Podcasts about us civil war

Edgefield County and much of South Carolina was compared to the wild wild west in the 1840's. A political disagreement led to violence leaving two men maimed. That event would prove to be a precurser to a historical conflict that served as a prelude to the US Civil War.Special Thanks to our guests Amanda Hall and Ashley Richards.

This is a free preview of a paid episode. To hear more, visit www.ryandawson.orgConsider subscribing we have 1hr 11mins extra covering RFK Files! The Movie Update, US Civil War and Jefferson facts, plus a long talk on Esoteric Theology on how the 1st Council of Nicea gutted the message of Jesus and replaced Christianity with an authoritarian cult. About 7,000 of you open and read these regularly. I encourage you to subscribe, it is…

The most famous battles of the US Civil War all occurred in the eastern theater, such as Gettysburg, Antietam, Shiloh, and Bull Run.  However, one of the most important battles, from both a strategic and tactical standpoint, took place in the west.  It was one of the most brilliant led battles of the entire conflict, and it vaulted into prominence a man who would go on to lead the Union to victory and ultimately the Presidency.  Learn more about the Battle of Vicksburg and how it changed the course of the Civil War on this episode of Everything Everywhere Daily. Sponsors Mint Mobile Cut your wireless bill to 15 bucks a month at mintmobile.com/eed Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Stitch Fix Go to stitchfix.com/everywhere to have a stylist help you look your best Tourist Office of Spain Plan your next adventure at Spain.info  Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase and to view important disclosures. Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Learn more about your ad choices. Visit megaphone.fm/adchoices

Just one week after President Abraham Lincoln was re-elected in November 1864, Union General William Tecumseh Sherman set out to execute one of the most audacious plans of the US Civil War.  His plan involved violating several central tenets of warfare, which had been established for thousands of years, yet in the process, he helped bring the war to a swift conclusion.  In hindsight, many people consider what he did to have been a war crime. Learn more about Sherman's March to the Sea and how it affected the outcome of the US Civil War on this episode of Everything Everywhere Daily. Sponsors Mint Mobile Cut your wireless bill to 15 bucks a month at mintmobile.com/eed Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Stitch Fix Go to stitchfix.com/everywhere to have a stylist help you look your best Tourist Office of Spain Plan your next adventure at Spain.info  Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase and to view important disclosures. Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Learn more about your ad choices. Visit megaphone.fm/adchoices

  Today's podcast features historian Connor Williams, Middlebury Class of 2008.5. We explore the role of history and memory around the US Civil War and the way in which historical narratives inform our ability to tackle contemporary conflicts. Connor shares his experiences in community dialogues across the United States and lessons for engaging in discussions about controversial issues. Connor Williams is a scholar, teacher, and advocate of American and African American history. In 2021 and 2022, Williams served as the Lead Historian for the United States Congress' “Naming Commission,” researching the history, causes and context of Department of Defense assets that commemorate Confederates or the Confederacy. His two forthcoming books tell the story of the naming commission and explore the history of the Civil War and Confederacy. He is also an occasional teacher at Middlebury College.  Learn more about https://connorwilliamshistorian.com/

Ok, here we are, poised right on the edge of World War II.  I'm going to try to not bog down as much as I did on the US Civil War, but I still have 9 episodes planned to cover World War II.  Is that bogging down?  I can't imagine doing it in less episodes than that.  Too much interesting and important stuff is about to happen.  Also, what happens during the war, including who wins which battles, who gains and loses territory, and what happens to governments during and after the war will make a big difference in our modern world.  So to set the stage for all that happens geopolitically after the war, we have to look pretty closely at what happens during the war.   Plus, World War II was kind of the last time that the world made any sense, and we'll need to talk about that at some point.  Anyway, at the end of our last episode, we left about 106 German divisions poised along the Polish border.  That's not an ominous sign, is it?Website:  shortwalkthroughhistory.comemail:  shortwalkthroughhistory@gmail.com

Professor Michael Vorenberg joins us to address one of the most perplexing questions in US history. Did the Civil War end on April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? And we talk about the general question of when wars truly end. Fascinating! Episode 578.

Introducing It's All an Illusion from Things That Go Boom.Follow the show: Things That Go Boom Nearly everyone has played dress up at some point in their lives, whether putting on mom or dad's clothes as kids, for Halloween, as their favorite Marvel character at ComicCon… or even, maybe, as a Civil War soldier.Gettysburg, Pennsylvania, where historians say Civil War casualties were highest, attracts many reenactors. They carry their muskets, pull on their blue britches, and revel in the past. But today that hobby has taken on new meaning — survivalists on the left and right and even some pundits have suggested a second US Civil War isn't quite so unlikely as it might seem. So, we thought we'd head out to learn a little bit more about why some folks like to play war… and what they think about the prospect of another.GUESTS: Pete Bedrossian, Civil War reenactor; Mike Peets, Civil War reenactor; Levi Rifenburgh, Civil War reenactor, high school student; Mary Babcock, Bannerman Island; Rebecca DuBois, Bannerman Island, archivist; Peggy Bedrossian, Former reenactor, Pete's wife; Kyle Windahl, Regalia maker, historian; Jocelyn Windahl, Occasional Reenactor, High school STEM teacher, Kyle's wife; Matt Atkinson, Civil War reenactor; Sherry/Cheri Stultz, Gettysburg Family Restaurant; Mark Russell, Civil War reenactorADDITIONAL RESOURCES:Civil War Re-Enactors Have Their Own POG-Level Slang, Blake Stilwell, We Are The MightyHow Gettysburg Became a Refuge for Conservatives Battered by Trump-Era Strife, Virginia Heffernan, Politico DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.

Before the US Civil War, a group of abolitionists didn't just sit around passively to wait for the end of slavery to arrive.  They took matters into their own hands. They set up a clandestine network that operated over multiple states to bring escaped slaves to freedom.  Their network wasn't a top-down organization, which centrally organized everything. Rather, it was one of the earliest examples of a decentralized network where the members didn't even know who else was involved.  Learn more about the Underground Railroad and how it brought thousands of people to freedom on this episode of Everything Everywhere Daily. Sponsors Mint Mobile Cut your wireless bill to 15 bucks a month at mintmobile.com/eed Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Stitch Fix Go to stitchfix.com/everywhere to have a stylist help you look your best Tourist Office of Spain Plan your next adventure at Spain.info  Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase and to view important disclosures. Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Learn more about your ad choices. Visit megaphone.fm/adchoices

We recount the fascinating story of George DuPont, the only Thai person who fought in the American Civil War. The first record of George in the U.S. is in 1859, but almost nothing is known of how or why he ended up in the United States. We know that in 1862 he volunteered for a New Jersey regiment to fight for the North in the American Civil War. Shockingly, he fought in and survived the battles of Antietam, Chancellorville, and Gettysburg, three of the bloodiest battles of the war. He was eventually naturalized as a U.S. citizen in 1869. He subsequently returned to Thailand, or Siam as it was known, and worked a variety of jobs, from writer for an English language newspaper to a drillmaster to a timber dealer. He died at age 56, and you can still see his grave in the Bangkok Protestant Cemetery on Charoen Krung 72/5.  George DuPont represents a fascinating glimpse into the lives of early Thai immigrants to America. Greg and Ed surmise that there must have been immigrants before him, equally or more interesting! One way or another, we'll find them and tell their stories on the Bangkok Podcast. :) Don't forget that Patrons get the ad-free version of the show as well as swag and other perks. And we'll keep our Facebook, Twitter, and LINE accounts active so you can send us comments, questions, or whatever you want to share.

Professor Mark Wilson explains how governments, industry and the military collaborated to forge the US's ‘arsenal of democracy' during the Second World War. The prevailing myth is that the miracle of US industrial production was achieved by individual business leaders who were freed from the dead hand of government. The truth is more nuanced. The impressive efforts of business leaders relied on their workforce, government and the military. It was also a truly international effort. French and British orders started before the European war and long before Pearl Harbor, thereby expanding US industrial capacity and providing a springboard for success once the US was mobilised. This episode's guest, Professor Mark Wilson, is an historian from the University of North Carolina at Charlotte. He specialises in in military-industrial relations and war mobilisations in US history, having written important books on US Civil War mobilisation and the business and politics of US industrial mobilisation for the Second World War.

