigg to turn holiday small talk from awkward endurance test into something you might actually enjoy. Whether you're facing the office party, a family gathering with that cousin who won't shut up about crypto, or the neighborhood potluck where you know exactly three people, Charles reveals how to walk into any room with confidence, even if you're an introvert who'd rather be home watching movies. The secret? Super communicators aren't the loudest people in the room. They're the ones asking better questions, reading the conversation correctly, and making others feel heard. Charles breaks down the skills that turn painful small talk into genuine connection, and why introverts actually have hidden advantages at holiday gatherings (yes, really). Then the crew tackles the other holiday stressor of gift-giving that doesn't demolish your December budget. Joe, OG, and Doug explore the rising trend of secondhand gifting. It's not just about saving money (though your wallet will thank you). It can be more meaningful, more creative, and kinder to both your finances and the planet. From thrifted treasures to thoughtful "found" gems, they share how to give smarter instead of just spending more. Plus, Doug's toilet paper trivia arrives right on schedule (because what's a holiday episode without something unexpected?), along with stories about neighbors behaving badly and a brief tour through apps you forgot you're still paying for. What You'll Walk Away With: • Charles Duhigg's framework for turning small talk into actual connection without feeling fake • Why introverts have secret advantages at holiday parties and how to use them • Smart, budget-friendly gifting strategies that feel thoughtful rather than last-minute or cheap • The case for secondhand gifts and how to do it in a way that feels special • How to avoid blowing your holiday budget without looking (or feeling) stingy • Creative ways to personalize gifts without overspending or resorting to gift cards • Why communication skills affect both your happiness and your financial decisions This Episode Is For You If: • Holiday small talk feels like torture and you'd rather shovel snow • You want to give meaningful gifts but refuse to wreck your January budget doing it • You're an introvert dreading the season of forced social interaction • You're tired of generic gift guides telling you to "just spend less" without actual ideas • You believe better conversations and smarter spending are both learnable skills Before You Hit Play, Ask Yourself: What's the most meaningful non-new gift you've ever given or received? Think about why it mattered. That's the kind of gifting Charles and the crew are talking about. Drop your story in the comments because we're building the anti-Amazon holiday gift playbook together. FULL SHOW NOTES: https://www.stackingbenjamins.com/how-to-actually-enjoy-holiday-small-talk-1771/ Deeper dives with curated links, topics, and discussions are in our newsletter, The 201, available at https://www.stackingbenjamins.com/201 Enjoy! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Latino USA shares an episode from our friends at LAist’s Imperfect Paradise about a new set of citizenship test guidelines. Recently, the federal government pushed out new guidelines for naturalization, changes that are reshaping what it means to become a U.S. American. LAist Higher Education Reporter Julia Barajas takes us inside a citizenship prep class at Pasadena City College to see how these new changes are playing out. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

John Cassidy joins EconoFact Chats to discuss his latest book, 'Capitalism and its Critics.' In the book, and in the conversation, Cassidy argues that capitalism has proven to be a remarkably protean system, able to adapt through numerous crises, and discusses the ways in which widening inequality, the ecological crisis, technological transformation, and resurgent authoritarian politics could force capitalism to adapt again. John has been a staff writer at The New Yorker for three decades. His previous book, 'How Markets Fail: The Logic of Economic Calamities,' was a finalist for the Pulitzer Prize.

Pulitzer Prize-winning photojournalist Lynsey Addario on the personal toll of conflict. Plus: Kate Hawley, costume designer of the much-celebrated film Frankenstein, discusses her first Fashion Award.See omnystudio.com/listener for privacy information.

Pulitzer Prize-winning journalist Bret Stephens is known for his willingness to challenge both the left and the right.

In a rural town in south Georgia, sits “El Refugio,” a charming white home with green shutters. For 15 years, thousands have walked through its doors during the hardest moments of their lives. The house serves as a refuge for families of immigrants detained just two miles away at one of the largest immigration detention centers in the U.S.. In recent months, the visits to El Refugio have skyrocketed. We spent 48 hours inside El Refugio, the only hospitality house of its kind in the nation. We meet volunteers who visit with detainees and the families of those held at Stewart Detention Center. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Tracy K. Smith, Pulitzer Prize winning poet, former Poet Laureate of the United States from 2017 to 2019, professor of English and of African and African American Studies at Harvard University and the author of several poetry collections and her latest, Fear Less: Poetry in Perilous Times (Norton, 2025), talks about her new book, making the case for reading poetry and sharing her own writing process.

