Podcasts about G major

ANNA OUSPENSKAYA, CLASSICAL PIANIST FORMERLY FROM THE FORMER SOVIET UNION WITH SAMPLES AND FULL SELECTIONS OF SEVERAL CLASSICAL PIECES INCUDING: SAMPLES OF Rodion Shchedrin, Basso Ostinato from Two Polyphonic Pieces, Mendelssohn Trio Op 66 in C minor. 1st movement AND BOTH MOVEMENT 2 AND 3 FROM Babajanian trio in F-sharp Minor 2nd and 3rd movements.AS WELL AS COMPLETE PIECES Chopin Sonata for Cello and Piano Op.65, in G Minor, 1st movement, Tchaikovsky Concerto for Piano and Orchestra No. 2 in G Major, 1st movement. AND Tchaikovsky Concerto for Piano and Orchestra No. 2 in G Major.

Joseph Darcourt is an American-born Peruvian-Taiwanese cellist who has been honored by three US presidents. When he was 12 -- he debut at Carnegie Hall. And at 16 he began researching the power of music at Columbia University.This program features Mr. Darcourt performing Bach's Cello Suite #1 in G Major at the West Side Community Garden in May 2025. A longer interview with excerpts from this concertI will add be added to this program in a few weeks.SCG on May 25, 2025 –We are Bar Crawl Radio Podcast – let us know what you think of our programming at barcrawlradio@gmail.com Hosted on Acast. See acast.com/privacy for more information.

In this inspiring episode of The Piano Pod, "Bach Reimagined - Artistic Innovation of Timeless Music for All Audiences," Eleonor Bindman - pianist, arranger, and recording artist - joins us for an intimate conversation about her groundbreaking work reimagining the music of J.S. Bach for solo and four-hand piano.From her bestselling Brandenburg Duets with Jenny Lin to her most recent solo project ABSOLUTE—featuring beautifully idiomatic piano transcriptions of Bach's Lute Suites—Eleonor's artistry invites musicians and listeners of all levels to discover the joy, depth, and brilliance of Bach.In this episode, we talk about:Why she believes “there is no one way to play Bach”Her transcription philosophy and creative processAdvocating for accessible classical music—without compromising qualityHow piano duets can foster collaboration, joy, and musicianship at every stageTips for navigating polyphony, articulation, pedaling, and ornamentation in Bach's keyboard worksHer Stepping Stones to Bach series and empowering adult amateurs and young students alikeLegacy, innovation, and what it means to be a 21st-century artist-educator

Shane talks the pros and cons of King 810 and Disturbed in Season 11, Plus Episode 9.KING 810 ALBUM REVIEW:AK Concerto No. 47, 11th Movement in G Major (2020)DISTURBED ALBUM REVIEW:Evolution (2018)See Shane's full ratings by visiting patreon.com/RatedRadio

In this episode of Screens and Focus, Diana and Sam return to dive into The Walking Dead: Dead City Season 2, Episode 2. They unpack the layered themes of beauty and brutality, symbolized by the tragic death of artist Victor and what it reveals about the world and its characters. The conversation also explores betrayal, parental dynamics, and the strategic choices of Maggie and Negan. The episode closes with reflections on the emotional weight of music in a violent world, reactions to The Last of Us, and a few standout TV and movie picks—including The Stolen Girl, The Studio, Captain America: Brave New World, Babygirl, and Companion. This one is filled with deep emotion, smart insight, and a shared love of storytelling. 00:00 Introduction and Episode Overview 01:04 The Power of Music in a Violent World 01:09 Victor's Death and Its Symbolism 07:28 Negan and Maggie's Leadership Challenges 10:22 Herschel's Suspicious Actions 11:47 Fire Bombs and Strategic Moves 13:45 Parental Roles in an Apocalypse 18:42 Trust and Betrayal 25:34 Excitement for Central Park and Zombie Animals 26:08 Benjamin's Survival and DAMA's Actions 28:15 Art in the Apocalypse 30:52 Classical Music and Emotional Connections 38:02 TV and Movie Recommendations    Florence + The Machine - Shake It Out: https://www.youtube.com/watch?v=WbN0nX61rIs Ceremonials : https://www.youtube.com/watch?v=SyLqVFSBpxo Bach- Cello Suite No. 1 in G Major, Prélude: https://www.youtube.com/watch?v=1prweT95Mo0 Barber: Adagio for Strings: https://www.youtube.com/watch?v=WAoLJ8GbA4Y Beethoven: Ode an die Freude/Ode to Joy https://www.youtube.com/watch?v=-kcOpyM9cBg Vivaldi - The Four Seasons: https://www.youtube.com/watch?v=GRxofEmo3HA   Website: www.screensinfocus.com Email: screensinfocus@gmail.com  X https://x.com/screensinfocus Instagram: https://www.instagram.com/screensinfocuspodcast/ Facebook: https://www.facebook.com/screensinfocus  Feedback and TV/Movie Recommendations:  Google voice (669) 223-8542‬  Free background music from JewelBeat.com: www.jewelbeat.com  

Title: The Enigmatic Scarlatti Track: Scarlatti's: Sonata in G Major, Kk. 14 Artist: Hank Knox (Harpsichord) Publisher: ℗ 2021 Leaf Music

Quoi de mieux pour poser un regard sur l'histoire française noire qu'une fenêtre anglophone. Préparez vos oreilles et vos lunettes, car le mot « intersection » va sans doute tomber En Sol Majeur dans la conversation. (Rediffusion) Car c'est à l'exacte intersection de la francophonie et de l'étude des mouvements féministes qu'Annette Joseph Gabriel s'est mise à soulever un voile, celui de l'invisibilité. Universitaire jeune et belle, cette professeure d'études féministes en Caroline du Nord aux États-Unis cherche, c'est son job. Elle cherche à ne pas oublier 7 femmes noires effacées de l'histoire de la décolonisation française. De Suzanne Césaire à Aoua Keïta en passant par Eugénie Eboué-tell Imaginer la libération des femmes noires face à l'empire, c'est cette petite bible indispensable qu'elle signe aux Éd. Robokrik. Belle traversée que celle de notre invitée franco-ghanéenne qui, pour comprendre la question de l'aliénation sera passée, non pas par l'Afrique, mais par la Martinique.Les choix musicaux d'Annette Joseph-Gabriel- Joseph Boulonge, chevalier de Saint-Georges Violin Concerto No. 9 in G Major, Op. 8, Mvt. I- Kassav An ba che!nn'la- Prince Nico Mbarga Sweet Mother.

Quoi de mieux pour poser un regard sur l'histoire française noire qu'une fenêtre anglophone. Préparez vos oreilles et vos lunettes, car le mot « intersection » va sans doute tomber En Sol Majeur dans la conversation. (Rediffusion) Car c'est à l'exacte intersection de la francophonie et de l'étude des mouvements féministes qu'Annette Joseph Gabriel s'est mise à soulever un voile, celui de l'invisibilité. Universitaire jeune et belle, cette professeure d'études féministes en Caroline du Nord aux États-Unis cherche, c'est son job. Elle cherche à ne pas oublier 7 femmes noires effacées de l'histoire de la décolonisation française. De Suzanne Césaire à Aoua Keïta en passant par Eugénie Eboué-tell Imaginer la libération des femmes noires face à l'empire, c'est cette petite bible indispensable qu'elle signe aux Éd. Robokrik. Belle traversée que celle de notre invitée franco-ghanéenne qui, pour comprendre la question de l'aliénation sera passée, non pas par l'Afrique, mais par la Martinique.Les choix musicaux d'Annette Joseph-Gabriel- Joseph Boulonge, chevalier de Saint-Georges Violin Concerto No. 9 in G Major, Op. 8, Mvt. I- Kassav An ba che!nn'la- Prince Nico Mbarga Sweet Mother.

Thu, 17 Apr 2025 23:00:00 +0000 https://seesee.podigee.io/s3e18-andrei-ionita 8b306c6e95ffcb5e607b501afe394bac In this episode, we have an in-depth conversation with Andrei Ioniță, the prodigious Romanian cellist and winner of the 2015 International Tchaikovsky Competition. We explore the emotional profundities and rich spectrum of colors that the cello can evoke, and how it reflects the subtleties of human emotion. Andrei shares his thoughts on playing Bach, discussing the personal connection he has with his instrument and his journey as a musician. He also reflects on the nuances of gut strings, the importance of good posture for a cellist, the physical sensation of the cello resting against his body, and how this intimate embrace influences emotional expression and depth of sound, particularly in the intense, low register passages. In this episode dedicated to music, Andrei also discusses his Romanian heritage and how the voice of Romania speaks through his bow, offering a personal insight into his cultural identity. In this episode, he takes us inside his experience during the 15th Tchaikovsky Competition and talks about his most difficult decisions as a musician. Most powerfully, Andrei opens up about how he conveys his whole soul through his music, sharing the courage it takes to be vulnerable and break through at the highest emotional peaks, only to let go and invite the listener into a shared human experience through his playing. This episode is a real treat for the ears and the heart! Andrei Ioniță's carrier it's a journey of emotional reflection and artistic courage – You'll understand what it is meant to “play from the gut”. Website: https://www.andreiionitacellist.com https://www.haefligerproduction.com/andrei-ionita https://www.symphonikerhamburg.de/laeiszhalle-orchester-symphoniker-hamburg/andrei-ionita-135 Instagram: ionita_andrei94 Facebook: Andrei Ioniță - Cellist This episode's Playlist and Playlist's credits: · Papandopulo, Boris. Rhapsodia Concertante: I. Introduzione Tempo Libero. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Tchaikovsky, Pyotr Ilyich. Variations on a Rococo Theme, Op. 33 (var. VII e Coda : Allegro vivo). Performed by Cellist Andrei Ioniță and the Münchener Philharmoniker conducted by Valery Gergiev recorded at the Philharmonie im Gasteig (Munich, Germany), on May 12, 2017 20:00 © A Coproduction by Munich Philharmonic Orchestra & Telmondis // In Association with medici.tv & Takt1 https://www.youtube.com/watch?v=-6dyn2LRxVo · Brett, Dean. 11 Oblique Strategies No. 1. Listen to the Quiet Voice. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brett, Dean. 11 Oblique Strategies No. 5. What are the Sections Sections of? Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 G Major, BWV 1007: I. Prelude. Performed byAndrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 in G Major BWV 1007: III. Courante. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Concertino in modo antico, OP.56 II Aria. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo:Works for Piano & Strings, CPO-555106-2, 2021.CD · Dmitri, Shostakovich. Sonata for Cello and Piano in D Minor, Op.40. The XV International Tchaikovsky Competition. Performed by Andrei Ioniţă: Cellist and Seong-Jin Cho: Pianist. Concert recorded at the Salle des Combins (Verbier, Switzerland), on July 25, 2018. © Idéale Audience with the participation of medici.tv https://www.youtube.com/watch?v=iHPd1dN89bM · Dmitri, Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 4. Allegro con moto. Performed by Andrei Ionuț Ioniță with the Mariinsky Theatre Symphony Orchestra conducted by Valery Gergiev. The XV International Tchaikovsky Competition's Winners' Concert. Recorded at the Great Hall of the Moscow Conservatory, on July 2, 2015. © MUSEEC/medici.tv https://www.youtube.com/watch?v=zzaCNTlJciI · Dmitri Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 with the Draft. Performed by Andrei Ionuț Ioniță Orchestra of the Shostakovich State Academic Saint Petersburg Philharmonic conducted by Nikolai Alexeev. Cello: Final Round - Candidate #2 - First Prize - Recorded at the Grand Hall of the Saint Petersburg Philharmonia, on June 28, 2015, 7:45 p.m. https://www.youtube.com/watch?v=QfkQt0gSiJI · Henryson, Svante. Black Run. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Enescu, George: Piano Quartet No. 1 in D Major, Op. 16: II Andante mesto. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Fauré, Gabriel: Piano Quartet No. 1 in C Minor, Op. 15: III Adagio. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD https://www.youtube.com/watch?v=ktTHMbFcyp4 · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Rhapsodia Concertante: III. Danza. Allegro. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD Albums: Available in all Platforms https://open.spotify.com/intl-de/album/3Cqhwf6m3Gl8i0HfDTzln1 https://www.naxos.com/CatalogueDetail/?id=C5463 https://open.spotify.com/intl-de/artist/4ITCrIEQbzQVUO8CPHhdLP 3 18 full no Cellist,World famous orchestras,world famous conductors,Tchaikovsky Competition,Bach,Shostakovich,Enescu,Fauré,Gut strings,Posture Dr. Cecilia Ponce Rivera

