Podcasts about Wild Geese

Greetings Friends,Happy New Moon! This past week we explored the Hidden Lamp Case 21: Linji Meets the Old Woman Driving the Ox.Linji Meets the Old Woman Driving the OxChina, ninth centuryMaster Linji Yixuan went to see Master Bingdian An. On the way he met an old woman driving an ox in a field. Linji asked her, “Which way is the road to Bingdian?”The woman hit the ox with her stick and said, “This animal! It walks all over the place without even recognizing the road.”Linji repeated, “I asked you, which way is the road to Bingdian?”The woman said, “This beast! It's five years old and still can't be put to use.”Linji said to himself, “If you want to learn something from the person in front of you, first observe what the person does.” And he had the feeling that his sticking-point had been removed.Then, when he reached Master An, An asked him, “Have you seen my sister-in-law?”Linji said, “Yes, I've already been taken in tow.”I'm curious when you read this exchange is there a line or phrase that interests you, or that you have some sort of reaction to?Feel free to share. What touches you, what are you curious about? What feels aversive? What questions come up for you? How is this exchange relevant for your life and practice?These koans are teaching stories. And often what stirs in us is our way into them. If you are interested in hearing a little more about Master Linji and his origin story, as well as my comments on the koan, including being useless—listen to the audio recording. The Soft Animal of the BodyI am always curious when animals show up in koans. In reflecting on this koan, I got interested in the Ox. The Ox is a symbol for our true nature in the Zen tradition. There are a series of images called the Ox-herding pictures that portray important elements on this path of practice-awakening. They depict the movement from searching for our nature, to having a glimpse, to training ourselves to recognize and abide here, to eventually seeing through ideas of self/true nature, and living fully as we are in service to all beings.This week though, as I sat with the koan—a line from Mary Oliver's poem Wild Geese came to heart, “let the soft animal of your body, love what it loves.” This is such a deep invitation into presence. To feel our lives. To feel our bodies. To recognize the pleasure, the bliss of embodiment—right here, right now.I can notice how my mind wants to come in and fantasize about the things my body might want or long for, but part of what I am interested in is how the body can only love what is. Our bodies are always in the present moment.Our bodies speak the language of sensation, feeling, movement, texture, touch. Our bodies love through experiencing. Notice right now— what does your body love, in this moment?To ask, we need to sink into to our embodied life. To feel the changes in air temperature, the movement of breath, the touch of clothing, the pulsing and flickering of sensation. To hear and see, to smell and taste—to open the senses. For this sense world is our embodied life.When we let ourselves abide fully in our sense experience, we naturally open to the truth of interconnection. We feel ourselves as part of this great earth and in community with all, truly our lives are interpermeated—our bodies are the body of the entire world.So this week, today, right now—sit like an ox, here in your own body—loving what you love. Be the animal walking all over the place, the beast that can't be put to use!Weekly Online Meditation EventMonday Night Dharma — 6P PT / 9P ET Join weekly for drop-in meditation and dharma talk. We are currently exploring the Hidden Lamp: Teaching from the Buddhist Women AncestorsFeel free to join anytime. Event lasts about 1.5 hours. ZOOM LINKIn-Person in OregonGrasses, Trees and the Great Earth Sesshin— August 10 - 16 at Great Vow Zen MonasteryIn-Person in Columbus, Ohio through Mud Lotus SanghaWeekly Meditations on Tuesday, Wednesday and ThursdayRetreats, Meditation instruction and other events can be found on our website.Upcoming Sesshins at Saranam Retreat Center in West VirginiaInterdependence Sesshin June 29 - July 5 (Registration is now open!)I'm Amy Kisei. I am a Zen Buddhist Teacher, Spiritual Counselor, Astrologer and Artist. I offer 1:1 Spiritual Counseling sessions using IFS and Hakomi (somatic mindfulness). I also offer astrology readings. Check out my website to learn more. I currently live in Columbus, OH and am a supporting teacher for the Mud Lotus Sangha. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amykisei.substack.com/subscribe

This week, Emma West joins and shares her reading journey, her favorite genres, and how she ended up the Inventory Manager at Wild Geese Books. Listen to hear about: Emma's reading journey beginning as a substitute for formal education, and how she approached books as a way to keep learning and expanding her worldview. How both of us gravitate toward layered, "mind-bending" stories that require active engagement rather than straightforward "popcorn thrillers."  How romance works best for uswhen it's about more than romance—family dynamics, grief, friendship, identity, or creative life make the emotional stakes richer. How books can explore identity, trauma, religion, immigration, and society through speculative or horror elements, with special praise for Sublimation and Yesteryear.  Our shared obsession with Ashley Winstead, and how both of us now consider Hot Girl Murder Club our favorite book of hers! Check Out Author Social Media PackagesCheck out the Bookwild Community on PatreonCheck Out My Stories Are My Religion SubstackGet Bookwild MerchFollow @imbookwild on InstagramOther Co-hosts On Instagram:Gare Billings @gareindeedreadsSteph Lauer @books.in.badgerlandHalley Sutton @halleysutton25Brian Watson @readingwithbrianMacKenzie Green @missusa2mba

This week it's time for a real "Dad" movie. You know, the sort of flick your old man would veg out in front of the TV with on a Sunday afternoon. Strap in as Richard Burton, Richard Harris, and Roger Moore lead a ragtag crew of mercenaries in 1978's The Wild Geese. Toby Roan from the Hannibal 8 joins us for our main discussion, as well as some trivia and movie recommendations.

In this episode, Fred interviews Gayle Hansen Browne - Author of Wild Geese Rising: Living Prayer as Moment-by-Moment Contemplative Action.   Gayle Hansen Browne, ThD, is an author, spiritual director, mindfulness guide, retreat leader, theologian, and Episcopal priest.   Learn more at:   https://substack.com/@gaylehansenbrowne   About Wild Geese Rising:   In Wild Geese Rising, prayer arises as a way of beholding and befriending life. This book transforms the practice of “saying our prayers” into an instinctive way of living prayer as moment-by-moment contemplative action. Gayle Hansen Browne tells the story of what prayer can be with keen attention to translating complex theological thinking and spiritual insights into everyday language. The book first tells the story of what happened to prayer during shifts from ancient Jewish and early Christian theological and spiritual traditions to the Western Christian perceptions we assume regarding prayer today. Browne then explores contemporary insights that emerge from open and relational theology, as well as evolutionary and ecological spirituality. The result is practical wisdom and inspiration for anyone who seeks to engage with the Divine as they behold and befriend life through moment-by-moment contemplative action. For anyone who ever wonders how prayer can make a difference in the world today, this book is for you.

