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Yasunori Imamura, whose recording of Bach's complete lute works has been described as a ‘magnificent interpretation' (Naxos 8.573936–37), turns his attention to the Cello Suites. Imamura has chosen to perform these iconic suites on the theorbo, the most important plucked instrument in the lute family, with a range very similar to the cello. Certain technical elements, such as the playing of arpeggios are, in fact, easier on the theorbo whose unique timbres and resonances bring a new sonic quality to these much-loved works. This album includes cello suites 1, 4 and 5.
Astronauts witness stars in full glory – without the haze of atmosphere. A stunning site that fills us all with wonder and awe. Astronaut Matthew Dominick, in the crew of ISS 71, took these stunning photos with his camera pointed up at the stars, instead of down at Earth, in September, 2024. The movie is set to the music of Catherine Brisset who plays the Cristal Baschet with her personal adaptation of the Sarabande movement from Bach's Cello Suite #1. Series: "Earth Serenade" [Arts and Music] [Show ID: 40511]
Astronauts witness stars in full glory – without the haze of atmosphere. A stunning site that fills us all with wonder and awe. Astronaut Matthew Dominick, in the crew of ISS 71, took these stunning photos with his camera pointed up at the stars, instead of down at Earth, in September, 2024. The movie is set to the music of Catherine Brisset who plays the Cristal Baschet with her personal adaptation of the Sarabande movement from Bach's Cello Suite #1. Series: "Earth Serenade" [Arts and Music] [Show ID: 40511]
Fosforo 1741: I brani della striscia numero 1 della settimana: Asian Dub Foundation - Raj Antique Store (ADF30 Remaster); Aquaserge - Je viens; Tim Ries - It`s Magic; Fabio Mittino - Prelude, Cello Suite n.1; Johnny Hartman - I see your face before me; Mœbius and Plank - Missi Cacadou; Love - Orange Skies; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
In unserer zweiten Live-Folge spielen vier Musikerinnern und Musiker der Hochschule für Musik Saar ein wunderschönes Cello-Stück von Johann Sebastian Bach, und wir versprechen: Es klingt jedes Mal völlig anders.
WETA resident cello player James Jacobs joins John Banther for a deep dive into the 6 iconic cello suites by JS Bach. With cello in hand, James demonstrates different aspects of the suites and shows us what to listen for, plus we enjoy a full recording performance of one of the suites at the end!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
In this podcast episode, Hayes Griffin and Magnus Zetterlund are discussing:The 5th anniversary of Mandolin Secrets Academy. How to use the powerful back-chaining technique while memorizing music. Playing baroque music on the mandolin while highlighting Magnus's new classical mandolin lesson “The prelude from Bach's 1st Cello Suite”.We asked our community:Do you mostly play by tabs, notation, or by ear?Do you mostly play by tabs, notation, by ear, or by eye and ear?Do you attend music camps? If so, which ones?This week marks our 5th anniversary for our membership! Can you mention one thing that Mandolin Secrets Academy has done for you?Here are the weblinks mentioned in the show.Visit our website for more episodes:https://mandolinsecrets.com/podcast
Pathway to the Center musically describes walking a labyrinth. Set to Bach's Cello Suite 1 in G Major, performed by harpist Laura Zaerr, the journey from the ISS takes you from serene clouds to the eye of a hurricane and back to serenity. Series: "Arts Channel " [Arts and Music] [Show ID: 40229]
Harriet Constable is a journalist and filmmaker based in London. Her journalism and documentary work has featured in outlets including the BBC, Economist and New York Times. She is a graduate of Colombia University's School of Journalism summer school, is a Pulitzer Center grantee and a fellow of the Royal Society of Arts. Her first novel is The Instrumentalist. Anna Maria della Pietà: the greatest violinist of 18th century, possibly a composer in her own right, fundamental to Vivaldi's music, grew up in the extraordinary Ospedale della Pietà - the original conservatoire of music Synaesthesia: people think it's seeing music through colour - which it is in The Instrumentalist - but it's more than that. Words can have smells and taste, one sense can trigger another in profound ways. Bach's Cello Suite in G minor while standing on a mountain: anyone can enjoy classical music, it's supposed to be listened to LOUDLY, it's supposed to be magnificent. Go somewhere epic, ideally in nature, and play this piece. Track the mountain with your eyes. The Foundling Museum: the UK's first children's charity, a heartfelt ode to the orphans and their parents. Female musicians: Fanny Mendelssohn, Clara Schulman, Nannerl Mozart, Francesca Caccini - listen to Nocturne in G minor. Spaghetti Aglio Olio This podcast is powered by ZenCast.fm
