Podcasts about schomburg center

When it comes to his iconic street portraits, Jamel Shabazz is all about building relationships and spreading joy. Yet, beyond the rich tapestry created with both the neighbors and strangers, friends and rivals he's encountered across New York's five boroughs, Jamel's most meaningful role might be that of a street teacher, touching the lives of the people in front of his lens and inviting them to mark their place in history. In today's podcast, we learn from the master while tracing his career path, from early observational learning at the side of his father—a professional photographer in his own right—to his first street portraits of classmates and friends. Jamel also shares how his singular vision was shaped by outside forces, including three years overseas in the Army and 20 years as a New York City corrections officer.  Incredibly, Jamel was able to take his camera along inside, and he describes the fine line he walked in our chat. “So, it was illegal,” he admits, “but I was known to have done it throughout my entire career. As time went on, I became known as that photographer within the department that photographed everybody. You know, the brass, the officers. And I gave everybody the photographs. So, yes, I killed them with kindness.” Guest: Jamel Shabazz Guest Bio: Jamel Shabazz is a documentary, fashion, and street photographer from Brooklyn, who has spent more than four decades capturing the cultural shifts and struggles of New York City through iconic photographs. His pictures have been exhibited worldwide, are permanently housed in prestigious institutions, and currently featured in nine monographs, along with more than three dozen other photo books. A recipient of the 2018 Gordon Parks Award and the Gordon Parks Foundation/Steidl book prize in 2022, Jamel is also dedicated to education, having instructed young students through programs at the Studio Museum in Harlem, the Schomburg Center, and the Bronx Museum. As a member of the Kamoinge photo collective and a board member of En Foco, Jamel's artistic mission remains centered on preserving urban history and culture through powerful, intimate portraits.   Stay Connected: Jamel Shabazz Website Jamel Shabazz Instagram Jamel Shabazz Facebook Jamel Shabazz Wikipedia Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

100 years ago this week, the New York Public Library opened a special collection at its 135th Street branch in Harlem called the Division of Negro Literature, History and Prints, now known as the Schomburg Center for Research in Black Culture. On May 8, the Schomburg Center opens a new exhibition, "100: A Century of Collections, Community, and Creativity." Director Joy Bivins discusses the history of the Center, Arturo Schomburg's legacy, and plans for the centennial celebration.

Learn more at TheCityLife.org

This discussion is with Dr. Laura Helton, a historian who writes about collections and how they shape our world. She is an Associate Professor of English and History at the University of Delaware, where she teaches African American literature, book history, archival studies, and public humanities. Her interest in the social history of archives arose from her earlier career as an archivist. She is a Scholar-Editor of “Remaking the World of Arturo Schomburg,” a collaborative digital project with Fisk University and the Schomburg Center for Research in Black Culture. Her writing chronicles the emergence of African diasporic archives in the United States and, more broadly, asks how information practices–material acts of collecting, collation, and cataloging–scaffold literary and historical thought. Her first book, the topic of this discussion, Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History, was published by Columbia University Press in April 2024. It won the Arline Custer Memorial Book Prize from the Mid-Atlantic Regional Archives Conference and was a finalist for the 2025 Book Prize from the Association for the Study of African American Life and History. In this conversation, we discuss the stories of Black collectors and the social life of collecting. Helton showcase Black collecting as a radical critical tradition that reimagines past, present, and future. 

In this episode of PhotoWork, host Sasha Wolf has a deeply moving conversation with renowned photographer Jamel Shabazz. They talk about his lifelong love for photography and how he uses it to make a social impact. Jamel opens up about how his life experiences have shaped his approach to art and hard work. The episode also covers his book, “A Time Before Crack,” and its importance to his community at the time. It's a heartfelt conversation that goes beyond just photography. Tune in to hear the insights and stories from a photographer passionate about making a difference. https://www.jamelshabazzphotographer.com ||| https://www.instagram.com/jamelshabazz/ Jamel Shabazz is best known for his iconic photographs of New York City during the 1980s. A documentary, fashion, and street photographer, he has authored 12 monographs and contributed to over three dozen other photography related books. His photographs have been exhibited worldwide and his work is housed within the permanent collections of The Whitney Museum, The Studio Museum in Harlem, The Smithsonian's National Museum of African American History and Culture, The Fashion Institute of Technology, The Art Institute of Chicago and the Getty Museum. Over the years, Shabazz has instructed young students at the Studio Museum in Harlem's “Expanding the Walls” project, The Schomburg Center for Research in Black Culture “Teen Curator's” program, and the Bronx Museum's “Teen Council.” He is also the 2018 recipient of the Gordon Parks award for excellence in the arts and humanitarianism and the 2022 awardee of the Gordon Parks Foundation/Steidl book prize. Jamel is also a member of the photo collective Kamoinge, and a board member of En Foco, another photo collective. His goal as an artist is to contribute to the preservation of world history and culture.

In 1992 Bill Duke teamed up with Laurence Fishburne and Jeff Goldblum to create one of the best film noirs ever made and a masterpiece of Black cinema. Walter Greason and Tim Fielder join in to talk about it, the rise of hip hop, and the early 90s. About our guests:A native of Mississippi, Tim Fielder is an illustrator, cartoonist, animator and OG Afrofuturist. He is the founder of Dieselfunk Studios, an intermedia storytelling company, and is an educator for institutions such as the New York Film Academy and Howard University. Tim has served clients such as Marvel, Tri-Star Pictures, Ubisoft Entertainment, and the Village Voice, and is known for his TEDx Talk on Afrofuturism. He won the prestigious 2018 Glyph Award, and his work has been showcased in the Hammonds House Museum, Exit Art and NYU Gallatin Gallery. He attended Jackson State University, School of Visual Arts, and New York University. He lives in New York City.Walter Greason teaches American and world history, using media ecology, economics, and African diaspora studies. His areas of research include urban planning, Afrofuturism, and multimedia user experience design. He is an author, editor, and contributor to more than twenty books, mostly notably the award-winning books Suburban Erasure and The Black Reparations Project.  His work on the Timothy Thomas Fortune Cultural Center has garnered international acclaim for the innovative use of digital technology, leading to multiple urban revitalization projects in Minnesota, Florida, New Jersey, and Louisiana. He has written for or appeared as the feature guest on media outlets ranging from the Washington Post, USA Today, the Canadian Broadcast Channel, the Philadelphia Daily News, the Huffington Post, National Public Radio, Historians at the Movies, the New York Times Read Along, WURD Philadelphia, and Today with Dr. Kaye (WEEA, Baltimore). He was a Future Faculty Fellow at Temple University where he completed his Ph.D. in History and a Presidential Scholar at Villanova University where he studied History, English, Philosophy, Peace and Justice Studies, and Africana Studies. His most recent project, The Graphic History of Hip Hop, with Afrofuturist illustrator Tim Fielder, has been featured at the United Nations, the Smithsonian Institution's National Museum for African American History and Culture, the Metropolitan Museum of Art in New York City, the Schomburg Center in the New York Public Library system, and San Diego Comic-Con in 2024.

