Podcasts about cello suite no

This Day in Legal History: Selma to Montgomery MarchOn March 21, 1965, Martin Luther King Jr. led the beginning of the third and final Selma to Montgomery march, a pivotal moment in the American civil rights movement. The march was a direct response to the violent suppression of earlier demonstrations and the systemic disenfranchisement of Black voters in the Jim Crow South. Just weeks earlier, peaceful marchers had been brutally attacked by law enforcement on “Bloody Sunday,” as they attempted to cross Selma's Edmund Pettus Bridge. That violence was broadcast nationwide, shocking the conscience of the country and mobilizing public support for voting rights legislation.The march that began on March 21 was federally sanctioned, with U.S. District Judge Frank M. Johnson Jr. ruling that the demonstrators had a constitutional right to march. Protected by federal troops and the National Guard, the marchers traveled 54 miles over five days, arriving at the Alabama State Capitol in Montgomery on March 25. Their numbers swelled to more than 25,000 by the time they reached the steps of the Capitol, where Dr. King delivered his famous "How Long, Not Long" speech, declaring that “the arc of the moral universe is long, but it bends toward justice.”This sustained campaign of nonviolent resistance laid the moral and legal foundation for the Voting Rights Act of 1965, signed into law just five months later. The Act outlawed discriminatory practices like literacy tests and poll taxes and empowered federal oversight of voter registration in areas with histories of discrimination. The Selma marches highlighted the power of constitutional protest and judicial protection of civil rights, reinforcing the essential role of federal courts in safeguarding democratic participation.There was once a towering oak tree that stood firm in the wind and, under it, a reed that bent whenever the wind blew. A tyrant came to the land of the reed and oak, stomping his boot wherever he pleased. The oak resisted and was chopped down. The reed, seeing this, bent deeper–letting the boot press it into the mud day after day. Years passed and the reed, still alive, whispered to the boot: “See? I'm wise – I survived.”The boot replied, “You're not wise. You're soft. The oak was crushed because it defied us. But you? I step on you because I can.” Then the boot ground the reed into the dirt—without another thought. In a move that underscores the growing influence of executive power over traditionally independent legal institutions, President Trump rescinded an executive order targeting Paul Weiss after the firm pledged $40 million in pro bono services aligned with his administration's political goals. The announcement followed a private meeting with firm chairman Brad Karp and was accompanied by a sweeping commitment: no DEI policies, merit-based hiring, and representation of clients across the political spectrum—including those favored by the administration.Trump had previously sanctioned Paul Weiss by revoking its security clearance and threatening client contracts, citing the involvement of former partner Mark Pomerantz in the Manhattan DA's prosecution of Trump. That campaign against Paul Weiss, part of a broader effort targeting over 20 legal entities, seemed aimed at punishing firms perceived as adversarial while promoting loyalty through coercion.Karp's public gratitude for the order's withdrawal—and his reported acknowledgment of “wrongdoing” by Pomerantz—reads less like a principled resolution and more like a compelled confession by a simpering coward. Paul Weiss, a firm with deep Democratic ties, has now aligned itself with a president actively dismantling traditional norms around legal independence, seemingly in exchange for restored access and favor.This capitulation signals more than just a thaw in Trump's icy relationship with Big Law—it may represent a strategic blueprint: punish, pressure, and reward compliance – like with dogs. Legal experts and those with eyes to see warn that this redefinition of executive influence risks turning law firms into instruments of political will rather than defenders from it.Trump Rescinds Paul Weiss Order as Firm Pledges $40 Million (2)Frustrated by constant helicopter and seaplane noise, New York lawmakers are pushing for a first-of-its-kind "noise tax" targeting non-essential flights over the city. The proposal, led by state Sen. Kristen Gonzalez, would charge $50 per seat or $200 per flight for tourist and luxury air travel, while exempting essential services like medical transport, law enforcement, and construction. The revenue—expected to reach $10–15 million annually—would fund the state's Environmental Protection Fund, a move Gonzalez says is critical amid federal environmental funding cuts under President Trump.The bill reflects growing anger among residents across socio-economic lines who say aerial traffic disrupts daily life, especially in parks and along waterfronts. App-based services like Blade have exacerbated the issue by making chartered air travel more accessible to the wealthy, turning the skies into noisy corridors over neighborhoods and landmarks.Supporters, including advocacy group Stop the Chop NY/NJ, hope the tax discourages unnecessary flights by raising costs. However, the helicopter industry, represented by Vertical Aviation International, strongly opposes the bill. They argue that aviation regulation is solely under federal jurisdiction and warn the tax could trigger lawsuits and threaten jobs. The group says it has already taken steps to reduce noise but acknowledges that changing flight paths often just shifts the problem from one area to another.The legislation has passed the state Senate but faces challenges in the Assembly, where it stalled last year. With a budget deadline approaching on April 1, negotiations continue.New Yorkers Sick of Hovering Helicopters Prompt Bid to Tax NoiseA federal judge has ruled that the Social Security Administration (SSA) likely broke privacy laws by giving Elon Musk's anti-fraud team, known as the Department of Government Efficiency (DGE), unrestricted access to sensitive personal data on millions of Americans. Judge Ellen Lipton Hollander of Maryland blocked any further data sharing and criticized the agency for turning over vast amounts of information without proper oversight. The judge described DGE's actions as a "fishing expedition" based more on suspicion than evidence, warning against overreach in the name of rooting out fraud.The data in question comes from the SSA's “Numident” database—its so-called “crown jewels”—which holds Social Security numbers, medical records, banking data, and more, some dating back to the 1930s. SSA officials admitted DGE staff had access to a “massive amount” of records, and privacy advocates said the team was embedded in the agency without vetting or training. The ruling requires DGE to delete any data it accessed.The decision is a significant setback for DGE and comes on the heels of another ruling limiting Musk's authority to shut down USAID, since he lacks Senate confirmation. President Trump's administration has defended DGE's mission, calling it a necessary tool to cut waste, but the court noted a disturbing lack of concern for citizen privacy. SSA's acting head, Leland Dudek, expressed confusion over the order's breadth and said it might require cutting off access for all SSA staff.Meanwhile, labor unions and advocacy groups involved in the lawsuit welcomed the decision, saying it defends Americans' data from unlawful government intrusion. DGE's aggressive tactics have drawn scrutiny across other agencies as well, with courts allowing access in some departments but blocking it in more sensitive areas like the Treasury.Judge stops Musk's team from 'unbridled access' to Social Security private data | ReutersChief Judge Diane Sykes of the 7th U.S. Circuit Court of Appeals will take senior status on October 1, creating the first appellate court vacancy during President Donald Trump's second term. Sykes, appointed by President George W. Bush and once considered a potential Supreme Court nominee under Trump, has served over three decades in both the Wisconsin and federal judiciary. Her transition to semi-retirement allows Trump to nominate a new full-time judge to the influential Chicago-based court, which currently holds a narrow 6–5 Republican-appointed majority.Sykes cited a desire to spend more time with family as her reason for stepping back from active service. She becomes the second federal appellate judge to announce senior status since Trump's return to office, following Judge Sandra Ikuta of the 9th Circuit. While four appellate vacancies remain from President Biden's term, Sykes's departure offers Trump his first direct opportunity to shape the 7th Circuit bench.Sykes has authored notable decisions, including one upholding Wisconsin's voter ID law and a dissent in a landmark 2017 case where the 7th Circuit ruled that LGBTQ employees are protected under Title VII. She criticized the majority in that case for overstepping legislative boundaries—a position later rejected by the Supreme Court in Bostock v. Clayton County (2020).7th Circuit's Sykes to take senior status, creating vacancy for Trump | ReutersThis week's closing theme is by Johann Sebastian Bach.This week, we close with a piece as enduring and elemental as the legal principles we often discuss: Johann Sebastian Bach's Cello Suite No. 1 in G Major, specifically its iconic Prelude. Born on this day, March 21, 1685, Bach remains one of the foundational figures in Western music—a composer whose work balances mathematical precision with deep emotional resonance. Though he wrote for kings and churches, his music speaks to the full range of human experience, from joy to lament, duty to wonder.The Prelude to this suite is among the most recognizable solo cello pieces ever written, opening with a simple G major arpeggio that expands into a flowing, almost improvisational meditation. It's unaccompanied, yet complete—no orchestra, no embellishment, just one instrument revealing infinite depth. Written around 1717–1723 during Bach's time in Köthen, the suites were not published in his lifetime and lay in relative obscurity until cellist Pablo Casals rediscovered them in the 20th century.The piece carries a quiet authority that feels apt for reflection—whether on a ruling, a civil rights march, or a government in turmoil. It's structured, yes, but never rigid; expressive, but never indulgent. The Prelude doesn't declare or argue. It invites, it unfolds. It reminds us, like authority best wielded, that elegance lies in clarity and that restraint can be a form of power.This week, we let the steady resonance of Bach's Prelude accompany us out.Without further ado, Johann Sebastian Bach's Cello Suite No. 1 in G Major, the Prelude. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

