Podcasts about Duke Ellington

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 17ú lá de mí Dheireadh Fómhair, liomsa Lauren Ní Loingsigh. I 1970 ainmníodh duine a raibh ó Bhaile Átha Cliath aois 26 mar cheann amháin de na daoine a fuair bás ag an timpiste droichead I Melbourne. I 1986 bhí triúir duine saor ó ghortú nuair a thit eitleán ar fheirm I mBaile Átha Cliath. I 2011 thóg fear ó nDurlas 19 euro ó sparán san Ospidéal San Aonach Urmhumhan agus tháinig sé amach go bhfuair sé fíneáil de 100 euro sa Chúirt. Dúirt Breitheamh Elizabeth McGrath go raibh an fear sa Rannóg Fhisiteiripe san Ospidéal agus dúradh go raibh sé cláraithe in oideachas agus go raibh 57 ciontú aige. I 2019 tháinig sé amach go mbeadh áis imir nua do Newport. Leis an chostas de nach mór milliúin euro, dúradh go mbeadh sé go hiontach chun imreoirí sacar a fhorbairt agus chun feabhas a chuir ar an méid daoine a raibh san fhoireann. Sin Elton John le Candle In The Wind – an t-amhrán is mó ar an lá seo I 1997. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 2007 fuair amhránaí Teresa Brewer bás ag aois 76. Bhí sí cáiliúil I timpeall 1950 agus bhí amhráin aici cosúil le Gonna Get Along Without Ya Now agus Into Each Life Some Rain Must Fall. Chan sí le Tony Bennett agus Duke Ellington chomh maith. I 2008 bhris Madonna agus Guy Ritchie suas tar éis 7 mbliain le chéile. Tháinig an preas amach ag rá gan comhaontú réamhphósta go mbeadh Guy Ritchie chun fáil 50 milliúin punt ó Madonna a raibh 300 milliúin punt aici. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh aisteoir Felicity Jones sa Bhreatain I 1983 agus rugadh amhránaí Eminem I Meiriceá ar an lá seo I 1972 agus seo chuid de amhrán. Beidh mé ar ais libh an tseachtain seo chugainn le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 17th of October, with me Lauren Ní Loingsigh 1970: A 26 year old Dubliner was named as one of the 5 irish men killed in the Melbourne Bridge Disaster 1986: 3 pepople escaped injury yesterday when their light aircraft struck a tree and crashlanded on a farm in Dublin 2011 – A Thurles man who took E19 from a woman's purse in Nenagh Hospital was fined E100 at a sitting of Nenagh District Court. Judge Elizabeth MacGrath heard that the man was found in the Physiotherapy Department of Nenagh Hospital. Judge MacGrath heard that the man had enrolled in educational training, and had 57 previous convictions.  2019 - A state-of-the-art playing ground for Newport Soccer was finally brought to fruition. Almost El million was invested in the project, which would encourage and develop those who avail  of the services.  That was Elton John with Candle In The Wind – the biggest song on this day in 1997 Onto music news on this day In 2007 US singer Teresa Brewer died aged 76. She was one of the most popular US pop singers of the 1950s scoring hits such as ‘Gonna Get Along Without Ya Now' and ‘Into Each Life Some Rain Must Fall.' She also sang with Tony Bennett, Duke Ellington, Dizzy Gillespie and Wynton Marsalis. 2008 Madonna and Guy Ritchie announced that their seven-year marriage was over because they had drifted apart. The press reported that without a pre-nuptial agreement, Ritchie could be looking at up to £50million of Madonna's £300million fortune. And finally celebrity birthdays on this day – actress Felicity Jones was born in the UK in 1983 and rapper Eminem was born in America on this day in 1972 and this is one of his songs. I'll be back with you next week with another edition of Ar An Lá Seo.

