Newest 100 Classical Songs banjo songs which Banjo Hangout members have uploaded to the website.
Midi file of musical notation which is in the tabs as a pdf file
Seige, recorded on banjo, baritone guitar, bass and sequenced drums.
Andantino in G Major, composed by Ferdinando Carulli and published in 1825. Performed on guitar, banjo and bass banjo. "Classical" parlor guitar based on 19th century design by the La Patrie Guitar Company. Early Banjo based on the Joel Sweeney banjo circa 1840, built by James Hartel. Fretless Bass Banjo by Goldtone
Andantino in G Major, composed by Ferdinando Carulli and published in 1825. Performed on guitar, banjo and bass banjo. "Classical" parlor guitar based on 19th century design by the La Patrie Guitar Company. Early Banjo based on the Joel Sweeney banjo circa 1840, built by James Hartel. Fretless Bass Banjo by Goldtone
This is the most well known of Erik Satie's 3 Gymnodepies. Written in the late 1880's, it is considered to be one of the most tranquil piano pieces ever written. Arrangement by Tom Arri.
This is the most well known of Erik Satie's 3 Gymnodepies. Written in the late 1880's, it is considered to be one of the most tranquil piano pieces ever written. Arrangement by Tom Arri.
Playing some fingerstyle there and I have to sing this good ole tearcracker, too. Lea Kramer on accordion. Martin Kretschmer on fiddle. Picked it up from a Kelly Harrell vinyl record.
Playing some fingerstyle there and I have to sing this good ole tearcracker, too. Lea Kramer on accordion. Martin Kretschmer on fiddle. Picked it up from a Kelly Harrell vinyl record.
piano piece with improv - ML-1 baritone banjo, soprano ukulele, with baritone electric guitar underneath
piano piece with improv - ML-1 baritone banjo, soprano ukulele, with baritone electric guitar underneath
Played on a Gold Tone WL-250+ in standard G tuning. From a banjotabs.com transcription. Recorded on a Zoom H5.
Played on a Gold Tone WL-250+ in standard G tuning. From a transcription by John Bullard. Recorded on a Zoom H5.
Played on a Gold Tone WL-250+ in standard G tuning. From a banjotabs.com transcription. Recorded on a Zoom H5.
Played on a Gold Tone WL-250+ in standard G tuning. From a transcription by John Bullard. Recorded on a Zoom H5.
Arrangement by Shoji Kushiro, as tabbed (more or less) in the July 1974 Banjo Newsletter. Played on a Gold Tone WL-250+ with a resonator and a Doc's Cathedral Bridge. Gm tuning. Recorded on a Zoom H5.
Arrangement by Shoji Kushiro, as tabbed (more or less) in the July 1974 Banjo Newsletter. Played on a Gold Tone WL-250+ with a resonator and a Doc's Cathedral Bridge. Gm tuning. Recorded on a Zoom H5.
Tsunami Piñata: Francis Brennan - Banjo. Luz Gaxiola - Accordion Two Italian tarantellas; Feniculi Fenicula and The Wedding Tarantella.
Tsunami Piñata: Francis Brennan - Banjo. Luz Gaxiola - Accordion
Tsunami Piñata: Francis Brennan - Banjo. Luz Gaxiola - Accordion Two Italian tarantellas; Feniculi Fenicula and The Wedding Tarantella.
Tsunami Piñata: Francis Brennan - Banjo. Luz Gaxiola - Accordion
A classical banjo piece written by Joe Morley. It is played on a steel string banjo alone 2 guitars and a double-bass. It is from my new cd "Classics". For more infos please visit my new blog: http://banjoragtime.eklablog.com/home-page-c27029852
A classical banjo piece written by Joe Morley. It is played on a steel string banjo alone 2 guitars and a double-bass. It is from my new cd "Classics". For more infos please visit my new blog: http://banjoragtime.eklablog.com/home-page-c27029852
February 16, 2015. Recorded at home, a version of the tune as learned from the playing of Chris Coole
February 16, 2015. Recorded at home, a version of the tune as learned from the playing of Chris Coole
New recording by Stripe Azz if this stunning brazilian choro. On the Mastertone this time, 18 december 2014, recorded by Jan Keulemans.
New recording by Stripe Azz if this stunning brazilian choro. On the Mastertone this time, 18 december 2014, recorded by Jan Keulemans.
Composed this years ago but just decided to record it. Added some guitar backup to fill out the sound a bit. It's not bluegrassy or Old-Timey, but it sounded a bit classical to me so at the risk of offending the purists out there that's how I classified it, and that's how I settled on the title, which may be pronounced Broken if you so desire. :>) In G tuning.
Composed this years ago but just decided to record it. Added some guitar backup to fill out the sound a bit. It's not bluegrassy or Old-Timey, but it sounded a bit classical to me so at the risk of offending the purists out there that's how I classified it, and that's how I settled on the title, which may be pronounced Broken if you so desire. :>) In G tuning.
A Mormon Hymn from 1846. Cassie Webster vocal, Tom Berghan banjo, Stephen Stubbs classical guitar, Tekla Cunningham violin, Brandon Vance violin
A Mormon Hymn from 1846. Cassie Webster vocal, Tom Berghan banjo, Stephen Stubbs classical guitar, Tekla Cunningham violin, Brandon Vance violin
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