Podcasts about Cello

Marcello Romano and Danny Williams are filling in for Dover and Cecil as we gear up for the fourth of July weekend! We asked you to get involved and you delivered! What are some of the best summer blockbuster movies and what songs make you think about Summer? The Denver Nuggets have come out swinging to start the offseason and everyone is excited, but Cello isn’t sold just yet. What do the Denver Nuggets have to prove during the regular season to convince Cello? Is coaching important in the NBA or should we not be worried about the Nuggets going into this important season with a first year head coach? The Broncos also made a lot of free agent acquisitions! Do those players make this a win now window for the Broncos? Who had a better off season, the Broncos or the Nuggets?

Comedian Erica Rhodes joined the show to talk interacting with machines, why the cello is the sexiest instrument and what it's like to get on stage and not make Simon Cowell laugh. Plus, Double or Nothing and one tough Bargument. See omnystudio.com/listener for privacy information.

The Cello Sherpa Podcast Host, Joel Dallow, interviews cellist Emilio Colón. Emilio is Professor of Cello at the Jacobs School of Music at Indiana University. After getting off to a rocky start with his teacher Janos Starker, Emilio talks about how he felt that he was dead last amongst his peers on the cello, which in turn motivated him to work as hard as he could to prove that he had what it took to be successful. Shortly after graduating from Indiana, Janos Starker called him and invited him back to join the cello faculty of his alma mater, making him the second youngest professor ever selected to teach at the Jacobs School of Music, at the age of 26.   For more information on Emilio: https://emiliocolon.com/You can also find Emilio on Instagram and Facebook: @colon_emilioIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Wie sieht die Zukunft der Musik aus? Wer kann mitmachen? Wie prägt und formt Musik eine Gesellschaft? Fragen, die sich Boris Matchin und Amadeus Tempelton gestellt haben. Beide sind Musiker, beide spielen Cello und beide sind davon überzeugt, dass Musik die Welt verändert. Also haben sie TONALi gegründet, zunächst als Instrumentalwettbewerb, inzwischen kooperieren sie mit großen Konzerthäusern, Festivals, Hochschulen und Universitäten. TONALi will junge Menschen für Musik begeistern, Talente fördern, Räume für ein kreatives Miteinander schaffen. 15 Jahre besteht TONALi. Über die Anfänge, die Idee, das Programm sprechen die beiden Musiker und Gründer von TONALi mit Friederike Westerhaus in NDR Kultur à la carte.

Aktuelle experimentelle Musik, drei Tage lang im Dauerrausch: das nach wie vor revolutionäre Ear We Are Festival in der Alten Juragarage Biel ist eine Bühne für installative Objektkunst bis hin zu Noise, Jazz und elektroakustischer Improvisation. Inklusive Lust am Suchen, am Wagen, am Risiko. Von Underground bis Hochkultur, von roh bis filigran – wir senden Ausschnitte aus der 14. Festivalausgabe. Mit Tomoko Sauvage und dem Wet Ink Ensemble. Josh Modney: Lynx [2023] for violin, cello, and electronics Eric Wubbels: chlorophyll from Second Nature [2024- ] for alto flute, computer-controlled cymbals, and percussion Mariel Roberts Musa: Jalan Mentari [2025] Ingrid Laubrock: Fight, Flight, Freeze [2023] for violin, cello, piano, percussion, and electronics Sam Pluta: Lines on Black [2018] for flute, percussion, violin, cello, and electronics Wet Ink Ensemble (Sextett) Tomoko Sauvage: «Waterbowls» Konzert vom 6. Februar 2025, Alte Juragarage Biel Das Konzert steht unbeschränkt zum Nachhören zur Verfügung.

Hi Podience! We have YET ANOTHER PIANIST on the pod. Ding ding ding! You heard it right! It's pianist/composer/conductor Mikael Darmanie, the gendre defying piano-core-space-hop artist whose AI biography we have debunked on the pod. Get to know him real time with us and hear our collective ghosts of gags past, listen to us improvise a new music hit and join in our niche classical music sh*t talking. Thanks for tuning in! 

6/19/25: Transgender SCOTUS decision with attys Bill & Buz. Talking Red Sox with sportscaster Scott Cohn. Daily Hampshire Gazette Managing Editor Chad Cain the news fit to print. Rabbi David Seidenberg: Israel/Iran, Gaza, & Juneteenth. Ruth Griggs w/ cellist Jeremy Harman: New Directions Cello Fest at Bombyx.

Iannis Xenakis: Rebonds B für Perkussion Arvo Pärt: Spiegel im Spiegel für Cello und Harfe Iannis Xenakis: Rebonds A für Perkussion Alexander Knaifel: O Heavenly King für Cello und Harfe Steve Reich: Marimba Phase für 2 Marimba Alexander Knaifel: «Solaris» für 35 Gongs John Adams: Shaker Loops für 7 Streicher Sebastian Bohren, Violine Felix Froschhammer, Violine Hyunjong Reents-Kang, Violine Hannes Bärtschi, Viola Patrick Demenga, Cello Stéphanie Meyer, Cello Käthi Steuri, Kontrabass Sarah o'Brien, Harfe Matthias Würsch, Perkussion/Marimba Christian Rombach, Perkussion/Marimba Konzert vom 12. Juli 2024, Musikfestwoche Meiringen Das Konzert steht unbeschränkt zum Nachhören zur Verfügung.