Learn more at TheCityLife.org

Follow Fr Alex on X @alexdjfrost order his book here https://www.waterstones.com/book/our-daily-bread/father-alex-frost/alastair-campbell/9780008556556 Follow Arun Kundnani on X his website is here https://www.kundnani.org/ Arun Kundnani is a writer interested in race, Islamophobia, surveillance, political violence, and radicalism. A good introduction to his overall political perspective is this article, first published in the Guardian: There are two kinds of antiracism. Born in London, Kundnani moved to New York in 2010 and now lives in Philadelphia. The Guardian has described him as “one of Britain's best political writers.” Kundnani is the author of What is Antiracism? (Verso, 2023), The Muslims are Coming! (Verso, 2014) and The End of Tolerance (Pluto, 2007), which was selected as a New Statesman book of the year, and co-author of Homeland Security: Myths and Monsters (Common Notions, 2024). He has written for the Nation, the Guardian, the Washington Post, and The Intercept. A former editor of the journal Race & Class, he holds a PhD from London Metropolitan University and is an Associate of the Transnational Institute. Kundnani is currently working on a biography of Jamil Al-Amin, formerly known as H. Rap Brown, to be published by Doubleday. The project has been supported with a 2024 Whiting Creative Nonfiction grant, and grants from the National Endowment for the Humanities and the Schomburg Center for Research in Black Culture at New York Public Library.

James Little (b. 1952, Memphis, TN) holds a BFA from the Memphis Academy of Art and an MFA from Syracuse University. He is a 2009 recipient of the Joan Mitchell Foundation Award for Painting. In addition to being featured prominently in the 2022 Whitney Biennial at the Whitney Museum of American Art in New York, his work has been exhibited extensively in solo and group exhibitions around the world, including at MoMA P.S.1, New York; Crystal Bridges Museum of American Art, Bentonville; Studio Museum in Harlem, New York; St. Louis Art Museum, St. Louis; Virginia Museum of Fine Arts, Richmond; and the Smithsonian Institute, Washington, D.C. In 2022, Little participated in a historic collaboration for Duke Ellington's conceptual Sacred Concerts series at the Lincoln Center, New York, with the New York Choral Society at the New School for Social Research and the Schomburg Center in New York. Recent solo exhibitions include: Petzel, New York (2024); Kavi Gupta, Chicago (2022); Dixon Gallery and Gardens, Memphis (2022); Louis Stern Fine Arts, West Hollywood (2020); and June Kelly Gallery, New York (2018). His paintings are represented in the collections of numerous public and private collections, including the Whitney Museum of American Art, New York; Virginia Museum of Fine Art, Richmond; The Studio Museum, Harlem, New York; The Menil Collection, Houston; Library of Congress, Washington, D.C.; Memphis Brooks Museum of Art, Memphis; Maatschappij Arti Et Amicitiae, Amsterdam; Saint Louis Art Museum, Saint Louis; Everson Museum of Art, Syracuse; New Jersey State Museum, Trenton; Tennessee State Museum, Nashville; and the Newark Museum, Newark. James Little Trophy Wives, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York James Little The Problem with Segregation, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York James Little Mahalia's Wings, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York

As our centennial series continues, Khalil Gibran Muhammad, history, race and public policy professor at the Harvard Kennedy School, director emeritus of the Schomburg Center, author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America (Harvard University Press, 2nd ed. 2019), reviews the past century of crime and incarceration.

Last weekend I visited Harlem for the very first time. In today's episode, I'm sharing why I was there, what I was doing, and lessons learned.  Chapters 00:29 - Snail mail alert! 01:14 - Why I got involved in “On the Matter of Race”  06:14 - How football almost got in the way 12:00 - Why you can't talk about racism without talking about politics 17:13 - Finding the courage to have difficult conversations 23:57 - What I thought of Harlem (before and after) 30:00 - White people in non-white communities 33:27 - The Schomburg Center for Research in Black Culture 39:03 - Wanting to be “a good one” 41:01 - My full circle moment   To learn more about Dr. Lynne Maureen Hurdle, Justin Hurdle-Price, and the On the Matter of Race program, visit https://theconflictcloser.com/otmr   Want to receive a special delivery from me in early October? Fill out this form and I'll send you some snail mail :) http://www.heatherjoyhubbard.com/snailmail/   To stay connected between episodes, follow me on on Instagram at http://www.instagram.com/heatherjoyhubbard, on LinkedIn at https://www.linkedin.com/in/heatherjoyhubbard, and on Facebook at https://www.facebook.com/heatherjoyhubbard

At the DNC last week, the Warriors coach and former Bulls star Steve Kerr spoke of his excitement at his return to Chicago's United Center, the home of some his greatest basketball triumphs. According to the Columbia University historian Frank Andre Guridy, there's nothing coincidental about this convergence of American politics and sports. In his intriguing new book, THE STADIUM, Guridy reimagines America through the history of sports stadiums like Candlestick Park & Madison Square Gardens. It's a story of politics, protest and play in which these sports stadiums act as mirrors and prisms to all the most troubling and hopeful aspects of American history.Frank A. Guridy is Professor of History and African American and African Diaspora Studies and the Executive Director of the Eric H. Holder Initiative for Civil and Political Rights at Columbia University. He is an award-winning historian whose recent research has focused on sport history, urban history, and the history of American social movements. His latest book, The Sports Revolution: How Texas Changed the Culture of American Athletics (University of Texas Press, 2021) explored how Texas-based sports entrepreneurs and athletes from marginalized backgrounds transformed American sporting culture during the 1960s and 1970s, the highpoint of the Black Freedom and Second-Wave feminist movements. Guridy is also a leading scholar of the Black Freedom Movement in the United States and in other parts of the African Diaspora. His first book, Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow (University of North Carolina Press, 2010), won the Elsa Goveia Book Prize from the Association of Caribbean Historians and the Wesley-Logan Book Prize, conferred by the American Historical Association. He is also the co-editor of Beyond el Barrio: Everyday Life in Latino/a America (NYU Press, 2010), with Gina Pérez and Adrian Burgos, Jr. His articles have appeared in Kalfou, Radical History Review, Caribbean Studies, Social Text, and Cuban Studies. His writing and commentary on sport, society, and politics have been published in Public Books, Columbia News, NBC News.com and the Washington Post. He has also appeared on a wide variety of podcasts, radio, and TV programs, including the Edge of Sports podcast by The Nation, Burn it All Down, End of Sport, Texas Public Radio, the Houston Chronicle's Sports Nation, Al Jazeera's “The Listening Post,” WNYC Public Radio, among others. His fellowships and awards include the Scholar in Residence Fellowship at the Schomburg Center for Research in Black Culture and the Ray A. Billington Professorship in American History at Occidental College and the Huntington Library. He is also an award-winning teacher, receiving the Regents' Outstanding Teaching Award from the University of Texas at Austin in 2010, and the Mark Van Doren Award for Teaching at Columbia in 2019. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Listen in as we discuss how we build socialism whilst our subjectivities have been constituted under neoliberalism.   Arun Kundnani is a writer interested in race, Islamophobia, surveillance, political violence, and radicalism. Born in London, he moved to New York in 2010 and now lives in Philadelphia. The Guardian has described him as “one of Britain's best political writers.” Kundnani is the author of What is Antiracism? (Verso, 2023), The Muslims are Coming! (Verso, 2014) and The End of Tolerance (Pluto, 2007), which was selected as a New Statesman book of the year. He has written for the Nation, the Guardian, the Washington Post, Vice, and The Intercept.  A former editor of the journal Race & Class, he was educated at Cambridge University, and holds a PhD from London Metropolitan University. He has been an Open Society fellow and a scholar-in-residence at the Schomburg Center for Research in Black Culture, New York Public Library.   I.G. @TheGambian   Twitter: @MomodouTaal @FanonIsCanon @CTayJ

