Podcasts about sheebeg

This ramble, begun in Queensland, Australia and completed in Leitrim, Ireland. begins to explore the ways in which the environment in which the stories were told may change elements creating the tale. And, no, I didn't walk all the way! Loughnashade trumpet This ramble was a long time in the making, begun in late January in Brisbane and picked up again at the start of April. It is a big topic and I am very aware that I have hardly scratched the surface. I would be interested in your views. How much does climate and the local landscape influence stories from where you live? Just before the pandemic, I was working on a project in Longford called 'A Story to Share'. One focus was that of folk stories coming from all the diverse heritages shared by the class, particularly eastern European, in this case. Parents, and a few grandarents, had joined the class and we were happily exploring Baba Yaga stories. They all knew one or two but one mother said 'Those are of Russian origin'. 'How do you know that', I asked her? 'Too many gloomy birch forests' she replied. Links for this episode Listen to 'Tales of Sheebeg' The story of the excavations on Sheebeg About the Glasshouse Mountains The Gilla Decair

Eleanor Shanley is from Keshcarrigan which is a small village next to Lough Scur which lies at the foot of the Sheebeg and Sheemore hills. Eleanor shares recollections of the post Christmas traditions from her youth.

Ric Hollander - My arrangement of two Turlough O'Carolan tunes - Sheebeg and Sheemore, Planxty Irwin. Recorded using the Romero strung with steel strings. Tuning: eCGCD, capo 5th fret. Arrangement and performance copyright 2014 Ric Hollander - All Rights Reserved

Ric Hollander - My arrangement of two Turlough O'Carolan tunes - Sheebeg and Sheemore, Planxty Irwin. Recorded using the Romero strung with steel strings. Tuning: eCGCD, capo 5th fret. Arrangement and performance copyright 2014 Ric Hollander - All Rights Reserved

Ric Hollander - My arrangement of two Turlough O'Carolan tunes - Sheebeg and Sheemore, Planxty Irwin. Recorded using the Romero strung with steel strings. Tuning: eCGCD, capo 5th fret. Arrangement and performance copyright 2014 Ric Hollander - All Rights Reserved

Ric Hollander - My arrangement of two Turlough O'Carolan tunes - Sheebeg and Sheemore, Planxty Irwin. Recorded using the Romero strung with steel strings. Tuning: eCGCD, capo 5th fret. Arrangement and performance copyright 2014 Ric Hollander - All Rights Reserved

Ric Hollander - My arrangement of two Turlough O'Carolan tunes - Sheebeg and Sheemore, Planxty Irwin. Recorded using the Romero strung with steel strings. Tuning: eCGCD, capo 5th fret. Arrangement and performance copyright 2014 Ric Hollander - All Rights Reserved

When I originally learned this I used clawhammer tuned to double D. Then I learned it in open G 3-finger picking style. Now I'm trying it again with clawhammer after more than 30 years. It's coming back to me and I still think it's amongst the prettiest tunes ever written. The story goes that Sheebeg, Sheemore was the blind harpist's first composition in 1691. It's meaning is "Little Mountain, Big Mountain" and was named for a location where a battle between fairy peoples allegedly took place.

When I originally learned this I used clawhammer tuned to double D. Then I learned it in open G 3-finger picking style. Now I'm trying it again with clawhammer after more than 30 years. It's coming back to me and I still think it's amongst the prettiest tunes ever written. The story goes that Sheebeg, Sheemore was the blind harpist's first composition in 1691. It's meaning is "Little Mountain, Big Mountain" and was named for a location where a battle between fairy peoples allegedly took place.

When I originally learned this I used clawhammer tuned to double D. Then I learned it in open G 3-finger picking style. Now I'm trying it again with clawhammer after more than 30 years. It's coming back to me and I still think it's amongst the prettiest tunes ever written. The story goes that Sheebeg, Sheemore was the blind harpist's first composition in 1691. It's meaning is "Little Mountain, Big Mountain" and was named for a location where a battle between fairy peoples allegedly took place.

When I originally learned this I used clawhammer tuned to double D. Then I learned it in open G 3-finger picking style. Now I'm trying it again with clawhammer after more than 30 years. It's coming back to me and I still think it's amongst the prettiest tunes ever written. The story goes that Sheebeg, Sheemore was the blind harpist's first composition in 1691. It's meaning is "Little Mountain, Big Mountain" and was named for a location where a battle between fairy peoples allegedly took place.

 An Acallam na nÉces Special In the West of Ireland, every hill is a hollow hill, and every well is a source.  But the hill we live on has many legends. Join the Story Archaeologists on an aerial survey of the story-scape of Sídh Beag, the Small Fairy Hill. Don't forget to subscribe to get the latest podcasts! By The Story Archaeologists. Music: "Sheemore and Sheebeg" by Turlough O'Carolan, performed by Rehouven Libine.