A teen cellist plays an electrifying arrangement of Monti's Czardas and speaks about organizing his own concert series to benefit a special Boston-area music program. We also meet a trio of close friends who met at summer camp and perform Clara Schumann.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Even before his diagnosis of long COVID in 2020, cellist Joshua Roman had carved a unique niche in the classical music world. A former principal cellist of the Seattle Symphony turned soloist and curator, Joshua built a career that combined artistic excellence with a passionate commitment to making music relevant and accessible. Whether premiering bold new works or improvising in unexpected settings, he was—and remains—a restless innovator with an unshakable belief in music's power to heal, connect, and transform.Long COVID has altered nearly every aspect of Joshua's life, from his physical stamina to how he plans his days to the way he relates to his instrument. Yet instead of sidelining him, the illness has led Joshua to reevaluate the very foundations of his artistry. The result is a new clarity and focus—not only about which projects deserve his limited energy but also what kind of artistic legacy he wants to build. His latest initiative, “The Immunity Project,” exemplifies this shift: a collection of performances and reflections that foreground music's emotional and restorative capacity, drawn directly from his personal experience of illness and recovery. The project now also includes a recently released album titled “Immunity.”In this interview, Joshua opens up about the physical and existential recalibrations he's made in order to keep performing, why he now only practices when he truly wants to and how chronic illness has deepened his artistic mission. He also shares his hopes for a classical-music ecosystem that makes space for artists to be fully, honestly human — onstage and off.https://www.joshuaroman.com/

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friend is Micah Ling! We recorded this at her home in Lansing, MI, then we ran out of time, and we finished at Wheatland Traditional Arts Weekend. Songs and tunes in this episode: * Le Valse de la Rebec (Bruce Ling original) (1:05) * Are You Tired of Me, My Darling (19:19) * Maggie Meade (46:43) * Sister Thou Art Mild and Lovely (1:21:24) * Adieu False Heart (1:32:55) * BONUS TRACK: Coleman's March Email Micah Ling if you want to read her dissertation: micah.j.ling@gmail.com Buy her album Kingdom Come (https://micahling.bandcamp.com/album/kingdom-come) The last Earful of Fiddle Music & Dance Camp will happen in central Michigan on June 22-27. Join me, Becky Hill, Ben Nelson, AJ Srubas, Rina Rossi, Ruby John, Sheila Graziano, Bruce Bauman, Ethan Setiawan, Louise Bichan, Grace van't Hof, Lindsay McCaw, and more for 5 days of classes, jams and dances. Learn from and hang with world-class contemporary trad musicians and dancers in a beautiful lakeside setting. For more information or to register, go to earfuloffiddle.com (http://earfuloffiddle.com/), which is linked in the show notes. See you at Earful! Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas (https://fundraising.fracturedatlas.org/get-up-in-the-cool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/)

Interpreten: Pablo Ferrández, Julien Quentin, Swedish Chamber Orchestra, Martin FröstLabel: Sony ClassicalEAN: 198028986328Manchmal darf es auch wohlklingender Hochglanz sein, der es zur CD der Woche auf radio klassik Stephansdom schafft. Wie das Album Moonlight Variations des Cellisten Pablo Ferrández. „Nachtmusiken“ scheinen derzeit Hochsaison zu haben, wenn man an die Nocturnes-, Serenaden- usw. CDs der vergangenen Wochen und Monate denkt. Mit der Nacht in der Musik hat sich nun auch Pablo Ferrández beschäftigt, und das, obwohl er laut eigener Aussage ein ausgesprochener Morgenmensch ist. Träumerische Melodien von Schumann, Schubert, Liszt, Debussy, Chopin, Ponce und Dvořák hat der junge Cellist Ferrández teils in Originalbearbeitungen, teils in Eigenarrangements mit Orchester- oder Klavierbegleitung aufgenommen. Mit den Rokoko-Variationen von Peter Iljitsch Tschaikowsky findet die CD aber auch einen ganz und gar nicht nächtlichen Höhepunkt, aus musikalischer Sicht aber völlig irrelevant…„Einer der Gründe, weshalb ich so gerne Lieder spiele, ist, dass wir mit dem Cello immer zu singen versuchen.“ So wird Pablo Ferrández im Beiheft der CD zitiert und genau das gelingt ihm auch in den unterschiedlichen Bearbeitungen auf dieser CD. Schon bei Rusalkas Lied an den Mond zur Eröffnung oder auch Schuberts Nacht und Träume. „Heil'ge Nacht, du sinkest nieder; Nieder wallen auch die Träume, wie dein Mondlicht durch die Räume, durch der Menschen stille Brust.“ Da ist er wieder, der Mond. Schumanns Träumerei oder der dritte Liebestraum von Liszt fügen sich genauso ins Spektrum und erhellen den musikalischen Nachthimmel, wie der kleine Stern Estrellita des mexikanischen Komponisten Manuel Ponce. Selten genug, dass das Hauptwerk einer CD, wie hier die Rokoko-Variationen von Tschaikowsky, zur Zugabe mutiert. Makellos und musikantisch gelingen die sieben Variationen auf ein Rokoko-Thema, wobei auch das Schwedische Kammerorchester unter Martin Fröst seinen Anteil daran hat. Aufmerksam wie die sprichwörtlichen Haftlmacher begleiten die Musikerinnen und Musiker und legen so ein Fundament, auf dem es sich wunderbar solieren lässt! Das Finale ist dabei ein feingezeichnetes Feuerwerk, bei dem sich Orchester- und Solostimme herrlich ineinander verschränken. (mg)