In this Write Big session of the #amwriting podcast, host Jennie Nash welcomes Pulitzer Prize–winning journalist Jennifer Senior for a powerful conversation about finding, knowing, and claiming your voice.Jennifer shares how a medication once stripped away her ability to think in metaphor—the very heart of her writing—and what it was like to get that voice back. She and Jennie talk about how voice strengthens over time, why confidence and ruthless editing matter, and what it feels like when you're truly writing in flow.It's an inspiring reminder that your voice is your greatest strength—and worth honoring every time you sit down to write.TRANSCRIPT BELOW!THINGS MENTIONED IN THIS PODCAST:* Jennifer's Fresh Air interview with Terry Gross: Can't Sleep? You're Not Alone* Atlantic feature story: What Bobby McIlvaine Left Behind* Atlantic feature story: The Ones We Sent Away* Atlantic feature story: It's Your Friends Who Break Your Heart* The New York Times article: Happiness Won't Save You* Heavyweight the podcastSPONSORSHIP MESSAGEHey, it's Jennie Nash. And at Author Accelerator, we believe that the skills required to become a great book coach and build a successful book coaching business can be taught to people who come from all kinds of backgrounds and who bring all kinds of experiences to the work. But we also know that there are certain core characteristics that our most successful book coaches share. If you've been curious about becoming a book coach, and 2026 might be the year for you, come take our quiz to see how many of those core characteristics you have. You can find it at bookcoaches.com/characteristics-quiz.EPISODE TRANSCRIPTJennie NashHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters. This one might not actually be that short, because today I'm talking to journalist Jennifer Senior about the idea of finding and knowing and claiming your voice—a rather big part of writing big. Jennifer Senior is a staff writer at The Atlantic. She won the Pulitzer Prize for feature writing in 2022 and was a finalist again in 2024. Before that, she spent five years at The New York Times as both a daily book critic and a columnist for the opinion page, and nearly two decades at New York Magazine. She's also the author of a bestselling parenting book, and frequently appears on NPR and other news shows. Welcome, Jennifer. Thanks for joining us.Jennifer SeniorThank you for having me. Hey, I got to clarify just one thing.Jennie NashOh, no.Jennifer SeniorAll Joy and No Fun is by no means a parenting book. I can't tell you the first thing about how to raise your kids. It is all about how kids change their parents. It's all like a sociological look at who we become and why we are—so our lives become so vexed. I like, I would do these book talks, and at the end, everybody would raise their hand and be like, “How do I get my kid into Harvard?” You know, like, the equivalent obviously—they wouldn't say it that way. I'd be like; I don't really have any idea, or how to get your kid to eat vegetables, or how to get your kid to, like, stop talking back. But anyway, I just have to clarify that, because every time...Jennie NashPlease, please—Jennifer SeniorSomeone says that, I'm like, “Noooo.” Anyway, it's a sociology book. Ah, it's an ethnography, you know. But anyway, it doesn't matter.Jennie NashAll right, like she said, you guys—not what I said.Jennifer SeniorI'm not correcting you. It came out 11 years ago. There were no iPads then, or social media. I mean, forget it. It's so dated anyway. But like, I just...Jennie NashThat's so funny. So the reason that we're speaking is that I heard you recently on Fresh Air with Terry Gross, where you were talking about an Atlantic feature story that you wrote called “Why Can't Americans Sleep?” And this was obviously a reported piece, but also a really personal piece and you're talking about your futile attempts to fall asleep and the latest research into insomnia and medication and therapy that you used to treat it, and we'll link to that article and interview in the show notes. But the reason that we're talking, and that in the middle of this conversation, which—which I'm listening to and I'm riveted by—you made this comment, and it was a little bit of a throwaway comment in the conversation, and, you know, then the conversation moved on. But you talked about how you were taking a particular antidepressant you'd been prescribed, and this was the quote you said: “It blew out all the circuitry that was responsible for generating metaphors, which is what I do as a writer. So it made my writing really flat.” And I was just like, hold up. What was that like? What happened? What—everything? So that's why we're talking. So… can we go back to the very beginning? If you can remember—Jess Lahey actually told me that when she was teaching fifth and sixth grade, that's around the time that kids begin to grasp this idea of figurative language and metaphor and such. Do you remember learning how to write like that, like write in metaphor and simile and all such things?Jennifer SeniorOh, that's funny. Do I remember it? I remember them starting to sort of come unbidden in my—like they would come unbidden in my head starting maybe in my—the minute I entered college, or maybe in my teens. Actually, I had that thing where some people have this—people who become writers have, like, a narrator's voice in their head where they're actually looking at things and describing them in the third person. They're writing them as they witness the world. That went away, that narrator's voice, which I also find sort of fascinating. But, like, I would say that it sort of emerged concurrently. I guess I was scribbling a little bit of, like, short story stuff, or I tried at least one when I was a senior in high school. So that was the first time maybe that, like, I started realizing that I had a flair for it. I also—once I noticed that, I know in college I would make, you know, when I started writing for the alternative weekly and I was reviewing things, particularly theater, I would make a conscientious effort to come up with good metaphors, and, like, 50% of them worked and 50% of them didn't, because if you ever labor over a metaphor, there's a much lower chance of it working. I mean, if you come—if you revisit it and go, oh, that's not—you know, that you can tell if it's too precious. But now if I labor over a metaphor, I don't bother. I stop. You know, it has to come instantaneously or...Jennie NashOr that reminds me of people who write with the thesaurus open, like that's going to be good, right? That's not going to work. So I want to stick with this, you know, so that they come into your head, you recognize that, and just this idea of knowing, back in the day, that you could write like that—you… this was a thing you had, like you used the word “flair,” like had a flair for this. Were there other signs or things that led you to the work, like knowing you were good, or knowing when something was on the page that it was right, like, what—what is that?Jennifer SeniorIt's that feeling of exhilaration, but it's also that feeling of total bewilderment, like you've been struck by something—something just blew through you and you had nothing to do with it. I mean, it's the cliché: here I am saying the metaphors are my superpower, which my editors were telling me, and I'm about to use a cliché, which is that you feel like you're a conduit for something and you have absolutely nothing to do with it. So I would have that sense that it had almost come without conscious thought. That was sort of when I knew it was working. It's also part of being in a flow state. It's when you're losing track of time and you're just in it. And the metaphors are—yeah, they're effortless. By the way, my brain is not entirely fogged in from long COVID, but I have noticed—and at first I didn't really notice any decrements in cognition—but recently, I have. So I'm wondering now if I'm having problems with spontaneous metaphor generation. It's a little bit disconcerting. And I do feel like all SSRIs—and I'm taking one now, just because, not just because long COVID is depressing, but because I have POTS, which is like a—it's Postural Orthostatic Tachycardia Syndrome, and that's a very common sequela from long COVID, and it wipes out your plasma serotonin. So we have to take one anyway, we POTS patients. So I found that nicotine often helped with my long COVID, which is a thing—like a nicotine patch—and that made up for it. It almost felt like I was doping [laughing]. It made my writing so much better. But it's been...Jennie NashWait, wait, wait, this is so interesting.Jennifer SeniorI know…it's really weird. I would never have guessed that so much of my writing would be dampened by Big Pharma. I mean—but now with the nicotine patches, I was like, oh, now I get why writers are smoking until into the night, writing. Like, I mean, and I always wished that I did, just because it looked cool, you know? I could have just been one of those people with their Gitanes, or however you pronounce it, but, yeah.Jennie NashWow. So I want to come—I want to circle back to this in a minute, but let's get to the first time—well, it sounds like the first time that happened where you were prescribed an antidepressant and—and you recognized that you lost the ability to write in metaphor. Can you talk about—well, first of all, can you tell us what the medication was?Jennifer SeniorYeah, it was Paxil, which is actually notorious for that. And at the top—which I only subsequently discovered—those were in the days where there were no such things as Reddit threads or anything like that. It was 1999… I guess, no, eight, but so really early. That was the bespoke antidepressant at the time, thought to be more nuanced. I think it's now fallen out of favor, because it's also a b***h to wean off of. But it was kind of awful, just—I would think, and nothing would come. It was the strangest thing. For—there's all this static electricity usually when you write, right? And there's a lot of free associating that goes on that, again, feels a little involuntary. You know, you start thinking—it's like you've pulled back the spring in the pinball machine, and suddenly the thing is just bouncing around everywhere, and the ball wasn't bouncing around. Nothing was lighting up. It was like a dis… it just was strange, to be able to summon nothing.Jennie NashWow. So you—you just used this killer metaphor to describe that.Jennifer SeniorYeah, that was spontaneous.Jennie NashRight? So—so you said first, you said static, static energy, which—which is interesting.Jennifer SeniorYeah, it's... [buzzing sound]Jennie NashYeah. Yeah. Because it's noisy. You're talking about...Jennie SeniorOh, but it's not disruptive noise. Sorry, that might seem like it's like unwanted crackling, like on your television. I didn't really—yeah, maybe that's the wrong metaphor, actually, maybe the pinball is sort of better, that all you need is to, you know, psych yourself up, sit down, have your caffeine, and then bam, you know? But I didn't mean static in that way.Jennie NashI understood what you meant. There's like a buzzy energy.Jennifer SeniorYeah, right. It's fizz.Jennie NashFizz... that's so good. So you—you recognized that this was gone.Jennifer SeniorSo gone! Like the TV was off, you know?Jennie NashAnd did you...?Jennifer SeniorOr the machine, you know, was unplugged? I mean, it's—Jennie NashYeah, and did you? I'm just so curious about the part of your brain that was watching another part of your brain.Jennifer Senior[Laughing] You know what? I think... oh, that's really interesting. But are you watching, or are you just despairing because there's nothing—I mean, I'm trying to think if that's the right...Jennie NashBut there's a part of your brain that's like, this part of my brain isn't working.Jennifer SeniorRight. I'm just thinking how much metacognition is involved in— I mean, if you forget a word, are you really, like, staring at that very hard, or are you just like, s**t, what's the word? If you're staring at Jack Nicholson on TV, and you're like, why can't I remember that dude's name?Multiple speakers[Both laughing]Jennifer SeniorWhich happens to me far more regularly now, [unintelligible]… than it used to, you know? I mean, I don't know. There is a part of you that's completely alarmed, but, like, I guess you're right. There did come a point where I—you're right, where I suddenly realized, oh, there's just been a total breakdown here. It's never happening. Like, what is going on? Also, you know what would happen? Every sentence was a grind, like...Jennie NashOkay, so—okay, so...Jennifer Senior[Unintelligible]... Why is this so effortful? When you can't hold the previous sentence in your head, suddenly there's been this lapse in voice, right? Because, like, if every sentence is an effort and you're starting from nothing again, there's no continuity in how you sound. So, I mean, it was really dreadful. And by the way, if I can just say one thing, sorry now that—Jennie NashNo, I love it!Jennifer SeniorYeah. Sorry. I'm just—now you really got me going. I'm just like, yeah, I know. I'm sort of on a tear and a partial rant, which is Prozac—there came a point where, like, every single SSRI was too activating for me to sleep. But it was, of course, a problem, because being sleepless makes you depressed, so you need something to get at your depression. And SNRIs, like the Effexor's and the Cymbalta's, are out of the question, because those are known to be activating. So I kept vainly searching for SSRIs, and Prozac was the only one that didn't—that wound up not being terribly activating, besides Paxil, but it, too, was somewhat deadening, and I wrote my whole book on it.Jennie NashWow!Jennifer SeniorIt's not all metaphor.Multiple Speakers[both laughing]Jennifer SeniorIt's not all me and no—nothing memorable, you know? I mean, it's—it's kind of a problem. It was—I can't really bear to go back and look at it.Jennie NashWow.Jennie NashSo—so the feeling...Jennifer SeniorI'm really giving my book the hard sell, like it's really a B plus in terms of its pro…—I mean, you know, it wasn't.Jennie NashSo you—you—you recognize its happening, and what you recognize is a lack of fizzy, buzzy energy and a lack of flow. So I just have to ask now, presumably—well, there's long COVID now, but when you don't have—when you're writing in your full powers, do you—is it always in a state of flow? Like, if you're not in a state of flow, do you get up and go do something else? Like, what—how does that function in the life of a writer on a deadline?Jennifer SeniorOK. Well, am I always in a state of flow? No! I mean, flow is not—I don't know anyone who's good at something who just immediately can be in flow every time.Jennie NashYeah.Jennifer SeniorIt's still magic when it happens. You know, when I was in flow almost out of the gate every day—the McIlvaine stories—like, I knew when I hit send, this thing is damn good. I knew when I hit send on a piece that was not as well read, but is like my second or third favorite story. I wrote something for The New York Times called “Happiness Wont Save You,” about a pioneer in—he wrote one of the foundational studies in positive psychology about lottery winners and paraplegics, and how lottery winners are pretty much no happier than random controls found in a phone book, and paraplegics are much less unhappy than you might think, compared to controls. It was really poorly designed. It would never withstand the scrutiny of peer review today. But anyway, this guy was, like, a very innovative thinker. His name was Philip Brickman, and in 1982 at 38 years old, he climbed—he got—went—he found his way to the roof of the tallest building in Ann Arbor and jumped, and took his own life. And I was in flow pretty much throughout writing that one too.Jennie NashWow. So the piece you're referring to, that you referred to previous to that, is What Bobby McIlvaine Left Behind, which was a feature story in The Atlantic. It's the one you won the—Pul…Pulitzer for? It's now made into a book. It has, like...Jennifer SeniorAlthough all it is like, you know, the story between...Jennie NashCovers, right?Jennifer SeniorYeah. Yeah. Because—yeah, yeah.Jennie NashBut—Jennifer SeniorWhich is great, because then people can have it, rather than look at it online, which—and it goes on forever—so yeah.Jennie NashSo this is a piece—the subtitle is Grief, Conspiracy Theories, and One Family's Search for Meaning in the Two Decades Since 9/11—and I actually pulled a couple of metaphors from that piece, because I re-read it knowing I was going to speak to you… and I mean, it was just so beautifully written. It's—it's so beautifully structured, everything, everything. But here's a couple of examples for our listeners. You're describing Bobby, who was a 26-year-old who died in 9/11, who was your brother's college roommate.Jennifer SeniorAnd at that young adult—they—you can't afford New York. They were living together for eight years. It was four in college, and four—Jennie NashWow.Jennifer SeniorIn New York City. They had a two-bedroom... yeah, in a cheaper part... well, to the extent that there are cheaper parts in...Jennie NashYeah.Jennifer SeniorThe way over near York Avenue, east side, yeah.Jennie NashSo you write, “When he smiled, it looked for all the world like he'd swallowed the moon.” And you wrote, “But for all Bobby's hunger and swagger, what he mainly exuded, even during his college years, was warmth, decency, a corkscrew quirkiness.” So just that kind of language—a corkscrew quirkiness, like he'd swallowed the moon—that, it's that the piece is full of that. So that's interesting, that you felt in flow with this other piece you described and this one. So how would you describe—so you describe metaphors as things that just come—it just—it just happens. You're not forcing it—you can't force it. Do you think that's true of whatever this ineffable thing of voice—voices—as well?Jennifer SeniorOh, that's a good question. My voice got more distinct as I got older—it gets better. I think a lot of people's—writers'—powers wax. Philip Roth is a great example of that. Colette? I mean, there are people whose powers really get better and better, and I've gotten better with more experience. But do you start with the voice? I think you do. I don't know if you can teach someone a voice.Jennie NashSo when you say you've gotten better, what does that mean to you?Jennifer SeniorYeah. Um, I'm trying to think, like, do I write with more swing? Do I—just with more confidence because I'm older? Being a columnist…which is the least creative medium…Jennie NashYeah.Jennifer SeniorSeven hundred and fifty words to fit onto—I had a dedicated space in print. When David Leonhardt left, I took over the Monday spot, during COVID. So it's really, really—but what it forces you to do is to be very—your writing becomes lean, and it becomes—and structure is everything. So this does not relate to voice, but my—I was always pretty good at structure anyway. I think if you—I think movies and radio, podcasts, are, like, great for structure. Storytelling podcasts are the best thing to—I think I unconsciously emulate them. The McIlvaine story has a three-act structure. There's also—I think the podcast Heavyweight is sublime in that way.Jennie NashIs that Roxane Gay?Jennifer SeniorNo, no, no, no.Jennie NashOh, it's, um—Jennifer SeniorIt's Jonathan Goldstein.Jennie NashYes, got it. I'm going to write that down and link to that in our show notes.Jennifer SeniorIt's... I'm trying to think of—because, you know, his is, like, narratives, and it's—it's got a very unusual premise. But voice, voice, voice—well, I, you know, I worked on making my metaphors better in the beginning. I worked on noticing things, you know, and I worked on—I have the—I'm the least visual person alive. I mean, this is what's so interesting. Like, I failed to notice once that I had sat for an hour and a half with a woman who was missing an arm. I mean, I came back to the office and was talking—this is Barbara Epstein, who was a storied editor of The New York Review of Books, the story editor, along with Bob Silver. And I was talking to Mike Tomasky, who was our, like, city politic editor at the time. And I said to him, I just had this one—I knew she knew her. And he said, was it awkward? Was—you know, with her having one arm and everything? And I just stared at him and went one arm? I—I am really oblivious to stuff. And yet visual metaphors are no problem with me. Riddle me that, Batman. I don't know why that is. But I can, like, summon them in my head, and so I worked at it for a while, when my editors were responsive to it. Now they come more easily, so that seems to maybe just be a facility. I started noticing them in other people's writing. So Michael Ondaatje —in, I think it was In the Skin of a Lion, but maybe it was The English Patient. I've read, like, every book of his, like I've, you know— Running… was it Running in the Family? Running with the Family? I think it was Running in the—his memoir. And, I mean, doesn't—everything. Anil's Ghost—he— you know, that was it The Ballad of Billy the Kid? [The Collected Works of Billy the Kid] Anyway, I can go on and on. He had one metaphor talking about the evening being as serene as ink. And it was then that I realized that metaphors without effort often—and—or is that a simile? That's a simile.Jennie NashLike—or if it's “like” or “as,” it's a simile.Jennifer SeniorYeah. So I'm pretty good with similes, maybe more than metaphors. But... serene as ink. I realized that what made that work is that ink is one syllable. There is something about landing on a word with one syllable that sounds like you did not work particularly hard at it. You just look at it and keep