Podcasts about Waltz

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

It's sad to say but family singing is very nearly a lost art. We just don't sing anymore and it shows. Waltz into your local congregation and listen to the quality of the singing - it can be painful. But this could quickly be turned around if we sang more in our homes and just as importantly it instills in your children a joy and a sense of togetherness that cannot be replicated by any other pastime. About Sean Sean Allen is the founder of The Well Ordered Homeschool, husband to his beautiful bride Caroline and a proud father of eight. He has a bachelor of fine arts in graphic design and is passionate about creating materials to assist parents in the incredibly challenging, yet surpassingly beautiful, work of schooling and training their children at home. Resources  Find a Great Homeschool Convention near you! Connect Sean Allen | Instagram | Facebook | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Adrie voices her suspicions about Kaeviir the Raven.  Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find Deece on TikTok here: OH NO! Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. Licence: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/  

Hello to you listening in Fremont, California!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Story Prompt Friday and your host, Diane Wyzga.In college I was taught by lay faculty and Benedictine monks.  Today I follow Joan Chittister, an American Benedictine nun, theologian, author, and speaker who is known for being an outspoken advocate of justice, peace and equality focusing on the empowerment of women.In her book, The Monastic Heart - 50 Simple Practices for a Contemplative and Fulfilling Life, Chittister writes, “A spirituality of work is that process by which you finally come to know that your work is God's work, unfinished by God because God meant it to be finished by you.” I say my work is "helping women shape and share their story by discovering: Who am I? What's my why or work? How do I do my work differently?"But the notion of “spirituality of work” puts a different spin on things. Is this truly my work? If so, how is it meant to be finished by me?Story Prompt: What's your work and how will you finish it? Write that story! And tell it out loud!You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a 30-minute no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source. 

Napoleon Coste - Feuilles d'Automne: Waltz No. 8Marc Teicholz, guitarMore info about today's track: Naxos 8.554355Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This Sora AI video shows off the model's ability to handle complex action sequences.

Real estate investing doesn't need to be slow, confusing, or local.   In this episode of the Registered Investment Advisor Podcast, Seth Greene interviews Yuval Golan, CEO and Founder of Waltz, a groundbreaking fintech-proptech platform that simplifies U.S. real estate investing—especially for foreign nationals. With experience working in 18 countries and living in 9, Yuval created Waltz to eliminate the red tape and delays that frustrate global investors trying to navigate the U.S. market. Today, Waltz offers a fully digital, end-to-end experience, covering entity formation, banking, lending, and closing, with over $300 million in applications processed so far.   Key Takeaways: → Why U.S. real estate is a “blue chip” investment for foreign nationals. → How Waltz turns complex transactions into a few digital clicks. → The three paths investors take to get started with Waltz. → Why Waltz is built on compliance-first infrastructure. → How Waltz partners with real estate agents, brokers, and family offices. Yuval Golan is the Founder and CEO of Waltz, a Fintech-Proptech-Wealthtech startup simplifying how foreigners invest in, purchase, and manage U.S. residential real estate. His leadership has been recognized globally, with features in Bloomberg, Forbes, Yahoo Finance, The Washington Post, HousingWire, and more—garnering over 2.5 billion media impressions. He has also earned accolades including the 2024 Inman Best of Proptech, the Miami Israel Collective Community Recognition Award, and the FiNext Leadership Visionary Award. With experience spanning operations that generated billions across 18 countries, Golan brings deep expertise in M&A, venture capital, leveraged buyouts, and global real estate investment. Previously CEO of Unique 1 Asia International, he has built a career in business development, finance, consulting, fundraising, and sales. A true global citizen, Golan holds a BS in Economics and Business, a Joint Executive MBA from Northwestern's Kellogg School of Management and Peking University, and is fluent in multiple languages.   Connect With Yuval: Website Instagram Facebook LinkedIn YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello, to you listening in Salford, England!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga.I practice the Five Remembrances as taught by Thich Nhat Hanh: I am of a nature to get old, get sick, and die, be separated from those I love, and there is nothing I can do about it. Sounds grim, right? Now what?Maybe the Five Remembrances serve as an invitation to ask ourselves:✓ What does my Life want?✓ Am I living my Life being true to who I am?✓ Am I doing what is most important to me?✓ How do I embrace the singular opportunity I've been given to live this Life, to be of use?✓ How do I summon the willingness and courage to set out on a different path to claim my true purpose?  Question: It's your story. Starting now, how do you want to write it?  You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a 30-minute no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Here is another week worth of sifting through the flood of new music to bring you the gems you'd never find on shuffle. The playlist features Zé Ibarra [pictured]; Charlie Rouse; Paolo Fresu, Richard Galliano, Jan Lundgren; Timo Vollbrecht; Robin Holcomb, Peggy Lee. Detailed playlist at https://spinitron.com/RFB/pl/21274558/Mondo-Jazz [up to "Waltz"]. Happy listening!

In his quarter century with The Flood, the late Doug Chaffin brought dozens of great tunes to the band, and the loveliest of the bunch was one of the last.The truth is we always listened to everything Doug told us, because his musical instincts were usually right on the money. For instance, whenever we were playing a show and Doug leaned over and whispered, “Hey, maybe we oughta do this song next,” Charlie Bowen revised the set list on the fly, because Doug had a sixth sense about what people would like to hear. That's why a half dozen years ago, when Doug told us we ought to learn “Amelia's Waltz,” we perked up. The song ended up being one of the sweetest tracks on our 2019 Speechless album, as you can hear in the video above.The piece you hear sounds like an old tune, but it actually was written in 1981 by Bob McQuillen, the late New Hampshire composer, who penned it in honor of the then-three-and-a-half year-old daughter of a friend and fellow musician, a woman named Deana Stiles.“Amelia's Waltz” is one of those sweeping melody that sounds like it ought to be the soundtrack of a big, lush movie. And it turns out that the plot of such a movie could easily be based on the tune's very namesake.So, Who is Amelia?Considered the dean of contra band music in America, the late Bob McQuillen — “Mac” to his friends — wrote some 1,300 tunes in his 60 years of playing. Most of his compositions he named after people or events in his New England life, and the song named “Amelia'sWaltz” is one of his best.Besides having a gorgeous song named for her, Amelia Stiles' other claim to fame is that she was born in a New England curiosity, a structure called “The Lindbergh Crate,” and…. well, heck, let's let Mac himself tell that tale. A few years before his death in 2014 at age 90, McQuillen was interviewed by a Danish fiddle website about the back story of “Amelia's Waltz” and here's what he told them.“This is sort of complicated,” he began. “After Charles Lindbergh flew across the ocean in the Spirit of St. Louis, the thing was to get the plane back. They took the wings off and put them in one crate and the fuselage in another, then sent the whole thing back to this country aboard ship. “I don't know where the wings box went, but the fuselage crate eventually wound up on the banks of the Black Water River in Contoocook, a little town in New Hampshire.” Later, someone added a slanted roof to the crate and turned it into a little cabin in pretty little spot in the piney woods.“Now along comes Deanna Stiles,” Mac continued, “and she lives in this thing for a while. She also develops a fondness for some dude and out of that we get the emergence of a cute little baby girl, who, because this was Lindbergh's crate, was named Amelia (after Amelia Earhart). About three years or so after that was when I decided that Amelia ought to have a tune. And that's how it all happened.”The earliest recording of the tune we've found is John McCutcheon's 1982 release on his Fine Times at Our House album for Greenhays.And Whither the Crate?Meanwhile, The Lindbergh Crate has had a moving history of its own (with the accent on the moving….)Its modern chapter began in 1990, when history lover Larry Ross purchased the structure from David Price of Contoocook. Price had received higher offers, but Ross convinced him to sell the crate for $3,000 when he explained his vision to use it as a museum and an educational tool for children. Ross brought the crate from New Hampshire to his property in Canaan, Maine.There, Ross restored the 290-square-foot crate in his backyard, adding a new roof, porches, doors and windows, transforming it into the Lindbergh Crate Museum. Inside, he displayed donated Lindbergh memorabilia, including a bust, letters, tapestries and photographs.For 30 years, Ross hosted an annual “Lindbergh Crate Day” for the community, but during the Covid pandemic, he decided it was time to downsize and sought a new home for the crate. He connected with Morrill Worcester, founder of Wreaths Across America, whom Ross had previously invited to Lindbergh Crate Day. Ross felt Worcester's location in Columbia Falls, Maine, was suitable because the nonprofit's mission—”remember, honor, teach”— aligned with the crate's educational purpose.The Lindbergh Crate was shipped in October 2020 from Canaan and arrived safely at the Wreaths Across America Museum in Columbia Falls. Last year it was moved again to nearby Jonesboro, Maine, where it has been restored by the Worcester family. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Hey all today we're celebrating the 30th anniversary of one the most iconic Gundam series. Mobile Suit Gundam Wing. Is it good? Is it bad? Both? Does Wu Fei suck? We'll find out. We also talk a bit about Knights Of Guinivere at the top and general life stuff. Enjoy!