April 2025 - Week 1 - DAR Today PodcastNational Society Daughters of the American RevolutionPresident General Pamela Edwards Rouse WrightBrooke Bullmaster Stewart, National Chair DAR Today PodcastClick for more information about the Daughters of the American Revolution!CLICK HERE to visit our YouTube (video) version of this podcastTo support the goals and mission of the DAR, please visit our web site at https://www.DAR.org/GivingIn This Episode:Committee Interview Series: Patti Maclay, National Chair Franco-American Memorial Committee - Part 3 in a series. Discusses in-depth, the relationship between the Marquis and his wife, Adrienne, and their firm commitment to the ideals of liberty and democracy for all.Highlighting State Events honoring the 200th Anniversary of Lafayette's Farewell Tour! Both North and South Carolina held fancy dress Balls to honor this special event!Chapter & State Social Media Posts featured:South Dakota DAR, featuring the Black Hills Chapter in Rapid City. State Website: https://www.sdsdar.org/ Chapter website: https://www.sdsdar.org/black-hills/Harrisburg Chapter in Harrisburg, PA State website: https://www.pssdar.org/ and Chapter website: https://harrisburgdar.org/Issaqueena Chapter in Greenwood, SC and the Trenton Chapter in Aiken, SC State website: https://www.southcarolinansdar.org/ Issaqueena Chapter website: https://www.issaqueena-dar.org/ Trenton Chapter website: https://trentonnsdar.org/Lake Minnetonka Chapter in Wayzata. Minnesota State website: https://minnesotadar.org/ Chapter website: https://lakeminnetonkadar.org/Richard Dobbs Spaight Chapter in New Bern, NC State website: https://public.ncdar.org/ Chapter website: https://www.ncdar.org/RichardDobbsSpaight/index.html Special Links:For upcoming events to honor Lafayette, visit: American Friends of Lafayette Society: https://friendsoflafayette.wildapricot.org/North Carolina State Society DAR: https://public.ncdar.org/South Carolina State Society DAR: https://www.southcarolinansdar.org/Washington's Light Infantry: https://www.washingtonlightinfantry.org/ All music is copyright free and provided by Epidemic SoundDuring Opener: "For Far Too Long" by Wanderer's TroveEnd of Opener: Canon in D Major (Chamber Music Version), by Johann PachelbelEnd of Interview segment: Minuet from String Quintet in E Major, Op. 13, No. 5 Version 2" by Luigi Boccherini "State Lafayette Events segment: "Sonatina in G Major, Anh. 5 No.1" by Ludwig van BeethovenEnd of State Lafayette Events segment in to Closing: "Minuet from String Quintet in E Major, Op. 13, No. 5 Version 2" by Luigi Boccherini #nsdar #America #USA #Preservation #Education #Patriotism #daughters #todaysDAR #darpodcast #lafayette For more information about the Daughters of the American Revolution, please visit DAR.orgTo support the goals and mission of the DAR, please visit our web site at DAR.org/GivingAll music free of copyright and provided through Epidemic Sound! Check out this amazing source for music at https://share.epidemicsound.com/xr2blv

Fosforo 1771: I brani della striscia numero 3 della settimana: Mexican Institute Of Sound - El Antídoto (El Dusty Remix); Piero Umiliani and Chet Baker - Gassman Blues (Parts 1 and 2); John Cale - Face To The Sky; Mira Lu Kovacs - Stuck; Alice Sara Ott - Nocturne No. 14 in G Major, H. 58; Training with Ruth Goller - Threadfin; Audrey Powne - Survive; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

This Day in Legal History: Selma to Montgomery MarchOn March 21, 1965, Martin Luther King Jr. led the beginning of the third and final Selma to Montgomery march, a pivotal moment in the American civil rights movement. The march was a direct response to the violent suppression of earlier demonstrations and the systemic disenfranchisement of Black voters in the Jim Crow South. Just weeks earlier, peaceful marchers had been brutally attacked by law enforcement on “Bloody Sunday,” as they attempted to cross Selma's Edmund Pettus Bridge. That violence was broadcast nationwide, shocking the conscience of the country and mobilizing public support for voting rights legislation.The march that began on March 21 was federally sanctioned, with U.S. District Judge Frank M. Johnson Jr. ruling that the demonstrators had a constitutional right to march. Protected by federal troops and the National Guard, the marchers traveled 54 miles over five days, arriving at the Alabama State Capitol in Montgomery on March 25. Their numbers swelled to more than 25,000 by the time they reached the steps of the Capitol, where Dr. King delivered his famous "How Long, Not Long" speech, declaring that “the arc of the moral universe is long, but it bends toward justice.”This sustained campaign of nonviolent resistance laid the moral and legal foundation for the Voting Rights Act of 1965, signed into law just five months later. The Act outlawed discriminatory practices like literacy tests and poll taxes and empowered federal oversight of voter registration in areas with histories of discrimination. The Selma marches highlighted the power of constitutional protest and judicial protection of civil rights, reinforcing the essential role of federal courts in safeguarding democratic participation.There was once a towering oak tree that stood firm in the wind and, under it, a reed that bent whenever the wind blew. A tyrant came to the land of the reed and oak, stomping his boot wherever he pleased. The oak resisted and was chopped down. The reed, seeing this, bent deeper–letting the boot press it into the mud day after day. Years passed and the reed, still alive, whispered to the boot: “See? I'm wise – I survived.”The boot replied, “You're not wise. You're soft. The oak was crushed because it defied us. But you? I step on you because I can.” Then the boot ground the reed into the dirt—without another thought. In a move that underscores the growing influence of executive power over traditionally independent legal institutions, President Trump rescinded an executive order targeting Paul Weiss after the firm pledged $40 million in pro bono services aligned with his administration's political goals. The announcement followed a private meeting with firm chairman Brad Karp and was accompanied by a sweeping commitment: no DEI policies, merit-based hiring, and representation of clients across the political spectrum—including those favored by the administration.Trump had previously sanctioned Paul Weiss by revoking its security clearance and threatening client contracts, citing the involvement of former partner Mark Pomerantz in the Manhattan DA's prosecution of Trump. That campaign against Paul Weiss, part of a broader effort targeting over 20 legal entities, seemed aimed at punishing firms perceived as adversarial while promoting loyalty through coercion.Karp's public gratitude for the order's withdrawal—and his reported acknowledgment of “wrongdoing” by Pomerantz—reads less like a principled resolution and more like a compelled confession by a simpering coward. Paul Weiss, a firm with deep Democratic ties, has now aligned itself with a president actively dismantling traditional norms around legal independence, seemingly in exchange for restored access and favor.This capitulation signals more than just a thaw in Trump's icy relationship with Big Law—it may represent a strategic blueprint: punish, pressure, and reward compliance – like with dogs. Legal experts and those with eyes to see warn that this redefinition of executive influence risks turning law firms into instruments of political will rather than defenders from it.Trump Rescinds Paul Weiss Order as Firm Pledges $40 Million (2)Frustrated by constant helicopter and seaplane noise, New York lawmakers are pushing for a first-of-its-kind "noise tax" targeting non-essential flights over the city. The proposal, led by state Sen. Kristen Gonzalez, would charge $50 per seat or $200 per flight for tourist and luxury air travel, while exempting essential services like medical transport, law enforcement, and construction. The revenue—expected to reach $10–15 million annually—would fund the state's Environmental Protection Fund, a move Gonzalez says is critical amid federal environmental funding cuts under President Trump.The bill reflects growing anger among residents across socio-economic lines who say aerial traffic disrupts daily life, especially in parks and along waterfronts. App-based services like Blade have exacerbated the issue by making chartered air travel more accessible to the wealthy, turning the skies into noisy corridors over neighborhoods and landmarks.Supporters, including advocacy group Stop the Chop NY/NJ, hope the tax discourages unnecessary flights by raising costs. However, the helicopter industry, represented by Vertical Aviation International, strongly opposes the bill. They argue that aviation regulation is solely under federal jurisdiction and warn the tax could trigger lawsuits and threaten jobs. The group says it has already taken steps to reduce noise but acknowledges that changing flight paths often just shifts the problem from one area to another.The legislation has passed the state Senate but faces challenges in the Assembly, where it stalled last year. With a budget deadline approaching on April 1, negotiations continue.New Yorkers Sick of Hovering Helicopters Prompt Bid to Tax NoiseA federal judge has ruled that the Social Security Administration (SSA) likely broke privacy laws by giving Elon Musk's anti-fraud team, known as the Department of Government Efficiency (DGE), unrestricted access to sensitive personal data on millions of Americans. Judge Ellen Lipton Hollander of Maryland blocked any further data sharing and criticized the agency for turning over vast amounts of information without proper oversight. The judge described DGE's actions as a "fishing expedition" based more on suspicion than evidence, warning against overreach in the name of rooting out fraud.The data in question comes from the SSA's “Numident” database—its so-called “crown jewels”—which holds Social Security numbers, medical records, banking data, and more, some dating back to the 1930s. SSA officials admitted DGE staff had access to a “massive amount” of records, and privacy advocates said the team was embedded in the agency without vetting or training. The ruling requires DGE to delete any data it accessed.The decision is a significant setback for DGE and comes on the heels of another ruling limiting Musk's authority to shut down USAID, since he lacks Senate confirmation. President Trump's administration has defended DGE's mission, calling it a necessary tool to cut waste, but the court noted a disturbing lack of concern for citizen privacy. SSA's acting head, Leland Dudek, expressed confusion over the order's breadth and said it might require cutting off access for all SSA staff.Meanwhile, labor unions and advocacy groups involved in the lawsuit welcomed the decision, saying it defends Americans' data from unlawful government intrusion. DGE's aggressive tactics have drawn scrutiny across other agencies as well, with courts allowing access in some departments but blocking it in more sensitive areas like the Treasury.Judge stops Musk's team from 'unbridled access' to Social Security private data | ReutersChief Judge Diane Sykes of the 7th U.S. Circuit Court of Appeals will take senior status on October 1, creating the first appellate court vacancy during President Donald Trump's second term. Sykes, appointed by President George W. Bush and once considered a potential Supreme Court nominee under Trump, has served over three decades in both the Wisconsin and federal judiciary. Her transition to semi-retirement allows Trump to nominate a new full-time judge to the influential Chicago-based court, which currently holds a narrow 6–5 Republican-appointed majority.Sykes cited a desire to spend more time with family as her reason for stepping back from active service. She becomes the second federal appellate judge to announce senior status since Trump's return to office, following Judge Sandra Ikuta of the 9th Circuit. While four appellate vacancies remain from President Biden's term, Sykes's departure offers Trump his first direct opportunity to shape the 7th Circuit bench.Sykes has authored notable decisions, including one upholding Wisconsin's voter ID law and a dissent in a landmark 2017 case where the 7th Circuit ruled that LGBTQ employees are protected under Title VII. She criticized the majority in that case for overstepping legislative boundaries—a position later rejected by the Supreme Court in Bostock v. Clayton County (2020).7th Circuit's Sykes to take senior status, creating vacancy for Trump | ReutersThis week's closing theme is by Johann Sebastian Bach.This week, we close with a piece as enduring and elemental as the legal principles we often discuss: Johann Sebastian Bach's Cello Suite No. 1 in G Major, specifically its iconic Prelude. Born on this day, March 21, 1685, Bach remains one of the foundational figures in Western music—a composer whose work balances mathematical precision with deep emotional resonance. Though he wrote for kings and churches, his music speaks to the full range of human experience, from joy to lament, duty to wonder.The Prelude to this suite is among the most recognizable solo cello pieces ever written, opening with a simple G major arpeggio that expands into a flowing, almost improvisational meditation. It's unaccompanied, yet complete—no orchestra, no embellishment, just one instrument revealing infinite depth. Written around 1717–1723 during Bach's time in Köthen, the suites were not published in his lifetime and lay in relative obscurity until cellist Pablo Casals rediscovered them in the 20th century.The piece carries a quiet authority that feels apt for reflection—whether on a ruling, a civil rights march, or a government in turmoil. It's structured, yes, but never rigid; expressive, but never indulgent. The Prelude doesn't declare or argue. It invites, it unfolds. It reminds us, like authority best wielded, that elegance lies in clarity and that restraint can be a form of power.This week, we let the steady resonance of Bach's Prelude accompany us out.Without further ado, Johann Sebastian Bach's Cello Suite No. 1 in G Major, the Prelude. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Stephen Mangan is an award winning actor who is also a presenter and writer. His prolific career includes comedic roles in TV hits Green Wing; Episodes and Adrian Mole. He also plays the much loved Nathan in BBC drama The Split and has appeared in many award winning theatre productions in the UK and on Broadway.Born in London to Irish immigrant parents, Stephen studied Law at Cambridge University. His passion though was for acting and after taking time out to care for his mother, he spent three years at RADA before pursuing a successful career on stage, screen and film. Stephen lives in London with his wife and three sons.DISC ONE: King of the Road - Roger Miller DISC TWO: I Recall A Gypsy Woman - Don Williams DISC THREE: Beautiful Boy (Darling Boy) - John Lennon DISC FOUR: Who Knows Where the Time Goes - Fairport Convention DISC FIVE: Stayin Alive - Bee Gees DISC SIX: Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai. Composed by Maurice Ravel and performed by Martha Argerich (piano) and Berliner Philharmoniker, conducted by Claudio Abbado DISC SEVEN: Rhapsody in Blue. Composed by George Gershwin and performed by New York Philharmonic, conducted by Zubin Mehta DISC EIGHT: (Your Love Keeps Lifting Me) Higher And Higher - Jackie Wilson BOOK CHOICE: Collected Works of Seamus Heaney LUXURY ITEM: A piano CASTAWAY'S FAVOURITE: Stayin Alive - Bee Gees Presenter: Lauren Laverne Producer: Sarah Taylor

