Podcasts about Cello

In Hour 2, Cello, Kyle and Alex Becker get into a Nuggets conversation, as Peyton Watson was traded to Cleveland as part of a 3-team deal. Denver signed 37-year old veteran DeMar DeRozan. The guys discuss the moves and where the Nuggets are currently at following a disappointing offseason. More thoughts on Broncos-Packers and 3 questions with Alex: NFL expanding outside the U.S., who will last longer - Sean Payton or George Paton? And Von Miller willing to give up a lifetime supply of chicken for the jersey #40. 

Kyle Reese and Marcello Romano are in on Sunday morning. In Hour 1, the guys give their takeaways from the Broncos second preseason game - a 33-13 loss to the Packers. Cello laments that Pat Surtain was being challenged by the Packers. What are some things Denver has to clean up? Biggest position battles? How much will the regulars play against the Vikings? On the Sunday Stroll, a closer look at the Cleveland Browns QB competition between Deshaun Watson and Shedeur Sanders. 

In Hour 3 of the show, more on the Sean Payton/Davis Webb play-calling dynamic. Did Webb look comfortable calling plays on Friday? Was Payton happy with Webb? Poll question of the day: What is something that really frustrates you when it doesn't work? A look at the Broncos position groups and Kyle, Cello and Alex evaluate each. Dan Jacobs joins the guys in the final segment for cross-talk. 

In Hour 2, Kyle and Cello get into a conversation about the Broncos new stadium situation. Are we certain that it will be at Burnham Yard or could it possibly be located in Lone Tree? Boxing/UFC talk with the fights from last night. Are there going to be any surprise cuts for Denver? Would Jaleel McLaughlin be a surprise cut? 3 questions with Alex Becker: NFL preseason power rankings, Russell Westbrook's NBA retirement and the Browns QB competition. 

Hitze und Kälte setzen Musikinstrumenten zu. Was passiert mit Geige, Cello oder Klarinette bei extremen Temperaturen?

In Hour 2, Cello, Kyle and Alex Becker discuss the Dodgers trade for Tarik Skubal. Are the Dodgers ruining baseball with the way they do business? More Broncos camp talk: How is the Davis Webb/Sean Payton dynamic working so far. Which players on offense and defense have been turning heads? 3 questions with Alex Becker: Coach Prime changing his philosophy, will Riley Moss get #1 CB money if he has a good season? And how bad do the Rockies need to avoid 100 losses? 

Robert Knöll ist Kunsthistoriker und Bilderrahmer. In seinem Atelier, das die grösste Sammlung barocker Bilderrahmen beherbergt, setzt er Kunstwerke gekonnt in Szene. Kunstsammler, Museen und Galerien vertrauen ihm, wenn es darum geht, berühmte Werke in den passenden Rahmen zu setzen. Ein Handwerk, das in seiner Familie eine lange Tradition hat: Schon sein Vater war ein leidenschaftlicher Sammler und Bilderrahmer. Nach dessen Tod übernahm Robert Knöll den Familienbetrieb, doch für ihn war dieser Schritt weit mehr als nur berufliche Verantwortung – er war eine Bestimmung. «Die Beschäftigung mit Bilderrahmen ist nicht nur mein Beruf, es ist meine Passion», sagt Robert Knöll, und es ist spürbar, dass diese Leidenschaft weit über den Arbeitsalltag hinausgeht. In seinen Träumen erscheinen Bilderrahmen, die ihn in seiner Freizeit genauso begleiten wie im Beruf. Wenn es darum geht, ein berühmtes Kunstwerk neu zu rahmen, reist er zu Museen in ganz Europa, um die perfekte Wahl zu treffen. Es fasziniert ihn immer wieder, wie die Wirkung eines Bildes sich verändert, je nachdem, wie es gerahmt wird. Bereits als Kind war Robert Knöll von Archäologie begeistert – der Blick hinter die oberste Schicht, das Entdecken von Geschichte und Kultur. Diese Faszination für Details und den Kontext von Kunstwerken zieht sich durch sein gesamtes Leben und wirkt sich auf seine Arbeit aus. In «Musik für einen Gast» bei Eva Oertle spricht Robert Knöll über seine Faszination für alte Rahmen und erklärt, warum sie oft im Schatten der eigentlichen Kunstwerke stehen. Er erzählt von einem besonderen Stück aus seiner Kindheit – einem echten Donatello, der über seinem Bett hing und heute einen Platz in einem Museum hat. Und er spricht über seine Liebe zum Cello und der Musik von Brahms. Die Musiktitel: - Johannes Brahms: 1. Satz aus Cellosonate Nr. 1 e-Moll (Pieter Wispelwey, Violoncello; Dejan Lazić, Klavier) - Talking Heads: Sugar on My Tongue - Johann Sebastian Bach: Toccata und Fuge für Orgel d-Moll, BWV 565 (Hannes Kästner, Orgel) - Georg Riedel: Seeräuber-Opa Fabian, aus Pippi Langstrumpf (Eva Mattes, Kinderstimme) - Franz Schubert: 7. Ständchen, aus Schwanengesang, Bearbeitung für Klavier von Franz Liszt (Vladimir Horowitz, Klavier) Erstausstrahlung: 27.04.2025