Greetings, adventurers! Welcome to the Realms & Nerds podcast! Join our four heroes- Sir Ben, Llew Westaryn, Krohl the Fallen, and Raven- as they continue their journey in The Vassanoka Adventures! Like this episode? Share with friends, and subscribe for more! Don't forget to use the hashtag #RealmsNerds when posting online about the show! Map of Vassanoka Interested in hiring us to advertise your product or service on the podcast? Please email inquiries to realmsandnerds@gmail.com Share the show! Support on Patreon! Follow us on Social Media: Twitter Instagram Facebook TikTok Red Blade Productions Discord Ben secures lodging for the party. Llew plays a card game. Krohl scouts the river. Raven's stomach churns. Cast: Ash: Krohl the Fallen Bee: Dungeon Master, Rumut, Darnak, Benny, Sana, Rackle, Chieftain Darren, Farmer, Sylpher, Phil, Sherrie Harrison - Prince Llew Westaryn Ray: Raven RJ: Sir Ben, Goblin-Ben, Horses The Vassanoka Adventures is an original campaign created by Bee Owens Episode edited by RJ Moore & Harrison Owens Original Realms & Nerds music & sound effects by RJ Moore "Yankee Doodle", traditional tune, recorded by RJ Moore Main theme composed by Kyle Rice & RJ Moore, arranged by Justin Mattioli Additional music by Ivan Duch (https://www.ivanduch.com) "Peaceful Tavern" Additional music by Kevin MacLeod (https://www.incompetech.com) "Teller of the Tales", "Achaidh Cheide", "Cello Suite 1 in G - Prelude", "Errigal", "Celtic Impulse" Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Additional sound effect from FreeSound (https://www.freesound.org) "ice cracks medium1" by kyles. Creative Commons 0.
Sarah Jeffery is a wonderful and versatile recorder player based in the Netherlands, known worldwide for her outreach with her YouTube project Team Recorder, which at the time of this podcast release has well over 205,000 very engaged followers. She is the Recorder Professor specializing in Contemporary music at the Royal College in London, and we talked about her work teaching recorder technique, improvisation in different styles, her varied career including experimental theatre and her synesthesia which directly informs her work as a musician. There's lots more to this wide-ranging episode, which features some fantastic recorder performances as well. Transcript and Video link on my website: https://www.leahroseman.com/episodes/sarah-jeffery-of-team-recorder Sarah Jeffery website: https://sarahjeffery.com/ Bach Sarabande: https://www.youtube.com/watch?v=9paJfIegQ3Q Constellations album https://team-recorder.myshopify.com/collections/audio Support this podcast in several ways! Merch store: https://www.leahroseman.com/beautiful-shirts-and-more Buy me a coffee? Monthly or one-time support through Paypal: https://ko-fi.com/leahroseman Thanks! Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Complete Catalog of Episodes: https://www.leahroseman.com/about Linktree: https://linktr.ee/leahroseman photo: Claudia Hansen Timestamps (00:00) Intro (02:49) Team Recorder (06:37) winning the International Nordhorn Competition (09:13) album Constellations, about Vermont Counterpoint Steve Reich (11:41) excerpt from Vermont Counterpoint by Steve Reich (13:46) trio axoLot (14:54) excerpt from Virgo splendens with trio axoLot (16:14) Austro (17:54) excerpt from Austro by Giorgio Tedde (19:28) recorder family (20:46) synesthesia (23:39) recorder challenges (26:04) Bach Sarabande G major Cello Suite on bass recorder (29:32) parenting and music education (32:11) please support the podcast! (33:01) community of recorder players, importance of music education funding, Team Recorder (37:17) mentors in England, encouragement to pursue music from high school teachers (41:08) moving to the Netherlands, learning Dutch (43:58) teaching improvisation, SoundLAB Amsterdam (47:42) improvisation, band Jerboah (49:35) Walking with Jerboah (55:17) interesting theatre performances, Jetse Batelaan (01:01:19) challenges with lack of arts funding (01:02:23) Royal College recorder department, historical instruments 3D printing (01:05:57) studio work, Bob's Burgers (01:06:58) approach to teaching, the future of Team Recorder, Schott publishing books and Hal Leonard
Yo-Yo Ma has been playing the same Bach cello suite since he was only 4 years old, right as he started learning the cello. Now, he's using his fame (and performances of that same cello suite) to promote what he believes in.