Auflösung der Rätsel und Aufgaben aus Runde 12: Lukas hat hat ein Lied über eine österreichische Stadt gefunden, Christian zwei abschreckende Lieder. Die neuen Aufgaben: Christian muss Songs finden, deren Refrain ausschließlich aus Na Na Nas besteht, Lukas ein Nischen-Genre aus den frühen 1960er Jahren. Die Songs: Anna F. - Friedberg Mozart - Serenade in G Major, K. 525 Eine kleine Nachtmusik IV. Rondo (Allegro) Britney Spears - ...Baby One More Time Metallica feat. Marianne Faithfull - The Memory Remains Wilson Pickett - Land of 1000 Dances The Shangri-Las - Leader Of The Pack Petsch Moser - Radio

오늘 커튼콜에서는 트리오 가온의 피아니스트 김태형, 바이올리니스트 이지혜 씨를 만나봅니다. 김태형 씨는 퀸 엘리자베스 콩쿠르를 비롯한 여러 국제 콩쿠르에서 입상하며 두각을 나타냈고, 이지혜 씨는 세계적인 오케스트라인 독일 바이에른 방송교향악단에서 여성 최초, 동양인 최초 제2바이올린 악장을 역임했죠. 중학교 동창인 이들이 첼리스트 사무엘 루츠커와 함께 만든 트리오 가온은 우정의 결실이기도 합니다. 유럽과 한국을 오가는 트리오 가온의 여정, 새로운 앨범 제작 이야기, 실내악의 매력 등등, 25년 우정으로 빚어낸 음악과 삶 이야기 들어봅니다. 오늘 커튼콜에서는 트리오 가온과 두 사람의 공연 실황도 함께 감상합니다. ♬C. Debussy Piano Trio in G Major, L.3 트리오 '가온' (제공: 예술의전당)？ ♬B. Bartok Romanian Folk Dances, Sz.56 바이올린 이지혜, 피아노 김태형 (제공: 금호문화재단) ♬C. Franck Violin Sonata A Major, 4th mov 바이올린 이지혜, 피아노 김태형 (제공: Presto Classics)

【退烧门诊部】Vol.1 好音质都有哪些方面？安东尼奥・维瓦尔第 - The Four Seasons No. 4 - The Winter犬之岛 - Shinto Shrine马友友 - Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. PréludeMiles Davis - So WhatAvishai Cohen - Eleven Wives 邵哈哈三重奏现场版Queen - Another One Bites the DustDaft Punk - Give Life Back to MusicPink Floyd - Speak to MePink Floyd - Breathe (in the Air)Pink Floyd - On the RunPink Floyd - Time （片段）坂本龙一 - Merry Christmas Mr. Lawrence雷光夏 - 不想忘记的声音

我们的城市系列「在沈阳」终于迎来了第二期！本期节目，我们去两个近百年的老建筑里逛一逛、住一住！因为大部分城市的老建筑都被改成了展厅，或者干脆被彻底保护起来，闭门谢客。但在沈阳，有好多家百年老建筑，特别是那些原来的旅馆酒店，今天依然对外开放，普通人都可以预定入住。因此我们选择了两座近百年老建筑：辽宁宾馆 和 铁道1912饭店，预定好房间，开始了一次奇妙的 Hotel Tour！本期我们的百年老建筑漫游包括：[03:27] 沈阳中山广场的历史故事[07:09] 沈阳宾馆的建筑风格和5家「大和旅馆」[11:15] 走进旋转门，进入另一个时空的辽宁宾馆[16:06] 跟着辽宁宾馆工作人员一起看它的微妙细节[27:25] 奉天大和旅馆的设计方案来自哪里？[29:32] 辽宁宾馆里的「古董」邮箱和理发椅[31:12] 历史中辽宁宾馆的「隐藏身份」[33:41] 墙壁上李香兰的照片引出了一段奇妙的「历史探索」[35:22] 李香兰、辽宁宾馆、东北、伪满以及中日之间[47:58] 伊恩布鲁玛写下的李香兰[52:55] 李香兰、东北往事、我们与真实历史之间的距离[55:54] 沈阳站周边的城市规划和铁道1912饭店旧址[59:42] 沈阳站/奉天驿旧址的历史[01:06:12] 沈阳其他可以住进去的百年老建筑另外推荐三家沈阳可以住的百年老建筑：简里古寂酒店亚朵X酒店（沈阳站东广场）倍思酒店本期节目相关作品：NHK纪录片：《世界·我心之旅：李香兰、遥远的路途～中国、俄罗斯～》(1998)书籍：《东京绮梦：日本最后的前卫年代》【荷兰】伊恩·布鲁玛学术论文：《从大和旅馆看日本对我国东北地区的殖民侵略》李想学术论文：《基于城市文脉视角下的沈阳城市意象研究》李昕蔚学术论文：《旅馆：近代奉天城市空间的微观史（1905-1937）》张雅琼****** 玛卡斯特商店上新 ******Marcast 厂牌第一款产品上架啦！上个月底在我们厂牌 5 周年线下活动的现场，已经有一些朋友通过抽奖领到这款包包，想要拥有的朋友不要错过！「不，我没有播客」日常通行帆布包，长肩带款，更易背~购买链接：https://www.xiaohongshu.com/goods-detail/670cebe475e23c0001604f33下单后 24h 发货，顺丰包邮 ↓↓↓↓↓↓【节目主播/制作】主播/制作：VC微博：@VividCrystal https://weibo.com/u/1241505120 小红书：@午夜飞行VC https://www.xiaohongshu.com/user/profile/572a84ee50c4b435fe74744e【节目互动】微博：@午夜飞行Official https://weibo.com/u/7298580324公众号：午夜飞行【商务合作】商务合作联系邮箱：hello@marcastmedia.com或添加微信：hellomarcast【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道【本集音乐】Music credits: Ascended Vibrations - ¿Téo 何日君再来 - 李香兰 十里洋场 - 李香兰 苏州夜曲 - 李香兰 夜来香 - 李香兰 Sunny Day (Original Mix) - Bryan Milton Romance for Violin and Orchestra No. 1 in G Major, Op. 40 - Chamber Orchestra of Europe,Gidon Kremer,Nikolaus Harnoncourt dark snowy night - DanielMykonos - Fleet Foxes Droplets (Variation) - Gabríel Ólafs Doria - Ólafur Arnalds Mazurka No.41 in C Sharp Minor Op.63 No.3 - Vladimir Ashkenazy Piano Concerto No.3 in D minor, Op.301. Allegro ma non tanto - Vladimir Ashkenazy,Concertgebouworkest,Bernard Haitink【节目出品】本播客由 Marcast Media 制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目。你可以通过以下方式找到我们：- 小红书：@Marcast https://www.xiaohongshu.com/user/profile/5e53be6400000000010003bb- 公众号：Marcast - 微博：@Marcast https://weibo.com/u/2743283854- 进听友群请添加微信：hellomarcast- 欢迎加入 2500+ 朋友一起订阅 Beads Newsletter 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息、知识、经验、工具、趣味和审美，和你一起拓展认知和视野，每周一上午发送，订阅地址：https://beads.beehiiv.com© 2024 Marcast Media

Pathway to the Center musically describes walking a labyrinth. Set to Bach's Cello Suite 1 in G Major, performed by harpist Laura Zaerr, the journey from the ISS takes you from serene clouds to the eye of a hurricane and back to serenity. Series: "Arts Channel " [Arts and Music] [Show ID: 40229]