Halloween over Florence: THE MARKET OF GHOSTSSeverino lived in the bell tower on the hill — the one next to the ancient Basilica of San Miniato al Monte.Every evening, at sunset, he would lock the gate at the base of the entrance stairway and before climbing back up, he would pause to watch Florence color itself amber.And so he did today as well. The tourists had left. Time stopped and silence became sacred again.Through the rusted bars the city stood there motionless — perhaps since forever; with its red roofs, marble facades and the Arno flowing between its stones like a glittering silver ribbon.Domes and towers trembling with light, almost suspended in the air, as if everything and everyone were holding their breath waiting for twilight — and for the night that would cover it with shadows, stars and dreams.One more glance, then he turned on his transistor radio that he had found a few years ago and the notes of Duke Ellington's 'Don't Get Around Much Anymore' filled the autumn evening.Silence may be sacred for the monks, but for Severino music was more so. Seven, his raven, didn't need to be called and at the first notes launched himself from the cypresses of the cemetery above, circled in front of the imposing facade of the Basilica and suddenly glided down along the stairway, to land gently on his left shoulder."Hey Seven, had a good day?""Yes. Could have been worse — Let's settle for that."At which, Severino smiled, turned up the radio's volume and began climbing resolutely toward le Porte del Cielo, while Jazz music echoed among the ancient stones.Nine years ago, on this same day in the month of October, the Olivetan monks residing in the Abbey found a child on the steps of the Basilica.He was there, wrapped in fog, silent as the night, eyes curious as the wind, without name and without past. They called him Severino — I don't know why — and he grew up among prayers and silences. He played in ancient rooms and discovered his world, surrounded by books, tombs, art and mysteries never revealed. At night a raven and a black cat accompanied him, illuminated by the moon, in the Cimitero delle Porte Sante, wandering among imposing crypts and motionless statues that whispered memories and mysteries.But on Halloween nights the whispers transform into screams and endless laments. Secrets manifest themselves, legends become reality, and dreams disguised as nightmares knock on doors lit by candles. And that full moon night was precisely this night: October 31st — and remember, whether you believe in spirits or not, nothing changes: the ghosts will come.And Severino was up there, right there waiting for them to arrive. Leaning out the highest window of the bell tower, calm, looking at Florence from above. While Thelonious Monk's 'Round Midnight' played on his radio, he watched — tapping time with one foot and waited.At the second of the twelve strokes of the midnight bells, something began to happen. On the Arno formed a dense fog that pulsed with spectral green. It began to rise and slide slow but inexorable over the bridges like fingers of cold hands of impatient ghosts. It slid over the Ponte Vecchio and rolled through the streets of Oltrarno until reaching San Niccolò, where it climbed up the hill swallowing everything it found in its path.When it reached the gate of San Miniato, it slipped through the bars and climbed up the stairs until it covered, like a high luminous tide, the entire square in front of the church. It climbed up the marble facade and wrapped also the Cimitero delle Porte Sante, covering the entire hill in a cloak of mystery. Then slowly, as if by enchantment, the fog began to dissolve rising toward the sky and when the last cloud melted into the night air, the square was no longer empty.Small jack-o'-lanterns with flickering lights floated in the air smiling with teeth of fire. Black candles sprouted from nowhere, illuminating spectral stalls full of everything and nothing. Bats that seemed made of paper but were alive fluttered among the lights with wings of black velvet, while autumn leaves danced without wind, sparkling with gold and copper. Pumpkins of every shape filled the stands, some carved with funny faces, others covered with silver spiderwebs that shone like threads of moon. Witch hats swirled in the air like flying umbrellas rotating slow on themselves. Roasted chestnuts perfumed the air with cinnamon and mystery, while small dancing skeletons tinkled like ice bells.And finally in the Cimitero delle Porte Sante, the Portal opened. Like every Halloween, for centuries, spirits from all over the world congregated in Florence for their annual meeting. A spectral river of ghosts poured into the square, each heading toward their own stall, and each with their impossible merchandise to sell or trade. The spirits had arrived and Severino observed them from above. A carnival of other worlds, made of sounds, colors and unimaginable stories.The deserted square had transformed into the Market of Ghosts. Stalls kept materializing from nowhere, carved and glowing pumpkins told each other stories of Halloweens past, present and future laughing malicious among the perfumes of lost memories, past centuries, tomorrow's candles and fallen stardust. The sky above the Tuscan hills and above Florence was full of ghosts arriving from everywhere to search for the unfindable. But no human eye could see this spectacle. No one except Severino, who descended from the tower enchanted by that spectacle and immersed himself in the crowd pulsating with otherworldly life. Seven circled above him observing with attentive eyes and cawing a bit nervous. Some ghosts looked at him with curiosity and recognized him. Someone greeted him and many others whispered his name in forgotten languages."There he is," murmured a witch from Prague."The child of time," sighed a Norman knight."He's returned, I told you so." laughed a Caribbean pirate.But Severino paid them no attention because there were ghosts selling: dreams of sleeping dragons, laughter of northern gnomes, tears of mermaids in love, the last breath of dinosaurs, shadows of unicorns. And even fears from past Halloweens — two for the price of one, but only for tonight. The ghost of a pirate who died during a boarding gone not so well shouted: "Storm bottles! Lightning in jars!" A witch from Salem whispered: "Love potions that last three lifetimes…" A medieval knight showed swords that cut fear, A Chinese spirit waved kites that fly into the past.The spectral crowd grew and thickened, laughed and bargained, while Severino walked amazed and fascinated among the impossible stalls of the Halloween Market. Seven cawed restless from above and Eleven, the black cat with orange eyes, jumped from one tent to another not losing sight of a single movement of Severino and the hundreds of souls circling around him.A ghost monk from an era that never existed saw him and smiled at him from behind a stall full of ancient radios adorned with mysterious symbols. Severino approached, fascinated."How wonderful! Do they all work?""Oh yes, certainly" replied the monk. "These transmit on the waves of past, present, and future time. But you don't need to buy one."The other ghosts stopped. They ceased selling, buying and bartering. They looked at Severino with respect and listened to what the collector of frequencies told him."The transistor radio you already have is more special than you think. But to discover its true secrets, you'll have to search in the ancient crypts where everything began."And suddenly the first lights of dawn began to illuminate the sky behind San Miniato with pink. In rush and hurry the ghosts said goodbye flying away in the wind. "Until next Halloween!" They told each other crossing in the sky. The stalls vanished. Lanterns and candles went out. The Market of Ghosts dissolved like a dream.Severino found himself alone in the empty square, Seven on his shoulder and Eleven sitting on the low wallLooking at Florence illuminating itself in the day of All Saints. He observed his old radio with new eyes and from the ancient crypts of San Miniato, something seemed to call him. He turned it on, turned up the volume and descended the stairway in time to Chet Baker's version of 'Autumn Leaves'.It was time to throw open the gate of the Basilica of San Miniato al Monte.___________________We will continue this story.... For now a Happy Halloween to all of you, may you always believe in magic!Story written by Marco Ciappelli for "Stories Under The Stars" Halloween 2025___________________Listen to Severino's Playlist for the songs that accompany this story and subscribe to discover new music with every adventure.

One of America's most enduring hauntings - it's time to meet The Bell WitchBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