This week on Sinica, I'm delighted to welcome Dá Wēi (达巍), one of China's foremost scholars of China's foreign relations and especially relations with the U.S. Da Wei is the director of the Center for International Security and Strategy (CISS) at Tsinghua University in Beijing, and is a professor in the department of International Relations at the School of Social Science at Tsinghua. Before September 2017, Professor Da served as the Director of the Institute of American Studies at the China Institutes of Contemporary International Relations (CICIR), a leading think tank in Beijing. He was at CICIR for more than two decades and directed the Institute of American Studies from 2013 to 2017.We discuss the state of Chinese understanding of the United States: how China's strategic class assesses the state of the relationship, what brought it to this point, and what the future might hold.2:52 – American attitudes toward the U.S.-China relationship5:32 – The focus of academic think tanks and strategic communities in the U.S. versus China 11:13 – The Chinese strategic community's understanding of American domestic politics with respect to the upcoming U.S. presidential election 15:08 – The Chinese strategic community's understanding of why and how the current state of relations developed, and why China changed its trajectory 23:12 – The Chinese strategic community's perspectives on American policy: Do they see a difference between the parties?27:02 – Da Wei's concept of “Sullivanism” 33:41 – The question of mutual misunderstanding 38:37 – The role and influence of China's think tanks in the policymaking process43:29 – The idea of cognitive empathy — aka strageic empathy, or intellectual empathy — and how it could aid mutual understanding and the policymaking process52:30 – The Chinese perspective on Russia and the war in Ukraine 57:37 – The Chinese perspective on China's other international relations and the global context of the U.S.-China relationship 1:04:19 The issue of Taiwan and the question of the “status quo” 1:13:52 The importance of building people-to-people ties 1:16:51 – Da Wei's personal anecdote about an experience that influenced his understanding the U.S.-China relationshipRecommendations:Da Wei: Lust for Life by Irving Stone — a biography of Vincent van Gogh; Pablo Casals's recording of Johann Sebastian Bach's Cello Suites; the films Cinema Paradiso (1988) and Forrest Gump (1994). Kaiser: The Sopranos (1999-2007) TV series and The Sopranos Family Cookbook: As Compiled by Artie Bucco, written by Allen Rucker with recipes by Michele Scicolone. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Today’s Links Wonderful World: Explore the culinary and cultural delights of Paris with Phil Rosenthal, HERE. Sounds Good: Kick off our Bach-Week with a stirring rendition of the Cello Suite No. 1, HERE.
A memorable collection, a composer whose primacy spans the ages, a great performer. We find ourselves in front of Johann Sebastian Bach's (1685-1750) six Suites for solo cello, performed by Antonio Meneses. In J. S. BACH: THE CELLO SUITES he turns to this precious legacy, which he masters like few others. Around the world, he presents it to audiences. In the past, he has recorded it. Now, a new perspective on these eternally meaningful works leads him to rediscover them. Tracks1. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude – (2:30) 2. Cello Suite No. 1 in G Major, BWV 1007: II. Allemande – (4:13) 3. Cello Suite No. 1 in G Major, BWV 1007: III. Courante – (2:52) 4. Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande – (2:48) 5. Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II – (3:33) 6. Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue – (1:52) 7. Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude – (3:54) 8. Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande – (3:33) 9. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante – (2:12) 10. Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande – (4:26) 11. Cello Suite No. 2 in D Minor, BWV 1008: V. Menuets I & II – (3:21) 12. Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue – (2:42) 13. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude – (3:14) 14. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande – (3:54) 15. Cello Suite No. 3 in C Major, BWV 1009: III. Courante – (3:19) 16. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande – (3:52) 17. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II – (3:40) 18. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue – (3:19) 19. Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude – (4:02) 20. Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande – (4:05) 21. Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante – (3:45) 22. Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande – (4:01) 23. Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrées I & II – (5:04) 24. Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue – (2:49) And others …This album is broadcast with the permission of Bárbara Leu from Azul Music.
Leo has some complaints, Frank has some concerns, but the resident spirit at King's Cross Station, Aaliyah Farrow, is just happy to have someone to talk to. Content Warnings: Discussion of death, isolation, loneliness Transcript: https://tellnotalespod.com/transcripts/transcript-s2-e1-isolation/ Written and produced by Leanne Egan. In this episode you heard the voices of Leanne Egan as Leo Quinn, Asher Amor-Train as Frank Williamson, and Michelle Kelly as Aaliyah Farrow. Intro and outro music by Lumehill The conveniently public domain music that Leo chose to listen to today was Grieg's Peer Gynt Suite no. 1, Op. 46 - I. Morning Mood, Grieg's Peer Gynt Suite no. 1, Op. 46 - II. Aase's Death, and Bach's Cello Suite no. 1, Prelude in G, BWV 1007. Performances sourced from Musopen.org Atmospheric music: Fresh Perspective by Megan Wofford. Music and sound effects sourced from Epidemic Sound Art by Ana Balaci Find more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr or Twitter
I'll share my personal struggles as to whether I should play this music, and in general the responsibility of handling pieces of great art. Hopefully adding humour to trying to finding life's meaning in the music. Let's remember: tackle challenging pieces seriously and embrace the ongoing quest for improvement. Introduction (00:00:00 - 00:00:45:14) In the opening segment, I share my initial reflections on the unique experience of playing Bach on the cello. Versatility of Bach's Cello Suites (00:00:45:16 - 00:02:25:18) We delve into the versatility of Bach's compositions for cello, Performer's Responsibility and Rostropovich (00:02:25:20 - 00:04:48:24) Reflecting on the performer's responsibility, I discuss Rostropovich's approach and touch on perhaps why he waited so long before recording them. Phrasing, Breathing, and Personal Experiences (00:04:49:01 - 00:07:40:20) Emphasising the significance of phrasing and breathing, I share personal anecdotes about my struggles and growth during practice. Articulation, Interpretation, and Final Thoughts (00:07:40:22 - 00:11:49:02) Let's explore the role of articulation, delve into my perspective on the debate, and discuss cautionary advice. I'll conclude with remarks on the gravity of approaching challenging musical pieces.
The Middle Ages saw an explosion of literature, art, and thought around the personhood of Jesus. What can we learn from these centuries-old understandings of the central figure of the Bible?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinnessCopyright Undeceptions Ltd 2023
The Puritans: Everything wrong with a Christian society, or much misunderstood forefathers of innovation and social justice?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinnessCopyright Undeceptions Ltd 2023
Derren Brown amazes audiences with his extraordinary illusions and showmanship, as a mentalist and magic creator. He captivates with his charm and is also disarmingly forthright and emotionally eloquent which is evident in his writing, podcast Bootcamp and painting. Born in London and brought up in Purley, which he describes as the epitome of middle-class suburbia, Derren studied law and German at Bristol University which is where his Inheritance Tracks begin... Inherited: The Prelude to the 1st Cello Suite by J S Bach Passed on: Debussy's Brier played by Vikingur Olafsson Producer: Ben Mitchell and Ribika Moktan
Interpreten: Florian Berner Label: Perfect Noise EAN: 0719279934021 In Wien haben wir den Cellisten Florian Berner bisher vorwiegend als Gründungsmitglied des Hugo Wolf Quartetts und ab 2016 auch des Alban Berg Ensemble Wien kennengelernt. Kürzlich hat er bei Perfect Noise eine solistische Aufnahme herausgebracht, mit den sechs Cellosuiten von Johann Sebastian Bach. Michael Gmasz ist begeistert. Ein Musiker, zwei besondere Räume und die Musik von Johann Sebastian Bach. Sonst nichts, kein Hochglanz, kein Chichi. Kurz und einfach zusammengefasst, was diese CD von Florian Berner für mich so besonders macht. Die Aufnahme wirkt gerade so, als ob man dem Musiker zufällig begegnet, er sein Cello auspackt und zu spielen beginnt. So oder so ähnlich muss es auch für so manche Kirchenbesucherin oder Kirchenbesucher in Castagneto Carducci gewesen sein, als sie den Cellisten dort im Sommer 2020 Tag für Tag, nur mit seinem Instrument, einem Mikrofon und seinem Laptop angetroffen haben. Ohne Tonmeister, ohne Aufnahmeleiter – und ohne Noten. Nur Florian Berner, der Raum der Chiesa di San Lorenzo und die Musik von Bach. Am Ende seines Aufenthaltes in der Toskana hat er so die Suiten 1-3 von Johann Sebastian Bach aufgenommen, die eine ehemalige Schülerin und mittlerweile Tonmeisterin in Wien zum großartigen Ergebnis der CD eins geschnitten hat. Auch für die Suiten 4-6 sollte ein besonderer Aufnahmeort gefunden werden. Wie es der Zufall so will, arbeitet eine weitere Tonmeisterin in Florian Berners Freundeskreis im Herbst 2022 gerade in einem gewissen Johann Sebastian Bach Saal in Köthen, jenem Ort, an dem Bach sechs Jahre tätig gewesen ist und an dem diese sechs Suiten entstanden sind. Die Entscheidung war getroffen, ein Zeitpunkt vereinbart und so ist auch die Aufnahme der zweiten CD durch besondere Umstände inspiriert. Florian Berner findet immer sein Tempo und es ist für jeden der insgesamt 36 Einzelsätze genau das Richtige. Schreitet voran, wo man den Zug nach vorne verspürt, hält inne, wo die Musik es verlangt. Historisch informiert? Wohl auf manche Art und Weise, im Sinne eines sporadischen Vibratoeinsatzes z.B. Aber vor allem sehr persönlich und innig. (mg)