Enjoy the chart below, with transcript…Have you ever seen the abbreviation “Sus” in a chart and thought, “What does that actually mean?”  Today we're going to talk about…suspensions with music on the guitar.I encourage you to catch the video version of this article while it's available. This way, you'll see and hear everything demonstrated. You can find the video right here: If you've ever seen a suspenseful movie, or if you've ever had the unfortunate experience of having an account suspended, or your driver's license suspended, you have experienced suspense.But what do all of these scenarios have in common? They are all temporary. A suspenseful movie can't be suspenseful the entire time – it just wouldn't work. A suspended account is usually restored to good standing when the balance is paid, and a suspended driver's license can eventually be reinstated.So, I'm not talking about something being permanently taken away – I'm talking about something being temporarily suspended, and eventually – wait for it – resolved.So, let's take a moment to discuss what suspensions can look and sound like on the guitar, and why they're important.So, when we see the term “sus” in a chart, that's short for a SUSpended chord. First of all, the most common chord we'll find suspensions for is going to be on the Dominant, the V chord in a Major key. And second of all, the most common type of suspension or “sus” chord we're going to experience is the “sus4.” We could go in all sorts of additional directions, but for now, let's keep things pretty simple.So, let's say we're in the key of G Major, a very guitar-friendly key. The Dominant or V chord in G is D.  But today, we're not just going to play it as a D Major chord, we're going to play it as a Dsus4 chord.Now, my background in music began with a classical degree, which included several years of collegiate music theory, so I'm going to offer you an additional level of musicality here. It involves a three-word process.  That process is: “Preparation,” “Suspension,” and “Resolution.”Because, if we think about it, it's nice to be able to prepare ourselves for suspense, so we can anticipate it just a bit. The plot thickens in a movie. We get a warning notice that our account is about to be suspended. The cop car behind us fires up the lights on his roof to let us know we're about to be pulled over, which could lead to a suspended license.So “Preparation” is the first step. The second step is the actual “Suspension.” This is where things are in a temporary state of suspense that is typically not restful. The suspenseful scene happens in the movie, putting us on the edge of our seats. Our account is suspended, so we can't have access to it. Our license is suspended so it's temporarily taken away.So, with this suspension, there's a bit of tension. There's tension, but in this musical scenario, this is a good sort of tension. But as I mentioned, we aren't going to stay in suspense indefinitely. Eventually, we get to the third step, “Resolution,” where the Suspension ends. The suspense in the movie plot winds down, if only temporarily, as it comes to a resting point in the story. The account is restored. The license is reinstated.So, again, think through those three words as we continue - “Preparation,” “Suspension,” and “Resolution.”So here we are in the key of G Major. The I chord in G Major is…G Major, right? The IV chord is C Major, and the V chord is D Major. Now, to bring this right to your fingers in an easy manner, I'll actually use some “color” chords, so the chords will actually be easier to play, and they also won't be pure Major chords, but they'll still totally work for this exercise.The most important note in this suspension exercise is the high G note on the 3rd fret of the 1st string.  I want you to watch this note carefully, because it's going to remain for three chords, but it will have a different identity in each.I'll analyze the first chord as a G5 chord with no 3rd.  So, in the G chord, this high G is the root, right? But then, when we move to a C2 chord for the IV chord, we still keep that G up on the 3rd fret of the 1st string, and now it's the 5th of that chord. It's at this stage that we start to feel the “Preparation.” In other words, we're ramping up to the Suspension.Next up is the V chord, D, but we're going to keep the high G note on that 3rd string, thereby rendering this chord a Dsus4. Why is it a Dsus4? Because the high G is now the 4th degree of the D chord.Now, typically a D Major Chord won't have a G in it, but rather an F#, right? But here, with this chord, the Vsus4 is providing the Suspension we're after. Right now, it's not a Major chord.So now we've been put in suspense. It's not a restful chord. It's a chord where we're temporarily “on edge” just a bit.But what follows a Suspension, ideally? You know it – Resolution.All we need to do is take that high G note that we've had with us all along, and let it resolve down to the F#, thereby establishing the D Major chord, on its way back to…the G chord. See how the Vsus4 chord moves to a Major V chord, and finally back to the I chord?It's actually quite pleasing to the ear. (Catch the video for the demonstration of this.)Is there more? Always. Can we create a Sus2 chord? Yep.Can we create suspensions with 7 chords? Yeah buddy. Can we play suspensions as bar chords? Of course.Can we play a suspension without preparing or resolving it? We're technically not playing them functionally as suspensions, but…sure.Can suspensions resolve to minor chords? Yes, but that tends to sound a little more “Foreign” in some cases (catch the video for my music reference.)As you can see, we can go much further. But it all starts here with this simple process of KNOWING what a suspension is, and then experimenting with the intentional approach of Preparing, Suspending and Resolving. Want to go deeper and transform your guitar journey? Check out what we offer at www.GuitarSuccess4U.com. Keep showing up, and I'll see you next time.Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com

It's time to celebrate the Halloween season! Today, I'm bringing the random, the silly, and the fun…but Halloween style! Let's have some spooky audible boo-thang fun! We discuss the Mandella Effect! So, I'm definitely gonna ruin your childhood…again. A fake penis was mentioned. We have 2 guests joining us for a Halloween FMK! (Fuck, marry, or kill) Right here on the Professionally Silly podcast. Let's get silly! MUSIC Bella Bella Beat by Nana Kwabena Bach Cello Suite No. 1, G Major, Prelude by Cooper Cannell Soulicious by Dyalla ALL MY SOCIALS ARE HERE https://linktr.ee/Ambersmilesjones Join my Professionally Silly YouTube channel membership to get access to perks: https://www.youtube.com/channel/UCEabIsoT5wrN5hRSgY7wnYQ/join  Amber “Smiles” Jones PO BOX 533 Lovejoy, GA 30250 Email me: itsprofessionallysilly@gmail.com  LEAVE ME A MESSAGE 805-664-1828

Eddie and Nick dive into the world of musical texture. But how can sound have texture? Why can it be crunchy but not smooth? Why does Eddie want to alienate drummers? All this and more on this episode of the 4|4. Visit our website and/or follow us on Instagram to learn more about the 4|4. We referenced the following songs in this episode: Fat Bottomed Girls by Queen Silent Night by Pentatonix Eleanor Rigby by the Beatles Baba Yetu by Christopher Tin The Wind That Shakes The BarleyThe Reel With The Beryle by The Chieftains Additional music credits (all music sourced from the YouTube music library): Next Steps is by half.cool Bach Cello Suite No. 1, G Major, Prelude is by Cooper Cannell The Black Cat is by Aaron Kenny

This film brings us to Ireland, baby! Tamera Mowry-Housley stars as former orchestra conductor, Gethsemane Brown, who moves to Ireland to teach at a boarding school. After deciphering a musical message from a spooky self-playing piano (or is it?), she meets a renowned composer's ghost who is rumored to be behind the death of his lover and muse. Will Gethsemane solve the case of this infamous murder-suicide while also being able to unite her not-so-pitch-perfect students before their regional competition? Stay tuned to hear the review of this movie plus some pretty big updates from us!

Ukrainian-British pianist Dinara Klinton and Scottish operatic tenor Nicky Spence join Anna Phoebe and Jeffrey Boakye, taking us from a cheeky 1980s boy band from Birmingham via Domenico Scarlatti to the famous French duo behind the mask as they add the next five tracks.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Pass the Dutchie by Musical Youth Sonata in G Major by Domenico Scarlatti Maybe This Time by Liza Minnelli Phantom of the Opera by Sarah Brightman & Michael Crawford Harder, Better, Faster, Stronger by Daft Punk Other music in this episode:Wipeout by Duke University College Band My Bonnie Lies Over the Ocean by Ella Fitzgerald Rule the Nation by U-Roy Gimme the Music by U Brown Pass the Kouchie by The Mighty Diamonds Cola Bottle Baby by Edwin Birdsong

This Day in Legal History: Sacco and Vanzetti are Executed On August 23, 1927, Italian immigrants Nicola Sacco and Bartolomeo Vanzetti were executed in the Massachusetts State Prison, marking the culmination of one of the most controversial trials in American history. The two men, both anarchists, had been convicted of a 1920 armed robbery and double murder in South Braintree, Massachusetts. However, their trial was widely criticized for being tainted by anti-immigrant and anti-radical sentiments, with many believing they were targeted more for their political beliefs than any clear evidence of guilt. Protests and demonstrations erupted around the world, calling for their release or a new trial.Despite the global outcry, the U.S. judicial system upheld their conviction, and they were sentenced to death. Sacco and Vanzetti's execution sparked widespread condemnation and became a symbol of the miscarriage of justice. Decades later, in 1977, Massachusetts Governor Michael Dukakis issued a proclamation officially exonerating Sacco and Vanzetti, acknowledging the unfairness of their trial and the lasting impact it had on civil liberties in the United States. Their case remains a powerful reminder of the dangers of prejudice and the importance of due process in the legal system.OpenAI has hired Idriss Kechida as its first global data protection officer, reflecting the company's growing focus on privacy amid its rapid expansion in generative AI. Kechida, previously the associate general counsel and chief privacy officer at Match Group, will oversee OpenAI's compliance with global privacy laws and collaborate closely with the company's privacy legal team, led by Emma Redmond. Kechida was drawn to OpenAI by the unique privacy challenges posed by AI technology. His role is part of a broader hiring spree at OpenAI, which has brought on more than a dozen lawyers recently, including high-profile recruits from companies like Google and Netflix, to address the increasing legal and regulatory scrutiny the company faces. This expanded legal team will tackle issues ranging from trust and safety protocols to lawsuits challenging OpenAI's business practices.OpenAI Swipes Match's Privacy Chief for New Data Protection RoleThe Eleventh Circuit Court of Appeals has blocked the Biden administration's rule extending Title IX protections to include gender identity and sexual orientation in schools receiving federal funding. This ruling reverses a previous decision by an Alabama judge that allowed the rule to take effect. The rule, adopted in April, faced opposition from over half of U.S. states, leading to multiple lawsuits. Alabama, Georgia, Florida, and South Carolina successfully appealed to the Eleventh Circuit after an initial failure to secure an injunction from the lower court. The appeals court argued that the rule significantly broadened the scope of Title IX beyond its original intent, potentially exceeding the Education Department's authority. The court cited the Supreme Court's definition of discrimination in *Davis v. Monroe County Board of Education*, which requires harassment to be severe, pervasive, and objectively offensive to qualify under Title IX. Judge Charles R. Wilson dissented, supporting the lower court's decision.Title IX Gender Identity Protections Blocked by Eleventh CircuitThe U.S. Supreme Court, in a 5-4 decision, has partially revived an Arizona law that requires proof of U.S. citizenship to register to vote. The ruling reinstates the provision that mandates documented proof for those using the state voter registration form, but leaves in place a lower court's block on similar requirements for the federal registration form. This decision comes after Arizona Republicans and the Republican National Committee requested the revival, following a federal judge's earlier block of the law due to challenges from the Biden administration and advocacy groups. The Supreme Court's ruling underscores ongoing debates over voting rights, especially in battleground states like Arizona.US Supreme Court partly revives Arizona's proof of citizenship voter law | ReutersIn my piece for Forbes on IRS data access and accountability, I highlight the challenges faced by the IRS in securing sensitive taxpayer information, given the vast number of employees and contractors with access. Traditional methods like rigorous vetting and background checks are not sufficient, as insider threats often come from those without prior misconduct. Instead of focusing solely on prevention through vetting, I argue that the IRS should prioritize making all data access traceable and creating formal, transparent avenues for reporting concerns.I propose that the IRS enhance its monitoring capabilities by using artificial intelligence to log and analyze every instance of data access. This would deter unauthorized access and help quickly identify the source of any breaches. Additionally, I suggest establishing an "Office of Public Integrity," a formal mechanism for employees and contractors to disclose information they believe is in the public interest. This office would provide a controlled, internal process for such disclosures, balancing transparency with the need to protect sensitive data. By implementing these measures, the IRS can improve data security and public trust.Bringing Leakers Into The Fold—IRS Data Access And AccountabilityThis week's closing theme is by Ludwig van Beethoven, a composer of some note.Ludwig van Beethoven, one of the most revered composers in classical music history, was born in 1770 in Bonn, Germany. His music bridged the Classical and Romantic eras, pushing the boundaries of composition and expression. Among his vast body of work, the Piano Sonata No. 16 in G Major, Op. 31, No. 1, composed in 1802, stands out as a prime example of his innovative style. This piece is part of a set of three sonatas (Op. 31) that Beethoven composed during a period of personal and artistic transformation. The first movement, Allegro vivace, is marked by its lively and playful character, reflecting Beethoven's desire to break away from the traditional sonata form and experiment with new ideas. The sonata was premiered on August 25th, 1802, offering audiences a glimpse into Beethoven's evolving musical vision. As this week's closing theme, the Allegro vivace offers a vibrant and energetic conclusion, embodying the spirit of Beethoven's creativity and the boldness that made him a giant in the world of music.Without further ado, Ludwig van Beethoven's Piano Sonata No. 16 in G Major, Op. 31, No. 1, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Megan and Wendy dive into the final movie in the "Signed, Sealed, Delivered" series in the latest episode of Girls Gone Hallmark. They review "Signed, Sealed, Delivered: A Tale of Three Letters" and take you on a journey through the world of the Postables, now featuring a married Shane and Oliver. Will this installment uphold the stellar ratings Megan and Wendy have awarded the series, or will it fall short of expectations?  See the Signed, Sealed, Delivered SUMMER schedule here Let's talk about "A Tale of Three Letters." Email us at girlsgonehallmark@gmail.com or let's talk about it in the Girls Gone Hallmark Facebook Group! We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. About "Signed, Sealed, Delivered: The Tale of Three Letters" Linda Lisa Hayter returns to direct A Tale of Three Letters. Linda Lisa, or “LL” as Crystal Lowe calls her, is known for “Betty's Bad Luck in Love,” “Unexpected Grace,” and “Haunted Harmony Mysteries: Murder in G Major” among her 13 directing credits. She will also direct “Signed, Sealed, Delivered: To the Moon and Back” out in 2025. Martha Williamson and Brandi Harkonen wrote the script. Zak Santiago and Gregory Harrison return as Ramon and Joe. Rhiannon Fish returns as Charley. Ian Collins plays Marlon Carter. This appears to be Ian's 8th Hallmark movie and his 40th acting credit. Outside of Hallmark he is appearing on the sci-fi series “Snowpiercer.” Edward Ruttle plays Barry. Our favorite of Edward's 35 acting credits is his role as Beer Luge Guy in “Hot Tub Time Machine” - his very first credited role. He's previously been on Hallmark in “A Season for Family,” “Just one Kiss,” “When Calls the Heart” and several episodes of “The Good Witch.”  Jennifer Juniper Angeli plays Mrs Philpott. Jennifer has 49 acting credits and appeared in “Pumpkin Pie Wars” and “Making Spirits Bright” previously for Hallmark. She also had a role in the sci-fi book adaptation “Wayward Pines” as well as the Netflix series “Haters Back Off.” Victoria Morgan plays Maria Salinger. This is Victoria's first Hallmark movie and her 11th acting credit. She previous appeared in the TV series “Alert: Missing Persons Unit,” “Supernatural,” and “Surface.”  Watch the Trailer for "Signed, Sealed, Delivered: A Tale of Three Letters" Our Thoughts on "Signed, Sealed, Delivered: A Tale of Three Letters" Welcome back to another installment of Girls Gone Hallmark! This time, we covered the final installment of Science Seal Delivered Summer for 2024, diving into "Signed, Sealed, Delivered: A Tale of Three Letters". Here's a synopsis of the ideas and insights we discussed on our podcast. If you haven't tuned in yet, we'd love for you to join us and become a part of the conversation! What We Liked Norman's Character Development: We absolutely adored seeing Norman step up as the marital mentor to Oliver. His growth throughout the series has been remarkable, and his easy and sincere advice made those scenes shine. Normalization of Therapy: Both of us appreciated how the movie normalized therapy for healthy relationships. The depiction of Shane, Oliver, Rita, and Norman going through therapy sessions made it clear that seeking help is a healthy and necessary step for any relationship. Sweet, Small Moments: Several little moments made us smile—from Norman's adorable comment about the sonogram picture to Shane and Oliver's flirty interaction post-honeymoon. These touches gave the film warmth and humor. What We Wished For Character Consistency: There were a few moments that felt out of character, especially Oliver's unempathetic interaction with Charlie. It seemed like an entirely different writer had come in an...