The party arrives at the unhallowed grove and Rayne spots a familiar face. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find Deece on TikTok here: OH NO! Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. Licence: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/  

Hello to you listening in Cieszyn, Poland! Coming to you from Whidbey Island Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.Women don't often take the time to fully inquire into questions like:✓ Who am I?✓ What am I here for?✓ Am I living my life in alignment with my true self and purpose?✓ Am I willing to venture into an archeological dig on my story to leave behind my feelings of unfulfilment and get to the heart of the power I am?And yet, understanding and embracing your personal narrative can be the professional and personal breakthrough you've been searching for. Join Candice Snyder, host of Passion Purpose & Possibilities podcast and me, the Story Architect, to learn:✓ How authentic storytelling fosters vulnerability and genuine connection.✓ The powerful link between telling your story and living a meaningful life.✓ Diane's proven method to help you discover and own your origin story.... and more for you to unlock your story possibilities!Tune in on Apple podcasts; you'll enjoy the listening:https://podcasts.apple.com/us/podcast/passion-purpose-and-possibilities/id1617133237Please leave a 5-star review and some good words; your generosity helps us all!Contact Candice SnyderWebsite: https://hairhealthvitality.com/passion-purpose-and-possibilities/LinkedIn: https://www.linkedin.com/in/candicesnyderFacebook: www.facebook.com/candicebsnyder.Simplecast: https://passion-purpose-and-possibilities.simplecast.com/You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a 30-minute no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.  

Hello to you listening in Newport News, Virginia!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Story Prompt Friday and your host, Diane Wyzga.Kindness. What is it good for? Absolutely everything!✓ Reduces stress, anxiety, feelings of pain and depression, and lowers blood pressure✓ Boosts self-esteem, feelings of well being, happiness, and optimism✓ Fosters a sense of community helping people feel connected and supported✓ Encourages compassion and understanding to break down barriers of prejudice✓ Promotes a more caring and supportive environment, making the world a better place for everyone.✓ Kindness is contagious rippling out to others to create shifts in attitudes, behaviors and even cultures.✓ Of all the many things you can be in your lifetime, be kind.Story Prompt: When has someone extended kindness toward you? When have you extended kindness toward another? What did that feel like? What happened next? Write that story!  Be well, do good work, and keep in touch. You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe and spread the word with a generous 5-star review and comment - it helps us all - and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out Communication Services I Offer✓ For a no-obligation conversation about your communication challenges, get in touch with me today✓ Stay current with Diane as “Wyzga on Words” on Substack. Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

1V12 When should we repent? a.      Even now- A specific time. 2V12 Who is making this declaration? a.      The Lord through Joel b.     Return (Repent- turn to the Lord.)                                                                i.      All your heart – no divided hearts, Israel and the modern church                                                             ii.      Fasting – separating yourself from worldly pleasures to seek God                                                           iii.      Weeping – physical action over your sins and your people's sins                                                           iv.      Mourning- internal and mental process, hating your sin and others' sins    3V13 What should be torn? He desires a torn heart, not torn clothes. a.      He does not want us to play church, but he wants to be the church   4V13 Why should we return to the Lord?- For He is gracious a.      He is gracious- something no one deserves. What prevents you from receiving and extending grace b.     He is compassionate toward others c.      Slow to anger – the time in which he responds   d.     Abounding in love- extra amount according to the circumstances    e.      He can relent. One factor that can potentially cause God to relent is God's people listening to the commands of God and turning back to Him in true repentance.   Application: ·         Where do you need to repent of your lack of hate for sin in your and your nation? Where do you need to repent because of complicity in this glorious gospel that will set people free? ·       How have you been playing church? What do I mean? Doing outward rituals or traditions, but not having your heart changed by the word? ·        What is preventing you from receiving God's grace(hurts, hangups, or hard heart, I am not worthy, etc) in your life and sharing it with others? (fear of man or lack of training in witnessing)?  

Hello to you listening in Camano Island, Washington!Coming to you from Whidbey Island, Washington, this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga.Let's be perfectly clear. Fascism is here.It feels like we are shoveling sand against an incoming tide. It feels like we have little plastic shovels while the other guys have earth movers.I get it.But this much I know about the tide: it does turn.We the People have to do the turning. Collectively, we have more control, power, community, voices, determination, resilience, and persistence than we think. Find one thing you can do and do it consistently. Commit to create, build, share, work, and help!  “This is not the end.It is not even the beginning of the end.But it is, perhaps, the end of the beginning.” [~ Winston Churchill]You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe and spread the word with a generous 5-star review and comment - it helps us all - and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out Communication Services I Offer✓ For a no-obligation conversation about your communication challenges, get in touch with me today✓ Stay current with Diane as “Wyzga on Words” on Substack. Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Welcome to Season 4 of WTF Strictly. We tell people it stands for "Waltz, Tango, Foxtrot". No-one believes us. Two rambling, middle aged women give an unfiltered (and absolutely unqualified) analysis of Strictly Come Dancing.Here we are again... a new logo, no notes, no planning, just two mates chatting about Strictly Come Dancing 2025. Come and join us for our weekly analysis, starting with the Launch Show. You can find us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@nickieohara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@violetfenn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and please follow our brand new Facebook page to keep up with any news, announcements, polls and mid-week weirdness. https://www.facebook.com/groups/wtfstrictly

Join the DARKNESS SYNDICATE for the ad-free version: https://weirddarkness.com/syndicateWhen novelist Lyman Clinth retreats to an isolated cabin to finish his latest thriller, the jealous villain he's writing begins appearing outside the manuscript—with deadly intentions toward Lyman's wife. Now Lyman must convince Hazel the danger is real before his own creation completes a murder scene he never wrote! Hear the tale from the Hermit's Cave! | #RetroRadio EP0517CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Now You See Them – Now You Don't” (November 30, 1976)00:46:28.646 = Hermit's Cave, “The Author of Murder” (May 02, 1937)01:12:48.884 = Mystery Is My Hobby, “Tom Torelli” (September 15, 1946)01:36:35.666 = Sherlock Holmes, “Waltz of Death” (April 29, 1946) ***WD02:03:53.913 = House of Mystery, “Haunters and Haunted” (June 13, 1945) ***WD02:18:14.857 = Incredible But True, “Pray For Me” (1950-1951)02:21:49.453 = Inner Sanctum, “I Walk In The Night” (February 26, 1946) ***WD (LQ)02:47:37.899 = The Key, “The Cellar” (1956) ***WD03:13:34.016 = Lights Out, “Death Robbery” (July 16, 1947) ***WD03:42:34.966 = Lux Radio Theater, “The Big Clock” (November 22, 1948)04:41:57.178 = Macabre, “Man In The Mirror” (November 27, 1961) ***WD05:10:59.598 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#ParanormalRadio #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramasCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0517

The Chosen of Mielikki shares divine knowledge with Adrie, Kaeviir investigates a body, and Rayne meets back up with the party for a griffon montage. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find Deece on TikTok here: OH NO! Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. Licence: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/  

Hello to you listening in Helsinki, Finland!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.These days it takes more than the usual effort to stop trying to burst people into flames with my mind.  What's going on? What isn't? The craziness is triggering our uncertainties, raising our blood pressure, interrupting our sleep, and worse.My dad used to say, Diane, Nie mój cyrk. Nie moje małpy. Not my circus - not my monkeys!  Practical Tip: Do not sell your soul for peanuts to feed the monkeys at the circus. It's not your circus. It's not your monkeys. Instead, find a moment of beauty and shelter in that for now.You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe and spread the word with a generous 5-star review and comment - it helps us all - and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out Communication Services I Offer✓ For a no-obligation conversation about your communication challenges, get in touch with me today✓ Stay current with Diane as “Wyzga on Words” on Substack. Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source. 