Schule im Dschungel, Affen in den Pausen und ein fast 300 Jahre altes Cello: Carlo Lay über seine Kindheit in Singapur, die Natur, sein Instrument und die Künstler, vor denen er bis heute Respekt hat.

Musical instruments perform an important binding medium for songs. Emotion and mood can be communicated through the use of different instruments and the right instrument can make a song stand out by giving the listener a lingering auditory sensation.  So, for this week's playlist we pay tribute to and focus on various INSTRUMENTS that give a song its uniqueness.  The Piano, Violin, Viola, Cello, Electro-Theremin, Electromechanical keyboard, Harmonica, Electronic keyboard, Tambourine, Bagpipe, Dulcimer, Glockenspiel, Saxophone and Harpsichord are the main features. PLAYLIST I'll Be Gone – Spectrum Runaway – Del Shannon Livin' Thing – ELO Good Vibrations – Beach Boys My Green Tamborine – Lemon Pipers Superstition – Stevie Wonder Long Way to the Top – ACDC Lady Jayne – Rolling Stones In My Life – Beatles Beatnik Fly – Johnny & the Hurricanes Oh Yea – Col Joye Come on a My Place – Rosemary Clooney To re-live previous episodes, visit joy.org.au/yesterdayoncemore ENJOY! Don’t forget to tune into JOY 94.9 next Sunday at 5pm for another most enjoyable episode of Yesterday Once More. JOY 94.9 – Out.Loud.Proud – Your Voice – Your Radio Station Support JOY, support this podcast, donate, become a valued member:  https://www.joy.org.au/support joy For Support visit: joy.org.au/Support Your opinion is highly valued.  Please feel free to share your thoughts and suggestions.  Your feedback helps us to improve your listening experience.  Thank you in advance for your time and contribution The post Instruments appeared first on Yesterday Once More.

Im fünften Teil der Mitschnitte vom Literaturfest Meißen 2026 hören wir: * Sonntag, den 14. Juni, um 12:30 Uhr (Kleinmarkt): Die reisende Familie Wagner liest "Paula on Tour", * Sonntag, den 14. Juni, um 14:30 Uhr (Anneli-Marie-Stiftung, Leipziger Str 12): Der blinde Vorleser Christian Spremberg liest Joana Zimmer "Blind Date - die Welt mit meinen Augen sehen" und * Sonntag, den 14. Juni, um 16:00 Uhr (Anneli-Marie-Stiftung, Leipziger Str 12): Tom Quaas und Ekaterina Gorynina am Cello; Schauspieler präsentieren Isaac B. Singer "Kleyne Weisheiten".