Inside The Music explores theme and variation works of Ludwig van Beethoven's middle period. Join Derek Delaney, Artistic Director of Capital Region Classical, as he examines these works of Beethoven through live CRC performances by Christian Tetzlaff, violin and Alexander Lonquich, piano; Pamela Frank, violin and Claude Frank, piano; the Brentano Quartet; and the Quatuor Ebène.Violin Sonata in A Major, Op. 30, No. 1Allegretto con variazioniChristian Tetzlaff, violin; Alexander Lonquich, piano [11/30/2007 performance]Violin Sonata in G Major, Op. 96Poco allegrettoPamela Frank, violin and Claude Frank, piano [1/30/2000 performance]Quartet in E-flat Major, Op. 127Adagio, ma non troppo e molto cantabileBrentano Quartet [1/24/2010 performance]Quartet in C-sharp Minor, Op. 131Andante ma non troppo e molto cantabileQuatuor Ebène [3/10/2016 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

TODAY, we talk about ways black mama's apologize, cocaine and hurricanes! Not to mention an 89-year-old medal-winning athlete! That and SOOOOOO more! Right here on the Professionally Silly podcast. Let's get silly! Pictures for this episode can be found on the podcast Instagram @itsprosilly. Call/text my Google voice number call/text 805-664-1828 and hear yourself on a podcast episode!  TIKTOK PAGES OF THE WEEK @jaynedaj_  https://www.tiktok.com/@jaynedaj_  @heyshantaqtv  https://www.tiktok.com/@heyshantaqtv  @freedom_barbie https://www.tiktok.com/@freedom_barbie   @Jonbreaksbadnews https://www.tiktok.com/@jonbreaksbadnews  PARANORMAL BLACKTIVITY YOUTUBE CHANNEL https://www.youtube.com/@paranormalblacktivity8983  ~MUSIC BY  “That Part” by Diamond Ortiz “Bach Cello Suite No. 1 G Major, Prelude” by Cooper Cannell “King Canyon” by Mulholland ~LINKTREE https://linktr.ee/Ambersmilesjones ~Join my Professionally Silly YouTube channel membership to get access to perks: https://www.youtube.com/channel/UCEabIsoT5wrN5hRSgY7wnYQ/join  ******************* Amber “Smiles” Jones PO BOX 533 Lovejoy, GA 30250 *************************** Email me: itsprofessionallysilly@gmail.com  Be sure to SUBSCRIBE/FAVORITE/REVIEW❤️ CALL ME 805-664-1828 ************************************ PAYPAL  https://www.paypal.me/ambersmilesjones STEREO https://stereo.com/trusmilesjones INSTAGRAM http://instagram.com/itsprosilly  

Inside The Music continues the exploration of Ludwig van Beethoven's genius through chamber works of his middle period. Join Derek Delaney, Artistic Director of Capital Region Classical, as he examines these works of Beethoven with live CRC performances by pianists Emanuel Ax and Christian Zacharias, the Belcea Quartet, and Trio Cavatina.Piano Sonata in F Minor, Op. 57, AppassionataAllegro assaiEmanuel Ax [2/29/2008 performance]Quartet in E Minor, Op. 59, No. 2, RazumovskyMolto adagioBelcea Quartet [1/17/2004 performance]Piano Trio in G Major, Op. 70, No. 1, GhostAllegretto ma non troppoTrio Cavatina [11/2/2007 performance]Piano Sonata in E Minor, Op. 90Mit Lebhaftigkeit und durchaus mit Empfindung und AusdruckNicht zu geschwind und sehr singbar vorgetragenChristian Zacharias [10/30/2016 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

1886 was a good year for brooding@ GargiuloVineyards @BeaulieuVineyard @EhlersEstate #WineTasting #Podcast #WineLovers #RadioShow Co hosts : Good ol Gal Denise, Good ol Boy Justin, Made Man Maury, Made Man BobSIPS – Dive deep into the world of exquisite wines with us! In this episode, we explore an impressive lineup from Gargiulo Vineyards, Beaulieu Vineyard, and Ehlers Estate. From buttery Chardonnays to robust Cabernets, we dissect each bottle with our signature blend of humor and expertise. Join us for a palate-pleasing adventure that will have you reaching for a glass. We will be discussing this wine and rating them from 1-5 with 5 being the best:06:17 Gargiulo Vineyards 2022 Frank Wood Chardonnay                                4 SIPS08:32 Gargiulo Vineyards 2018 G Major 7 Cabernet Sauvignon                  4 SIPS17:09 Gargiulo Vineyards 2018 Money Road Ranch Cabernet Sauvignon     4 SIPS26:04 Beaulieu Vineyards 2020 Cabernet Sauvignon                                                 4 SIPS29:20  Beaulieu Vineyards 2019 Rutherford Reserve Cabernet Sauvignon  5 SIPS33:25 Ehlers Estate Portrait 2021                                                                            4 SIPS40:10 Ehlers Estate Jean Leducq 2021                                                                                  4 SIPS44:46 Ehlers Estate 1886 Cabernet Sauvignon 2021                                              4 SIPSinfo@sipssudsandsmokes.com X- @sipssudssmokes IG/FB - @sipssudsandsmokes Sips, Suds, & Smokes® is produced by One Tan Hand Productions using the power of beer, whiskey, and golf. Available on Apple Podcasts, YouTube Music, Spotify, Pandora, iHeart, and nearly anywhere you can find a podcast.Enjoying that cool Outro Music, it's from Woods & Whitehead – Back Roads Download your copy here:https://amzn.to/2XblorcThe easiest way to find this award winning podcast on your phone is ask Alexa, Siri or Google, “Play Podcast , Sips, Suds, & Smokes” Credits:TITLE: Maxwell SwingPERFORMED BY: Texas GypsiesCOMPOSED BY: Steven R Curry (BMI)PUBLISHED BY: Alliance AudioSparx (BMI)COURTESY OF: AudioSparx TITLE: FlapperjackPERFORMED BY: Texas GypsiesCOMPOSED BY: Steven R Curry (BMI)PUBLISHED BY: Alliance AudioSparx (BMI)COURTESY OF: AudioSparx TITLE: Back RoadsPERFORMED BY: Woods & WhiteheadCOMPOSED BY: Terry WhiteheadPUBLISHED BY: Terry WhiteheadCOURTESY OF: Terry WhiteheadPost production services : Pro Podcast SolutionsAdvertising sales: Contact us directlyContent hosting services: Audioport, Earshot, Radio4All, & PodBeanProducer: Made Man BobWine Tasting, Gargiula Vineyards, Beaulieu Vineyards, Ehlers Estate, Chardonnay, Cabernet Sauvignon, Napa Valley, Wine Reviews, Wine Ratings