Send us Fan MailThis week we take a look at two classic films to judge if the stand the test of time. The Wild Geese 1978 is based on a novel of the same name by Daniel Carney. It's a British war movie and reflects the tone of the times. Starring Richard Burton, Roger Moore, Richard Harris and a host of other familiar actors it follows a group of mercenaries as they attempt to free a political prisoner. Papillon 1973 stars Steve McQueen and Dustin Hoffman and  is based on the memoirs  of the same name by Henri Charriere. It follows the experiences of Papillon as he attempts to escape the brutal condition of the French Guiana prison he's been wrongfully sent to.Do these films hold up? Listen on to find out.To get in touch email us at  backtothefilm20@gmail.com

This week, you get to meet the book girlies who I haven't been able to stop talking about!  Kara Confer and Emily Hone are the event team at Wild Geese Bookshop, and they are bringing some incredible authors to Indiana.  Hear about how they have evolved into their current positions, some book event BTS, starting their podcast Fill Your Cup, and books that define their reading tastes! Books Kara Mentioned The Secret Lives of Church Ladies — Deesha Philyaw The True Confessions of First Lady Freeman — Deesha Philyaw Everyone in This Room Will Someday Be Dead — Emily Austin Remarkably Bright Creatures — Shelby Van Pelt Done and Dusted — Lyla Sage Books Emily Mentioned The Hunger Games series — Suzanne Collins Superfan — Jenny Tinghui Zhang  The Song of Achilles — Madeline Miller Exquisite Things — Abdi Nazemian A Good Vampire's Guide to Blood and Boyfriends — Jamie D'Amato The Strength of the Few — James Islington The Poppy War — R.F. Kuang Seek the Traitor's Son — Veronica Roth Phoebe Berman's Gonna Lose It — Brooke Averick Check Out Author Social Media PackagesCheck out the Bookwild Community on PatreonCheck Out My Stories Are My Religion SubstackGet Bookwild MerchFollow @imbookwild on InstagramOther Co-hosts On Instagram:Gare Billings @gareindeedreadsSteph Lauer @books.in.badgerlandHalley Sutton @halleysutton25Brian Watson @readingwithbrianMacKenzie Green @missusa2mba

Today, we're putting The Tonearm's needle on the Montreal jazz collective Bellbird.Bellbird formed during pandemic park jams and has since become one of the more compelling voices in Canada's avant-garde jazz scene. The quartet consists of Claire Devlin on tenor sax, Allison Burik on alto sax and bass clarinet, Eli Davidovici on bass, and Mili Hong on drums. No guitar, no piano, just three mostly single-note instruments and a drum kit, which turns out to be more than enough. Their debut, Root in Tandem, earned serious praise. Their second album, The Call, came out on February 6th on Constellation Records. It was built from bird sound transcriptions, Mary Oliver poems, and sessions in the countryside, and it doesn't sound like anything else on that storied label's roster.Two members of the collective, Claire Devlin and Eli Davidovici, are here to take us through the story.(The musical excerpts heard in the interview are from Bellbird's album The Call)—Dig Deeper• Artist and Album:Visit Bellbird at bellbird.band and follow them on Instagram and YouTubePurchase Bellbird's The Call from Constellation Records, Bandcamp, or Qobuz, and listen on your streaming platform of choiceVisit Bellbird's page at Constellation Records• Individual Members:Claire Devlin — tenor saxophone; follow her on InstagramEli Davidovici — bassAllison Burik — alto saxophone and bass clarinet; follow them on InstagramMili Hong — drums; follow her on Instagram• Label:Constellation Records — Montréal's celebrated independent label, home to Godspeed You! Black Emperor, Matana Roberts, Sam Shalabi's Land of Kush, and more• Recording and Compositional Context:Hotel2Tango — the Montréal studio where The Call was recordedOrford Musique — the Quebec residency center where Bellbird developed the album's material• Musical References and Inspiration:White Bellbird (Procnias albus) — the Amazonian bird whose recorded call Allison Burik transcribed and analyzed as the foundation for the title trackMary Oliver, "Wild Geese" — the poem that inspired the track "Soft Animal," published in House of Light (Beacon Press, 1990)• Montréal Scene:Casa del Popolo — Montréal venue and community hubSuoni Per Il Popolo — Montréal's annual festival of experimental music, free jazz, and improvisation, presented at Casa del Popolo and La Sala Rossa• Previous Release:Root in Tandem (2023) — Bellbird's self-released debut—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on the Montreal jazz collective Bellbird.Bellbird formed during pandemic park jams and has since become one of the more compelling voices in Canada's avant-garde jazz scene. The quartet consists of Claire Devlin on tenor sax, Allison Burik on alto sax and bass clarinet, Eli Davidovici on bass, and Mili Hong on drums. No guitar, no piano, just three mostly single-note instruments and a drum kit, which turns out to be more than enough. Their debut, Root in Tandem, earned serious praise. Their second album, The Call, came out on February 6th on Constellation Records. It was built from bird sound transcriptions, Mary Oliver poems, and sessions in the countryside, and it doesn't sound like anything else on that storied label's roster.Two members of the collective, Claire Devlin and Eli Davidovici, are here to take us through the story.(The musical excerpts heard in the interview are from Bellbird's album The Call)—Dig Deeper• Artist and Album:Visit Bellbird at bellbird.band and follow them on Instagram and YouTubePurchase Bellbird's The Call from Constellation Records, Bandcamp, or Qobuz, and listen on your streaming platform of choiceVisit Bellbird's page at Constellation Records• Individual Members:Claire Devlin — tenor saxophone; follow her on InstagramEli Davidovici — bassAllison Burik — alto saxophone and bass clarinet; follow them on InstagramMili Hong — drums; follow her on Instagram• Label:Constellation Records — Montréal's celebrated independent label, home to Godspeed You! Black Emperor, Matana Roberts, Sam Shalabi's Land of Kush, and more• Recording and Compositional Context:Hotel2Tango — the Montréal studio where The Call was recordedOrford Musique — the Quebec residency center where Bellbird developed the album's material• Musical References and Inspiration:White Bellbird (Procnias albus) — the Amazonian bird whose recorded call Allison Burik transcribed and analyzed as the foundation for the title trackMary Oliver, "Wild Geese" — the poem that inspired the track "Soft Animal," published in House of Light (Beacon Press, 1990)• Montréal Scene:Casa del Popolo — Montréal venue and community hubSuoni Per Il Popolo — Montréal's annual festival of experimental music, free jazz, and improvisation, presented at Casa del Popolo and La Sala Rossa• Previous Release:Root in Tandem (2023) — Bellbird's self-released debut—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Hey now, here is my music podcast from KMRE 88.3 FM in Bellingham Monday night. I was live in the studio and played Grateful Dead tunes and other surprises. Enjoy. See you at The Shakedown Friday for Wild Geese of The West, Stones Throw Brewery for Countless Trees Saturday and other fine venues that present the music of our favorite band The Grateful Dead.