This podcast covers New Girl Season 4, Episode 18, Walk of Shame, which originally aired on March 3, 2015 and was written by Danielle Sanchez-Witzel and directed by Christine Gernon. Here's a quick recap of the episode:Jess and Cece, emboldened by their new blowouts, are out for a good time, meanwhile, Coach and the rest of the loft is invited to watch May perform at an art show.This episode got a 8/10 rating from Kritika whose favorite character was Coach and Kelly rated this episode a 8.5/10 and her favorite character was Bearclaw!While not discussed in the podcast, we noted other references in this episode including:Hillary Clinton - Cece and Jess were remarking on their blow-outs and Schmidt shared they can give a woman too much confidence and he then referenced Hillary Clinton.Property Brothers - Bearclaw shared that twin architects would be at his party, referring to the “Property Brothers”, Jonathan and Drew Scott.Taylor Swift - Jess and Cece were remembering what their hairdresser said while they got their blow-outs, which was that he was worried about Taylor Swift living in New York alone.[Johann Sebastian] Bach / "Cello Suite No. 1" - May mentioned that she was playing Bach's "Cello Suite No. 1” for her performance.Oscar Pistorius - Jess was making the point that “If that South African runner who killed his girlfriend can run with no legs, [she and Cece could] walk in heels.”Neoromanticism / [Wolfgang] Rihm / [George] Rochberg / [Ellen Taaffe] Zwilich / Shine / [Sergei] Rachmaninoff - When we saw Coach at coffee with May and her friend, they were talking about classical music and mentioning Neoromanticism and composers like Rihm, Rochberg, Zwilich. Coach they tried to say he knew about classical music because he “played the ghost of Rachmaninoff in a loosely based high school production of Shine.”Liza Minnelli - When Jess and Cece were found at the kids birthday party, Jess tried to pass as a Liza Minnelli impersonator.Dukes of Hazzard / Isaiah Thomas - When in the bathroom at the art show, they guys mentioned that Coach embarasses them by sitting on the hood of his car when he pumps gas into it. They thought he was doing it to be like the TV show Dukes of Hazzard, but really Coach shared that he saw Isaiah Thomas do it on a poster once and he thought it looked cool.Thanks for listening and stay tuned for Episode 19! Music: "Hotshot” by scottholmesmusic.comFollow us on Twitter, Instagram or email us at whosthatgirlpod@gmail.com!Website: https://smallscreenchatter.com/

Sobre su trabajo, Félix Romeo había escrito: «Cuando leo los libros de Julián Rodríguez siento que tienen una potencia aérea: ese misterio de que el acero pueda moverse rápidamente entre las nubes». Además de escritor, codirector de la editorial Periférica; director de la galería de arte «Casa sin fin»; de la revista de arte y estética «Sub rosa» o Premio Ojo Crítico de Narrativa de RNE en 2016, entre muchas otras cosas. Hace cinco años que falleció Julián Rodríguez Marcos, siempre en nuestro recuerdo. Cello Suite No. 2 in D Minor, BWV 1008 - Transcr. for Viola: 1. Prélude                de Johann Sebastian Bach, Kim Kashkashian            J.S. Bach: Six Suites for Viola SoloRothko Chapel 5                    Morton Feldman        Rothko ChapelTristan und Isolde, WWV 90 / Act I: Prelude to Act I de Richard Wagner, Gewandhausorchester, Kurt Masur   The Unreleased MastersSonata in D Minor, K. 32                   Domenico Scarlatti, Khatia Buniatishvili       LabyrinthClouds            Adam Baldych, Vincent Courtois, Rogier Telderman           CloudsRêverie, L. 68 de Claude Debussy    Werner Haas  Classical Piano: ImpressionsMon'ami                    Tiganá Santana          Tempo & MagmaCaring            Mathias Eick   CaringFlamenco sketches Miles Davis Kind of Blue LegacyEscuchar audio

Cello Suite No. 1 In G Major, BWV 1007 I Prelude Harp Reverb Edit by Jean Motell

Cello Suite No. 1 In G Major, BWV 1007 I Prelude Sea Synth Screwed by Jean Motell

Cello Suite No. 1 In G Major, BWV 1007 I Prelude Mechanical Piano Edit by Jean Motell

Cello Suite No. 1 In G Major, BWV 1007 I Prelude Clavecin Edit by Jean Motell

Cello Suite No. 1 In G Major, BWV 1007 I Prelude Synthetizer Edit by Jean Motell

Nuestro narrador en primera persona y cuyo nombre no conocemos, cuenta la historia de cómo pierde a su hermano que cae enfermo y con ello todo lo que representa saber, escuchar, vivir, estigmatizar el SIDA. Desde Buenos Aires, Antonio Santa Ana escribió y hoy lo acompañan “Time” de Pink Floyd, “No me enseñen la lección” de Mecano, “California Dreamin'” en su versión de Amason, “It all feels right” de Washed Out, “Cello Suite No.1 en G mayor” de Bach, y “Purple Rain” de Prince. Y tú: ¿qué vas a seguir haciendo con tus ojos?

In diesem BoatCast geht es um zwei Künstler und um die Kunst das Leben auch im letzten Lebensabschnitt noch voller Freude und Neugier zu leben. Wir treffen die 82-jährige Susan Richter, ehemalige Konzertcellistin und Soloseglerin und wir haben Besuch von Karins Vater, dem 76-jährigen Künstler Georges Wenger. Die Lebensfreude, die beide versprühen, ist ansteckend. Wer sich für Georges Wengers Kunst interessiert: www.georgeswenger.ch Die Musikstücke in diesem Podcast sind:J.S. Bach, Cello Suite No 1 inPrélude (gespielt von Yo-Yo Ma)Beethoven Symphonie Nummer 7, Op. 92:2 AllegrettoGustav Mahler Symphonie No 1Support the Show.Wenn ihr mehr über Mabul und unser Seglerleben erfahren, Fotos anschauen und unseren Blog lesen wollt, besucht unsere Homepage www.sailingmabul.com. Falls euch unser BoatCast inspiriert und ihr Mabul und uns unterstützen wollt, könnt ihr über unsere Homepage eine Patron-Mitgliedschaft lösen. Support the show

You've probably heard the old adage that "tone is in the hands." But what does that really mean? And what makes tone good? We asked 14 prominent acoustic guitarists to weigh in, and got 14 unique responses. You'll want to listen with a notebook in hand, because this episode is a treasure trove of practical advice, musical examples, insights, and exercises to try.Thanks to Henriksen Amplifiers for sponsoring this episode. For demo videos and more information, visit www.HenriksenAmplifiers.com or follow on Facebook, Instagram, and YouTube.Additional resources:Learn more about our guests: Abigail Dowd, Amber Russell, Chris Pierce, Eric Skye, Jason Vieaux, Lisa Liu, Maddie Witler, Pete Madsen, Raye Zaragoza, Ron Jackson, Sarah McQuaid, Sean McGowan, Tim Bertsch, and Valerie Turner.Read "15 Acoustic Guitar Pros Share Tips on Tone" from the January 2017 issue of Acoustic Guitar magazine.Check out our popular Weekly Workout series for interesting technical workouts that will get your fretting- and picking-hand fingers working in different ways. Our intro music for this episode was the Prelude from Bach's Cello Suite No. 1, performed by Sean McGowan. This episode is hosted by Nick Grizzle, produced by Tanya Gonzalez, and directed and edited by Joey Lusterman. Executive producers are Lyzy Lusterman and Stephanie Campos Dal Broi.The Acoustic Guitar Podcast is produced by the team at Acoustic Guitar magazine, including:Publisher: Lyzy LustermanEditorial Director: Adam PerlmutterManaging Editor: Kevin OwensCreative Director: Joey LustermanDigital Content Director: Stephanie Campos Dal BroiDigital Content Manager: Nick GrizzleMarketing Services Manager: Tanya GonzalezSpecial thanks to our listeners who support the show on Patreon.Support the show

Today’s Links! Wonderful World: Explore stunning Barcelona and its culinary wonders, with Phil Rosenthal! Link HERE. Good For You: The comic films of Buster Keaton are always Good For You! Explore them HERE! Sounds Good: Enjoy a performance of Bach’s Cello Suite No. 2 in D Minor, HERE.

Today’s Links Wonderful World: Explore the culinary and cultural delights of Paris with Phil Rosenthal, HERE. Sounds Good: Kick off our Bach-Week with a stirring rendition of the Cello Suite No. 1, HERE.