El Cello Samba Trio con 'Tim tim por tim tim', 'Maracatuesday', 'Eu vim da Bahia', de Gilberto Gil, y 'Coração vagabundo', de Caetano Veloso, del primer disco de Lula Galvão, Rafael Barata y Jaques Morelenbaum titulado 'Saudade do futuro futuro da saudade'; Dora Morelenbaum, la hija de Jaques, canta 'Não vou te esquecer', 'Essa confusão', 'Caco' y 'VW blue' en su disco 'Pique'; Bala Desejo, cuarteto que forman Dora Morelenbaum, Zé Ibarra, Lucas Nunes y Júlia Mestre, con 'Baile de máscaras' y 'Lua comanche' y Zé Ibarra cantando 'São Vicente', de Milton Nascimento, 'Itamonte' y 'Dó a dó', canción suya y de Dora Morelenbaum, grabada como instrumental por el Cello Samba Trio.Escuchar audio

Episode 176 Chapter 35, Live Electronic Music— Historical Practices. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 35, Live Electronic Music— Historical Practices from my book Electronic and Experimental music.   Playlist: LIVE ELECTRONIC MUSIC—HISTORICAL PRACTICES   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Karlheinz Stockhausen, “Mikrophonie I” (1964) from Mikrophonie I · Mikrophonie II.   Mikrophonist 1, Johannes Fritsch; Mikrophonist 2, Harald Bojé; Electronic Filters and Potentiometers 1, Karlheinz Stockhausen; Electronic Filters and Potentiometers 2, Hugh Davies, Jaap Spek; Tam-tam, Aloys Kontarsky; Tam-tam, Fred Alings.  Brüsseler Version 1965 recorded at WDR, Cologne. 07:24 01:42 2.     AMM, “In The Realm Of Nothing Whatever” (1966) from AMMMusic 1966. Cello, Accordion, Clarinet, Transistor Radio, Lawrence Sheaff; Electric Guitar, Transistor Radio, Keith Rowe; Music by, Cardew, Prévost, Rowe, Sheaff, Gare; Percussion, Eddie Prévost; Piano, Cello, Transistor Radio, Cornelius Cardew; Tenor Saxophone, Violin, Lou Gare. Recorded on the 8th and 27th June 1966 at Sound Techniques. 13:22 09:06 3.     Musica Elettronica Viva (MEV), “SpaceCraft” (1967) from MEV 40. Mbira Thumb Piano Mounted On A Ten-litre Agip Motor Oil Can, Contact Microphones, Amplified Trumpet, Voice, Alvin Curran; Amplified Glass Plate With Attached Springs, Contact Microphones, Frederic Rzewski; Homemade Synthesizer from Electronic Organ Parts, Allan Bryant; Moog Modular Synthesizer, Contact Microphones, Voice, Richard Teitelbaum; Tenor Saxophone, Ivan Vandor; Voice, Carol Plantamura. 30:45 22:26 4.     David Tudor, “Rainforest Version One” (1968) from Rainforest. Live electronics, David Tudor, Takehisa Kosugi. Used transducers to amplify objects. Recorded by Rob Miller. 21:50 53:10 5.     Karlheinz Stockhausen, “Kurzwellen” (1968), excerpt from Festival of Hits. Composed By, Mixed By, Electronics, Filters, Potentiometers, Karlheinz Stockhausen; Electronium, Harald Bojé; Tamtam, Alfred Alings, Rolf Gehlhaar; Piano, Aloys Kontarsky; Electric Viola, Johannes G. Fritsch. This is the opening of this long work, excerpted for this strange collection of greatest “hits” by Stockhausen (you had to be in 1970 to understand this). Kurzwellen is a piece where the musicians need to improvise and react to signals they receive on randomly tuned shortwave radios. This is from the Cologne recording made in the Rhenus studio in Godorf for the Cologne Radio (WDR, Westdeutscher Rundfunk Köln) on the 8th and 9th of April 1969 (53'30), which was record 2 of the original 2-record set. By the way, this ensemble also featured the Electronium Pi, made by Hohner beginning in 1952. It was a monophonic, electronic keyboard instrument and was an add-on instrument for the piano mounted under the keyboard, which is the model used by Stockhausen. His keyboardist, while Harald Bojé used the accordion-like model. 06:19 01:14:56 6.     The Music Improvisation Company, “Tuck” (1970) from The Music Improvisation Company. Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. 03:00 01:21:14 7.     David Tudor, “Rainforest IV” (1973) from Rainforest IV.  Composed in 1973 by David Tudor; performed by Composers Inside Electronics (David Tudor, Martin Kalve, Philip Edelstein, Ralph Jones, Bill Viola, John Driscoll). Recorded at the exhibition "Für Augen und Ohren - Von der Spieluhr zum akustischen (Environment (For eyes and ears - from the mechanical clock to the acoustic environment)" at the Akademie der Künste, Berlin, January 1980. 25:12 01:24:24 8.     Maryanne Amacher, “"Head Rhythm 1" And "Plaything 2" (1999) from Sound Characters (Making The Third Ear). Electroacoustic composer of sound installations, best known for her incorporation of otoacoustic emissions -- sounds that seem to be emanating from inside one's own head. This track plays with that concept and sets your brain up to experience itself, so to speak. 10:04 01:49:36 9.     