Discover how Neptune's impending move into Aries on March 30, 2025, could revolutionize our collective psyche and societal makeup. As host Evan Nathaniel Grimm explores this cosmic transition, anticipate a world where courage, individuality, and self-reliance take center stage, shaking off Pisces' old illusions and celebrity fantasies. Learn how these astrological shifts might echo through history, drawing parallels to tumultuous yet transformative periods like the US Civil War, and prepare for a new age that intertwines technology and spirituality as Uranus and Pluto shift into new signs.Evan delves into the profound ways Neptune in Aries will affect each astrological sign, revealing potential challenges and opportunities. Evan offers insights that will help you understand how these celestial changes might influence your personal journey. The stars are aligning to redefine ideals, relationships, careers, and health, and Evan ensures you're equipped to harness these energies for personal growth and fulfillment.As we witness the rise of spiritual entrepreneurs, Evan highlights the vital role these individuals will play in shaping our future. By fostering personal and communal growth and resisting oppressive forces, these trailblazers are poised to lead us to a more enlightened society. With Pluto's transformative power in Aquarius gaining momentum, the emphasis is on community-driven initiatives and breaking free from corporate constraints. Tune in to Astrology Unbound and envision a brighter future guided by courage, creativity, and spiritual leadership.

FAN MAIL--We would love YOUR feedback--Send us a Text MessageThe Lost Cause narrative has long clouded our understanding of the American Civil War, but what if everything you thought you knew about this period was upside down especially if you grew up in the South and learned US Civil War history from its public schools? On the MOJO Minute episode, we challenge the deeply entrenched myths that have shaped perceptions of the conflict and the Confederacy's defeat. With insights from Edward H. Bonekemper III's pivotal work, "The Myth of the Lost Cause," we expose the truth behind misleading claims like the war being about states' rights and the Confederacy's loss being due to sheer numbers. Delve into how organizations like the United Daughters of the Confederacy played a role in perpetuating these myths, embedding them into the education system and influencing countless generations.Join us as we confront the romanticized notions that have skewed historical understanding and explore the damaging effects of the Lost Cause ideology, including the entrenchment of white supremacy and the distortion of slavery's harsh realities. We'll critique figures like Woodrow Wilson for their complicity in spreading these falsehoods and highlight the critical need for accurate historical education. By drawing on historical accounts and expert analysis, we aim to dismantle these destructive narratives and advocate for a truthful understanding of America's past, offering a fresh perspective on the progress towards equality and the rejection of flawed historical interpretations.Key Points from the Episode:• Examination of the origins and implications of the Lost Cause myth  • Discussion of the role played by the United Daughters of the Confederacy  • Analysis of the lasting impacts on education and public perception  • Reflection on the historical role of Woodrow Wilson in propagating the myth  • A call for truth and accurate representation of history in educationOther resources: Want to leave a review? Click here, and if we earned a five-star review from you **high five and knuckle bumps**, we appreciate it greatly, thank you so much!Because we care what you think about what we think and our website, please email David@teammojoacademy.com.

CJ has recently started making his highly acclaimed series on the US Civil War available as collected volumes of approximately 4-5 hours apiece, with all the ads & announcements/housekeeping stuff from the original episodes cut out. These can be purchased a la carte from CJ's Patreon Shop, or you can get access to them at no extra charge if you sign up to support CJ via Patreon for $25/month or more. For your listening pleasure, here's the very first episode of that series, first published 8 years ago, in Dec. 2016. Join CJ as he discusses: The secession of the seven states of the Deep South following the election of Abraham Lincoln The formation of the Confederate States of America, including its constitution The accession to office of the Lincoln Administration The firing on Fort Sumter Sumter's impact on the North and the South, including the secession of the Upper South Lincoln's actions to try to keep the Border States in the Union, by any means necessary Preparations for war & early skirmishes The Battle of Manassas (or First Bull Run) and its impact Julia Ward Howe's "Battle Hymn of the Republic" (written in Nov. 1861) as portent of the total war-crusade to come Links Support the Dangerous History Podcast via Patreon Other ways to support the show Like this episode? You can throw CJ a $ tip via Paypal here: https://www.paypal.com/donate/?hosted_button_id=D6VUYSYQ4EU6L Throw CJ a $ tip via Venmo here: https://www.venmo.com/u/dangeroushistory Or throw CJ a BTC tip here: bc1qfrz9erz7dqazh9rhz3j7nv696nl52ux8unw79z