Boris and Rey kick back and watch the 1985 action flick The Wild Geese II, a bizarre movie that makes Rudolf Hess into a lovable grandpa (played by Laurence Olivier). --- Subscribe to https://patreon.org/tenepod https://bsky.app/profile/tenepod.bsky.social https://x.com/tenepod

Some thoughts on the implications of the words we use to signal safety, pontifications on whether 'Pleasure Doms' are inadvertent pick-mes, and another battle cry on how you deserve pleasure, respect, and softness even if your kink is hard and scary. We don't all have to be sunny, happy carebears…. Some of us are evil carebears that wear black and get stepped on. Substack post on The Chronology Of Water (also available on Patreon) Buy Chronology of Water & tip Ask A Sub with your purchase! Wild Geese by Mary Oliver Become a Patreon member to gain access to all the Ask A Sub benefits including our discord server, archive of premium audio and written posts, as well as our new podcast within a podcast, OTK with Lina and Mr. Dune. Submit questions for this podcast by going to memo.fm/askasub and recording a voice memo. Subscribe to the subby substack here. See the paid post archive here. Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad

In Part 2 of our discussion on Murasaki Shikibu's The Tale of Genji, editor Dennis Washburn returns to discuss the importance of the colors of the Norton Library edition, the ways the text spoke to him during his translation process, and the self-evaluation that occurs through reading something unfamiliar. (P. S. Hi, Shonda Rhimes! Please, please, please work your magic with an adaptation ofThe Tale of Genji!) Dennis Washburn is the Burlington northern Foundation professor of Asian studies at Dartmouth College. He holds a Ph.D. in Japanese Language and Literature from Yale University and has authored and edited studies on a range of literary and cultural topics. These include: The Dilemma of the Modern in Japanese Fiction; Translating Mount Fuji: Modern Japanese Fiction and the Ethics of Identity; and The Affect of Difference: Representations of Race in East Asian Empire. In addition to his scholarly publications, he has translated several works of Japanese fiction, including Yokomitsu Riichi's Shanghai, Tsushima Tsushima Tuko's Laughing Wolf, and Mizukami Tsutomu's The Temple of the Wild Geese, for which he was awarded the US-Japan Friendship Commission Prize. In 2004 he was awarded the Japan Foreign Minister's citation for promoting cross-cultural understanding.To learn more or purchase a copy of the Norton Library edition of The Tale of Genji, go to https://wwnorton.com/books/9780393427912.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Murasaki Shikibu's The Tale of Genji, we welcome editor Dennis Washburn to discuss the life and times of Murasaki Shikibu, the process of abridging The Tale of Genji for the Norton Library edition, and the novel's celebration and satire of courtly life. Dennis Washburn is the Burlington northern Foundation professor of Asian studies at Dartmouth College. He holds a Ph.D. in Japanese Language and Literature from Yale University and has authored and edited studies on a range of literary and cultural topics. These include: The Dilemma of the Modern in Japanese Fiction; Translating Mount Fuji: Modern Japanese Fiction and the Ethics of Identity; and The Affect of Difference: Representations of Race in East Asian Empire. In addition to his scholarly publications, he has translated several works of Japanese fiction, including Yokomitsu Riichi's Shanghai, Tsushima Tsushima Tuko's Laughing Wolf, and Mizukami Tsutomu's The Temple of the Wild Geese, for which he was awarded the US-Japan Friendship Commission Prize. In 2004 he was awarded the Japan Foreign Minister's citation for promoting cross-cultural understanding.To learn more or purchase a copy of the Norton Library edition of The Tale of Genji, go to https://wwnorton.com/books/9780393427912. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Kiltormer brothers Aidan and Fergal Lenehan have come together to write a new book about Aidan's involvement with the formation of a hurling and camogie club in football-dominated north county Dublin. 'Grit and Glory: A Decade at the Club' tells the story of the Wild Geese hurling and camogie club and is a narrative of survival marked by humour, and also tragedy, in which a simple act of playing a game with your neighbours and friends, the immense meaning this can have and the sense of community it creates, takes centre stage. Aidan Lenehan joined Galway Bay FM's Darren Kelly on 'Over The Line' to chat about the book. == 'Grit and Glory: A Decade at the Club' is available from Charlie Burns, Kennys, News N Choose, and Salmons bookshops.

THE WILD GEESE Behind The Movie Action with Tony Earnshaw THE WILD GEESE Behind The Action with Tony Earnshaw Tony Earnshaw talks about writing FIFTY MEN IN THE VALLEY OF THE SHADOW: A 316pp Full-Colour Hardbound Book on the Making of THE WILD GEESE. Insider details about how the stunts were performed, who was the first talent onboard, how Roger Moore and Richard Burton worked together and so much more. Interviewed by Andrew Staton. The book was created to coincide with the launch of the ultimate collector's edition of The WILD GEESE. Review Proper 70s action adventure all based on real people and events. ‘THEY DON'T MAKE ‘EM LIKE THIS ANYMORE… A classic slice of ‘70s action adventure with a cast of UK movie legends, memorable dialogue and impressive action scenes. Burton is superb'                                                              The Spinning Image Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dan Cadan may not be a name familiar to too many, but he's had quite the career. In this special Film Stories episode, he tells his tale of how the lad growing up in Huddersfield went on to work with Guy Ritchie (including writing a remake of The Wild Geese), Stephen Graham, Madonna and more. Then, getting a film made, the sole UK release from the Fox International label, Walk Like A Panther. He takes us into the highs and lows of that, his letter about it to Kermode & Mayo, and what mischief he's up to now. Quite the story this... Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThis year marks the 47th Anniversary of 'The Wold Geese' hitting the big screens. Back when film stars were proper film stars. Richard Burton, Richard Harris, Roger Moore and Hardy Kruger with an added pinch of Stewart Granger for good measure. A movie recently re-screened at Showcase cinemas up and down the UK. I rewatched it with my father which was a great thrill as he was the one that put me onto it in the first place.Let's rediscover the full and its action....don't forget to watch the YOUTUBE channel of Friday for another look back at this spectacular picture.Support the showIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

Deep in the Essex Marshes, you find solitude on a path that skirts marsh and lagoon. But you're not entirely alone – from the creeks and open water the fluting calls of waders and ducks and the deeper gutteral utterances of Brent geese create a haunting soundtrack of true wilderness. Wilderness, that is, a sole fishing boat chugs by on its lonely morning mission. BBC Countryfile Magazine's Sound Escapes are a weekly audio postcard from the countryside to help you relax and transport you somewhere beautiful, wherever you happen to be. Recorded by Fergus Collins and introduced by Hannah Tribe. Email the Plodcast team – and send your sound recordings of the countryside – to: theplodcast@countryfile.com And just a reminder, the BBC Countryfile Magazine Plodcast is a media partner for the Speakies! The British Audio Awards from The Bookseller Magazine. The awards celebrate the best in audio books and the Plodcast is the partner for the non-fiction category. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Don't be shy, send me a message!Thomas Felix Creighton interviews the CEO of Shogun Films, Jonathan Sothcott.https://www.shogunfilms.com/Jonathan Sothcott is one of the UK's most experienced and successful independent producers with a track record of success with high concept, low budget genre films. Described by GQ Magazine as "a film producer behind a whole new generation of on-screen hardmen", a 2021 Sothcott profile piece in The Telegraph noted his movies "have saved our film industry."Over the years Sothcott has worked with a galaxy of stars including Ray Winstone, Danny Trejo, Lee Majors, Mark Hamill, Jason Statham, Michael Paré, Steven Berkoff, Richard E Grant, Charlie Cox and Sir Roger Moore.Notable successes amongst his 40+ feature credits include ‘Vendetta', ‘We Still Kill The Old Way' and ‘Renegades'. He set up Shogun Films in 2020 as a genuine international counterpoint of independence and the company has won a slew of awards recognising it's trailblazing approach. He has over 20 years of experience in the British film industry, and we discuss what makes a movie ‘British'?. We also discuss some of the best films of the 1980s, and the established stars at the time. We also discuss his forthcoming movie, ‘Knightfall', currently in post-production:“Charles Knight, a paranoid former spy catcher, must work with his estranged daughter to foil an international terrorist plot, while surviving a terrifying home invasion in this explosive espionage thriller”.Before making his name in feature films, Sothcott produced documentaries and moderated DVD commentaries for numerous cult films, including The Wild Geese.Our topics include:Roger MooreRoger Moore's son, Geoffrey MooreIan Ogilvy - an English actor, playwright and novelist best known as the star of the television series Return of the Saint (1978–79), in which he assumed the role of Simon Templar from Roger Moore (1962-69)The Fourth Protocol (1987) starring Pierce Brosnan and Micheal Caine, based on the 1984 book by British novelist Frederick Forsyth The debt that modern action movies owe to traditional 007 films The Wild Geese (1978) with Roger Moore, John Glen (second unit director) and Ewan Lloyd (producer)Joan Armatrading wrote and recorded the theme songIngrid Pitt, Polish-British actress and writer, most famous for her role in ‘Where Eagles Dare' but also appeared in The Wild Geese IIThe Sea Wolves (1980), Gregory Peck, Roger Moore and David NivenEwan Lloyd – BFI: “Lloyd stood alone within the depressed British film industry of the late 1970s and early 1980s as a producer with the self-belief, charisma and bluff to mount large-scale independent action-adventure films, such as The Wild Geese (1978) and Who Dares Wins (1982)". Lewis Collins, star of the TV movie, ‘Who Dares Wins' (1982), also known as The Final Option, the star was the tabloid's favourite for ‘next James Bond' for some years due to his action star credentials   David Wickes, TV producer best known for his work on ‘The Sweeny' ‘The Professionals', and ‘CI5: The New Professionals'Jonathan recommends the TV show, ‘Roger Moore: A Matter of Class', which is available to watch on Youtube.Finally, we discuss he state of the British film industry, and the way ahead.Visit the website: https://albionneverdies.com/Support the show

Hey now, here is some tunes for your listening pleasure from my live broadcast on KMRE 88.3 FM. Included are music of The Grateful Dead, Tom Waits, Dan Hicks and his Hot Licks, Bob Dylan and more. Just click on the link/picture and enjoy. See you at The Wild Geese of The West show Oct. 25 at The Shakedown in Bellingham and Sleepy Alligators at The Elks Lodge, 710 Samish Way in Bellingham Oct. 31.

Hammer horror reaches peak gothic chills with The Plague of the Zombies (1966), a Hammer Film Productions classic that defines British horror cinema. Shot at Bray Studios from 28 July 1965 and filmed back-to-back with Hammer's The Reptile (see episode 19), it used the same eerie Cornish village set designed by Hammer's celebrated production designer Bernard Robinson. Director John Gilling – the so-called “gentleman pig farmer” behind The Shadow of the Cat and The Mummy's Shroud – stages a story of graveyards, curses and the undead that became a template for Hammer zombie horror. Writer Peter Bryan, who joined Hammer Film Productions in 1948 as a camera operator before turning to screenwriting, provided the script and left the studio shortly after completing A Challenge for Robin Hood in 1967. When The Plague of the Zombies was submitted to the BBFC it was heavily trimmed: André Morell's Sir James Forbes originally decapitated a zombie with four shovel blows in the graveyard sequence, reduced to one for the censors. Heatherden Hall at Pinewood Studios doubles as the Forbes mansion, better known to James Bond fans as SPECTRE Island from From Russia With Love. Diane Clare, cast as Sylvia, had been one of the best-paid child “film babies” of the 1940s, appearing in The Ghosts of Berkeley Square and The Silver Fleet before leading roles in Hammer horror such as The Haunting, Witchcraft and The Hand of the Night. Her entire performance in The Plague of the Zombies was dubbed by South African actress Olive Gregg without her knowledge, a practice Hammer repeated when re-voicing Ingrid Pitt in Countess Dracula. André Morell himself had turned down both The Quatermass Experiment and Quatermass II on television before finally playing Professor Bernard Quatermass in the BBC's Quatermass and the Pit. When Hammer Film Productions made the feature version the role went to Andrew Keir. Morell also played O'Brien opposite Peter Cushing's Winston Smith in Nineteen Eighty-Four, Dr Watson in Hammer's Hound of the Baskervilles, voiced Elrond in Ralph Bakshi's The Lord of the Rings and appeared in Doctor Who. Quiz fans: Morell appeared in three films nominated for the Best Picture Oscar – can you name them? John Carson, born in Ceylon (now Sri Lanka), plays Clive Hamilton. He spent time in Australia and New Zealand before settling in Britain, later featuring in Doctor Who's Snakedance, Tales of the Unexpected and Hammer House of Horror. IMDb longlists even connect him to Tobe Hooper's Lifeforce (episode 39) though he got none of the roles. With this episode we complete a Hammer horror hat-trick of his films: Captain Kronos (episode 51), Taste the Blood of Dracula (episode 60) and now The Plague of the Zombies. He later emigrated to South Africa with his second wife, Luanshya Greer – formerly Pamela Greer, who became a TV writer for Dixon of Dock Green, Thriller and Triangle. Dr Peter Tompson is played by Brook Williams, a lifelong friend of Richard Burton who appeared with him in Where Eagles Dare, The Wild Geese and The Sea Wolves. Michael Ripper appears as Sergeant Swift; Hammer's most prolific supporting actor with 33 Hammer Film Productions credits, seven films alongside Peter Cushing and nine with #BigChrisLee. Ripper also starred in all four original St Trinian's films, . For a deeper dive into Jacqueline “Servalan” Pearce, check back to our episode on The Reptile (episode 19). This discussion of The Plague of the Zombies cements its place as one of Hammer horror's boldest British horror releases of the 1960sSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Join Tara Eastman in this heartwarming episode recorded at the Wild Goose Festival 2025, as she interviews Ellen Corcella, an ordained minister with the Christian Church Disciples of Christ and author of the book Walk with Me. Ellen shares her transformative experience with Mary Oliver's poem 'Wild Geese,' which provided her with hope and clarity during a challenging time in her life. Ellen discusses how this poem, along with her journey through seminary and chaplaincy, led her to understand the importance of witnessing and being a compassionate presence for others. Listen as Ellen reads the powerful 'Wild Geese' poem and offers insights into the spiritual and theological connections she found within poetry.Send Tara a Text MessageSupport the showRev. Tara Lamont Eastman is a pastor, podcaster and host of Holy Shenanigans since September of 2020. Eastman combines her love of ministry with her love of writing, music and visual arts. She is a graduate of Wartburg Theological Seminary's Theological Education for Emerging Ministry Program and the Youth and Theology Certificate Program at Princeton Seminary. She has served in various ministry and pastoral roles over the last thirty years in the ELCA (Evangelical Lutheran Church in America) and PCUSA (Presbyterian Church of America). She is the pastor of First Presbyterian Church of Warren Pennsylvania. She has presented workshops on the topics of faith and creativity at the Wild Goose Festival. She is a trainer for Soul Shop Suicide Prevention for Church Communities.

Here is my radio show featuring the music of The Grateful Dead, Jerry Garcia and Dave Grisman, Van Morrison, Warren Zevon and a interview with Augie Ballew about The band Wild Geese of The West show at Boulevard Park in Bellingham, WA. Wednesday August 20 at 6 PM.

Michael Ryan started his career working in the TV industry for Sir Lew Grade's UK company, ITC. In 1978 he formed J&M Entertainment with a colleague, a distribution sales agent for independent films. As J&M grew, it developed its business model to also take responsibility for financing new films & providing production finance.In 1980 Ryan and J&M were founder members of the American Film Marketing Association (AFMA) – later to be renamed Independent Film & Television Alliance (IFTA) – which was formed to provide an annual film market based in Los Angeles. Michael served two terms as Chairman of IFTA (2004-2008) and another three terms from 2015-2021.In 2000, Ryan partnered with Guy Collins. Between them they have financed, sold and produced over 200 films, including The Wild Geese, The English Patient, The General, Whats Eating Gilbert Grape, The Osterman Weekend, the Highlander series, Planet 51 and more recently, at GFM Films with Fred Hedman, Toei Animations Harlock, Absolutely Anything starring Simon Pegg and Simon West-directed action thriller Stratton starring Dominic Cooper. On July 15, 2022, GFM's Paws of Fury: The Legend of Hank, an independently financed and produced animated feature is based on Mel Brooks iconic Blazing Saddles that launched as a project by GFM Films at AFM in 2014, was released across 4,500 U.S. screens by Paramount.Please enjoy my conversation with Michael Ryan.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

We are now officially on hiatus! Corinne is on maternity leave, although that's not why this episode is late, I just forgot about uploading it. Our second book for June is Wild Geese by Soula Emmanuel. If you want to read along with The Bookstore Challenge 2024, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2025. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

John 19:38-42After these things, Joseph of Arimathea, a follower of Jesus, though a secret one because of his fear of the Jews, came to Pilate and asked if he could take away the body of Jesus. Pilate gave him permission; so he came to remove his body. Nicodemus, who at first had come to Jesus by night also came, bringing with him a mixture of myrrh and aloes weighing about one hundred pounds. They took the body, wrapping it in the spices and linens, according to the Jewish burial customs. Now, there was a garden in the place where Jesus had been crucified and in the garden there was a new tomb in which no one had ever been [buried.] So, because it was the Jewish Day of Preparation, and because the tomb was nearby, they laid the body of Jesus there. “The Primeval Mythology of Genesis: Creation”I've already heard some curiosity – maybe mixed with some cynical suspicion – about the title of this new sermon series: “The Primeval Mythology of Genesis.” Curiosity and suspicion aren't terrible things and I think it's the word “mythology” that stirs the pot for some people, which was kind of our goal. Part of the point with this next round of sermons is to remind ourselves and each other that we're called to read the Bible LITERATELY, not LITERALLY, and to see that its message and good news – its grace, hope, and promise – go deeper and wider when we do.So first, things, first … which is what “primeval” means, sort of … first things; of the earliest ages; the beginning of the beginning, you might say. The first eleven chapters of the Bible's first book are where we will spend our time the next few weeks. The good stuff before the good stuff. The stage-setting. The foundation. The genesis, is where we begin.And the word “mythology” rightly ruffles feathers if we are inclined to equate the foundational narrative of our faith story with the fables, fairy tales, and fictional “myths” of, say, the Greek gods (Zeus, Poseidon, Aphrodite, and the like); or Aesop's fables; or the tall tales of the wonderful world of Walt Disney. But that's not what we're up to.“Myth” and “mythology” can mean something more, something deeper from a theological perspective, which is what we plan to wrestle with. I would contend that, when we limit stories like creation, where we are beginning this morning, to all and only what we can glean from it LITERALLY, that that's precisely how and when we reduce it to something like a mere fable, a fairy tale, a fictional “myth,” rather than when we wonder about the holy, sacred, profound Truths that this story – and the others like it in Scripture – hold for our life and faith in this world. And where better to start than at the very beginning – “it's a very good place to start” – in the beginning, with the fact that, if we're honest, the two very different versions of creation that we just heard – from Chapters 1 and 2 of the same book – make it really hard to take either of them LITERALLY?I mean, those are two very different versions of the same story, right? (Many Bibles, like the ones we read from each Sunday, say it plainly. Chapter 2 is “another story of creation.”) The story in Chapter 1 tells of the day-by-day, very long work-week of the Almighty, who creates first this, and then that, with a break and no small measure of satisfaction between each.“…and God saw that it was good…” “…and God saw that it was good…” “…and God saw that it was good…”“…and there was evening and there was morning, the first day…” “…and there was evening and there was morning, the third day…” “…and there was evening and there was morning, the fifth day…”But Chapter 2 goes down altogether differently. In that version of creation, God – like some sort of holy potter, or divine craftsman, or sacred sculptor – makes a man from the dust, then plants a garden and puts him to work, then decides he could use a companion and some help, so then creates all the rest, and a woman, to boot.In version #2, we don't know which came first or next, on which day. And none of that matters.What matters is that God, something Divine, did something divine – created the heavens, the earth, and all that is in them. What matters is that it was and is good. What matters is that we are part of that goodness – you and I – and all people – created good, by God; and created for good, for God's sake.What matters, if you ask me, is that we stop reducing the Bible to some sort of prehistoric science book – the authors of which never could have known a thing about bunker-busting missiles or atomic bombs; about Gaza or the West Bank, as we know of them today; about electric cars, school shootings, cancer, chemo-therapy, Medicaid or social media. And that's okay. These stories have something to say to all of that – and to all of us – nonetheless.Because what the creation stories tells us – among so many other things – is that we are made in the image of the divine, even though we do so much to make that hard to believe. And we are made in the image of the divine, not just because we have heads, shoulders, knees, or toes……but we are made in the image of the Divine because we are made for community, like God; with the power to create and care about and have compassion, like God; that we have the capacity to do justice, like God; make sacrifices, like God; be generous, like God; forgive, like God; and love one another, like God.Oh, and this is important: the stories of creation make it very clear that none of us IS God and that we shouldn't try to be – which Pastor Cogan will get to next week, I believe.Instead, for now, let's let the stories of creation inspire within us what, I believe they were meant to inspire and to teach and to proclaim all along: a sense of reverence and awe about what God can do; a posture of humility and gratitude for our part in the grand scheme of things; and a response from each of us – and all of us together – that is generous, careful, and full of service that acknowledges our connection to all people and to the grand scheme of things.Because today's good news includes the notion that we are created “just a little lower than the angels” – as the Psalmist puts it – and that God calls us to live differently because of that Truth. God invites us to tend to and care for what belongs to God – the earth and all that is in it. God calls us to replenish what we use up – from the earth and from each other, too; to give more than we take, save, and keep for ourselves.So, what if these primeval creation stories are nothing more – and certainly nothing less – than prehistoric best efforts at describing something that cannot be described; that is too big for words; that are meant to love us and leave us in awe and wonder for what God has done for us – and hopes to do through us – for the sake of the world where we live?What if these primeval creation stories are nothing more – and certainly nothing less – than poetic prose from a prehistoric Mary Oliver, who could marvel at creation as well as anyone, as far as I'm concerned? Her poem Wild Geese, goes like this:You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your bodylove what it loves.Tell me about despair, yours, and I will tell you mine.Meanwhile the world goes on.Meanwhile the sun and the clear pebbles of the rainare moving across the landscapes,over the prairies and the deep trees,the mountains and the rivers.Meanwhile the wild geese, high in the clean blue air,are heading home again.Whoever you are, no matter how lonely,the world offers itself to your imagination,calls to you like the wild geese, harsh and exciting –over and over announcing your placein the family of things.What if the point of the creation stories is simply, and profoundly, to announce your place – and mine – in the family of things?And what if these primeval creation stories are nothing more – and certainly nothing less – than like clever song lyrics from a pre-historic John Prine, encouraging you, with a wink and smile to…“Blow up your TV, throw away your paperGo to the country, build you a homePlant a little garden, eat a lot of peachesTry and find Jesus on your own.”What if these primeval creation stories are nothing more – and certainly nothing less – than prehistoric pieces of art – trying to capture, with words, something like Van Gogh's “Starry Night”: or Monet's “Water Lilies”: or even Ansel Adams who, like the story tellers of Genesis, certainly had a thing for trees. But, speaking of John Prine, I hope the Gospel reading wasn't too on the nose this morning. But I wanted to connect all of this to Jesus, of course. Because it is as poetic and powerful to me that our faith story begins and ends, in a garden, sometimes.There aren't enough of even the most beautiful words, songs, poems, or prose to adequately convey the power of God's love in creation – or by way of the Word made flesh, in Jesus. And I think the two different versions of creation that we find in Genesis aren't in competition. They're just evidence and acknowledgment of that fact – of how grand and glorious and full of grace this God is that we worship.So I think it's a beautiful thing that both versions of creation's origin story – and the consummation of God's resurrection in Jesus … God's defeat of death … Christ's victory over Sin for our sake … I think it's beautiful that all of that, too, takes place in a garden – where light shines in the darkness; where the goodness of God bears fruit for the sake of the world; where sin never gets the last word; where we are all made and made new in God's image; and where hope rules, in spite of the chaos, because of the grace, mercy, and love of the God we know in Jesus.Amen