On this exciting episode we celebrate Nora's birthday a day early with her sister and renowned musician, Lydia Parkington. Lydia gifts us all with TWO exclusive performances on guitar and cello. Tune in to hear epic tales of the Parkington Sisters early days, all things cello and song writing from a professional, rooster feuds, the surprising world of classical music and orchestras.  0:00 - Intro 3:30 - All About Lydia Parkington: Cellist, Guitarist, Singer Songwriter and All Around Awesome Human 4:25 - The Making Of The Parkington Sisters Band 8:40 - Craig Reminisces On Meeting The Parkingtons 9:20 - How Is Nora As An Older Sister? 13:50 - The Infamous Rooster Story 19:27 - Wellfleet, Cape Cod 22:00 - All Things Cello From A Professional 29:55 - Lydia Performs JS Bach's Cello Suite No. 1, Prélude by memory 33:15 - Performing with Orchestras & Symphonies 36:55 - The Dangers of Classical Music 39:50 - Music Theory 42:25 - Craig Receives His Flowers 46:40 - Advice On Songwriting 57:00 - Connection Between Audience & Live Music 1:01:33 - Craig's 3 Truths And A Fib 1:06:30 - Lydia Performs "Sailor Song" On Guitar  Visit our Website : www.fredtheafghan.com/stubbornlypositive Join Our Patreon Pack for Video Episodes: www.patreon.com/StubbornlyPositive Follow us on Instagram! @StubbornlyPositive

A memorable collection, a composer whose primacy spans the ages, a great performer. We find ourselves in front of Johann Sebastian Bach's (1685-1750) six Suites for solo cello, performed by Antonio Meneses. In J. S. BACH: THE CELLO SUITES he turns to this precious legacy, which he masters like few others. Around the world, he presents it to audiences. In the past, he has recorded it. Now, a new perspective on these eternally meaningful works leads him to rediscover them. Tracks1. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude – (2:30)         2. Cello Suite No. 1 in G Major, BWV 1007: II. Allemande – (4:13)           3. Cello Suite No. 1 in G Major, BWV 1007: III. Courante – (2:52)          4. Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande – (2:48)         5. Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II – (3:33)       6. Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue – (1:52)               7. Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude – (3:54)         8. Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande – (3:33)           9. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante – (2:12)           10. Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande – (4:26)           11. Cello Suite No. 2 in D Minor, BWV 1008: V. Menuets I & II – (3:21)    12. Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue – (2:42)              13. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude – (3:14)          14. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande – (3:54)           15. Cello Suite No. 3 in C Major, BWV 1009: III. Courante – (3:19)           16. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande – (3:52)           17. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II – (3:40)     18. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue – (3:19)               19. Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude – (4:02)         20. Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande – (4:05)      21. Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante – (3:45)      22. Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande – (4:01)      23. Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrées I & II – (5:04) 24. Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue – (2:49)    And others …This album is broadcast with the permission of Bárbara Leu from Azul Music.         

Pequeñas obras de arte sonoro, únicas en sí mismas, con el denominador común puesto en la emoción para provocar reflexiones profundas. 20220304 Ryuichi Sakamoto 12 Tocar case Benxamín Otero Gardar a auga, alxibe: parte 2 Cello Suite No. 2 in D Minor, BWV 1008 - Transcr. for Viola: 1. Prélude Johann Sebastian Bach, Kim Kashkashian J.S. Bach: Cello Suite No. 2 in D Minor, BWV 1008, 1. Prélude – Transcr. for Viola Where life comes from and returns Akira Kosemura SEASONS Canto Ostinato for Solo Piano: Section 95 Simeon ten Holt, Jeroen van Veen Ten Holt: Canto Ostinato XL The Boat Hania Rani The Boat Ker al Loch - Solo Piano Yann Tiersen Ker Yegu Desamor Lina Desamor Love song Melody Gardot e Ibrahim Maalouf Sunset in the Blue Spiegel im Spiegel - Version for Violin and Piano Arvo Pärt, Vladimir Spivakov,Sergej Bezrodny Arvo Pärt: Alina Escuchar audio

A soundscape experiment between Stefan @spirodon Christoff and Diana Duta. This soundscape includes samples recorded in Belgium by Diana Duta : an underwater recording in the Marais de Jette, 6 aug 2022 and a walk in Matongé, 28 oct 2022. Additionally we hear a synth drone created by Jordan Christoff for the Anarchist Mountains project. Also we hear Bach's Cello Suite No. 3 in C Major, performed live by Colin Carr, at the Isabella Stewart Gardner Museum in Boston, MA (a public domain creative commons recording). The acoustic guitar is performed by Stefan Christoff. Also we hear samples from the demonstrations organized by the Coalition anticapitaliste et écologiste contre la COP15 recorded by Stefan. CKUT 90.3 FM (Montreal) @radiockut - Radio Is Dead : Monday, July 17, 2-3pm, 2023 http://ckut.ca https://ckut.ca/playlists/RD Radio Flouka (Paris) @radioflouka : Tuesday July 25, 2023 2-3pm (CET) https://www.radioflouka.com Radio Campus Bruxelles : Lundi, 24 juillet à 15h00 https://www.radiocampus.be https://www.radiocampus.be/creation-radiophonique-24-07-2023-15h-atmospherics-stefan-christoff-et-diana-duta/ Radio Panik (Brussels): Mardi, 25 juillet à 22h00 & rediffusion : Vendredi, 4 août à 12h00 https://www.radiopanik.org https://www.radiopanik.org/emissions/l-heure-de-pointe/atmospherics Cashmere Radio (Berlin), Thursday, August 3, at 17:00 CET Wanderlust show https://cashmereradio.com

Understanding how we think can change our thinking. From confirmation biases, to uncertainty, to overconfidence, we are all blessed with the same thinking patterns that affect our decision making. Yale professor, Dr Woo-kyoung Ahn walks us through the latest cognitive research on “thinking problems”, and most importantly, how we can overcome them.   Woo-kyoung Ahn is a psychology professor and the director of the Thinking Lab at Yale University. Recently she wrote a riveting book titled “Thinking 101: How to Reason Better to Live Better.” On this episode of Behavioral Grooves, she joins Tim Houlihan and producer Mary Kaliff to make the case that there are some good reasons behind our ways of thinking. For example, confirmation bias can save us energy and help bring consistency to our lives.    Dr Ahn illustrates her book and this discussion with many relatable, personal stories that illustrate our patterns of thinking. Our favorite is that she recently updated her lecture notes for her class at Yale on the planning fallacy. She had optimistically estimated it would take her 3 days. Ironically, it took her 3 weeks!   As always, the most useful part of the conversation on Behavioral Grooves are the practical tips that we can use in our everyday life. And Woo-kyoung offers us plenty of useful ways we change our perspective and improve our lives. Join Tim and Mary for further discussion in the Grooving Session on how to apply Woo-kyoung's work.   Topics  (3:16) Welcome and speed round questions. (6:26) Who is Thinking 101 written for? (9:58) What are “thinking problems” and what exactly is confirmation bias? (12:29) What is the link between maximizing, satisficing and confirmation bias? (18:09) Should we change people's minds or change our perspective? (20:33) Why are we overconfident about what others are thinking? (23:22) Why is confirmation bias hardwired in us? (26:25) Why are highly educated women biased against other highly educated women? (28:38) What can we do about confirmation bias in job selection? (31:43) How do collective societies vs individualistic societies affect our identity? (34:18) The difference between emotional theory of mind and cognitive theory of mind. (35:42) How to combat the planning fallacy. (41:40) How uncertainty affects our decision making. (46:11) What music would Woo-kyoung take to a desert island? (47:49) Grooving Session with Tim and Mary about uncertainty and decision making.   © 2023 Behavioral Grooves   Links  Woo-kyoung Ahn: https://wkahn.com/about  Thinking 101: How to Reason Better to Live Better: https://amzn.to/3MW7dQH  Episode 300, You Can Change Someone's Mind But Are You Sure You Want To? | David McRaney: https://behavioralgrooves.com/episode/changing-minds-david-mcraney/  Episode 31, Leaving the Matrix: Annie Duke and Insights into how you can improve your thinking! https://behavioralgrooves.com/episode/leaving-the-matrix-annie-duke-and-insights-into-how-you-can-improve-your-thinking/  Episode 345, The Tools You Need To Embrace Uncertainty | Nathan and Susannah Harmon Furr: https://behavioralgrooves.com/episode/tools-to-embrace-uncertainty/  Behavioral Grooves Patreon: https://www.patreon.com/behavioralgrooves   Musical Links  YoYo Ma playing J.S. Bach's Cello Suite No.1: https://www.youtube.com/watch?v=ObSD2fXWU0I   BTS “ Yet To Come (The Most Beautiful Moment)”: https://www.youtube.com/watch?v=kXpOEzNZ8hQ&ab_channel=HYBELABELS