I personally love Thanksgiving - if you've ever read my blog, Paprika Angel you will see my love of food and travel but also the time and energy I have spent preparing this meal for friends and loved ones and sometimes strangers for years.  With minor exception I pull together 10 or more people to feast extravagantly every year, even if my funds are short.  I always have found a way because I love to prepare and feed and make offerings at this time of year from a place of love.  At one of my in person legal educational events last year, my door prize included a Turkey Day kit and the who won it said.  “Oh, I don't celebrate Thanksgiving.” and was offended by my gift.  I stopped in my tracks, not to apologize, but for my naivety and surprise - as some still believe and or are wholly ignorant of what Thanksgiving as a National Holiday is about.  So we are going to go down a little gobbler day history less here to reclaim any misconceptions of Thanksgiving back into the light.  There were no docile aboriginals showing up at some saintly puritan pilgrims' feet offering them maize and turkeys. Our mythological buckled hat pilgrims straight off the Mayflower likely did not sit down at any table anywhere, let alone with the natives of the region we now call New England.   There is however a 1st hand account in a letter form from around that time of the first English settlements of Prospectors (not religious pilgrims but gold hunters seeking riches in the new lands) that a “harvest festival” of sorts occurred over the course of weeks involving the hunting of wild game (deer, wild turkeys, bear) and the sharing of cranberries, gourds and tubers by the local native friendlies.  Likely, the “settlers” were starving to death on their own with no knowledge of what was edible in the inhospitable places they chose to set up camp, and having no supplies from England left over, the aboriginals may have felt sorry for some of them and shown them what to do.  Or for the sake of trading for weapons to gain strength over another nation, they brought the prospectors food.    The original table is a myth taught to school children.  Just as the belief that the original settlors came in the name of religious freedom and that Columbus discovered America.  The actual first settlements in what is now the United States America were all about gold and riches.  The actual first settlement in the United States in St. Augustine - and that was under the guise of saving souls by the Catholic church but it really was about the protection of Spanish gold from South America.  But if there was truly to be a first North American Thanksgiving it would be the priests and Spanish military landing at what is now called St. Augustine and meeting The Timucuans, a truly kind and docile native people of Northeastern Florida, who took immediately to the prayers and symbols of the Catholic priests, and all of them celebrated together the mass and feast of St. Mary at El Nombre Dias (there is still in a cross in the ground today where this happened).  They all prayed together, Timucuan, Spanish sailors and soldiers, Catholic priests - and they offered thanks and praise to god and the great mother, and they shared in a feast of shellfish provided to them by the friendly natives.  But as England and Spain were rivals in the prospecting of North America for gold and riches, this story of a true first Thanksgiving (coming together in gratitude and prayer to the universal force that loves and protects us) is not in the common mythology of the United States.  In fact it is buried in the annuls of Florida history as Florida did not become a state released from Spain until just before the US Civil War.  So, let's move forward in time a bit to when we have a thriving New England after the Revolutionary war when we are an independent nation open to those seeking freedom of religion, opportunity to farm, and asylum from persecution. It was during these times that we have huge influxes of Puritans who had Thanksgiving as a time of prayer.  Entire days devoted only to giving thanks to God for everything in creation.  For a long time this day of prayer and observance was the equivalent of our modern day Christmas celebrations because in puritanical christian practice the giving of gifts and worshiping saints like the Catholics and Lutherans was looked down upon. Puritans were very austere and labeled any festivals as negative, wasteful, and involving satanic invitations.  So instead they prayed and gave thanks and this holy time generally occurred around the beginning of November - the early parts of winter and the late stages of Autumn when it was important to count your blessings and prepare for the meager months ahead by working hard to fill your stores.  Pigs and Poultry would be slaughtered and salted and prepped for winter storage.  So there would be a time of feasting as things that couldn't be stored had to be used up to prevent waste.  It was out of necessity and practicality in a pre-electricity society.   People today can barely imagine going without the internet for a couple of hours let alone not having running water and electricity.  Something we take for granted with the evolution of humanity and technology, is how fragile we are without the  technology tools we have built.   This time of year it was necessary to feast so we did not waste.  The last hurrah before the lean times when people died of exposure and diseases of malnutrition and lack of sanitation. But they still paused to give thanks and pray and embody gratitude.  In Viking society even before our young country of the United States this concept of gratitude, prayer and nourishment was built into the bedrock of the culture (as Vikings were farmers and life was not easy).  You see it in the Rune stones - Fehu translates to cattle which is the rune of abundance and mobile property. Wunjo translates to winning and joy - and it is the rune of gratitude i.e. having/having enough.  And finally Algiz which translates to Elk Sedge or stage is a run of protection, boundaries and prayer because the man who prays and acknowledges what he has is protected by the Gods.   Alright, back to the US and our Thanksgiving story.  I'm writing this on the eve of the 2024 U.S. Presidential election so I think it is poignant in this time of massive emotional divisiveness  to explain  when and how Thanksgiving, the National holiday of gratitude, unity, and celebration of shared blessings came to be. Civil War.  Can you even imagine if war was outside your backdoor?  Cities burning, young men across the entire country dead and maimed by the millions.  Families lost their homes, their means of making any income, there was no usable farmland, just fields of blood.  People are starving and grieving.  Any issue we are facing today, pales in comparison to the aftermath of the United States civil war.  And it was then that the Federal Government and Abraham Lincoln declared the need for a Great Healing.  A coming together to give thanks for what we had been given by God and together as families and a hurting nation.  Gratitude is the foundation upon which the United States was rebuilt upon.   Gratitude is the strong foundation  that allows us to build in spite of the  greatest atrocities and destruction..  This is what saved Holocaust survivors.  And Thanksgiving as a holiday is the core of our nation's gratitude practice and abundance mindset.  It was initiated as a National holiday to create healing and to mend the divide between neighbors, so we could all come together as Americans again.  Not as Northerners nor Southerns, not based in color or creed, or economies, not separated by ideologies , but together, as Americans - united in the spirit of acknowledging blessings  and breaking bread.  Every thought is acted upon.  By you or someone else.  This is a Hermetic principle and a truth of the universe.  How many people today have said death to Trump!  Or Kill Kamala!  Or some version of hate directed at those who hold differing views?   Where are we going with this?  Hate begets Hate and is acted upon.  We can see this in our Nations history.  I bring this up not because I hold any political viewpoint but because I am on the side of humanity, love, unity and reason for us to come together. Let us come together to solve our challenges. Let us come together and hear differing perspectives. Let us find nourishing common ground and stop  playing the blame game.   How do we come together? With the greatest healers of all time - prayer and gratitude.  Gratitude and prayer.  Whatever that looks like to you.  Whatever God, Gods or forces of universality you choose to worship.  Look at your fellow person, your family friends, neighbors, city dwellers, statesman, countrymen and country women.  And give gratitude for this country  of opportunity of freedom and abundance we live in.  War is not at our back door.  Our daughters can go to school.  We have running water and electricity and almost everyone can have a cell phone and access to the Internet.  YES there are problems but we have the technology, the infrastructure, and the resources to fix them!  There is no lack.  Lack is a fiction built by ideologies that come from hurt,shadow and negative ego.  As within so without.  If we are victims internally, we are victims externally.  If we choose abundance and healing internally we will create healing and abundance for ourselves and others externally.   So. this is why Thanksgiving is such a special day and such an opportunity for us all.  It is a day in our collective consciousness dedicated to the GREAT HEALING energy of gratitude.  The power of gratitude is phenomenal. An action of gratitude has a rippling effect on the collective. . Like thoughts attract like thoughts.  By us all coming together in gratitude we can create an enormous  healing force of magnifying love.  We can collectively create a shift in the consciousness to healing—and not just others but ourselves!.   Overcome the divide created by elections and propaganda  language that is made to trigger our most egocentric emotions.  We can be better than the propaganda counsels. We can unite in love.  We can give thanks together in the bounty we have. We can propel humanity  forward by choosing to raise everyone up.  We can forgive the past hurts and grow as a result.  We can truly be a land of opportunity.  We just have to acknowledge in rich and beautiful gratitude everything we already have, and everything gratitude will allow us to create together.   In the true spirit of this misunderstood holiday, I wish you all— including those with differing politics, ideologies, geographies and beliefs— Happy Thanksgiving!    

We're off this weekend, but here's a thematically appropriate episode from earlier this year. Come find us on Patreon for our recent political coverage, The Standard Edition series, and more Wild Analysis. We'll be back next Saturday.---While Abby's voice is still gone, Dan and Patrick take in a film on opening day and subject it to some wild analysis. The movie is Civil War (2024), and, to hear director Alex Garland tell it, it's a dire warning of how things could turn out in the US sometime soon. But to Dan and Patrick it's also something else – at once a symptom, a product of underlying anxieties, and a fantasy, a story that's as revealing in what it sets out to portray explicitly as in what it obscures or avoids.  And so, after walking through the film's plot and visual grammar (spoiler alert: there are spoilers after 1:05:00), they turn to the recurrent invocations of looming “civil war” in American discourse. How do our fantasies – and not just Garland's – relate to the actual and “official” US Civil War of 1861-1865, and how do they distort the history of that conflict? For audiences sitting in a movie theater deep within the imperial core, what's is and isn't imaginable in terms of a “civil war,” and why must we, like Garland, turn to images of violence abroad in order to dramatize it?  What would another civil war actually look like in the contemporary US – and what do our anxious expectations of it in the future, as well as our fixations on fantasies about the past, betray about us and our moment in the here and now? Dan and Patrick ponder these and other questions as well as: the culture and iconography of twentieth century combat photography from Robert Capa and Gerda Taro to Eddie Adams and the Bang Bang Club; the gaps between the fantasies of armchair Operators and the horrifying realities of insurgent warfare; and how The Office and Parks and Recreation relate to War on Terror propaganda.Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Ah... the smell of Polling Day in the morning. As the (for now) United States of America go to the polls this episode is (mostly) dedicated to discussion of Harris vs Trump with Isaac-Davy Aronson supervising producer at US news network MSNBC and co-presenter of the excellent podcast Déjà News alongside Rachel Maddow.But it's not all stars & stripes... oh no. This episode contains a mini-history lesson on Britain's biggest loser (insert your own cheap Liz Truss gag here) Guy Fawkes. It's the most explosive episode of Trash Talk yet. Until the one about the emerging US Civil War later in the week. Hosted on Acast. See acast.com/privacy for more information.