TENE and friend watch the star studded 1978 action film The Wild Geese. Richard Burton and Roger Moore (James Bond) play a romanticized versions of Mad Mike and his racist mercenaries, except now they're good guys who just want to teach us how the West should forgive Africans for being corrupt. Subscribe to patreon.org/tenepod @tenepod.bsky.social  + x.com/tenepod

Today we discuss Nicole Dennis-Benn's novel Patsy, which won the 2020 Lambda Literary Award for Lesbian Fiction. Content warning: brief mentions of miscarriage, sexual and physical assaults, abusive relationships Our next book discussion will be Wild Geese by Soula Emmanuel. You can find it at your local bookstore or library and read along with us. If you want to read along with The Bookstore Challenge 2024, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2025. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

The crew is back and suited up for the away-team mission: a three parter on the men-on-a-mission movie genre's evolution after the successful GUNS OF NAVARONE, THE DIRTY DOZEN & THE WILD GEESE first erupted into theaters!   We conclude this lively discussion with more recent and obscure entries in the subgenre that have encompassed how these films are marketed, how they appeal to many audiences & which ones still end up flopping.                   MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

The crew is back and suited up for the away-team mission: a three parter on the men-on-a-mission movie genre's evolution after the successful GUNS OF NAVARONE, THE DIRTY DOZEN & THE WILD GEESE first erupted into theaters!   Discussion Key Points Include: *the importance of the casting, plot twists, locations & themes in these movies.               MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

The crew is back and suited up for the away-team mission: a three parter on the men-on-a-mission movie genre's evolution after the successful GUNS OF NAVARONE, THE DIRTY DOZEN & THE WILD GEESE first erupted into theaters!   In the first part, we discuss: *they key yet often imitated War movie formulas *and some other lesser-seen films that also play a big part in how these type of films are marketed.                 MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

Carbooting, a caravan weekend, dad fighting, more adoption talk, Milli Vanilli, The Wild Geese, and personal headlamps. Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine and on Apple Podcast Subscriptions Hosted on Acast. See acast.com/privacy for more information.

We're wrapping up the WGI 2025 Color Guard season with three incredible returning guests who just took the floor by storm in Dayton:

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With Jordan Henderson returning to the England camp, Johnny and Gav suggest other players who may be called up again soon. Plus, they discuss why Milton Keynes should be the new home of rugby and why the English are terrible at tennis.You can hear The Kickabout live on Radio X from 11am every Saturday. Get in touch on kickabout@radiox.co.uk

Welcome to The Writing Roundtable, where we explore writing topics with guest authors. In this inaugural episode, Stacey discusses poetry's significance in elementary education with poet Amy Ludwig VanDerwater, who describes poetry as "offerings of beautiful words by beautiful people that I don't know." Amy shares the benefits of poetry and strategies for educators, including daily readings, group writing activities, and showcasing student work. She also reflects on her journey as a children's poet, offering tips for those interested in publication. This discussion provides insights for teachers looking to enhance learning through poetry. ABOUT THIS WEEK'S GUEST:Amy Ludwig VanDerwater is a children's author, poet, and writing teacher celebrated for her contributions to children's literature and poetry education. She has contributed to many anthologies and authored several children's books, including Forest Has a Song, The Sound of Kindness, With My Hands: Poems About Making Things, and Read! Read! Read! Additionally, she teaches teachers about writing and is the author of Poems Are Teachers: How Studying Poetry Strengthens Writing in All Genres. Find Amy online at The Poem Farm and Sharing Our Notebooks.GO DEEPER:Highlights FoundationOne Simple Ritual, All Year Long (CCIRA) SCBWI"Something Told the Wild Geese" (Recording) by Rachel Field, sung by the Von Trapp children Thanks to our affiliate, Zencastr! Use our special link (https://zen.ai/mqsr2kHXSP2YaA1nAh2EpHl-bWR9QNvFyAQlDC3CiEk) to save 30% off your first month of any Zencastr paid plan. Send us a textPlease subscribe to our podcast and leave us ratings/reviews on your favorite listening platform.You may contact us directly if you want us to consult with your school district. Melanie Meehan: meehanmelanie@gmail.com Stacey Shubitz: stacey@staceyshubitz.com Email us at contact@twowritingteachers.org for affiliate or sponsorship opportunities.For more about teaching writing, head to the Two Writing Teachers blog.