going. And I know that I made a real effort to make my metaphors do that for a while, and I still do sometimes. Anything more than that can seem labored.Jennie NashOh, but that's so interesting. So you—you noticed in other people what worked and what you liked, and then tried to fold that into your own work.Jennifer SeniorYeah.Jennie NashSo does that mean you might noodle on—like, you have the structure of the metaphor or simile, but you might noodle on the word—Jennifer SeniorThe final word?Jennie NashThe final word.Jennifer SeniorYeah. Yeah, the actual simile, or whatever—yeah, I guess it's a simile—yeah, sometimes. Sometimes they—like I said, they come unbidden. I think I have enough experience now—which may make my voice better—to know what's crap. And I also, by the way, I'll tell you what makes your voice better: just being very willing to hit Select Alt, Delete. You know, there's more where that came from. I am a monster of self-editing. I just—I have no problem doing it. I like to do it. I like to be told when things are s**t. I think that improves your voice, because you can see it on the page.Jennie NashYeah.Jennifer SeniorAnd also, I think paying attention to other people's writing, you know, I did more and more of that, you know, reverse engineering stuff, looking at how they did stuff as I got older, so...Jennie NashSo I was going to ask a question, which now maybe you already answered, but the question was going to be… you said that you're—you feel like you're getting better as a writer as you got older. And you—you said that was due to experience. And I was going to ask, is it, or is it due to getting older? You know, is there something about literally living more years that makes you better, or, you know, like, is wisdom something that you just get, or is it something you work for? But I think what I'm hearing is you're saying you have worked to become the kind of writer who knows, you know, what you just said—you delete stuff, it comes again. But tell me if—you know, you welcome the kind of tough feedback, because you know that makes you better. You know, this sort of real effort to become better, it sounds like that's a practice you have. Is that—is that right?Jennifer SeniorOh yeah. I mean, well, let's do two things on that, please. I so easily lose my juju these days that, like, you've got to—if you can put a, you know, oh God, I'm going to use a cliché again—if you can put a pin in or bookmark that, the observation about, you know, harsh feedback. I want to come back to that. But yes, one of the things that I was going to keep—when I said that I have the confidence now, I also was going to say that I have the wisdom, but I had too many kind of competing—Jennie NashYeah. Yeah.Jennifer SeniorYou know, were running at once, and I, you know, many trains on many tracks—Jennie NashYeah, yeah.Jennifer Senior…about to leave, so…, Like, I had to sort of hop on one. But, like, the—the confidence and wisdom, yes, and also, like, I'll tell you something: in the McIlvaine piece, it may have been the first time I did, like, a narrative nonfiction. I told a story. There was a time when I would have hid behind research on that one.Jennie NashOoh, and did you tell a story. It was the—I remember reading that piece when it first came out, and there you're introducing, you know, this—the situation. And then there's a moment, and it comes very quickly at the top of the piece, where you explain your relationship to the protagonist of the story. And there's a—there's just a moment of like, oh, we're—we're really in something different here. There's really—is that feel of, this is not a reported story, this is a lived story, and that there's so many layers of power, I mean, to the story itself, but obviously the way that you—you present it, so I know exactly what you're talking about.Jennifer SeniorYeah, and by the way, I think writing in the first person, which I've been doing a lot of lately, is not something I would have done until now. Probably because I am older and I feel like I've earned it. I have more to say. I've been through more stuff. It's not, like, with the same kind of narcissism or adolescent—like, I want to get this out, you know. It's more searching, I think, and because I've seen more, and also because I've had these pent up stories that I've wanted to tell for a long time. And also I just don't think I would have had the balls, you know.Jennie NashRight.Jennifer SeniorSo some of it is—and I think that that's part of—you can write better in your own voice. If it's you writing about you, you're—there's no better authority, you know? So your voice comes out.Jennie NashRight.Jennifer SeniorBut I'm trying to think of also—I would have hid behind research and talked about theories of grief. And when I wrote, “It's the damnedest thing, the dead abandon you, and then you abandon the dead,” I had blurted that out loud when I was talking to, actually, not Bobby's brother, which is the context in which I wrote it, but to Bobby's—I said that, it's, like, right there on the tape—to his former almost fiancée. And I was thinking about that line, that I let it stand. I didn't actually then rush off and see if there was a body of literature that talked about the guilt that the living feel about letting go of their memories. But I would have done that at one point. I would have turned it into this... because I was too afraid to just let my own observations stand. But you get older and you're like, you know what? I'm smart enough to just let that be mine. Like, assume...Jennie NashRight.Jennifer SeniorIt's got to be right. But can we go back, also, before I forget?Jennie NashYeah, we're going to go back to harsh, but—but I would just want to use your cliché, put a pin in what you said, because you've said so many important things— that there's actual practice of getting better, and then there's also wisdom of—of just owning, growing into, embracing, which are two different things, both so important. So I just wanted to highlight that you've gone through those two things. So yes, let's go back to—I said harsh, and maybe I miss—can...misrepresenting what you meant.Jennifer SeniorYou may not have said that. I don't know what you said.Jennie NashNo, I did, I did.Jennifer SeniorYou did, okay, yeah, because I just know that it was processed as a harsh—oh no, totally. Like, I was going to say to you that—so there was a part of my book, my book, eventually, I just gave one chapter to each person in my life whom I thought could, like, assess it best, and one of them, so this friend—I did it on paper. He circled three paragraphs, and he wrote, and I quote, “Is this just a shitty way of saying...?” And then I was like, thank God someone caught it, if it was shitty. Oh my God. And then—and I was totally old enough to handle it, you know, I was like 44, whatever, 43. And then, who was it? Someone else—oh, I think I gave my husband the intro, and he wrote—he circled a paragraph and just wrote, “Ugh.” Okay, Select Alt, Delete, redo. You know, like, what are you going to do with that? That's so unambiguous. It's like, you know—and also, I mean, when you're younger, you argue. When you're older, you never quarrel with Ugh. Or Is this...Jennie NashRight, you're just like, okay, yep.Jennifer SeniorYeah. And again, you—you've done it enough that, you know, there's so much more where that came from.Jennie NashYeah.Jennifer SeniorWhy cling to anything that someone just, I don't know, had this totally allergic reaction to? Like, you know, if my husband broke out in a hive.Jennie NashYeah. So, circling back to the—the storyline of—you took this medication, you lost your ability to write in this way, you changed medications, presumably, you got it back. What did it feel like to get it back? Did you—do you remember that?Jennifer SeniorOh God, yes, it was glorious.Jennie NashReally?!Jennifer SeniorOh, you don't feel like yourself. I think that—I mean, I think there are many professions that are intertwined with identity. They may be the more professional—I'm sorry, the more creative professions. But not always, you know. And so if your writing voice is gone, and it's—I mean, so much of writing is an expression of your interior, if not life, then, I don't know some kind of thought process and something that you're working out. To have that drained out of you, for someone to just decant all the life out of your—or something to decant all the life out of your writing, it's—it's, I wouldn't say it's traumatic, that's totally overstating it, but it's—it's a huge bummer. It's, you know, it's depressing.Jennie NashWell, the word glorious, that's so cool. So to feel that you got back your—the you-ness of your voice was—was glorious. I mean, that's—that's amazing.Jennifer SeniorWhat—if I can just say, I wrote a feature, right, that then, like, I remember coming off of it, and then I wrote a feature that won the News Women's Club of New York story for best feature that year. Like, I didn't realize that those are kind of hard to win, and not like I won... I think I've won one since. But, like, that was in, like, 99 or something. I mean, like, you know, I don't write a whole lot of things that win stuff, until recently, you know. There was, like, a real kind of blackout period where, you know, I mean, but like—which I think, it probably didn't have to do with the quality of my writing. I mean, there was—but, I mean, you know, I wasn't writing any of the stuff that floated to the tippy top, and, like, I think that there was some kind of explosion thereof, like, all the, again, stuff that was just desperate to come out. I think there was just this volcanic outpouring.Jennie NashSo you're saying now you are winning things, which is indeed true. I mean, Pulitzer Prizes among them. Do you think that that has to do with this getting better? The wisdom, the practice, the glorious having of your abilities? Or, I guess what I'm asking is, like, is luck a part of—a part of all that? Is it just, it just happens? Or do you think there's some reason that it's happening? You feel that your writing is that powerful now?Jennifer SeniorWell, luck is definitely a part of it, because The Atlantic is the greatest place to showcase your feature writing. It gets so much attention, even though I think fewer people probably read that piece about Bobby McIlvaine than would have read any of my columns on any given day. The kind of attention was just so different. And it makes sense in a funny way, because it was 13,600 words or something. I mean, it was so long, and columns are 750 words. But, like, I think that I just lucked out in terms of the showcase. So that's definitely a part of it. And The Atlantic has the machinery to, you know, and all these dedicated, wonderful publicity people who will make it possible for people to read it, blah, blah, blah. So there's that. If you're older, you know everyone in the business, so you have people amplifying your work, they're suddenly reading it and saying, hey, everybody read it. It was before Twitter turned to garbage. Media was still a way to amplify it. It's much harder now, so passing things along through social media has become a real problem. But at that moment, it was not—Jennie NashYeah.Jennifer SeniorSo that was totally luck. Also, I wonder if it was because I was suddenly writing something from in the first person, and my voice was just better that way. And I wouldn't have had, like, the courage, you know?Jennie NashYeah.Jennifer SeniorAnd also, you're a book critic, which is what I was at The Times. And you certainly are not writing from the first person. And as a columnist, you're not either.Jennie NashYeah.Jennifer SeniorSo, you know, those are very kind of constricted forms, and they're also not—there are certainly critics who win Pulitzers. I don't think I was good enough at it. I was good, but it was not good enough. I could name off the top of my head, like, so many critics who were—who are—who haven't even won anything yet. Like Dwight Garner really deserves one. Why has he not won a Pulitzer? He's, I think, the best writer—him and Sophie Gilbert, who keeps coming close. I don't get it, like, what the hell?Jennie NashDo you—as a—as a reader of other people's work, I know you—you mentioned Michael Ondaatje that you'd studied—study him. But do you just recognize when somebody else is on their game? Like, do you recognize the voice or the gloriousness of somebody else's work? Can you just be like, yeah, that...?Jennifer SeniorWell, Philip Roth, sentence for sentence. Martin Amis, even more so—I cannot get over the originality of each of his sentences and the wide vocabulary from which he recruits his words, and, like, maybe some of that is just being English. I think they just get better, kind of more comprehensive. They read more comprehensively. And I always tell people, if they want to improve their voice, they should read the Victorians, like that [unintelligible]. His also facility with metaphor, I don't think, is without equal. The thing is, I can't stand his fiction. I just find it repellent. But his criticism is bangers and his memoirs are great, so I love them.Jennie NashYeah.Jennifer SeniorSo I really—I read him very attentively, trying to think of, like, other people whose kind of...Jennie NashI guess I was—I was getting at more... like, genius recognizes genius, that con... that concept, like, when you know you can do this and write in this way from time to time anyway, you can pull it off.Jennifer SeniorYeah, genius as in—I wouldn't—we can't go there.Jennie NashWell, that's the—that's the cliché, right? But, like...Jennifer SeniorOh no, I know, I know. Game—game, game recognizes game.Jennie NashGame recognizes game is a better way of saying it. Like, do you see—that's actually what the phrase is. I don't know where I came up with genius, but...Jennifer SeniorNo, it's fine. You can stick anything in that template, you know—evil recognizes evil, I mean, you know, it's like a...Jennie NashYeah. Do you see it? Do you see it? Like, you can see it in other people?Jennifer SeniorSure. Oh yeah, I see it.Jennie NashYeah.Jennifer SeniorI mean, you're just talking about among my contemporaries, or just as it...Jennie NashJust like anything, like when you pick up a book or you read an article or even listen to a storytelling pack podcast, that sense of being in the hands of somebody who's on it.Jennifer SeniorYeah, I think that Jonathan Goldstein—I mean, I think that the—the Heavyweight Podcast, for sure, is something—and more than that, it's—it's storytelling structure, it's just that—I think that anybody who's a master at structure would just look at that show and be like, yeah, that show nails it each and every time.Jennie NashI've not listened, but I feel like I should end our time together. I would talk to you forever about this, but I always like to leave our listeners with something specific to reflect or practice or do. And is there anything related to metaphor or practicing, finding your voice, owning your voice, that you would suggest for—for folks? You've already suggested a lot.Jennifer SeniorRead the Victorians.Jennie NashAwesome. Any particular one that you would say start with?Jennifer SeniorYeah, you know what? I find Dickens rough sledding. I like his, you know, dear friend Wilkie Collins. I think No Name is one of the greatest books ever. I would read No Name.Jennie NashAmazing. And I will add, go read Jennifer's work. We'll link to a bunch of it in the show notes. Study her and—and watch what she does and learn what she does—that there it is, a master at work, and that's what I would suggest. So thank you for joining us and having this amazing discussion.Jennifer SeniorThis has been super fun.Jennie NashAnd for our listeners, until next time, stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Queens, a production of Manhattan Theatre Club, runs at New York City Center Stage I through December 7th. For more information, visit www.manhattantheatreclub.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Pulitzer Prize–winning historian Anne Applebaum joins Scott Galloway to explain what's really happening inside today's Ukraine peace talks, why business interests are overtaking diplomacy, and how corruption is reshaping American power at home and abroad. They discuss Europe's response, Russia's strategy, and what this moment signals for the future of democracy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pulitzer Prize finalist Sven Beckert joins co-hosts Whitney Terrell and V.V. Ganeshananthan to talk about his new book, Capitalism: A Global History. Beckert describes capitalism as an ongoing process comparable in significance to geological forces; he examines the way it shapes our interactions with the world and notes its presence in every aspect of daily life. He recounts how it has been influenced and defined for the past thousand years by people all over the world, ranging from merchants to CEOs to rebels resisting enslavement. He unpacks capitalism's devastating global effects as well as its role in technological innovation and revolution. He explains that capitalism is a product of not only cities, but also the countryside. Finally, he addresses the idea that capitalism breeds inequality and argues for more nuance in understanding it as a human-made order that can be changed. He reads from Capitalism.To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by V.V. Ganeshananthan, Whitney Terrell, MaryClaire Dunagan, Emani Guerin, and Sarah Feldmann. Sven BeckertCapitalism: A Global HistoryEmpire of Cotton: A Global HistoryAmerican Capitalism: New HistoriesGlobal History, Globally: Research and Practice Around the WorldThe American Bourgeoisie: Distinction and Identity in the Nineteenth CenturyThe Monied Metropolis: New York City and the Consolidation of the American Bourgeoisie, 1850-1896Others:Gravity's Rainbow by Thomas PynchonCapitalism named one of 100 NYT Notable Books for 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with legendary producer and entertainment executive Suzanne de Passe. From championing the Jackson 5 early in their career to producing Emmy Award–winning miniseries like Lonesome Dove, Suzanne's career is defined by vision, talent recognition, and breaking barriers in Hollywood.An Eclectic, Wonderful Childhood (02:16) Suzanne describes growing up in Harlem, attending the progressive private school New Lincoln, and spending summers in Martha's Vineyard.Suzanne's Superpower (12:46) Suzanne talks about her greatest talent: recognizing the talent of others and knowing what to do with it.The Meeting That Changed Everything (16:22) Through her friendship with Cindy Birdsong of The Supremes, Suzanne met Berry Gordy in 1967, a moment that changed her life forever."One Day, That's Gonna Be Me" (21:19) Standing under the Essex House sign, watching Diana Ross depart in one limo, and the other Supremes in another, Suzanne had a realization: she wanted to be a part of that world.Championing The Jackson 5 (31:39) When Bobby Taylor invited her to hear a young group of brothers sing four songs a cappella, “the hair on the back of my neck flew up,” Suzanne recalls. Despite Barry Gordy's initial resistance to signing another kid act, her relentless advocacy is what finally got the Jackson 5 their Motown audition.Rock and Roll Hall of Fame Induction (38:04) In 2024, Suzanne was inducted into the Rock and Roll Hall of Fame with the Ahmet Ertegun Award, the fifth woman and the first solo living female recipient among male legends.Lonesome Dove (40:28) After optioning Larry McMurtry's unpublished novel for $50,000, Swifty Lazar called with news: it had won the Pulitzer Prize. The resulting CBS miniseries was nominated for 19 Emmys, won 11, and received a Golden Globe and a Peabody Award.Immortal Studio: The Next Chapter (51:17) Suzanne has launched the production company Immortal Studio with partners Madison Jones, Cory Martin, and investor Yang Ben Wang. Focused on premium television, the company already has full seasons scripted and is built to be nimble, artist-friendly, and protective of creative vision — avoiding the industry's usual “fingerprinting process,” where too many people try to leave their mark.Suzanne de Passe demonstrates that recognizing talent, whether in five kids singing a capella or an unpublished western novel, combined with persistence and vision, can build an entertainment legacy that spans decades.Host: Kevin GoetzGuest: Suzanne de PasseProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Suzanne de Passe:Wikipedia: https://en.wikipedia.org/wiki/Suzanne_de_PasseIMDB:https://www.imdb.com/name/nm0210867/Rock and Roll Hall of Fame:For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Presidential historian and Pulitzer Prize-winning author Jon Meacham joined Rabbi Cosgrove for a closer look at key moments in America's history at this milestone anniversary at the Stephen R. Volk Inaugural Lecture: The Soul of America: Our Nation at 250. Reflecting on our nation's triumphs, the darker hours, and the moments in between, this nuanced discussion brought our history to life and looked to the past for lessons on the way forward.   Jon Meacham, a Presidential historian and Pulitzer Prize-winning author, is one of America's most prominent public intellectuals. Meacham is the author of multiple bestselling books, including And There Was Light: Abraham Lincoln and the American Struggle, The Soul of America: The Battle for Our Better Angels, Thomas Jefferson: The Art of Power, and His Truth Is Marching On: John Lewis and the Power of Hope. Named a “Global Leader for Tomorrow” by the World Economic Forum, he is a member of the Council on Foreign Relations and a fellow of the Society of American Historians. Meacham regularly appears on MSNBC, CNN, and other news outlets.

For 25 years, Pulitzer Prize-winning photojournalist Lynsey Addario has covered conflicts and humanitarian crises across the globe, from Sudan to Syria. She's been kidnapped twice, thrown from a car, and shelled in war zones more times than she can count. A new Nat Geo/Disney+ documentary called 'Love+War' follows Addario as she is torn in two directions – her all-consuming reporting in Ukraine and her life at home as a wife and mother of two young kids. Addario spoke with Fresh Air contributor, host of Talk Easy, Sam Fragoso. Also, book critic Maureen Corrigan reviews 'Some Bright Nowhere,' by Ann Packer.Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

According to the White House Press Secretary, Defense Secretary Pete Hegseth authorized Admiral Frank Bradley to carry out a second strike on a burning drug boat, already hit by one US mortar, in the Caribbean. Two people were hanging off the boat after it was hit the first time and reportedly did not survive the second strike. Former Defense Secretary Leon Panetta says there is no question the second strike was a war crime. The matter brings to the forefront the question of what constitutes an illegal order and whether Admiral Bradley and those involved in carrying out such killings, have a duty to refuse.We welcome Pulitzer Prize winning author and investigative journalist David Cay Johnston to the show. We'll talk about this and much more.Today, the White House announced Trump Accounts. The investment accounts are said to be away to help young people prepare for the future. Is this the first indicator of privatizing social security? We'll talk to professor Ray Madoff about what these accounts really mean. We'll also discuss her eye-opening new book “The Second Estate: How the Tax Code Made an American Aristocracy.“The Mark Thompson Show 12/2/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal.  https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com

Historian, professor and UC Santa Barbara's Vice Chancellor for Diversity, Equity, and Inclusion, Jeffrey Stewart, celebrates the 100th anniversary of “The New Negro: An Interpretation”, his new edition of that seminal anthology and his 2019 Pulitzer Prize-winning text about “The New Negro” editor Alain Locke.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Historian Kevin Impellizeri shares a story of a video game controversy to his friends: Elford Stephens, Phil Thomas, and Ryan Weaver. We're taking December off for the holiday, so to help you through the season (and hopefully soften the blow of the recent news that Grand Theft Auto VI won't be coming out until November 2026), here's part one of a remastered edition of our Pulitzer Prize nominated episode on the most infamous mod in gaming history: the Grand Theft Auto: San Andreas "Hot Coffee" mod. Topics discussed include: fans find some steamy secrets, fans rally to Rockstar's defense (only for the company to throw them under a bus), and Jack Thompson leads the charge against Rockstar's hidden pornographic content. For more on Hot Coffee and Rockstar, check out:David Kushner, Jacked: The Unauthorised Behind-the-Scenes Story of Grand Theft Auto (London: Collins, 2012).Simon Parkin, "Who Spilled Hot Coffee?" Eurogamer, December 2, 2012: https://www.eurogamer.net/articles/2012-11-30-who-spilled-hot-coffee. More info, including show notes and sources at http://scandalousgamespodcast.wordpress.com.

