Podcasts about Count Basie

On tonight's show, lots of live concert performances: Red Norvo, All of Me (Live) [feat. Frank Sinatra] Frank Sinatra, One for My Baby (And One More For the Road) Ramsey Lewis Trio, Fly Me to the Moon (Live) Ella Fitzgerald, Count Basie and His Orchestra & Tommy Flanagan, L.O.V.E. (Live) Dave Brubeck, Rotterdam Blues Paul Desmond Quartet, Take Five Stan Getz, Infant Eyes Gerry Mulligan, Mel Tormé & George Shearing, Jeru (Live) Lew Tabackin and Toshiko Akiyoshi, How Do You Get to Carnegie Hall? Shirley Horn, Once I Loved (Live) Piano Connection & Marcs Boogie, I Remember Jimmy Yancey Bucky Pizzarelli, Jersey Bounce

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Il n'est pas le plus connu et pourtant, Don Byas était l'un des meilleurs ténors américains. Né à Muskogee, Oklahoma, en 1913, il fut le trait d'union entre la génération des pionniers incarnée par Coleman Hawkins, et celle des boppers menée par Charlie Parker. Don Byas, c'était un son puissant et une vie mouvementée : de ses débuts chez Count Basie aux parties de pèche à Saint-Tropez en passant par les boîtes de la 52ème rue de New-York, Pour Qui Sonne le Jazz suit l'itinéraire de cet enfant gâté du ténor, en deux épisodes. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Participants: John Steppling, Hiroyuki Hamada, and Dennis Riches. Topics covered: Digital ID, federal troops in American cities, the dead end of the Ukraine war, the mysterious death and afterlife of Charlie Kirk, dreaming of the post-apocalyptic adventure, the missing radioactive fallout in zombie movies… Music track: “Every Day I Have the Blues” by Count Basie (public domain). See Aesthetic Resistance on Substack for the links related to this episode.

On tonight's show: Lester Young, Lester Leaps In Count Basie & The Kansas City Seven, Dickie's Dream Billie Holiday, I Cover the Waterfront Betty Roché, Blue Moon Lester Young, Up 'N' Adam Sarah Vaughan with Count Basie and his Orchestra, Perdido Gerry Mulligan, Turnstile Vince Guaraldi, Corcovado John Lewis & Bill Perkins with Jim Hall, Skylark Ike Quebec, Buzzard Lope Ella Fitzgerald, Blues in the Night (1961 Version) Stanley Turrentine, I Wish I Knew Big Bad Voodoo Daddy, The Boogie Bumper

America has exported many products to the world, and one of our finest gifts is music. We may think of rock and roll or rhythm and blues, but one of the earliest and most popular musical exports is jazz and swing. This week we'll hear classics from Django Reinhardt, Count Basie, Duke Ellington, Dan Hicks and his Hot Licks, Russ Barenberg, and next week we'll continue with Part 2. “It Don't Mean a Thing” … this week on The Sing Out Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysDjango Reinhardt & Stephane Grappelli / “Minor Swing” / Djangologie Vol.6 / EMI PatheJoshua Rifkin / “Elite Syncopations” / Scott Joplin Piano Rags / NonesuchBenny Goodman / “Air Mail Special” / Best of the Big Bands / ColumbiaCount Basie / “One O'clock Jump” / This is Jazz 11 / ColumbiaDuke Ellington & Ella Fitzgerald / “It Don't Mean a Thing (If It Ain't Got That Swing)” / At the Cote D' Azur / VerveLambert, Hendricks & Ross / “Twisted” / The Hottest New Group in Jazz / ColumbiaDan Hicks & his Hot Licks / “Canned Music” / Original Recordings / EpicBill Knopf / “Take the “A” Train” / Pacific Swing / First InversionDjango Reinhardt & Stephane Grappelli / “Swinging with Django” / Djangologie Vol.6 / EMI PatheAllen Tousaint / “Rocks in My Bed” / American Tunes / NonesuchGuy Van Duser & Billy Novick / “Exactly Like You” / Exactly Like Us / RounderRuss Barenberg / “Halloween Rehearsal” / Halloween Rehearsal / RounderThe Phil Salazar Band / “Swing to Bop” / The Phil Salazar Band / Flying FishMerle Travis / “Walkin' the Strings” / The Merle Travis Guitar / RavenPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