Caroline Park, “Grain 5” (2011) from Grain. This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed by Caroline Park. 09:05 01:59:32 10.   Caterina Barbieri. “This Causes Consciousness To Fracture” (2017) from Patterns Of Consciousness.  Italian composer and musician from Bologna. This album was created using analog synthesis. Barbieri has said, “In Patterns of Consciousness I was interested in exploring the power of sound on our consciousness. I wanted to explore how a pattern creates a certain state of consciousness and how the gradual transformation of that pattern can affect that state of consciousness. I believe that sound is a tool for the exploration, reconfiguration and expansion of human perceptions.” I find this to be in a similar psychological vein as the Amacher work also heard in this episode. 22:44 02:08:36 11.   Sarah Davachi, “First Cadence” (2021) from Antiphonals. Composed, recorded, performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. 05:48 02:31:20 12.   Asha Tamirisa, “Live Performance,”(2023) at the Waterworks 2023: Festival of Experimental Sound. Laptop synthesis, snare drums, Asha Tamirisa. Soundtrack for a video recorded by Wenhua Shi & Nick Stevens, video editing by Nick Stevens, and audio recording and mixing, Matthew Azevedo. 25:10 02:37:02   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Interpreten: Harriet Krijgh, Nikita Boriso-Glebsky, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor BühlLabel: CapriccioEAN: 845221055350Der Dirigent Gregor Bühl setzt bei Capriccio seine Reihe mit Konzertmusik von Miklós Rózsa fort. Für Michael Gmasz ein absolut spannendes Projekt, das sich unbedingt mehr Aufmerksamkeit verdient!  Es ist für mich immer wieder faszinierend, Komponisten, die man mit ganz bestimmten Werken oder einem bestimmten Genre verbindet, quasi neu zu entdecken. So wie Miklós Rózsa, der mit seinen Filmmusiken zu Ben Hur und El Cid unsterblich geworden ist, mit seiner Konzertmusik auf unserer CD der Woche. Wie seine „avantgardistischen“ Landsmänner Bartók und Kodály hat sich auch Miklós Rózsa mit traditioneller ungarischer Musik auseinandergesetzt und diese notiert. In vielen seiner, vor allem späteren, Werke findet sich das ungarische Kolorit wieder, das er in seinen Jugendjahren und Studientagen im kleinen schwarzen Notizbüchlein aufgeschrieben hat.Rózsa jedoch auf das ungarische Kolorit zu reduzieren wäre weit gefehlt. Gemäßigt modern, meist der Tonalität verpflichtet – so lässt sich der Kompositionsstil von Miklós Rózsa am besten beschreiben. Und so verhält es sich z.B. mit dem Hauptwerk dieser CD, der Sinfonia Concertante für Violine, Cello und Orchester Op. 29. Kurz nach der Musik zu Ben Hur fertiggestellt, ist dieses Werk von der Filmmusik überraschenderweise ziemlich abgekoppelt. Nikita Boriso-Glebsky an der Geige und Harriet Krijgh am Cello spielen sich virtuos durch die herausfordernden Soloparts, die ursprünglich von keinen Geringeren als Piatigorsky und Heifetz uraufgeführt wurden! Akzentuiert und energiegeladen der erste Satz, einer lyrischen ungarischen Melodie zu Grunde liegend der zweite Variationssatz, noch am ehesten der Filmmusik zuzuordnen, der aufregende Finalsatz. Eine kleine Verschnaufpause mit einem klingenden Ausflug auf die ungarische Puszta gönnen uns Gregor Bühl und die Deutsche Radiophilharmonie Rheinland-Pfalz mit dem Notturno ungharese Op.28. Absolute Entdeckung für mich auf dieser CD ist aber die Cello-Rhapsodie Op.3, in der Harriet Krijgh als Solistin in allen Belangen aus dem Vollen schöpfen kann. (mg)

Kadiatu Kanneh-Mason on what it takes to keep up with her seven children — all of them gifted classical musicians (R).Kadiatu is a former English academic and the mother of seven extraordinary children.All of them are gifted classical musicians.Her eldest daughter, Isata wrote and performed her first piano concerto at the age of eleven.Her son Sheku mastered the cello and performed at the royal wedding of Harry and Megan Markle.Every day the seven Kanneh-Masons, who range from early teens to the mid-twenties, fill the family home with glorious, sometimes chaotic, music.This episode of Conversations explores music education, classical music, accessibility to music, Isata, Braimah, Sheku, Konya, Jeneba, Aminata, Mariatu, piano, violin, cello, orchestra, state school, public education, big families, motherhood, fatherhood, prejudice, mixed race families, music is for everyone, how to learn the violin, gifted children, raising gifted children, gifted and talented.Further informationHouse of Music: Raising the Kanneh-Masons is published by Oneworld.Kadiatu's newest book, also published by Oneworld, is called To Be Young Gifted And Black.

