Podcasts about Habanera

durée : 00:04:43 - Étude n°7 de la guitariste Ida Presti (1924-1967) - "Ida Presti a écrit entre autres les 6 Études, commande des Éditions Max Eschig. Le manuscrit original des 6 Études en contenait en fait 7. Une avait donc été écartée du cycle, et récemment son brouillon a été retrouvé, celle-ci révisée est republiée aux Éditions Habanera." Sébastien Llinarès

Habanera se expresa sobre la situación de la falta de medicamentos en las farmacias cubanas.

Balandžio 24 d. Samuelio Bako muziejuje atidaroma menininko iš Niujorko Steve Marcus paroda „Sk8 Art: Vilnius Niujorko ritmu“. Joje bus eksponuojamos menininko ištapytos riedlentės. Kūryboje jungdamas gatvės meną ir žydišką ikonografiją, jis kviečia geriau pažinti žydų kultūrą.Telšiai puošiasi naujais meno kūriniais. Masčio ežero pakrantėje pristatyta dar viena bronzinė meškutė. Ją sukūręs skulptorius Simonas Grigutis sako, kad tai jau 7-as jo meškinas. Šis skirtas skautams. Iš Telšių pasakoja Tomas Mizgirdas.Lietuvos kompozitorių sąjunga paskelbė Lietuvos kompozitorių 2024 metų kūrinių penkioliktuką. Iki gegužės 12 d. už labiausiai patikusį gali balsuoti ir klausytojai. Tradiciškai, LRT KLASIKOS laidose pristatome visus 15 kūrinių, apie kuriuos pasakoja jų autoriai. Šiandien kviečiame susipažinti su kompozitorės Dainoros Aleksaitės „Habanera“ trims balsams, dronui ir fiksuotai medijai. Apie kūrinį pasakoja pati kompozitorė.Rokiškio kultūros centro koridoriuose galima sutikti naują veidą. Tai režisierė Ignė Barkauskaitė. Daug metų užsienio teatruose praleidusi Ignė nuo šių metų perėmė vaikų ir jaunimo teatro vairą. Rokiškyje lankėsi ir su režisiere Igne Barkauskaite kalbėjosi kolegė Simona Ševčenkaitė.Rubrikoje „Be kaukių“ – smuikininkė Vitalija Makrickienė.Ved. Gerūta Griniūtė

A Douglas Sirk melodrama made in Germany

30 minutes of chat with Manchester born soprano Ana Beard Fernandez ahead of her new album - Habanera including music by Villa Lobos, Ravel, de Falla, Shostakovich and Rameau on the SOMM label featuring the Endellion Cellists, Roderick Williams, and conductor William Vann. In addition ... because it worked so well in the last episode, a book, a film and a recipe.

Donald Macleod dives into the life and music of Maurice RavelMusic featured: Jeux d'eau Shéhérazade (No 3, L'indifférent) Valses Nobles et Sentimentales Miroirs (No 5, La Vallée des Cloches) Une Barque sur L'océan Alborada del Gracioso Allegretto (incidental music for ‘Antar') Rapsodie Espagnole (No 3, Habanera & No 4, Feria) Gaspard de la Nuit (No 2 Le gibet) Daphnis et Chloé, Part 2 Ma Mère l'Oye Le Tombeau de Couperin (No 1, Prélude) Trois Chansons Le Tombeau de Couperin (excerpt) La Valse Sonata for violin & cello (1st & 2nd mvts) A la manière de Borodine Tzigane Trois chansons madécasses (No 1, Nahandove & No 2, Aoua! Aoua!) Piano Concerto in G major (2nd & 3rd mvts) BoléroPresented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Maurice Ravel (1875-1937) https://www.bbc.co.uk/programmes/m00288rx And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Maurice Ravel war zwar Franzose, aber er hatte baskische Wurzeln und beschäftigte sich in vielen Werken mit Spanien. Ganz besonders in der spanischen Rhapsodie, seinem ersten großen Orchesterwerk von 1907, Die Suite verzaubert durch folkloristisches Kolorit, sinnliche Süße und einen Orchesterklang, der süchtig macht. Von Michael Lohse.

Programa 294. Nosotros a nuestra bola, disfrutando dos horas como si se tratara de un yoga desenfrenado. Disfrútalas. A continuación, tienes el orden de nuestro desorden: ADIVINA LA PELÍCULA. Ella Fitzgerald & Joe Pass – TAKE LOVE EASY. SAN TORAL. Bruno Lomas. LA CASA DEL SOL NACIENTE. David Menéndez. DICHOSO AQUEL. Habanera de Marina. EFEMÉRIDES. […] The post Los Tres Tenores 05/03/2025 first appeared on Ripollet Ràdio.

Sintonía: "Mirandâo" - Jazz Cigano e Yamandú Costa"Arabiando", "Cadencia", "Nuages", "Nunca", "Mistura e manda", "Coraçâo leviano" y "Dandy", extraídas del álbum de título homónimo de Jazz Cigano Quinteto con Yamandú Costa (autoeditado, sin sello, 2022)"Flamengo", "Tristeza do jeca", "Machucando" y "Habanera", extraídas del álbum "Yamandú" (Eldorado, 2001) del guitarrista brasileño Yamandú CostaEscuchar audio