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My Dad's Greatest Hits This will be my last regularly scheduled weekly episode. We'll talk about that as we go along. One of the last songs my dad heard in his hospital bed the day he died and the one we played as we wheeled his casket out of the church was the Frank Sinatra song, My Way. It's how my dad lived his life. And it's how I will bring this show to a close. I'll use paraphrased lyrics from the song. So Yes, the end is near. My friend, I'll say it clear.  Strap in. This is going to be a fun musical ride. So, get ready to hear 20 songs that had meaning to my father, my family, and me in Volume 250: Fading Out My Way. Credits and copyrights Louis Armstrong When The Saints Go Marching In A traditional Tune Opens and Closes (almost) every episode Lou Monte Pepino The Italian Mouse written by Ray Allen and Wandra Merrell Volume 9: Lou Monte and Pepino Herb Alpert and the Tijuana Brass Whipped Cream Written By – Naomi Neville Volume 98: Whipped Alpert Henry Mancini Peter Gunn Theme Written by Henry Mancini Volume 242: Mancini's Gunn Ray Conniff This Is My Song Written By – Charlie Chaplin Volume 76: My Song Willie Nelson Georgia On My Mind Written By Hoagy Carmichael and Stuart Gorrell Volume 225: The Standard Stoner The Sons Of The Pioneers Cool Water written by Bob Nolan Volume 41: Tumbling Tumbleweeds Part 1 Luciano Pavarotti with The National Philharmonic Orchestra conducted by Gian Carlo Chiaramello Torna A Surriento Composed By – Ernesto de Curtis Volume 86: Pavarotti's Greatest Part 1 unknown artist Oh Marie Adapted from Maria Marì written by Eduardo Di Capua, Alfredo Mazzucchi, and Vincenzo Russo Volume 127: Italian Favorites Roy Meriwether Trio Zipadee Doo Dah composed by Allie Wrubel with lyrics by Ray Gilbert Volume 62: Popcorn and Soul Kay Kyser And His Orchestra Woody Woodpecker, a Walter Lantz Cartoon With vocal chorus from Gloria Wood. Written by Ramey Idriss, George Tibbles Volume 74: 8 Sides from Columbia Bing Crosby Running Around in Circles (Getting Nowhere) Written by Irving Berlin Volume 78: Berlin's Blue Skies Pete Fountain Farewell Blues written by Paul Mares, Leon Roppolo and Elmer Schoebel Volume 25: Pete Fountain a High Society Fathers Day Glenn Miller Orchestra Bugle Call Rag Written By – Billy Meyers, Elmer Schoebel, and Jack Pettis Volume 122: Glenn Miller Collection Part 4 Jonah Jones Cherry Pink And Apple Blossom White Written By – Louiguy (real name Louis Guglielmi) Volume 210: Jonah Style Harry James Two O'Clock Jump Written-By – Benny Goodman, Count Basie, and Harry James Volume 4: Harry James Greatest Hits Al Hirt Holiday For Trumpet Written By – Mario Ruiz Armengol Volume 158: Hirt So Good Dean Martin Your Other Love Written by Mort Shuman and Doc Pomus Volume 75: Everybody Loves Dean Sammy Davis Jr. Mr. Bojangles written by Jerry Jeff Walker Volume 136: Sammy Record 1 Frank Sinatra My Way written by Jacques Revaux, Gilles Thibaut, and Claude François English lyrics by Paul Anka I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #dadsrecords #vinyl #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

Sintonía: "Scoot" - Count Basie"There´s A Small Hotel", "Just You, Just Me", "Blond On The Loose", "Walking Behind Miss Lucy" y "Swan Of Tonnelle Avenue" - Carl Kress; "There Ain´t No Sweet Man That´s Worth The Salt Of My Tears", "Between A Kiss And A Sigh", "Don´t Let Your Love Go Wrong", "Steady Daddy" y "Believe It, Beloved" - Kay Starr with Dave Cavanaugh´s Music; "Hollyridge Drive" - Red Norvo; "I´ll Follow You" y "Bop!" - Red Norvo Septet; "Baby, Let´s Be Friends" - Jesse Price And His Blues Band; "Swedish Pastry" y "Who Sleeps" - Stan Hasselgard And His All Star SixTodas las músicas seleccionadas por Klaus Faber de los CDs nº 11 y 12 del cofre de 12 CDs titulado "Classic Capitol Jazz Sessions 1942-53" (Mosaic, 1997)Relación de fechas de emisión de los 5 programas anteriores:1. Selección de los CDs 1 y 2, emitido el 26/05/20252. Selección de los CDs 3 y 4, emitido el 24/06/20253. Selección de los CDs 5 y 6, emitido el 10/07/20254. Selección de los CDs 7 y 8, emitido el 06/08/2025 (Txiringuito Sessions 10)5. Selección de los CDs 9 y 10 emitido el 11/09/2025Escuchar audio