Thomas Sowell calls "Disparate Impact" ideology the "grand dogma" of our time.But what is disparate impact and why is it so important?On this episode we take a deep dive into disparate impact ideology and how it has changed America.Joining me to discuss this important subject is Heather Mac Donald.Heather is a fellow at the Manhattan Institute for Policy Research based in New York City. Much like  Sowell , Heather does research into domestic policy and urban affairs and tries to figure out what's working and what's not working. She then writes articles and books sharing what she has learned.Her first book was published in 2000 and was called “The burden of bad ideas : how modern intellectuals misshape our society”Three years later she wrote a book called “Are Cops Racist?”This was followed with another book about policing in 2016 called “The War on Cops: How the New Attack on Law and Order Makes Everyone Less Safe.”I first discovered Heather Mac Donald in 2018 with the publication of her book “The Diversity Delusion: How Race and Gender Pandering Corrupt the University and Undermine Our Culture.” I loved that book and I remember finishing it then immediately starting it over and reading it a second time. Her latest book which just came out this month is called “When Race Trumps Merit, How the Pursuit of Equity Sacrifices Excellence, Destroys Beauty, and Threatens Lives.”USEFUL LINKS:• More podcast-related links here: AlanWolan.com• How to calculate the "Birthday Problem": Ted-Ed Video HERE• "Birthday Problem Khan Academy explanation HERE• You can purchase Heather Mac Donald's new book HERE• Photos of the CalTech Turtle Pond HERE• Jerry MacGuire "Show Me the Money" scene HERE• Heather Mac Donald Wikipedia page HERE• Classical Music featured in this episode:"Cello Suite No 1" by Bach, "Für Elise" by Beethoven,  "Canon in D" by Pachelbel, "Humoresque" by Dvorak,  "Caprice No. 24" by Paganini, "Symphony No. 5" by Beethoven,  "Die Zauberflöte" by Mozart, "Eine Kleine Nachtmusik" by Mozart, "Theme from Schindler's List" by John Williams, "Hungarian Dance No. 5" by Brahms, "Gymnopedie No. 1" by Satie, and "Ode to Joy" by Beethoven. THERE ARE 3 WAYS TO SUPPORT THE PODCAST:1) Support the show financially by subscribing with a monthly contribution on Patreon:   www.Patreon.com/SowellGeniusThe money raised through Patreon supports our efforts to popularize the books and ideas of Thomas Sowell.----------------------------------------------2) Rate and review the podcast on Apple Podcasts. This helps a lot by nudging the show to the top of Google searches. I really appreciate the many positive reviews, especially this one by Jonsby: "This is one of the few podcasts that I actually slow down so I can savor it!"----------------------------------------------3) Purchase our Thomas Sowell Post It Note pads:  You can find all 100 digital images of the post it notes HERE, feel free to download them and use them however you like.To purchase pads o

Sergey Malov, who plays all six cello suites on his violoncello da spalla (shoulder cello), gives us the inspiration to look at the suites in a new way. They "transcend" the instrument itself, as by the last one, it's clear that you are meant to be using an instrument with a higher fifth string. The allemande of the sixth suite also transcends its simple dance roots and flows out of its bounds.   Thanks to listener H.G. for the suggestion of the Allemande moment.  https://www.youtube.com/watch?v=wbH3JYfRjOQ&t=265s

Este es quizás el podcast que Mestizo Sounds con más ahínco ha puesto su objetivo. Empezó siendo un tributo al gran músico japonés Ryuichi Sakamoto y acabo convirtiéndose en un proyecto con el afán de trascender categorías musicales. Una selección de música que espero sirva de medicina espiritual al oyente. It is perhaps the podcast that the broadcaster Mestizo Sounds has set its target with more grandiloquence. It began as a tribute to the great Japanese musician Ryuichi Sakamoto, then evolved and finished as a project with the desire to transcend musical categories. A selection of music that I hope will serve as spiritual medicine to the listener. Info For NDFM Website - info – pics – Content - Music Videos – NDFM's Music Player Please go to - https://linktr.ee/NDFM Please enjoy the music I love. Playlist: 1- RAIN - RYUICHI SAKAMOTO, JAQUES MORELENBAUM AND DAVID NADIEN 2- DESIRE - KAMASI WASHINGTON 3- RAMA RAMA - ALICE COLTRANE 4- UPPER EGYPT AND LOWER EGYPT - PHAROAH SANDERS 5- AL BOUDALI - MAHMOUD GUINIA 6- CELLO SUITE NO. 1 IN G MAJOR PRELUDE (COMPOSITION BY JOHANN SEBASTIAN BACH) - YO-YO MA 7- DAWN - WORK MONEY DEATH 8- PROPHECY A FULFILL - AUGUSTUS PABLO (AT KING TUBBY'S) 9- MUSTT MUSTT - NUSRAT FATEH ALI KHAN 10 - PERFECT DAY - LOU REED, featuring ANTONY 11- SCARBOROUGH FAIR - VOCAL SPECTRUM THE GAS HOUSE GANG 12- AT LAST I'M FREE - ROBERT WYATT

Good News: A community has rallied to save an important remnant of forest in London, Link HERE. The Good Word: A quote from the brilliant poet, George Herbert. Good To Know: A fascinating historical fact about tulips… Good News: A college in Wales is offering a new degree for students who hope to help the […]

After Edda "cures" Amos's hiccups, he takes the stage, first without his cello (hilarious!) and then with it. His performance, which is of course watched via satellite by all of his family and friends, inspires so much passion, that Juliette fucks Elliott on the couch right next to Nan. It also inspires Isabel to have sex with her boyfriend and Seth to make up with Mark, who appears here as a doll or small child. Amos finishes his performance and everyone there loses their minds, throwing their programs in the air and then roses at Amos and Edda. Naturally, the judges unanimously award the grand prize to Amos, who honestly looks like he doesn't give a shit and would rather be anywhere else but there. The victory is short-lived because of the sex tape that everyone saw. You know, because that caused an unfair advantage. Amos asks for another juried performance and then fucks Edda at the press conference. And that's where we leave Brussels, because this just goes on and on and we've truly had enough. (Part 3 of 3) The Chickweed strips we discuss this episode: Two Belgian perverts listen to Amos & Edda have sex, Amos & Edda finish having sex, Amos forgets his cello, then Amos forgets he's at a competition are here (https://twitter.com/9chickweedRAGE/status/1627658453236981760?s=20). Amos & Edda begin their performance, the audience falls in love, Juliette & Elliott have sex next to Gran, and Isabel accosts her boyfriend are here (https://twitter.com/9chickweedRAGE/status/1627658456625991681?s=20). Seth reunites with Mark, the audience throws their programs, the audience throws roses, and Amos gives Edda a rose are here (https://twitter.com/9chickweedRAGE/status/1627658459931119619?s=20). Brooke Mac-El-Dee makes an ellipsis joke, Edda floats up to heaven, Amos and Edda get a phone call, and Edda finally has to tell Amos about the sex tape are here (https://twitter.com/9chickweedRAGE/status/1627658463382994944?s=20). Amos doesn't care about the sex tape and Amos & Edda have sex at a press conference are here (https://twitter.com/9chickweedRAGE/status/1627658466302230528?s=20). This award-winning, then award-losing episode includes: Drug commercials Resting heart rates The Actor's Nightmare Broadway Stupid computers Lurking outside doors Claude the Cat Showgirls Yo-Yo Ma performs Bach's Cello Suite No. 1 in G Major (https://www.youtube.com/watch?v=1prweT95Mo0). "Great Balls of Fire" (https://www.youtube.com/watch?v=F569_t2jCio) by Jerry Lee Lewis Poltergeist The clown scene is here (https://www.youtube.com/watch?v=BZOnLUt7OI4) and starts at 2:22. The vulva Sex in front of your mom Turtlenecks! Console TVs, much like this one (https://www.ebay.com/itm/174787590138?chn=ps&norover=1&mkevt=1&mkrid=711-117182-37290-0&mkcid=2&mkscid=101&itemid=174787590138&targetid=1262749491542&device=c&mktype=&googleloc=9031194&poi=&campaignid=14859008593&mkgroupid=130497710760&rlsatarget=pla-1262749491542&abcId=9300678&merchantid=6296724&gclid=Cj0KCQiAi8KfBhCuARIsADp-A55qOrLDnpRrQ2lb9akFKcqkCiQVzgDHs-4dkQ0WG44bXsm_nWKByFUaAtXSEALw_wcB). Raggedy Andy Doll Bats! Caligula Roses Melissa Manchester sings (https://www.youtube.com/watch?v=XGmYnKsuSh0) "Please Don't Let This Feeling End." Ellipses! E.T. More turtlenecks! Sweet Greens Souplantation Talk to Us! Having trouble understanding what's going on in a 9 Chickweed Lane strip you just read? Send it our way! We'll take a shot at interpreting it for you! Or maybe you just want someone to talk to? We're on Twitter: @9ChickweedRAGE (https://twitter.com/9chickweedRAGE)