HBO actually predicted mass immigration as a political weapon that led to a US civil war. They did this in a movie that's super difficult to find. And, The Mockingbird Media is LITERALLY saving LITERAL democracy from Trump's deep fakes. Plus, we'll compare Tulsi Gabbard's campaigning to The Kamala-Bot's election rigging scheme.Episode Links:Civil War | Official Trailer HD | A24Second Civil War HBO 1997James Carville's reaction to Trump at McDonald's: He's doing a Nazi rally at Madison Square GardenCBS Excitedly Proclaims Elon Musk Could Be Destined to Prison for $1 Million GiveawayNew early voting data could mean BLOWOUT for Trump before polls even open on election day…Tulsi Gabbard: The Trump campaign has never given me “talking points”The host admits the audience can't actually ask questions at Kamala's fake "town hall" with Loser War Hawk Liz Cheney because the questions are "pre-determined"Kamala Harris has no clue what to say after CNN's Anderson Cooper asks her to think of one mistake that she has learned from in her life.Alan's Soaps https://www.alansartisansoaps.comUse coupon code ‘TODD' to save an additional 10% off the bundle price.Bioptimizers https://bioptimizers.com/toddStart your journey to better health with MassZymes. Visit bioptimizers.com/todd today to get your MassZymes 10% off.  Bonefrog https://bonefrogcoffee.com/toddMake Bonefrog Cold Brew at home!  Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.Bulwark Capital Bulwark Capital Management (bulwarkcapitalmgmt.com)Learn about Bulwark's strategies with their FREE Common Cents Investing Guide. Get yours by calling 866-779-RISK or go to KnowYourRiskRadio.com.Renue Healthcare https://renue.healthcare/toddYour journey to a better life starts at Renue Healthcare. Visit renue.healthcare/Todd

Geoff goes to the drive in, dresses up as Barney, and asks about how many 9-year-olds he can fit in his van. Then, in a totally normal and seamless transition, we talk about the US Civil War. Then we talk about the stakes of this election; the choice America has in front of it... a crossroads, so to speak. Good luck, America. --- Support this podcast: https://podcasters.spotify.com/pod/show/saywhatyoumeanpodcast/support

In the 1860s, one of the bloodiest wars in the Western Hemisphere took place….and it wasn't the US Civil War.  It was a war between Paraguay and an alliance of Uruguay, Argentina, and Brazil, and it was one of the bloodiest ever fought in Latin America. It was a conventional war that resulted in a guerilla war, which spawned famine and disease. Learn more about the Paraguayan War or the War of the Triple Alliance on this episode of Everything Everywhere Daily. Sponsors Plan your next trip to Spain at Spain.info! Sign up at butcherbox.com/daily and use code daily to get chicken breast, salmon or ground beef FREE in every order for a year plus $20 off your first order! Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Charles Daniel Associate Producers: Ben Long & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode is on the US Civil War soldier Albert Cashier. Tune in for some heartwarming trans acceptance in the 1910s, a wild genealogy trip, and an unpleasant discovery about how often Civil War soldiers bathed. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: Portrait of Albert, a young man in Civil War uniform, c.1864]

Did you know a sprawling network of anti-Confederate organizers formed in the Piedmont of NC at the outset of the US Civil War? Join Michael and Charlie for a history deep-dive into a little-discussed corner of the reality of political organizing in the south during that era! Note: the sound is different on this one because we got to use an awesome podcasting studio and record face to face! Don't forget, Arcane Carolinas: Volume 2 is out now!  Register & Vote: North Carolina voter registration North Carolina "One-Stop" voter registration North Carolina "One-Stop" early voting North Carolina voting by mail South Carolina voter registration South Carolina early voting South Carolina voting by mail Voting information for all states Upcoming Live Appearances: SPOOKY SEASON KICKOFF @ ARCANA DURHAM - Michael and Charlie (September 26th - Durham, NC) South Carolina State Library in Columbia, SC - Michael solo (December 12, 2024) Links: "The Heroes of America in Civil War North Carolina" Civil War in the North Carolina Quaker Belt "William W. Holden and 'Disloyalty' in the Civil War" "Heroes of America" (NCpedia) Follow us! Arcane Carolinas on Patreon Arcane Carolinas on Facebook Arcane Carolinas on Instagram Arcane Carolinas on Tumblr Contact us! arcanecarolinas@gmail.com

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster),  Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster),  Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster),  Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster),  Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster),  Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster),  Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster),  Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster),  Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Long football Sunday zoom. The Notes: Our love for you runs all year long! Desi Arnaz, drummer vs Desi Arnaz, husband! The ‘ol double brown! What can double brown do for you! He was a vanilla fella! Romance is impossible when you're sloughing! Will's sloughing face is a horror to behold, listeners! No matter what you're sloughing, the face remains the same! Will's Top 5 Wars He Doesn't Want to Fight In! Sometimes the worst part about war is a wool uniform in the heat and humidity! Yet again, Will is sleeping on the US Civil War! Civil War-era tiktoks! Musket balls! Golf vs meth! Hackers is for the kids! So long ago we didn't know who had Angelina Jolie's blood! Nelson has gleamed plenty of cubes, thank you very much! The cubes were so gleamed we had to wear shades! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider and Amber Fraley, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

Chet Gardiner has improved the sound and added some very tasty instrumentation to this song I wrote and recorded in my living room last week. The song is about one of so many historical events that could, if they were much better known, have a real impact on the outlook of so many people, about the prospects for civilization. Anti-slavery sentiment was so strong in the state of Wisconsin that it was never necessary to institute military conscription there during the US Civil War. In the decade prior to the Civil War, Congress passed the Fugitive Slave Act in 1850, which legally required authorities in states where slavery was banned to return people who had escaped back to those who claimed to own them. There was only one attempt to enforce this law in Wisconsin, and it resulted in the captured, formerly enslaved man, Joshua Glover, being freed from the jail in Milwaukee by a crowd of thousands of local people, who then protected Glover and made sure he had the means to get to Canada, where he could be beyond the jurisdiction of the slaveowners.

Arizona's relationship with the Arabian peninsula goes back well before Saudi-linked company Fondomonte began buying up agricultural land in the La Paz County desert in order to farm alfalfa that is shipped halfway across the world. It pre-dates the Saudi Kingdom, Arizona statehood and even the US Civil War. This week, we listen in to an episode of Tapped, AZPM's podcast about water in the southwest, that takes us through that long history and how Saudi Arabia's unregulated water use in our state is impacting rural Arizonans.