VLOG Sept 22 UNGA week, and Inner City Press publishes leak: https://innercitypress.com/ungate3un80escapicp092225.html Luigi Mangione 100 pages v death penalty https://www.patreon.com/posts/lone-wolf-luigi-139310976 Diddy today, then Sept 15 w/ #6ix9ine & FTX Bond. FOIA Pinnacle, PNC, Erebor & Circle@USUN Waltz in, video here on Spotify

25.9.21 - Joy Of Partnering In the Gospel - Josh Waltz by Windsor Community Church

UNGA80, First Report:Inner City Press banned from UN for exposing corruptionSunday Sept 21 new USUN PR Mike Waltz presents credentials38 Floor video here. What next? More reports to follow: @InnerCityPressAmid Press Freedom Claims by UN and AI Inner City Press Bid to Enter Is Litmus Testby Matthew Russell LeeUN GATE, Sept 15 – On World Press Freedom Day, the United Nations of Antonio Guterres claimed to be in support of journalists being able to do their work without hinderance. Amnesty International makes just such claims, see below. UN Global Communications chief Melissa Fleming put out a video of Guterres equating what he (and she) characterize as disinformation as the threat to press freedom, Guterres has banned Inner City Press from entering the UN since 2018, when it exposed the omission of links to bribery firm CEFC China Energy from his financial disclosure. On June 19, 2025, Inner City Press submitted an application to cover the UN General Assembly, letter here. Law firm Quinn Emanuel, on a pro bono basis, wrote to Fleming and the UN Correspondents Association (with state media of China on its board of directors) seeking a dialogue to reinstate Inner City Press. Later, so did the pro bono law firm of Duane Morris.There has been no answer to an appeal to Guterres head of security Gilles Michaud. Nor has Amnesty International, to whose UN Office Inner City Press has repeatedly raised this glaring violation, done anything. Instead, on September 15, AI bragged that its Agnes Callamard will be at the UNGA, ready for interviews. Right. Inner City Press before being banned reported on her, here and here and here - and will again. This is a litmus test all around.But now, with Inner City Press' UN and SDNY covering, including the Sean Combs trial, being picked up all over the world, the application. Watch this site.June 19, 2025 application https://www.documentcloud.org/documents/25979730-amid-un-press-freedom-claims-application-by-inner-city-press-to-enter-is-2025-litmus-test/

AP correspondent Haya Panjwani reports on the next UN ambassador for the United States

It's been over one hundred years since J. M. Barrie first told the story of Peter Pan, Wendy, and Neverland. Since then, Peter Pan has been adapted countless times, and become a constant reference point in popular culture. This hour, a look at the lasting cultural and psychological impact of Peter Pan. GUESTS: Maria Tatar: Professor of Folklore and Mythology at Harvard University. Her latest book is The Heroine with 1001 Faces. She is also the editor of The Annotated Peter Pan: The Centennial Edition Jonathan Russell Clark: The author of Skateboard and An Oasis of Horror in a Desert of Boredom. His writing has appeared in The New York Times, L.A. Times, The Boston Globe, and Esquire Ann Yeoman: A Jungian Analyst and the author of Now or Neverland: Peter Pan and the Myth of Eternal Youth and the co-author of C.G. Jung's Collected Works: The Basics MUSIC FEATURED (in order): I Don't Wanna Grow Up – Tom Waits Never Never Land – James Taylor I’ve Gotta Crow – Mary Martin, Kathy Nolan Darling Children – Alison Fraser I'm Flying – Mary Martin Captain Hook’s Waltz – Cyril Ritchard, Peter Pan Ensemble I Won’t Grow Up – The Fools Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The party splits and Rayne attempts to acquire mounts while Adrie and Kaeviir visit the City of the Dead. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find Deece on TikTok here: OH NO! Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. Licence: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/  

El 15 de septiembre de 1980 nos dejó Bill Evans. Recordamos al influyente pianista en grabaciones en solitario ('What kind of fool am I', 'Emily'), con su trío más longevo junto a Eddie Gómez y Marty Morell ('Emily', 'Alfie'), con el histórico trío que formó con Scott LaFaro y Paul Motian ('Waltz for Debby', 'Alice in Wonderland') o en otros formatos ('A child is born', 'Someday my prince will come'). Y escuchamos la pieza que Pat Metheny y Lyle Mays le dedicaron en su disco 'As falls Wichita, so falls Wichita Falls' al enterarse de su muerte cuando lo estaban grabando en Oslo: 'September fifteenth'.Escuchar audio

 Hello to you listening in Ellsworth, Maine!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Story Prompt Friday and your host, Diane Wyzga.Long ago in China there were cities surrounded with towering walls and magnificent gates. The gates let people in and out of the city but more importantly the gate was the place where the soul of the city resided. How do you build such a gate?People would collect the bleached bones of warriors from the old battlefields and carry them back to the city where they were sealed inside the newly constructed gate. The hope was that the long dead warriors would protect the city in exchange for being remembered. When the gate was finished it was sprinkled with the blood of a specially chosen animal because it was believed that adding blood to the dead bones would bring the souls of the warriors back to life. [Inspired by Sputnik Sweetheart, by Haruki Murakami  published 2001 - pages 15 to 16]Writing your story is much like this. To begin gather together the bones of the story for shape and structure. But a story is organic; it needs a soul to live and breathe. Invoke the "sorcery of stories" to link the world of your words with the world of your imagination and you'll create the soul of your story.Story Prompt: Where might the soul of your story reside? What will bring it to life? Write that story! And tell it out loud! Practical Tip: The magic of stories is also in the sharing. If you wish share your story with someone or something.  All that matters is you have a story.You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Join Elizabeth, Forte the Lion, and special guest Caleb (Elizabeth's 12-year-old son!) for a musical adventure featuring lively fiddle tunes and a calming lullaby. Caleb shows us the difference between a graceful waltz and a toe-tapping rag, and then we all wind down together with the sweet lullaby Golden Slumber. In this episode, your child will: Learn the difference between violin music and fiddle music Move and sway to a waltz's 1-2-3 beat Tap their toes to a bouncy fiddle rag Calm their body with a soothing lullaby Don't forget to grab the free Golden Slumber Lullaby PDF with lyrics, ukulele chords, and fun ways to enjoy this lullaby with your child!