He's a guitarist, a composer, a producer, an audio engineer and a teacher. Gaurav Chintamani joins Amit Varma in episode 316 of The Seen and the Unseen to share his reflections on music and life. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Gaurav Chintamani at Instagram, Twitter, LinkedIn, SACAC and his own website. 2. Advaita on YouTube Music, YouTube, Spotify, Instagram and Twitter. 3. Raman Negi on YouTube Music, YouTube, Spotify, Instagram and Twitter. 4. The Dirt Machine on YouTube Music, YouTube and Spotify. 5. Grounded in Space -- Advaita. 6. The Silent Sea -- Advaita. 7. Shaksiyat -- Raman Negi. 8.  Mehroom -- Raman Negi. 9. Lullaby for the Anxious Bones -- Raman Negi. 10. It's About Time -- The Dirt Machine. 11. Kleptocrat -- The Dirt Machine + Amartya Ghosh (The song that started with dripping water). 12. Carol of the Bells -- Ishaan Chintamani. 13. Gaurav Chintamani on the School of Bass Podcast. 14. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 15. Hard work vs. Long work -- Seth Godin. 16. Warren Mendonsa Plays the Universal Pentatonic — Episode 273 of The Seen and the Unseen. 17. The Beatles on YouTube Music, Spotify and Wikipedia. 18. Bob Dylan on YouTube Music, Spotify and Wikipedia. 19. Choo Lo -- The Local Train. 20. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 21. Four Thousand Weeks -- Oliver Burkeman. 22. Redemption Song -- Bob Marley. 23. The Beach (book) -- Alex Garland. 24. The Beach (film) -- Danny Boyle. 25. John Cage on YouTube Music, Spotify and Wikipedia. 26. A Scientist in the Kitchen — Episode 204 of The Seen and the Unseen (w Krish Ashok). 27. Over the Hills and Far Away -- Led Zeppelin. 28. Amit Varma's favourite lofi playlists on YouTube and Spotify. 29. Music for Airports -- Brian Eno. 30. The Formula Behind Every Perfect Pop Song — Seeker. 31. The Double ‘Thank-You' Moment — John Stossel. 32. Deezer -- The French streaming service that Gaurav mentions. This is how they pay their artists. 33. Entry and Exit in Agriculture -- Episode 1 of The Seen and the Unseen (w Pavan Srinath and Karthik Shashidhar). 34. Altitude -- Advaita on The Dewarists. 35. A Hard Day's Night -- The Beatles. 36. Thriller -- Michael Jackson. 37. Guns N' Roses, Pantera and The Doors. 38. The Sky is Crying -- Stevie Ray Vaughan. 39. Jai Arjun Singh Lost It at the Movies — Episode 230 of The Seen and the Unseen. 40. Lou Majaw on YouTube Music and Spotify. 41. Acquired Senses (a demo version) -- HFT. 42. Natasha Badhwar Lives the Examined Life — Episode 301 of The Seen and the Unseen. 43. Suyash Rai Embraces India's Complexity -- Episode 307 of The Seen and the Unseen. 44. Jeff Beck on YouTube Music, Spotify and Wikipedia. 45. Jimi Hendrix on YouTube Music, Spotify and Wikipedia. 46. Imposter Syndrome. 47. Aakar Patel on Twitter. 48. A Meditation on Form — Amit Varma. 49. Wanting — Luke Burgis. 50. René Girard on Amazon and Wikipedia. 51. Lifespan: Why We Age – and Why We Don't Have To — David Sinclair. 52. Waking Up - A New Operating System for Your Mind -- Sam Harris. 53. The Adda at the End of the Universe — Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). 54. Dirty Mind -- Jeff Beck. 55. The Haas Effect. 56. The Advaita jam in the Kolkata hotel room. 57. Here, There and Everywhere -- Geoff Emerick. 58. Paul McCartney listens to John Lennon's Beautiful Boy. 59. Watching the Wheels -- John Lennon. 60. Chris Cornell's covers of Watching the Wheels, Redemption Song, Long As I Can See The Light, Nothing Compares 2 U, I Will Always Love You and Thunder Road. 61. Penny Lane -- The Beatles. 62. Strawberry Fields Forever -- The Beatles. 63. The Bends -- Radiohead. 64. The White Album -- The Beatles. 65. Sticky Fingers, Exile on Main Street and Goat's Head Soup -- The Rolling Stones. 66. Time out of Mind -- Bob Dylan. 67. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 68. A Day in the Life -- The Beatles. 69. Stevie Wonder on YouTube Music, Spotify and Wikipedia. 70. Friends, Crime, & The Cosmos -- Abhishek Upmanyu. 71. This Be The Verse — Philip Larkin. 72. Somebody That I Used To Know -- Mike Dawes. 73. Happy -- Pharrell Williams. 74. Blow by Blow -- Jeff Beck. 75. Cause We've Ended as Lovers -- Jeff Beck. 76. Miles Davis on YouTube Music, Spotify and Wikipedia. 77. Bitches Brew -- MIles Davis. 78. Pat Metheny on YouTube Music, Spotify and Wikipedia. 79. John Scofield on YouTube Music, Spotify and Wikipedia. 80. I Can See Your House from Here -- Pat Metheny and John Scofield. 81. SD Burman on YouTube Music, Spotify and Wikipedia. 82. John Williams on YouTube Music, Spotify and Wikipedia. 83. The Study of Orchestration -- Samuel Adler. 84. Maurice Ravel on YouTube Music, Spotify and Wikipedia. 85. Claude Debussy on YouTube Music, Spotify and Wikipedia. 86. Johann Sebastian Bach on YouTube Music, Spotify and Wikipedia. 87. Cello Suite No. 1 in G Major -- Johann Sebastian Bach, played by Yo Yo Ma. 88. Thomas Dybdahl on YouTube Music, Spotify and Wikipedia. 89. The Old Man and the Sea -- Ernest Hemingway. 90. The Great Gatsby -- F Scott Fitzgerald. 91. Crime and Punishment — Fyodor Dostoevsky. 92. Atomic Habits — James Clear. 93. Stanley Kubrick on IMDb and Wikipedia. 94. Martin Scorsese on IMDb and Wikipedia. 95. Goodfellas -- Martin Scorsese. 96. Raging Bull -- Martin Scorsese. 97. Bernard Herrmann. 98. Psycho -- Alfred Hitchcock. 99. The Sopranos, Breaking Bad and Better Call Saul. 100. Seven Samurai -- Akira Kurosawa.. 101. The Girl From Kashmir — Episode 295 of The Seen and the Unseen (w Farah Bashir). 102. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 103. Akira Kurosawa and Yasujirō Ozu. 104. Mulholland Drive and Twin Peaks -- David Lynch. 105. Taxi Driver, New York Stories, Casino, Kundun and Silence -- Martin Scorsese. 106. A Whiter Shade of Pale -- Procul Harum. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Pieces of Me' by Simahina.

Simeón I el Grande reino las tierras de Bulgaria a finales del siglo IX y principios del X; a lo largo de su reinado continuó la obra iniciada por su padre, ampliando sus pretensiones expanionistas a través de constantes enfrentamientos con serbios, croatas y bizantinos. A lo largo de sus conflictos contra el Imperio Bizantino sus ansias de poder fueron creciendo hasta llegar a reclamar la Corona Imperial. Así, Simeón I de Bulgaria se convirtió, mucho antes de la llegada de Iván IV el terrible en Rusia, en el primero de todos los zares. Twitter: https://twitter.com/ElScriptorium Bibliografía: - Crampton, R.J. (2005). A Concise History of Bulgaria. Cambridge: Cambridg University Press - Nikolov, A. (2012). “Making a new basilus: the case of Symeon of Bulgaria (893-927) reconsidered”. En Rome, Constantinople and Newly converted Europe. Archeological and Histocial Evidence, vol. 1, pp. 101-108. - Van Antwerp Fine, J. (1999). The early medieval Balkans. A Critical Survey from the Sixth to the Late Twelfth Century. Michigan: The University of Michigan Press. - Loud, G. (1978). “A re-examination of the “Coronation” of Symeon of Bulgaria in 913”. The Journal of Theological Studies, v. 29, n. 1, pp. 109-112 - Browning, R. (1975). Byzantium and Bulgaria. A comparative study across the early medieval frontier. London: Temple Smith. Música: - “Danza Inglesa Siglo XIII” – Artefactum - “Bulgaria” – Brandon Fiechter - “Dances of Galánta” – Zoltán Kodály - “Knightbraker” – Audiomachine - “Ballade in C# Minor: Coronation” – Nicholas Britell - “Path to Freedom” – Audiomachine - “Protectors of the Earth” – Thomas Bergersen - “Marche Slave” – Piotr Tchaikovski - “Heart of Courage” – Thmoas Bergersen - “The Untold” – Greg Dombrowski - “Goëtia” – Peter Gundry - “Isolation” – Peter Gundry - “The Shadows Bride” – Peter Gundry - “Cello Suite No 1, bwv 1007” – Bach - “Saltarello I Siglo XIV” – Artefactum Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Welcome to the new year with the CoffeeHouse! We're Bach and better than ever with one of our favorite composers. Be sure to like and share with a friend! Music: https://imslp.org/wiki/Cello_Suite_No.1_in_G_major%2C_BWV_1007_(Bach%2C_Johann_Sebastian) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

上期我们细数了一整期巴赫与时代的格格不入，这一期就来系统聊聊我理解的巴赫的伟大之处。本期出现的所有曲子都是我个人最爱的巴赫曲目（的一部分，没办法真的太多了），希望你们听的开心。包含曲目：0:26- Cello Suite No. 6 in D Major, BWV. 1012 - I. Prelude7:26- Ricercar a 3，Bach: The Musical Offering BWV 107916:24- Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich"26:20- Art of Fugue, BWV. 1080 - Contrapunctus II30:24- Variations Goldberg, BWV. 988 - Aria34:05- Jesus nahm zu sich die Zwölfe, BWV. 22 - V. Ertödt' uns durch dein' Güte