Halloween sopra Firenze: IL MERCATO DEI FANTASMISeverino viveva nel campanile sulla collina — quello accanto all'antica Basilica di San Miniato al Monte.Ogni sera, al tramonto, chiudeva a chiave il cancello alla base della scalinata d'ingresso e prima di risalire su, si soffermava ad osservare Firenze colorarsi d'ambra.E così fece anche oggi. I turisti se ne erano andati. Il tempo si fermò e il silenzio tornò sacro.Attraverso le sbarre arrugginite la città stava là immobile — forse da sempre; con i suoi tetti rossi, le facciate di marmo e l'Arno che scorreva fra le sue pietre come uno scintillante nastro argentato. Cupole e torri tremolanti di luce, quasi sospese nell'aria, come se tutto e tutti stessero trattenendo il respiro in attesa del crepuscolo — e della notte che l'avrebbe coperta di ombre, stelle e sogni.Ancora uno sguardo, poi accese la sua radio a transistor che aveva trovato qualche anno fa e le note di 'Don't Get Around Much Anymore' di Duke Ellington riempirono la serata autunnale.Il silenzio sarà sacro per i monaci, ma per Severino la musica lo era di più.Seven, il suo corvo, non si fece chiamare ed alle prime note si lanciò dai cipressi del cimitero sovrastante, volteggiò davanti alla facciata imponente della Basilica e d'improvviso planò in basso lungo la scalinata, per posarsi gentilmente sulla sua spalla sinistra. “Ciao Seven, passata una buona giornata?”“Sì. Poteva andare peggio — Accontentiamoci.” Al che, Severino sorrise, alzò il volume della radio e iniziò a risalire deciso verso le Porte del Cielo, mentre la musica Jazz echeggiava tra le pietre millenarie.Nove anni fa, in questo stesso giorno del mese d'Ottobre, i monaci Olivetani residenti nell'Abbazia trovarono un bambino sui gradini della Basilica.Stava lì, avvolto nella nebbia, silenzioso come la notte, occhi curiosi come il vento — senza nome e senza passato. Lo chiamarono Severino — non so il perché — e crebbe tra preghiere e silenzi. Giocava in stanze antiche e scopriva il suo mondo, circondato da libri, tombe, arte e misteri mai svelati.Di notte un corvo ed un gatto nero lo accompagnavano, illuminati dalla luna,  nel Cimitero Delle Porte Sante, vagando fra cripte imponenti e statue immobili che sussurravano memorie e misteri.Ma nelle notti di Halloween i sussurri si trasformano in grida e lamenti senza fine. Segreti si manifestano, leggende diventano realtà, e sogni mascherati da incubi bussano a porte illuminate da candele. E quella notte di luna piena era proprio questa notte: il 31 d'Ottobre — e ricordati, che tu creda agli spiriti o no, niente cambia: i fantasmi arriveranno.E Severino era lassù, proprio ad aspettare che arrivassero. Affacciato alla finestra più alta del campanile, tranquillo, guardando Firenze dall'alto. Mentre 'Round Midnight' di Thelonious Monk suonava nella sua radio, lui guardava — batteva il tempo con un piede ed aspettava.Al secondo dei dodici rintocchi delle campane di mezzanotte, qualcosa cominciò a succedere. Sull'Arno si formò una nebbia densa che pulsava di verde spettrale. Iniziò a salire e scivolare lenta ma inesorabile sui ponti come dita di mani fredde di fantasmi impazienti.  Scivolava sul Ponte Vecchio e rotolava per le vie d'Oltrarno fino a raggiungere San Niccolò, dove si arrampicava sulla collina inghiottendo tutto ciò che trovava sulla sua strada.Quando raggiunse il cancello di San Miniato, scivolò fra le sbarre e salì lungo le scale fino a coprire, come un'alta marea luminosa, tutto il piazzale antistante la chiesa. Si arrampicò sulla sua facciata di marmo e avvolse anche il cimitero delle Porte Sante, coprendo tutta la collina in un mantello di mistero. Poi lentamente, come per incanto, la nebbia iniziò a dissolversi salendo verso il cielo e quando l'ultima nuvola si sciolse nell'aria notturna, il piazzale non era più vuoto.Piccole jack-o'-lanterns con luci tremolanti galleggiavano nell'aria sorridendo con denti di fuoco. Candele nere spuntavano dal nulla, illuminando bancarelle spettrali colme di tutto e niente. Pipistrelli che sembravano di carta ma che erano vivi volteggiavano tra le luci con ali di velluto nero, mentre foglie d'autunno danzavano senza vento, scintillando d'oro e rame. Zucche di ogni forma riempivano i banchi, alcune intagliate con facce buffe, altre coperte di ragnatele argentate che brillavano come fili di luna. Cappelli da strega volteggiavano nell'aria come ombrelli volanti ruotando lenti su se stessi. Castagne arrostite profumavano l'aria di cannella e mistero, mentre piccoli scheletri danzanti tintinnavano come campanelli di ghiaccio.E finalmente nel cimitero delle Porte Sante, il Portale si aprì. Come ogni Halloween, da secoli, spiriti da tutto il mondo si congregavano a Firenze per il loro incontro annuale. Un fiume spettrale di fantasmi si riversò nel piazzale, ognuno dirigendosi verso la propria bancarella, ed ognuno con le sue mercanzie impossibili da vendere o scambiare.Gli spiriti erano arrivati e Severino li osservava dall'alto. Un carnevale di altri mondi, fatto di suoni, colori e storie inimmaginabili.Il piazzale deserto si era trasformato nel Mercato dei Fantasmi. Bancarelle continuavano a materializzarsi dal nulla, zucche intagliate e lucenti si raccontavano storie di Halloween passati, presenti e futuri ridendo maligne fra i profumi di memorie perdute, secoli passati, candele di domani e polvere di stelle cadute.Il cielo sopra le colline toscane e sopra Firenze era pieno di fantasmi che arrivavano da ogni dove per cercare l'introvabile. Ma nessun occhio umano poteva vedere questo spettacolo. Nessuno eccetto Severino, che scese dalla torre incantato da quello spettacolo e si immerse nella folla pulsante di vita ultraterrena. Seven gli volteggiava sopra osservando con occhi attenti e gracchiando un po' nervoso. Alcuni fantasmi lo guardavano con curiosità e lo riconoscevano. Qualcuno lo salutava e molti altri sussurravano il suo nome in lingue dimenticate."Eccolo," mormorava una strega di Praga. "Il bambino del tempo," sospirava un cavaliere normanno. "È tornato, ve lo dicevo io.” rideva un pirata dei Caraibi.Ma Severino non ci faceva attenzione perché c'erano fantasmi che vendevano: sogni di draghi addormentati, risate di gnomi del nord, lacrime di sirene innamorate, l'ultimo respiro dei dinosauri, ombre di unicorni. E perfino paure di Halloween passati — due al prezzo di uno, ma solo per stanotte. Il fantasma di un pirata morto durante un abbordaggio andato poco bene gridava:"Bottiglie di tempesta! Fulmini in barattolo!"Una strega di Salem sussurrava: “Pozioni d'amore che durano tre vite…”Un cavaliere medievale mostrava spade che tagliano la paura,Uno spirito cinese sventolava aquiloni che volano nel passato.La folla spettrale cresceva e si addensava, rideva e contrattava, mentre Severino camminava stupito e affascinato tra i banchi impossibili del Mercato di Halloween.Seven gracchiava inquieto dall'alto e Eleven, il gatto nero dagli occhi arancioni, saltava da una tenda all'altra non perdendo di vista un singolo movimento di Severino e delle centinaia d'anime che gli giravano intorno.Un monaco fantasma di un'epoca mai esistita lo vide e gli sorrise da dietro una bancarella piena di radio antiche ornate di simboli misteriosi. Severino si avvicinò, affascinato. "Che meraviglia! Funzionano tutte?""Oh sì, certamente" rispose il monaco, ”Queste trasmettono sulle onde del tempo passato, presente, e futuro. Ma tu non hai bisogno di comprarne una."Gli altri fantasmi si fermarono. Smisero di vendere, comprare e barattare. Guardarono Severino con rispetto e ascoltavano quello che gli diceva il collezionista di frequenze."La radio a transistor che hai già è più speciale di quanto credi. Ma per scoprire i suoi veri segreti, dovrai cercare nelle cripte antiche dove tutto ebbe inizio."E all'improvviso le prime luci dell'alba iniziarono a illuminare di rosa il cielo dietro San Miniato. In fretta e furia i fantasmi si salutarono volando via nel vento."Fino al prossimo Halloween!” Si dicevano incrociandosi in cielo.Le bancarelle svanirono. Lanterne e candele si spensero. Il Mercato dei Fantasmi si dissolse come un sogno.Severino si ritrovò solo nel piazzale vuoto, Seven sulla sua spalla e Eleven seduto sul muretto a guardare Firenze che si illuminava nel giorno di OgniSanti. Osservò la sua vecchia radio con occhi nuovi e dalle cripte antiche di San Miniato, qualcosa sembrava chiamarlo. L'accese, alzò il volume e scese la scalinata a tempo di 'Autumn Leaves' nella versione di Chet Baker.Era giunta l'ora di spalancare il cancello della Basilica di San Miniato al Monte.Continueremo questa storia. Per adesso un Buon Halloween a tutti voi, che possiate sempre credere nella magia! Storia scritta da Marco Ciappelli per "Storie Sotto Le Stelle" Halloween 2025Ascolta Severino's Playlist per le canzoni che accompagnano questa storia e iscriviti per scoprire nuove musiche ad ogni avventura.

El contrabajista barcelonés Héctor Tejedo firma al frente de su trío un segundo disco 'The single petal of a rose', inspirado por Duke Ellington, que incluye grabaciones de 'Stompin at the Savoy', 'Satin doll', 'Solitude', 'Sophisticated lady', 'The single petal of a rose' o 'I can´t get started'. El pianista valenciano Paul Viguer publica su octavo disco, 'En vivo en Argentina', grabado durante unos conciertos en Buenos Aires y Rosario, con sus composiciones 'S.O.S tierra', '12 +8 para Pep', 'Gepetto escapa de la ballena', 'Blues for Lucía' y 'Trampantojo de Bach'.Escuchar audio

In the 1950s, some ingenious Russians, hungry for jazz, boogie woogie, rock n roll, and other music forbidden in the Soviet Union, devised a way to record banned bootlegged music on exposed X-ray film salvaged from hospital waste bins and archives. The eerie, ghostly looking recordings etched on X-rays of peoples' bones and body parts, were sold illegally on the black market.“Usually it was the Western music they wanted to copy,” says Sergei Khrushchev, son of former Soviet Premier Nikita Khrushchev. “Before the tape recorders they used the X-ray film of bones and recorded music on the bones—Bone Music.”“They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole,” says author Anya von Bremzen. “You'd have Elvis on the lungs, Duke Ellington on Aunt Masha's brain scan — forbidden Western music captured on the interiors of Soviet citizens.”And we follow the making of X-ray recordings into the 21st century with Jack White and Third Man Records in Nashville, Tennessee.ProductionProduced by Roman Mars & 99% Invisible and The Kitchen Sisters Nikki Silva & Davia Nelson. With help from Brandi Howell, Andrew Roth and Nathan Dalton. We spoke with Sergei Khrushchev, son of Nikita Khrushchev; Gregory “Grisha” Freidin, Professor Emeritus of Slavic Languages and Literature from Stanford; Alexander Genis, Russian writer and broadcaster; Xenia Vytuleva, visiting professor at Columbia University in the department of History and Theory of Architecture; Anya Von Bremzen, author of a the memoir Mastering the Art of Soviet Cooking. A version of this story originally ran on NPR as part of The Kitchen Sisters' “Hidden Kitchens” series.The Kitchen Sisters Present is part of the Radiotopia podcast network from PRX.

Podcast Jazztime 691 – 21.10.25 Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE – Anspiel diesmal ist: „Solitude“ – 1934 von Duke Ellington komponiert. Folgende Titel sind zu hören : 1. The Cape Verdean Blues – Horace Silver Quintet 5:00 2. Swingin' the Blues – Benny Carter and His Orchestra 3:05 3. St. Louis Blues – Axel Zwingenberger & Joja Wendt 5:08 4. Elasticity – Tutu Puoane 4:56 5. Solitude – Caterina Valente & The Count Basie Orchestra 3:55 6. Ain't she sweet – Jimmy Smith 3:37 7. Autumn Leaves – Ruth Hohmann 4:29 8. Abide with me – Charles Lloyd 2:51 9. Celebrity – Charlie Parker 1:35 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

A witch, cursed land, and things that go bump in the night. Don't miss an episode—follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes. Music: "The Mooche" by Duke Ellington (1928). Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 17ú lá de mí Dheireadh Fómhair, liomsa Lauren Ní Loingsigh. I 1970 ainmníodh duine a raibh ó Bhaile Átha Cliath aois 26 mar cheann amháin de na daoine a fuair bás ag an timpiste droichead I Melbourne. I 1986 bhí triúir duine saor ó ghortú nuair a thit eitleán ar fheirm I mBaile Átha Cliath. I 1986 don chéad uair I cúig bliana bhí laghdú den mhéid post déantúsaíocht a bhí ann san Iarthar Láir. I 1997 tháinig sé amach go mbeadh Mary McAleese agus Adi Roche chun easaontú ina fheachtas uachtaránachta in Inis. Sin Elton John le Candle In The Wind – an t-amhrán is mó ar an lá seo I 1997. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 2007 fuair amhránaí Teresa Brewer bás ag aois 76. Bhí sí cáiliúil I timpeall 1950 agus bhí amhráin aici cosúil le Gonna Get Along Without Ya Now agus Into Each Life Some Rain Must Fall. Chan sí le Tony Bennett agus Duke Ellington chomh maith. I 2008 bhris Madonna agus Guy Ritchie suas tar éis 7 mbliain le chéile. Tháinig an preas amach ag rá gan comhaontú réamhphósta go mbeadh Guy Ritchie chun fáil 50 milliúin punt ó Madonna a raibh 300 milliúin punt aici. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh aisteoir Felicity Jones sa Bhreatain I 1983 agus rugadh amhránaí Eminem I Meiriceá ar an lá seo I 1972 agus seo chuid de amhrán. Beidh mé ar ais libh an tseachtain seo chugainn le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 17th of October, with me Lauren Ní Loingsigh 1970: A 26 year old Dubliner was named as one of the 5 Irish men killed in the Melbourne Bridge Disaster 1986: 3 people escaped injury yesterday when their light aircraft struck a tree and crash-landed on a farm in Dublin 1986: For the first time in five years the industrial development Authority, mid west region, reports a decline in the number of manufacturing jobs created by them. 1997: Government candidate, Mary McAleese and Adi Roche, the peoples Alliance Candidate, will clash in their presidential campaigns in Ennis. That was Elton John with Candle In The Wind – the biggest song on this day in 1997 Onto music news on this day In 2007 US singer Teresa Brewer died aged 76. She was one of the most popular US pop singers of the 1950s scoring hits such as ‘Gonna Get Along Without Ya Now' and ‘Into Each Life Some Rain Must Fall.' She also sang with Tony Bennett, Duke Ellington, Dizzy Gillespie and Wynton Marsalis. 2008 Madonna and Guy Ritchie announced that their seven-year marriage was over because they had drifted apart. The press reported that without a pre-nuptial agreement, Ritchie could be looking at up to £50million of Madonna's £300million fortune. And finally celebrity birthdays on this day – actress Felicity Jones was born in the UK in 1983 and rapper Eminem was born in America on this day in 1972 and this is one of his songs. I'll be back with you next week with another edition of Ar An Lá Seo.

Easy Jazz - The Best of

Matt Corman hosts The Matt Corman Podcast, where he discusses his experiences as a professional recording artist and entrepreneur. He shares insights on discipline, health, and touring, and often speaks about his career journey and lessons learned. Matt Corman is a hip-hop artist and entrepreneur known for his hit single "Word to the Wise." With over 200 million streams and more than 200 released songs, he ranks in the top 1% of global artists, consistently releasing new music weekly. He quickly gained recognition as a live performer, sharing stages with artists like Post Malone and Fetty Wap , celebrated for his engaging performances. He is also proud of his lineage; he is a descendant of Edward Gourdine, the first African American Supreme Court Justice in Massachusetts. His grandfather, Robert Chesnut, played with jazz legend Duke Ellington , deepening Matt's connection to music and history. In 2018, he made history as the first alumnus to perform at Southern New Hampshire University's homecoming concert, drawing over 3,000 attendees. By 2023, he opened for Skizzy Mars on a national tour and partnered with E11even Vodka, performing at the iconic Miami club. In 2024, Corman was direct support for Phora on his 32- show tour as well as direct support for Lil Xan on his 35-show Return tour (US & Canada). He also performed at Howard University's 100th anniversary homecoming event in front of 10,000 attendees. His music was featured in a Serena Williams documentary on ESPN+, marking a significant career milestone. In 2025, he collaborated with Logic to release the song OH MY GOD, further solidifying his position in the hip-hop scene.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

America has exported many products to the world, and one of our finest gifts is music. We may think of rock and roll or rhythm and blues, but one of the earliest and most popular musical exports is jazz and swing. This week we'll hear classics from Django Reinhardt, Count Basie, Duke Ellington, Dan Hicks and his Hot Licks, Russ Barenberg, and next week we'll continue with Part 2. “It Don't Mean a Thing” … this week on The Sing Out Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysDjango Reinhardt & Stephane Grappelli / “Minor Swing” / Djangologie Vol.6 / EMI PatheJoshua Rifkin / “Elite Syncopations” / Scott Joplin Piano Rags / NonesuchBenny Goodman / “Air Mail Special” / Best of the Big Bands / ColumbiaCount Basie / “One O'clock Jump” / This is Jazz 11 / ColumbiaDuke Ellington & Ella Fitzgerald / “It Don't Mean a Thing (If It Ain't Got That Swing)” / At the Cote D' Azur / VerveLambert, Hendricks & Ross / “Twisted” / The Hottest New Group in Jazz / ColumbiaDan Hicks & his Hot Licks / “Canned Music” / Original Recordings / EpicBill Knopf / “Take the “A” Train” / Pacific Swing / First InversionDjango Reinhardt & Stephane Grappelli / “Swinging with Django” / Djangologie Vol.6 / EMI PatheAllen Tousaint / “Rocks in My Bed” / American Tunes / NonesuchGuy Van Duser & Billy Novick / “Exactly Like You” / Exactly Like Us / RounderRuss Barenberg / “Halloween Rehearsal” / Halloween Rehearsal / RounderThe Phil Salazar Band / “Swing to Bop” / The Phil Salazar Band / Flying FishMerle Travis / “Walkin' the Strings” / The Merle Travis Guitar / RavenPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Propuestas instrumentales para tomarse el tiempo de escuchar con tiempo.Enrico RavaDrops – Easy LivingGary Burton; Chick Corea rystal Silence – Crystal SilenceMarcin Wasilewski TrioVignette – JanuaryEmily RemlerSoftly, As In A Morning Sunrise – East To WesOded TzurThe Song of the Silent Dragon – Like a Great RiverDuke EllingtonMood Indigo – Masterpieces By EllingtonEscuchar audio

Put And Take (Adrian Rollini, bass sax, hot fountain pen, Joe Venuti's Blue Four, 1930); Delta Serenade - Theme (Duke Ellington, 1940); I'm Coming Virginia (Sidney Bechet, sop sax, & His New Orleans Feetwarmers, 1941); Wang Wang Blues (Rollini, "goofus", The Goofus Five, 1927); Knockin' on wood (Red Norvo, xylophone, 1933); Jazz Me Blues (Adrian Rollini Trio, vibes, chimes, 1950); Girls Like You Were Meant For Boys Like Me (Red McKenzie's Mound City Blue Blowers, comb, 1930); For No Reason at All in C (Frankie Trumbauer, C melody sax 1927); Wild Cat, (Joe Venuti, Eddie Lang, 1927); Junk Man (Jack Teagarden, Caspar Reardon, harp, 1934); Sweet Sue (Dave Apollon, mandolin, 1933); Sugar (Alberta Hunter, Fats Waller pipe organ (1927); Summit Ridge Drive (Artie Shaw and His Gramercy Five, Johnny Guarnieri, harpsichord, 1940); Mr. J.B. Blues (Jimmie Blanton, bass, Duke Ellington, 1940).