Maya Beiser – InfInIte Bach: J.S. Bach's Six Cello Suites (Islandia Music Records) Jump to giveaway form New Classical Tracks - Maya Beiser by “I'll never forget. I think I was 10. My father said, ‘Maya, you have to decide: It's Carnegie Hall or Wimbledon,'” cellist Maya Beiser says, “And I remember telling him, ‘I don't think it's going to be Wimbledon, so why don't we do Carnegie Hall?'”Beiser did not disappoint her father. She has performed at Carnegie Hall many times over the years. She admits her father wasn't all that keen on the crazy contemporary music for which she's best known. However, he would have loved her latest recording, which is why she dedicated it to him. It's called Infinite Bach,' and it features the composer's famous cello suites.“The earliest musical memory that I have is of Bach, specifically the Bach cello suites,” she says. “I grew up in the northern part of Israel, in the Galilee, at a time where there was constant threat of war. And we spent actually a lot of time in shelters during my early childhood. I grew up in a commune. It was called a kibbutz.“And my father would always just listen to music. He bought this old recording of Pablo Casals performing the cello suites, and that is the earliest memory of my childhood, is the pleasure of just listening to that music in my parents' little house. It was the sense of safety and the connection that music always had for love.“I never thought I was going to record the Bach suites, because I always felt that there were enough recordings out there. There were wonderful cellists who have already done that, and I felt that I had a different mission. I'm 60 now. So it was kind of a big, momentous moment. For years, I had to juggle being a mother and a partner and all these things, and then the pandemic. During that time, my partner and I found this house in the Berkshires. We just fell in love with that place because it was inspiring. It had this separate converted barn; it just had the most incredible acoustics.“The first day I was there, I just took my cello and I sat in the middle of this empty space and just started to play the Bach suites. I all of a sudden realized that this is what I want to do for the next year. I imagined the cello as this sort of giant organ that takes over, and I wanted to create all these different reverbs and delays, but without any artificial electronics. I wanted everything to be acoustic.”You say in your liner notes that some believe the suites bear a whisper of Bach's wife. Why did you include this?“All my teachers were men; all my mentors were men. And they always told me, you need to listen to Pablo Casals and Rostropovich and Pierre Fournier. I can give you the list. They were all older men. There was no model of how a woman would think of this music.“There are people who claim that Anna Magdalena, Bach's wife, was actually the one who wrote the suites. And whether it's true or not, the idea intrigued me. So I just liked to think about it as if I'm presenting a feminine Bach.” Maya Beiser: InfInIte Bach (Official Music Video) Water, The Prelude in D minorTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.GiveawayMaya Beiser New Classical Tracks GiveawayYou must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules.ResourcesMaya Beiser – Infinite Bach: J.S. Bach's Six Cello Suites (Islandia Music Records)Maya Beiser – Infinite Bach: J.S. Bach's Six Cello Suites (Amazon)Maya Beiser (official site)
Throughout history, humans have looked for hidden meanings behind dreams. But in this modern, scientific age, surely we don't believe dreams could hold spiritual significance anymore? God wouldn't speak to people through a medium as unreliable as dreams ... right?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinnessCopyright Undeceptions Ltd 2023
Is there a place for pessimism in the Christian life? Is Halloween evil? Does God have 'mothering' characteristics, too? Why won't there be marriage in heaven? Yes, it's this season's Q&A episode, and John is having a crack at a heap of listener questions.This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinnessCopyright Undeceptions Ltd 2023
Q: What if those really slow interpretations of the cello suites from the 30s and 50s could be sped up? A: Exactly. https://www.jsbachcellosuites.com - check out this website! It's a great source on the history of the recordings of these pieces. Thanks for all your feedback, donations, ideas, everything. Please follow @wtfbach on instagram for (almost) daily Bach content. We thank YOU for supporting us! https://www.patreon.com/wtfbach https://www.paypal.me/wtfbach https://venmo.com/wtfbach https://cash.app/$wtfbach Write us: bach (at) wtfbach (dot) com
If we can make sense of our faith, is it really faith at all, or just a projection of what we want? Soren Kierkegaard, one of the most celebrated philosophers of the 19th century, asked the same question. With the help of two experts, we'll untangle his "answers" and discover how to take a leap of faith.This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinnessCopyright Undeceptions Ltd 2023
We're celebrating our 100th Episode by giving away 10 book packs of John Dickson's ‘Top 5 books to read to know more about Christians'. Head to undeceptions.com/100 to enter now.The Bible uses a very "human" way to communicate God's word: letter writing. But how do we know these letters - mostly written by the Apostle Paul - really are God's word? How could it be that the divine would speak through simple mail - and how can we trust it?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
