Podcasts about gold tone

Bex Scott welcomes guest Lulu from Lulu J Vintage, a vintage costume jewelry collector and seller, to the show to teach her all about the joys of vintage costume jewelry. Lulu started collecting when she was sixteen years old and worked at the Carol Tanenbaum Vintage Jewelry Collection through high school and university. She learned from amazing mentors about the history of jewelry and developed her own collection before starting to sell on Instagram last year. Bex finds out what jewelry Lulu loves best, her philosophy on collecting, and tips for testing authenticity. Lulu describes herself as a “very passionate collector” and her love of vintage costume jewelry shines through in her conversation with Bex. She describes some of her favorite vintage pieces and why she prefers certain styles over others. Though she says she's not a fashion historian, Lulu teaches Bex quite a lot about the history of costume jewelry and styles through the years. Bex learns about the current brooch resurgence, French designer Léa Stein, how to locate the lost mate of her solo Sherman earring, and how to test for true Bakelite. Lulu stresses that collecting should be about what someone loves, and what they're passionate about, not simply focused on what will sell or what's valuable. Join Bex and Lulu for a deep dive into vintage costume jewelry.Resources discussed in this episode:“Vintage Jewellery: Collecting and Wearing Designer Classics” by Caroline CoxKenneth J Lane vintageAvon rose broochCaroline Tanenbaum Vintage CollectionLéa Stein“Sherman Jewelry History” on VintageJewelryGirl.com“6 Ways to Identify Bakelite” by Pamela Wiggins on TheSpruceCrafts.comJoyce's ClosetBEX VintageMr. Mansfield Vintage—Contact Lulu | Lulu J VintageInstagram: @lulujvintageContact Rebecca Scott | Pyrex With Bex: Website: PyrexWithBex.comInstagram: @pyrexwithbex—TranscriptBex Scott: [00:00:02] Hey everybody, it's Bex Scott and welcome to the Pyrex with Bex podcast where you guessed it, I talk about vintage Pyrex, but also all things vintage housewares. I'll take you on my latest thrifting adventures, talk about reselling, chat with other enthusiasts about their collections, and learn about a bunch of really awesome items from the past. Subscribe now on Apple, Spotify, or wherever you love listening to podcasts so you don't miss a beat. Hey everybody, this is Bex Scott and you are listening to the Pyrex with Bex podcast. And today I am very excited to introduce to you Lulu of Lulu J vintage on Instagram. Welcome, Lulu. Lulu: [00:00:43] Thanks so much for having me Bex. Bex Scott: [00:00:44] Thanks for being here. So I found you through Instagram and I instantly fell in love with all of your education on vintage costume jewelry and your amazing reels. And every time you post, I want to buy all of the jewelry that you show. So I wanted to make sure I could get you on the podcast to educate my listeners on all of the amazing jewelry. I love jewelry, I have a massive collection of just random things from over the years. I don't wear a lot of it, but I have this thing where I need to buy it and just keep it in a jewelry box and then look at it. So I'm excited to learn from you today as well. Lulu: [00:01:27] I think that's how all collecting starts. You start with coins or jewelry or just things that you love, and it starts to turn in, even your beautiful books behind you and your collection. Bex Scott: [00:01:40] Yeah, it's funny how you don't realize that you're starting a collection. And then you look at everything around you, and you have about 40 more collections than you thought you did. So can you tell us a little bit about yourself and how you got into the world of vintage costume jewelry? Lulu: [00:01:59] Absolutely. And so I am a very passionate collector of vintage costume jewelry. I've been collecting since I was 16 years old. I worked at the Carol Tannenbaum Vintage Jewelry Collection throughout high school and university, and that was the place I just fell in love with it. I was immersed in jewelry. I learned so much from amazing mentors and learned a lot about the history, and slowly just started to build my collection over time. I began selling just on Instagram last year as really a creative outlet from my full-time job and a way to get back into this industry and to meet like-minded people. Bex Scott: [00:02:46] That's awesome. What is it about vintage costume jewelry that fascinates you the most? Lulu: [00:02:51] That's a great question. I mean, I think I've always been a jewelry girl. I loved playing dress up as a kid. Go through my nana's jewelry box? Yeah, just, I've always loved fashion. There