Amit Peled — Solus Et Una (CTM Classics) Jump to giveaway form New Classical Tracks - Amit Peled by “The instrument I'm using for this recording helped me to feel more intune with myself because it's a cello that I received during the pandemic. It's a Grancino that was made in 1695,” Israeli-born cellist Amit Peled said. “Just before the pandemic, I had to return Pablo Casals' cello, which I used before. The moment I touched this cello, I felt it. I'm basking in an imaginary hot chocolate bath. I'm not kidding.” Peled calls his new cello, ‘Shoko.' In Hebrew it means, hot chocolate. It brings out a special sense of warmth and comfort in the music on his latest recording, Solus Et Una. “Solus Et Una means alone and together, which basically describes my time during the pandemic,” continued Peled. “I was artistically alone at first and throughout the middle. Towards the end of it I found ways to make music together with others. “We found in the bubble situation we were basically isolating ourselves as a group in the mountains of Montana. This was a place where we could be mask less with no vaccination and do nothing but just walk and make music the way we used to. The nature and the ability to make music together again was a transformative revelation for all of us. Of course, this was inspired by the NBA bubble. My love for basketball showed me the light.” How did this arrangement of Johannes Brahms' Symphony No. 3, II. Andante happen? “I did what I usually do when I want to get inspiration. I stop thinking and I went for a walk. This Brahms symphony came to my mind while I was walking, which I love. I am also a conductor, and he is my favorite composer. I started hearing it in my mind. When I got back from the walk, I put it on Spotify. When I got to this movement, I could totally hear the cello sound. “I have a conductor friend who arranges music, and he has a friend, who is on the album, that also does arrangements. He lives in Serbia. I contacted him and he sent me back the arrangement. He said it was easy. It's fit for eight cellos and piano. When we got to Montana, we rehearsed it every single day making changes to make it sound as close as possible to the symphony.” Can you talk about Bach's Cello Suite No.4? “I had so much time to just play that suite. I said to myself, ‘Ok, stop judging yourself, just play.' I played it every day until I fell in love with it. I played it as a song of love. “I remember reading an interview with Yo-Yo Ma, where he said on his 60th birthday, ‘All I want now is to play and feel again like when I was a child and played the cello without any judgment.' I never understood what he meant until the pandemic. You play, think and practice to your standard. But in a way, you must let go and do it. When we were kids, we play as if we were outside with friends. That's how I want to play the cello now.” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Amit Peled — Solus Et Una (Amazon) Amit Peled (official site)

This lecture was given on January 28, 2022 at the Center for Thomistic Studies, at the University of St. Thomas in Houston, Texas. About the Speaker: Dr. Therese Cory is Associate Professor of Thomistic Studies at the University of Notre Dame in South Bend, ID. About the Center for Thomistic Studies: The Center for Thomistic Studies, located at the University of St. Thomas in Houston, TX, is the only graduate program in the United States uniquely dedicated to the thought of St. Thomas Aquinas. Find out more about the Center at our website: stthom.edu/CTS. For news and updates about future events, like our Facebook page: facebook.com/thomisticstudies Producer: Jake Whalen
Announcer: Jake Whalen Intro and outro music: Clare Jensen, "Cello Suite No. 1: Prelude" by J.S. Bach.

This lecture was given on February 25, 2022, at the Center for Thomistic Studies, at the University of St. Thomas in Houston, Texas. About the Speaker: Dr. Thomas Osborne is Full Professor of Philosophy at the University of St. Thomas in Houston, TX. About the Center for Thomistic Studies: The Center for Thomistic Studies, located at the University of St. Thomas in Houston, TX, is the only graduate program in the United States uniquely dedicated to the thought of St. Thomas Aquinas. Find out more about the Center at our website: stthom.edu/CTS. For news and updates about future events, like our Facebook page: facebook.com/thomisticstudies Producer: Jake Whalen
Announcer: Jake Whalen Intro and outro music: Clare Jensen, "Cello Suite No. 1: Prelude" by J.S. Bach.

This lecture was given on November 12th, 2021 at the Center for Thomistic Studies, at the University of St. Thomas in Houston, Texas. About the Speaker: Fr. Grzegorz Holub is associate professor of philosophy at the Pontifical University of John Paul II in Krakow. He speaks here on the Philosophical Anthropology & Ethics in the Thought of Karol Wojtyla. About the Center for Thomistic Studies: The Center for Thomistic Studies, located at the University of St. Thomas in Houston, TX, is the only graduate program in the United States uniquely dedicated to the thought of St. Thomas Aquinas. Find out more about the Center at our website: stthom.edu/CTS. For news and updates about future events, like our Facebook page: facebook.com/thomisticstudies Producer: Jake Whalen
 Announcer: Jake Whalen Intro and outro music: Clare Jensen, "Cello Suite No. 1: Prelude" by J.S. Bach.

This lecture was given on December 3rd, 2021 at the Center for Thomistic Studies, at the University of St. Thomas in Houston, Texas. About the Speaker | Fr. Robert Gahl is an Associate Professor of Ethics at the Pontifical University of the Holy Cross (Santa Croce). He is also the Vice Director of the Markets, Culture, and Ethics (MCE) Research Centre, founding Vice Chair of the Program of Church Management, and a Research Affiliate at Harvard's Human Flourishing Program. He completed his bachelor's degree in chemical engineering at Washington University in St. Louis. After completing his Licentiate in philosophy at the University of Navarre (Pamplona, Spain, 1989) and his doctorate in Rome at the Pontifical University of the Holy Cross (1991), he did postdoctoral research at the University of Notre Dame (1993). He was ordained to the diaconate by Blessed Alvaro del Portillo and to the priesthood by St. John Paul II (1992). He speaks here on whether or not Thomists ought to use the word, “gender.” About the Center for Thomistic Studies | The Center for Thomistic Studies, located at the University of St. Thomas in Houston, TX, is the only graduate program in the United States uniquely dedicated to the thought of St. Thomas Aquinas. Find out more about the Center at our website: stthom.edu/CTS. For news and updates about future events, like our Facebook page: facebook.com/thomisticstudies Producer: Jake Whalen 
Announcer: Jake Whalen Intro and outro music: Clare Jensen, "Cello Suite No. 1: Prelude" by J.S. Bach. Speaker bio adapted from the leadership page of the Global Institute of Church Management website, www.gicm.org/leadership

*Please note that many products linked are Amazon affiliate links. Your cost is the same, but a small portion of your purchase will come back to us to help offset the costs of the show. Thanks for your support!* One of the easiest subjects to add to our homeschool is music appreciation! Hear (see what we did there?) why and how and tips! Mindy asks Rachel some ways she incorporates music appreciation into her homeschooling for this episode and listens intentionally (again, see what we did there?). We have two ?? Homeschooling Moments of the Week, easy ways to Make It Personal, and ? to end the episode out. Enjoy this in your ears (one more time)! 1:24 Homeschooling Moments of the Week: Rachel (yay, being off & requesting math!) 2:15 HSMOT: Mindy (DJ Paulie in the car) 3:58 S2E4 Easy Art Appreciation 4:04 Topic Talk: Easy Music Appreciation 4:20 Rachel's musical background 5:33 Mindy's musical background 6:53 Benefits of including this 11:47 Tips for adding this to your homeschool 16:22 Yo-Yo Ma 16:23 Yo-Yo Ma playing Bach's Cello Suite No.1 16:28 The Piano Guys playing Bach's Cello Suite No.1 17:31 Some women classical composers Institute for Composer Diversity! 18:50 Two Cellos 19:02 Two Cellos “Sweet Child of Mine” (Mindy is now smitten with this!!) 19:03 Two Cellos “Thunderstruck” 19:21 Pandora Station The Piano Guys 20:05 Vivaldi 24:14 S1E13 Homeschooling During the Holidays 25:56 Make It Personal: Near Bookends (play music) 26:18 Bluetooth speakers we love for our homeschool- Rachel's fave Mindy's fave 27:10 Make It Personal: Far Bookends (modern composer… Alex Lacamoire, Mindy and Chloe's BFF- see photo on site. Yes, we are super proud!) 27:50 Hamilton 28:16 Take This With You: Mindy (Handel's Water Music for our brains) 30:43 Take This With You: Rachel (As You Wish: Inconceivable Tales from the Making of the Princess Bride) Bookend Homeschoolers on IG Mindy at gratefulforgrace on IG Rachel at colemountainhomeschool on IG Our Zazzle store!