Grâce à ses trios composés de Ray Brown (contrebasse), Herb Ellis (guitare) puis Ed Thigpen (batterie), Oscar Peterson est devenu l'une des plus grandes stars du jazz des années 1950 et 60. Sa marque de fabrique ? Des déluges de notes et un plaisir de jouer jamais démenti. Descendant d'Art Tatum, pour la virtuosité, et de Count Basie pour le swing, Peterson incarne le classicisme et l'élégance à l'état pur !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:25:16 - Pierre Boussaguet, contrebassiste et compositeur (2/5) - par : Christophe Dilys - Pierre Boussaguet, héritier de la grande tradition des contrebassistes de jazz se raconte au micro de Christophe Dilys. De Ray Brown à Guy Lafitte, ses rencontres, son swing et son art de l'accompagnement en ont fait l'une des voix majeures de la contrebasse européenne. - réalisé par : Adrien Roch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The 95bFm Jazz Show takes a different turn this week with Soundtrack Jazz, Real & Imagined. Chris Forster (Silent Buffalo) and Peter Cresswell (Duke of P) come out of the vinyl archives to present jazz old and new as it appeared (or should have appeared) on film. Everything from every decade, from Coppola to Count Basie, and from David Lynch to Duke Ellington and Goldsmith Baynes. Thanks to show sponsor San Ray restaurant in Ponsonby Rd.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: The Story in Your Eyes by The Moody Blues (1971)Song 1: You Are the Woman by Firefall (1976)Song 2: Love Me or Leave Me by Count Basie (1939)Song 3: I Left My Heart in San Francisco by Tony Bennett (1962)Song 4: I Am Woman by MC Lyte (1988)Song 5: Hallogallo by NEU! (1972)Song 6: June by Claire (2024)Song 7: You're a Woman, I'm a Machine by Death From Above 1979 (2004)Song 8: Papalon by Squarepusher (1997)Song 9: Ego by A Tribe Called Quest (2016)Song 10: Woman in Love by The Ronettes (1964)

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Tom "Bones" Malone.   About Tom : Tom “Bones” Malone, trombonist, multi-instrumentalist, arranger & producer is best known for his work with The Blues Brothers, David Letterman Show and Saturday Night Live. Tom has played on 4,400+ television shows, 3,500+ radio & television commercials, over 1,500 recordings and thousands of live performances throughout the world. Tom has done 3,000 arrangements for television.   Tom plays trombone, tuba, bass trombone, contrabass trombone, euphonium, bass trumpet, trumpet, flugelhorn, piccolo trumpet, alto sax, tenor sax, baritone sax, flute, piccolo, alto flute and bass flute.   “Tom Bones Malone, a multi-instrumentalist, is perhaps the most successful musician in the history of film, live television and sound recording production.” - Ray Hair, president, American Federation of Musicians   Tom has performed, recorded and/or arranged for Ray Charles, James Brown, Stevie Wonder, Paul McCartney, Gil Evans, Yes, Miles Davis, Beck, Aretha Franklin, Spyro Gyra, Jimmy Cliff, Frank Zappa, Stuff, The Temptations, The Supremes, Sting, Elton John, James Taylor, J Giels Band, Blood Sweat & Tears, The Band, Levon Helm, Phil Collins, Wilson Pickett, Sam & Dave, Ben E. King, The BeeGees, Meco, The Coasters, Bon Jovie, Carly Simon, Dr. John, Olivia Newton-John, Joe Cocker, The Meters, The Neville Brothers, Leo Sayer, Boz Skaggs, Chuck Berry, Robert Plant, Jeff Beck, Jimmy Page, Gypsy Kings, Willie Nelson, Clint Black, Dolly Parton, George Benson, B B King, Vince Gill, John Mayer, Steve Winwood, The Killers, Blues Traveler, The Stylistics, Busta Rhymes, Bonnie Raitt, Bruce Springsteen, Al Green, Gloria Estefan, Garth Brooks, Faith Hill, Eddie Harris, Cyndi Lauper, David Bowie, ‘N Sync, Coolio, Snoop Dog, 50 Cent, Solomon Burke, Steely Dan, Aerosmith, Tony Bennett, Mary J. Blige, Peter Frampton, Lyle Lovett, Etta James, Jon Secada, Joe Cocker, Sinead O'Conner, Toni Braxton, Harry Connick, Jr., Randy Newman, Little Richard, Pointer Sisters, Eric Clapton, Billy Preston, Marvin Gaye, Whitney Houston, Chaka Kahn, Four Tops, Elephant's Memory, Eddie Floyd, Count Basie, The Spinners, The Stylistics, Barry Manilow, Jose Feliciano, Woody Herman, Tom Petty, Macy Grey, Van Morrison, Frankie Valli, Hanson, Peggy Lee, Brenda Lee, Liza Minelli, Cab Calloway, The O'Jay's, Nancy Wilson, Shirley Bassey, Billy Joel, Bonnie Tyler, Lou Reed, Baja Men, Dr. Buzzard's Savannah Band, Joss Stone, Dionne Warwick, Meatloaf, Ashford & Simpson, Pat Metheny, David Sanborn, Luther Vandross, Teddy Pendergrass, Glen Campbell, Malo, