Podcasts about ferdinando carulli

Ferdinando Carulli - Guitar Sonata: Rondeau Richard Savino, guitar More info about today's track: Naxos 8.553301 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Synopsis On today's date in 1994, at Orchestra Hall in Chicago, the Chicago Symphony and conductor Daniel Barenboim gave the world premiere performance of Partita by the American composer Elliott Carter, specially commissioned in honor of the composer's 85th birthday. It was a major work, and a major occasion – but, as the Chicago Tribune's music critic John von Rheim put it, that date “will forever be known as the Night the Lights Went Out on Elliott Carter.” Just as the orchestra was playing the final pages of Carter's complex score, the house lights went out. The audience gasped. The orchestra stopped playing. Not sure what to do, the audience started applauding. Then, after a moment or two the lights came back on. After breathing a sigh of relief, Barenboim and the orchestra prepared to pick up where they had left off – and then the lights went out again! Turning to the audience, Barenboim quipped, "It's a good thing we and Mr. Carter are not superstitious." Well, eventually the lights came back on – and stayed on, enabling the Orchestra to finish the premiere of Carter's Partita. But, perhaps as a kind of insurance policy – later on Barenboim and the Chicago Symphony also made a live recording of the new work. Music Played in Today's Program Elliott Carter (1908 – 2012) Partita Chicago Symphony; Daniel Barenboim, conductor. (live recording) Teldec CD 81792 On This Day Births 1653 - Italian composer Arcangelo Corelli, in Fusignano (near Imola); 1820 - Belgian composer Henri Vieuxtemps, in Verviers; 1862 - English composer Edward German (Jones) in Whitechurch; 1887 - Finnish composer Leevi Madetoja, in Oulu (Uleaborg); 1920 - American composer Paul Fetler, in Philadelphia; 1926 - Austrian composer Friedrich Cerha, in Vienna; 1926 - American composer Lee Hoiby, in Madison, Wis.; Deaths 1732 - French composer and organist Louis Marchand, age 63, in Paris; 1841 - Italian composer and guitarist Ferdinando Carulli, age 70, in Paris; 1924 - Finnish composer Oskar Merikanto, age 55, in Hausjärvi-Oiti; 1970 - American composer and conductor Alfred Newman, age 69, in Los Angeles; 1982 - American Jazz composer and pianist Thelonious Monk, age 64, in Englewood, N.J.; Premieres 1728 - Handel: opera “Siroe, re di Persia” (Cyrus, King of Persia), in London at the King's Theater in the Haymarket (Gregorian date: Feb. 28); This was the first Handel opera with a libretto by Metastasio; 1792 - Haydn: Symphony No. 93, conducted by the composer, at the Hanover-Square Concert Rooms in London; 1855 - Liszt: Piano Concerto No. 1 in Eb, in Weimar, with the composer as soloist and Hector Berlioz conducting; 1859 - Verdi: opera "Un Ballo in Maschera" (A Masked Ball), in Rome at the Teatro Apollo; 1889 - Franck: Symphony in d, in Paris; 1901 - Mahler: oratorio "Das Klagende Lied" (Song of Lamentation), in Vienna, with composer conducting; 1904 - Puccini: opera “Madama Butterfly,”in Milan at the Teatro alla Scala; 1914 - Ernst von Dohnányi: "Variations on a Nursery Song" for piano and orchestra, in Berlin, with the composer as soloist; 1927 - Deems Taylor: opera "The King's Henchmen," at the Metropolitan Opera in New York; 1943 - Copland: "Music for Movies," at a Town Hall Forum concert in New York City; 1947 - Copland: "Danzón Cubano" (orchestral version), by the Baltimore Symphony; 1948 - David Diamond: Violin Sonata No. 1, at Carnegie Hall in New York, by Joseph Szigeti (violin) and Josef Lhevinne (piano); 1952 - Henze: opera "Boulevard Solitude," in Hanover at the Landestheater; 1961 - Elie Siegmeister: Flute Concerto, in Oklahoma City; 1977 - Elliott Carter: "A Symphony of Three Orchestra," by the New York Philharmonic, Pierre Boulez conducting; 1982 - George Perle: "Ballade" for piano, at Alice Tully Hall in New York, by Richard Goode. Links and Resources On Carter

Hosted by (ig and youtube) @guitar arrangers  @The Music Thief   @Donitalia  Guest  @Pepe Romero  Special thanks to Matt Denman and Bryan Hays for making this interview possible. https://www.romero-institute.com/ https://peperomero.com/ Pepe Romero Biography There are very few true living legends in the world of classical music, few who have sustained greatness and grown throughout their lives. Pepe Romero is such an artist. He has been honored by kings, heads of state, and major institutions-the encomiums continue to pour in. But to Romero, his most important contribution has been reaching the common man. He has communicated the richness and beauty of the classical guitar to millions of people throughout the world. He has, indeed, become an ambassador of classical music, and, correspondingly, of the classical guitar. But this gift did not just appear out of nowhere. Pepe is the second son of one of the greatest guitarists that ever lived—Celedonio Romero. And he is brother to two more musical phenoms—Celin and Angel Romero.  Pepe Romero has premiered works by some of the finest composers of the twentieth and twenty-first centuries. Joaquín Rodrigo, Federico Moreno Torroba, Lorenzo Palomo, Padre Francisco de Madina, Paul Chihara, Enrique Diemecke, Ernesto Cordero, and, most poignantly, Celedonio Romero, have written compositions for Pepe. Always a champion of music by composers in earlier periods of music history, he has also delved into rare archives to re-explore lost pieces by Fernando Sor, (world premiere and recording of Fantasie in d minor), Mauro Giuliani (world premiere recordings of Concerto no.2 in A major and Concerto no.3 in F major and Variations and Polonaise, Op.65), Francesco Molino (world premier recording of Guitar Concerto in E minor, Op.56), Ferdinando Carulli (world premiere recording of Guitar Concerto in E minor, Op.140), Johann Kaspar Mertz, Luigi Boccherini, (world premiere recording of all 8 guitar quintets) and others. Maestro Romero's many accomplishments include: world premieres of Rodrigo´s Concierto andaluz (with the Romero Guitar Quartet), Concierto madrigal (with Angel Romero), and Concierto para una fiesta (written for Pepe Romero); Federico Moreno Torroba's Diálogos entre guitarra y orquesta (Pepe was personally chosen by Torroba and Andrés Segovia for the world recording premiere of this work dedicated to Segovia with an extended guitar cadenza written especially for Pepe), Concierto Ibérico by Torroba (written for and performed by the Romeros), Concierto en flamenco by Torroba was premiered in Málaga (performed by Pepe with Angel Romero conducting); and Lorenzo Palomo's Concierto de Cienfuegos (with the Romero Quartet) and Nocturnos de Andalucía (both released on the Naxos label). Of the many guitar concertos by his father, Celedonio Romero, Pepe has performed the world premieres of Concierto de Málaga, Fiesta Andaluza and El Cortijo de Don Sancho. Other premieres include Troubadour Music for four guitars and orchestra by Morton Gould, Concierto vasco and Concierto flamenco by Francisco de Madina, Concierto festivo by Ernesto Cordero, Christmas Suite for four guitars and chamber orchestra by Massimo Paris, Concierto a Celedonio by Enrique Diemecke, Concierto Mariachi by Michael Zearott and the guitar concerto, Zareh, by Loris Tjeknavorian. He also revived the great orchestral work Metamorfosi de concert by Xavier Montsalvatge, with Gianandrea Noseda, and premiered as well as recorded the Concerto for Guitar and Orchestra with Trumpet Obbligato by Paul Chihara, with Neville Marriner and the London Symphony. In April 2014 Pepe Romero performed the German premiere in the Berlin Philharmonic of a new work by Lorenzo Palomo – Fulgores - for violin, guitar and orchestra. Pepe Romero has always felt, along with his father and brothers, that the sharing of one's art is a personal responsibility. Mr. Romero has served as Professor of Guitar at the University of Southern California, University of California at San Diego, Southern Methodist University, and the University of San Diego. Every summer at the Celedonio Romero Guitar Institute, currently held at Oklahoma City University, the Romeros conduct an intensive guitar workshop including master classes, private lessons, student concerts and a final concert featuring the students performing with the Romeros. Pepe has conducted master classes at the Salzburg Summer Academy, Córdoba Guitar Festival, and the Schleswig-Holstein Festival. In 2004 he was appointed Distinguished Artist in Residence at the University of Southern California's Thornton School of Music. His newly revised guitar method “La Guitarra” was published and released by Tuscany Publications in 2012. Currently he is finalizing a teaching video that discloses the principles of the Pepe Romero guitar technique.