Great conversation with Executive Director of Mata Festival Pauline Kim Harris and featured composer Jessie Cox.Music at the Anthology (MATA) celebrates its 27th Annual Festival with performances at the Issue Project Room in Brooklyn from June 11th to 14th 2025Titled Intergalactic Infinity: Music Between Spaces, the festival promises to be an incredible few days of sounds, creativity and imagination, that will blow your mind.The episode serves as a way to dive in into the world of MATA, the process of curating a festival of this caliber, and a behind the scene view into the creative process of composers, their source of inspiration, their grit, how they view the future of music and a lot of fun topics you will love!We cannot wait for you to learn more about MATAThanks for listening and please Subscribe, Rate and Review the Podcast. A lot of work goes into bringing Down the Pit to you, and we would to know your thoughts on how we are doing! To become a Down the Pit supporter for as little as $0.99/month, please visit ⁠⁠⁠https://podcasters.spotify.com/pod/show/down-the-pit⁠⁠⁠Visit tonebase.com for some amazing online courses and lessons for Violin, Piano, Cello, Flute, Guitar, etc. The best online platform with hundreds of instructional videos and lessons for musicians of all levels! Check it out and use Promo Code ⁠⁠⁠SAMI-30⁠⁠⁠ at Checkout for a 14-day FREE trial and 30% off for a yearly subscription. Sign up TODAY!Thanks to our corporate sponsor ⁠⁠⁠U.S. PAVE⁠⁠⁠ for their continued support!We are on Instagram/TikTok/Twitter @downthepit_podFacebook: Down the Pit PodcastCo-hosts: Sami Merdinian: ⁠⁠⁠@samimerdinian⁠⁠⁠  Ian Loew: @lunchmeat1836Producer: Sami Merdinian Mata Festival 2025For tickets and passes click HERE Guests: Pauline Kim Harris - https://www.paulinekimharris.com/Jessie Cox - https://www.jessiecoxmusic.com/⁠⁠Please Support this podcast for more interviews!⁠⁠

ANNA OUSPENSKAYA, CLASSICAL PIANIST FORMERLY FROM THE FORMER SOVIET UNION WITH SAMPLES AND FULL SELECTIONS OF SEVERAL CLASSICAL PIECES INCUDING: SAMPLES OF Rodion Shchedrin, Basso Ostinato from Two Polyphonic Pieces, Mendelssohn Trio Op 66 in C minor. 1st movement AND BOTH MOVEMENT 2 AND 3 FROM Babajanian trio in F-sharp Minor 2nd and 3rd movements.AS WELL AS COMPLETE PIECES Chopin Sonata for Cello and Piano Op.65, in G Minor, 1st movement, Tchaikovsky Concerto for Piano and Orchestra No. 2 in G Major, 1st movement. AND Tchaikovsky Concerto for Piano and Orchestra No. 2 in G Major.

Seit wenigen Jahren gedenkt das EU-Parlament jeweils mit einer speziellen Erinnerungsfeier der Opfer des Holocaust. Dieses Jahr mit einem besonderen «Gast»: Dem Cello des Holocaust-Opfers Pàl Hermann. Überall in Europa nimmt der Antisemitismus stark zu. Die Terrorangriffe der Hamas vom 7. Oktober 2023 und die massive militärische Reaktion Israels im Gazastreifen haben diesen Trend verstärkt. Drei-Viertel der europäischen Jüdinnen und Juden verbergen darum zumindest gelegentlich ihre jüdische Identität. Der stete Kampf gegen Antisemitismus sei untrennbar mit dem aktiven Erinnern an den Holocaust verbunden, unterstrich bereits die erste Frau an der Spitze des Europäischen Parlaments, die Französin Simone Veil, selbst eine Holocaust-Überlebende. Im Zentrum der Erinnerungsfeier an den Holocaust im EU-Parlament standen 80 Jahre nach der Befreiung der Deportierten im Vernichtungslager in Auschwitz für einmal nicht Zeitzeuginnen, sondern ein Instrument: Das Cello des Holocaust-Opfers Pàl Hermann. Dieses Instrument, untrennbar verbunden mit dem jungen jüdischen Musiker und Komponisten, steht für die Unbesiegbarkeit der Musik. Pàl Hermann wurde von der Hitler-Diktatur umgebracht. Das Cello wurde gerettet, weil der Cellist eine Notiz aus dem Güterwagen werfen konnte, in dem er deportiert wurde. In dieser aussergewöhnlichen Geschichte hat ein Cello den Holocaust überlebt - und wird zum klingenden Stolperstein gegen das Vergessen.

Exciting day ahead, join me for jazz jams!