We're celebrating our 100th Episode by giving away 10 book packs of John Dickson's ‘Top 5 books to read to know more about Christians'. Head to undeceptions.com/100 to enter now.In memory of Timothy James Keller (1950-2023).This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
We're celebrating our 100th Episode by giving away 10 book packs of John Dickson's ‘Top 5 books to read to know more about Christians'. Head to undeceptions.com/100 to enter now.Is nature inherently valuable if there is no God? According to one scientist, without faith, that's an almost impossible question to answer. But if there is a design to it all? That changes everything - including how we should treat the natural world.This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
We're celebrating our 100th Episode by giving away 10 book packs of John Dickson's ‘Top 5 books to read to know more about Christians'. Head to undeceptions.com/100 to enter now.Apathy has seeped into every part of society. We've become a "Seinfeldian culture"; alive to the trivial, and numb to the meaningful. How can we find ways to care more, and how might Christianity's history of grappling with apathy help us, whatever we believe?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
We're celebrating our 100th Episode by giving away 10 book packs of John Dickson's ‘Top 5 books to read to know more about Christians'. Head to undeceptions.com/100 to enter now.Dorothy L. Sayers was much more than a celebrated detective novelist - she was a Christian playwright and author who brought the message of the Gospels to millions of people in everyday, easy-to-understand language. A true Undeceiver, it's high time we knew more about her.This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
There aren't many parts of the Bible that excite the imagination more than its thrilling climax in the book of Revelation. Amidst the imagery, fantasy and controversy, how do we sort truth from fiction?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
Is there room for the supernatural and the advancing world of medicine? According to some scientists - absolutely!This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
An hour with acclaimed speaker and church leader Beth Moore.This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
Introducing The Venerable Bede: Father of English history and the most brilliant polymath you've never heard of.This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
Why did Jesus have to die? Why did it have to be such a violent death? And what on earth does the death of Jesus on a cross such a long time ago have to do with us today?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
Is there still something to celebrate about the Reformation, or is it, as many claim, the root of Christian division and conflict? This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
The Reformation: one of the greatest ruptures in European history, a rupture that permanently split the church, triggered wars, created new city-states, and even led, in the opinion of many experts, to the Enlightenment, Science, and the secularization of the West.It's such a big deal we're going to take two whole episodes to examine it—and still only scratch the surface. How did one man go from a pious local friar in an obscure backwater town to the leader of a global movement that ripped Christianity in two (and then three, then four, and ultimately thousands of Protestant denominations!). And what is the real legacy of this thing we call The Reformation? This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
This episode of Undeceptions is sponsored by Zondervan Academic's Masterlectures. Get 50% off your first three month subscription with the code 'Undeceptions50'. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
This episode of Undeceptions is sponsored by Zondervan Academic's Masterlectures. Get 50% off your first three month subscription with the code 'Undeceptions50'. QUESTIONS Why did Jesus come during the Ancient period? I get why Jesus came (to fulfill God's promises and save the world etc.) but why the specific time period and place? Why didn't Jesus come in say, the medieval era? Or the 1900s? Why was it ancient Rome? In ‘The Flood' episode, you talk of the story of the flood as a piece of ‘high art' that should be understood as a retelling of stories that existed in the cultural climate. But would the ancient audience have thought like this or take it at face value as though they were real events that really happened? Do you believe that Adam and Eve are historical figures? In the episode called ‘Global Christianity', you mention the missionary impulse in Judaism: in the NT book of Acts we meet people who are described as ‘God fearers'. How many ‘God fearers' who weren't Jewish were around in the first century? And what motivated them to worship the God of Israel? Regarding the ‘Pro Life' episode, suppose a pregnant mother in labor has a series of complications. If she births the baby, she'll die. But if she doesn't birth it soon, the baby will die. Would it be a sin, if you chose the mother to live, and the baby to die? I teach school students who are blind or have low vision and some have a hard time understanding what their blindness means in regard to their relationship with God. I'm keen to know if you have a way to account for the descriptions of blindness in such a way that my students can hear the different passages and still see themselves as loved and valued by a good God, even if/when they are not healed, and despite the fact that some passages use blindness as a criticism. Can you help? Why is the Catholic and Protestant bible different? What are