Kim and Aydan Massey join us on this very cold morning to talk about their business The Wild Goose Exchange. The business is a buy, sell, trade store that buys clothes from other storefronts and the public. They're also community-driven and partner with a variety of local artists, makers, and small brands. With stores in Appleton and Kenosha, they're looking at expanding to Sturgeon Bay! We welcome another area museum to the show with Greg Vadney from the Rahr-West Museum in Manitowoc! The museum is celebrating their 75th anniversary and they have a bunch of great events planned to celebrate! They're kicking off their year-long celebration with an open house on February 8th. Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-9 am on WGBW in Green Bay and on WISS in Appleton/Oshkosh. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast lineup. Follow the show on Facebook and X to keep up with Maino and the Mayor! Guests: Kim Massey, Aydan Massey, Greg Vadney

Kim and Aydan Massey join us on this very cold morning to talk about their business The Wild Goose Exchange. The business is a buy, sell, trade store that buys clothes from other storefronts and the public. They're also community-driven and partner with a variety of local artists, makers, and small brands. With stores in Appleton and Kenosha, they're looking at expanding to Sturgeon Bay! We welcome another area museum to the show with Greg Vadney from the Rahr-West Museum in Manitowoc! The museum is celebrating their 75th anniversary and they have a bunch of great events planned to celebrate! They're kicking off their year-long celebration with an open house on February 8th. Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-9 am on WGBW in Green Bay and on WISS in Appleton/Oshkosh. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast lineup. Follow the show on Facebook and X to keep up with Maino and the Mayor! Guests: Kim Massey, Aydan Massey, Greg Vadney

In most nature-based cultures and spiritual traditions, January is a time for deep internal reflection, not New Year's celebrations. Winter magic is about opening our hearts to an important truth that we often avoid, the truth that everything we love, including our own bodies, will one day be lost. In today's solocast, Katie shares how to move through your fear of loss, open to winter magic and live your life with dignity. We invite you, dear listener, to join us for a year of deep inner work. Our Divine Feminine Ayurveda School kicked off this week, but there's still time to enroll! Click here to learn more and register! In this episode about winter magic, death and dignity, you'll hear: ~ Enroll in our Ayurveda School today! ~ Why Katie is thinking a lot about death ~ The energetics of winter magic ~ Buddha's invitation to his students ~ How to cultivate dignity ~ Accepting what we can and cannot control ~ Opening to fear and sadness ~ Soul lies and soul truths ~ Consequences of not following our intuition ~ The true source of self-worth and self-esteem ~ Why we often abandon ourselves ~ How to stand in your power in relationships ~ Katie's favorite poem: Wild Geese by Mary Oliver ~ Get our free mini-course about Women's Wisdom and Ayurveda for Women! Other resources mentioned in this episode: ~ Email us at info@theshaktischool.com ~ Follow us on Instagram and Facebook ~ Katie's latest book, Glow-Worthy Get the full show notes here: www.TheShaktiSchool.com/podcast/

Hi friends! Our audio quality has now been resolved! Thank you for your patience as the studio fixed the issue. This week we are discussing the complex and very nuanced journey of moving past bingeing, food noise and secret eating. I hope this episode can be of comfort to anyone out there struggling with their relationship with food. There is joy and freedom to be found in our friendship with food! Please note - I am not a dietitian and therefore cannot offer prescriptive advice . I am however, a coach and a human who struggled with BED for 10 years, so I do my best to give anecdotal tips. If you are struggling with any of these issues please speak with your doctor. Until next week, with love and strength, Cass HELPLINES: UK 0808 801 0677 0808 801 0432 0808 801 0433 0808 801 0434 US  (800) 931-2237 (03:44) My own food story (10:20) Understanding food noise and overeating (13:40) Perfectionism (18:22) Why we overeat (28:14) Quieting the noise and finding freedom (38:32) Actionable steps to move forward (45:06) The brain's role in binge eating (47:08) Rewiring the brain (49:30) Practical tips backed by science (54:01) ”Wild Geese” by Mary Oliver

Send us a textWe're back! This episode touches on what it means to be with our seasonality of soul and explores the importance of acknowledging what is happening in the present moment. With the growing climate of uncertainty and discomfort, Chloe Lionheart describes how to tend to our becoming and increase our self-compassion. Themes of burnout, radical honesty, emotional regulation, and hustle culture can be found in this episode. Please subscribe, share, and leave a review!https://www.downwithmydemons.com/To connect with Chloe Lionheart:Email: chloe@downwithmydemons.comResources:To find Lindsay Mack's "Tarot for the Wild Soul Podcast"https://www.tarotforthewildsoul.com/about-the-podcast"Wild Geese" by Mary OliverFind a therapist through:www.psychologytoday.comSupport the showSupport the show

In 1719, the 17-year-old Polish Princess Maria Clementina Sobieska was seized by the Holy Roman Emperor Charles VI. While the move shocked many in Europe, in the following months a group of Irish exiles plotted a daring rescue of Maria Clementina. This led to a dramatic 400-kilometer chase across 18th-century Europe.In this episode, I am joined by historian Richard Maher, an expert in the area, who explains why Irish exiles, known as the Wild Geese, risked their lives to rescue this Polish princess and how they hoped she might change the course of Irish history.You can follow Richard on Linkedin at https://ie.linkedin.com/in/richard-maher-a5ab8068Subscribe to my new podcast with historian Damian Shiels. Its called Transatlantic - An Irish American History Podcast. You can hear the latest episode here https://linktr.ee/transatlanticpod Become a member at https://plus.acast.com/s/irishhistory. Hosted on Acast. See acast.com/privacy for more information.

Wild geese migrate with remarkable success. They navigate thousands of miles thanks to their unique social structure and provide valuable lessons on teamwork and resilience. But how do these birds know exactly when to embark on their epic migration?