How a Young Prince Frederick celebrated his wedding to Princess Charlotte, and started a great Bavarian tradition.Based on the work of Mumfreds. Listen to the podcast at steamy stories.In 1808 people of Württemberg lived in the convergence of three cultures. The masculine lead industry and agriculture of the Germans, the Swiss provided enlightenment of the sciences, and the French liberality and arts added a healthy dose of libertine free thinking and even a tolerance for kinkiness.But Württemberg was moving forward with the final demise of the Holy Roman Empire just a few years earlier. Napoleon had just defeated the Austrian military and established a new Confederation of the Rhine.  The ethnic German people were split apart  and some were under the Austrian protectorate, while the Rhine was under French protectorate on both sides of the Rhine river, including the German homeland.Prince Frederick had watched as his older sister was given to Emperor Napoleon Bonaparte as a wife for Napoleon's brother, in exchange for his family's continued role of the Württemberg Kingdom, under the occupation of Napoleon's empire. Now Prince Frederick was being pressured by his parents and the court advisors, to strategically marry a well-bred heiress from the kingdom of Bavaria, princess Charlotte.Princess Charlotte was just 18 in the spring of 1810. A debutante, already being aggressively sought by Napoleon, she was terrified. When faced with the two unwanted options, she and her mother agreed that Frederick William was the better option and more respecting of their shared German heritage. Charlotte wept for weeks. She was still a girl of just 18 years. Her parents apologized repeatedly. It was especially difficult because Charlotte had always been a free-spirit and defiant of the stupid rules of etiquette that she violated almost daily.As an enthusiast of all things equestrian, Charlotte refused to ride ‘side-saddle'. She also found the practice to be a convenient excuse when the Royal Physician of Württemberg Court conducted a prenuptial gynecological exam a requirement in the nuptial contract between the kingdoms. As for Prince Frederick William, the marriage was even less anticipated. Charlotte was not the ideal sex object of his fantasies. Where he liked slender, tall older women, Charlotte was busty with a big round ass.Frederick liked the arts and sciences. He enjoyed the opera and studied astronomy.Charlotte loved animals and preferred German folk songs. Charlotte found little appeal in Frederick's lanky physique. She preferred the bulky, athletic, and masculine virility of farm-hands and tradesmen. A fall wedding Festival Back in 1810 Crown Prince Frederick William, sought the hand of the lovely princess Charlotte of Munich. She was the most desired woman in all of the ethnic German kingdoms. He courted her for many months, seeking to prevail over the efforts of Emperor Napoleon of France.Frederick's family negotiated aggressively with her father King Maximilian; whereby Frederick eventually asked Charlotte to marry him.Both kingdoms shared a strong disgust for all things French culture.It was the one topic where the two actually enjoyed conversation and felt compatibility. they were political allies and even business partners; but not at all romantically drawn to desire. She felt the same way he did, and accepted his offer. They were scheduled to marry on October 12th. As the date came close, she was starting to feel some trepidation. He was concerned and asked what was the problem. She shyly told him that she was expected to be with him; only with him, for the rest of her life. He said of course she would be only with him, and he would be only with her, as was customary.She thought carefully, and said; “Forever is a long time.”He did not want her to be so sad and thought for a while. He proposed an idea as a secret plan that they should not tell anyone about.At the wedding there would be a huge and joyous festival; a very German cultural Festival. At the festival she could go among the crowd and choose three men with which to make love.Upon hearing the idea, she was overjoyed at the thought and thanked him for his generosity and gladly accepted.The wedding was indeed a huge and joyous festival where everyone in Munich turned out. The first night of the festival was the night of their wedding. The celebration was scheduled to go on for 5 days.On the second day of the festival the prince approached the princess and told her today would be the day she made her three selections. She would go out and pick three men with which to ‘sow her oats.' She went to her dressing chamber to pick out her sexiest outfit. She chose the shortest dirndl she had. It stopped just below her ass.  The front of the dirndl plunged to show her beautiful Buxom cleavage. On her smooth legs she wore white by high stockings that ended below her dirndl. On her feet she wore elevated wedges. She was a vision. Her body was very visible and very sexy.The prince and princess began to make the rounds, where villagers were celebrating and congregating. As they walked, the men noticed princess Charlotte and paid her a great deal of attention. Offerings were made of pretzels, beer, and all sorts of treats, as she walked through the fair.She was pleasant of all and smiled as she always did. These were her people and she hoped they would come to accept her foreign Prince.Helmut the blacksmithAs they walked through the grounds they came upon a blacksmith, who had a stall set up to shoe horses. Charlotte stopped, and seemed to take a special interest. As one would expect, the blacksmith was quite strong, and also handsome. When she got close, a smile fell across his face and he gave greetings.“ I am Helmut, my princess;” he said in the most cultured enunciation he could contrive. She secretly knew Helmut from her frequent trips to the Stables. But that is their secret. The prince asked the princess if this might be one of the men. She smiled and said; “Indeed this would be one of the men if he so desired.” As the princess continued strolling, the prince stayed back briefly and invited Helmut to a special dinner with the princess that evening at 7:00. He graciously accepted. While he didn't understand what was fully ahead for him, he was happy to be able to spend an evening with the busty and charming princess. Robert the actorThey continued to walk through the fairgrounds with the prince often letting the princess drift ahead so he could see the reactions of the commoners as they look at her beauty. He watch her interact with the men of the Kingdom. As they continued, they came across a play that was just finishing up on the stage. The lead actor was quite athletically fit and very handsome. He flashed a smile at princess Charlotte and catching her off guard, she shyly looked away. The production poster listed the lead actor as ‘Robert.' What Prince Frederick didn't suspect was that Robert was also a part of the local Polo team. The two had secretly met in the Stables. The secret remains to this day. She composed herself and began to smile. He congratulated her and the prince on their wedding. She whispered to the prince that it might be fun to invite him to dinner. Shortly thereafter the prince did just that.Steffan the folk dancerAfter not much longer, the princess stopped in front of the stage where there was folk dancing.One of the dancers was agile, strong, and very skilled. As he lifted his twirling partner into the air, then safely caught her in his arms. She caught the vicarious thrill of experiencing being airborne and caught in his gentle arms. Steffan stepped back for his female dance partner to perform her feature solo. As he caught his breath, he looked out to the applauding crowds. He spotted the royal couple and was pleased. He had caught the princess's eye. She stood and watched him perform. in his lederhosen, not taking her eyes off of him. This was not missed by the dancer, and when the dance was over he came over and introduced himself to the princess. “I am Steffan”, he humbly bowed.This was but a rouse, as the dancer was part of a Mayday festival at the Munich Palace. Charlotte had graciously helped him find the dressing rooms when he'd gotten lost in the palace back halls. Charlotte felt a wetness as she recalled his tryst in her private Chambers just months ago; As Steffan talked with the prince, his eyes glanced up and down Charlotte's body. Memories led to arousal, and after several minutes, Steffan quickly dismissed himself to ‘prepare for the next number.His tight shorts left little to the imagination and it was clear that he was very well built down there. It also became obvious when he was talking to the princess, that she pleased him greatly and that is why he had to make a quick exit.Princess Charlotte smiled at The Prince and he understood that the dancer would be the third. The prince then extended an invite to him.The special guests come to dinner The dinner was scheduled for that evening at 7:00. A fire was made in the large fireplace and the finest Linens, China, and glassware were laid out.The cooks were busy making Gourmet Foods and the prince picked the wines himself. The princess was bathing and getting dressed for the evening. She had taken her time to clean and shave meticulously. She had chosen a metallic gold dress that plunged in the front bodice, and a skirt that stopped right at her bottom, in the back. She also wore matching metallic gold strappy shoes with towering heels. She also wore her gold earrings, necklace, and bracelets. On her right ankle was a gold anklet that the prince had bought her that day for the dinner. She looked irresistible. As the princess dressed upstairs, the men arrived early for the dinner. They too, had bathed and put on their finest clothes. The prince greeted them personally, and the young studs introduced themselves to each other.  The prince poured them each a drink and they toasted to each other and their good fortune. Prince Frederick explained to their astonishment and delight; the agreement the prince and princess had made ,and that they were the lucky men chosen.When the princess arrived downstairs, the prince met her before she walked into the dining room. To her surprise, the prince said that he would not be joining them. He wanted the men to have her to themselves and for her to have the men to herself. After thinking about it a bit, she realized that this might be more fun.The prince told her however, that he couldn't possibly resist watching her sexual conquests and would be watching from special consealments that were created near the dining room.They then walked into the dining room as the men stood up and were formally introduced by name to the princess.As she walked in looking lovely as can be. There were Smiles all around. The prince said his good-byes,and said he would stop in the evening, The princess and her suitors were seated for dinner and were poured wine from the servants. As the conversation began, the men paid great attention to the princess. The men stared deep into the eyes of the princess while she spoke and attended to her every need.Dancing In The ParlorAfter dessert was served Steffan asked the princess if she'd like to dance. She loved to dance and quickly accepted the offer from the handsome man. Charlotte led the man into the Parlor and went over to a cabinet on casters she opened the lid of the music box and cranked up the Armature. The Parlor was filled with the rich sounds of an Austrian Waltz. They began a formal Waltz, with the dancer expertly taking the lead and the princess easily keeping up. They glided around the room while Helmut and Robert looked on, seated on nicely-upholstered wing-back chairs.Not wanting to be left out, Robert cut in and continued the dance;  His intense blue eyes staring into the princesses. Helmut, not wanting to miss his turn, cut in. This allowed the princess to put her hands on his muscular arms as he easily spun her around the Dance Floor. During dinner, Prince Frederick had been sitting in a hall outside the dining room. He took great pleasure in watching the princess charm and be Charmed by the men. He found himself increasingly excited as the dancing started. His new wife was a youthful and sexy dancer, and watching her interact with the men turned him on immensely. When the quartet moved to the parlor, Prince Frederick went upstairs to a balcony overlooking the Parlor. A member of his Württemberg Entourage, Claudine was making her regular checks on his welfare. She was his tutor since he was 10 years old and she was 21.The woman taught Frederick on many subjects, and over time had become an adviser on many matters. She was tall, slender, and elegant. Her lessons often continued in his bed Chambers whenever they could safely conceal the ongoing sex education lessons. Now, 17 years later, Claudine now carries herself as a charming  and confident 39 year old vixen.From the balcony, the prince and his ‘tutor' (and secret lover) sat on the floor, behind the velvet drapes, and silently peered between the balusters, Charlotte's deportment with the young men.The quartet move to a slower song and the blacksmith pulled the princess close for a slow dance. The princess's head had been spinning from her wonderful evening and her third Goblet of wine, and now she was very close to and touching this muscular man. He too could feel her busty body with his strong hands around her firm waist he pulled her in closer to him she didn't pull away as she felt him stiffen.She began to feel a tingle inside herself. Before she knew it Robert the actor had stepped up and taken Helmut's place. As Robert stared into her eyes he leaned forward and gently put his lips to hers and she readily received them as she first did in that pile of straw in the horse stables.He pulled her close to him and continued to kiss her. She then felt a second set of hands on her hips from behind it was Steffan. Her dress was so short that his hands were right above the bottom of the dress. She briefly stopped kissing Robert as Steffen pulled her hips into him and began kissing her neck. Pressing into her rear end was that very large and now very hard cock that had attracted her earlier that day. He raised Goosebumps on her as he kissed her neck.From the balcony, Prince Frederick and Claudine had seen everything. He didn't miss a second of the meal or the dance.  Much like the viral men in the parlor, he too was very hard. To watch the woman he married be so pleased. To be able to watch her talk and flirt and touch and be touched was truly a pleasure. To see the way the young suiters desire her.Claudine began rubbing his crotch while sliding her other hand up under her own skirt.As Steffan continued to kiss the princess on her neck and ears, he slowly ground his cock against her white ass. With his hands around her waist the skimpy dress began fully raising from the grinding as it lifted. The actor in front of her looked down and realized she wasn't wearing any panties. He could see her perfect beautiful shaved cunt. He went wild, grabbing her head and kissing her deeply with his tongue. Steffan also noticing the dress had climbed up her body, began using his large hands to rub her large crack.The princess felt so good she was barely standing at this point, mostly being held up in the sandwich of the men. The blacksmith was standing on the sidelines with his cock out, stroking while looking at the scene he had in front of him.The actor was now kissing down the body of The Princess and Steffan turned the princess's head and began kissing her deeply as he reached in front and grabbed her heating tits and fondling her tall erect nipples. Robert had made his way down to her belly and was closing in on her cunt. The princess shook as Robert's lips came in contact with her cunt lips. He licked her cunt as she held his head against her. After the princess Broke Free from Steffan's kiss, she gave a look towards the waiting blacksmith. The look let Helmut know it was time for him to join the fun. Helmut, unable to contain himself, walked towards the melee. He ignored Steffan and the actor and picked up the princess and carried her to a large couch on the side of the room. He laid her down on the couch and began for lack of a better word, to ravage her body.He grabbed and sucked her nipples and then quickly moved down to her cunt, licking her clit. The other two men were quickly at the couch. The actor began sucking her nipples making the princess squirm. She wrapped her legs around Helmut's head. As Robert & Steffan worked their magic, she began to quiver.This stirred both of the men and their tongues sped up lapping her nipples and clit. Her back arched as the orgasm flowed through her body. As she recovered from her orgasm, the men stood her up and removed her mini dress so that only her gold platform heals and jewelry remained. At this point; Helmut was so turned on, he couldn't wait. He laid the princess back down, and guided his rigid cock inside her. As much as she enjoyed his mouth it felt really good to have his hard warm cock in her.The princess looked next to see that Robert had removed his clothes and had his hard shaft in front of her. The princess reached out and grabbed his cock. Robert's heart was pounding. The hand of this beautiful woman felt so good on him.Steffan stripped off his clothes and joined the group.The princess had her eyes closed as Helmut picked up his pace. She put her right hand on his muscular chest and rubbed down his chiseled abdomen, wrapping her hand around his thick cock as it slid in and out of her. She returned her hand to his chest and continued to jerk off the wood of Robert on her left.One of the thrust of Helmut's threw the princess's head back and as she look to the right she saw the naked body of Stefan.His cock was large and beautiful. It was exactly what she hoped for when she picked him for the evening. She slowed her hand down on the actor as she eagerly grabbed the thick rod of the handsome dancer. She slowly explored the entire length of his cock with her soft hand. He leaned over and touched and kissed her slowly, exploring her mouth; reaching over to gently caress her nipple. She firmly but gently grabbed the base of his cock, and pulled him close to her.  It was perfect, and she began licking and sucking it. She continued to suck as much of the cock as she could fit in her mouth,  to the rhythm of Helmut sliding in and out of her wet cunt. Helmut would not last much longer, and began to pick up speed. The princess began to tremble and slow down the actor and Dancer.As Helmut's hands wrapped around her tiny waist, she put her hands on his waist, to push him in further,He began grunted and began powerfully jack-hammering her. Her entire body was moving as Helmut slammed into her. He began to cum.  She felt his first shot squirt into her body, which pushed her into a full orgasm as her body clinched around him.  He kept pounding, shooting a large load  as she moaned. Charlotte was trembling from the orgasm Helmut had just given her. He held her in his strong arms, as she took a moment to recover. After some time, he withdrew his cock from her.Steffan grabbed the Princess's face with both hands, and kissed her passionately on the lips.He backed up and stared into her eyes. He could wait no longer. As he backed up, the Princess could see his turgid cock, standing at attention. He was extremely hard. With both hands on her waist, he pulled her towards him. He grabbed the base of his rod, and began to run it up and down the length of her cunt lips. He would have to move slowly, to get his large shaft into her tight cunt. Robert and Helmut saw that she might have some troubles, so they went up to the princess. They each took one of her shapely legs. She still had her golden heels on. They each held an ankle in one hand, and with the other they reached up to her inner thigh.They spread her legs wide apart, to give Steffan better access. As his cock pressed into the small opening between her cunt lips, she was both nervous and excited.Cum In The BalconyStill viewing from the Position to see his new wife, as naked and as hard as the other men; he had his cock in his hand. It was ecstasy to see his wife enjoying herself so much to allow her to have a variety he could not provide himself .He also liked being able to just watch the way she flirted, desired, and moved.He could just focus on watching her be sexual. It was such a turn on for him. Claudine sucked his cock while he lay on the balcony floor; her cunt spread wide above his adoring eyes. His cock deep in his concert's throat while the passionate sounds of a foursome filled the Parlor below their lofty perch. As Claudine's juices ran down the tongue of the prince, her inner thighs pressing tight against his ears while she shakes from the oral menstruation he has perfected.Frederick took it all in and paused his urges to thrust while Claudine indulged in the joy of her orgasm. She sucked his tip and flicked his head gently while her Bliss lingered. As Claudine's body came back to the moment, she fixed her desire to the cock in her mouth. Soon her head pressed down on his crotch and his cock rapidly entered and exited her throat. Her tongue synchronized in a swallowing sequence. In less than a minute later, his hips rocketed upward as his balls constricted into the base of his cock. His prostate began a series of jets sending cream deep into Claudine's receptive throat. She knew his body and his signs of eminent release. She's taking a deep breath before plunging down on his explosion with her expert tongue.She used a swallowing sequence to take every last drop into her throat. Claudine had become so proficient that it had been a couple years since she could remember the taste of Frederick's spunk. Downstairs The princess took a deep breath as Stefan's cock slowly entered her cunt.  She felt it spreading her and filling her up. She was very wet but Stephen still took his time. She was so tight he needed to move slowly. He paused after he was completely inside her, to give her a moment to once again get used to his massive cock.With her eyes closed she let out a breath feeling so full in her cunt. Slowly he moved back out and then gently pushed back into her. He increased the speed as she grew used to his size. He slid in and out of her, hitting spots on her that had never been felt before. Helmut and Robert released her legs. Starting at her shoulders, they each kiss down her body, gently touching and tasting her as they worked.From her legs up, they kissed around her breasts, settling on her erect and sensitive nipples. Kissing them, licking and sucking them.In appreciation, she reached out and grabbed each of their firm cocks. With a cock inside her, with two handsome men sucking her nipples and a cock in each hand, her head was spinning. his face and her breathing she began to lose control with that fat cock filling her up and both nipples getting sucked. She began to moan louder and louder and she moaned the man began sucking her nipples faster and faster.Finally she couldn't hold out any longer and began to come.She let out what was almost a scream and seemed to have cum for a full minute. She felt so good after she came completely inside her while he waited and she recovered he couldn't wait any longer and slowly started pumping her she moved her body in time with his and it felt good.Recovering the princess started to feel a tingle as Stefan again picked up the pace. It was at this time the princess saw something to her left. It was the prince. He was so turned on by the event that he had to get closer. He was naked and jacking off his hard cock at the sight of his beautiful bride. She felt so good with the comfort of knowing her husband gave his approval and was so turned on,She looked up and Stefan was staring straight into her eyes. She could feel the pre-cum dribbling inside her, from his massive cock and knew it wouldn't be much longer. It was now just him and her, as he wrapped his large hands around her tiny waist and began to Bear down on her. She wrapped her legs around his waist and started to moan. They locked eyes as he drove into her faster and faster. She could feel his balls slamming into her with each stroke she began to scream  as the orgasm took over and his cock began to twitch.She began wave after wave of orgasm as his cock began to come inside her. She could feel the hot spurts of his semen. He kept pumping till his big cock was drained. She laid back sweaty and completely spent as his cock went limp inside her. Charlotte's good nightWith her eyes closed she felt lips softly touch hers. It was Prince Frederick. He looked deeply into her eyes and thanked her for what she had done. It was such a pleasure to watch her. Stefan prepared warm water and began gently cleaning her up with washcloths. They then helped the princess nymph, to dress into a beautiful tight golden gown. The night had gone on for hours ,with all of the meeting, drinking, and dancing; Charlotte saw each man out separately, and some private words were spoken but not overheard. Frederick told Charlotte he'd be up a bit and she should get her rest. The two never shared a bedroom again.A tradition of need Frederick William and his wife Charlotte remained in two royal families from two Allied kingdoms of the German peoples. It would be years before their fathers' Reigns would be passed on, so the two developed humanitarian causes and charities, to benefit the people of the two kingdoms. Württemberg & Bavaria. This often meant a lot of travel in the two adjoining kingdoms. Together they kept up appearances and showed no public affection to each other.It's not that they lacked a libido; they just had no physical or emotional attraction to anything about each other. In the weeks after Frederick and Charlotte disclosed to each other that they both had romantic interests in other lovers. they both provided discreet accommodations to each other and still kept a mutual respect.Second Year, and the Dirndl Craze Princess Charlotte is widely recognized as the inspiration for Oktoberfest. Her Bountiful bosom is synonymous with the joy of a Bountiful Harvest. The beer garden waitresses all wore the 'Charlotte dirndls' at the Munich Oktoberfest of 1811, 2nd Annual Festival. Charlotte and Frederick traveled the second night to Württemberg to inaugurate a sister Festival there. Some of the Württemberg church ladies initially objected to this Bavarian hussie princess whom their Crown Prince had married. Prince Frederick caught word of the grumbling prudes and decided to tell the organizers that he would personally appear with Princess Charlotte to make the official pronunciation of the beginning of the festival, At the noon hour, all the crowds gathered in the festival Square. Troubadours and dancers, Artisans and Partiers, all stood with a hush as the prince and princess climbed the steps to the platform. "Men and women, People of Württemberg, and guests. It is good to Delight in the Bountiful provisions of the Almighty, and we are truly thankful. We Delight ourselves in the fruit of both our hard work and Providence." Prince Frederick paused then added; "You are all part of that bounty. Delight in each other. I have taken a wife and we celebrate our anniversary with you today."Charlotte was standing just behind, and to the side of Frederick. He stepped back and took her hand to have her step up next to him. She was wearing a new dirndl in the colors of Frederick's Kingdom coat of arms. It was low cut, daring, and revealed a lot of leg. Frederick watched as a few older ladies whispered and expressed some displeasure. Frederick resumed his words; "In our holy scriptures we are commanded to Delight in God's provision. All of it. I conferred with the bishop and I'm confident of the clear meaning of this holy command. In the Book of Proverbs, the fifth chapter and the 18th verse. It commands us, 'Let thy Fountain be blessed and rejoice with the wife of thy youth. Let her be as the loving hind and pleasant roe. Let her breasts satisfy thee at all times, and be thou ravished always with her love.' " At that word, the men of the festival let out a roar of delight, Frederick and Charlotte turned to each other and smiled. Prince Frederick yelled over the excited crowd, "Bishop Johan, have I spoken accurately? Red-faced, the cleric simply gave a slow affirmative nod. The roar continued again, and the women now also joined in the applause. Prince Frederick stepped away and signaled for his Buxom princess Charlotte to acknowledge the acceptance from his kingdom. Ever the impish and useful girl, Charlotte made the impulsive decision not to curtsy, but bow instead, as a man would.The entire Festival cheered even louder, as the buxom princess gave a 'birds-eye' peek as her busty assets. The crowd began to chant; "We Love Char! We Love Char!" Prince Frederick motioned for a few frauline barmaids to roll a keg to Center Stage. They were all wearing similarly low-cut matching dirndls. The crowds now cheered at fever pitch. These girls were wearing exact replicas of the skimpy dress Charlotte had worn last year, for the special night of the original Munich Festival. The beirmeister tapped the keg and poured the local ale into a Stein. The beirmeister handed the Stein to Prince Frederick. Prince Frederick swiftly drank the entire contents without a pause. Holding up the empty stein, Prince Frederick shouted "O' zapft is! The Keg is tapped! Let Oktoberfest begin!" That's what sealed the legacy of the German ethnic future. Charlotte became the mascot without ever intending to. For her, Oktoberfest was always a way to conveniently compensate for a marriage which completely lacked romance and sexuality. This was all for show. Frederick continued his lust for older MILF trysts and taking interest in tall slender women. Claudine was a frequent counselor and lived in the palace. Charlotte was able to surround herself with virile men who loved her busty figure. As a proud answer to the French Mardi Gras hedonism, the people of Bavaria and Württemberg kingdoms heartily took to the annual fall Harvest Festival we still know as Oktoberfest. It still includes house parties to end the days, and people entertain house guests til wee hours of the morning.It's set for celebrating the conclusion of the harvest, which means The agrarian communities have both time and money for celebrating with energy and enthusiasm. Each year after, new festivals popped up in other cities and the royal couple collaborated in both kingdoms to stagger the dates and coordinate promotions and resources.Württemberg's new king and queen Charlotte became Queen Caroline when Prince Frederick William became King William the first; but the marriage was sexless. After a few years Frederick learned of the death of his cousins Royal husband, in Russia. Princess Catherine Pavlovna met King William while both were visiting Vienna. Frederick was love-struck by the tall Russian granddaughter of Catherine the Great.They were both in their Prime of life and burning with lust for each other. Soon Frederick asked Charlotte for an annulment agreement. For Charlotte, it was liberation. She immediately became the most sought woman in Europe's royal society.Very quickly, Emperor Francis the first of Austria secured her commitment to marriage and become Empress consort of his Austrian Empire with another 46 titles of nobility. Francis was 24 years older than Charlotte and the two did not have children together. But with Charlotte's help, Francis eventually defeated the Napoleon Empire. That meant Württemberg's King Frederick, her first husband, was now subject to her, through her new husband, Francis. Thus begun the great Austrian Empire of Europe for about 100 years to come. by  Mumfreds for Literotica 