those differences? Should Protestants read the books that are in the Catholic Bible too? What can Protestants learn from those books? How have those differences changed how Protestants and Catholics view the world? I want to learn more about the Catholic faith and what happened before it became so ritualised. What was it like before the Catholic faith became the Catholic faith? What's the deal with burial vs Cremation – specifically around our renewed bodies that God will transform us into? Does cremation hinder this? The typical Christian answer to the question “Where does evil come from?” is free will. I.e. God made Adam and Eve perfect, but gave them free will. They decided to turn away from God, and now there's evil, sin and suffering in the world. But that argument doesn't really make sense, because free will doesn't necessarily entail evil. For example, God has free will, and he's completely good. God could have made us with a good nature, and still given us free will (like what we'll have in heaven). Based on this, it seems like God must have made evil. Or to phrase it another way, God seems to have made Adam and Eve with a propensity for evil, or made them too weak to cope with the moral choices he was giving them. If an inventor designs something and it malfunctions, it isn't really fair for him to blame the thing he's made for going wrong. We'd say that it's his fault for not designing it properly. So how is God not responsible for our sin? A friend follows Baháʼí religion and says there is essential worth of all religions is the unity of all people. They regard the major world religions as fundamentally unified in purpose. At the heart of their teaching is the goal of a unified world order that ensures the prosperity of all nations, creeds and classes. It all sounds nice, but how does it play out in reality, and how does it differ from Christianity? I have been reading your book, Bullies and Saints and was struck by your Chapter on the Inquisition. I get it, that the French Revolution in comparison had more deaths and other sorts of sufferings. However when a Catholic friend said to a Jewish friend (in my presence) that the Spanish Inquisition wasn't so bad, I wondered what the Jews thought of the whole issue? My Jewish friend just looked at him. Also what would be a helpful way to handle this issue when talking to people of other faiths, like Jewish and Muslim, who as you stated in your book were booted out of Spain? I was reading a book by author and pastor Mark Clark who said Jesus would have dropped his ‘h's, that he had a really distinctive accent, and that other people from Galilee dropped their ‘h's and that the people from Jerusalem would have thought they were really uneducated because of that. Any other interesting things from Jesus that we might not know from the Bible that would help us connect with him as a man who walked the earth as well as our Lord and Jesus Christ our Saviour. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
The more we learn about the world, the more we see how it operates under elegant laws. There is an order to the universe that betrays the randomness you so often hear about.This episode of Undeceptions is sponsored by Zondervan Academic's Masterlectures. Get 50% off your first three month subscription with the code 'Undeceptions50'. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2023
There's no such thing as a “New Testament Christian”. While the popular scepticism about parts of the Old Testament is understandable, we're convinced by the arguments of our guest today: Christ isn't just the hero of the New Testament … He is everywhere in the Old Testament.This episode of Undeceptions is sponsored by Zondervan Academic's Masterlectures. Get 50% off your first three month subscription with the code 'Undeceptions50'. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
‘Tis the podcast before Christmas, so we're diving into the fairy lights and tinsel to uncover some of the myths of Christmas - things you might have thought were true but aren't. And we'll look at a few of the common challenges to the history of Christmas that aren't as strong as our sceptical friends reckon.This episode of Undeceptions is sponsored by Zondervan Academic's Masterlectures. Get 50% off your first three month subscription with the code 'Undeceptions50'. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
You might think the Chronicles of Narnia are just for kids. But scholars have discovered some amazing historical, literary, and theological keys in the stories that Lewis never talked about openly, and that bind the 7 stories together in a way only Lewis could have imagined.This episode of Undeceptions is sponsored by Zondervan Academic's Masterlectures. Check out Delores Morris' course Believing Philosophy. Get 50% off your first three month subscription with the code 'Undeceptions50'. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
The Byzantine capital, Constantinople, was famously fortified with an impenetrable three-wall network, which preserved it from foreign conquest for centuries. But the Byzantine Empire doesn't have to be impenetrable to us, today. This episode of Undeceptions is sponsored by Zondervan Academic's new book Five Views on Christ in the Old Testament, edited by Brian J. Tabb and Andrew M. King. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
This episode of Undeceptions is sponsored by Zondervan Academic's new book Bully Pulpit by Michael J. Kruger.How we think about time, the value we give to the three parts of time (past, present, and future) really matters. And our special guest reckons it's part of what makes for the good life.Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