As a heads up, if you're listening to this on Monday, July 29th enrollment into the Treehouse closes tonight and it's $67 bucks to join! The Treehouse is a monthly membership holding you accountable to weekly returns to your Zone of Desire through live workshops, open studios, guided meditations and black feminist worldbuilding tools. I hope you'll join us inside The Treehouse! Our first workshop inside is on August 6th and it's all about collaborating with our ancestors, desires and intentions inside our Weekly Dispatches. Enroll in the Treehouse Membership and Join Us August 6th: https://www.seedaschool.com/treehouse The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma by Bessel Van Der Kolk Hidden Brain episode “Healing 2.0: Change Your Story, Change Your Life” A summary of Jonathan Adler's findings can be found in “Our Personal Stories Matter for Our Mental Health” The study conducted by Gail Matthews at The Dominican University of California on “The Impact of Commitment, Accountability, and Written Goals on Goal Achievement” Hidden Brain episode titled “You 2.0: WOOP, WOOP!” Follow Ayana on Instagram: ⁠@ayzaco⁠ Follow Seeda School on Instagram: ⁠@seedaschool Cover Art: Sylvia Wynter Source: Image courtesy of Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library

“Time for an Awakening” with Bro.Elliott & Bro. Richard, Sunday 7/21/2024 at 7:00 PM (EST) guest was  Journalist, Author, and former Research Fellow and scholar in residence at the Schomburg Center for Research in Black Culture at the NY Public Library, Dr. Arun Kundnami. The discussion centered around the upcoming book ” I Rise In Fire”, about the life and struggle of our Elder and incarcerated Political Prisoner,  Jamil Al-Amin (H. Rap Brown) written by our guest, Dr. Arun Kundnami.

I too, have put more value in the things that hurt because suffering is familiar. I know her. I know suffering. And I have plenty of evidence that the shelter of suffering has kept me safe, kept me “out the way”. But at what cost? There is rent for living underneath the shelter of suffering. As with everything, there is a sacrifice. The cost was often my inner child who needed me to tend to her wounds but I couldn't bear her pain so I just kept looking away. The cost was often my body which needed my attention, my care, my tenderness, my grace but was often treated as a liability instead. The cost was often my dreams that needed my power, my protection, my faith but seemed too wild to be safe, too pleasurable to count on, too gooooood to be true. I just want us to consider, if only for this moment, how exhausting it is to be in perpetual disbelief of our power. Download Syllabus or Register for Workshop (Syllabus Included) Here: https://www.seedaschool.com/treehouse This Week's Newsletter: I Sell the Shadow to Support the Substance Sojourner Truth artifact: "I Sell the Shadow to Support the Substance” (1864) Karen M. Rose's post on the Cancer New Moon Saidiya Hartman's Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals “Creative life of refusal” is language borrowed from Alexis Pauline Gumb's essay “The God of Everyday” Follow Ayana on Instagram: ⁠@ayzaco⁠ Follow Seeda School on Instagram: ⁠@seedaschool Cover Art: Augusta Savage with her sculpture Realization in 1938. Collection of The New York Public Library, Schomburg Center. Photo: Courtesy of CCS Bard. I came across this photo after/at a talk given by the curator Nana Adusei-Poku presenting her research on “Black Melancholia”. “Black Melancholia pushes beyond the iconography of melancholia as an art historical subject and psychoanalytical concept to subvert highly racialized discourses in which notions of longing, despair, sadness, and loss were not only pathologized, but also reserved for white cis (fe-)male subjects. The exhibition aims to create a generative space for inspiration, solace, and refuge through a presentation that blends new and recent works with pieces from the late 19th to mid-20th century by artists whose careers never reached full recognition or potential during their lifetimes due to systemic erasure.” — CCS Bard

This week I'm talking about summertime events from Anyone Comics, the Schomburg Center, and Women in Comics Collective. There are reviews for Lawful from BOOM! Studios, Gatchaman from Mad Cave Studios, and Pine & Merrimac from BOOM! Studios. Flashback Friday Review of Sins of the Black Flamingo. I've got a geek culture restaurant on my radar. This week's Bleek Perspective goes deeper than I wish I had to. I'll see you there... For more info on Brooklyn Pride Comic Book Fair, please visit https://www.anyonecomics.com/events/brooklyn-pride-comic-book-fair-2024 For more info on the Schomburg Lit Fest, please visit https://www.schomburgcenterlitfest.org/ For more info on WinC Creative Conference: Pride Fest, please visit https://www.womenincomicscollective.org/event-details/winc-creative-conference-pridefest For more info on Creative Juneteenth, please visit https://www.subsumestudios/ For more info on Action Burger, please visit https://actionburger.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/thehungrybleek/support

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

In this episode, Xavier Bonilla has a dialogue with Tricia Rose about systemic racism in the United States. They discuss why and how racism persists, how it looks different from decades past, and how it evolves in institutions. They define metaracism, discuss individuals vs. institutions, understanding systems theory, colorblindness, and many more topics. Tricia Rose is Chancellor's Professor of Africana Studies, Associate Dean of the Faculty for Special Initiatives, and Director of the Center for the Study of Race and Ethnicity in America. She has her Bachelors in Sociology from Yale and her PhD in American Studies from Brown University. She has received numerous scholarly fellowships including from the Ford Foundation, the Rockefeller Foundation, the Schomburg Center for Research in Black Culture, the Robert Wood Johnson Foundation, the Mellon Foundation and the American Association of University Women. She is the author of the latest book, Metaracism: How Systemic Racism Devastates Black Lives—And How We break Free.Website: https://www.triciarose.com/ Get full access to Converging Dialogues at convergingdialogues.substack.com/subscribe

The Schomburg Center's Black Comic Book Festival returns for its twelfth year! The event features networking opportunities for up-and-coming comic book creators, artist conversations, cosplay, and a Black comics trivia challenge. The festival's executive producer Kadiatou Tubman joins us alongside author and visual artist Roye Okupe to preview this year's programming. We also take your calls about your favorite Black comics and characters. *This segment is guest-hosted by Kousha Navidar. 