Nordmark Pod får besök av artisten, producenten och låtskrivaren Björn Yttling! Det samtalas om och att; Illegal Hit, 2a omöjliga skiva, det var kanske var bra? Anteckningar, det här är ju jazz, 20 år sen, Peter Bjorn & John, soft landning, startade som kompisar, Ceasars, åkte runt hela världen, nånstans tar tiden slut, mina gamla jazzfavoriter, måste komma in i det, Bostadsrättsjazz, trombon låter.. dåliga noter, tramporgeln hemma, brydde mig inte om instrumentet, Duke Ellington, vad gör han som inte jag kan göra? Vi hade nog lite Phil Spector i oss, friktion måste också finnas, allvaret måste finnas, Lykke Li, bry sig om varenda detalj, man måste ha det, man måste själv tro på det, det är Västerbottens inland och det blir inte bättre, du måste alltid ha 3 dar med en artist, Primal Scream, en ton, det här kommer inte bli nånting så vi drog och spelade tennis istället…Mäktigt! Produktion av NordmarkEditering av NordmarkMix av Nordmark

When I first head this story I thought it was interesting but that I wouldn't think of it again. Now over a decade later I'm still trying to solve it at 3am. For those who want the Spooky collection https://www.patreon.com/collection/1288938Say Shhhh by Atmosphere https://www.youtube.com/watch?v=bV_E8SPc_joBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

Jeffrey Biegel is a Spectacular Concert Pianist. He's a Grammy winner and has a remarkable back story. At age three he was barely able to hear or speak, in fact he could hear only vibrations, until he had corrective surgery. This so-called 'reverse Beethoven' phenomenon is at the heart of his commitment to music. In 2025 he premiered three new works including one by Melissa Manchester. In 2021 he premiered a work in honor of former Supreme Court Justice Ruth Bader Ginsburg. He's worked with conductors JoAnn Falletta and Lucas Richman.  He received high praise from Leonard Bernstein who called him “a splendid musician and a brilliant performer." And he's performed music by George Gershwin, Duke Ellington, Keith Emerson and Neil Sedaka.My featured song is “New York City Groove”, from the album Made In New York by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JEFFREY:www.jeffreybiegel.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

'Comparing our insides to other people's outsides' Jim Carmichael, Cliff Edwards, Hall Johnson Choir,  Seamus O'Rourke, Rangan Chatterjee, Robert Waldinger, Marc Shulz, Duke Ellington, Louis Armstrong, The Dave Brubeck Quartet, Mary Martin with Toots Camarata and His Orchestra, Hal Leonard, Louis Prima, Phil Harris, Bruce Reitherman, Laura Mvula, Joyce

A true classic on British true crime, with an ingenious MO but possibly the least subtle murderer ever. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

durée : 02:29:00 - France Musique est à vous du samedi 27 septembre 2025 - par : Gabrielle Oliveira-Guyon - Au programme d'aujourd'hui : "Le temps l'horloge" de Dutilleux, "Après un rêve" de Fauré, mais aussi "Take the A Train" par Duke Ellington, et bien d'autres encore. - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A man travels from Austria to West Ireland to end his life but ensures that there is absolutely no trace of his identiy left. Anywhere. And unlike loads of cases we have a ton of CCTV footage but it doesn't get us any closer to understanding what exactly happened and who Peter Bergmann was. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

Note: Listeners are encouraged to listen to Rick Flynn Presents (Episode 244) which originally aired on August 6, 2025 to hear this guest speak on his very first appearance on the Rick Flynn Presents worldwide podcast.Back by popular demand and making his second visit to the Rick Flynn Presents worldwide podcast is author and Theoretical Linguist SAMUEL JAY KEYSER in promotion of his new book "Play It Again, Sam: Repetition in the Arts." In the book Play It Again, Sam Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.Contact the author at Facebook as Samuel Jay Keyser and purchase the books wherever books are sold or ordered including Amazon.

Send us a textAuthor, historian, and educator JK Chambers joins hosts David C. Gross and Tomaso Semioli to discuss his latest book, "A Tone Parallel to Duke Ellington: The Man In the Music," out now on University Press of Mississippi. Chambers explores Duke's artistry, history, legacy, and future as an American musical icon. Duke Ellington as You've Never Read Before with JK Chambers!   Playlist

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Oblivion by Phish (2024)Song 1: Never Too Much by Luther Vandross (1981)Song 2: My Cherie Amour by Stevie Wonder (1969)Song 3: Oblivion by The Wilderness of Manitoba (2021)Song 4: The Gal From Joe's by Duke Ellington (1938)Song 5: Mind Mischief by Tame Impala (2012)Song 6: Oblivious by Aztec Camera (1983)Song 7: Curse of the Tooth Nightmare by Giraffes? Giraffes! (2011)Song 8: Lady (Hear Me Tonight) by Modjo (2000)Song 9: Dylan Thomas by Better Oblivion Community Center (2019)Song 10: Cue the Machines by Yonatan Gat (2018)

This fortnight, Mike's cued up four newish releases with very different approaches to modern jazz. We have a couple piano trios (one of which calls in reinforcements from time to time), a duet with some space-age percussion, and a gigantic, sprawling big band project. Pat sneaks some jazz vinyl talk into pop matters. Omar Thomas – GRIOT SONGS; Rachel Eckroth – SPEAKING IN TONGUES; Bill O'Connell – TOUCH; Eric Bell – VULNERABILITY.