This episode of Undeceptions is sponsored by Zondervan Academic's Master Lecture series by Russ Ramsey, Rembrandt is in the Wind. Click here to get 50% off your first 3 months subscription with the code UNDECEPTIONS50.Since their publication between 1950 and 1956, the Chronicles of Narnia by C.S. Lewis have sold more than 100-million copies in 47 languages.And despite their dated references and sometimes controversial worldviews, they continue to sell over a million copies a year.They've also inspired theatre performances, radio plays, television series, and three major films that earned a healthy one and a half billion US dollars.So it's understandable that many people know of C.S. Lewis only as a fantastically successful children's author, unaware that he is also the author of a huge collection of books commending and defending the Christian faith, Mere Christianity, Miracles, The Screwtape Letters, and so on. Narnia is wonderful. But it's a pity people don't know more about the man, his career, and his famous town–all of which form the backdrop for the incredible fantasy world he created for millions of readers. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
The basic aim of ‘critical theory' is to make visible the hidden structures of a culture, so as to critique society and then, in the best forms of critical theory, bring about improvements. Our guest today reckons the Bible has its own way of exposing the flaws of our culture–and, of course, pointing to the Good. The Bible, in other words, has a critical theory of its own.This episode of Undeceptions is sponsored by Zondervan Academic's new book Five Views of Christ in the Old Testament, edited by Brian J. Tabb and Andrew M. King.Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonOnline Librarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
For the whole of August, we're celebrating hitting 1 Million downloads with a huge competition. We're giving away a genuine Roman Denarius from the time of Jesus – a Tiberius Denarius, to be exact, issued between AD 14-37. It was a day's wages in Jesus' day. It's worth considerably more today, and the one I've sourced is a beauty. It comes with a letter of authenticity and the excitement of owning a wonderful piece of ancient history. You'll also receive a new Amazon Kindle Paperwhite e-reader and a $150 Amazon voucher to fill it with a heap of history books, obviously. We've also got 10 more Amazon Kindle's and book vouchers for our runners up. You can enter once, or for more chances to win, the team has set up a treasure hunt for hidden codes that allow you extra entries. Collect the codes in our upcoming episodes throughout August, and follow the Undeceptions Network on Facebook and Instagram where the team will also be releasing hidden codes throughout the month. CLICK HERE FOR MORE. A huge thank you to all our listeners who helped us to reach this milestone! A million downloads is beyond our imagination, and we are so grateful for your ongoing support. It's our seasonal Q&A episode and there are actually quite a few curly questions about the future of the universe, heaven, as well as plenty of other questions about a bewildering range of topics, some of which push John to the edge of what he knows–perhaps beyond! This episode of Undeceptions is sponsored by Zondervan Academic's new book Karl Barth's Church Dogmatics for Everyone, Volume 1 - The Doctrine of the Word of God: A Step-by-Step Guide for Beginners and Pros, by Marty Folsom. Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonLibrarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
For the whole of August, we're celebrating hitting 1 Million downloads with a huge competition. We're giving away a genuine Roman Denarius from the time of Jesus – a Tiberius Denarius, to be exact, issued between AD 14-37. It was a day's wages in Jesus' day. It's worth considerably more today, and the one I've sourced is a beauty. It comes with a letter of authenticity and the excitement of owning a wonderful piece of ancient history. You'll also receive a new Amazon Kindle Paperwhite e-reader and a $150 Amazon voucher to fill it with a heap of history books, obviously. We've also got 10 more Amazon Kindle's and book vouchers for our runners up. You can enter once, or for more chances to win, the team has set up a treasure hunt for hidden codes that allow you extra entries. Collect the codes in our upcoming episodes throughout August, and follow the Undeceptions Network on Facebook and Instagram where the team will also be releasing hidden codes throughout the month. CLICK HERE FOR MORE. A huge thank you to all our listeners who helped us to reach this milestone! A million downloads is beyond our imagination, and we are so grateful for your ongoing support. It may just be that science is an imaginative, creative, and emotive enterprise, just as it is obviously a rational, mathematical, evidence-based discipline. Which, to John Dickson's mind - and that of our expert guest - makes perfect sense. After all, the Creator is an artist and logician in one!This episode of Undeceptions is sponsored by Zondervan Academic's new book Biblical Critical Theory: How the Bible's Unfolding Story Makes Sense of Modern Life and Culture by Christopher Watkin.Visit the undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments / feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonLibrarian: Siobhan McGuinessCopyright Undeceptions Ltd 2022
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