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Dr. Tammy C. Owens of Skidmore College joins us to discuss her 2019 article "Fugitive Literati: Black Girls' Writing as a Tool of Kinship and Power at the Howard School." Having discovered a treasure trove of letters written in the early 1900s by girls at the Howard Orphanage and Industrial School, Owens was off on a journey to learn more. The research took her from the Schomburg Center in Harlem to Tuskegee University in Alabama and, ultimately, to the doorstep of the Kings Park Heritage Museum. What Owens pieced together was the story of young Black orphans forging connections and support networks through a unique institution known by some as the Tuskegee of the North. The letters she found tell personal and sometimes painful stories, often by the details which they leave out. Owens' research brings to light voices that are often overlooked or missing from archival collections. We hear her thoughts on the process, the historians and authors who inspire her, and the story of her life-changing day riding around Kings Park with Leo P. Ostebo. Further Research Owens, T. C. (2019). Fugitive literati: Black girls' writing as a tool of kinship and power at the Howard School. Women, Gender, and Families of Color, 7(1), 56–79. https://doi.org/10.5406/womgenfamcol.7.1.0056 Howard Orphanage and Industrial School Photograph Collection (NYPL Schomburg Center) Leo P. Ostebo Kings Park Heritage Museum Tuskegee University History and Mission Lose Your Mother: A Journey Along the Atlantic Slave Route by Saidiya Hartman (find in a library via WorldCat) Incidents in the Life of a Slave Girl by Harriet A. Jacobs (find in a library via WorldCat) The Bondwoman's Narrative by Hannah Craft (find in a library via WorldCat) Darlene  Clark Hine

Ep.193 Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. Her work integrates archives, somatic studies, and dialogical practices, creating overlooked narratives that amplify BIPOC/femme bodies. Metaferia received her MFA from Tufts University's School of the Museum of Fine Arts and attended the Skowhegan School of Painting and Sculpture. Recent solo exhibitions and projects include RISD Art Museum (2022-2023); Museum of Fine Arts, Boston, MA (2021-2022); New York University's The Gallatin Galleries, New York, NY (2021); Michigan State University's Scene Metrospace Gallery, East Lansing, MI (2019); and Museum of African Diaspora, San Francisco, CA (2017). Metaferia's work was included in the Sharjah Biennial in the United Arab Emirates (2023), the Tennessee Triennial through the Frist Art Museum and Fisk University Art Gallery (2023). Her work is in the permanent collection of institutions including Los Angeles County Museum of Art, Los Angeles, CA; Museum of Fine Arts, Boston, MA; Sharjah Art Foundation, United Arab Emirates; Kadist, San Francisco, CA and Paris, France; and the Schomburg Center for Research in Black Culture, New York, NY. Metaferia's work has been supported by several residencies including MacDowell, Yaddo, Bemis Center for Contemporary Art, and MASS MoCA. She is currently a 2021-2023 artist-in-residence at Silver Art Projects at the World Trade Center in New York City. Her work has been written about in publications including The New York Times, Financial Times, The Washington Post, The Boston Globe, Artnet News, The Art Newspaper, and Hyperallergic. Metaferia is an Assistant Professor at Brown University in the Visual Art department, and lives and works in New York City. Photo credit: Tommie Battle Artist https://www.helinametaferia.com/ NYTimes https://www.nytimes.com/2021/06/24/arts/things-to-do-this-weekend.html Artsy Helina Metaferia Honors the Activist Legacies of Black Women across Collage and Performance | Artsy Artnet News https://news.artnet.com/art-world/how-do-you-judge-the-value-of-social-practice-art-artist-helina-metaferia-developed-metrics-to-determine-if-a-project-is-successful-2181336 Vanity Fair Leisure, Adornment, and Beauty Are Radical Acts in “Resting Our Eyes” | Vanity Fair The Cut ‘Resting Our Eyes': 10 Black Artists at ICA San Francisco (thecut.com) Chicago Tribune 4 female artists mount a Chicago exhibit on climate issues: ‘Activism work is care work' – Chicago Tribune Sugarcane Magazine Ritual and Remembrance in Sharjah Biennial 15 - Sugarcane Magazine ™| Black Art Magazine Interior Design Magazine Artist Helina Metaferia Celebrates Black Women Activists in Two Solo Shows - Interior Design The Art Newspaper https://www.theartnewspaper.com/2021/06/16/black-artists-and-performers-take-over-fort-greene-park-for-juneteenth-jubilee Financial Times ( First) https://www.ft.com/content/9b75fdcd-9f1a-4c3f-ae70-b1140fc9cdad Financial Times (Second) https://www.ft.com/content/e8030f71-2925-4fbb-8e0a-96d6ce1cf774 Contemporary And https://contemporaryand.com/magazines/helina-metaferia-weaving-and-resisting-in-more-than-a-few-ways/

Today on the Noize we got printmaker, Tenjin Ikeda! he has been making art as for over 30 years and its been a journey across all kinds of mediums. From painting, to dancing, to sculpting, to printmaking, Tenjin has been open to where his talents and opportunity take him. We learn about Tenjin and his philosophy on making work. We nerd out a little bit on carving and relief printmaking masters like Latoya Hobbs, Elizabeth Catlett and more. Tenjin talks about a turning point print for him, how his spirituality inspires his work and what he's learned by being in exhibitions over so many year. Listen, subscribe, and share!Episode 183 topics include:doing art for 30 plus yearsfinding printmakingcarving tips and secretsdeveloping compositionswhat piece was a turning point in his eyesthe differences between mediumsexperience gained from exhibitionsoffering critique to younger artistsTenjin Ikeda is an Afro-Puerto Rican artist born and raised in Brooklyn, New York on October 30, 1968. At a very young age learned the importance of tradition and heritage from his mother. He taught himself how to draw at an early age and he was hooked, he has been seriously making art for 30 plus years using the various mediums of painting, sculpture, and printmaking. He attended the School of Visual Arts in New York first focusing on graphic design and ultimately Fine Arts where he felt more freedom to express himself. It was at the Art Students League that he discovered printmaking, which has been his focus for the past 20 plus years. “It is my desire to continue to visibly show the richness of my ancestry to the world.” He has various works in private collections in the US, Canada, Mexico, Bahamas as well as acquisitions by The Schomburg Center for Research in Black Culture, The Print Club of Albany, and the Art Student's League. Tenjin's work has been featured as cover art and illustrations for various books. He has been included in “Modern Printmaking” an up coming book of 30 contemporary printmakers by Sylvie Covey.Tenjin, also worked for 6 years as an artist assistant to Richard Artschwager and with artist Keith Haring on a mural project Mr. Haring did at Woodhull Hospital in Brooklyn, NY. He has participated in-group shows in different parts of the United States, Ireland, Japan as well as Spain and Australia.See more: Tenjin Ikeda's website + Tenjin Ikeda's IG @ify.chi.chiejinaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