The Cello Sherpa Podcast Host, Joel Dallow, interviews cellist Norman Fischer. Norman is Professor of Cello, and Chair of Chamber Music at the Shepherd School of Music at Rice University. Norman shares his story of how he first developed his insatiable love of contemporary music. He also talks about his journey forming the Naumburg winning Concord String Quartet to joining the faculty at Dartmouth, then Oberlin, and he gives the inside story of how Rice became one of the most sought after music schools! For more information on Norman Fischer:https://music.rice.edu/faculty/norman-fischerYou can also find Norman on Facebook and Instagram @theFischerDuoTo listen to the album 2020 Visions:https://www.navonarecords.com/catalog/nv6444/If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Comedy on a FridayFirst a look at the events of the dayThen Jack Benny, originally broadcast May 16, 1948, 77 years ago, Robert Taylor fills in for Jack.  The Sportsmen Quartet and Robert Taylor (playing the cello) do a singing commercial to the tune of, "You Were Meant For Me."Followed by George Burns and Gracie Allen, originally broadcast May 16, 1944, 81 years ago, George Tries to Sing His Way into Office. George is running for councilman and winds up giving guest Lawrence Tibbett a singing lesson. George then joins Lawrence in concert at the Hollywood Bowl! Tibett sings, "Night and Day."Then The Great Gildersleeve starring Harold Peary, originally broadcast May 16, 1943, 82 years ago, The Haunted House.  Leila has gotten the nesting instinct and thinks the Burton house would make an ideal home for the Gildersleeves!Followed by Life with Luigi starring J. Carrol Naish, originally broadcast May 16, 1950, 75 years ago, Future American.  Luigi's night school class is to take part in the "I Am An American Day" ceremonies. Luigi makes a speech. Finally, The Couple Next Door starring Peg Lynch and Alan Bunce, originally broadcast May 16, 1960, 65 years ago, Betsy Biting Her Fingernails.Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years.” One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works,” It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

•Coming-of-Age• Osman studiert Cello in Hamburg. Mit seinem Vater spricht er nicht mehr. Dann findet Osman ein Diktiergerät: Eine Geschichte, die scheinbar nichts mit ihm zu tun hat, bringt ein lang gehegtes Familiengeheimnis ans Licht. Von Katharina Mevissen WDR 2021 www.wdr.de/k/hoerspiel-newsletter Von Katharina Mevissen.

Working amidst political and personal setbacks, Mieczysław Weinberg (1919-96) flourished as a composer, admired by Shostakovich and championed by the leading Soviet musicians of the day. His death in Moscow in 1996, however, went largely unnoticed. More happily, his extensive catalogue has recently secured an increasing number of performances and recordings, witness this Naxos release of his complete music for cello and orchestra, works written largely during the earlier part of his maturity. Raymond Bisha introduces the Cello Concertino, the Cello Concerto, and the Fantasia for Cello and Orchestra.

LADIES AND GERMS - do you know how to access the dark web?? NEITHER DO WE!!!! Please text us detailed instructions to access the dark web and a front and back photo of your credit card.  We've got a RETURN TO FORM in this episode--aka gag stories up the wazoo! A wedding proposal in Central Park gone wrong! A commute with the undead! A private gig for a tech overlord! Buckle up, get your notebooks out, class is in session at Gag University.  This episode is sponsored by hangnail and used kleenex.  CHECK OUT THIS EPISODE ON YOUTUBE: https://youtu.be/yJAGx8vYsS8   

The Cello Sherpa Podcast Host, Joel Dallow, interviews cellist Alex Croxton, Alex is currently a faculty member at Mannes Prep, the Special Music School at the Kaufman Center, the Head of Cello at the School for Strings, and he has a full private studio in NYC. Alex shares about the impact the Suzuki method has had on his ability to work successfully with his students, and how it led to his interest in becoming certified as a teacher trainer. He also speaks about his own journey as a beginner on the cello at the age of 12 and he talks about the consistent building blocks of learning to tackle the cello at any level.For more information on Alex Croxton: https://www.newschool.edu/mannes/faculty/alexander-croxton/You can also find Alex on FacebookIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

