Podcasts about dawes allotment act

In 1907, as Oklahoma was becoming a state, the Dawes Allotment Act divided Indigenous land among natives and formerly enslaved Black people. Each member of the Rector family received land, including 10-year-old Sarah Rector, who would soon become the richest Black woman in America. In May 2020, Jay conversed with author and economic scholar Dr. Boyce Watkins to put Sarah Rector's story in context for the 21st century and reveal its lessons of liberation and freedom. To learn more about our guest, visit www.boycewatkins.com Black History Year (BHY) is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school and explore pathways to liberation with people who are leading the way. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work.  Hosting BHY is Jay (2020-2023) and Darren Wallace (2024). The BHY production team includes Jareyah Bradley and Brooke Brown. Our producers are Cydney Smith and Len Webb for PushBlack, and Lance John with Gifted Sounds edits and engineers the show. BHY's executive producers are Julian Walker and Lilly Workneh. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Haiti was forced to pay France Reparations of $560 million (in today's dollars) as a result of the Haitian Revolution; In 1825 France demanded Reparations or they would declare War on Haiti, again.  We discuss the New York Times series.  Louisiana Purchase 1803, Black Wall Street; Black Freedmen Indian Treaties of 1866, Dawes Allotment Act 1887; US Civil War, Civil Rights Movement, Black Power; 'From The Civil War to The Civil Rights Movement & Black Power 1865 – 1968' 10 Week Course (Class Preview) Class Starts Sun. 2:00pm EST, 5-29-22   Next Class Sunday 5-29-22, 2:00pm EST! REGISTER & WATCH NOW! 'From The Civil War to The Civil Rights Movement & Black Power (1865 – 1968)' 10 Week Online Course with Michael Imhotep. ON SALE $80: https://theahn.learnworlds.com/course/from-the-civil-war-to-the-civil-rights-and-black-power-april-2022   Support The African History Network through Cash App @ https://cash.app/$TheAHNShow or PayPal @ TheAHNShow@gmail.com or http://www.PayPal.me/TheAHNShow..

Born as the daughter of freedmen in 1902, Sarah Rector rose from humble beginnings to reportedly become the wealthiest black girl in the nation at the age of 11. Rector and her family where African American members of the Muscogee Creek Nation who lived in a modest cabin in the predominantly black town of Taft, Oklahoma, which, at the time, was considered Indian Territory. Following the Civil War, Rector's parents, who were formerly enslaved by Creek Tribe members, were entitled to land allotments under the Dawes Allotment Act of 1887. As a result, hundreds of black children, or “Creek Freedmen minors,” were each granted 160 acres of land as Indian Territory integrated with Oklahoma Territory to form the State of Oklahoma in 1907. While lands granted to former slaves were usually rocky and infertile, Rector's allotment from the Creek Indian Nation was in r the middle of the Glenn Pool oil field and was initially valued at $556.50. Strapped for cash, Rector's father leased his daughter's parcel to a major oil company in February 1911 to help him pay the $30 annual property tax. Two years later, Rector's fortune took a major turn when independent oil driller B.B. Jones produced a “gusher” on her land that brought in 2,500 barrels or 105,000 gallons per day. According to Tonya Bolden, author of Searching for Sarah Rector: The Richest Black Girl in America (Harry N. Abrams; $21.95), Rector began earning more than $300 a day in 1913. That equates to $7,000 – $8,000 today. She even generated $11,567 in October 1913. Rector's notoriety ballooned just as quickly as her wealth. In September 1913, The Kansas City Star local newspaper published the headline, “Millions to a Negro Girl – Sarah Rector, 10-Year-Old, Has Income of $300 A Day from Oil,” reports Face 2 Face Africa. In January 1914, the newspaper wrote, “Oil Made Pickaninny Rich – Oklahoma Girl With $15,000 A Month gets Many Proposals – Four White Men in Germany Want to Marry the Negro Child That They Might Share Her Fortune.” Meanwhile, the Savannah Tribune wrote, “Oil Well Produces Neat Income – Negro Girl's $112,000 A Year”. Another newspaper dubbed her “the richest negro in the world.” Her fame became widespread, and she received numerous requests for loans, money gifts, and four marriage proposals. At the time, a law required Native Americans, black adults, and children who were citizens of Indian Territory with significant property and money were to be assigned “well-respected” white guardians. As a result, Rector's guardianship switched from her parents to a white man named T.J. Porter. Concerned with her wellbeing and her white financial guardian, early NAACP leaders fought to protect her and her fortune. In 1922, she married Kenneth Campbell, the second African American to own an auto dealership. The couple had three sons and were recognized as local royalty, driving expensive cars and entertaining elites like Joe Louis, Duke Ellington, and Count Basie at their home. They divorced in 1930 and Rector remarried in 1934. Rectors lost most of her wealth during The Great Depression. When she died at age 65 on July 22, 1967, she only had some working oil wells and real estate holdings. --- Support this podcast: https://anchor.fm/unlabeled/support

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation's forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek's struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how.

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how. Learn more about your ad choices. Visit megaphone.fm/adchoices