A wealthy woman goes shopping for dresses and is never seen again. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

Send us a textRevered by his peers and bandleaders such as Charlie Parker, Count Basie, Duke Ellington, Coleman Hawkins, and Lester Young among others…. Don Byas chose a decidedly different path, migrating to Europe to escape social conditions and to seek artistic freedom. Author Con Chapman joins hosts David C. Gross and Tomaso Semioli to discuss his Byas biography out now on University Press of Mississippi The Story of Sax Expat: Don Byas Playlist

Trombonist, arranger and big band leader Callum Au, and composer, pianist and singer Natalie Duncan, are today's studio guests as they look for unexpected links that connect five disparate tracks. With Anna Phoebe and Jeffrey Boakye, they head from an early Adele classic to a reinterpretation of a Roberta Flack hit via a 15-minute reworking by Duke Ellington of one of his most celebrated works.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Chasing Pavements by Adele Mood Indigo by Duke Ellington Tuba mirum by Mozart Back Together Again by Roberta Flack, ft Donny Hathaway Killing Me Softly With His Song by Fugees Other music in this episode:Krupastrophe by Callum Au & Louis Dowdeswell Heaven by Emeli Sandé Sinfonia 'Infernali' from L'Orfeo by Claudio Monteverdi Killing Me Softly With His Song by Roberta Flack Empty Chairs by Don McLean

Today, the Spotlight shines On bestselling author and journalist Larry Tye.Larry's latest book, The Jazzmen, tells the story of how Duke Ellington, Louis Armstrong, and Count Basie transformed America. But this isn't just another music biography. Larry explores nearly every aspect of the lives and music of these men and demonstrates how their artistry helped lay the groundwork for the civil rights movement.This is Larry's ninth book, following acclaimed biographies of figures like Bobby Kennedy, Joe McCarthy, and Satchel Paige. As a former Boston Globe reporter who now runs Harvard's Health Coverage Fellowship, he's spent decades making complex stories accessible to all of us.Larry's here to share how three jazz masters changed more than music—they changed America itself.–Dig DeeperAuthor and Book:Visit Larry Tye at larrytye.comPurchase Larry Tye's The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America from Bookshopor other online retailersLarry Tye author page at HarperCollinsFeatured Musicians:Duke Ellington - Official website and musical legacyLouis Armstrong - Louis Armstrong House MuseumCount Basie - Count Basie Theatre and legacy resources–Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On bestselling author and journalist Larry Tye.Larry's latest book, The Jazzmen, tells the story of how Duke Ellington, Louis Armstrong, and Count Basie transformed America. But this isn't just another music biography. Larry explores nearly every aspect of the lives and music of these men and demonstrates how their artistry helped lay the groundwork for the civil rights movement.This is Larry's ninth book, following acclaimed biographies of figures like Bobby Kennedy, Joe McCarthy, and Satchel Paige. As a former Boston Globe reporter who now runs Harvard's Health Coverage Fellowship, he's spent decades making complex stories accessible to all of us.Larry's here to share how three jazz masters changed more than music—they changed America itself.–Dig DeeperAuthor and Book:Visit Larry Tye at larrytye.comPurchase Larry Tye's The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America from Bookshopor other online retailersLarry Tye author page at HarperCollinsFeatured Musicians:Duke Ellington - Official website and musical legacyLouis Armstrong - Louis Armstrong House MuseumCount Basie - Count Basie Theatre and legacy resources–Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Two women are murdered on the same beach, 6 years apart. Their injuries are almost identical and in basically the same spot but is the same man responsible?Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

In 1972, a plane exploded mid-air over Czechoslovakia, breaking apart at 33,000 feet. All 27 people on board were killed - except one. That one was Vesna Vulović, a 22-year-old Yugoslav flight attendant, who somehow survived the fall without a parachute.Her body was discovered among the wreckage, critically injured but alive. How did she survive when no one else did? Was it pure luck, a quirk of physics, or something more? And what became of her afterwards? This episode uncovers the astonishing survival of Vesna Vulović, the Guinness World Record holder for the highest fall without a parachute, and a woman whose life after the accident was as extraordinary as the event itself.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Paul the Trombonist. About Paul the Trombonist: Paul Nowell, widely recognized as "Paul The Trombonist," is a multi-talented artist rooted in Los Angeles, boasting roles as a music producer, songwriter, entrepreneur, performer, educator, YouTuber, and esteemed trombonist. His diverse skill set has led to private performances for a star-studded audience that includes names like Leonardo DiCaprio, Martin Scorsese, and Charlize Theron, among others. Garnering tens of millions of views, his original content videos stand testament to his growing acclaim. In his formative years, while performing in a jazz club in Cleveland with his ensemble, Paul caught the attention of Ron Ellington Shy — a notable figure linked to Duke Ellington and known for his involvement with the Drifters and Coasters. This chance encounter propelled him into collaborative projects with Ellington Shy. Not just that, his youth also witnessed a stint to perform with jazz icon Chico Hamilton's band, a worldwide tour with the Glenn Miller Orchestra, and participation in the Tony-award-winning "best musical" "Memphis" written by Bon Jovi's keyboardist, David Bryan. His collaboration with the ten-time Grammy awardee Arturo Sandoval to create a series of online videos saw a meteoric rise to fame, captivating millions globally. The world of comedy has embraced Paul too, thanks to his collaborative performances with the renowned comedian Sinbad, amalgamating music and humor in an unprecedented style. His rich portfolio further extends to performances with soul music royalty Aretha Franklin, Seth MacFarlane — the brain behind Family Guy, the legendary Frankie Valli, and Noel Gallagher from Oasis. A proud alumnus of the Berklee College of Music, where he honed his skills under the guidance of trombone maestros including the illustrious Phil Wilson, Paul's journey came full circle when he reunited with Wilson to craft a successful video series, a project he cherishes dearly. This reunion bore the genesis of "Bone Masters," a pioneering internet show helmed by Paul, wherein he engages with living legends of the trombone world, orchestrating masterclasses and interviews, thereby creating the most expansive educational video library dedicated to the trombone. Paul's live performances are a league of their own, innovatively blending trombone with technology to forge sounds traversing Jazz, Pop, Hip-Hop, and Electronic genres. Leveraging modern technology and keyboards coupled with trombone improvisations, he crafts a transcendental musical experience. Apart from his musical endeavors, Paul is a well-recognized name in the online business arena, having secured numerous business accolades, including the prestigious 2 Comma Club awards on multiple occasions. His entrepreneurial spirit and commitment to excellence are evident in every venture he undertakes, showcasing a multifaceted talent who continuously strives for greatness in the music industry and beyond. As a respected member of The Recording Academy, Paul contributes his vote annually at the Grammy Awards, holding a distinguished role in shaping the future of music.

An interview with Larry Tye about his triple biography of Louis Armstrong, Duke Ellington and Count Basie.