In this week's episode we chat to cellist Stephanie Cummins.Having spent many years working as a freelance cellist in New York Stephanie relocated to London and has since been working in the West End on shows including Aspects of Love and Hello Dolly as well as various solo and chamber projects.We spent a lovely morning with Stephanie discussing growing up in a musical family, highs and lows in her cello studies and how things don't always work out the way we expect them to.Stephanie talks about working on Broadway and the similarities/contrasts with the West End. We discuss audiences in 2025, shows that have been particularly special to her and what drew her back to theatre after swearing off it!We also chat about exciting future projects and falling back in love with music.You can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Robert Knöll ist Kunsthistoriker und Bilderrahmer. In seinem Atelier, das die grösste Sammlung barocker Bilderrahmen beherbergt, setzt er Kunstwerke gekonnt in Szene. Kunstsammler, Museen und Galerien vertrauen ihm, wenn es darum geht, berühmte Werke in den passenden Rahmen zu setzen. Ein Handwerk, das in seiner Familie eine lange Tradition hat: Schon sein Vater war ein leidenschaftlicher Sammler und Bilderrahmer. Nach dessen Tod übernahm Robert Knöll den Familienbetrieb, doch für ihn war dieser Schritt weit mehr als nur berufliche Verantwortung – er war eine Bestimmung. «Die Beschäftigung mit Bilderrahmen ist nicht nur mein Beruf, es ist meine Passion», sagt Robert Knöll, und es ist spürbar, dass diese Leidenschaft weit über den Arbeitsalltag hinausgeht. In seinen Träumen erscheinen Bilderrahmen, die ihn in seiner Freizeit genauso begleiten wie im Beruf. Wenn es darum geht, ein berühmtes Kunstwerk neu zu rahmen, reist er zu Museen in ganz Europa, um die perfekte Wahl zu treffen. Es fasziniert ihn immer wieder, wie die Wirkung eines Bildes sich verändert, je nachdem, wie es gerahmt wird. Bereits als Kind war Robert Knöll von Archäologie begeistert – der Blick hinter die oberste Schicht, das Entdecken von Geschichte und Kultur. Diese Faszination für Details und den Kontext von Kunstwerken zieht sich durch sein gesamtes Leben und wirkt sich auf seine Arbeit aus. In «Musik für einen Gast» bei Eva Oertle spricht Robert Knöll über seine Faszination für alte Rahmen und erklärt, warum sie oft im Schatten der eigentlichen Kunstwerke stehen. Er erzählt von einem besonderen Stück aus seiner Kindheit – einem echten Donatello, der über seinem Bett hing und heute einen Platz in einem Museum hat. Und er spricht über seine Liebe zum Cello und der Musik von Brahms. Die Musiktitel: 1. Johannes Brahms Cello Sonate No. 1 in E Moll, 1. Satz Pieter Wispelway, Cello / Dejan Lazić, Piano 2. Talking Heads - Sugar on My Tongue 3. Johann Sebastian Bach – Toccata und Fuge für Orgel d-Moll, BWV 565 Hannes Kästner, Orgel 4. Pippi Langstrumpf, Original TV Serie – Seeräuber-Opa Fabian Eva Mattes, Gesang / Georg Riedel, Komponist 5. Franz Schubert – 7. Ständchen aus dem Schwanengesang, Bearbeitung für Klavier von Franz Liszt Vladimir Horowitz, Klavier

Today, a live cello recital from Kevin Hernandez, with music by Bach, Rachmaninoff and Cassadó, plus Kevin's father, Belford Hernandez. The post LIVE | Kevin Hernandez, 17, cello appeared first on WFMT.

Zlatomir Fung won the Cello category of the 2019 International Tchaikovsky Competition, and also has an enviable collection of other cello awards and prizes to his name. He was a Borletti-Buitoni Trust Fellowship Winner in 2022 and was awarded an Avery Fisher Career Grant in 2020. His debut recording, ‘Fantasies', is just out from Signum and on it he explores, with his pianist Richard Fu, a very specific genre, the virtuoso fantasy based on popular operas of the day. And Zlatomir has contributed his own fantasy based on Janáček's Jenůfa. James Jolly went to talk to him at Henry Wood Hall in London earlier this year just before a rehearsal with the London Philharmonic with whom he was performing a couple of concerts. 

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini's Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Raymond Bisha introduces the latest instalment in the Capriccio label's exploration of rarely performed or recorded symphonic works by Miklós Rózsa, outlining his maturation not only into one of the most successful film composers of all time, but also the creator of equally fine concert works. The album's programme comprises his Rhapsody for Cello, in which the young composer found his true style; the Notturno Ungherese (“a nostalgic night piece, harking back to the memories of my childhood in Hungary”); and the late Sinfonia concertante for violin and cello, a fiendishly difficult work that is among Rózsa's finest, least filmic concert works, and one of his most underrated.

The British cellist, producer, and composer Peter Gregson has collaborated with some of the biggest names in contemporary music, including Max Richter, Gabriel Prokofiev and Jóhann Jóhannsson.  His own work includes soundtracks for film and TV, electroacoustic works, and a series of string quartets. Daringly, he has also “recomposed” J.S. Bach's six cello suites for himself, a cello ensemble, and electronics. His latest album, Peter Gregson, is collection of contemporary songs without words for cello and a modular synthesizer that he built out himself. Peter Gregson plays some of these songs in-studio.  Set List: 1. Prism 2. Constellation 3. Vision