Daf Yummy épisode 1331. Sanhedrin 9 : La Habanera. by Myriam Ackermann Sommer

The Sixth Annual Elgin Thanksgiving Day Greeting To America, originally broadcast November 27, 1947, 77 years ago. Jimmy Durante and Garry Moore perform together for the first time "since getting shows of their own." "News Scoops From Hollywood," Candy Candido appears as "Mr. Ripple." Fifteen-year-old Mary Jane Smith sings. Sir Lancelot sings a calypso watch commercial!Larry Storch does impersonations. Margaret Whiting and Vera Vague join Jimmy Durante singing a clever original parody about a possible woman president. The Page Cavanaugh Trio sings a delightful Elgin commercial to the tune of, "The Lady From Twentynine Palms."Bob Sweeney and Hal March drive to the studio. The winners of the SPEBQSA competition sing barbershop harmonies. Yehudi Menuhin plays "Habanera" by Sarasate (accompanied by his sister on the violin). He then plays a duet with another violinist...Jack Benny! Artie Auerbach does an Elgin commercial as, "Mr. Kitzel.Cathy and Elliott Lewis are featured in a well-written story about a housewife's last day. Good radio! "A Child's Thanksgiving" features Red Skelton as, "Junior, The Mean Widdle Kid." After he says grace, Clem Kaddiddlehopper finds himself in one of the Elgin watch commercials!Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Zayn, Rilliane, and Sayoko celebrate the masquerade. We learn to say goodbye. Ask questions for our tell-all here: https://forms.gle/jC2TmuygcTYb977A7 Or email your questions to chapter15studios@gmail.com Keep up with Chapter 15 Studios on our website:  www.chapter15studios.com Instagram: https://www.instagram.com/chapter15studios/ Twitter: https://twitter.com/ch15studios Episode Thirty Seven of He Who Forsakes the Crown contains materials from the following sources: Licensed under a Creative Commons Attribution 4.0 Unported license https://creativecommons.org/licenses/by/4.0/legalcode Ice Magic Sound Effects - Copyright Free Music ＆ SFX from https://yoyosound.com The Wind by the Sea - Copyright Free Music ＆ SFX from https://yoyosound.com Hitting Cabbage Against Wooden Door Frame 3.wav by F.M.Audio -- https://freesound.org/s/547579/ Hitting Cabbage Against Wooden Door Frame 1.wav by F.M.Audio -- https://freesound.org/s/547580/ Tee Kessel - Pfeifen 1.wav by BockelSound -- https://freesound.org/s/489380/ Footstep_Water_02.wav by LittleRobotSoundFactory -- https://freesound.org/s/270425/ Dark Tonal Magic Whoosh by EminYILDIRIM -- https://freesound.org/s/580456/ Grabbing_and_putting_on_metal_helmet_10212023.wav by Artninja -- https://freesound.org/s/706491/ Hand Clap.mp3 by DJ Burnham -- https://freesound.org/s/76779/ footstep marble.wav by Rico_Casazza at https://freesound.org/people/Rico_Casazza/s/547994/ Night village edge with away storm by Guz99 at https://freesound.org/people/Guz99/s/583740/ rbh Applause 03 big.WAV by RHumphries -- https://freesound.org/s/1923/ snapping-chain by CosmicEmbers -- https://freesound.org/s/161650/ Habanera (by Bizet) by Bizet Creative Commons — Attribution 3.0 Unported— CC BY 3.0 ⁠⁠https://creativecommons.org/licenses/...⁠⁠ Music provided by FreeMusic109 ⁠⁠   / freemusic109  ⁠ Estudiantina, Op. 191 by Émile Waldteufe performed by Musikkapelle St. Jakob am Arlberg from https://musopen.org Danse Macabre Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/  Thanks for everything :)

En París, en L´Élysée Montmartre, el 20 de junio de 2002, compartieron escenario con Marcio Faraco ('Adrenalina'), Daniel Mille y Gérard Curbillon ('Estate'), Mino Cinelu y Patrice Larose ('Confians') y Salif Keita, Mino Cinelu y Daniel Mille ('Folon'). Del nuevo disco del brasileño Diego Figueiredo 'I love samba' el tema que le da título, 'Baiãozinho' y 'Brazilian batucada'. Y de 'Inner spirits', disco grabado a dúo por el pianista sueco Jan Lundgren y el guitarrista brasileño Yamandu Costa, 'Habanera', 'Choro para Paquito' y 'Garoto'. También está la cantante y compositora canadiense Susie Arioli con 'Embraceable' que contiene canciones como 'Indifférente' y 'Pendulum', de su autoría, 'It´s allright with me' de Cole Porter o 'Embraceable you' de George Gershwin. Escuchar audio

El trompetista suizo Franco Ambrosetti ha publicado 'Sweet caress', con orquestaciones para cuerdas y vientos del pianista de origen neozelandés Alan Broadbent, y piezas como 'Soul eyes', 'Sweet caress', 'Habanera' y 'Old friends'. El guitarrista brasileño Yamandu Costa ha grabado con el pianista sueco Jan Lundgren 'Galliano' y 'Para aprender a amar'para el disco 'Inner spirits' y con el cantante portugués António Zambujo 'Prenda minha', 'Valsinha', 'Gente humilde', 'Falando de amor' y 'Odeon' para el disco 'Prenda minha'. Despide Airto Moreira con 'Tombo in 7/4'. Escuchar audio

durée : 00:13:14 - Le Disque classique du jour du vendredi 13 septembre 2024 - Premier album de Aigul Akhmetshina, la jeune mezzo fougueuse qui prend d'assaut le monde de l'opéra. Elle interprète des airs célèbres de Carmen, de Werther de Massenet, de La Cenerentola et du Barbier de Séville.

durée : 00:13:14 - Le Disque classique du jour du vendredi 13 septembre 2024 - Premier album de Aigul Akhmetshina, la jeune mezzo fougueuse qui prend d'assaut le monde de l'opéra. Elle interprète des airs célèbres de Carmen, de Werther de Massenet, de La Cenerentola et du Barbier de Séville.