was a period through, I guess, my teens where I thought I wanted to be a fashion designer or a jewelry designer, and working at Carol's Collection, it was really that place that started my interest in costume jewelry and becoming really fascinated with it. And it was just, it's more accessible than collecting, I'd say clothing because you can keep it in a jewelry box. You don't need to have a big closet. And yeah, that's where it started. Bex Scott: [00:03:31] And you can have multiple jewelry boxes and still hide them away. You can't have multiple closets as easily. Lulu: [00:03:39] No. It's true. We live in a small apartment, and my personal collection jewelry box keeps growing because it's one of those ones that stacks on top of each other. And then the pieces to sell, I have an Ikea unit and we keep it in our little more like a storage room den. And I think my fiance is very happy that it's just jewelry and not racks of clothes. Bex Scott: [00:04:09] I love that. I can relate to you mentioning going through your grandma's jewelry, because that's what I used to do with my granny when I was little. We'd go to her house and the first thing I do is run up to her bedroom and start undoing all of her clothes and her jewelry and going through her drawers. So, I don't do that anymore, because that would be strange. But that kind of started me with my tiny jewelry collection. Most of what I have is from her, passed down, and she always says she has a few more pieces that she needs to give me as well. So it's nice. Mhm. And have you come across any interesting or surprising stories behind some of the pieces that you have? Lulu: [00:04:55] Yeah, absolutely. I think in my personal collection, a lot of the pieces I have are of sentimental value or just pieces that I absolutely love. And I just would not want to sell. But I actually recently found a piece that I just sold that looked very 50s in the style, and the woman I bought it from thought it was from the 50s. And then when I went to do a bit more research about it, it turned out to be a 90s German bracelet, and it was marked Germany on the spring clasp. And that you only find that marking if it's pre-war or post, like the fall of the Berlin Wall. So it's really interesting that this piece looked very 50s, and it actually turned out to be newer from my vintage perspective, but kind of just shows that all like fashion is very cyclical. Even with vintage jewelry, you can, designers will look into the past. And yeah, I thought that was really cool. Bex Scott: [00:05:51] That is really cool. When you're researching the jewelry, do you often find things that are really surprising or is like from your experience, do you kind of understand most of what you've found now before you do the research? Lulu: [00:06:04] That's a great question. I think I have a good base knowledge of that history, having worked at Carol's Collection for a very long time. But you're always learning as you find new pieces or like, as I just said, I thought that piece was 50s. It turned out to be a 90s piece. I'm not a fashion historian. I went to school for graphic design not fashion design in the end. So I'm no expert, but you have to always keep learning and it's nice to like, get books. And when I find a piece that I don't know, I like so many Facebook groups that you can join to learn more or help identify pieces. So yeah, always, always you constantly learn as you go. Bex Scott: [00:06:47] Nice. I went to school for graphic design as well, so that's very cool to meet another graphic designer, and I think that partially put me into collecting as well, because it's so creative and like all the colors and the research, it's kind of goes hand in hand with that creative side of your brain. Lulu: [00:07:06] Absolutely. And I even say, like making content for social media, even though it's more screen time than my day job, it's still very creative. It's like a different type of creative muscle that you're flexing and with collecting too, it's yeah, just as you said, like finding different colors or pieces that are really unique. Yeah I love it as a creative outlet. Bex Scott: [00:07:30] Mhm. So what role do you think vintage costume jewelry has played in fashion history. Lulu: [00:07:37] Yeah great question. As I said I'm not a fashion historian. So I'm going to speak more generally on this. But I do think it's played a role especially for couture designers as a way to reach different audiences. I think like Chanel had clothing, but they also had jewelry, and so that became a little bit more accessible. There's a designer, Kenneth Jay Lane, who had a couture costume collection