We have Teri Johnson of Harlem Candle Co. and Harlem Perfume Co. talking about her historically reverent collection of perfumes inspired by the great artists of the Harlem Renaissance: Billie Holiday, Langston Hughes, Josephine Baker, Duke Ellington, and Eartha Kitt — who's perfume was made in collaboration with her daughter Kitt Shapiro (and whose grandaughter Nora Mae starred in the campaign!). Johnson chats with us about the significance of the Harlem Renaissance, how her candle brand took off during the pandemic, and how Eartha Kitt "oversaw" the formula of her namesake perfume. Also in this EP: We're still blush blind apparently The GAP scents are coming back (even though we already knew they never left) A lightning round sniff test of Harlem Perfume Co's new Sephora-launched fragrances [What we smell like today: Byredy Pulp, Prada Infusion De Rhubarbe]

Receiving B.S. and M.S. degrees from The Julliard School of Music, David Taylor started his playing career as a member of Leopold Stowkowski's American Symphony Orchestra, and with appearances with the New York Philharmonic under Pierre Boulez. Simultaneously, he was a member of the Thad Jones Mel Lewis jazz band, and recorded with groups ranging from Duke Ellington to The Rolling Stones. He has also recorded numerous solo CDs on the following labels: Koch, New World, ENJA, DMP, Tzadik, CIMP, PAU, and TLB. Mr. Taylor performs recitals and concerti around the world: from Lincoln Center in NY to the Musikverein in Vienna and Suntory Hall in Japan. In addition to his own compositions, he has been involved in well over a hundred commissioning projects for solo bass trombone collaborating with composers including Alan Hovhaness, Charles Wuorinen, George Perle, Frederic Rzewski, Lucia Dlugoszchewski, Eric Ewazen, Dave Liebman, and Daniel Schnyder. He has appeared and recorded chamber music with Yo Yo Ma, Itzhak Perlman, and Wynton Marsalis and performs with the Lincoln Center Chamber Music Society, the Mostly Mozart Festival Orchestra, Orpheus, and the St. Luke's Chamber Orchestra. Throughout his career, Taylor has appeared and recorded with major jazz and popular artists including Barbara Streisand, Miles Davis, Quincy Jones, Frank Sinatra, and Aretha Franklin. Mr. Taylor has won the National Academy of Recording Arts and Sciences Most Valuable Player Award for five consecutive years, and has been awarded the NARAS Most Valuable Player Virtuoso Award, an honor accorded no other bass trombonist. He has also won The International Trombone Association's Award “in recognition of his distinguished career and in acknowledgement of his impact on the world of trombone performance. He has been a member of the bands of Gil Evans, Thad Jones-Mel Lewis, Jaco Pastorius, Charles Mingus, JJ Johnson, Joe Henderson, George Russell, Michele Camilo, Bob Mintzer, Dave Matthews, Dave Grusin, Randy Brecker, and the Words Within Music Trio (Daniel Schnyder, David Taylor, Kenny Drew Jr., The Art of the Duo (with D Schnyder) and B3+. He has performed on numerous GRAMMY Award winning recordings. David Taylor is also on the faculties of the Manhattan School of Music, Mannes College, and NYU. He plays Edwards bass trombones and Griego/Taylor mouthpieces exclusively. https://www.davetaylor.net/

This week, Ian talks with cartoonist Mattie Lubchansky about her new book, Simplicity, out July 29 from Pantheon Graphic Library. The conversation touches on Mattie's work as Associate Editor for The Nib, her history with comics, and her ambitions beyond the printed page, but mostly focuses on the role of art in organizing and living our politics amid all the compromises required of life in the Real World. Instagram: @mattielubchansky x/twitter: @Lubchansky website: https://mattielubchansky.com tour: mattielubchansky.com/tour bluesky: @mattielubchansky.com podcast website: https://nogodsnomayors.com podcast bluesky: @nogodsnomayors.com . … . .. Featured Track: Take The ‘A' Train by Duke Ellington from The Duke - The Essential Collection (1927-1962)

Get Keyser's Book here: https://mitpress.mit.edu/9780262552325/play-it-again-sam/   In his famous Norton Lectures (1976), Leonard Bernstein extolled repetition, saying that it gave poetry its musical qualities and that music theorists refused to take it seriously at their peril. In Play It Again, Sam, Keyser takes Bernstein seriously, exploring the way repetition works in the “sister arts” of music, poetry, and painting. He argues, for example, that rhyme in metrical verse is identical to the way songwriters like Duke Ellington, Billy Strayhorn (Satin Doll), Lorenz Hart (My Funny Valentine), and Richard Rodgers (of Rodgers and Hammerstein fame) constructed their iconic melodies. Furthermore, the form of these tunes can be found in classical compositions, including those of Mozart.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...   New to streaming or looking to level up? Check out StreamYard and get $10 discount!

Coming up tonight, it's Duke Ellington and some of the great musicians who worked with him. Duke Ellington & His Cotton Club Orchestra, Cotton Club Stomp Duke Ellington & His Cotton Club Orchestra, I Was Made to Love You Duke Ellington, Come Sunday (with Mahalia Jackson) Billy Strayhorn, Take the "A" Train Johnny Hodges, Art Pepper Quintett / What's New Johnny Hodges & Duke Ellington, Moon Glow Johnny Hodges with Ray Nance vocals, Just Squeeze Me Duke Ellington & Johnny Hodges, Just Squeeze Me (But Don't Tease Me) Duke Ellington/Johnny Hodges, Wabash Blues Duke Ellington, Take the "A" Train Paul Gonsalves, I'm Beginning to See the Light Harry Carney & The Duke's Men, Five O'clock Drag Harry Carney, Paul Gonsalves, Harold Ashby & The Duke's Men, Backstairs Duke Ellington & Ella Fitzgerald, Duke's Place

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

The ultimate musical showdown: jazz vs classical. We bring in conductor Josh Weilerstein from the Sticky Notes podcast to compare, contrast and find the common ground among these two very different schools of music. From Duke Ellington's swinin' take on Peer Gynt to George Gershwin's Rhapsody in Blue, we explore the tunes and the musicians blurring the line between jazz and classical. Josh, Adam and Peter each bring their own picks to the conversation, and have the best time breaking it all down.Nerdy? Extremely. Snobby? A little. Fun? Heck yeah!In this episode you'll hear:- Ravel's Piano Concerto in G Major: Herbie Hancock vs the Cleveland Orchestra- How Duke Ellington made classical standards swingin'- Why Bartók matters to modern music - Two very different interpretations of Rhapsody In Blue- Brubeck's Blue Rondo à la Turk: no improv, still loose- Miles Davis and Gil Evans doing Adagio