The fastest way to get better is not a secret scale system or a new bow hold. It's learning how to think like a musician who can last. We sit down with cellist Natasha Brofsky, chair of the Juilliard School cello department, to trace the real arc of a life in music: early obsession, world-class training, hard choices about career paths, and the daily mindset that keeps artistry alive under pressure.We talk about growing up in New York City, studying with influential teachers, and why she chose Eastman instead of following a pre-set route. Natasha shares why chamber music became her center of gravity, including what makes ensemble rehearsal work when strong personalities and big ideas collide. Her North Star is respect: for your colleagues' musicianship, for the process of trying ideas honestly, and for building interpretations that evolve over time.On the teaching side, we get practical about conservatory life, Juilliard's intensity, and the psychology of nurturing talent. Natasha lays out a music-first approach to cello technique, explains how intonation and rhythm create resonance and meaning, and argues that “musical” playing cannot exist without fundamentals. We also unpack resilience, handling rejection, and a timely hot topic: how iPads and reading off full scores can sometimes reduce listening in chamber music.If you care about chamber music, cello practice strategies, conservatory auditions, and building a sustainable professional musician mindset, this conversation will challenge you in the best way. Subscribe, share this with a musician friend, and leave a review so more players can find the show.For more information on Natasha: https://www.juilliard.edu/music/faculty/brofsky-natashaYou can also find Natasha on FacebookIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Episode: 3389  In which Carlo Antonio Testore's violins and other stringed instruments show him to be a different kind of Luthier.  Today, a luthier teaches us a lesson.

Days before his BBC Proms appearance marking 50 years since the death of Benjamin Britten, cellist Guy Johnston talks candidly about his career, his influences, and his preparation for performance.

Für "Behemoth!" wagt der Schauspieler Pedro Pascal sein bisher größtes Karriere-Experiment: Er lernt Cello, um einen Hollywood-Cellisten glaubwürdig zu spielen - in Tony Gilroys Hommage an die Stars der Filmmusik.

In the first hour of Stokely and Evans with Mark Schlereth, Marcello Romano sits in for Mike as the guys recap a full weekend of sports – good and bad between the World Cup and the McGregor “fight”. Executives around the NFL ranked the top ten QB’s in the NFL, did Bo even make the honorable mentions? Zach Allen set historic expectations for the Broncos’ defense over the weekend, but is the mark he’s setting for his team realistic? Cello and Stoke discuss and project why it may be plausible. Stoke and Cello wrap up the first hour telling you why the Broncos may have something they’ve been missing since the Super Bowl years.  

In hour three of Stokely and Evans with Mark Schlereth, they look ahead to training camp and Stink’s broadcasting schedule. They discuss what the dynamic between Payton, Webb, and Bo will be. Will Webb have to be the bad cop? Will he take time to get his bearings? Stink and Stoke look back at their football idols. Is it realistic to say that the 2026 Broncos can break the single-season sack record? Stink explains why they can do it. Cello plays a guessing game with Stink and Stoke. The Morning Crew wrap up the third hour coming up with merchandise ahead of Broncos training camp before Cello airs his worries that the Nuggets are going the way of the Milwaukee Bucks. 

Send us Fan MailWhat you wear communicates something before you ever say a word.For mid-career professionals, personal style is not simply about following trends or buying expensive clothes. It can influence how confidently you walk into a job interview, lead an important meeting, pursue a promotion, return to the office, or begin a career transition.In this episode of The Mid-Career GPS Podcast, I sit down with Caden Broussard and Jinny Chen, co-founders of Cello, to explore how professional style affects confidence, credibility, executive presence, and career advancement.Caden and Jinny share how they made their own mid-career pivots from finance and technology into entrepreneurship. They also explain why they created Cello after recognizing that too many accomplished professionals feel uncomfortable or out of place during the moments when they most need to feel prepared and confident.We discuss what effective professional styling actually looks like. Instead of beginning with trends or rigid fashion rules, the process starts with your career goals, lifestyle, body, budget, industry, and the clothing you already own.You will learn how to make smarter wardrobe decisions for high-stakes career situations, including job interviews, promotions, industry changes, networking events, and the return to an in-person workplace.We also examine why the traditional advice to “overdress to be safe” may no longer work in every industry. Caden and Jinny explain how researching an organization's culture and using your professional network can help you choose interview attire that feels polished, appropriate, and authentic.We also address the growing role of artificial intelligence in personal styling. While AI can generate outfit recommendations, high-stakes career situations often require judgment, context, and honest human feedback. A generic outfit list cannot always tell you whether something fits properly, reflects your personality, or supports the professional image you want to create.If you are job searching, preparing for a promotion, changing industries, or trying to rebuild your professional wardrobe without overspending, this conversation will help you approach personal style with greater clarity and confidence.In This Episode, You Will Learn:• How Caden and Jinny navigated their own mid-career changes from corporate careers into entrepreneurship• Why feeling out of place can become the inspiration for creating something valuable• How Cello combines artificial intelligence with guidance from professional stylists• How clothing can affect confidence, leadership presence, and professional credibility• What to consider when dressing for a job interview in different industries• Why overdressing can sometimes work against you during the hiring process• How to use your professional network to understand an organization's workplace culture• Why comfort, fit, and authenticity matter more than blindly following style trends• How to build a professional wardrobe by making better use of the clothes you already own• Why honest human feedback remains essential when the career stakes are highYour professional wardrobe does not need to be expensive or complicated. It needs to help you feel comfortable, credible, and prepared to show up confidently when opportunity arrives.Listen to this episode and learn how to align your personal style with the career, leadership presence, and professional reputation you want to build.Visit their website.Connect with Caden Broussard on LinkedIn.Connect with Jinny Chen on LinkedIn.Email them at hello@cellocloset.comSupport the showIf this episode resonated with you and you want more support in how you SHOW UP for your career and life, there are two ways we can work together.Learn more about my SHOW UP Leadership Lab, my monthly membership program, at https://www.johnneral.com/showupIf you would like to learn more about how I can help you as your leadership and career coach, visit https://www.johnneral.com/workwithme.Get John's free weekly leadership and career newsletter at https://www.johnneral.com/the-mid-career-gps-newsletterOther ways we can connect:Connect with John on LinkedIn here.Get John's books on Amazon here.  Follow John on Instagram @johnneralcoaching. Subscribe to John's YouTube Channel here.  Please leave a rating and review on Apple Podcasts here.This podcast is listed in Feedspot's Top 90 Best Executive Career Podcasts.https://podcast.feedspot.com/executive_career_podcasts/