1886 was a good year for brooding@ GargiuloVineyards @BeaulieuVineyard @EhlersEstate #WineTasting #Podcast #WineLovers #RadioShow Co hosts : Good ol Gal Denise, Good ol Boy Justin, Made Man Maury, Made Man BobSIPS – Dive deep into the world of exquisite wines with us! In this episode, we explore an impressive lineup from Gargiulo Vineyards, Beaulieu Vineyard, and Ehlers Estate. From buttery Chardonnays to robust Cabernets, we dissect each bottle with our signature blend of humor and expertise. Join us for a palate-pleasing adventure that will have you reaching for a glass. We will be discussing this wine and rating them from 1-5 with 5 being the best:06:17 Gargiulo Vineyards 2022 Frank Wood Chardonnay 4 SIPS08:32 Gargiulo Vineyards 2018 G Major 7 Cabernet Sauvignon 4 SIPS17:09 Gargiulo Vineyards 2018 Money Road Ranch Cabernet Sauvignon 4 SIPS26:04 Beaulieu Vineyards 2020 Cabernet Sauvignon 4 SIPS29:20 Beaulieu Vineyards 2019 Rutherford Reserve Cabernet Sauvignon 5 SIPS33:25 Ehlers Estate Portrait 2021 4 SIPS40:10 Ehlers Estate Jean Leducq 2021 4 SIPS44:46 Ehlers Estate 1886 Cabernet Sauvignon 2021 4 SIPSinfo@sipssudsandsmokes.com X- @sipssudssmokes IG/FB - @sipssudsandsmokes Sips, Suds, & Smokes® is produced by One Tan Hand Productions using the power of beer, whiskey, and golf. Available on Apple Podcasts, YouTube Music, Spotify, Pandora, iHeart, and nearly anywhere you can find a podcast.Enjoying that cool Outro Music, it's from Woods & Whitehead – Back Roads Download your copy here:https://amzn.to/2XblorcThe easiest way to find this award winning podcast on your phone is ask Alexa, Siri or Google, “Play Podcast , Sips, Suds, & Smokes” Credits:TITLE: Maxwell SwingPERFORMED BY: Texas GypsiesCOMPOSED BY: Steven R Curry (BMI)PUBLISHED BY: Alliance AudioSparx (BMI)COURTESY OF: AudioSparxTITLE: FlapperjackPERFORMED BY: Texas GypsiesCOMPOSED BY: Steven R Curry (BMI)PUBLISHED BY: Alliance AudioSparx (BMI)COURTESY OF: AudioSparxTITLE: Back RoadsPERFORMED BY: Woods & WhiteheadCOMPOSED BY: Terry WhiteheadPUBLISHED BY: Terry WhiteheadCOURTESY OF: Terry WhiteheadPost production services : Pro Podcast SolutionsAdvertising sales: Contact us directlyContent hosting services: Audioport, Earshot, Radio4All, & PodBeanProducer: Made Man BobWine Tasting, Gargiula Vineyards, Beaulieu Vineyards, Ehlers Estate, Chardonnay, Cabernet Sauvignon, Napa Valley, Wine Reviews, Wine Ratings, Wine Enthusiast, Wine Pairing, Wine Lovers, Vineyard Tours, Wine Cellar, Fine Wines, Wine And Food, Wine Podcast, Wine Experts, Wine Education, Wine CultureGargiula Vineyardshttps://www.gargiula.com/Beaulieu Vineyardshttps://www.bvwines.com/Ehlers Estatehttps://www.ehlersestate.com/Screaming Eaglehttps://www.screamingeagle.com/Bottle Shock (Movie)https://www.imdb.com/title/tt0914797/Tony Chachere's Seasoninghttps://www.tonychachere.com/ Hosted on Acast. See acast.com/privacy for more information.

Inside The Music explores further the genius of Ludwig van Beethoven. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores works of Beethoven with live CRC performances by pianist Emanuel Ax and the Brentano Quartet.Piano Sonata in G Major, Op. 31, No. 1Adagio graziosoEmanuel Ax [4/24/2016 performance]Quartet in C Major, Op. 59, No. 3, RazumovskyAndante con moto – Allegro vivaceAndante con moto quasi allegrettoBrentano Quartet [1/24/2010 performance]Sonata in C Major, Op. 53, WaldsteinIntroduzione: Adagio moltoRondo: Allegretto moderato – PrestissimoEmanuel Ax [5/6/2018 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

They say that only two things in life are certain, death and taxes. But if you're a harpist you know there is a third certainty; at some point, often at the wrong point, you're going to break a string. I remember one performance with my flutist friend Joan when one of my high strings broke as I played it at the end of a glissando near the end of the piece we were playing. When we had finished the piece, I began to change the string while she joked with the audience that the string had broken on time and in tune. We had been playing concerts together for years at that point so she also gave the harp talk to the audience while I finished changing and tuning the string.  Not all string breakage is so convenient, of course. A few years ago, I was playing a big flashy solo piece as part of a program with various performers.  The piece was Salzedo's “Variations on a Theme in the Old Style,” The piece is in G Major and it's about 12 minutes long. I was less than a minute into the piece when I broke the last string I would have expected to break, the lowest wire G string on the harp. In many pieces, that wouldn't have been an issue, but this string was part of every variation from beginning to end, and in fact, was in the last chord of the piece. It was critical.  Two thoughts flashed simultaneously through my mind. First, I'm going to have to stop and fix this string. Second, I had not only broken a string, but I had broken the most important rule for any harpist playing anywhere. Instead of having all my strings with me backstage, I had left my wire string set in my car which was in the parking garage a couple of blocks away. Not good.  While a broken string is a fact of every harpist's life, it doesn't have to be a disaster, even in a performance, as long as you have the right replacement string and you know how to tie the all-important knot. On today's show, we'll review string care, string storage, the different kinds of strings and which to choose for your harp, and I'll even give you some knot-tying tips. All of these are really important as we here in the northern hemisphere come into high summer, which is a season of high string breakage. But how did I resolve my broken string dilemma?  Here's a hint: it was solved in a most surprising and simple way and without running to the parking garage. I'll tell you the whole story later in the show. As they say, stay tuned! Links to things I think you might be interested in that were mentioned in the podcast episode:  Plan ahead for some focused harp time. Register for the Fall Retreat  Related resource What's Your SPF- String Protection Formula? blog post Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-161    

As Season Six draws to a close, Kirk opens up the Strong Songs mailbag to answer a bunch of listener questions on topics ranging from Diablo's use of lydian to what he means when he talks about "transcribing."REFERENCED/DISCUSSED:"Tristram" by Matt Uelman from Diablo, 1997"Blast Inc. (feat. Jorgen Munkeby)" by Haunted Shores from Viscera, 2015"One Down, One Up" by John Coltrane from New Thing at Newport, 1965"Heart of Glass" by Debbie Harry and Chris Stein as recorded by Miley Cyrus in 2020"Respect" by Otis Redding recorded by Aretha Franklin, 1967"All The Things You Are" by Jerome Kern, lyrics by Oscar Hammerstein II, 1939, and also recorded by the Brad Mehldau Trio in 1999"Reminiscing" by Little River Band from Sleeper Catcher, 1978"Flute Loop" by The Beastie Boys from Ill Communication, 1994"Flute Thing" by The Blues Project from Projections, 1966"Dream is Collapsing" and "Dream Within a Dream" by Hans Zimmer from Inception, 2010"Concerto for Flute & Orchestra No. 1 in G Major, I. 313: I. Allegro Maestoso," feat. Sir James Galway"Kid Charlemagne" by Steely Dan feat. Larry Carlton from The Royal Scam, 1976"St. Thomas" by Sonny Rollins from Saxophone Colossus, 1956"Supercell" by King Gizzard and the Lizard Wizard from PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation , 2023"Morph" by twenty one pilots from Trench, 2018"Summertime" by DJ Jazzy Jeff and the Fresh Prince from Homebase, 1991"Summer Love" by Kool and the Gang from Light of Worlds, 1974"Nuthin' but a 'G' Thang' by Dr. Dre feat. Snoop Dogg from The Chronic, 1992Doctor Mix explains how to get the "Summer Madness" sound on an ARP 2600"Ironside" by Quincy Jones as featured in the Kill Bill soundtrack, 2003"Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo" by Dimitri Shostakovich as recorded by the Berlin Philharmonic, 1987"Time" by Pink Floyd from The Dark Side of the Moon, 1973"Shit Talk" by Sufjan Stevens from Javelin, 2023OUTRO SOLOIST: Evan IllouzEvan is a clinical psychologist in Brooklyn, NY, who's been playing since he was in high school, about 20 years ago. ----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------MAY 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyMAY 2024 HALF-NOTE PATRONSDanielle KrizMichael YorkClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian Johan PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyAlan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMel DEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

This Day in Legal History: South Africa EstablishedOn May 31, 1910, the Union of South Africa was established, marking a significant moment in the nation's history as it unified the previously separate colonies of the Cape, Natal, Transvaal, and the Orange Free State under British dominion. This union created a self-governing dominion within the British Empire, granting it considerable autonomy while still recognizing the British monarch. The formation of the Union set the stage for a centralized government, which would later play a crucial role in the institutionalization of apartheid.Exactly fifty-one years later, on May 31, 1961, the Republic of South Africa was proclaimed. This pivotal event signified South Africa's transition from a dominion of the British Commonwealth to an independent republic. This move was largely driven by rising nationalist sentiments and the desire to break free from British influence. The establishment of the Republic came after a referendum in 1960, where a narrow majority of white voters supported the change.The creation of the Republic also marked South Africa's exit from the British Commonwealth, reflecting its increasingly isolated position on the global stage due to its apartheid policies. These policies would continue to draw international condemnation and sanctions, leading to significant internal and external pressure for reform. The legal and political landscape of South Africa underwent dramatic changes during this period, shaping the country's future and its eventual path towards democracy and the end of apartheid in the early 1990s.Yesterday, on Thursday May 30, 2024, Donald Trump made history as the first U.S. president to be convicted of a crime. A New York jury found him guilty of falsifying business documents to conceal a payment to porn star Stormy Daniels ahead of the 2016 election. The jury deliberated for two days before delivering a unanimous verdict on all 34 felony counts. Trump remained stoic as the verdict was read and later declared the trial a sham, asserting his innocence and vowing to appeal.Sentencing is scheduled for July 11, just before the Republican Party's nomination process for the November election. The crime carries a maximum sentence of four years, but Trump will not be jailed before sentencing. This conviction adds complexity to the upcoming election, with Trump aiming to reclaim the White House from President Joe Biden. Despite the verdict, Trump's legal troubles do not disqualify him from running for office.The case revolved around Trump's former lawyer Michael Cohen's testimony about a $130,000 hush money payment to Daniels, which was disguised as legal expenses. Cohen's credibility was a major focus during the trial, but the jury believed the evidence supported his claims. The swift verdict indicated strong juror consensus on Trump's guilt.The Biden campaign emphasized that the verdict demonstrates no one is above the law, urging voters to reject Trump in the election. Meanwhile, Trump's campaign labeled him a political prisoner and hinted at selecting a female vice-presidential candidate. This landmark case, though deemed the least consequential of Trump's legal challenges, significantly impacts his political future and the nation's political landscape.Donald Trump becomes first US president convicted of a crime | ReutersA lawsuit filed by a Twitter investor claims that Elon Musk ignored repeated warnings about U.S. securities disclosure obligations while secretly amassing shares in Twitter in 2022. According to the lawsuit, a Morgan Stanley executive who assisted Musk in this process repeatedly informed Musk and his aide, Jared Birchall, about the need to disclose when their stake exceeded 5%. Despite discussing these requirements, Musk and Birchall allegedly delayed disclosure to buy shares at lower prices, saving Musk over $200 million.The Oklahoma firefighters pension fund accuses Musk of defrauding investors by concealing his growing stake, thereby acquiring shares at "artificially depressed prices." The lawsuit claims that Birchall falsely assured the Morgan Stanley executive that legal advice had been sought when it had not been until Musk's stake exceeded 9%.Musk eventually acquired Twitter for $44 billion in October 2022, renaming it X. The lawsuit contends that Musk and Birchall deliberately ignored disclosure requirements to avoid increased costs and public scrutiny. Musk's lawyers have argued that any failure to disclose was inadvertent, attributing it to Musk's busy schedule. This incident is part of Musk's ongoing conflict with the SEC, which began in 2018 over a misleading tweet about taking Tesla private.Musk disregarded warnings, hid Twitter stake, US lawsuit claims | ReutersOn May 30, 2024, U.S. Chief Justice John Roberts denied a request from Democratic Senators Dick Durbin and Sheldon Whitehouse for a meeting to discuss Justice Samuel Alito's recusal from cases related to the 2020 election. The senators raised concerns after reports that flags linked to former President Trump's efforts to overturn the 2020 election were displayed at Alito's homes. They argued that Alito's impartiality was compromised, citing the flags' association with the "Stop the Steal" movement.Roberts responded that chief justices rarely meet with lawmakers and emphasized the need to maintain judicial independence. He noted that meeting with senators from only one party would be inappropriate, especially concerning matters currently pending before the court. Durbin's spokesperson disagreed, stating that the intent was to restore the court's credibility.Alito, in letters to the senators, refused to recuse himself, asserting that the flag incidents did not warrant recusal under the justices' guidelines. He clarified that the flags were flown by his wife, exercising her free speech rights, and that he had no involvement. Alito's refusal to step aside drew criticism about the Supreme Court's ethics standards and lack of enforcement mechanisms.The two cases in question involve Trump's claim of presidential immunity from prosecution for his actions related to the 2020 election and an obstruction charge against a participant in the January 6 Capitol riot. Both cases have already been argued, with rulings expected by the end of June.US Supreme Court's Roberts rebuffs senators' call for Alito meeting | ReutersThis week's closing theme is by Franz Joseph Haydn, who died on this day in 1809. Franz Joseph Haydn, often hailed as the "Father of the Symphony" and the "Father of the String Quartet," was a prolific and influential composer of the Classical period. Born in 1732 in Rohrau, Austria, Haydn's career spanned the late Baroque and early Romantic periods, marking a significant evolution in the structure and style of classical music. His innovative approaches to form and harmony laid the groundwork for future generations of composers, including Mozart and Beethoven.One of Haydn's most beloved works is his Symphony No. 94 in G Major, famously known as the "Surprise Symphony." This nickname comes from the sudden, unexpected loud chord that punctuates the otherwise soft and gentle second movement, designed to startle the audience. Premiered in London in 1792, this symphony is part of Haydn's twelve "London Symphonies," which he composed during his highly successful visits to England.The second movement, Andante, is particularly famous for its charming theme and variations, showcasing Haydn's wit and creativity. The "Surprise" element reflects his playful personality and his desire to engage and delight listeners. As you enjoy this week's closing theme, let the elegance and ingenuity of Haydn's composition remind you of the timeless beauty of classical music.Without further ado, Symphony no. 94 in G 'Surprise', H. I:94 - II, by Franz Joseph Haydn.   Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