In this week's episode, we welcome Kris Graves (and his associate Frank Francis) to our gallery and onto the podcast to discuss a multitude of topics including life with a baby, the charm and uniqueness of Queens, the origins of Hip Hop, Graves' early commissioned work, museums' and cultural institutions' feelings about NFTs, Black Lives Matter, the role that race plays in art, history, and society, working day jobs, and how NFTs can be gate keeper resistant, and what is next for Graves. Originally recorded February 13, 2023 Kris Graves (b. 1982 New York, NY) is an artist and publisher based in New York and California. Graves creates artwork that deals with societal problems and aims to use art as a means to inform people about cultural issues. Using a mix of conceptual and documentary practices, Graves photographs the subtleties of societal power and its impact on the built environment. He explores how capitalism and power have shaped countries -- and how that can be seen and experienced in everyday life. Graves also works to elevate the representation of people of color in the fine art canon; and to create opportunities for conversation about race, representation, and urban life. He photographs to preserve memory. Graves received his BFA in Visual Arts from S.U.N.Y. Purchase College and has been published and exhibited globally, including Museum of Modern Art, New York; Getty Institute, Los Angeles; and National Portrait Gallery in London, England; among others. Permanent collections include the Metropolitan Museum of Art, Getty Institute, Schomburg Center, Whitney Museum, Guggenheim Museum, Museum of Fine Arts, Houston; Brooklyn Museum; and The Wedge Collection, Toronto; amongst others. Frank Frances (b.1983 Columbia, SC) is a NYC-based artist whose work challenges the everyday perceptions of memories and prejudice with close studies of photography's materiality and dynamics; he is no stranger to being both voyeur and subject. He has shown in solo and group exhibitions domestically and internationally at Sasha Wolf Gallery, The Studio Museum of Harlem, Glasshouse, Carriage Trade and Werkstadt Graz to name a few. Reviews and features of their work have appeared in publications such as The New York Times, The New Yorker, Vice, NPR, ArtInfo, Bomblog, and Bloomberg BusinessWeek among others. He received an MFA from the School of Visual Arts. His first book Remember The South is published by Monolith Editions https://krisgraves.com/ https://www.instagram.com/krisgraves/ https://twitter.com/kgpnyc https://www.instagram.com/kgpnyc/ http://www.frankfrances.com https://www.instagram.com/frankfrancesstudio/      

In this episode we speak to Pulitzer Prize winning composer and musician Henry Threadgill and the co-author of his autobiography Brent Hayes Edwards. The book we discuss, which was published last year is entitled Easily Slip into Another World: A Life in Music. Henry Threadgill was born in Chicago in 1944. He is one of the most significant and innovative composers of the 20th and 21st Century. In addition to being an award winning composer is an amazing saxophonist and flautist. He also is known for his percussion work, in particular the invention of the hubkaphone, a marimba like instrument made out of hub caps. He has been a leader or co-leader of the bands Air, Ensemble Double UP, Make a Move, The Henry Threadgill Ensemble, The Henry Threadgill Sextett, The Situation Society Dance Band, Very Very Circus, X-75, Zooid and 14 or 15 Kestra: Agg and probably some others I didn't track down.  If we went into all the bands and groups Henry was a part of the list would be three times as long. In recent years Threadgill has established a completely new chromatic system for musical composition outside the confines of diatonic harmony. In 2016, he was awarded the Pulitzer Prize for In For a Penny, In for a Pound, an album he composed for his sextet, Zooid. He currently lives in New York. Brent Hayes Edwards is a Professor at the Center for Jazz Studies at Columbia University and the Director of the Scholars-in-Residence Program at the Schomburg Center for Research in Black Culture at the New York Public Library. So why this episode, it's a bit outside of most of our content here. Perhaps the closest things we've done to a conversation like this would be the dialogue we hosted between Fred Moten & Hanif Abdurraqib or the interview we did with Dionne Brand last year. But although I didn't ask it directly, the guiding question that animated this interview and engagement with Henry and Brent's book for me was: what insights might a truly revolutionary composer have for aspiring revolutionary organizers or for cultural workers seeking to maximize the revolutionary possibilities of their work?  We hope you enjoy this conversation and that it proves as meaningful to you as it was to us. It was a tremendous honor to sit down with Henry Threadgill and Brent Hayes Edwards to discuss their beautiful book which is available now everywhere. Thank you to Aidan Elias for co-producing this episode. If you appreciate the work that we do, as always you can support our work for as little as $1 per month at patreon.com/millennialsarekillingcapitalism. Our podcast is fully supported by individual contributions of folks like you and we encourage you to join the amazing folks who make it possible for us to bring you these conversations on a weekly basis. 

This Black History Month, we are the celebrating the legacy and contributions of Black New Yorkers. A new exhibition at The Schomburg Center for Research in Black Culture looks at one of the most famous Black New Yorkers, Langston Hughes, and his many friendships, specifically his relationship with photographer Griff Davis, the first roving editor of Ebony Magazine. Dorothy Davis, guest curator, daughter of Griff Davis, and president of the Griffith J. Davis Photographs and Archives, joins to speak about the show. The Ways of Langston Hughes: Griff Davis and Black Artists in the Making is on view through July 8.