سلام، این اپیزود داستان زندگی خانم ساند نویسنده و فعال سیاسی فرانسویهکسی که اگه یادتون باشه مدتی با شوپن در رابطه رومانتیک بوداین ماجرا رو اپیزود قبل قولش رو بهتون داده بودن امیدوارم که از شندین این اپیزود لذت ببرید و براتون الهام بخش باشه-----------------------------------------

سلام، این اپیزود داستان زندگی خانم ساند نویسنده و فعال سیاسی فرانسویهکسی که اگه یادتون باشه مدتی با شوپن در رابطه رومانتیک بوداین ماجرا رو اپیزود قبل قولش رو بهتون داده بودن امیدوارم که از شندین این اپیزود لذت ببرید و براتون الهام بخش باشه-----------------------------------------

'You are there' (Tú estás ahí), es una canción de Dave Frishberg y Johnny Mandel, que da título al disco que grabaron a dúo, una tarde de septiembre de 2005, la cantante italiana Roberta Gambarini y el pianista estadounidense de jazz Hank Jones con clásicos como 'Then I´ll be tired of you?', 'Something to live for' o 'Lush life'. Hace unos días que se ha editado 'Sweet caress', disco del trompetista suizo Franco Ambrosetti orquestado por Alan Broadbent para 29 cuerdas y vientos, y con la violinista Sara Caswell, el guitarrista John Scofield, el bajista Scott Colley y el baterista Peter Erskine ('Soul eyes', 'Portrait of Jennie', 'Sweet caress', 'Habanera'). Youn Sun Nah, la cantante coreana residente en París, ha incluído en su reciente 'Elles' canciones como 'Feeling good' y 'Sometimes I feel like a motherless child'. Despiden The Ipanemas con 'Samba pra mim mesmo'.Escuchar audio

Manuel Domínguez, fundador de la Ronda de Boltaña, nos acompaña por su localidad en Turista en tu ciudad. Un recorrido que nos invita a conocer dónde tapear, dónde refugiarnos del calor, o dónde se ven los mejores atardeceres al ritmo de "Habanera triste".

Con María Fernández Dobao | Un paseo por la habanera de la mano de los mejores compositores. La mejor música clásica "con ñ", en Clásica FM.

سلام، این اپیزود درباره فردریک شوپن موسیقی دان شهیر لهستانیه در این اپیزود براتون گفتم که اون چطور به شهرت رسید چطور مجبورشد ترک وطن کنه و چطور در نهایت قلبش به سرزمین مادریش برگشت

During Black History Month this year I featured a group of five exceptional singers I dubbed, for lack of a better term, “Forgotten Divas.” Each of these women, sopranos Delcina Stevenson, Annabelle Bernard, and Veronica Tyler, mezzo-soprano Gwendolyn Killebrew, and jazz singer Ethel Ennis, represents the peak of achievement in each of their respective fachs. These proved to be among the most popular and far-reaching of my recent episodes. At that time, I promised my listeners that I would continue to seek out rare recordings of each of these women and that, if and when such material surfaced, I would be sure to share it with my listeners. True to my promise, I present a brand-new episode featuring (for the most part) newly discovered material with each of these singers: a live Washington Opera Ariodante from 1971 and a live Carnegie Hall Orfeo ed Euridice from 1967, both with Veronica Tyler; live original language performances of Puccini's Il tabarro and Meyerbeer's Le Prophète from the stage of the Deutsche Oper Berlin which starred Annabelle Bernard; Gwendolyn Killebrew singing the Habanera from Carmen, one of her most celebrated roles, as well as the Waldtaube in Schoenberg's Gurrelieder; rare studio recordings of Delcina Stevenson singing Bach and Vivaldi from the early 1970s; and live material featuring Ethel Ennis over the course of nearly fifty years of her career, 1958 through 2005. As more of this material resurfaces, I will present further episodes of this new “Rescue Mission” series featuring both these singers and others I have already featured on the podcast, performing material that adds to our understanding and appreciation of their artistry. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.  

In this podcast you can hear :- Orry Wilson - winner of the Boys Solo class for 15 - 18 year olds, singing 'When you're feeling like expressing your affection" by Britten - accompanied by Madeline Kelly Penny Lavery earns her place in the Sheffield Plate competition by singing 'How Lucky You Are" by Flaherty and Ahrens, accompanied by Madeline Kelly. Penny won the Sheffield Plate in 2023 Breesha Kelsey sings a Gershwin classic "I'll Build a Stairway to Paradise" accompanied by Madeline Kelly. Her win in the Girls Solo voice class for 14 and 15 year olds means that she's earned a place in the Sheffield Plate final. This will be the fourth time that Breesha has qualified for the final - the first time was ten years ago, and the set song was all about a dog called Spot! The fine soprano Emily Coates wins the Operatic Solo Class for adults, singing an aria from Bizet's The Pearl Fishers, accompanied by Frank Woolley Another soprano, Erin White, was placed second in the same class, singing an aria from Mozart's Don Giovanni - also accompanied by Frank Woolley Victoria McLauchlan won the Pop Song Class with 'Can't Help Falling in Love With You' accompanied by David Holland. Simon Fletcher took second place in the same class with Don McLean's song - 'And I Love You So' also accompanied by David Holland. Chris Callow - winner of the Intermediate Organ Class held in St Thomas's Church - plays Prelude in a Classic Style by Gordon Young Eve Puzzar wins the Girls Solo Class for 16 to 18 year olds, singing "Habanera" from Bizet's Carmen - accompanied by Madeline Kelly. Cristl Stitt and Anna Tamarova win the Duet Class for 12 to 18 year olds, with "True Colours" from 'Trolls' by Steinberg/Kelly And we finish with some class-winning piano playing from Eva Griffiths

La Habanera se llena de júbilo y tradición al celebrar su 120 aniversario, marcando unhito significativo en su historia. Desde su inicio en 1902, ha sido un referente deelegancia y autenticidad, brindando a sus consumidores los más altos estándares en lafabricación de cigarros en el país.Para hablar un poco de su historia, como surge y como se han mantenido por 120 años,damos la bienvenida a Christian Lama, Ejecutivo de La Tabacalera, S.A.