Hello to you listening in Cartegena, Columbia, South America!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga.Perhaps like me you have walked a long road to find out how to use your voice to shine a light into the world that would be vastly incomplete without you. Perhaps you might still feel self-conscious about using the power of your voice.Hear me when I say this: it's your time! You did not come to Earth to be quiet. Set aside your limiting beliefs. They are of no use to you! The world needs what you have to give. If what you have to give is a cup of water would you deny it to a world that is thirsty? Of course not!The more you get to the heart of your message and the message of your heart the more likely it is that you will speak your truth, live your truth, and the world will be less thirsty.CTA: You can always read another "How To" book; but how much more fun, engaging and memorable would it be if you and I could chat about how you can get to the heart of your message to connect with, engage and influence your audience. If you are curious  email me at Quarter Moon Story Arts  to set up a Discovery Chat. Let's get to the heart of your message!You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Adrie questions the dead golden armored Azreal and Kaeviir wants to check on himself. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find Deece on TikTok here: OH NO! Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. Licence: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/  

Hello to you listening in Adelaide, Australia!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.Recently I was delighted to share the mic as guest with Christi Cassidy, the host of Moving Along podcast.  We giggled our way through stories about travel, relocation, and transition inspired by a sense of curiosity, adventure, and possibility.There are tales of youthful independence and the courage to chart one's path. Childhood memories of collecting S&H Green Stamps for camping gear setting up a love for hiking and a life marked by exploration trekking the Camino de Santiago as a transformative milestone and reminiscences about backpacking adventures across Europe. With a trusty travel guide and a heart full of optimism, Diane's early journeys reveal an enduring spirit of adventure. If this sounds like a journey you want to take, join us as we navigate the journey of a life in motion!  CLICK for Direct mp3 Download Link  Click for Apple PodcastCTA: Be sure to write a 5-star review on Apple or your podcast platform of choice, and subscribe. It helps us all!CONTACT LINKSContact: christi@movingalongpodcast.comMore podcast information: https://movingalongpodcast.comYou're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Paulus Shafer is known as one of the greatest living Jazz guitarists. And Paulus makes his first Twin Cities appearance with guitarist Ryan Picone and bassist Matt Blake, from 6 till 7:30, Sunday, September 14 at Crooners Supper Club in Fridley. Ryan visited with Phil Nusbaum, and when the two got together, they first talked about Ryan's composition, Waltz for Chacho, composed when Ryan was a student. and then they talked about the coming of Paulus Shafer.