On this day in 1871, Arthur A. Schomburg, a Puerto Rican historian, writer, and researcher, was born. Renowned for his activism and dedication to preserving African-American history, Schomburg's collection of literature formed the basis for the Schomburg Center for Research in Black Culture, a division of the New York Public Library. After arriving in America in 1891, he relocated to New York City a decade later, where he worked as a researcher at a law firm. In 1911, Schomburg co-founded the Negro Society for Historical Research, aiming to establish a scholarly institute. Actively engaged in the Harlem Renaissance, he served as the co-editor of the 1912 edition of the Encyclopedia of the Colored Race. In 1926, the New York City Public Library acquired his extensive collection of historical materials. Arthur Schomburg passed away in 1938 in Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Come celebrate the launch of Cheryl Boyce-Taylor's collected poems The Limitless Heart. Encompassing the breadth of Cheryl Boyce-Taylor's astounding career, The Limitless Heart is a time capsule of the boundless love, care, grief, and fortitude that make her work so stirring. With deep empathy, thoughtfulness, charisma, and lyricism, Boyce-Taylor's work explores questions of immigration, motherhood, and queer sensuality, among other themes. Grief is both an anchor and a door throughout Boyce-Taylor's poetry, as seen in Mama Phife Represents, a hybrid of memoir and verse on the death of her son, Malik “Phife Dawg” Taylor of A Tribe Called Quest. Questions regarding Blackness and Black womanhood in the United States are stitched throughout her books, and Boyce-Taylor leans into a more overtly defiant political register in her latest work, We Are Not Wearing Helmets, while maintaining the connective spine of the Trinidadian dialect that appears throughout all her work. Selections from these books, as well as her other poetry collections, appear in this new volume. Curated from Boyce-Taylor's body of work, The Limitless Heart encapsulates her progression as a writer throughout the decades of her highly successful career. Get The Limitless Heart from Haymarket: https://www.haymarketbooks.org/books/... ------------------------------------------------------------------------------------------ Speakers Cheryl Boyce-Taylor is a poet and teaching artist. She earned an MFA from Stonecoast at the University of Southern Maine and an MSW from Fordham University. Her collections of poetry include Raw Air (2000), Night When Moon Follows (2000), Convincing the Body (2005), and Arrival (2017), which was a finalist for the Paterson Poetry Prize. Mama Phife Represents (2021) won the 2022 Audre Lorde Award for Lesbian Poetry by The Publishing Triangle. We Are Not Wearing Helmets (2022) was nominated for the 2023 Hurston/Wright Legacy Award. Her life papers and portfolio are stored at the Schomburg Center for Research in Black Culture in New York City. She lives in Brooklyn, NY. Glenis Redmond is the First Poet Laureate of Greenville, South Carolina. She is a Kennedy Center Teaching Artist, and a Cave Canem alumni. She has authored six books of poetry: Backbone, Under the Sun, What My Hand Say, Listening Skin, Three Harriets & Others, and Praise Songs for Dave the Potter (artwork by Jonathan Green). Glenis received the Governor's Award and was inducted into the South Carolina Academy of Authors. She was recently a recipient of the Peacemaker Award by the Upstate Mediation Center in 2022. Her poetry has been showcased on NPR and PBS and has been most recently published in Orion Magazine, storySouth and The New York Times, as well as numerous literary journals nationally and internationally. Watch the live event recording: https://www.youtube.com/watch?v=Fm-k5Oqj9Ms Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Palestine remains the litmus test. As our movements continue to gain momentum, Arun and I discuss what are the stakes when organizing for Palestine in the west.   Arun Kundnani has been active in antiracist movements in Britain and the United States for three decades. He is a former editor of the journal Race & Class and was a scholar-in-residence at the Schomburg Center for Research in Black Culture at the New York Public Library.   I.G. @TheGambian Twitter: @MomodouTaal @ArunKundnani

Tamara is Walker is an historian, writer, and non-profit founder. Her new book is titled Beyond the Shores: A History of African Americans Abroad. She is an Associate Professor of Africana Studies at Barnard College.In addition to her scholarly pursuits, Tamara is the co-founder of The Wandering Scholar, a 501c3 nonprofit focused on making international travel accessible to high school students from underrepresented backgrounds. This work has, in turn, shaped her writing and creative projects: she has written about race, culture, and travel for Slate, The Guardian, The Root, and Columbia Global Reports and co-hosts a podcast, Why We Wander, which covers all things travel.Professor Walker specializes in the history of slavery and gender in Latin America and its legacies in the modern era. She is also the author of Exquisite Slaves: Race, Clothing, and Status in Colonial Lima, which was published by Cambridge University Press in 2017 and won the 2018 Harriet Tubman Prize from the Schomburg Center for Research on Black Culture.

Over the course of just one year in the early 1840s, Thomas Smallwood, a recently emancipated Black man, with the assistance of the New England educated white abolitionist Charles Torrey, arranged for around 400 enslaved people to escape the Baltimore and DC area for freedom in Canada. While the abolition movement was still debating the best path forward, Smallwood and Torrey put their beliefs into action, establishing the Underground Railroad, and using the press to taunt the slaveowners whose enslaved people they freed. Joining me in this episode to discuss Thomas Smallwood, Charles Torrey, and the Underground Railroad, is journalist Scott Shane, author of Flee North: A Forgotten Hero and the Fight for Freedom in Slavery's Borderland. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode audio is “Go Down Moses,” performed by the Tuskegee Institute Singers in 1914 and “Swing Low, Sweet Chariot,” performed by the Fisk University Jubilee Singers in 1909; both songs are in the public domain and available via the Library of Congress's National Jukebox. The episode image is "Crossing the river on horseback in the night,"  from 1872, available via the Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library; the image is in the public domain. Additional Resources: “A Narrative of Thomas Smallwood, (Coloured Man:) Giving an Account of His Birth--The Period He Was Held in Slavery--His Release--and Removal to Canada, etc. Together With an Account of the Underground Railroad. Written by Himself.” by Thomas Smallwood. “A Black Voice from the ‘other North”” Thomas Smallwood's Canadian Narrative (1851),” by Sandrine Ferré-Rode, Revue française d'études américaines, vol. 137, no. 3, 2013, pp. 23-37. “Slave Patrols in the President's Neighborhood,” by Penelope Fergison, The White House Historical Association. “What is the Underground Railroad?” National Park Service. “Home!, or, The pilgrim's faith revived / written during his incarceration in Baltimore Jail, after his conviction and while awaiting--his sentence [four lines of poetry] ; published for the benefit of his family.” by Charles Torrey, 1845. “Charles Torrey – The Most Successful, Least Celebrated Abolitionist,” New England HIstory Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this important episode, Arun Kundnani comes on the show to discuss his new book What Is Antiracism?: And Why It Means Anticapitalism.  This is a fascinating discussion that focuses on liberal vs. radical conceptions of antiracism, and why liberal antiracism has proven powerless against structural oppression.  This topic is important for us to think about as we build movements that tackle all forms of oppression, including racial oppression.   Arun Kundnani has been active in antiracist movements in Britain and the United States for three decades. He is a former editor of the journal Race & Class and was a scholar-in-residence at the Schomburg Center for Research in Black Culture at the New York Public Library.  His website can be found at https://www.kundnani.org/ and you can follow him on Twitter @@ArunKundnani. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory 