Adam's Paternity Leave persists, so we'll drop a fun ep with a slew of recognizable actors, including a title character of a show that lasted [checks notes] 12 seasons? Patreon payments are frozen for the time being. A few resourceful new Munchies have figured out a work-around where you can join as a free member and upgrade from there to a paid account which charges you for one month and unlocks the back catalog behind the respective tier of the paywall. After that first payment, you won't be charged again until we're dropping new content (which we'll warn everyone is coming), so if you want more of this it can be had, along with access to the fully uncut episodes from 100 to present and Movie Club episodes.Emily Deschanel stars in Season 3, Episode 17 of SVU, Surveillance, which features a web of people who are all dangerously obsessed with the titular Bones star. This leads Josh and Adam down a litany of bizarre and digressive topics including, but not nearly limited to, Julio Cortazar, the best sexual positions for self-filming, David Boreanaz's bank account, and, of course, which instrument in the orchestra is the sexiest. Come along for a wild ride.Music:Divorcio Suave - “Munchy Business”Thanks to our gracious Munchies on Patreon: Jeremy S, Jaclyn O, Amy Z, Diana R, Tony B, Zak B, Barry W, Drew D, Nicky R, Stuart, Jacqi B, Natalie T, Robyn S, Christine L, Amy A, Sean M, Jay S, Briley O, Asteria K, Suzanne B, Tim Y, John P, John W, Elia S, Rebecca B, Lily, Sarah L, Melsa A, Alyssa C, Johnathon M, Tiffany C, Brian B, Kate K, Whitney C, Alex, Jannicke HS, Roni C, and Nourhane B - y'all are the best!Be a Munchie, too! Support us on Patreon: patreon.com/munchmybensonBe sure to check out our other podcast diving into long unseen films of our guests' youth: Unkind Rewind at our website or on YouTube, Apple Podcasts, or wherever you listen to podcastsFollow us on: BlueSky, Facebook, Instagram, Threads, and Reddit (Adam's Twitter/BlueSky and Josh's BlueSky/Letterboxd/Substack)Join our Discord: Munch Casts ServerCheck out Munch Merch: Munch Merch at ZazzleCheck out our guest appearances:Both of us on: FMWL Pod (1st Time & 2nd Time), Storytellers from Ratchet Book Club, Chick-Lit at the Movies talking about The Thin Man, and last but not least on the seminal L&O podcast …These Are Their Stories (Adam and Josh).Josh debating the Greatest Detectives in TV History on The Great Pop Culture Debate Podcast and talking SVU/OC and Psych (five eps in all) on Jacked Up Review Show.Visit Our Website: Munch My BensonEmail the podcast: munchmybenson@gmail.comThe Next New Episode Once We're Back from Adam's Paternity Leave Will Be: Season 16, Episode 14 "Intimidation Game"Become a supporter of this podcast: https://www.spreaker.com/podcast/munch-my-benson-a-law-order-svu-podcast--5685940/support.

LADIES AND GENTLEMEN - (trigger warning) it's one day until tax day! We know your freelance taxes are a nightmare! You're so close to giving up and filing an extension! We get it! BEEN THERE - DONE THAT! This year, however, we managed to sneak in right before the deadline so that we could have your tax questions ANSWERED. In this pod, we tell you what it's like to be free of gig FOMO, we tell you what it's like to encounter a hoard of carefree boomers in a train on the way to a travel gig and, finally, we end with some priceless tax advice. 

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Deuter - I Will Wait for You；2.Clifford Curzon,Vienna Octet,Wiener Oktett - Pno Qnt, Op.81：II. Dumka：Andante Con Moto；3.Antonín Dvořák,Seiji Ozawa,Boston Symphony Orchestra - Klid for Cello&Orchestra,Op.68,No.5；4.Wiener Philharmoniker - Symphony No. 9 in E minor, Op. 95 'From the New World'：II. Largo (Opening)。

The Cello Sherpa Podcast Host, Joel Dallow, interviews Cellist Mike Block. Mike shares about his incredible multi faceted life working not just as a cellist who walks around on stage while playing, but also as a singer, composer, and educator. He also shares how he found success on such a non traditional classical music path, why he was motivated to go this direction in his career, and much more!  For more information on Mike Block check out his website: https://www.mikeblockmusic.com/For more information on 3D printed cellos: https://forte3d.com/For more information on Mike's cello strap: https://www.cellostrap.com/For more information on Mike's string camp: https://www.mikeblockstringcamp.com/You can also find Mike on Facebook, Instagram, and YouTube: @blockcello If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friends are Joy Adams and Hazel Royer of Big Richard! We recorded this last week at my home in Portland, OR. Tunes in this episode: * Been All Around this World (0:57) * In the Shadow of Clinch Mountain (14:56) * Elk River Blues (26:37) * Oh My Little Darling (please write in if you know the true title and source) (50:22) * Billy in the Lowground (1:01:43) * Bonus Track: No Corners (but Joy insists it's called Wheel Moss) (Gus Tritsch original) Visit Big Richard's website and buy their new album Girl Dinner (https://www.bigrichardband.com/) and follow them on Instagram (https://www.instagram.com/bigrichardband/) Sign up for Earful of Fiddle (https://www.earfuloffiddle.com/) Buy tickets for my April duo bill tour with Morgan Harris (morganharrisguitar.com/live) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas (https://fundraising.fracturedatlas.org/get-up-in-the-cool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/)

Episode 218: Joel Reader of The Fatal Flaw, MTX, The Plus Ones, Pansy Division, The Bomb Bassets, and Avengers talks to us about how California is vast, Hardwired to have a melody and pop sensibility, Mother's chamber trio dreams, Joining MTX as a big fan was like a mentor project, Cello to drums to bass, Dissecting regret, Moving from California to Boston and the origin story of The Fatal Flaw, Power pop talk, plus much much emotionally motivated intellectually charged more more more!The Fatal Flaw WebsiteThe Fatal Flaw Bandcamp