"Andante", from the well-known guitar method Opus 27, by Ferdinando Carulli (1770-1841) I played a piece simply titled, "Andante" which is a tempo (speed) indicator more than an actual title, but that's because it's from Carulli's guitar method, Opus 27

17th-20th CenturiesIn this episode we hear works by Jean de Sainte-Colombe, Jean-Joseph de Mondonville, Ferdinando Carulli, Pyotr Ilyich Tchaikovsky, Zoltán Kodály, and Kamran Ince.137 Minutes – Weeks of April 04 and 11, 2022

I'm very thrilled to speak to my guest today, guitarist, Nicola Pignatiello. He teaches at the Liceo Giordano Bruno in Rome and also at CESMI. This is the episode that all my guitarist audience members have been waiting for, and we will be diving deep into the topic of partimento on the guitar. He has recorded some really beautiful partimento realizations on the guitar that have received very positive responses from the partimento community and we will talk further about realizing partimenti on the guitar. 0:46 Background 1:41 Did you start with Classical Guitar? 2:07 Joining the conservatory at 15 3:08 What were your musical influences while growing up? 4:10 Was it 10 years of Conservatory? 4:25 Did you see yourself as a concert artist? 5:04 When did you discover Partimento? 5:50 Why did you take lessons with Enrico Baiano? 6:39 What recordings of Baiano did you like? 7:13 What happened in the lessons with Enrico Baiano? 8:01 What year was it when you discovered Partimento? 8:52 What made you think about combining partimento with the guitar? 10:53 How did you begin your development in partimento in 2005-2012? 13:47 When did people start playing 6-string guitars? 15:15 When in the 18th century did the 6-string guitar appear? 15:56 Fernando Sor, Mauro Giuliani and Ferdinando Carulli as representative of the 18th century style 17:35 What are the similarities between the Lute and the Guitar? 19:31 Were people realizing basso continuo on the baroque guitar or lute with strumming? 20:37 Why did you pick Giuliani and Carulli as models for partimento? 22:25 Solfeggi 22:48 What was in Giuliani's style that had traces of the partimento lineage? 24:38 Mauro Giuliani outselling Beethoven's piano sonatas 26:57 Does counterpoint easy to realize on the guitar? 28:41 Do you have to compensate when doing the Rule of the Octave on guitar? 30:15 How should someone start learning partimento on the guitar? 31:24 How similar are the different Rule of Octave versions among the 18th century guitar treatises 32:12 On having to transpose partimenti into more guitaristic keys 33:29 How do you prevent bad counterpoint on the guitar? 34:25 Cadences on the guitar? 36:14 When realizing figured bass, did the baroque guitar strum or using 3 voice textures? 36:51 Is that the same on the Classical guitar? 37:15 Learning with chord symbols on the guitar 39:00 Where Chord symbols originated from 40:26 Did they tolerate parallelism in guitar-type instruments because of the way they are constructed? 42:04 Did Fernando Sor have a method book? 42:52 What about dissonances on the guitar in partimento? 43:58 Bass Motions on the guitar 45:29 Nicola plays more Bass Motion examples 46:19 Bass Motions - Up a 4th down a 5th 47:06 Why is the guitar notated in treble clef? 48:00 What are some good treatises and manuscripts that would be relevant for partimento on the guitar? 48:43 Should we keep it to 2 voices on the guitar? 50:27 Is it heresy to try all these things on a non-classical guitar? 51:14 Can partimento be improvised on the guitar? 52:46 Free improvisation and composition on the guitar 53:52 How would you teach a young kid in the partimento-style of music education on guitar? 55:23 What about reading chords on the guitar in terms of Figured bass? 56:35 What about improvising on a very simple bass, how does that sound on the guitar? 59:24 How many ways can I color a simple progression on the guitar? 1:00:40 How do you development diminution on the guitar? 1:02:58 On the partimento bass lines being too difficult to realize on the guitar 1:04:41 How have your classical guitar colleagues reacted to your partimento realizations on the guitar? 1:05:51 What do you make of the rise in popularity in partimento over the last 2 years? 1:06:52 What do you think about South American classical guitar? 1:09:20 How do you analyze classical guitar literature? 1:10:59 Do you write figures or arabic numerals in circles when analyzing? 1:11:16 On the lack of historic models in realizing partimento on the guitar unlike the keyboard and the general difficulty 1:13:21 Felix Horetzky 1:13:57 Can you recommend any historically-informed classical guitarists? 1:15:47 On the passing of Julian Bream 1:17:06 Flamenco Guitar 1:18:21 Discussing Chord symbols and their related hand shapes 1:25:03 Wrapping Up

https://www.vpro.nl/speel~RBX_VPRO_16142101~.html RBX_VPRO_16142101 Sat, 02 May 2020 21:00:00 +0200 full https://podcast.npo.nl/file/vrije-geluiden-op-4/36115/beethovens-tijdgenoten-ferdinando-carulli.mp3