of jewelry. But then it was like, I want to make sure that my audience is more broad and actually sold on Avon. So it's like it made it more, I think, accessible in that sense. Bex Scott: [00:08:22] Neat. I think I've heard that name before. I wouldn't know any of the pieces, but... Lulu: [00:08:28] So his pieces are in the 60s, and some of his couture pieces are these, like beautiful, like chandelier earrings, really colorful with, like, it's called, like diamante, fake diamonds all around it. And then if you ever see says KJL or Kenneth Lane, those are... Bex Scott: [00:08:47] Okay. Lulu: [00:08:47] And then his, his stuff for like, Avon is very different than that. But it's neat need to see the range of work how it, and over different time as well. Bex Scott: [00:08:59] Mhm. Mm. You brought up Avon and I'm kind of curious how do you feel about Avon Jewelry and some of the vintage. I find so much of it. Lulu: [00:09:10] That's a great question. And I actually just bought a lot of jewelry from a collector who, like, only shopped on the shopping channel, and it was all Avon and like KJL, Joan Rivers, like really fun 80s 90s like Gold Tone. And I like it. I think it really, I only buy what I like. So it to me, it doesn't matter if it's a piece really old like from, you know, like 20s or 30s to a 90s piece from Avon. Like, if you like the style and it speaks to you, I say you should buy it. Bex Scott: [00:09:47] Exactly. I keep finding that Avon Rose. You probably know which one it is. It's the gold stem with the little red top. The brooch. Every time I buy jewelry in, like, a big lot, there's about four of them in there. So I think I have a mini collection of just the Avon Rose. Do you see a resurgence in the popularity of vintage costume jewelry, and how can people kind of incorporate it into their modern wardrobes? Lulu: [00:10:15] I definitely think there is a resurgence, especially like the past year and a half of like, the year of the brooch and everyone wearing brooches. And I mean, you see that even with fine jewelry like that trend. But costume is a way that's more accessible. So you're not spending thousands of dollars on a brooch. You can spend it at a more accessible price point. And it's nice to see, like my clients range in age. So I do think it's popular just with different people and it's coming back. Bex Scott: [00:10:45] Mhm. I love it, I like that the younger generation is starting to wear more jewelry and finding fun ways to wear brooches, whether it's their grandmothers or passed down from family, or if they're just collecting it themselves. I think it's really, really fun and refreshing. Totally. Are there certain designers or brands that shaped the industry and are especially collectible today? Lulu: [00:11:11] I think that really depends on where you're from and what type of jewelry you like to collect. I collect primarily North American and few European designers, but as I said, like really, if I see something I love, it can be from anywhere, it just has to speak to me. There's many costume designers and I actually would recommend this book, it's called Vintage Jewelry Collecting and Wearing Vintage Classics by Caroline Cox. It's a nice overview of fashion history, but specifically from a jewelry perspective. And it showcases different designers throughout different decades. It's been a great resource. There's a lot of other great books out there too, but I just like that it shows that different designers. Bex Scott: [00:11:59] I think that sounds great. Lulu: [00:12:00] For myself, I really love her name is Léa, Léa Stein, and she was a French designer who made buttons, brooches and bangles all out of compressed layers of plastic. So it's really unique. Bex Scott: [00:12:16] That sounds cool. Lulu: [00:12:17] And like they created a lot of unique designs and patterns. And they're really fun brooches. They're just like, I have one umbrella. I have like a little girl. Some flowers are so fun. And I love, like, plastic jewelry. So it's definitely like she's one of the like the renowned plastic artists. And from a Canadian perspective, Sherman Jewelry is definitely the most collectible. He really used amazing like high quality rhinestones, particularly those aurora borealis stones, and it's really sought after. There's a huge community out there of Sherman collectors. Bex Scott: [00:12:56] I think that's one of the Facebook groups that I'm a part of, and it's always fascinating to see how many different Sherman pieces there were and how some were signed and some weren't. So it's hard to tell if you have one or you don't, and... Lulu: [00:13:11] Totally. And it's neat to see