In this week's episode, we take a look at the pros and cons of KDP Print and Ingram Spark, and see which one works best for helping indie authors make excellent print books. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 215 of the Pulp Writer Show. My name is Jonathan Moeller. Today is August 23rd, 2024 and today we are looking at KDP Print and Ingram Spark and seeing which is the better choice for indie authors seeking to make print books. Before we get to our main topic, we will have an update on my current writing projects and the Question of the Week. My current main project is Shield of Conquest and I pleased to report I am 74,000 words into it, which puts me on Chapter 16 of 23. It helps that I had a 10,000 word day for it this week and another 10,000 word day for last week, which of course really moves the needle forward. I am also 37,000 words into Ghosts in the Tombs, which will be my next book after Shield of Conquest. Then after Shield of Conquest will come Cloak of Illusion and I am 7,000 words into that. So good progress all around. In audiobook news, recording for Half-Orc Paladin is almost done. Hopefully that should be wrapped up next week and then that will be available in audiobook before too much longer. So that's where I'm at with my current writing projects. 00:01:10 Question of the Week Now let's take a look at Question of the Week. I haven't had time to do Question of the Week since July, so let's do one now: If you enjoy reading about history, what is your favorite historical period to read about? No wrong answers, obviously. We had a range of responses to this one. Our first responses from Justin who says: My favorite historical periods are Roman (both Republic and The Empire) and American French and Indian War through The Civil War. The US was blessed to have the leaders that founded it. They were not perfect, but they were very good indeed. What's interesting about that is if you read any biographies about George Washington, you'll find out what he probably wanted more than anything in life was prestige and recognition and I think deep down, he very much would have liked to have been, you know, King George The First of The United States, but at the moment of crisis, he was able to refuse the crown and be only president, be only Mr. President, instead of a king. So that is probably one of the reasons the United States has lasted as long as it has. Our next response comes from AM who says: The 1964-965 World's Fair in New York is a moment when the American corporate optimism of the ‘50s came crashing into the aftermath of Kennedy's assassination and growing civil unrest (some of which was caused by the fair organizer's policies and decisions as an urban planner in New York City). It introduced both video calls and Belgian waffles to the General American public. It also had a massive impact on pop culture and several of the attractions Disney created for it still exist today: The Carousel of Progress, It's a Small World, Great Moments with Mr. Lincoln, and the pieces of Ford's Magic Skyway that are still viewable via Disneyland's railroad. Our next comment is from Sue, who says: for me, definitely Medieval/Tudor history, although I love all history. I was one of the few of my year at school who chose to study history rather than geography. Maybe that's why I get easily lost in a new place, lol. William says: I have had the feeling that I should read more on the Holy Roman Empire, but all those princedoms and rulers with complex family names makes it a bit daunting. He is entirely right about that. The history of the Holy Roman Empire is indeed quite complicated. Catriona says: I have two. The English Civil War and Medieval British history pre-Norman invasion. Although truth be told, I love history in all respects. I left the UK 20 years ago and have been in Asia ever since, and am in awe of Angkor Wat, the Great Wall of China, and the history here. Andrew says: The US Civil War. My dad bought a war game in the early ‘80s and got me hooked, followed by Napoleonic Wars. Jeanne says: I've been recently reading a lot on early British history, from the Roman period to the early Medieval period. The history of the British Isles is fascinating because it is made of so many different peoples, languages, and cultures that have all had an influence on modern Great Britain. Barbara says: early English history for me. Anything from William the Conqueror to Richard the Lionheart and Prince John. Richard was popular at the time because of the chivalry, but John was a much better ruler even though he was hated. And John says: Europe 1500 through 1700, also known as “Knights with Guns.” For myself, it's hard to pin down since it will be whatever catches my interest at any given time. Like when I visited the battlefield of Chickamauga in 2022, I went on a long reading spiral about the US Civil War. When I watched Season Four of The Crown, I wound up reading about Thatcher-era Britain to see all the many details that the show got wrong. When I recently read Ghost on the Throne about the Diadochi, the heirs of Alexander the Great, I did a lot of supplemental reading about Alexander the Great and the Wars of the Diadochi as well. Back in 2010, I beat Medieval 2: Total War as the Byzantine Empire faction, so after that I did kind of a deep dive on Byzantine history. All that said, I think two historical periods I read about the most are the second half of the Roman Republic, specifically from the 2nd Punic War to the victory of Augustus and the high Medieval period of Western Europe from about the Norman conquest to the Black Death. I had to laugh when the “how often does your boyfriend think about the Roman Empire?” meme was popular last year because I do actually think about the Roman Republic/Empire a lot, but mostly to mine it for inspiration for fantasy novels. Obviously, the High Medieval period also provides a lot of potential ideas for fantasy books. That said, those two historical periods offer a lot of examples of a fascinating riddle that has no answer: can a good person also be an effective leader who acts in the best interests of his people? Like, Caesar Augustus and King Henry I of England were in questionably very bad men who did a lot of very bad things, yet they're rated among the more effective Roman emperors and English kings because they brought peace and order to their respective realms, whether their realms wanted it or not. Monastic chroniclers at the time said that in King Henry's day, a virgin girl carrying a bag of gold could travel unharmed across England, and while this is obviously a political exaggeration, Henry did in fact impose peace and order on England during his reign. Of course, a bad man can often be a bad leader as well, but I'm afraid one of the unfortunate realities of the human condition is that effective leadership does require a good deal of ruthlessness, and you see a lot of that in both the Roman and in the Medieval periods- bad men who were good leaders and bad men who were also bad leaders. 00:06:33 Main Topic: KDP Print vs. Ingram Spark But this is not a history podcast. This is a podcast about writing and indie publishing, so let's move on over to our main topic, whether KDP Print or Ingram Spark would be better for indies to use to produce their print books. There's an obvious question to ask first: why have print books? There's a couple of different reasons. Some people prefer print books (not as many as they used to), but some people still read print books over ebooks whenever possible. Some people enjoy books both as physical objects and collectibles, and some people enjoy giving books as a gift. Giving a physical book to someone is generally a more satisfying experience than emailing them a code to download the book off their favorite ereader. It is also easier to share print books between people. That way you can read the book and give it to a family member or friend who wants to read it as well without having to purchase an additional copy. It is also an additional source of revenue for indie authors, not a huge source (with certain exceptions). Most indie authors will make more from their ebooks than they will from their print books, but there is potential revenue in print books as well. I checked right before I started recording this podcast and of the money I made from Amazon in 2024 so far this year, about 1.8% of it came from print books. You might say 1.8%, that's not that much. But in this economic climate, I don't think anyone who wants to stay in business should turn away an additional 1.8 percent of revenue. Both KDP Print and Ingram Spark use what's called on demand printing, and we should explain what that is before we go any further. Printing books for self-published writers used to be kind of a nightmarish experience. You might, if you're familiar with the publishing industry at all, might have heard the old joke about how that if you self-publish, you're going to end up with a garage full of books and that did in fact happen to many people. They decided in the 2000s and before that they wanted to self-publish their own books. So they had a contract with the printer and the printer would probably have like a minimum order of like 5,000 copies or something. So you'd have to buy that, and then you'd have your garage full of boxes of books and you'd have to hand sell or find a way to sell all those books one at a time. It was a very unpleasant experience and I'm glad I never tried it, and that I'm fortunate enough to live at a time when the technology has improved quite a bit. Print on demand works that basically it's like one copy is printed whenever you get one order; there's no inventory kept on hand. If you've bought indie books off Amazon, you might notice there's a bit of delay because the book first has to be printed and bound and then it gets shipped to you. This is by contrast to a traditional published book where if say, for example, Stephen King publishes a new novel, there will probably be an initial print round of like 100,000 copies or some equally large number, and then they'll only print more if those initial 100,000 copies sell out. This is a very inefficient and cumbersome system, so you can see why ebooks and print on demand are much more economical and environmentally friendly, if you are worried about that. That said, it doesn't actually have to be a choice of KDP Print versus Ingram Spark. They in some ways do different things, and as of today, August 23rd, 2024, you can use both essentially. They're not exclusive and you can do different kinds of print books through both. But we'll get to that in a little bit. Another important thing to be aware of as you're going to do print books is to have realistic expectations and mindset about it. I've noticed many new or younger authors have the dream they're going to get their book on a physical shelf in a physical store or library, but realistically that does not make a lot of financial sense for most people. Most authors (myself among them), will sell much more in ebooks than in the time it would take to chase down individual bookstores and individual libraries and try to sell print books to them. Bookstores and libraries are frequently overwhelmed with requests from indie authors, especially local indie authors, wanting to put their books in their stores. They may have created specific policies in response to that demand, and you may want to check their website before trying to get a local bookstore or a library to carry your book. If you do want to get your book into a physical store, it is an uphill battle, and frankly, it's probably not worth the time it would take you to sell to fight that battle. Shelf space in bookstores is both limited and shrinking, especially as bookstores sell more things like toys or stationery/lifestyle items which have a bigger profit margin than books, and you don't have the resources as an indie author to compete against the Big 5 for space on those shelves. Bookstores usually expect a discount of around 35 to 45% off retail as well, which means the higher cost of printing on demand makes this very difficult and gives indies the big disadvantage of getting a book into a bookstore. Now I know it sounds like I just was talking down print books quite a bit, but like I said, 1.8% extra revenue. So most of your print book sales will probably be online and probably from people who order directly, like your readers who most enjoy your book and want a physical copy for their collection or readers who will buy the physical book and give it as a gift to someone they want to give it as a present to. I should note that I've been talking about applies to fiction, but the rules are slightly different when it comes to nonfiction. I should note that my nonfiction book, the Linux Command Line Beginner's Guide across its entire lifetime, fully 25% of its sales have been in paperback. Because that is if people need specific nonfiction in print, especially if it's a technical nonfiction where they can refer back to it like my Linux book, then they will be more likely to order it in print. So that is something else to bear in mind as we now dive into the next section of the show, the difference between KDP Print and Ingram Spark. We will look at the pros and cons for both. For KDP Print (that is Amazon's program for selling print books on their site), the pros are it's obviously the best option for selling print books on Amazon, and it's not uncommon for people to use KDP Print for selling paper books on Amazon and then some other service for selling paper books at other online stores. There are no setup fees and there is a window where you can make changes without a fee. The reporting is either real time or real close to real time and you can see print sales next to ebook sales stats. Like when I was referencing various sales figures throughout the recording of the show, I just paused quickly to check on my KDP dashboard and was able to pull up the figures with a couple of clicks. Pricing is an advantage. Amazon offers the most favorable rate for selling directly on Amazon. In return, Amazon controls the minimum price for the book, kind of like they do for audiobooks, which is usually pretty similar to the cost of printing and shipping. When you set up a print book on KDP Print, Amazon will say based on its size, this is the minimum price. You have to sell at this price and you can't go any lower and then you can set the price however high you want. Usually it's best to set the price so that you get about $3 or so per copy or if you go into expand distribution, that you get dollar per copy of it sold. Expanded distribution, we're going to talk about right now in the con section of KDP Print. There are frequently issues with third party sellers. The problem is that KDP Print offers something called expanded distribution, where if you check that box, your book will be sold through Amazon on a variety of different sites like Barnes and Noble and other physical bookstores that have the online store for a reduced rate. So for example, if you sell a copy of your KDP Print book, you get $3 on Amazon, through expanded distribution you'd get like $1.00. The problem with that is it doesn't always work right. Many of the stores don't always integrate properly with Amazon, so the book will show up, but the cover will be missing or the book just won't show up at all, or some of the stores only update like every month or even quarterly sometimes. So that can be a problem as well. KDP Print, like many print on demand services, does not offer the ability to make books returnable, which is something bookstores expect and want, and most physical bookstores will not take a book that is not returnable. There's a cultural component there as well. Most physical bookstores, especially most independent physical bookstores, do not want to order books from their biggest enemy, Amazon, and will flatly refuse if you ask. Some and even a significant number of libraries are unable to order print books from Amazon or it requires more paperwork or effort for them to do so, and therefore they don't really want to bother. Now let's take a look at KDP Print's main rival Ingram Spark, which is another print on demand service. The premise for this is that Ingram Spark is much better at Amazon at selling books at non-Amazon bookstores, which of course makes a lot of sense. It's also easier to sell to libraries from Ingram Spark than it is from KDP Print. You do have more freedom in pricing the book, which you have to be careful for because it is possible to set things up so that you lose money with every book sale, which Amazon KDP Print does not let you do for obvious reasons. Opinions may differ, but some people do think the covers and interiors look nicer from Ingram Spark for than they do from KDP, and you can order bulk copies at wholesale prices, which you can't really do on KDP Print. You sort of can- you can order things at the author rates, but Ingram Spark has a bigger discount for that. You can also produce a bigger variety of books through Ingram Spark in different paperback sizes and different hardback sizes. So all that sounds good, but there is a pretty significant list of cons as well. There are set up fees for each title, which there are not for Amazon KDP Print. Additionally, if you make any change to the book whatsoever after it is published, any change at all, whether it's a new cover, fixing a typo in the text, whatever, you have to pay a fee for any change you make in the book after it is published. Unsurprisingly, it is harder to sell an Ingram Spark book on Amazon than it is anywhere else. Some people say (and I have no way of confirming this) that Amazon artificially increases the delivery times for these titles, but it's probably more likely is that Ingram Spark would have to print the book, ship it to Amazon, and then Amazon would have to ship it to the customer, which would add quite a bit of roundabout travel to the book, which is why some indie authors who are very into print sales tend to use KDB Print for any books that sell on Amazon, and they restrict those books to Amazon and sell their wide books at other bookstores using Ingram Spark. So what conclusion can we draw from this? If you only have time to pursue one, go with KDP Print since Amazon is the majority of print sales, especially in the US right now. That's what I do. If I wanted to do more elaborate paperback books, I would probably go through Ingram Spark, but KDP Print is pretty good at meeting my needs. Unless something changes drastically, I will probably keep doing that for the foreseeable future. However, if you have the time and the ability to do both, it is advantageous to do both. You will need separate ISBNs. You get an ISBN from Amazon and an ISBN from Ingram for the edition of the book you do through there. You could do books through KDP Print and have them just on Amazon and then have the books for the other stores, have those go through just Ingram Spark. This is a bit more work, but if you are an author who is very interested in print books or does a lot of business in print books, that may be advantageous for you to pursue. So to sum up, KDP Print is the simpler, easier option and is probably good enough for most indie authors, whereas Ingram Spark offers a lot more options but is more expensive to use and probably requires greater knowledge to use effectively. But remember, if you are an indie author, you probably will still be making most of your money on ebooks so don't stress out too much about the paper books. And as I mentioned before, my Linux Command Line Beginner's Guide, I got 25% of its revenue from its lifetime from the print book, but that means 75% of the revenue still came from the ebook. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