Two-time Grammy-winning mezzo-soprano, Curtis Institute of Music graduate, and former varsity basketball captain J'Nai Bridges joins host Khadija Mbowe for a free-flowing conversation about her wide-ranging musical influences, structured systems for success, and the public humiliation that (inadvertently) led to her becoming a star. In February 2024, Bridges joined The Philadelphia Orchestra to announce the upcoming rededication of its home inside the Kimmel Center for the Performing Arts as Marian Anderson Hall. It will be the first major concert venue in the world to honor the late performer and trailblazer.Music from this episode: BIZET, HABANERA,  J'Nai Bridges in the Canadian Opera Company's 2022 production of CarmenJ'Nai Bridges with Gustavo Dudamel, Los Angeles Philharmonic, and YOLA (Youth Orchestra Los Angeles) perform “Whole World In Your Hand” during Global Goal: Unite for Our Future on June 27. Links from this episode:READ MORE: The Philadelphia Orchestra to Rename Its Home at the Kimmel Center for the Performing Arts MARIAN ANDERSON HALL in Honor of the Legendary Contralto, Civil Rights Icon, and Philadelphian:  https://www.philorch.org/about-us/contact-us/press-room/news-releases/the-philadelphia-orchestra-to-rename-its-home-at-the-kimmel-center-for-the-performing-arts-marian-anderson-hall-in-honor-of-the-legendary-contralto-civil-rights-icon-and-philadelphian/Want more Marian Anderson? Listen to our season one episode with Jillian Patricia Pirtles, CEO of the National Marian Anderson Museum: https://www.buzzsprout.com/1364857/5986438 Marian Anderson Museum: http://marianandersonhistoricalsociety.weebly.com/J'Nai Bridges:https://jnaibridgesmezzo.com/https://www.instagram.com/jnaibmezzo/https://www.facebook.com/jnaibridgesmezzo/The Philadelphia Orchestra's HearTOGETHER series is generously supported by lead corporate sponsor Accordant Advisors. Additional major support has been provided by the Otto Haas Charitable Trust.

Leadership Lessons From The Great Books #96 - Notes of a Native Son by James Baldwin---01:30 Welcome and Introduction - Notes of a Native Son by James Baldwin.03:10 A Summary of "Notes of a Native Son."09:08 The Literary Life of James A. Baldwin.17:05 A Summary of "Carmen Jones: The Dark is Light Enough."21:45 The “Carmen Jones Syndrome” is Now Past32:47 A Summary of "Everybody's Protest Novel."39:16 I Am Not Your Protest Object47:09 A Summary of "Equal in Paris."51:56 Staying on the Leadership Path with Notes of a Native Son by James Baldwin.---Music: Bert Alink; "Habanera," From Baroque to Buenos Aires. Recorded from a score by Tony Wilkinson.Bert Alink is pleased to share this concert under a Creative Commons Music Sharing License. For details see https://musopen.org/music/performer/bert-alink/.Opening theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Check out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/@leadershiptoolbox/videosLeadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/LdrshpTlbx.

Como ya hemos venido anunciando, el próximo domingo, 4 de febrero, Fetén Fetén ofrecerán un concierto en el Price de Madrid rodeados de grandes amigos que además son grandes figuras del folk y la música tradicional. Eliseo Parra, La Musgaña, Joaquín Díaz, Rozalén, El Nido, El Naán, Juan José Robles o Luis Delgado, entro otros cuantos, se darán cita con ellos en un encuentro histórico que han titulado “Raíces, fiesta de música popular y tradicional”. La mayoría de los invitados a esa fiesta, han dejado su mensaje en el programa de hoy, lo que también constituye un hito espacial para La Tarataña. Esta es la lista de canciones de un programa histórico: 1.- Mastretta, “Fetén Fetén” 1:56Mensaje de Jaime Muñoz (La Musgaña)2.- La Musgaña, “Danza del parrillano” 4:03Mensaje de Eliseo Parra3.- Fetén Fetén, “Bolero para una tarde de septiembre” 5:30Mensaje de Rozalén4.- Fetén Fetén y Rozalén, “Ni tú ni yo” 4:45Mensaje de Pablo Martín Jones5.- Fetén Fetén, “Habanera del Espolón” 3:47Mensaje de Luis DelgadoMensaje de Joaquín Díaz6.- Joaquín Díaz, “Ramo verde” 1:55,Mensaje de Héctor Castrillejo (El Naán)7.- El Naán con Diego Galaz, “Tierra mojada” 5:19Mensaje de Esther Sánchez (de Alba, Esther e Isabel)8.- Collado Project, “Seguidillas torrás” 3.31Mensaje de Juan José Robles9.- Juan José Robles y Fetén Fetén, “Polka Ibérica” 2:48Mensaje de Fernando Llorente (Dulzaineros Plaza de Castilla)10.- Escuela de Folklore Plaza de Castilla con Diego Galaz, “Mihavent Oriental” 2.12Mensaje de Nacho Prada (El Nido)11.- El Nido y Fetén Fetén, “Aire!” 4:01512.- Fetén Fetén, “Gozando Fetén” 2:03Escuchar audio

Join Tamara and David for an interview with Logan Artisan, a painter who works in an impressionistic style and who shows/sells her work primarily at the Savannah Gallery of Art. Originally from Fayetteville, NC, she earned an undergrad degree at Wingate University in music & vocals, with an aim to becoming a professional opera singer (!). After moving to Savannah, she studied fine art and illustration in graduate school at SCAD. Stick around for the 54-minute-mark of the show, when Logan sings "Habanera," an aria from Carmen!   Check out Logan's art and follow her here:  https://loganartisanart.weebly.com/  https://www.instagram.com/loganartisanart/    Topics in their chat include: Challenging the "artistic snobbery" against painting Savannah landscapes; painting soft edges and working in an Impressionist style; earning an undergrad degree in music & vocals, with an aim to becoming a professional opera singer (!), but then unfortunately being waylaid due to the effects of Lyme disease; her success in selling at Savannah Gallery of Art; the occasional horror of countryside living, as far as animals killing each other; the beauty of Ginnie Springs in Florida; Logan's practice of making a daily "drawing of a girl;" quitting drinking; her early years living in Savannah and working in the service industry (complete with server nightmares); discovering a love of egg tempera during her MFA in Illustration program at SCAD; and the wild realization during the interview that she was attempting to do illustrations in her painting classes, and paintings in her illustration classes. Tune in and get all the details!