Lechler, Bernd www.deutschlandfunk.de, Corso

6/26/26, Co-Host Josh Silver Political Gold with Josh Silver: the secret recording of RFK pushing to elect a loyal Trump Republican. A crime? Easthampton Mayor Salem Derby: the BIG ongoing World Cup party and performances in his city w/ a sidebar on the Prop 2 ½ Override. Rep Mindy Domb on Amherst Pride, the Blue Envelope legislation—now law! & the anti-book-banning bill. Josh Silver on this week's electoral victories for progressive Democrats & the influence of NYC Mayor Zohran Mamdani on the midterms. LIVE in studio—Jeremy Harman and Stijn Kuppens, members of the Intergalactic Cello Quarter, workshop leaders at this week's New Directions Cello Festival at Smith College, & the performances at Bombyx this weekend.

Der Grammy-nominierte Cellist und Komponist Sebastian Plano aus Argentinien veröffentlicht mit "Solo" ein neues Album nur für Cello - eine hochkonzentrierte, verletzliche Klangsuche nach Ruhe, Natur und dem eigenen Ich.

BBB:LHWS #057-1   Rudolph Hennig... ...was a German born master of the cello who was the Philaldelphia Orchestra's first cello soloist after he had already been painted by Thomas Eakins. A century after his death, his portrait was again in the news. 