The 2024 fictional film “Civil War” shows an America that has been fractured into armed factions. It's not the dystopian fantasy that interests us here, however, it's the collapse of the currency! In the movie, the US dollar has lost its value, like the fate of Confederate money after the (real) US Civil War. With his imagination piqued by the film, Steve asked Brett Scott, author and monetary theorist, to help us think about the dynamics of commerce, currency, and systemic forces in times of societal collapse and global capitalism. Brett and Steve look at historical cases like Zimbabwe's hyperinflation and Ireland's banking strike. They discuss barter systems, mutual credit, dollarization, and informal credits. The conversation delves into broader themes of pre- and post-capitalist markets, moral logics within economies, and the systemic nature of global capitalism. Highlighting the inadequacy of simplistic elite-blaming narratives, they advocate for understanding economic interdependence and discuss Modern Monetary Theory (MMT) as a counter to austerity. Brett Scott is an author, journalist, and activist, who explores the intersections between money systems, finance, and digital technology. He's the author of The Heretics Guide to Global Finance: Hacking the Future of Money. His latest book is Cloudmoney: Cash, Cards, Crypto, and the War for Our Wallets. Find more of his work at https://alteredstatesof.money/ brettscott.substack.com @Suitpossum on Twitter

This week, we enter the electric world of US Civil War 2 in the year 2017. In this world of chaos, there's only one person that everyone knows and it's Steel Harbor's own Barb Wire (1996). Definitely not a great movie, but one of the better opportunities to gawk at Pam Anderson.Love the show? Please subscribe, rate, and review us here. Also, check out our website: www.seeyounextweekinspace.com and follow us on Instagram @seeyounextweekinspaceHosts: Amy and Sarah WalshEditor: Amy WalshProducers: Amy and Sarah WalshArt: Riley Brown

Enjoy answering these ten random ones! Fact of the Day: Camels served in the US Civil War. THE FIRST TRIVIA QUESTION STARTS AT 01:44 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW!  GET A CUSTOM EPISODE FOR YOUR LOVED ONES:  Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music:  "Your Call" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING:   Linda Elswick Ansley Bennett Mom & Mac Jamie Greig Rondell Merritt Sue First Nick Vogelpohl Adam Jacoby Adam Suzan Jeremy Yoder Chelsea Walker Carter A. Fourqurean Tiffany Poplin Bill Bavar Courtney Cassal Daniel Hoisington-McArthur Paula Wetterhahn Justin Cone Steven LongSue FirstKC Khoury Keith MartinTonya CharlesBen Katelyn Turner Ryan Ballantine Justly Maya Brandon Lavin Kathy McHale Selectronica Chuck Nealen Courtney French Nikki Long Jenny Santomauro Jon Handel Mark Zarate Keiva BranniganLaura PalmerLauren Glassman John Taylor Dean Bratton Mona B Pate Hogan Kristy Donald Fuller Erin Burgess Chris Arneson Trenton Sullivan Josh Gregovich Jen and NicJessica Allen Michele Lindemann Ben Stitzel Michael Redman Timothy HeavnerHarlie WestJeff Foust Sarah Snow-BrineRichard Lefdal Rebecca Meredith Leslie Gerhardt Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Alexandra Pepin Brendan JohnB Patrick Leahy Dillon Enderby John Mihaljevic James Brown Christy Shipley Pamela Yoshimura Cody Roslund Clayton Polizzi Alexander Calder Mark Haas Ricky Carney Paul McLaughlin Manny Cortez Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Joe Jermolowicz Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Brian WilliamsJordania of Zeilingrisk