Carmen is maybe the most famous heroine in all of opera. She's a woman of Romani descent living in 19th century Spain, sensual and self-confident, aware of the power she wields over men — and she enjoys it. In her signature aria, popularly known as the “Habanera,” she describes herself as a bird who can't be captured. True to her own word, Carmen — and what she represents — is hard to pin down.  When “Carmen” premiered in Paris in 1875, it was deemed wildly immoral. Carmen becomes intrigued by a soldier, Don José, who initially pays her no attention. She seduces him, Don José abandons his fiancée to run away with her, and one thing leads to another (this is opera, after all) — he winds up murdering Carmen in a fit of jealous rage. One interpretation is that this is the story of a man giving into temptation and meeting his downfall. A more modern view would position Carmen as a proto-feminist. She's a woman who refuses to be controlled, and that puts her life in danger.But perhaps Carmen's greatest irony is that she is both a complex character and a full-blown stereotype of Romani women. In this episode, host Rhiannon Giddens and guests unpack the myth and the magic of Georges Bizet's "Carmen," and Clémentine Margaine brings it home with a performance of “L'amour est un oiseau rebelle” from the Met stage.THE GUESTSFrench mezzo-soprano Clémentine Margaine first performed in “Carmen” as a member of the children's chorus. Shortly after graduating from the Paris Conservatory, she joined the ensemble of the Deutsche Oper Berlin, where she sang her first performances in the title role. Since then, she's performed Carmen at opera houses all over the world. Susan McClary is a pioneer in feminist music criticism. She's a musicologist at Case Western Reserve University whose research focuses on the cultural analysis of music, both the European canon and contemporary popular genres. She's authored 11 books, including "Feminine Endings: Music, Gender, and Sexuality" and the Cambridge Opera Handbook on “Carmen.”Ionida Costache is an assistant professor of ethnomusicology and an affiliate of the Center for Comparative Studies in Race and Ethnicity at Stanford University. She is of Romani-Roma descent, and her work explores the legacies of historical trauma inscribed in Romani music, sound, and art. Her family likes to pass on the story of the time her great-grandfather performed the cimbalom for Theodore Roosevelt at the 1939 New York World's Fair. Rosamaria Kostic Cisneros wears many hats. She is a professional dancer, dance historian and critic, Romani studies scholar, Flamenco historian, as well as a sociologist, curator and peace activist. A research-artist at Coventry University's Centre for Dance Research, she works to bring arts and culture to vulnerable groups. She was introduced to flamenco by her Spanish-Roma mother during their frequent trips to Seville.

Si hi ha un duet inclassificable en la hist

Si hi ha un duet inclassificable en la hist

Con Mario Mora | Aprovechando la semana en la que se cumplen 125 de que Cuba se desvinculó de España, viajamos al bellísimo país para conocer una danza que se popularizó en el s.XIX y que tiene un aroma único: la habanera. De Ravel, de Albéniz, de Bizet, pasando por una curiosidad desconocida pero muy reconocible de "el dandy vasco", un compositor que no te dejará indiferente: Sebastián Iradier

 In his Éventail de musique française, Swiss oboist and composer Heinz Holliger traverses a broad selection of French works for oboe and piano in a multichromatic program of early 20th-century music. Contained in this wide-ranging recital are compositions by Ravel, Debussy, Milhaud, Saint-Saëns, Casadesus as well as Koechlin, Jolivet, and Messiaen – Holliger cultivated a personal relationship with several of the composers.Track Listing:1 Ravel: Pièce en forme de Habanera, M. 51 (Version for Oboe and Piano)2 Saint-Saëns: Oboe Sonata in D major Op. 166 / I. Andantino3 II. Allegretto4 III. Molto allegro5 Jolivet: Controversia6 Messiaen: Vocalise étude7 Messiaen: Morceau de lecture à vue8 Ravel: Deux mélodies hébraïques / No. 1, Kaddisch (Version for Oboe and Piano)9 Milhaud: Vocalise-Étude 'Air', Op. 10510 Debussy: Syrinx11 Koechlin: Le Repos de Tityre12 Jolivet: Chant pour les piroguiers de l'Orénoque13 Debussy: Petite Pièce14 Saint-Saëns: Le Rossignol (de Banville)15 Casadesus, R: Sonata Op. 23 bis / I. Allegro molto moderato16 II. Tempo di sardana17 III. Allegro vivoHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

BRETÓN: Coplas de Don Hilarión “Tiene razón Don Sebastián” (3.49). Habanera – concertante “Dónde vas con mantón de manila” (4.34). (La verbena de la Paloma, sainete lírico en un acto) (selec.). P. Domingo (ten.). M. Bayo (sop.), R. Castejón (actor, ten. cómico), R. Pierotti (sop.), A.-M. Amengual (sop.), Coro de la Comunidad de Madrid, Orq. Sinf. de la Comunidad de Madrid. Dir.: A. Ros Marbá. Escenas andaluzas (Bolero, Polo gitano, Zapateado, Marcha y Saeta) (24.21). Gran Orq. Sinf. Dir.: A. Argenta. Dúo "Dolores mía" (La Dolores) (6.26). M. Caballé (sop.), B. Martí (ten.), Orq. Sinf. Dir.: E.-M. Marco.Escuchar audio