Jean-Pierre Bourquin ist Kinderonkologe, Forscher und leidenschaftlicher Cellist. Als Leiter der Onkologie am Kinderspital Zürich begleitet er Kinder und ihre Familien in den schwierigsten Momenten ihres Lebens. Gleichzeitig setzt er sich als Direktor des neuen nationalen Kompetenz -zentrums für Kinderkrebsforschung dafür ein, die Behandlung und Heilungschancen krebskranker Kinder weiter zu verbessern. Eine Erkenntnis begleitet ihn seit vielen Jahren: Kinder spüren immer, ob man ihnen die Wahrheit sagt. Ehrlichkeit und Vertrauen seien deshalb die Grundlage jeder Begegnung. Diese Haltung prägt seine Arbeit ebenso wie seine Überzeugung, dass Kinder niemals unterschätzt werden sollten. Geprägt wurde Bourquin von zwei Welten: der Medizin und der Musik. Sein Grossvater war Organist und vermittelte ihm früh die Freude an der Musik. Mit vierzehn Jahren entdeckte er seine Leidenschaft für das Cello – ein Instrument, das ihn bis heute begleitet. Musik bedeutet für ihn weit mehr als Erholung: Sie eröffnet ihm Räume, die sich mit Worten kaum beschreiben lassen, und verbindet ihn mit den grossen Fragen des Lebens. Trotz der täglichen Konfrontation mit Krankheit, Hoffnung und Verlust empfindet Bourquin seine Arbeit als Privileg. Familien in existenziellen Situationen begleiten zu dürfen, sei für ihn eine Aufgabe von grosser Sinnhaftigkeit. Gleichzeitig treibt ihn die Vision an, durch Forschung die Zukunft von Kindern mit Krebs nachhaltig zu verbessern. In «Musik für einen Gast» bei Eva Oertle spricht Jean-Pierre Bourquin über die Verbindung von Musik und Medizin, über seine Faszination für Kinder und deren Sicht auf die Welt sowie über die Frage, wie man mit Krankheit, Sterblichkeit und den Grenzen des Machbaren umgeht. Er erzählt von seinem Weg zum Cello und von seiner Vision einer besseren Zukunft für Kinder mit Krebs. Die musikalische Reise führt von Johann Sebastian Bach über Johannes Brahms und Ludwig van Beethoven bis nach Kolumbien – Musik, die sein Leben begleitet und geprägt hat. Die Musiktitel: - Johann Sebastian Bach: Prélude aus Cellosuite Nr. 4 Es-Dur (Jean-Guihen Queyras, Violoncello) - Johannes Brahms: Denn alles Fleisch, es ist wie Gras, aus Ein deutsches Requiem (Arnold Schoenberg Chor; Wiener Philharmoniker; Nikolaus Harnoncourt) - Ludwig van Beethoven: Prestissimo, aus Klaviersonate E-Dur op. 109 (Vikingur Olafsson, Klavier) - Carlos Vives: La tierra del olvido - Franz Schubert: Streichquintett C-Dur (Alban Berg-Quartett; Heinrich Schiff, Klavier)

Gabríel Ólafs is an Icelandic pianist, composer, and producer whose work blends classical tradition with fantasy and a strikingly modern sense of atmosphere. Born in Reykjavík in 1998, he began playing piano at the age of five, receiving both classical and jazz training before emerging as a recording artist while still a teenager.His debut album, Absent Minded, was released in 2019, and his subsequent work has expanded steadily in scope—from the solo intimacy of Piano Works to the folk-inspired Lullabies for Piano and Cello, which grew out of a 1906 Icelandic songbook he discovered in an antique shop.He is also the co-founder of the Reykjavík Orkestra, and has quickly become one of the most distinctive young voices in contemporary instrumental music. Most recently, with Polar, he has moved further into speculative, atmospheric composition, drawing in part on the dreamlike emotional language of video games.Gabriel Ólafs: Website Releases Archive Spotify Apple Music YouTube InstagramPolar: Listen on Spotify Listen on Apple Music Buy CD (Decca Classics) Buy from Decca Records US YouTube PlaylistPolar: Traveler's Log: Listen on SpotifyPolar: Building A World: Watch on YouTubeThe Waves: Listen on SpotifyForza Horizon 6: Official Site XboxOther Gabriel Ólafs Releases / Labels: Oli Records Decca Classics Releases ArchiveJóhann Jóhannsson / IBM 1401: Listen on Spotify Watch on YouTubeNils Frahm: Website SpotifyGabriel's Perfect Console: World of Warcraft The Elder Scrolls IV: Oblivion Remastered God of War Death Stranding Baldur's Gate 3Other Games Discussed The Elder Scrolls V: Skyrim Diablo IV Metal Gear Solid 2Become a My Perfect Console supporter and receive a range of benefits at www.patreon.com/myperfectconsoleTake the Acast listener survey to help shape the show: My Perfect Console with Simon Parkin Survey 2025 Hosted on Acast. See acast.com/privacy for more information.

(1) "Cap or No Cap" on Rams trade, Penny's off-season "testing" & Grizz Draft (2) Fred Smith, Cello Jackson & Parker Pounds signed w Memphis & player intros

What does it mean to become a "Sound Liberator"?In this episode of The Piano Pod, pianist, composer, educator, filmmaker, scholar, and advocate Joe Williams joins host Yukimi Song for a wide-ranging conversation on artistry, legacy, belonging, improvisation, education, and the evolving landscape of concert music.Currently pursuing a PhD in composition at the University of Hawaiʻi at Mānoa, Williams has built a multifaceted career championing composers of African descent while developing his own distinctive creative voice. From premiering new works and producing documentary films to contributing scholarship on Florence Price and composing music rooted in liberation, spirituality, and human connection, Williams exemplifies what it means to be a 21st-century artist.Throughout the episode, listeners will hear musical excerpts featuring works by Florence Price, Maria Thompson Corley, Richard Thompson, Brian Raphael Nabors, and Joe Williams himself.