Touching the lives of others through music is a gift that continues to give. Listen to this great episode with the Grammy Award-Winner Zuill Bailey, Artistic Director of El Paso Pro Musica, and Felipa Solis, Executive Director of El Paso Pro Music. We discussed their season dedicated to thanking people for their support. We also chatted about how they have collaborated with others to bring El Paso Pro Musica to being the beacon of classical music that it is today. Finally, we listen to Zuill's Bach performance of Cello Suite No. 1 in G Major. Peak up your ears and listen! https://elpasopromusica.org/

In this short bonus episode, we continue our discussion with Alec but go into greater technical detail. At the beginning Christian narrates the topics for discussion to come. To hear Alec play through the minuets uninterrupted, go to the main Episode 22 at 57:25. To get more context for this bonus episode, we recommend you first listen to Episode 22 in its entirety.  Alec Santamaria is a violist, violinist, and teacher based in Los Angeles. He is the viola teacher at Renaissance Arts Academy and Wildwood Music Camp, and holds the Richard Rintoul Viola Chair at the American Youth Symphony, where he has played for eight seasons. He received his bachelor's degree in music performance, with a minor in philosophy, from UCLA. You can watch his full recital of the Bach cello suites 1-4 on YouTube: https://www.youtube.com/watch?v=2UL0P3-lRm4&list=PL2UoptuvHCJGD0MvF7cQUHTVP15oOYELH&index=1

Our second guest Alec Santamaria brings his viola to show us how violists can play the Bach cello suites! We delve into tuning for baroque music, perfect pitch, the viola and aspects of its technique when playing Bach, and Alec's narration of his “moments” from the most famous part of any of the suites -- the G major prelude (and other topics too!). Alec Santamaria is a violist, violinist, and teacher based in Los Angeles. He is the viola teacher at Renaissance Arts Academy and Wildwood Music Camp, and holds the Richard Rintoul Viola Chair at the American Youth Symphony, where he has played for eight seasons. He received his bachelor's degree in music performance, with a minor in philosophy, from UCLA. You can watch his full recital of the Bach cello suites 1-4 on YouTube: https://www.youtube.com/watch?v=2UL0P3-lRm4&list=PL2UoptuvHCJGD0MvF7cQUHTVP15oOYELH&index=1    For a bit more of the interview, check out our bonus episode released shortly after this one. 

Bob Mortimer – one half of legendary comedy duo Reeves and Mortimer, and star of ‘Would I Lie to You?' and ‘Gone Fishing' – joins Charlie to chat about music, song lyrics, his favourite ever film, going to the opera, recovering from heart surgery, working with Paul Whitehouse, the similarities between fly-fishing and classical music – and plenty more besides. This episode features an extract from the Prelude of Bach's Cello Suite No.2, played by David Kenedy, used with permission from Signum recordings and available here: https://signumrecords.com/product/j-s-bach-six-solo-cello-suites/SIGCD091/ The extract of Verdi's Otello was performed by the London Symphony Orchestra and Chorus, conducted by Colin Davis, available on the London Symphony Orchestra's own label, LSO Live: https://lsolive.lso.co.uk/products/verdi-otello. The Halle Orchestra and Mark Elder were playing Vaughan Williams' A Sea Symphony, available to buy at halle.co.uk. Finally we heard a clip from ‘Vide Cor Meum' from Hannibal by Patrick Cassidy and Hans Zimmer, performed by the Lyndhurst Orchestra under Gavin Greenaway, and the soloists were Danielle de Niese and Bruno Lazzaretti.

Artistic Directors Cathal Breslin and Sabrina Hu introduce this mini-series of conversations with friends, old and new. Guests include soprano Measha Brueggergosman, composer Frank Lyons, cellist Jeffrey Zeigler, poet Lynne Procope, and dancers Carley Conder and House Magana. Music: Li-Wei Qin performs the Prelude from JS Bach's Cello Suite No.1 in G major for Walled City Music.

Just a repeat of Zuil's awesome performance of Bach Cello Suite No. 1 in G Major Have a Super Sunday!!

Touching the lives of others through music is a gift that continues to give. Listen to this great episode with the Grammy Award-Winner Zuill Bailey, Artistic Director of El Paso Pro Musica, and Felipa Solis, Executive Director of El Paso Pro Music. We discussed their season dedicated to thanking people for their support. We also chatted about how they have collaborated with others to bring El Paso Pro Musica to being the beacon of classical music that it is today. Finally, we listen to Zuill's Bach performance of Cello Suite No. 1 in G Major. Peak up your ears and listen! https://elpasopromusica.org/

Good Morning, This is Louise. Episode 93 - crazed fruitfeaturing the sound works of Madoherty, Ben Boncan, Monterey2000, nlm, Marky Star, Nic Stage, Kyle, Ex Hadley, Ed Bles, and Touch Touch Publishingwith music by Tōru Takemitsu, SQÜRL, Tank and the Bangas, Schizopolitans, Touch Touch Publishing, Elizeth Cardoso, Loke Rahbek, bod [包家巷], Bellemou & Benfissa, Laurie Anderson, Imperio Argentina, Sugar Minott, Cigarettes After Sex, Mina, Cocteau Twins, Cliff Martinez, Mala, and Yasuaki Shimizuprogrammed and produced by @small_ernstNamo Guan Shi Yin Pusa Thank you for listening

Que sait-on sur la marine du XVIIIème siècle, au moment où elle passe de royale à républicaine ? Passion Modernistes RSS jQuery(document).ready(function($) { 'use strict'; $('#podcast-subscribe-button-498 .podcast-subscribe-button.modal-60b4074ae8e91').on("click", function() { $("#secondline-psb-subs-modal.modal-60b4074ae8e91.modal.secondline-modal-498").modal({ fadeDuration: 250, closeText: '', }); return false; }); }); Olivier Aranda au micro de Passion Modernistes Dans ce nouvel épisode de Passion Modernistes nous allons faire un voyage dans le temps et parler de la fin de l’époque moderne, et plus précisément du contexte de la révolution française, mais nous allons nous éloigner de Paris et mettre cap à l’ouest, sur Brest et l’Atlantique. Depuis octobre 2018, Olivier Aranda prépare une thèse d’histoire moderne sur « La marine de la République à Brest et dans l’Atlantique 1792-1803« , sous la direction de Pierre Serna, à l’université Paris 1 Panthéon Sorbonne, en partenariat avec l’Institut d’histoire moderne et contemporaine de Paris. A la fin du XVIIIème siècle, la société est « maritimisée », marquée par la mer et les échanges commerciaux, notamment avec le café. En France, la Révolution vient marquer la fin du siècle, et à partir de 1789 a lieu des bouleversements politiques et géopolitiques qui vont impacter la sphère maritime. Dans sa thèse, Olivier Aranda veut montrer que cette sphère navale continue d’être fondamentale après la Révolution et la fondation de la République en 1792, que les échanges et affrontements se poursuivent, par exemple dans l’espace antillais sur les plans stratégiques et économiques. Il souhaite étudier la stratégie navale de la France à cette époque, en réévaluant certaines sources, et pour contrer une grande part de l’historiographie qui a donné une mauvaise image de cette marine républicaine. L’organisation de la marine au XVIIIème siècle Banner – National Maritime Museum La flotte se divise en deux groupes : les navires de ligne (avec au moins 700 corps d’équipage), le cœur de la flotte qui combattent lors des batailles, et tous les bâtiments de plus petites tailles, qui ont plutôt des rôles de messagers, pour le commerce… Et à l’intérieur de ces navires, on trouve des officiers (un corps qui se renouvelle énormément à la période révolutionnaire) , les officiers mariniers (les spécialistes), et l’équipage avec les matelots. Sans oublier à terre le personnel administratif dans les ports et à Paris. C’est l’époque de l’âge d’or de la marine en bois, le modèle des vaisseaux de 74 canons est standardisé, la France construit tous ces navires sur ce modèle. L’évolution se fera du côté des armes, dans le contexte du conflit avec l’Angleterre, avec notamment les débuts de l’utilisation des obus explosifs (mais seulement mis au point en 1821). On voit que la marine n’est pas du tout délaissée par les autorités révolutionnaires, mais qu’au contraire on voit des efforts dans le but d’acquérir une maîtrise de la mer par la France. Plan de la ville de Brest : Par Mr P. L. Bermont Ingénieur La marine à Brest Durant tout le XVIIIème siècle la marine est très importante à Brest. Et à l’époque révolutionnaire, Brest est un îlot républicain dans un zone plutôt hostile à la République, avec par exemple les Chouans. La ville a pu résister grâce à son organisation géographique spécifique, avec un arsenal e son coeur et une  muraille de Vauban qui la protège. Et en mer, la ville n’est accessible que par un goulet défendu par des batteries d’armes. Pour en savoir plus sur le sujet de l’épisode, on vous conseille de lire et consulter : Acerra Martine et Meyer Jean, Marines et Révolution, Paris, Éditions Ouest-France, 1988. Aranda Olivier, « Pour visiter Pitt en bateau : les canons de la République », Annales historiques de la Révolution française, vol. 393, n° 3, 2018, p. 35-55. Aranda Olivier, « Les comités de marine de la Législative et de la Convention, au cœur des rapports entre pouvoir exécutif et législatif », La Révolution française, 17 | 2020. Le site Trois Ponts Dans cet épisode vous avez pu entendre les extraits des œuvres suivantes : Cello Suite No. 1 in G Major, BWV 1007: I. Prélude Master and Commander (2003) Master and Commander Soundtrack – Fantasia The Wellerman – TikTok Sea Shanty mashup 2021 Si cet épisode vous a intéressé vous pouvez aussi écouter : Épisode 17 – Sabrina et les voyages d’Antoine Galland Hors-série 1 – La Méditerranée au XVIIème siècle