Part historical exploration, part travel memoir, Beyond the Shores: A History of African Americans Abroad (Crown, 2023) reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans' complicated relationship to the United States and the world at large. Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations.  Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. She relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker's personal account of her family's, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond. By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life. Tamara J. Walker is a historian and associate professor of Africana Studies at Barnard College of Columbia University, where her research and teaching focus on the history of slavery and freedom in Latin America. Her first book, Exquisite Slaves: Race, Clothing, and Status in Colonial Lima, won the Harriet Tubman Prize awarded by the Schomburg Center for Research in Black Culture. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Part historical exploration, part travel memoir, Beyond the Shores: A History of African Americans Abroad (Crown, 2023) reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans' complicated relationship to the United States and the world at large. Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations.  Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. She relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker's personal account of her family's, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond. By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life. Tamara J. Walker is a historian and associate professor of Africana Studies at Barnard College of Columbia University, where her research and teaching focus on the history of slavery and freedom in Latin America. Her first book, Exquisite Slaves: Race, Clothing, and Status in Colonial Lima, won the Harriet Tubman Prize awarded by the Schomburg Center for Research in Black Culture. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Part historical exploration, part travel memoir, Beyond the Shores: A History of African Americans Abroad (Crown, 2023) reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans' complicated relationship to the United States and the world at large. Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations.  Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. She relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker's personal account of her family's, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond. By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life. Tamara J. Walker is a historian and associate professor of Africana Studies at Barnard College of Columbia University, where her research and teaching focus on the history of slavery and freedom in Latin America. Her first book, Exquisite Slaves: Race, Clothing, and Status in Colonial Lima, won the Harriet Tubman Prize awarded by the Schomburg Center for Research in Black Culture. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Part historical exploration, part travel memoir, Beyond the Shores: A History of African Americans Abroad (Crown, 2023) reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans' complicated relationship to the United States and the world at large. Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations.  Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. She relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker's personal account of her family's, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond. By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life. Tamara J. Walker is a historian and associate professor of Africana Studies at Barnard College of Columbia University, where her research and teaching focus on the history of slavery and freedom in Latin America. Her first book, Exquisite Slaves: Race, Clothing, and Status in Colonial Lima, won the Harriet Tubman Prize awarded by the Schomburg Center for Research in Black Culture. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Part historical exploration, part travel memoir, Beyond the Shores: A History of African Americans Abroad (Crown, 2023) reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans' complicated relationship to the United States and the world at large. Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations.  Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. She relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker's personal account of her family's, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond. By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life. Tamara J. Walker is a historian and associate professor of Africana Studies at Barnard College of Columbia University, where her research and teaching focus on the history of slavery and freedom in Latin America. Her first book, Exquisite Slaves: Race, Clothing, and Status in Colonial Lima, won the Harriet Tubman Prize awarded by the Schomburg Center for Research in Black Culture. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Schomburg Center for Research in Black Culture opened in Harlem, New York, on July 14, 1905. The center is one of the leading institutions focused on the experiences of people across the African diaspora.  Before the center was named after Arturo Alfonso Schomburg, a leading Afro-Puerto Rican activist and writer in the Harlem Renaissance, it was called the Division of Negro Literature, History and Prints.  According to the Schomburg website, in 1926, Schomburg donated his collection of more than 5,000 books, 3,000 manuscripts and more. He served as curator from 1932 until his death in 1938.  Since its opening more than 100 years ago, the Schomburg has expanded to create space for galleries and the Langston Hughes Auditorium, where events, lectures and concerts are held. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Thomas Jefferson wrote in the Declaration of Independence that all men were endowed with the rights of “Life, Liberty and the pursuit of Happiness,” he did not have in mind the rights of the hundreds of human beings he enslaved. But the enslaved population of the United States, and the abolitionists who supported them, like Frederick Douglass and John Brown, adopted the American symbols of revolution and freedom in their own fight for liberty.   Joining me on this episode to discuss the power of symbols like the flag and Independence Day is historian Dr. Matthew Clavin, Professor of History at the University of Houston and author of Symbols of Freedom: Slavery and Resistance Before the Civil War. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode audio is Frederick Douglass's speech, “What To the Slave Is the Fourth of July?” originally delivered on July 5, 1852, at Corinthian Hall in Rochester, New York, at a meeting organized by the Rochester Ladies' Anti-Slavery Society, and performed by Chicago actor Anthony C. Brown. The mid-episode music is “Dramatic Atmosphere with Piano and Violin,” byUNIVERSFIELD from Pixabay. The episode image is: "Frederick Douglass, the escaped slave, on an English platform, denouncing slaveholders and their religious abettors," 1852, Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library. Additional Sources: “July Fourth used to be a protest holiday for enslaved Americans,” by Matt Clavin, The Washington Post, July 3, 2023. “Declaration of Independence: A Transcription,” National Archives. “These are the 56 people who signed the Declaration of Independence,” by Colman Andrews, USA Today, July 3, 2019. “Today in History - July 4: Independence Day” Library of Congress. “Who Wrote the Declaration of Independence?” by Matthew Wills, JSTOR Daily, July 2, 2016. “Letter from John Adams to Abigail Adams, 3 July 1776, ‘Had a Declaration…' [electronic edition],” Adams Family Papers: An Electronic Archive. Massachusetts Historical Society.  “Practical Considerations Founded on the Scriptures: Relative to the Slave Population of South-Carolina,” by Frederick Dalcho, 1823. “'What to the Slave Is the Fourth of July?': The History of Frederick Douglass' Searing Independence Day Oration,” by Olivia B. Waxman, Time Magazine, Originally published July 3, 2019, Updated June 26, 2020. “A Nation's Story: ‘What to the Slave is the Fourth of July?'” Smithsonian National Museum of African American History & Culture. “Frederick Douglass Knew What False Patriotism Was,” by Esau McCaulley, The New York Times, July 3, 2023. “John Brown's Passionate ‘Declaration of Liberty,' Written on a Lengthy Scroll,” by Rebecca Onion, Slate: The Vault, December 2, 2013. “The Harpers Ferry 'Rising' That Hastened Civil War,” WBEZ Chicago, October 22, 2011. “John Brown's raid on Harpers Ferry,” History.com, Originally published November 13, 2009, Updated October 14, 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Bertrand and Dr. Porcher co-host with Damaris Dunn to define and discuss Black Joy! The future Dr. Dunn taught us that Black joy is the politics of refusal. We all can learn how to embody and hold on to our joy! Get into this episode! Damaris is a doctoral candidate in the department of Educational Theory and Practice at the University of Georgia's Mary Frances Early College of Education. Her dissertation provides alternatives and possibilities based on the politics of refusal of Black women K-12 educators. She served students and families as a teacher and Community School Director in New York City Public Schools. She also taught at the Schomburg Center for Research in Black Culture's Junior Scholars Program. Black is the color of joy and the birthright of Black women and girls. --- Support this podcast: https://podcasters.spotify.com/pod/show/black-gaze/support