This Episode introduces “THE BUZZ”, my new single.   I think you know by now that I pride myself on the variety of my music. I cross a lot of genres. But this one maybe takes the cake. I like to describe “The Buzz” as short, sweet and totally different. With me today are the two extraordinary musicians who are featured on the track - Darius de Haas and Dave Eggar. Darius is the vocalist. He is a Broadway star of “Rent” and “Kiss of the Spider Woman”, and he's the singing voice of the character Shy Baldwin on the international hit “The Marvelous Mrs Maisel”. Dave Eggar plays the cello on the track. He is a world class musician who also crosses genres from rock to jazz to classical. He played on my recent single, “Ma Petite Fleur String Quartet”, and he's the guy who played the iconic cello work on Coldplay's massive hit “Viva La Vida”. Both have previously been guests on the podcast. --------------------------------------- “THE BUZZ”Click Here For The Official VideoClick Here For All Links —-------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- Connect with DARIUS:www.dariusdehaas.comConnect with DAVE:www.domomusicgroup.com—-------------------------------------- Audio production:Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

In the first hour of Stokely and Evans with Mark Schlereth, Mike Rice and Marcello Romano sit in for the guys for this Memorial Day. They react to a shocking 5-3 Game Three loss to send the Avalanche to a 3-0 series deficit. They cover a couple of NBA headlines like the Western Conference Finals and the All-NBA teams. They try to make sense of the Avs’ stunning collapse as they fill in some blanks. Jamal Murray made his first All-NBA team. Does this make him a more valuable trade piece in the offseason? Mike and Cello end the first hour discussing the Avs’ key injuries heading into Game 4.  

For the second hour of Stokely and Evans with Mark Schlereth, Mike Rice and Marcello Romano sit in for the guys for this Memorial Day. The guys try to diagnose the biggest problem with the Avs that has led them to an 0-3 hole. Mike and Cello point out the Avs’ issues across the roster and on the bench and rank which one takes highest priority. They project what Bo Nix and the offense will look like under the leadership of Davis Webb. What’s Trending? The Avs are trending down, Spurs making believers, the closest Indy 500 ever, and the untimely passing of Kyle Busch.  

In hour three of Stokely and Evans with Mark Schlereth, Mike Rice and Marcello Romano sit in for the guys for this Memorial Day. They come out of halftime having a difficult discussion about Jared Bednar. How hot is Bedsy’s seat? Do the Avalanche need to make a change on the bench if they don’t make it out of this series? There are two young team on top of the Western Conference that aren’t going anywhere soon. Is there any way the Nuggets can find their way back into championship contention, or are they stuck? Mike and Cello end the third hour debating whether the bigger concern for the Avalanche is the injuries or the underachieving from their stars.  

For the fourth and final hour of the day on Stokely and Evans with Mark Schlereth, Mike Rice and Marcello Romano sit in for the guys for this Memorial Day. They discuss how the Avs could find a spark in a do-or-die Game 4. Is it time to make a switch back to Mackenzie Blackwood? They discuss what the Brocos’ offense will look like with Davis Webb in charge. What does it mean to “let it rip”? Could Sean Payton take the play calling back? Mike and Cello cap off our Memorial Day show previewing a do-or-die Game 4 tomorrow night.  

Polyphonic Size - "Space Rejection" - Saison 1979-82 Helios Creed - "The Sky" - b/w Nothing Wrong Anthony Moore - "Mare's Tail pt.2 (excerpt)" - Mare's Tail Daria Semegen - "Electronic Composition no.1" - Electronic Music Winners V/A Catherine Juan & Ikue Mori - "Smell" - Tellus Tools VA Elzbieta Sikora - "Suite for Cello and Tape (1990)" - Waraw Autumn '97 va Delia Derbyshire & Malcolm Clarke - "Sounds from the EMS Synthesizer side 2 (excerpt)" - Sounds from theEMS Synthesizer Cocteau Twins - "Beatrix" - Treasure Claude Larson - "Savannah" - Environment Walter Rizzati - "Main Theme" - 1990 I Guerrieri Del Bronx - Colonna Sonora Originale Depression - "Endless Armies" - Ultra Hardcore Mego Heavy Punk Metal Thrash Naked Whipper - "Whore of Damnation" - Painstreaks The Accused - "Halo Of Flies" - More Fun Than An Open Casket Funeral Ground Zero - "Flying Across the J.P. Yen (excerpt)" - Revolutionary Pekinese Opera Ver.1.28 https://www.wfmu.org/playlists/shows/164500