In 1773, Carl Philipp Emanuel Bach sat down to record his life story. He'd been asked to write it down for a new book on German music and it made him one of the first composers to produce an autobiography. This week, Donald Macleod follows the composer's story, using Bach's own account as his guide. Bach's words provide fascinating insights into the things he considered most important but it's possible that what he chose to leave out is even more revealing.Music Featured: L'Aly Rupalich, Wq 117 No 27 Symphony for Strings and Continuo in G major, Wq 182 No 1 Fantasia for keyboard in C major, Wq 61 No 6 Trio Sonata in B minor, Wq 143 Keyboard Concerto in G major, Wq 3 Symphony in G major, Wq 173 (1st mvt) Trio Sonata in A Minor, Wq 148 Sonata in A minor, Wq 132 (1st mvt) Cello Concerto No 3 in A major, Wq 172 (2nd & 3rd mvts) Sonata in E minor, Wq 49 No 3 Magnificat in D, Wq 215 (1, Magnificat anima mea Dominum; 5, Fecit potentiam; 10. Sicut erat in principio) Keyboard Sonata in E flat major, Wq 52 No 1( 2nd & 3rd mvts) Sonata in C minor ‘Sanguineus and Melancholicus' Wq 161 No 1 Phyllis and Thirsis, Wq 232 (excerpt) Sinfonia in B-Flat Major, Wq 182 No 2 (3rd mvt) 30 Geistliche Gesänge mit Melodien, Book 2, Wq 198: (Nos 2 & 8) Die Israeliten in der Wüste, Wq 238 (extract from Part 1) Symphony in B minor, Wq 182 No 5 Rondo in E Major, Wq 58 No 3 Rondo in F Major, Wq 57 No 5 Sonata in D Minor, Wq 57 No 4 (2nd mvt) Quartet in G Major, Wq 95 (3rd mvt) Heilig, Wq 217 Keyboard Sonatina in D Major, Wq 109 Freye Fantasie in F sharp minor, Wq 80Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for CPE Bach (1714-1788) https://www.bbc.co.uk/programmes/m001yr0r And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

In this episode of Join Us in France, Annie Sargent and Elyse Rivin delve deep into the life and musical journey of Maurice Ravel, one of France's most celebrated composers. Known for his lush orchestrations and exquisite compositions like Boléro and the Piano Concerto in G Major, Ravel's work blends technical mastery with rich cultural influences. Get the podcast ads-free We explore his Basque origins, his formative years in the vibrant cultural milieu of Paris, and his evolution as a composer against the backdrop of early 20th-century Europe. From his studies at the Paris Conservatoire to his challenges with the establishment, his involvement with the avant-garde Apaches, and his experiences during World War I, this episode paints a comprehensive portrait of Ravel's complex character and artistic genius. Learn about his famous American tour, his philosophical disputes, and the creation of his revolutionary yet simplistic masterpiece, Boléro. Discover Ravel's lasting impact on music and why his innovative compositions continue to captivate and mesmerize audiences around the globe. This episode is a must-listen for anyone interested in the intersections of history, culture, and timeless music. Table of Contents for this Episode Today on the podcast Podcast supporters The Magazine Segment Introduction to a Special Composer: Maurice Ravel Ravel's Early Life and Musical Beginnings Ravel's Unique Musical Journey and Influences Interested in Experimentation at an Early Age No Romantic Relationships The Apaches: Ravel's Artistic Circle and Social Life Do you play the Piano Puzzler on NPR? Ravel's Philosophical Stance towards Germany Grand American Tour Gershwin and Ravel: A Musical Friendship The Creation of Bolero: Ravel's Iconic Composition Bolero's Premiere and Legacy: Controversy to Classic Ravel's Life and Other Works: Beyond Bolero Maurice Ravel at the end of his life Music in constant motion What do you listen to when driving, walking the dog, working? Thank you Patrons Reviews on VoiceMap Taking the Train in France Train Strikes Next week on the podcast Copyright More episodes about French culture    

This Day in Legal History: Beatles Sign 10 Year Partnership AgreementOn this day in legal history, April 19, 1967, The Beatles, comprising John Lennon, Paul McCartney, George Harrison, and Ringo Starr, entered into a significant legal agreement that aimed to bind them together as a group for another decade. The partnership deed they signed not only reflected their intent to continue collaborating but also legally formalized the business side of their operations amid their skyrocketing fame.However, the unity that this agreement sought to solidify began to unravel just a few years later. Despite their intentions in 1967, The Beatles faced increasing personal and creative differences which led to their disbandment in 1970, a full seven years short of the agreement's term. The disintegration of their partnership led to one of the most famous legal cases in music history.Paul McCartney took the lead in legally challenging the partnership. In December 1970, he filed a suit against the other members to dissolve The Beatles' contractual partnership. McCartney's move was a response to managerial disputes, particularly concerning Allen Klein, whom John, George, and Ringo favored to manage their business affairs, a decision Paul vehemently opposed.The legal battle that ensued was fraught with emotional and financial tension, highlighting the complexities of music rights, personal relationships, and business interests intertwined within the band. McCartney sought the appointment of a receiver to manage the group's finances, effectively protecting his earnings from decisions made by Klein, whom he distrusted.The court ultimately ruled in McCartney's favor in 1971, leading to the official legal dissolution of The Beatles' partnership. This case not only marked the end of one of the most successful musical collaborations in history but also set a precedent in how legal disputes within bands were viewed and handled in the future.The dissolution of The Beatles not only reshaped their personal and professional lives but also impacted the music industry, emphasizing the importance of legal agreements in artistic collaborations. While their music continues to influence generations, the legal battles they endured serve as a cautionary tale about the potential complexities of combining creative endeavors with business interests.Troutman Pepper Hamilton Sanders and Locke Lord, two prominent law firms, are currently in discussions about a potential merger that would significantly elevate their market position. If successful, the merger would create a powerhouse legal firm with over 1,600 lawyers and revenues surpassing $1.5 billion, positioning it among the top 30 largest firms by revenue. This strategic alignment is driven by complementary strengths in corporate, litigation, and real estate practices, with both firms having a robust presence in these areas.The merger would also expand Troutman Pepper's geographic footprint into Texas, a key market due to its burgeoning energy sector, where Locke Lord already has established offices in Houston, Dallas, and Austin. This move reflects a broader trend of consolidation within the legal industry, where smaller firms merge to compete more effectively against larger rivals, enhancing their scope, talent pool, and profitability.This discussion is part of an ongoing wave of mergers in the legal sector, highlighting a competitive push among firms outside the Am Law 200 to scale up operations and extend their market influence. Both firms have a history of mergers, with Troutman Pepper emerging from a 2020 merger and Locke Lord from several mergers, the most recent in 2015. These consolidations have historically aided in growth and market presence, as seen in their revenue and lawyer count increases over the years. The potential merger aims to leverage these synergies to create a more formidable competitor in the legal market.Troutman Pepper, Locke Lord Discuss a New $1.5 Billion Firm (2)The legal battle between Jones Day and Soverain Software, which began over two decades ago, continues to unravel in the courts. Initially, Jones Day helped Soverain secure a $40 million settlement from Amazon in a patent infringement suit in 2005. However, tensions arose when Soverain only paid Jones Day $22 million of the fees before their relationship deteriorated in 2010 during a lawsuit against Newegg, where Soverain won significantly less than the $34 million it sought.The dispute escalated when Jones Day claimed that Soverain had not paid all the fees owed, leading to a $1.5 million arbitration award in favor of Jones Day in 2015. Jones Day accuses Soverain of creating a complex scheme to avoid payment, including fraudulent transfers of funds involving Soverain's founder and former chief legal officer.Soverain, known for its aggressive patent litigation over online shopping cart technology, faced a major setback when key patents were invalidated in 2013, diminishing its revenue potential. Despite this, Jones Day alleges that Soverain and its executives engaged in financial maneuvers to siphon funds, complicating the firm's efforts to collect its fees.Currently, the legal wrangling involves attempts by Jones Day to enforce the arbitration award, while Soverain challenges the validity of the claim, arguing it was filed too late. The saga highlights ongoing issues in the legal industry related to client relationships, fee disputes, and the challenges of enforcing legal payments.Jones Day's Messy Split From Client Fuels Long-Running Fee FightIn a significant legal development, lawyers have completed the selection of 12 jurors for the landmark criminal trial of former U.S. President Donald Trump in New York. This trial, notable for being the first in which a former president stands as a defendant, involves allegations that Trump falsified business records to conceal a hush-money payment to porn star Stormy Daniels ahead of the 2016 election. The selection process was marked by challenges, including the dismissal of potential jurors who felt they could not remain impartial, reflecting Trump's polarizing influence.The trial has already seen its share of drama, with the early dismissal of jurors—one due to intimidation concerns after her personal information was inadvertently revealed, and another for failing to disclose previous legal issues. These incidents underscore the heightened tensions surrounding the trial. The jury's task is complicated by the intense public and media scrutiny, as well as Trump's frequent critiques of the legal process and those involved, which has led to concerns about juror safety and the integrity of the trial process.Justice Juan Merchan, overseeing the trial, has implemented measures to protect jurors' anonymity and limit media coverage of certain details to prevent potential harassment. As the trial moves forward, with opening statements expected soon, the world watches closely. This case not only holds significant legal ramifications for Trump, who faces multiple criminal cases, but also carries substantial political implications, especially with Trump's ongoing presidential campaign. The outcome could influence public perception and the political landscape significantly.Lawyers select 12 jurors to serve in Trump hush-money case | ReutersMore than one-third of U.S. law school deans have expressed opposition to a new proposal by the American Bar Association (ABA) aimed at enforcing greater uniformity across law school courses. The proposal has sparked concerns about the ABA's increasing control over academic freedom and the curriculum design within law schools. Seventy-six deans from ABA-accredited schools, including prominent institutions like New York University, Georgetown, and the University of Michigan, have publicly criticized the initiative.Proponents of the proposal argue that establishing more uniform required classes and specific learning goals for each course would ensure that students possess a consistent foundational knowledge, which would support their overall education and benefit faculty teaching advanced courses. This group includes influential figures such as former ABA legal education administrator Barry Currier and several law professors actively involved in student outcomes and assessment.The ABA has outlined that the revised standards would clarify expectations and requirements, moving away from the current broad standards. This adjustment is intended to help law schools more clearly understand and meet accreditation requirements, with the proposal necessitating that law schools regularly review and revise their academic programs every five years.Critics, however, argue that the proposal infringes on the academic freedom of professors and imposes significant administrative burdens on schools. They contend that it unnecessarily dictates specific learning outcomes and course alignments that could stifle educational innovation and diversity in teaching methods.The proposed changes also include new requirements for first-year classes, such as early assessments to provide students with feedback before final exams and mandated academic support for students who underperform. With the comment period now closed, the ABA's legal education council is expected to consider the feedback and make a decision on the proposal at its next meeting on May 17. The ongoing debate highlights a broader tension between regulatory oversight and academic independence in legal education.Law deans balk at course uniformity proposed by American Bar Association | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart.Wolfgang Amadeus Mozart, born on January 27, 1756, in Salzburg, Austria, is one of the most prolific and influential composers of the Classical era. His father, Leopold Mozart, a noted violinist and composer in his own right, was instrumental in nurturing his son's prodigious talent. Mozart showed early signs of genius, mastering keyboard and violin by the age of five and composing by the age of five and a half. His extensive tours of Europe as a child wunderkind brought him into contact with a wide array of musical styles and influential composers, which shaped his own unique compositional voice.Mozart's works encompass all genres of his time, including symphonies, operas, solo concertos, chamber music, and choral music, showcasing his remarkable versatility and creativity. His music is celebrated for its melodic beauty, formal elegance, and rich harmonic and instrumental textures. Despite his profound musical output, Mozart's life was marked by financial instability and he died prematurely at the age of 35 on December 5, 1791, in Vienna, leaving behind an enduring legacy.One of Mozart's lighter, yet deeply admired works is the "Serenade in G Major," also known as "Eine kleine Nachtmusik" (A Little Night Music). Composed in 1787, the same year as his opera "Don Giovanni," this piece exemplifies Mozart's ability to infuse charm and sophistication into his compositions. The second movement, "Romance," is particularly notable for its lyrical and tender qualities. It begins with a gentle, soothing melody that exudes calmness and reflective poise, then transitions into a minor mode that adds a touch of drama before returning to the tranquil themes of the opening. This movement, like the rest of the serenade, is a wonderful example of Mozart's genius in creating music that is both accessible and complex, embodying the elegance and grace of the Classical style. Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