too, that like, there's so many different variations of his jewelry, but then there are some styles that I keep seeing, like, I actually just bought a brooch, it's one of the pinwheel brooches. And I feel like now every time I'm on that Facebook group, that style always pops up. And it's like nice to see. I love when I find other collectors who have similar pieces to you because it's so rare because there's the quantity of the jewelry is a lot smaller back then. So, it's really unique. Bex Scott: [00:13:48] That's fun. I have a couple, I have two sets of Sherman earrings, and then I have a bundle that I bought at an auction, and it came with only one lone Sherman earring. And it's the prettiest earring I've ever seen. And it's just gonna sit there alone forever. Lulu: [00:14:06] You could take it to a jeweler and, like, put it on a necklace or something. You want to do-- Bex Scott: [00:14:11] -- That's a good idea-- Lulu: [00:14:12] -- something with it? Bex Scott: [00:14:13] Yeah. I was thinking they should have kind of like a dating app, but for lost jewelry, where you swipe to find the missing pair of your earring. Lulu: [00:14:24] I will find it for you. I actually think I follow one Instagram that's like to find people's pairs. Like she just has single earrings. She might be based in the US, but I'll follow up with them for you. Bex Scott: [00:14:37] That's amazing. I love that. Yeah. So what would you say are some of the key differences between costume jewelry from different decades. You know, there's so much of it. But even 1920s versus 1960s or now, what would you say are some of the key differences? Lulu: [00:14:55] Yeah, that's a great question. I think the big differences are the materials that are used and as well as like how it mirrored fashion trends at the time. So as I said, I love 60s plastic. And there's so much plastic jewelry that's very like mod and colorful and like really reflective of that style. And so it really just depends on the decade and that example that I said like something that looked 50s but actually was 90s. You just need to do a bit more research on. Bex Scott: [00:15:31] Yeah. What would you say about quality. Do you think it's gotten better? Has it gotten worse? Is it kind of the same? Lulu: [00:15:39] Yeah, that's a great question. I don't collect as much contemporary costume and I've just been a vintage collector for so long. But I will say it's amazing the quality of vintage jewelry, that there are pieces that can last hundreds of years. Yeah, I have a necklace that was one of the first pieces of costume jewelry that I ever got. And this is like beautiful, Czech glass necklace. It's cherry red. I wear it all the time. It's so fun. And it's like 100 years old now. It's from the 20s and yeah, it's still in amazing shape. So the fact that it really stands the test of time is quite amazing. No obviously on everything, but a lot of pieces and especially those designer pieces, if you are following and collecting specific people. Bex Scott: [00:16:33] It's kind of fun to think we collect vintage jewelry now, what is it going to be like 100 years from now? Will the jewelry that we're making now still be around, or will it be all broken and degraded? Lulu: [00:16:47] Totally. I mean, there's so much I've seen online, even from a fashion perspective of, like going to thrift stores and a lot of it being fast fashion clothing. And it's not the quality that it was in the past. And so really high quality vintage pieces are harder to come by. Bex Scott: [00:17:09] Have to hold on to them when you find them. Lulu: [00:17:11] Definitely. Bex Scott: [00:17:13] Are there specific gemstones or materials commonly used in vintage jewelry that we don't see as often today? Lulu: [00:17:20] Yes. So this is a great question. And I immediately thought of Bakelite. I don't... Bex Scott: [00:17:26] Yeah. Lulu: [00:17:27] It's one of my favorite things to collect, as I've said many times, I'm a huge plastic collector. So Bakelite, 60s plastic, all of it I just love. And you really don't see Bakelite anymore because it's a type of plastic that had formaldehyde in it. And that wasn't, pretty much stopped using that after the 40s. And so it's very rare, hard to come by and really collectible. Bex Scott: [00:17:55] I think I have a Bakelite bracelet and, let me know if this is true, but somebody said that you can warm it up and it has a smell, and that's how you know, if it's Bakelite. Lulu: [00:18:05] So you have to like, you warm it up either, and like, I usually just like use my thumb on the Bakelite and just rub it a little and then it will smell like formaldehyde and, you know, it's Bakelite. So it's also like the, I don't know how to describe it other than the, like, softness of the plastic. It's a lot softer than other types of plastic. So it has a different feel as well. Bex Scott: [00:18:34] I'm going to go and smell all my bracelets now. So what advice do you have for someone who wants to start collecting vintage costume jewelry? Lulu: [00:18:49] Yeah. I think they should just collect what they love. Everyone should do their research and learn about the history if they want to collect specific designers. But I think by collecting what you love, you just, you're more passionate about it and you enjoy the pieces more. And it's not about, it's not always about a resale value. It's about how you enjoy the pieces as well. Bex Scott: [00:19:14] I like that, that's, I feel like can be applied to so many different things where especially with things like Pyrex, you collect what you like and there's people on groups who post and say is this a good price for it or should I get it? Should I leave it? And I always like the responses that are, well, if you like it, then nothing, nobody else's opinion should really matter. Just collect it because you want it in your home and you want to use it. And that's all that really matters. Lulu: [00:19:41] Exactly. And like Pyrex especially, it's something that you'll use often like we have like the butterfly set that was my fiance's grandparents and I just love them. Bex Scott: [00:19:57] That's so special. Lulu: [00:19:57] I, we use them every day. And so it's like a reminder of something of them, but also just that it's nice to have in your house. Bex Scott: [00:20:07] Yeah, I love that. And for people who have vintage costume jewelry, is there a good way to store the pieces to keep them in good condition? Lulu: [00:20:16] So I would suggest laying them flat when you can. I learned the very hard way not to keep a necklace on one of those, like necklace trees for a long time. It was this beautiful, like, beaded hand strung necklace. I went to put it on and it just completely broke. Bex Scott: [00:20:35] Oh, no. I never even thought of that. Maybe, does it make it weak? From sitting on the tree? Lulu: [00:20:42] The weight of it, of the beads. And because they were glass beads and like the thread over time, like it could wear. And so lay flat, not don't bend things harder if you have limited space, but just treat it as any other jewelry if you want it to last. You want to take good care of it. Bex Scott: [00:21:03] Yeah. What's the best way to clean the jewelry? Lulu: [00:21:06] That's a good question. I find for like, anything with like, sterling or like gold tone, you can get these like, polishing cloths. So I find that better than, like a sterling and... Bex Scott: [00:21:22] Like an actual paste or a cleaner or something. Yeah. Lulu: [00:21:25] I personally find it a lot better. It's hard with dust, so like you could use those cloths as well just to dust things, dust things off. But if you lay things flat and like in jewelry boxes, that's the best way to store and keep things clean because they're not out in areas collecting a lot of dust. Bex Scott: [00:21:45] That sounds good. I need to do some rearranging and shifting of how I have things stored now. Lulu: [00:21:52] It's okay. I mean, I do have a few things that are on top of each other, but. Bex Scott: [00:21:57] Yeah. Lulu: [00:21:57] It's best if you can. So you can give the piece some space. Bex Scott: [00:22:02] That sounds great. And where can people find you online to give you a follow? And where can they shop for your jewelry? Lulu: [00:22:09] Absolutely. So online I'm just on Instagram. It's at Lulu J vintage. You'll see my content as well as you can always send me a message if there's anything particular that you're looking for, because I only post a few of the pieces that I have either online or in store. And if you're in Calgary, I am at two local shops, so I'm at Joyce's Closet Boutique, which is in Kensington, and I'm at BEX Vintage and Mr. Mansfield's Vintage in the Beltline. They're really awesome mid-century furniture shop. Bex Scott: [00:22:46] Very cool. I've been meaning to go to all of those places. And just so everybody knows, the BEX Vintage has nothing to do with me. We are two separate people. Just in case. Just the same name. Awesome. Well, thank you so much Lulu for being on the podcast. I learned a ton today, and I can't wait to go and organize my jewelry and keep collecting. Lulu: [00:23:10] Thank you so much Bex, this is really great and nice to chat jewelry with you. Bex Scott: [00:23:16] Yeah. Everybody go and give Lulu a follow on Instagram. 