If you are tired of your own excuses… If you are tired of starting out strong, only to end up in the exact same place… If you feel like you can't get your life together… If you feel unmotivated and exhausted… That makes complete sense. The end of the year is almost here and you need a little PUSH to get over the finish line. So Mel is giving you the simple reset you need to finish the year with energy and focus. Today, Mel is joined by Pulitzer Prize–winning journalist and bestselling author Charles Duhigg, and he's breaking down the three small habits that will quietly reset your mind and body and change your life with the least amount of effort. The 3 habits are small. They are doable, and they are designed to work when you're tired, unmotivated, and fed up with yourself. There is a reason this episode is dropping right now, on Cyber Monday. It's because you don't need a new pair of leggings or a tech gadget to make your life better. You need just one hour to listen to this episode. Forget complicated routines. Charles gives you the 3 things that work.  You'll discover: -The 3 most important habits to create the most possible change in your life, for the least amount of effort -The mindset trick that makes "getting fit" MUCH easier -The ARC Morning Formula to try tomorrow-The “hot mind” vs. “cold mind” approach and why it matters -How to motivate yourself to change your behavior  You will be able to quietly upgrade everything in your life.  This is not another productivity pep talk. It's a playbook that you can start using today. For more resources, click here for the podcast episode page. If you liked the episode, check out Charles' first appearance on The Mel Robbins Podcast: How to Talk to Difficult People: Proven Strategies to Stop Arguments & Feel Connected AgainConnect with Mel:  Get Mel's #1 bestselling book, The Let Them TheoryWatch the episodes on YouTubeFollow Mel on Instagram The Mel Robbins Podcast InstagramMel's TikTok Sign up for Mel's personal letter Subscribe to SiriusXM Podcasts+ to listen to new episodes ad-freeDisclaimer Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 November 30, 2025 – Pulitzer Prize-winning journalist and lifetime Long Islander, Bill Bleyer, joins us in the time machine to walk the streets of Gotham past with his book, “The Roosevelts in New York City.” Among his previous books is “Sagamore Hill: Theodore Roosevelt’s Summer White House.” The Roosevelts story in America began with Nicholas Roosevelt, a farmer who arrived four centuries ago and planted the seeds of a distinguished and impactful family ― one with ties to many places in New York City. On East 20th St. stands a recreation of the brownstone where President Theodore Roosevelt was born and developed his love of nature. The twin brownstone next door was where his uncle, Robert Roosevelt, instilled in the future president an interest in conservation, while having multiple affairs and even starting a second secret family with a mistress. The double townhouse on East 65th Street built by Sara Delano Roosevelt still stands, built so that her son, President Franklin Roosevelt, would have a suitable place to raise his family. It also allowed her, as Bill Bleyer says, to keep him tied to her apron strings while she meddled in their lives. Her daughter-in-law — TR's niece, Eleanor Roosevelt — was driven to tears by having to live in a home that was not her own. Bill Bleyer details the unique places in the city where family members lived and worked and unveils the private interactions behind this famous American family. For more interviews on the Roosevelts: David Pietrusza – 1920: The Year of the Six Presidents” David Pietrusza – Roosevelt Sweeps Nation: FDR's 1936 Landslide and the Triumph of the Liberal Ideal Michael Patrick Cullinane – Remembering Theodore Roosevelt: Reminiscences of his Contemporaries Michael Patrick Cullinane – Theodore Roosevelt's Ghost: The History and Memory of an American Icon Winston Groom – The Allies: Roosevelt, Stalin, Churchill and the Unlikely Alliance That Won World War II David Pietrusza – TR's Last War: Theodore Roosevelt, the Great War, and a Journey of Triumph and Tragedy Tim Brady – His Father's Son: The Life of General Ted Roosevelt, Jr. John J. Miller – The Big Scrum: How Teddy Roosevelt Saved Football Kermit Roosevelt – Allegiance David Pietrusza – 1932: The Rise of Hitler and FDR