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Political Empowerment Panel 'Voting Vigilantes' Historian & National Political Commentator, Michael Imhotep, Speaks at Juneteenth Jubilee Detroit Joseph Walker Williams Ctr 6-15-24 (***I don't Own the Rights to this music***)   REGISTER NOW: Next Classes are Sat. June 22nd & 29th 2024, 4pm EST, ‘Ancient Kemet (Egypt), The Moors & The Maafa: Understanding The Trans-Atlantic Slave Trade. REGISTER NOW & WATCH!!! (LIVE 10 Week Online Course) with Historian & Political Commentator, Michael Imhotep host of ‘The African History Network Show' and founder of The African History Network. Discounted Registration $60; ALL LIVE SESSIONS WILL BE RECORDED SO YOU CAN WATCH AT ANY TIME! WATCH CONTENT ON DEMAND! REGISTER for Full Course HERE $60: https://theahn.learnworlds.com/course/ancient-kemet-moors-maafa-transatlantic-slave-trade-winter-2024 or https://theafricanhistorynetwork.com/   REGISTER: Class #1 Sun. 6-23-24, 4pm EST, ‘Black Resistance: Haitian Revolution, US Civil War, Civil Rights Movement, Black Power 1800 – 1968, with Historian, Michael Imhotep - 10 Wk Online https://theafricanhistorynetwork.com/

Join us at https://www.crisisinvesting.com Doug Casey Discusses Crisis Investing, Geopolitical Conflicts, and Philosophical Insights In this episode, Doug Casey answers questions from members of his private group regarding various topics, including his choice of last meal, drink, and cigar. He delves into philosophical questions about altruism, personal ethics, and the concept of sacrifice. Doug also provides his thoughts on potential geopolitical conflicts such as a U.S. Civil War, World War III, and the situation in Ukraine. He comments on the Dollar Milkshake Theory, the potential for Civil War in the U.S., and the importance of diversifying assets. Additionally, Doug discusses Putin, China, and the state of global politics, offering insight into the Killdozer incident and the recent downgrade of Walter Block at the Mises Institute. Other topics covered include the potential of anti-aging and life extension technologies, and Doug's thoughts on personal freedom and life improvement strategies. Finally, he addresses questions about relocation to countries like Panama and shares his perspective on developing intentional communities.   Chapters: 00:00 Introduction and Member Questions 00:17 Doug's Last Meal on Earth 02:26 Fighting Evil vs. Hedonism 05:29 US Civil War and World War 3 07:45 Dollar Milkshake Theory and Asset Allocation 11:50 Killdozer Day: Hero or Nutcase? 14:32 Walter Block and the Israel-Palestine Conflict 22:47 Trump's Conviction and Legal Ramifications 25:07 China, EMPs, and Strategic Patience 29:14 Libertarian Novels and Future Projects 32:09 Thoughts on India and Putin 39:36 Global Political Shifts and Abnormal Psychology 40:26 The Complex Dynamics in Niger and the Sahel 43:29 Invention Funding: Pitfalls and Strategies 47:48 Investment Strategies: Commodities, Cash, and Treasuries 52:20 Multiple Intelligences: Beyond the IQ Test 55:42 Living Fulfilled Lives Amidst Global Chaos 01:01:07 Relocation Considerations: Panama and Beyond 01:02:17 Anti-Aging and Life Extension Technologies 01:09:15 Building Sustainable Communities

Thousands of Black Women file Lawsuits claiming Hair Relaxers gave them Cancer; Black Lawmakers Reintroduce The CROWN Act to Ban Hair Discrimination - TheAHNShow with Historian & National Political Commentator Michael Imhotep 6-2-24   Thousands of African American Women have filed Lawsuits against hair relaxer companies after the U.S. National Institutes of Health (NIH) study found an association, though not a causal link, between frequent use of chemical hair relaxers and uterine cancer. Hair straighteners such as L'Oreal's Dark & Lovely and Revlon's Creme of Nature are marketed overwhelmingly to women of color, according to the lawsuits.   REGISTER: Class #1 Sun. 6-30-24, 4pm EST, ‘Black Resistance: Haitian Revolution, US Civil War, Civil Rights Movement, Black Power 1800 – 1968, 10 Wk Online https://TheAfricanHistoryNetwork.com/ 

We have discussed the issue of national divorce on the show quite a few times, but we have never considered how the rest of the world reacts to one? So today, thanks to questions from our online community, especially those by Chris and Joshua, we will ask questions like if the US were to go to war, what would China, Russia, the EU, and our neighbors do? Would they directly intervene, or would one side appeal to foreign support? Would they send troops?Join our community chat: https://bit.ly/MTACommunityChatInstagram: www.instagram.com/nickjfreitas/Facebook: https://www.facebook.com/NickFreitasVATwitter: https://twitter.com/NickJFreitasYouTube: https://www.youtube.com/@NickjfreitasTikTok: https://www.tiktok.com/@nickfreitas3.0

Dive into the tumultuous landscape of "Civil War," a movie that splits America into a chaotic checkerboard of alliances and loyalties. In this riveting episode, we dissect the film's portrayal of a divided nation, the provocative depiction of presidential power, and the realistic echoes in today's political climate. From the possibilities of nuclear decisions to the haunting remnants of the historical Civil War, join us as we unravel whether "Civil War" is merely a thrilling cinematic venture or a mirror to current societal fissures.What to expect from the episode:- In-depth discussion on the movie "Civil War" by Alex Garland, focusing on its portrayal of a divided America and the lack of clarity in the depiction of political and military alliances.- Critical examination of the film's unrealistic elements and marketing, contrasting the expectations set by the movie's trailers with the actual content and thematic depth of the film.- Reflections on the broader implications of the movie's themes, including the relevance to current political tensions in the U.S. and the cultural significance of symbols like the Confederate flag.Episode Chapters:00:00 Introduction01:12 Civil War first impressions.09:38 Story avoids the culture war.12:34 Marketing vs the actual movie.20:07 Portrayal of the American Presidency.23:45 Lack of political discourse.30:35 Lee as a role model to the new generation.33:33 Contrast between modern and traditional photography techniques.38:25 Photojournalism faces peril from AI and distrust.47:23 Storming the White House.50:49 Discussing aftermath of killing The President. A fractured America.56:12 Speculation about foreign involvement in US Civil War.01:00:07 Rural vs urban viewpoints.01:09:39 The Plot Against America.01:15:21 Pete being a goofball.01:17:58 Cinema allows for safe exploration of emotions. Outro.----------The Cinedicate on InstagramThe Cinedicate's Discord Community Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

What Would a Second US Civil War Really Look Like? and Is an American Caesar INEVITABLE?   What Would a Second US Civil War Really Look Like? Watch this video at- https://youtu.be/u55QGCue7oU?si=ygFoGdrcUDFQt2Mb Warographics 816K subscribers 1,166,364 views Apr 23, 2024 → Subscribe for new videos at least twice a week! https://www.youtube.com/c/biographics... Love content? Check out Simon's other YouTube Channels: MegaProjects:    / @megaprojects9649   SideProjects:    / @sideprojects   Casual Criminalist:    / @thecasualcriminalist   Today I Found Out:    / todayifoundout   Highlight History:    / @highlighthistory   XPLRD:    / @xplrd   Brain Blaze:    / @brainblaze6526   Places:    / @places302   Astrographics:    / @astrographics-ve4yq   Simon's Social Media: Twitter:   / simonwhistler   Instagram:   / simonwhistler     Is an American Caesar INEVITABLE? https://youtu.be/j4Ioab3s1Cs?si=XOEzPAX-d_aNN-Mc Black Pigeon Speaks 513K subscribers 51,251 views Premiered Apr 18, 2024 #donaldtrump #joebiden #2024elections ⭐ Get BPS Stuff in Worldwide (Both North America, Europe and Worldwide): https://bps-north-america.creator-spr... ------------------------------- ✅ Support Directly: https://felixrex.net/membership-tiers/ ✅ Support via SubscribeStar: https://www.subscribestar.com/black-p... ✅ Support via Locals: https://felixrex.locals.com/ ✅ Buy me a Coffee: https://ko-fi.com/felixrex ✅ Tip Jar: via PayPal to: navyhato@gmail.com -------------------------------