The Wynchester series ends as it began, in a crazy-whimsical version of England and featuring the detective skills of a band of wealthy and socially marginalized do-gooders.

Hello to you listening in Ocean Isle Beach, North Carolina! Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Story Prompt Friday and your host, Diane Wyzga.Two lines from the novel Bel Canto by Ann Patchett gave me pause: “It makes you wonder. All the brilliant things we might have done with our lives if only we suspected we knew how.” [~ p. 300]  Maybe like me you've done many things and inhabited many roles over the course of your life. And yet and yet, maybe like me you wonder: what dreams have I not yet manifested? What have I squandered because I felt I didn't know how? Where could I have risked something different? From the evidence why was I given my life?Story Prompt: There is time! You do know how! What brilliant things might you and your life like to do? Write that story!  Practical Tip: The magic of stories is also in the sharing. If you wish share your story with someone or something.   All that matters is you have a story.You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.ALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron Music

Click HERE to learn how to earn $10K/month in rental income & access 50% discount on RTR Academyhttps://landing.renttoretirement.com/evg-masterclass-replayThis episode is sponsored by…ECKARD ENTERPRISES:Build wealth through alternative investments in U.S. oil & gas with Eckard's tangible, tax‑advantaged energy assets: ⁠https://eckardenterprises.com/rent-to-retirement/⁠Five Star Conference:Register Now—Join Mortgage Leaders and Grow Your Business at the Premier Five Star Conference & Expo - Use the code RTR200https://www.fivestarconference.com/2025/register_now?code=RTR200MYND - A Roofstock company:Your all-in-one platform for single-family rentals.Buy, manage, and grow—without the hassle.https://www.mynd.co/rtrHEMLANE:Find better, more transparent property management with Hemlane at https://www.hemlane.com/lp/rent-to-retirement/Thinking about investing in U.S. real estate as a foreign investor?

Hello to you listening in Puyallup, Washington!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga.Maybe like me you were raised in a culture, a generation, a home where your voice, the power of your one true authentic voice was not appreciated. Maybe it was  shuttered, shushed, shut down. Why? Who knows.Sometimes our early fears and traumas hold us back from speaking in our authentic voice. But reclaiming our authentic voice is more than tips and techniques. Imagine discovering your story to help you let go of what might be holding you back so that you heal your mind, body and spirit. You also reclaim the opportunity to clarify your ideas, amplify your message, be seen, heard, understood and listened to.What happens then? The changes you want to make, the results you want to see in action can be manifested.CTA: Whether you're ready to work with me or getting ready to be ready I am ready to work with you. Check out the many services for professionals and organizations at Quarter Moon Story Arts or click the link in the Episode Notes. You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.ALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron Music

Click HERE to learn how to earn $10K/month in rental income & access 50% discount on RTR Academyhttps://landing.renttoretirement.com/evg-masterclass-replayThis episode is sponsored by…ECKARD ENTERPRISES:Build wealth through alternative investments in U.S. oil & gas with Eckard's tangible, tax‑advantaged energy assets: ⁠https://eckardenterprises.com/rent-to-retirement/⁠Five Star Conference:Register Now—Join Mortgage Leaders and Grow Your Business at the Premier Five Star Conference & Expo - Use the code RTR200https://www.fivestarconference.com/2025/register_now?code=RTR200MYND - A Roofstock company:Your all-in-one platform for single-family rentals.Buy, manage, and grow—without the hassle.https://www.mynd.co/rtrHEMLANE:Find better, more transparent property management with Hemlane at https://www.hemlane.com/lp/rent-to-retirement/Thinking about investing in U.S. real estate as a foreign investor?

Choreographer Stefanie Nelson is in the studio this month! This year marks a milestone for her impactful and groundbreaking contemporary dance company -  the 25th anniversary of Stefanie Nelson Dancegroup. Founded by Stefanie in New York City in 2000, the company has been described as instinctual and untamed, pushing the boundaries of performance while creating meaningful connections between artists, audiences, and communities.Stefanie has staged work all over the world from Lincoln Center and Jacob's Pillow to international venues across Italy. She is also the founder of Dance Italia, a summer program in Lucca, Italy.Stefanie's impact extends far beyond the stage as well. In collaboration with AHRC NYC, she launched the Everyone Dance program, providing weekly classes and performance opportunities for dancers with intellectual and developmental disabilities across New York City. This spring, that work took center stage at Columbia University's Miller Theater with Everyone Dance: Spring 25, a free performance featuring original works by award-winning choreographers—and an audience dance party to close it out.Stefanie also founded The Moving Memory Project, an ongoing initiative that brings together artists, caregivers, and seniors to explore memory, identity, and dementia through performance.She joined The Adult Ballet Studio to talk about 25 years of creating dance — her vision, her collaborations, and how her company continues to bring movement into new spaces of joy, healing, and transformation. Check it out! ​Follow Stefanie Nelson Dancegroup on Instagram: @sndancegroup​Follow Dance Italia on Instagram: @dance_italia​Learn more about Stefanie Nelson Dancegroup: https://www.sndancegroup.org/​Learn more about Dance Italia: https://www.danceitalia.com/​Purchase tickets to SND X West Harlem Arts Alliance: https://www.eventbrite.com/e/snd-x-west-harlem-arts-alliance-tickets-1652454208019?aff=oddtdtcreator​Subscribe to The Adult Ballet Studio on YouTube: @adultballetstudioMusic in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield  | theadultballetstudio@gmail.comSupport this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Hosted on Acast. See acast.com/privacy for more information.

DH Rayne leads Adrie and Kaeviir through Waterdeep as they try to navigate their way to Cedric's boss to speak to a body. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find Deece on TikTok here: OH NO! Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. Licence: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/  

Hello to you listening out on Nubanusit Lake, New Hampshire celebrating Michele's Happy Birthday!Nubanusit Lake, New Hampshire [drone footage] Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.Niccolò Machiavelli got it right with this quote on Change and Innovation in his 16th century political treatise, The Prince. “There is nothing more difficult to take in hand, more perilous to conduct, or more uncertain in its success, than to take the lead in the introduction of a new order of things.” [Click HERE for pdf copy]Question: Who here is ready to embark on introducing a new order of things - no matter how small - no matter how uncertain? What will it take to lead to that new order?By practicing Perfect?No, Good is better than Perfect.What about practicing Good?No, Done is better than Good.Okay then! Get ‘er Done! That's how you lead today! You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.ALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron Music

What does it mean to create movement that lasts a lifetime—work that outlives trends, resonates across genres, and moves audiences for generations? World-renowned choreographer Lar Lubovitch joined the studio for a mid-month episode to talk about his creative process and his upcoming projects!For more than six decades, Lar has shaped the landscape of dance with works that are both technically masterful and deeply human. His own company, Lar Lubovitch Dance Company, founded in 1968, has created more than 120 works performed in more than 40 countries.Lar says that from the moment he started dancing, he knew he would be a choreographer. But dance is a journey he began relatively late at 19. He spoke about the freedom his later start in dance gave him to experiment, mix styles, and create work that bridges the divide between ballet and modern dance. All of this propelled him into success as a groundbreaking choreographer. In this interview, he discusses the intersections of his background as a painter and sculptor with his choreography, which he views similarly in brushstrokes and shapes that illustrate the music. He shares that the initial spark of joy seeing dancers move on stage that inspired him to explore dance in the first place is still inspiring him to this day. And he talks about how, at 82, he sees himself as an adult dancer needing to stay engaged with dance even while his experience with the art form evolves as he ages.He also spoke about his work on Broadway, including staging the original Broadway production of Into the Woods, which earned him a Tony nomination, The Red Shoes, winning an Astaire Award, and the Tony-winning revival of The King and I. He has also made contributions to choreography in the field of ice-dancing, creating dances for Olympic skaters and choreographing two ice-dances for television: The Sleeping Beauty (PBS) and The Planets (A&E, nominated for an International Emmy Award, a Cable Ace Award, and a Grammy Award). Finally, he shares the vision behind his new program, Art of the Solo, in which his solo works are brought to life by a cast of dancers as part of The Guggenheim's Works & Process Series in New York. Check out the conversation!Follow Lar Lubovitch Dance Company on Instagram: @lubovitchLearn more about Lar Lubovitch Dance Company: www.lubovitch.orgPurchase tickets to Works & Process presents Lar Lubovitch: Art of the Solo: https://www.guggenheim.org/event/works-process-lar-lubovitch-art-of-the-soloSubscribe to The Adult Ballet Studio on YouTube: @adultballetstudioMusic in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield  | theadultballetstudio@gmail.comSupport this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link