EPISODE 1511: In this KEEN ON show, Andrew talks to Chad Williams, the author of THE WOUNDED WORLD, about W.E.B. Du Bois and the First World World Chad Williams is the Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University. Chad earned a BA with honors in History and African American Studies from UCLA, and received both his MA and Ph.D. in History from Princeton University. He specializes in African American and modern United States History, African American military history, the World War I era and African American intellectual history. His first book, Torchbearers of Democracy: African American Soldiers in the World War I Era, was published in 2010 by the University of North Carolina Press. Widely praised as a landmark study, Torchbearers of Democracy won the 2011 Liberty Legacy Foundation Award from the Organization of American Historians, the 2011 Distinguished Book Award from the Society for Military History and designation as a 2011 CHOICE Outstanding Academic Title. He is co-editor of Charleston Syllabus: Readings on Race, Racism and Racial Violence (University of Georgia Press, 2016) and Major Problems in African American History, Second Edition (Cengage Learning, 2016). Chad has published articles and book reviews in numerous leading academic journals and collections, as well as op-eds and essays in The Atlantic, The Washington Post, Time, and The Conversation. He has earned fellowships from the Radcliffe Institute for Advanced Study at Harvard University, the American Council of Learned Societies, the Schomburg Center for Research in Black Culture, the Ford Foundation and the Woodrow Wilson Foundation. His latest book, The Wounded World: W. E. B. Du Bois and World War I (2023), is published by Farrar, Straus and Giroux. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of American democracy has always been fraught when it comes to race. Yet no matter how elusive it may be, Harvard Kennedy School professors Khalil Gibran Muhammad and Archon Fung say true multiracial democracy not only remains a worthy goal, but achieving it is critically important to our collective future. From the earliest, formative days of the American political experiment, the creation of laws and political structures was often less about achieving some Platonic ideal of the perfect democratic system than it was about finding tenuous compromises between people and groups who had very different beliefs and agendas when it came to the status of people of other races. Those tensions have been baked into our system ever since, and the history of the movement toward a true multi-racial democracy in the United States has been marked with conflict, progress, reaction, and regression—from the 3/5's Compromise to the Civil War to Jim Crow to the Civil Rights movement and on up to threats to democracy in our present day. Fung is a leading scholar of citizenship and self-governance and the faculty director of the Ash Center for Democratic Governance and Innovation. Muhammad is a professor of history, race, and public policy and director of the Institutional Antiracism and Accountability Project. He is also the former director of the New York Public Library's Schomburg Center for Research in Black Culture, the world's leading library and archive of global black history.  They say that in our increasingly diverse and interconnected country and world, the question isn't whether or not to strive for a multiracial democracy, but, if you don't fully reckon with how race has shaped our system of governance, can you really have democracy at all?Archon Fung is the Winthrop Laflin McCormack Professor of Citizenship and Self-Government at the Harvard Kennedy School. His research explores policies, practices, and institutional designs that deepen the quality of democratic governance. He focuses upon public participation, deliberation, and transparency. He co-directs the Transparency Policy Project and leads democratic governance programs of the Ash Center for Democratic Governance and Innovation at the Kennedy School. His books include Full Disclosure: The Perils and Promise of Transparency and Empowered Participation: Reinventing Urban Democracy. He has authored five books, four edited collections, and over fifty articles appearing in professional journals. He received two SBs — in philosophy and physics — and his PhD in political science from MIT.Khalil Gibran Muhammad is the Ford Foundation Professor of History, Race and Public Policy at Harvard Kennedy School. He directs the Institutional Antiracism and Accountability Project and is the former Director of the Schomburg Center for Research in Black Culture, a division of the New York Public Library and the world's leading library and archive of global black history. Before leading the Schomburg Center, he was an associate professor at Indiana University. His scholarship examines the broad intersections of racism, economic inequality, criminal justice and democracy in U.S. history. He is co-editor of “Constructing the Carceral State,” a special issue of the Journal of American History, and the award-winning author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America. He is currently co-directing a National Academy of Sciences study on reducing racial inequalities in the criminal justice system. A native of Chicago's South Side, he graduated from the University of Pennsylvania with a BA in Economics in 1993, and earned his PhD in U.S. History from Rutgers University.Ralph Ranalli of the HKS Office of Public Affairs and Communications is the host, producer, and editor of HKS PolicyCast. A former journalist, public television producer, and entrepreneur, he holds an BA in Political Science from UCLA and an MS in Journalism from Columbia University.The co-producer of PolicyCast is Susan Hughes. Design and graphics support is provided by Lydia Rosenberg, Delane Meadows and the OCPA Design Team. Social media promotion and support is provided by Natalie Montaner and the OCPA Digital Team. 

The debut novel from Nana Kwame Adjei-Brenyah tells the story of two female fighters who are the stars of the Criminal Action Penal Entertainment program Chain Gang All-Stars, which pits incarcerated people against each other in deadly fights for entertainment. If they win enough fights, they might be able to earn their freedom. But at what cost? Adjei-Brenyah joins us to discuss Chain Gang All-Stars. Event: Adjei-Brenyah spoke at the Schomburg Center with Mitchell S. Jackson.

In conversation with Mia Bay Chad L. Williams is the author of Torchbearers of Democracy: African American Soldiers in the World War I Era, winner of the Liberty Legacy Foundation Award from the Organization of American Historians. The Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University, he has earned fellowships from the Radcliffe Institute for Advanced Study at Harvard University, the Ford Foundation, and the Schomburg Center for Research in Black Culture. He is the co-editor of Charleston Syllabus: Readings on Race, Racism and Racial Violence, and has contributed articles and opinion pieces to a variety of publications, including The Washington Post, Time, and The Atlantic. In The Wounded World, Williams draws from a deep pool of source material to recount the story of W. E. B. Du Bois' disillusionment with his country for its betrayal of Black American veterans of World War I. A scholar of American and African American intellectual, cultural and social history, Mia Bay is the Roy F. and Jeanette P. Nichols Professor of American History at University of Pennsylvania. Her books include The White Image in the Black Mind: African-American Ideas about White People, 1830-1925; To Tell the Truth Freely: The Life of Ida B. Wells; and Traveling Black: A Story of Race and Resistance, winner of the Bancroft Prize. She is currently finishing a book on the history of African American ideas about Thomas Jefferson. (recorded 4/27/2023)

The Schomburg Center's Black Comic Book Festival returns in person for the first time since 2020! Each year, this event offers participants the opportunity to meet established and up-and-coming comic book creators, join conversations with artists in the field and show off their best cosplay. Kadiatou Tubman, manager of education programs and outreach for the center, previews this year's festival.

[REBROADCAST FROM February 21, 2023] A new graphic novel explores the life of Harlem's legendary mobster, Stephanie Saint-Clair, sometimes called "Queenie," with jazz and voodoo as the backdrop. Authors Elizabeth Colomba and Aurélie Levy join us to discuss their book, Queenie: Godmother of Harlem.  In an upcoming panel discussion, Colomba will speak about Black Women and marginalized voices in comics for the Schomburg Center's Black Comic Book Festival this Saturday, April 15.

March is Women's History Month, and every Monday this month, the Schomburg Center for Research in Black Culture is hosting its annual Women's Jazz Festival, featuring performances from female jazz artists. The first show features drummer and composer Shirazette Tinnin. Tinnin joins to talk about her sound alongside Novella Ford, Schomburg programming and exhibitions curator, to preview the Women's Jazz Festival.