Mark Fitzpatrick came to the Islanders as a highly-touted goalie prospect and quicky established himself as a fiery NHL-caliber netminder. But right before the 1990-91 season, the 21-year-old found himself in a Los Angeles hospital with swollen hands and arms, and feet the size of footballs. Even when doctors were able to name his ailment as a rare blood disease called eosinophilia-myalgia syndrome or EMS, Fitzpatrick's frightening and frustrating ordeal to reclaim his playing career was just beginning. After treatments and stops and starts on the ice, Fitzpatrick was able to play 30 games for an Islanders team with slim playoff hopes in 1992. He became the Islanders' second ever recipient of the Masterton Trophy for dedication to hockey, but more importantly, became a beacon of hope to others suffering from EMS all across the world. While Fitzpatrick was battling for his life and career, the Islanders of this time were an absolute trainwreck. Their scorers couldn't score, their defense wasn't consistent, their owner was an absentee cheapskate and their best player and only star wanted to be traded. Other than that, everything was great! It was all a far cry from where the team had been a decade earlier and a small taste of where things would go. And, yes, the use of Georges Bizet's “Habanera” aria as background music at times is an homage to Michael Richie's 1976 classic The Bad News Bears and a way to lighten the mood a little. Hearing it still makes me chuckle and picture a field of foul-mouthed kids who can't play baseball. That seems like an apt comparison to the early 1990's Islanders. Research and other assistance was provided by Kevin Schultz. Visit VintageIceHockey.com, where you can buy t-shirts, hoodies and mugs featuring the logos over over 100 classic hockey teams from all across North America, as well as our own Al Arbour tribute shirt. Use the code ANXIETY20 to get 20 percent off an order of two items. Our portion of the sales go directly to the Center for Dementia Research. This episode of Islanders Award Winners was written using archival material from Newsday, The New York Times, Sports Illustrated, 100 Things Islanders Fans Should Know and Do Before They Die by Arthur Staple and Pride and Passion: 25 Years of the New York Islanders by Stan Fischler and Chris Botta. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a Dream is dedicated to French masters of the 19th and 20th centuries. They include César Franck (1822-1890), Gabriel Fauré (1845-1924), Claude Debussy (1862-1918), Maurice Ravel (1875-1937), and Camille Saint-Saëns (1835-1921).In the interpretation of Meneses and Budu, Fauré's Après un Rêve combines fervor and serenity. When the duo performs Franck's Sonata, the dialogue between the instruments nods to the expressiveness of singing and the eloquence of speech, as their phrases inquire, affirm, and exclaim. In Vocalise-Étude en Forme de Habanera, the variety of sonorities, flowing ceaselessly in this recording, imparts to Ravel's composition a sense of musical time that seems much more expansive than its minutes—a recurring perception throughout the album. Ultimately, After a Dream showcases the paradox of memorable interpretations— the sensation that music arises solely within them and belongs exclusively to them.Tracks1. Violin Sonata in A Major, FWV 8: I. Allegretto Ben Moderato (Transcr. for Cello and Piano) (César Franck) - (6:04)2. Violin Sonata in A Major, FWV 8: II. Allegro (Transcr. for Cello and Piano) (César Franck) – (8:44)3. Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben Moderato (Transcr. for Cello and Piano) (César Franck) – (7:42)4. Violin Sonata in A Major, FWV 8: IV. Allegretto Poco Mosso (Transcr. for Cello and Piano) (César Franck) – (6:47)5. Sicilienne, Op. 78 (Gabriel Fauré) – (3:50)6. Élégie, Op. 24 (Gabriel Fauré) – (6:47)7. 3 Songs, Op. 7: I. Après un Rêve (Arr. for Cello and Piano by P. Casals) (Gabriel Fauré) – (3:02)8. Préludes, Book 1, L. 117: No. 8, La Fille aux Cheveux de Lin (Arr. for Cello and Piano by Antonio Meneses & Cristian Budu) (Claude Debussy) – (2:31)9. Sonata for Cello and Piano, L. 135: I. Prologue (Claude Debussy) – (4:10)10. Sonata for Cello and Piano, L. 135: II. Sérénade et Finale (Claude Debussy) – (6:41)11. Vocalise-Étude en Forme de Habanera, M. 51 (Arr. for Cello and Piano by P. Bazelaire) (Maurice Ravel) – (2:52)12. Le Carnaval des Animaux, R. 125: XIII. Le Cygne(Camille Saint-Saëns) – (2:44)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Finally, a timba episode! Rebecca speaks with Kevin Moore, the mastermind behind Timba.com, the largest Cuban music website in the world, who explains what makes timba unique and how it revolutionized Cuban dance music. This episode focuses on the pioneering innovations of NG La Banda and La Charanga Habanera. Check out Kevin's book Beyond Salsa For Beginners for an incredibly comprehensive musical breakdown of timba.Songs played:Los Sitios Entero, NG La BandaPicadillo de Soya, NG La BandaNube Pasajera, La Charanga HabaneraCharanguero Mayor, La Charanga HabaneraEl Temba, La Charanga HabaneraSupport the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Philharmonic, conducted by Yannick Nézet-Séguin with Mezzo-soprano Elina Garanca as soloist. The Summer Night Concert was performed this year on June 8th, 2023. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert. The illustrious conductors who have previously led the orchestra at this event are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudamel, Daniel Harding, and Andris Nelsons.1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arrangement Ernest Guiraud 1885)             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt) 2. Georges Bizet, Habanera aus der Oper Carmen3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 19184. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 215. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 27. Camille Saint-Saëns, „Mon cœur s'ouvre à ta voix” Arie aus der Oper Samson et Dalila8. Maurice Ravel, BoleroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Quiero. Eme Alfonso y Silvio Rodríguez Los Libros de la Buena Memoria. Lito Vitale y Gustavo Cerati (Luis Alberto Spinetta) Bailando Con el Viento.  Por ejemplo. Pepe Curioni (Fernando Cabrera) Algo contigo. Andrés Calamaro (Chico Novarro) soft & tender. November Ultra Soleil. November Ultra y Voyou La Flor De La Canela. Susana Baca Quererte a medias. Maui Little sparrow + A day for the hunter, a day for the prey. Leyla McCalla No Te Salves. Luis Pastor, Javier Ruibal (Mario Benedetti) Habanera. Pedro Guerra y Ángel González La Belleza. Rozalén (Luis Eduardo Aute) Escuchar audio