From the fiddling of Earl White and played on a Gold Tone cello banjo, this rag reminds me a bit of Ragtime Annie. It's alternate or original title is actually Pleasurehouse Rag.

From the fiddling of Earl White and played on a Gold Tone cello banjo, this rag reminds me a bit of Ragtime Annie. It's alternate or original title is actually Pleasurehouse Rag.

Resonator guitars have so many myths tied to them. They have to be played differently. They're way too expensive. They are only good for one style. But is any of this actually true? On today's episode of Acoustic Tuesday, you'll get a chance to see my top 10 favorite resonator guitars. This list is made up of many different resonator guitars at different price points. Every guitar on this list is a great bang for your buck regardless. I love resonator guitars because they have some great punchy tones. Like a banjo, the decay on resonators can be really quick, but as a soon as you add a slide, the tone morphs so much. But this brings us to the first common misconception: resonators have to be played with a slide. This couldn't be farther from the truth. Resonator guitars can be played like a normal guitar. Sure, using a slide gives it a very bluesy or country sound, but in reality, they sound just as good without a slide. You don't need any different techniques really.  There's also a perception that resonator guitars are expensive. Well, I'm here to tell you that there are so many options that don't have to break the bank. Just make sure to watch the full segment to see my picks for the best affordable resonator guitars! Featured in this Guide... - Gold Tone   - National Guitars   - RecordingKingOfficial   - Beard Guitars   - Gretsch Guitars   - Mule Resonator Guitars   - RepublicGuitars   Featured in the Acoustic Guitar News - Michael J. Miles   - Eric Lugosch   - Adam Grant   - Chicago Music Exchange   - Fretboard Journal   - Old Town School of Folk Music 

Trigger Warning: There is swearing and we talk about a bad mental health state which may be upsetting for some to hear. Welcome back guys! This episode has been long overdue. Ali (who also has his own podcast channel) and I have been meaning to record this episode for the last four months and we finally got round to do it in the city that we both study in. It's a three part series with a focus on the self as the main theme Please excuse our over excitement as we often go off script but it is worth it I promise. In part 1, we are just getting to know a bit more about our guest and what he's been up to before we last met. Checkout his podcast @chatlads. If you have a topic you are deeply interested in or something that you would like to share amongst 35 listeners please get in touch on my email talkkingtomyself@gmail.com or on my Instagram and Facebook page. Just want to say thank you to Chris who let us use his studio called Gold Tone studio. The space itself is amazing. It's all chill vibes and nicely decorated near a garden I love it. He even edited out the noise reduction and cleaned out voices. Wasn't even asked to do shoutout but he deserves one! Music from https://filmmusic.io "Wholesome" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/)

Trigger Warning: There is swearing and we talk about a bad mental health state which may be upsetting for some to hear. Welcome back guys! This episode has been long overdue. Ali (who also has his own podcast channel) and I have been meaning to record this episode for the last four months and we finally got round to do it in the city that we both study in. It's a three part series with a focus on the self as the main theme Please excuse our over excitement as we often go off script but it is worth it I promise. In part 1, we are just getting to know a bit more about our guest and what he's been up to before we last met. Checkout his podcast @chatlads. If you have a topic you are deeply interested in or something that you would like to share amongst 35 listeners please get in touch on my email talkkingtomyself@gmail.com or on my Instagram and Facebook page. Just want to say thank you to Chris who let us use his studio called Gold Tone studio. The space itself is amazing. It's all chill vibes and nicely decorated near a garden I love it. He even edited out the noise reduction and cleaned out voices. Wasn't even asked to do shoutout but he deserves one! Music from https://filmmusic.io "Wholesome" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/)