For the second hour of Stokely and Evans with Mark Schlereth, Stink and Stoke tell us as much as they can about the big time Broncos event yesterday. They preview tonight's Game 1 matchup against Vegas as they worry about Cale Makar’s status for tonight’s tilt. Cello asks the players about how pro athletes are wired, is it possible to get the hunger and dawg mentality back after losing it? They dive into the mental aspect of the Stanley Cup playoff grind between managing the grind, how Gabe’s leadership affects the team, and both teams’ playoff pedigree.  

Dr. Mei Rui is a Yale-trained molecular biophysicist, concert pianist, and clinical researcher at MD Anderson Cancer Center, where she runs trials on the measurable effects of music on the human body. In this conversation, we explore what actually happens in the brain the moment music enters it, why the auditory system is the first sense to develop in the womb and the last to go when we die, and how something as accessible as a curated playlist can outperform FDA-approved pharmaceuticals in reducing cortisol.What We Dive Into:1. Music is not a supplement to healing. In the right context, it is the intervention.2. The brain responds differently when you actually show up for the music.3. A longitudinal study in twins showed that three to four years of musical training reduced the risk of Alzheimer's and cognitive decline by 64%, an effect size found in no other single activity.THANK YOU TO OUR SPONSORS:Oneskin — Code KNOWTHYSELF for 15% off - Limited time only!https://oneskin.co/KNOWTHYSELFBASED Body Works — Code KNOWTHYSELF for 20% and a free toiletry bag!https://www.basedbodyworks.com___________00:00 Introduction: Dr. Mei Rui01:44 A Life Between Music and Science05:26 What Happens When Music Enters the Brain07:26 How the Brain Processes Sound and Music11:32 Why Minor Keys Feel Sad: The Science of Tonality14:37 Live Piano Demo: Matching Music to Mood19:06 Music in the Operating Room27:41 Music as Medicine: Clinical Applications29:10 The 32% Cortisol Study31:19 The 16 Compositional Elements of Healing Music35:11 Oxytocin, Familiarity, and the Parasympathetic Response36:18 Timbre and the Cello's Resemblance to a Mother's Voice42:31 Cymatics: Sound Made Visible45:16 The Ancient Roots of Music as Healing47:09 Listening vs. Playing an Instrument55:33 The Musician's Brain: Structural Differences57:46 Music Training and Protection Against Alzheimer's59:44 Music, Empathy, and Neural Synchrony1:01:36 The EEG Experiment: Reading André's Brain Live1:18:21 What the EEG Data Revealed1:22:26 Music, Flow State, and the Disappearance of Self1:26:55 Music as Spiritual Medicine1:30:23 How to Listen More Intentionally___________MORE FROM MEI✨Instagram: https://www.instagram.com/@meiruipianoMORE FROM KNOW THYSELF

Cello and piano can be a brutal matchup when nobody makes room, but when the balance is right it becomes one of the most revealing duo formats in music. We sit down with cellist Matt Haimovitz and pianist Christopher O'Riley to trace how their partnership started, why it clicked so fast, and what they've learned from years of turning rehearsal into a kind of shared research lab.We talk about building programs that cross borders without losing rigor, from Shuffle Play Listen to projects that pull ideas from Beethoven, contemporary music, and arranged songs by artists like Radiohead. Chris shares the pianist's responsibility for momentum and for protecting the “lyric impulse,” and Matt explains how true collaboration feels less like compromise and more like testing ideas until the music tells you what it needs.Then we go deep on Bach Dialogues: Bach sonatas reimagined with a five-string Baroque cello piccolo and the clavichord, an instrument Bach loved for its dynamic control and string-like touch. They unpack the realities of gut strings, pitch standards like A=415, why the clavichord is both expressive and famously quiet, and how modern recording and modeling technology can help bring an “impossible” instrument pairing to life onstage and in the studio.If you care about chamber music, historically informed performance, Bach interpretation, or simply how great musicians listen to each other, this conversation is full of practical insight. Subscribe, share this with a musician friend, and leave a review so more listeners can find the show.For more information on Matt: https://www.matthaimovitz.com/You can also find Matt on Facebook and Instagram: @MatthaimovitzYoutube: @MatthaimovitzFor more information on Chris: https://christopheroriley.com/You can also find Chrison Facebook and Instagram: @christopher_oriley_Youtube: @ChristopherORiley360To download "The Bach Dialogues https://www.pentatonemusic.com/product/the-bach-dialogues-digital-only-album/If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