Contribuir a fomentar la lectura y el amor por la literatura, reconocer la importancia de los autores y escritores que han contribuido al enriquecimiento de la cultura y la literatura, el efecto positivo en la comprensión y conciencia social del valor de las letras y la difusión de conocimientos como herramienta valiosa para la sociedad. Hoy, celebramos la fiesta de la lectura con músicas y palabras de: Marble Machine. Wintergatan To Remain To Return. Arooj Aftab, Vijay Iyer & Shahzad Ismaily Celebracion de la Fantasia. Eduardo Galeano Un Verano. Idea Vilariño Yo. Cecilia Graña, Idea Vilariño, Juan Martín López y Rodrigo Domínguez Penélope. Guadi Galego El Ruiseñor y la Calandria. Mario Benedetti Las Flores. Eduardo Galeano A Miguel Hernández. Mayte Martín y Manuel Alcántara El Mundo. Eduardo Galeano No Te Salves. Luis Pastor, Javier Ruibal y Mario Benedetti Habanera. Pedro Guerra y Ángel González La Belleza. Rozalén y Luis Eduardo Aute Desaparecidos/ Otra Voz Canta / Esa Batalla. Daniel Viglietti y Mario Benedetti Embarazoso Panegirico de la Muerte. Mario Benedetti La Fiesta. Eduardo Galeano Alegoría. Guadi Galego Me Brilla. Pala y Pedro Guerra La buena lectura. Pepina de Palma To Remain To Return largo. Arooj Aftab, Vijay Iyer & Shahzad Ismaily Escuchar audio

Si hi ha un duet inclassificable en la hist

Los llamados boleros de victrola con su atractiva mezcla de alcohol, noche y despecho iniciaron su reinado en la banda sonora cubana con la llegada de aquellos artilugios rechazados primero por buena parte de los músicos teniendo en cuenta la amenaza de su ubicación, en desleal competencia, en bares, clubes y cabarets. Domingo Lugo, más victrolero imposible. Su repertorio más exitoso fueron peculiares versiones de tangos en clave de bolero soneado. Estilo que años antes había cimentado Panchito Riset. El desarrollo alcanzado, hacia los últimos años 50 y comienzos de los 60, por la industria independiente del disco favoreció la aparición de numerosas etiquetas y con ellas nuevas voces. El ayer y hoy de una isla y su música: nada más parecido al colorido de un vitral cubano que las piezas de José María Vitier. Seguidamente tres cortes del álbum "Cuba dentro de un piano", producción del año 1999, donde este gran músico logra tamizar siglos de historia y poesía. Así escucharemos: "Danzón imaginario", "Habanera del Ángel" y "Contradanza festiva". Notable trabajo donde confluyeron además los talentos de Jorge Reyes en contrabajo y el tempranamente desaparecido percusionista Miguel Angá. Y repasando los catálogos discográficos del mundo, descubrimos varios clásicos cubanos a la manera de Toña la Negra. La cantante azteca, en dos tiempos, nos recordará el afro de la pianista Margarita Lecuona: "Babalú"; los boleros "No vale la pena" de Orlando de la Rosa, y "La gloria eres tú" de José Antonio Méndez, para despedirse en clave de bolero-son con la pieza de Ignacio Piñeiro: "Salomé". Regresamos al desenfado de la radio independiente cubana y sus programaciones musicales en directo. A comienzos de la década del 50 y desde sus flamantes estudios de 23 y M del Vedado habanero, estrenados en 1948, la CMQ RadioCentro, a través de sus diferentes shows, ponía en antena a los cantantes y agrupaciones del momento . Unos minutos para recordar el arte del trío de Servando Díaz: Mario Recio, Portal y Servando. Emisión del estelar show "Nosotros los cubanos", patrocinado por el ron Matusalén y animado por uno de los grandes de la locución José Antonio Cepero Brito. En 1951 Lorenzo Hierrezuelo (Compay Primo) alternaba su labor musical con la Trovadora Mayor: Maria Teresa Vera, completando un fabuloso dueto con Francisco Repilado (Compay Segundo). Memorable presentación de Los Compadres. Atentos a la descripción que entonces hacía Cepero Brito de nosotros, los cubanos. En la despedida Pello el Afrokan y una comparsa para la memoria: El Alacrán.