www.patreon.com/banjopodcast   In this episode, host Keith Billik compares sound samples from 15 popular microphones from Audio Technica, DPA, EV, Gold Tone, Heil, Line Audio, Sennheiser, and Shure.    Special thanks to Jason Dennie (www.jasondennie.com) and Gold Tone Instruments (www.goldtonemusicgroup.com) for providing demo microphones used in the shootout. LIST OF START TIMES FOR EACH SOUND SAMPLE: Mic #1 - 35:00 Mic #2 - 37:00 Mic #3 - 39:30 Mic #4 - 42:00 Mic #5 - 44:30 Mic #6 - 47:00 Mic #7 - 50:00 Mic #8 - 53:00 Mic #9 - 56:00 Mic #10 - 59:00 Mic #11 - 1:01:30 Mic #12 - 1:04:00 Mic #13 - 1:06:30 Mic #14 - 1:09:00 Mic #15 - 1:11:30   This episode sponsored by Deering Banjos   Contact the show: pickyfingersbanjopodcast@gmail.com   Thanks for listening!      

For the old-time Tune of the Week, 12/9/16, Snow Deer was a popular song written in 1913 by the same composer of Moonlight Bay, and inspired by the success of Redwing in 1907. The Stanley Brothers did an instrumental of it in 1963 and Bob Wills' band performed it, amongst many others. I added a Native American bridge to it to go along with the lyric's theme of a cowboy and Indian maiden's romance. Played on a Gold Tone cello banjo and learned from Ken Torke's tab. See the current TOTW for more info. I'll be surprised if people have heard of this song before -- I hadn't.

For the old-time Tune of the Week, 12/9/16, Snow Deer was a popular song written in 1913 by the same composer of Moonlight Bay, and inspired by the success of Redwing in 1907. The Stanley Brothers did an instrumental of it in 1963 and Bob Wills' band performed it, amongst many others. I added a Native American bridge to it to go along with the lyric's theme of a cowboy and Indian maiden's romance. Played on a Gold Tone cello banjo and learned from Ken Torke's tab. See the current TOTW for more info. I'll be surprised if people have heard of this song before -- I hadn't.

Sometimes an event and a new tuning combine to inspire a tune, like in Hillside. It's a tribute to my mother's neighbor, Mrs. Fields, who passed away in her late nineties. Growing up with good neighbors is a blessing, isn't it. Hillside is the final resting place for some of my family members and now for dear Mrs. Fields. The new tuning for me is f#DGAD, which I found in an Art Rosenbaum resource book. It's a "D variant" and he calls it "Little Black Train" tuning. This recording is my first effort using three tracks with Garage Band using my Mac Traynham Whyte Laydie and Gold Tone cello banjo.

Sometimes an event and a new tuning combine to inspire a tune, like in Hillside. It's a tribute to my mother's neighbor, Mrs. Fields, who passed away in her late nineties. Growing up with good neighbors is a blessing, isn't it. Hillside is the final resting place for some of my family members and now for dear Mrs. Fields. The new tuning for me is f#DGAD, which I found in an Art Rosenbaum resource book. It's a "D variant" and he calls it "Little Black Train" tuning. This recording is my first effort using three tracks with Garage Band using my Mac Traynham Whyte Laydie and Gold Tone cello banjo.

"The Holly and the Ivy", Bart Reiter Standard banjo (gDGBD), violin, Gold Tone banjola (gDGBD), 'cello

"The Holly and the Ivy", Bart Reiter Standard banjo (gDGBD), violin, Gold Tone banjola (gDGBD), 'cello