In this weeks show we play a couple of tracks from a new compilation called The Voice of Love, which is a collection of British sophisti-pop and jazz-funk from the 1980s. Generalisation delivers one of his trademark Dub's of Mystery Tiime and Daniele Baldelli & Dionigi showcase a dub of their version of Elkin & Nelson's - Jibaro, which is exclusive to the 7". Also in the show is a beautifil Brian Jackson Retouch of Alfonso Lovo's - Terremoto, plus a new single from Or Kantor, which is a tribute to Japanese jazz legend Masaru Imada.On vinyl and pulled from the archive we have music from Colourbox, Beyond The Wizards Sleeve, a rare Avalanches Mix of Belle & Sebastian, some Spanish carnival ska from Camping Gaz & Digi Random and Wild Geese provide this weeks show name with Who Cares Wins. For more info and tracklisting, visit: https://thefaceradio.com/alvorhythms,/Tune into new broadcasts of Alvorhythms, Wednesdays from 7 AM - 8 AM EST / Midday - 1 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Lyndsay Rush was never a big fan of poetry. But after discovering the world of internet poets through Instagram, she discovered that writing poetry could be attainable–and fun. Now, Rush is out with a new collection of poems, partially drawn from her popular Instagram account, @maryoliversdrunkcousin. In today's episode, Rush speaks with NPR's Mary Louise Kelly about the origins of the author's Instagram handle, Rush's reinterpretation of Mary Oliver's poem "Wild Geese," and the book's dedication to Michelle Pfeiffer.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Nicholas Janni is a pioneer in executive development, having co-founded Olivier Mythodrama Associates, where he created leadership programs based on Shakespearean stories. He continues to work globally with leaders and organizations through his consultancy, Core Presence, and his innovative 'Leader as Healer' program, which promotes integrated, conscious leadership. How can the ancient practices of spirituality and modern leadership development intersect to create transformative experiences?   In this episode of “Voice with Vervaeke,” John Vervaeke and Nicholas Janni explore this question through a conversation about leadership, spirituality, and human connection. Nicholas shares his transformative journey, from his school days to his encounters with Tibetan Buddhism and immersive theater, which led him to develop a unique approach to spiritual and embodied leadership. They discuss the importance of leaders connecting with their bodies, emotions, and the transpersonal, and the role of practices like bodywork, deep breathing, and poetry in facilitating this connection. Their conversation also explores the metaphysical realm, including prayer and spiritual guidance, and their impact on leadership. John and Nicholas discuss the cultural implications of their work and stress the importance of leaders who can promote this holistic approach to leadership and foster supportive communities for transformative experiences.  Dive deeper into the journey of personal growth and meaning by becoming part of our Patreon community, where shared wisdom fuels transformation.   —   00:00 Introduction: Convergence of Spirituality and Leadership  11:25 From Theatre to Leadership Consultancy 16:40 The Birth of 'Leader as Healer' 23:35 Reawakening Non-Propositional Thinking 43:40 The Transformative Power of Poetry 48:05 Therapy vs. Transformational Work 51:10 Integrating Awakening and Healing 01:02:55 Addressing the Modern Meaning Crisis 01:15:50 Embracing Prayer, Reverence, and Connectedness 01:24:30 Concluding Thoughts: The Imperative to Wake Up     —   The Vervaeke Foundation is committed to advancing the scientific pursuit of wisdom and creating a significant impact on the world. Become a part of our mission.   Join Awaken to Meaning to explore practices that enhance your virtues and foster deeper connections with reality and relationships.    —   Ideas, People, and Works Mentioned in this Episode   Nicholas Janni, Leader as Healer Heinrich Päs, The One: How an Ancient Idea Holds the Future of Physics Vivian Dittmar Richard Olivier Shakespeare's Globe Theatre Shakespeare, W. Henry V. Shakespeare, W. Julius Caesar. Shakespeare, W. The Tempest. Malidoma Somé  Michael Meade Patrick Connor Charles Taylor David Wyatt Mary Oliver, Wild Geese. Plato René Descartes   Relevant Episodes Exploring the Transrational: A Journey into the Realms of Consciousness with Vivian Dittmar Transpersonal States: Awakening, Enlightenment, and the Ego | Vivian Dittmar Exploring Emotions and Transrational Wisdom with Vivian Dittmar   Follow John Vervaeke: Website | X | YouTube | Patreon   Follow Nicholas Janni: Website | Email | LinkedIn    —   Thank you for listening!  

Sophia shares why she's pausing the podcast, her biggest a-ha moments from 100 episodes, and how to stay connected to Fat Joy.This episode's poem is Mary Oliver's "Wild Geese."Mentioned in this episode:Fat Joy Newsletter- subscribe for free to receive the newsletter to your inbox.Fat Joy Writing Workshop- it's currently full, but if you're interested, let Firefly know and we'll offer it again soon. Keep connected with Fat Joy:Fat Joy InstagramFat Joy website

7 a.m. It's a cool, blue morning, and we are seated alongside the Coosa River in Alabama. Our guided meditation practice begins with mindful breathing and sensory awareness. This is an opportunity for cosmic connection and deep relaxation.It is silent except for the birds' morning chorus and a whisper of wind through the river grasses.Gradually, a family of geese make themselves known, and we are instantly reminded of Mary Oliver's poem Wild Geese, which ends with the line - {...} the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting — over and over announcing your place in the family of things.Today's poetic meditation is inspired by this invitation to remember our place in the family of things, to maintain a mindful awareness of our relationship with nature, to re-weave ourselves into the animate earth around us. Join me for this 6-minute, nature-inspired meditation.Creek Native Americans were the first people to hear the sounds of the Coosa River that are played in this meditation.Thank you to Brianna Nielsen for production and editing support. Find her at:instagram.com/brianna_podcastproIf you enjoyed today's episode, please Sign up for my newsletter at https://merylarnett.substack.com/ to receive free mini meditations each week.Want to support this podcast? Consider sending this episode to a friend or leaving a review. It is free and it really helps this show to grow!merylarnett.cominstagram.com/merylarnettyoutube.com/@ourmindfulnature

#india #folktale In the first story, a boy is rescued by a magic bull who gives him sweets. What could make him forget such a friend? In the second story, a brahmin gets greedy and loses out on riches. And in the final story, the Raja loses a bet to his wife, but then he kicks her out. What is she to do? Source: Simla Village Tales, by Alice Elizabeth Dracott Narrator: Dustin Steichmann Music: Live tribal Traditional folk music of the ancient India Sound Effects: Kitchen Window by Dustin Steichmann Video by Headliner "Brahmin bull (48671330857)" by gailhampshire from Cradley, Malvern, U.K is licensed under CC BY 2.0. Podcast Shoutout: Ratchet Book Club This is a beautiful podcast hosted by a golden voiced man. Rashanii is a national treasure. Listener shoutout is to Machakos Kenya This city in was founded in 1887 and was the first capital of the colony the british established in Kenya. In 1899, the british changed their colonial capital to Nairobi. The city was named after a Kamba chief who moved there from a nearby city named Sultan Hamud. And so to my Kamba speaking listener I say Ni muvea and Koma nesa. Thank you and goodnight

Send us a Text Message.Hello and welcome BACK! We're jumping in after a month-long break to tell you two insane tales of heroism! This week, Janey is retelling Hans Christian Andersen's "The Wild Geese", and Max is going to tell us about a terrible wife who just can't seem to stop harkin' down eggs (this isn't canon but we like to use our imaginations...) In other news! We will be changing our release schedule to every other week, instead of every week. This means you'll get two regular episodes a month, plus a monthly bonus episode if you're on our Patreon at the $7 level. Thanks to everyone who already heard the news on our July bonus episode and sent us love over the Discord!Janey's Sources - The Wild Swans“The Wild Swans” FREE TEXT    Hans Christian Andersen's Complete Fairy Tales  “The Silent Struggle: Autonomy for the Maiden Who Seeks Her Brothers.” by Christy Williams for The Comparatist, vol. 30, 2006, pp. 81–100. JSTOR,  Max's Sources - The Serpent Woman“Favorite Folktales from Around the World” edited by Jane Yolen Support the Show.Check out our books (and support local bookstores!) on our Bookshop.org affiliate account!Starting your own podcast with your very cool best friend? Try hosting on Buzzsprout (and get a $20 Amazon gift card!)Want more??Visit our website!Join our Patreon!Shop the merch at TeePublic!If you liked these stories, let us know on our various socials!InstagramTiktokGoodreadsAnd email us at sortofthestory@gmail.com