《遗落边境》给每一个遗落在世界边境孤独者的配乐。“孤独的灵魂们遗落在未知的边境，也许会是我们共感的归宿。” 《遗落边境》是独立电子音乐人马海平四年以来首张全长专辑，在这四年的时间里从没有停下脚步，他一如既往的活跃在电子音乐相关的各类场景里。四年的观察，积累和创作，形成了这张独一无二的《遗落边境》。 “遗落”和“边境”这两个关键词，这张唱片表达着现代和未来人“孤独感”，而这种孤独感始终是赛博朋克核心概念-“高科技·低生活”最显性的表现，如同《银翼杀手》到《黑客帝国》描绘的世界，由计算机数据建立的社会系统会把人类的的灵魂流放到某种陌生的“边境”，人们在“边境”里迷失，人们也在 “边境”反思自我存在的意义。与其说这是一张电音唱片，也许说它是一个类似于小山田圭吾和菅野洋子式的配乐唱片更为合适，《遗落边境》是给每一个遗落在世界边境孤独者的配乐。 如果说四年前的《折叠痕迹》是马海平是一个对外的观察者。用techno和house音乐表达他对现代城市和未来主义的理解，那么这张《遗落边境》则更关注于人情感本身的诉求。可以说《遗落边境》要比《折叠痕迹》表达更多的信息量，制作也更为细腻。 口碑颇佳的《折叠痕迹》之后，马海平被贴上“上海techno之子”的标签，但熟悉他音乐的人知道，这位老牌音乐人的风格远不限于techno,更重要的是对于一个成熟的音乐人来说，形成自己的音乐风格是最重要的，应该说马海平始终是那种“听一耳朵就知道是他”的音乐人。这张唱片制作过程中，马海平故意摆脱音乐标签的限制，无论是实验电子，舞曲或流行音乐都不再重要，哪怕故意弱化的Techno，也依然能听出他的个人风格。《遗落边境》整个专辑被设定成一个科幻叙事性的“概念唱片”，开场曲《遗落奇迹》从当下出发，对人类文明的保存方式提出担忧。2020年人类文明正在受到病毒，种族歧视，局部战争，新冷战，经济全球化崩塌的挑战，而我们建立起来几百年的科技文明正在受到挑战，作者想通过这首曲子，以一个虚拟失落文明的观察者视角来提醒我们拥有的“成就”是脆弱和不堪一击的。马海平用break beat的电音节奏，加上重新解构东欧圣歌的人声采样，编织成一个虚拟的“遗落奇迹“景观。《我是真实》创作于自于2019年马海平在东京演出后，深夜漫步涉谷街头的，如同上海，北京，柏林，纽约一样，这样的大都市永不停息的运作，百万个灵魂迷失在地铁里，酒醉的伤心人倒在街头。然而所有的喧嚣却让人们感到真实，这就是遗落在城市中的灵魂所能感受到的共情。IDM碎拍的曲风，勾勒出雨后霓虹浪漫却忧伤的未来都市。《消失的国王》马海平和孙凌生（TIMERS乐队）合作完成，这是一首关于时间旅行的作品，在无数的平行世界中，无数个令人疯狂的真相，无从选择，无法回头，而那个你曾经坚守的信仰，一个曾经住在你心中的国王则早已不知去向。马海平用模拟合成器交错着电子重拍呈现出Depeche Mode式的电子摇滚气质。孙凌生作为中国独立音乐的重要奠基人之一，用嗓音和文字勾勒出空灵的时空旅行之门。担任作品母带制作的是TIMERS乐队的另外一位成员，资深音乐幕后人夏侯哲Zack.X。萨克演奏是马海平乐队搭档麦贰拾M20。 《迷失国》已经成为大家最熟悉马海平作品之一，这首曲子是club舞池里的有效利器，人群被迷幻的电子音效和techno的重拍控制着身体的律动，解构重组的人声采样幻化出赛博空间的仪式感。曲子中缥缈的歌声并不能证明我们的感受是真实的，反而让人怀疑身处的是虚构的世界。 《Bloody Dream》，《The World will Stop Tonight!》两首曲子与《我是真实》一样，与唱作人雷雨心合作，《Bloody Dream》大胆尝试trip hop曲风，表达了每个人生命中都有一些事情，是不允许逃避的。哪怕看似发挥作用的逃避，最终还是索取代价。这种残酷青春式的表达让人动容。《The World will Stop Tonight!》则是一首house舞曲，虚构了一个在别人眼里非常耀眼成功的人物，虽然他富有且有名，谈吐风趣，在人群中闪闪发光，却无法掩饰他内心的虚弱与无助。他曾经拼命的想去得到自己想要的情感，名誉和金钱，却让自己迷失在其中。世界就此定格，他决定在今夜奢侈的消耗自己所有剩下的生命。《迷失富国岛》是与播客节目“大内密谈”合作的一首house，创作于越南Epizode音乐节之后，以律动的电子节奏渲染出一场五彩斑斓的热带海滩盛宴。带来这个曾经的殖民地特有的东西方交融的万种风情。 与朱婧汐Akini Jing合作的《最后的地球人The Last of human》创作灵感来自科幻大师阿瑟·克拉克的小说《最后的地球人》（童年的终结）。在马海平的电子舞曲的节拍上，朱婧汐用文字和旋律描述了人类在上升到更高等文明的情感，这种情感伴随着对未知文明的仰望和对过去文明的留恋，并首次用Akini Jing这个赛博格的身份来演绎。曲子采样了巴赫经典的《Cello Suite No. 1 in G Major, BWV 1007:I. Prélude》，并对其进行变调和剪辑的处理。呼应 “用电子琴弹奏巴赫，等待着孤独”这句歌词。这也让人联想到阿西莫夫在小说《基地》里提到未来听电子音乐的人类，在古典音乐中寻找失落的古代文明。除了黑胶版本收录的9首曲子以外，《遗落边境》的bonus CD里收录了来自Galaxy Knight, Le Fou, DJ Doggy,魏濛等多位优秀电子音乐人remix版本的曲子。回望2016-2020这四年，中国独立电子音乐进入了一个更多元的年代，《遗落边境》的意义在于，马海平完全不纠结国际化和本土化的问题，这是一张完全个人风格化的作品，如《折叠痕迹》一样，《遗落边境》也是一张马海平的概念唱片，音乐本身的感人是最重要的，而绝非陷入某种风格的捆绑，中国电子音乐也许需要更多的音乐人踏实的内观和自省，真实的表达自己。希望能听到这张唱片的人们都能在“遗落边境”碰撞出灵魂的共感。

Listen to how Augustana University's Provost, Dr. Colin Irvine, is working to navigate Augustana and its faculty through the early stages of COVID-19. Music performed by cellist Annabelle Lecy '20 - J.S. Bach's Cello Suite No.3: Prelude

Kirsty Young's castaway this week is Baroness Haleh Afshar. An expert in Middle Eastern Affairs, she's a professor of politics and women's studies and Islamic law as well as being a cross-bench peer. She grew up in Iran and France living a life of huge privilege but, inspired by reading Jane Eyre, she decided she needed to learn to stand on her own two feet. She came to Britain as a boarding school pupil when she was 14 and has made her home here.She has been an outspoken critic of the Iranian regime and, coming from a long line of independent-minded women, that's little surprise. Her mother campaigned for women to have the vote while her grandmother refused to wear the veil. Though in her grandmother's case, that was because she thought she was too pretty to be covered up.[Taken from the original programme material for this archive edition of Desert Island Discs]Record: Prelude to Bach's Cello Suite No.1 Book: Collected poems by Hafiz Alternate to Bible: Koran Luxury: A rose bush.

Kirsty Young's castaway this week the cartoonist, writer and illustrator Posy Simmonds. Her social observation and sharp wit gained a loyal following in The Guardian where - among their stripped pine, lentils and patchwork - she depicted the lives of prototype woolly liberals Wendy and George Weber. Since then she's gone on to create highly acclaimed children's books and also graphic novels Gemma Bovary and Tamara Drew. Posy says she started drawing as soon as she could pick up a pencil and as a child was making magazines and little comics with titles like How to Turn Yourself Into an Up-to-Date Ted and How to Make Love and Be Loved in Four Easy Lessons. She remembers drawing as the perfect thing to do, because she could sit on her own and talk to herself.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: The opening of the prelude from Cello Suite No 1 in G Major by Johann Sebastian Bach Book: Four volumes of the London Telephone Directory Luxury: The Crown Jewels.