Marie Curie is the most famous woman in the history of science. She coined the term “radioactivity” and traveled the world to share its secrets. Her story is told in a new book by acclaimed Pulitzer Prize finalist Dava Sobel, but, along the way, she tells the stories of other women who trained in Curie's lab who would pursue their own scientific careers.

For some years now, mezcal, Mexico’s other national spirit, has been in a cultural spotlight in and out of Mexico—especially here in the U.S. But the unseen devastating consequences of that demand have had a profound impact on the people making it. In this episode of Latino USA, we take a journey to Oaxaca to understand the ancestral connections to mezcal, how the spirit is made, and how to become a better consumer. Because there's “so much tradition, every time you sip, every time you smell, and every time you taste it.” This episode first aired in 2021. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Who really took the photo widely known as “Napalm Girl”?  And does it really matter over a half-century later?   In his new Netflix documentary “The Stringer”, Bao Nguyen (“The Greatest Night in Pop”) follows a journalistic team lead by Anglo-American Gary Knight as they seek to show that the real photographer on that day in 1972 in Trang Bang was not the renowned and fêted Pulitzer Prize-winning Nick Ut, of the Saigon AP Bureau, but a “stringer”, Nguyen Thanh Nghe, paid $20 flat and subsequently denied all credit.  And Nguyen argues as well that it does matter not only to Nghe and his family, but also to: the Vietnamese people; the Vietnamese diaspora (who had long lionized Ut); to an America that has still not fully dealt with the war; and to the very nature of truth in an era when technology can both clarify and complicate provenance.   You can stream “The Stringer” on Netflix.   Follow: @baomnguyen on Instagram and X @topdocspod on Instagram and X    The Presenting Sponsor of "Top Docs" is Netflix.