4月12日OAのゲストは、水引作家の森田江里子さんです。 祝儀袋や贈答品などにかけられる飾り紐「水引」を使って、自身のアトリエ「和工房包結」でオリジナリティ溢れる造形に取り組んでいる森田さん。 いにしえから続く日本の美「水引」の基本知識から新しいデザインの可能性まで、スタジオにお持ちいただいたユニークな実作品を拝見させていただきながらトークは進みます。 番組内でバラカンさん＆柴田アナが実施の水引作りにも挑戦！ 「季節をむすぶかわいい水引」（ブティック社） ＜オンエア楽曲＞ Derek Gripper『Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Arr. for Guitar by Derek Gripper)』

Can something really sound like a warm chocolate chip cookie? How about a double stuffed? Wait…how many strings does a piano have? We discuss timbre (pronounced tam-ber) and the elements that can influence it in this week's episode. Visit our website and/or follow us on Instagram to learn more about the 4|4. Music credits (all music sourced from the YouTube music library): Next Steps is by half.cool Bach Cello Suite No.1 , G Major, Prelude is by Cooper Cannell Take Me Out to the Ballgame is by E's Jammy Jams Devil's Organ is by Jimena Contreras The Black Cat is by Aaron Kenny Over Time by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/ Credit to The Quiz Channel for the Voice Quiz game.

Welcome back, Hallmark fans! We invite you to tune in to the newest episode of Girls Gone Hallmark, featuring hosts Megan and Wendy, as they delve into the exciting world of a fresh crime series from Hallmark Mysteries called "CrimeTime: FreeFall." In this episode, they dissect the potential of this movie becoming a series for the revamped Mystery network. Plus, they ask: will Lyndie Greenwood and Luke Macfarlane be the newest crime-solving duo we fall in love with? We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. Watch the Trailer for "CrimeTime: FreeFall" About "CrimeTime: FreeFall" from Hallmark Mysteries "CrimeTime: FreeFall" was directed by Stacey N. Harding. Stacey has 13 directing credits and is known for directing last year's incredible “Round and Round,” “Hearts in the Game,” and “Love, Classified.” She also recently directed Luke Macfarlane in “Amish Stud: The Eli Weaver Story” and - grab your BINGO cards - she is credited with directing the highly anticipated “Holidazed” for Hallmark. Arthur Vandalay is credited on IMDB for writing the script. But, the true writer is Kraig Wenman. Before we get into Kraig's resume, one must ask...who the heck is Arthur Vandalay? Art Vandelay is a fictional character that George Costanza invents when in a job interview on the TV series Seinfeld. We're not really sure why Kraig is using a pseudonym. He used the same name for "Haunted Harmony Mysteries: Murder in G Major." Kraig has 26 previous writing credits according to IMDB. His last credited project for Hallmark was “Crossword Mysteries: Riddle Me Dead” in 2021 but has also written a handful of others for the channel.  Luke Macfarlane stars as Shawn. Luke has 40 acting credits, including “Catch Me if You Claus” from last year's Countdown to Christmas. He can be seen in a bunch of stuff outside of Hallmark, including “Amish Stud: The Eli Weaver Story,” the series “Platonic” on AppleTV, as well as the NSFW movie “Bros.” Lyndie Greenwood stars as Hadley. Lyndie has 32 acting credits which include the last year's “Magic in Mistletoe” for Hallmark. She can also be seen in eight episodes of the comedy series “Shelved.” Related: Listen to the Girls Gone Hallmark podcast review "Haunted Harmony Mysteries: Murder in G Major" What's Coming to Girls Gone Hallmark in February?

Welcome to the Girls Gone Hallmark podcast, where we discuss the latest and greatest in Hallmark Channel movies. Today, we're excited to review the newest romantic comedy to hit our screens, "Betty's Bad Luck in Love." This film tells the story of Betty, a young woman who can't seem to catch a break in the love department after a curse is put upon her in middle school. How will this new rom-com land with viewers? Let's dive in and find out! Feeling Generous? We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. "Betty's Bad Luck in Love" Trailer About "Betty's Bad Luck in Love" Linda Lisa Hayter directed "Betty's Bad Luck in Love." She has 13 previous directing credits including "Murder in G Major: A Haunted Harmony Mystery," "Unexpected Grace," and "Cranberry Christmas." Cameron Johann wrote the script for this movie. This is Cameron's second writing credit - he also wrote the screenplay for a movie called "Birdie" from 2021. He has worked in entertainment for a long time producing a number of Hallmark movies including "A Paris Proposal," "Groundswell," and "Rip in Time." Related Podcast: Girls Gone Hallmark reviews "A Paris Proposal" Laci J. Mailey plays Betty. Laci has 29 acting credits, which include 55 episodes of "Chesapeake Shores" as Jess O'Brien. She was also in one episode of "Hudson and Rex." Marco Grazzini plays Alex. Marco's 50 acting credits also include "Murder in G Major: A Haunted Harmony Mystery" and "Right In Front of Me" - both directed by Linda Lisa Hayter. He's currently playing bad boy Mike Valenzuela on "Virgin River." Related: What did Girls Gone Hallmark think of "Murder in G Major?" Meghan Heffern plays Mya. Meghan has 67 acting credits which include 7 episodes of "UnReal," 9 episodes of "Wynona Earp," 6 episodes of the Netflix series "Sex/Life" and lots of Hallmark appearances in "Journey Back to Christmas," Retreat to You," "Winter Castle," and "Morning Show Mysteries." David Epstein plays Nelson. We recently saw David as Josh in "Round and Round." These two movies were the first Hallmark movies in his 24 acting credits. Also noteworthy, David had a role a "Best Friend #2" in "Once Upon a Time." "Betty's Bad Luck in Love" was filmed in and around Vancouver in mid-to-late September 2023. View this post on Instagram A post shared by Linda-Lisa Hayter (@lindalisahayter) //www.instagram.com/embed.js What's Coming to Girls Gone Hallmark in February?

Have you or someone you know fallen victim to the detrimental effects of Jargon Monoxide? If so, there might be compensation waiting for you. Joining Kurt and Tim in this episode, Huggy Rao delves into the critical aspects of organizational friction and the looming specter of burnout within workspaces. Huggy underscores the need for clear and transparent communication to escape the wearisome trap of workspeak, identified here as "jargon monoxide." Tune in for a succinct and transparent conversation as Huggy dissects the challenges organizations encounter with an inherent bias towards addition, prioritizing the incorporation of new elements over the removal of unnecessary ones. He sheds light on the paradoxical scenario where leaders receive accolades for their additive contributions, leaving the significance of subtraction undervalued and misunderstood. In the episode's conclusion, Kurt and Tim steer the discussion towards reframing friction as an avenue for improvement rather than a hindrance. They explore effective strategies for mitigating workplace friction and beyond, providing valuable insights for those grappling with end-of-the-year work fatigue. Don't miss out on this episode if you're seeking a fresh perspective on navigating workplace challenges.   © 2023 Behavioral Grooves Topics  (6:12) Intro and Speed Round (12:21) Good Friction vs Bad Friction (17:38) Health Pyramids and Reframing the Workplace (25:07) Rational vs Emotional (30:25) Corporate time wasters (37:04) Addition bias and Obliviousness (45:10) Jargon Monoxide (54:55) Grooving Session: Strategies for Burnout and Friction  © 2023 Behavioral Grooves Links  The Friction Project Bandolini's Law  Huggy Rao Musical Links Camarón De La Isla Como El Agua (Tangos) Yo Yo Ma - Yo-Yo Ma - Bach: Cello Suite No. 1 in G Major, Prélude (Official Video)

Former orchestra conductor Gethsemane Brown moves to Ireland to teach at a boarding school. After deciphering a musical message, she meets a renowned composer's ghost who is rumored to be behind the death of his lover.Watch on Philo! - Philo.tv/DTHThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4438180/advertisement