On December 30, 1862, the US Civil War raged. Union and Confederate troops camped seven hundred yards apart on opposing sides of Tennessee’s Stones River. As they warmed themselves around campfires, Union soldiers picked up their fiddles and harmonicas and began playing “Yankee Doodle.” In reply, the Confederate soldiers offered “Dixie.” Remarkably, both sides joined for a finale, playing “Home, Sweet Home” in unison. Sworn enemies shared music in the dark night, glimmers of an unimagined peace. The melodic truce was short-lived. The next morning, they put down their fiddles and picked up their rifles, and 24,645 soldiers died. Our human efforts to create peace inevitably wear thin. Hostilities cease in one place, only to ignite somewhere else. One relational dispute finds harmony, only to be embroiled in distress again months later. The Scriptures tell us that God is our only trustworthy peacemaker. Jesus said it plainly, “In me you . . . have peace” (16:33). We have peace in Jesus. While we participate in His peacemaking mission, it’s God’s reconciliation and renewal that make real peace possible. Christ tells us we can’t escape conflict. “In this world [we] will have trouble,” Jesus says. Strife abounds. “But take heart!” He adds, “I have overcome the world” (v. 33). While our efforts often prove futile, our loving God (v. 27) makes peace in this fractious world.

Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessWhile Abby's voice is still gone, Dan and Patrick take in a film on opening day and subject it to some wild analysis. The movie is Civil War (2024), and, to hear director Alex Garland tell it, it's a dire warning of how things could turn out in the US sometime soon. But to Dan and Patrick it's also something else – at once a symptom, a product of underlying anxieties, and a fantasy, a story that's as revealing in what it sets out to portray explicitly as in what it obscures or avoids.  And so, after walking through the film's plot and visual grammar (spoiler alert: there are spoilers after 1:05:00), they turn to the recurrent invocations of looming “civil war” in American discourse. How do our fantasies – and not just Garland's – relate to the actual and “official” US Civil War of 1861-1865, and how do they distort the history of that conflict? For audiences sitting in a movie theater deep within the imperial core, what's is and isn't imaginable in terms of a “civil war,” and why must we, like Garland, turn to images of violence abroad in order to dramatize it?  What would another civil war actually look like in the contemporary US – and what do our anxious expectations of it in the future, as well as our fixations on fantasies about the past, betray about us and our moment in the here and now? Dan and Patrick ponder these and other questions as well as: the culture and iconography of twentieth century combat photography from Robert Capa and Gerda Taro to Eddie Adams and the Bang Bang Club; the gaps between the fantasies of armchair Operators and the horrifying realities of insurgent warfare; and how The Office and Parks and Recreation relate to War on Terror propaganda.Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Another week in the markets and the idea of a potential civil war and the stock market.  Another eventful week in the markets, with little significant change. Why so quiet? Discussion revolves around the recent Fed meeting and its implications. Market analysts scrutinize minor adjustments in the Fed's statement for deeper meaning. Understanding market reactions is crucial for informed investment decisions. Market trends reflect the collective actions and sentiments of millions of investors. Investing strategies should consider how news aligns with market expectations and reactions. Media sensationalism and fear-mongering can distort perceptions of market realities. Tune out the noise. Long-term market direction tends to be upward, despite short-term fluctuations. Maintaining a rational perspective and avoiding emotional responses is crucial for successful investing. Why civil war is NOT a possibility in the U.S... Yet if you watch your favorite news station it feels like it is. We discuss how to square that circle. Today's Panelists: Kirk Chisholm | Innovative Wealth Phil Weiss | Apprise Wealth Management   Follow on Facebook: https://www.facebook.com/moneytreepodcast Follow LinkedIn: https://www.linkedin.com/showcase/money-tree-investing-podcast Follow on Twitter/X: https://x.com/MTIPodcast For more information, visit the show notes at https://moneytreepodcast.com/civil-war-and-the-stock-market-593

American taxpayers bailed out Citigroup, owners of Citibank, to the tune of $476.2 billion. This was the highest bailout by far for any bank during the 2008 Wall Street Crash, caused by Wall Street. Given the immense federal aid that saved Citibank, it should be no problem then for Citibank, built with the stolen wealth of slavery, to pay reparations, right?...Right?...   In this important discussion, David Montero, author of the new book The Stolen Wealth of Slavery: A Case for Reparations, shares the latest research on how reparations for slavery would boost America's economy, would further our collective healing, strengthen our democracy at a time of rampant and unchecked oligarchy, and force long overdue accountability. The movement for reparations has already begun, with important actions being taken by cities like Boston and New York.    Montero's book is an eye-opening walking tour of New York City that will give you an all new look at how the North profited from slavery while at the same time serving as a hotbed of abolition–a polarized America much like today, with the moneyed elites on the side of the fascist machinery of the South, as long as it made them money. Listen to this interview and share it with your activist groups to help the movement for reparations grow.    And in honor of Aaron Bushnell, the 25-year-old Air Force service member who set himself on fire outside of the Israeli Embassy in Washington, DC, with the last words “Free Palestine”, here is his final post on Facebook, written that day:    “Many of us like to ask ourselves, “What would I do if I was alive during slavery? Or the Jim Crow South? Or apartheid? What would I do if my country was committing genocide?”    The answer is, you're doing it. Right now.”   The Washington Post has a thoughtful write-up on Bushnell, featured in the show notes below. Bushnell is the second person to set themselves on fire in protest of Netanayahu's genocidal war, his latest destructive attempt to cling to power.  Show Notes:    The Stolen Wealth of Slavery: A Case for Reparations https://bookshop.org/p/books/the-stolen-wealth-of-slavery-a-case-for-reparations-david-montero/20163861?ean=9780306827174   Citigroup Tops List of Banks Who Received Federal Aid https://www.cnbc.com/id/42099554   Alabama Supreme Court justice cites scripture 'nearly two dozen times' in ruling on embryos https://www.nbcnews.com/meet-the-press/video/alabama-supreme-court-justice-cites-scripture-nearly-two-dozen-times-in-ruling-on-embryos-204960325977   Airman who set self on fire grew up on religious compound, had anarchist past https://www.washingtonpost.com/dc-md-va/2024/02/26/israeli-embassy-airman-fire-death-gaza/   Reuters Investigation: More than 100 Political Elite Have Family Connections to Slavery  https://www.reuters.com/investigates/special-report/usa-slavery-lawmakers/   Opening Clip: Jack Posobiec https://twitter.com/RpsAgainstTrump/status/1760780642671845629?t=ST2p12xndS77j8l5fK1E9Q&s=19   Clip: Steve Bannon at CPAC https://twitter.com/piyushmittal/status/1761666054902936048?t=I8clBBbzCvj07qquRxmqmA&s=19   Clip: Donald Trump at a Fox News Townhall: https://twitter.com/MaryLTrump/status/1760882903397830876?t=4aqtc89iRcFpq818M58g1w&s=19  

Union soldiers may have marched off to fight for the right side of the war but that didn't mean that every contractor and General in the north wasn't going to try to steal something from the military along the way. BUY JOE'S BOOK: https://www.amazon.com/Invisible-War-Military-Sci-Fi-Undying-ebook/dp/B0CQ6BH6BD/ref=sr_1_1?crid=3IDZ3WJXQ4CQJ&keywords=joe+kassabian&qid=1707120531&sprefix=%2Caps%2C236&sr=8-1 SUPPORT THE SHOW: https://www.patreon.com/lionsledbydonkeys SOURCES: https://www.americanheritage.com/lincolns-corrupt-war-department Micheal Thomas Smith. The Enemy Within: Fears of Corruption in the Civil War North. Journal of the Civil War Era. Vol 3, no. 1. Pp. 137-139 Tim Koenig. The Days of Shoddy: Wost Manufacturers of the Civil War. Civil War Quarterly. Vol. 3. no. 2.