Vorig week startten we een nieuwe wekelijkse serie in Vrije Geluiden op Radio 4: de tijdgenoten van Ludwig van Beethoven, dit jaar 250 jaar geleden geboren. Wie waren de componisten die in dezelfde tijd leefden, maar niet zo beroemd zijn geworden? Vandaag: Ferdinando Carulli, nog altijd gekend vanwege zijn gitaarmethode. En: Nederlandse componisten verdienen een extra schijnwerper, zeker in deze tijd. Florian Magnus Maier is componist, maar - net als Carulli - óók gitarist. Hij combineerde de klassieke akoestische en de electrische gitaar in één stuk: Schattenspiel. Met muziek van Mozart, Johannes Ockeghem, Ferdinando Carulli, Florian Magnus Maier, en John Pickard.

So, this is the last episode of Anchorites Appreciate Arneson month wherein I talk about Patrick Dowling, creator of the BBC show The Adventure Game. There's a mystery unboxing and a few call-ins from Che Webster of Roleplay Rescue, Listen of Updates From the Middle of Nowhere, Joe Richter of Hindsightless and Jason of Nerd's RPG Variety Cast. The Adventure Game theme was composed by Ferdinando Carulli, performed by Julian Bream and John Williams. Get the trifold edition of Osseous at https://drive.google.com/open?id=184r9bvk0KxZ6xkjAAMmKzQXayFSxoB7v Music by Timothy J. Drennon. Find his Patreon at https://www.patreon.com/TJD/posts Contact me at spencer.freethrall@gmail.com --- Send in a voice message: https://anchor.fm/free-thrall/message

Gessy went on vacation to the magical land of Ptown this week. She reminisces about her first visit and expounds (ha!) on her love for the wondrous fishing village. Grace Paley, retired cops, free condoms, and drag queens, oh my! Music: Opening -Sérénades, Op.96, Ferdinando Carulli, performed by Menecha Casano and Néstor Guestrin. Closing - Forgotten Dreams, Leroy Anderson, performed by Markus Staab.

Welcome to Digging Through with Gessy Alvarez. In this episode, I talk about self-indulgence, Bastille Day, subways, and what life means to me. Music: Opening -Sérénades, Op.96, Ferdinando Carulli, performed by Menecha Casano and Néstor Guestrin. Closing - Forgotten Dreams, Leroy Anderson, performed by Markus Staab.

Welcome to Digging Through with Gessy Alvarez. In this episode, I talk about 4th of July, my obsession with art post-election, the artistic oasis that is Printed Matter in NYC, and the incomparable Sophie Calle. Music: Opening -Sérénades, Op.96, Ferdinando Carulli, performed by Menecha Casano and Néstor Guestrin. Closing - Forgotten Dreams, Leroy Anderson, performed by Markus Staab.

Hello, every loving one of you. We just recorded our first podcast. Listen to our editor, Gessy Alvarez muse about her hate of small talk and love of dog years. Opening music: Sérénades, Op.96, Ferdinando Carulli, performed by Menecha Casano and Néstor Guestrin Closing music: Sung Oribe - Allemande from Cello suite n. 3. Johann Sebastian Bach, performed by Sung Oribe

Andantino in G Major, composed by Ferdinando Carulli and published in 1825. Performed on guitar, banjo and bass banjo. "Classical" parlor guitar based on 19th century design by the La Patrie Guitar Company. Early Banjo based on the Joel Sweeney banjo circa 1840, built by James Hartel. Fretless Bass Banjo by Goldtone

Andantino in G Major, composed by Ferdinando Carulli and published in 1825. Performed on guitar, banjo and bass banjo. "Classical" parlor guitar based on 19th century design by the La Patrie Guitar Company. Early Banjo based on the Joel Sweeney banjo circa 1840, built by James Hartel. Fretless Bass Banjo by Goldtone

Andantino in G Major, composed by Ferdinando Carulli and published in 1825. Performed on guitar, banjo and bass banjo. "Classical" parlor guitar based on 19th century design by the La Patrie Guitar Company. Early Banjo based on the Joel Sweeney banjo circa 1840, built by James Hartel. Fretless Bass Banjo by Goldtone

Andantino in G Major, composed by Ferdinando Carulli and published in 1825. Performed on guitar, banjo and bass banjo. "Classical" parlor guitar based on 19th century design by the La Patrie Guitar Company. Early Banjo based on the Joel Sweeney banjo circa 1840, built by James Hartel. Fretless Bass Banjo by Goldtone