Adrie casts Speak With Dead to question the golden-armored Rayne, but the party realizes they need more information in Waterdeep. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find Deece on TikTok here: OH NO! Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. Licence: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/  

Hello to you listening in Seattle, Washington!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds (and a bit more to visit history) for Story Prompt Friday and your host, Diane Wyzga.Recently I read a comment on Substack about the changes being wrought by 47 and his criminal cabal to erase - as much as obscenely possible - evidence of slavery in America thereby making history disappear. Yes, many have tried to make history disappear but the stories, the oral histories, the voices, the art, books and photographs remain. Not all - but enough to stand witness.One such book, The Ghosts of Segregation, was authored by our very own Whidbey Island writer and photographer, Richard Frishman who saw what 45's administration was doing and had to do something to defy it.   Unexpectedly, while researching the Ghosts of Segregation, I found my way to the Panama Hotel in Seattle which some of you may remember as the hotel featured in the novel, The  Hotel at the Corner of Bitter and Sweet, by Jamie Ford.The Panama Hotel remains the repository of personal belongings stored there by some of the 8,000 people of Japanese ancestry who were forced from Seattle and into internment camps (known as War Relocation Centers) set up in Midwestern states as a result of Executive Order 9066. They had one week's warning.Eventually, over 120,000 men, women and children of Japanese ancestry were forced from their homes, businesses and farms on the Pacific Coast in a systematic, government sponsored exile of innocent people. Most of them were United States citizens. The incarceration turned US citizens into refugees in their own country.But the story is still alive staving off erasure. A grant from the National Park Service helped researchers document, catalogue and map the contents of suitcases, trunks, and boxes, over 8500 items left in the hotel basement. Because of the historical value of the Panama Hotel, it was designated as a National Treasure in 2015. Today the Panama Hotel serves as a living time capsule, a shrine to a community, and the site of the Japanese American Museum of Seattle.  Story Prompt: How might we change the future with understanding and compassion so as to defy fear and hatred of The Other? Write that story and tell it out loud!  And for inspiration check out the many links in the Episode Notes to access the Ghosts of Segregation as well as the Panama Hotel.   The Ghosts of Segregation by Richard FrishmanClick HERE to listen to the author, Rich Frishman tell you about his project in a short interview Click HERE to access a book discussion about The Ghosts of Segregation at University of Virginia Click HERE to visit: My Favorite Places - Panama Hotel - Ralph Munro former Secretary of StateClick HERE to read about the Japanese American Museum of SeattleClick HERE to read National Trust for Historic Preservation; Asian American & Pacific Islander History;  Panama Hotel; Histories of Loss & ResilienceClick HERE to visit Panama Hotel - Hotel at the Corner of Bitter and Sweet by Jamie FordClick HERE to visit the Panama Hotel & Owner/Caretake Jan Johnson's scrapbookClick HERE to visit the Mysteries of the Panama HotelClick HERE to read The Many Lifetimes of the Panama Hotel - Stories of the Unjustly ImprisonedYou're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Communication Services, arrange a free, no-sales Discovery Call, and stay current with me as "Wyzga on Words" on Substack. Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Our guest is Gento Torigata https://gentotorigata.com/ who is the owner and mixologist of Waltz https://waltzbar.uk/ in East London. After diverse culinary and bartending experiences in Japan, Australia and Singapore, Gento moved to London and opened Waltz in April 2024.Waltz is truly a unique place. With his traditional Japanese mindset of appreciating seasonality, Gento offers original cocktails inspired by micro seasons along with Japanese hospitality, or Omotenashi. In this episode, we will discuss how Gento has built a strong career as a bartender through his global experiences, how he creates cocktails based on Japanese traditional micro seasonal calendars called NIjyushi Sekki and Shichiju Niko, the essence of Omotenashi Gento aims to practice at Waltz and much, much more!!!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello to you Byron and Mariah Edgington listening in Gainesville, Florida!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga.My friend Byron Edgington wrote: “Isn't it fascinating how we humans revert to past events, as if we could/can change what happened there?”Yes. We humans can be a silly species failing to acknowledge the past as the past. The past is like the wake behind a boat - the series of waves that trails behind a moving boat. But the wake doesn't drive the boat; however, awareness of and learning from the past is what allows us to drive the boat of our present into a better future.  The phrase "the wake doesn't drive the boat" (a metaphor attributed to Alan Watts) means that your past or wake of your life boat doesn't determine your future. Yes, learning from our past influences our present actions; but the future is determined by how we drive our boat now, not by the path we've already traveled.Question: How have you learned to drive your boat forward based on choices arising from past lessons?Click HERE to listen to Alan Watts talk about the boat analogy and how it applies to the present moment.Thank you for listening and steady as she goes!You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Communication Services, arrange a free, no-sales Discovery Call, and stay current with me as "Wyzga on Words" on Substack. Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Kaeviir develops a theory, Rayne talks to himself, and DH Adrie tries to be nice. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find Deece on TikTok here: OH NO! Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. Licence: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/  

Hello to you listening in London, England!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds (and a bit more for courage) for Motivate Your Monday and your host, Diane Wyzga.It's true what they say: "A story grows in the gaps where the facts fall short." 47 and his cabal are exploiting the gaps to create cruel and obscene stories because they have no facts.Headlines that repeat 47's cruel and obscene stories like reign of terror, being on the eve of destruction, days of the dictator, subservience to the sociopath, and so on reinforce these stories. The more these stories are told without the counterbalance of truth, facts, good news, and how We the People are fighting back, the more these lies will take hold in our exhausted minds because these stories keep on gushing like torrents of water out of a broken fire hydrant.Hear me when I say this: I am no idiot. Treacherous times are alive and afoot. 47 and his criminally complicit cabinet, feckless GOP congress, and subservient SCOTUS on speed dial are after nothing short of the utter desecration of our country. So, We the People must continue to push back, show up, stand up, speak up, fight and ever fight!In the darkest days of World War II when all looked lost in the face of Nazi Germany's advance across Europe and the Dunkirk evacuation, Winston Churchill summoned the will of the British people against those odds.    His famous "We shall fight on the beaches" speech was a galvanizing address delivered to the House of Commons on June 4, 1940.Listen to a portion of history: “The British Empire and the French Republic, linked together in their cause and in their need, will defend to the death their native soil, aiding each other like good comrades to the utmost of their strength. Even though large tracts of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail. We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this Island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God's good time, the New World, with all its power and might, steps forth to the rescue and the liberation of the old.”Imagine the immense sacrifice and effort required of the British people to face the adversity and pummeling hardships of war. And yet, they did with courage and determination, with unwavering resolve to resist the Nazi threat, even to the last person, if necessary.If the British defeated the Nazis - against all odds - who are we not to follow in their footsteps and prevail against the enemy within our shores? We have no Churchill to summon us to battle; but we shall fight and we shall win because We the People are defying them and their obscenely hateful stories.Thank you for listening and making good trouble to liberate the land of the free and the home of the brave.  You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Communication Services, arrange a free, no-sales Discovery Call, and stay current with me as "Wyzga on Words" on Substack. Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Mike Waltz defends his record and battles criticism over Signalgate, Afghanistan policy, and UN reform plans during a contentious Senate hearing for UN Ambassador. Cornell University faces a federal civil rights complaint over allegations it rigged a faculty hiring process to exclude white male candidates - our interviews with evolutionary biologist Colin Wright and Executive General Counsel for America First Policy Institue Jessica Hart Steinmann. NBC News ridiculed for trying to equate Rep. Comer's digital signature with Biden's controversial use of the autopen on pardons and other legal documents.Herald Group: Learn more at https://GuardYourCard.comLean: Visit https://TakeLean.com & use code MK20 for 20% off