With the fate of the world in their hands, the team enters the domain of the Nameless God one final time. Unnatural Horrors is ⁠⁠now available in hardcover⁠⁠! Story by Travis Vengroff & K.A. Statz (Game Masters) Produced, Edited, and with Sound Design by Travis Vengroff  Co-Sound Design, Co-Editing by Asbjørn Guldager & Finnur Nielsen Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Asbjørn Guldager & Travis Vengroff Cast: Narrator / Co-Game Master – Travis Vengroff Narrator / Co-Game Master – K.A. Statz Jeff Goldblum – Balmur Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike / Glóey Westpike – Hem Brewster Soren Arkwright – Peter Joeseph Lewis David Ault – Iaus Innskeep Music:Music Director / Arranged by - Travis VengroffMusic Engineer (Musiversal) - Gergő Láposi "Motus" – Arranged with Accordion by Travis Vengroff, with Cello by Studio Pros, & stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov, Mixed by Finnur Nielsen "Theme of the Realmweaver" "The Dead Pines" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring "Dark Dice: The Musical" - Sung by Peter Joseph Lewis, Lyrics by Travis Vengroff & Brandon Boone, Melody by Steven Melin "Weaver of Fate" - Written and Performed by Steven Melin, Lyrics by Travis Vengroff with Cello by Sam Boase-Miller, Hurdy Gurdy, Lutes, and Dulcimer by Enzo Puzzovio, and Choir by the Budapest Scoring Choir "The Old Ritual" Written & performed by Brandon Boone "Virtues of the Destined" & "Lights Beyond the Trees" – Written by Yuzo Koshiro, Orchestrated and Mixed by Steven Melin, Lyrics & Translations by Travis Vengroff & Florian Seidler, Woodwinds by Kristin Naigus, Violin by Matheus Garcia Souza, Hurdy-Gurdy by Matthias Loibner, Hammered Dulcimer by Kyle Paxton, Glockenspiel by Travis Vengroff, Budapest Strings, Choir, and Brass recorded by Musiversal "Danse Sanguis" - Written and Performed by Steven Melin, and Travis Vengroff, arranged and performed by Steven Melin, with Cello by Sam Boase-Miller, and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "Conspiracy" written and performed by Brandon Boone, orchestrated by Christopher Siu & Catherine Nguyen, Budapest Strings (orchestra) recorded by Musiversal, Budapest Choir Recorded by Budapest Scoring, mixed by Steven Melin "Unchecked Ambition" - Co-Written by Travis Vengroff, Co-Written, Orchestrated, and Mixed by Steven Melin, Other credits match ^ "The Light of Eastwood" "Westmann's Hold" "Audin" & "Victory Jingle" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring, Feat. Vocalist Amelia Jones "Valor" – Written by Nobuo Uematsu & Steven Melin, Orchestrated and Mixed by Steven Melin, Lyrics & Translations by Travis Vengroff & Florian Seidler, Budapest Strings, Choir, and Brass recorded by Musiversal "Empty Hearts" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "A Burden Shared" - Written by Steven Melin, featuring Violin by Matheus Garcia Souza, & Hammered Dulcimer by Kyle Paxton Dark Dice art by Allen Morris with lettering by Kessir RilinikiThis is a Fool and Scholar Production.Check out our Merch: www.DarkDice.comFree Transcripts are also available: https://www.patreon.com/posts/dark-dice-22460850 Special Thanks to:You, our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings:If you've gotten this far, you know the drill. Learn more about your ad choices. Visit megaphone.fm/adchoices