1 - Carmen Selection (Bizet) - Arthur Pryor's Band - 19082 - Me Llamo Carmen - Srta. Carmen Flores3 - Conga Habanera - Orquesta Havana-Casino - 19404 - Habanera from Carmen (Bizet) - Ebe Stignani - 19275 - Seguidilla - Lucrezia Bori - 19286 - By the Ramparts of Seville - Seguidilla (Bizet) - Rachel Morton - 19267 - Tererolied (Bizet) - Heinrich Schlusnus - 19208 - Carmen - Eddy Thomas with the Regent Club Orchestra - 19289 - Dance Rumba - Carmen Miranda - 193910 - Rhumba at the Waldorf - Don Jose and his Orchestra - 194611 - The Quintet Plays Carmen - Raymond Scott Quintet - 194012 - Concert Reel and Custom Gap - Paddy Sweeny - 193713 - The Fortune Teller - Peg LaCentra with Johnny Green and his Orchestra - 193414 - Carmen (Bizet) - Garde Républicaine Orkester Paris15 - Torero - Graciela Parraga with the Vicente Gomez Quintet - 194116 - The Toreador and the Andalusian Maid (Rubenstein) - Victor Symphony Orchestra - 192317 - Bull Fight Bull-Ero - Rex Irving and his Orchestra - 194018 - Carmen Miranda - Eddie Bergen and Charlie McCarthy - 1945 (Radio Comedy)19 - Tangled Web - The Whistler - 1943 (Radio Drama)20 - The Parrot on the Fortune Teller's Hat - Edmundo Ros and his Rumba Band - 1945

Fr. Eric Nicolai preached this meditation on December 13, 2022 in a recollection for priests at St. Aidan's parish Toronto. After the annunciation, Mary went with haste, 80 km away to Ain Karim. Not slowly, uninterested. The hill country of Judah, would have been understood as the land of David. Where he grew up. She went with meaning and a sense of purpose. This too is how we must see our vocation. Go with haste. It is the opposite of any form of procrastination in our duties. St. Josemaria says that this is an act of loyalty: Furrow 371: Turn your eyes towards the Blessed Virgin and see how she practises the virtue of loyalty. When Elizabeth needs her, the Gospel says that she went cum festinatione — joyfully making haste. Learn from her! Music: Alfred Cottin, Habanera played by Bert Alink. Thumbnail: Pieter de Jode II (1606–ca. 1674) after Peter Paul Rubens (1577–1640), The Visitation, 1625–74. Metropolitan Museum of Art. For more meditations, check my channel: https://www.youtube.com/c/EricNicolai/videos

Angela and Joshua cap Season Five with Terri Allen, Executive Director of the Coalition for African-Americans in the Performing Arts (CAAPA). From humble origins to a nationally respected model, Terri details the 20-year journey of CAAPA's intentional strategies for leveling the playing field in the world of classical music. CAAPA's dedication to providing scholarships for burgeoning Black classical musicians and unwavering commitment to arts education at all talent levels exemplify the power of programming to create opportunities for real change in the performing arts.Featured Music:"Porgy and Bess," feat. soprano Angela Brown and baritone Kenneth Overton"Habanera," from Carmen, feat. mezzo-soprano J'Nai BridgesSupport the show

New host Khadija Mbowe is joined by esteemed soprano Karen Slack for a no-holds-barred conversation about excellence, expectations, and self-esteem. In this episode, you'll hear:[00:00] MUSIC: Hannibal, Healing Tones, Karen Slack with The Philadelphia Orchestra [03:25] Fairytale love story[05:19] Music in the household[07:29] Veterinary dreams[8:27] Journey into classical through CAPA (Creative and Performing Arts High School)[13:14] MUSIC: Bizet, Habanera, Denyce Graves [14:11] Undiagnosed learning challenges[15:07] The double-edged sword of winning the Rosa Ponselle scholarship [18:45] Approach to mentorship[25:49] MUSIC: Price, Bewilderment  (with text from Langston Hughes), Michelle Cann and Karen Slack[27:09] See the need, fill the need [29:03] #KikiKonversations[33:14] Who heals the healers; unrealistic expectations placed on black women[36:49] The struggle for self-care MUSIC: Barnes, Taking Names,  Karen SlackLinks from this episode: BANFF Opera in the 21st Century ProgramBellini, "Casta Diva," Maria CallasWagner, "Tristan Und Isolde" - Prelude & Leibestod,  Jessye Norman and Herbert von Karajan Opera Philadelphia Sounds of Learning Rehearsal Program  La Forza Del Destino (Ponselle's debut)  Michelle Cann on the HearTOGETHER podcast#SayTheirNames#KikiKonversationsKhadija MboweKaren Slack

This summer, Jay had a long talk with Marilyn Horne, the great mezzo-soprano, resulting in a piece called “A Life of Singing.” He thought a podcast, to accompany the piece, would be good. You may well agree. Tracks of various types, showing the versatility, and the heart, of this extraordinary singer. Mahler, “Liebst du um Schönheit,” from “Rückert-Lieder” Bizet, “Dat’s Love” (Habanera)... Source

durée : 00:58:25 - La Nouvelle-Orléans, New York : "el son latino" - par : Marcel Quillévéré - Une grande escapade puisque de Cuba nous rejoignons La Louisiane et New York. La Nouvelle-Orléans, d'abord, qui a longtemps été considérée comme le premier port marchand…de Cuba !

John 5, 18: "I tell you most solemnly, the Son can do nothing by himself; he can do only what he sees the Father doing..." Jesus was not merely a wise teacher. He was intertwined with God the Father and sent by the Holy Spirit. He says these encouraging words: If you remain in my word, you will truly be my disciples, “and you will know the truth, and the truth will set you free.” (Jn 8, 31) To be set free implies that one is already in a prison in some way, or that one is constrained, limited. Am I constrained by my own selfishness? A meditation preached at Lyncroft Centre on March 30, 2022. Mention was made of Jean Twenge's book, The Narcissism Epidemis: http://www.jeantwenge.com/the-narcissism-epidemic-book-by-dr-jean-twenge/ Music: Alfred Cottin (1863-1923) Habanera, played by Bert Alink Thumbnail: Jean Bourdichon, The Holy Trinity, c. 1503-1508. Miniature from the Grandes Heures of Anne of Brittany, Queen consort of France (1477-1514) For more meditations, check my channel: https://www.youtube.com/c/EricNicolai/videos www.ernescliff.ca www.opusdei.ca