Adelita Grijalva, the first Latina –and first Chicana– to represent Arizona in Congress was sworn into office… finally. She was the deciding vote pushing for the release of the Epstein files. The Tucson native was an outspoken leader on a school board and longtime civil servant before winning a special election to fill her late father’s seat, Raul Grijalva. She says her progressive values align with his. Congresswoman Grijalva spoke to us about her upbringing and her future in a party where “Democrats being a watered down version of Republicans is not gonna cut it for the American people. Not the people that I've been talking to.” Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Diane Seuss is the author of the poetry collections Frank: Sonnets, winner of the Pulitzer Prize and the National Book Critics Circle Award; Still Life with Two Dead Peacocks and a Girl; Four-Legged Girl, finalist for the Pulitzer Prize; Wolf Lake, White Gown Blown Open; and It Blows You Hollow. Her work has appeared in Poetry, the Georgia Review, Brevity, Able Muse, Valparaiso Poetry Review, and the Missouri Review, as well as The Best American Poetry 2014. She was the MacLean Distinguished Visiting Professor in the Department of English at Colorado College in 2012, and she has taught at Kalamazoo College since 1988. Her new poetry collection is Modern Poetry. We talked about aging, John Keats, dogs,  romance, music, objectivity, grief, coldness, and the snarling, flaming bitch of poetry. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Treasury Secretary, former Federal Reserve Chairwoman and Chair of the White House Council of Economic Advisers, Janet Yellen is one the most powerful woman in American economic history. Award-winning economics writer and author Jon Hilsenrath joins with insights about her life and work from his book, Yellen: The Trailblazing Economist Who Navigated an Era of Upheaval. He shares how she navigated the sexism in her industry and in politics, her unconventional partnership in marriage and work with Nobel Laureate George Akerlof and why she didn't always "lean in."More about Jon Hilsenrath: He is a senior writer for the Wall Street Journal, where he has been since 1997, reporting from Hong Kong, New York, and Washington, DC. He was a Pulitzer Prize finalist in 2014 for his coverage of the Federal Reserve; part of a team of 2009 Pulitzer finalists for coverage of the global financial crisis; and contributed on-the-scene reporting from the World Trade Center on September 11, 2001, which helped the WSJ win a Pulitzer in 2002. Hosted on Acast. See acast.com/privacy for more information.

This week, what does defense technology look like in 2025? Oz talks to Pulitzer Prize-winning journalist Dexter Filkins about his recent piece in The New Yorker titled “Is the US ready for the next war?” They discuss how the Ukraine and Israel are reimagining what warfare looks like in the 21st century, Silicon Valley’s race toward fully autonomous killer robots, and how it all might affect the potential conflict in Taiwan.See omnystudio.com/listener for privacy information.

Twenty years ago, a young oncologist started journaling to process his experience treating cancer patients. That cathartic act became the Pulitzer Prize-winning book The Emperor of All Maladies: A Biography of Cancer.Fifteen years after the book was published, how has our understanding of preventing and treating cancer changed? Host Flora Lichtman is joined by author Siddhartha Mukherjee to talk about what we now understand about screening, environmental risks, and rising cancer rates in young people.Read an excerpt of the new chapters added to The Emperor of Maladies on the 15th anniversary of the book's publication. This headline has been corrected from "Multi-Headed" to "Many-Headed" to accurately reflect Siddhartha Mukherjee's statement.Guest: Dr. Siddhartha Mukherjee is a cancer physician and an associate professor of medicine at Columbia University.Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

Brad Onishi sits down with Pulitzer Prize winner Paul Starr to dig into his new book, American Contradiction, and the idea that the United States is less a shining city on a hill and more a city built on a fault line. Starr traces how the nation's promise of liberty has always coexisted with exclusion, hierarchy, and inequality, and how those tensions erupted in new ways during the 1990s. Together they unpack how the end of the Cold War, the rise of culture wars, and the shockwaves of policies like NAFTA reshaped party coalitions, fueled resentment, and set the stage for today's political divide. Starr explains why the 90s were a turning point and how institutional structures like the Senate and Electoral College amplify polarization rather than contain it. The conversation also explores the growing gap between social progress and economic inequality and the challenges facing a Democratic Party trying to represent both progressive activists and working class voters. Bradley and Paul talk about the power of political storytelling, from nostalgia for an imagined past to despair over historical injustices, and how both shape the current moment. Despite everything, Starr ends with a measure of hope that the United States still has the capacity for reinvention and surprise if it can finally reckon with its contradictions and build a more inclusive national story. Subscribe for $5.99 a month to get bonus content most Mondays, bonus episodes every month, ad-free listening, access to the entire 850-episode archive, Discord access, and more: https://axismundi.supercast.com/ Linktree: https://linktr.ee/StraightWhiteJC Order Brad's book: https://bookshop.org/a/95982/9781506482163 Subscribe to Teología Sin Vergüenza Subscribe to American Exceptionalism Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Latino USA’s “Selena expert” Maria Garcia sits down with Selena Quintanilla’s sister, Suzette and filmmaker Isabel Castro, to talk about the new Netflix documentary, Selena y Los Dinos: A Family’s Legacy. Suzette opens up about choosing to share the intimate home videos that shaped the film, while Isabel reflects on her artistic vision that brought the documentary to life. Listen in on this behind the scenes look at the life of a woman who defined a generation. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Newt talks with Stephen Hunter, a renowned author and former chief film critic for The Washington Post, about his latest book, "The Gun Man Jackson Swagger." This novel is a prequel set in the 1890s, focusing on Jack Swagger, an ancestor of the famous Bob Lee Swagger character. Hunter, who won the 2003 Pulitzer Prize for distinguished criticism, shares insights into his career, including his transformative experience at The Baltimore Sun during the 1970s, where he was part of a movement to modernize the newspaper. Their conversation explores Hunter's writing style, which is heavily influenced by his extensive background in film, resulting in novels that often read like movies. "The Gun Man Jackson Swagger" is described as a tribute to the American Western, filled with cinematic references and innovative portrayals of gunfights. Hunter also discusses the cultural significance of the gunfighter myth and his intent to restore this figure's place in American culture.See omnystudio.com/listener for privacy information.

In another special edition of "Oprah's SuperSoul Conversations," Oprah continues her one-on-one interviews at Harlem's world-famous Apollo Theater. Stephen Colbert, the best-selling author and host of "The Late Show with Stephen Colbert," discusses the nightly intention of his show and his deeply rooted Catholic faith. Broadway genius Lin-Manuel Miranda opens up about his newborn baby, his Pulitzer Prize-winning show, "Hamilton," and the state of his beloved Puerto Rico. "Black-ish" and "Grown-ish" star Yara Shahidi explains why she believes her generation is politically aware and helping to reshape the world we live in. Plus, we share a few laughs with Jessica Williams and Phoebe Robinson, from the podcast "2 Dope Queens," who helped welcome our audience at the Apollo. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.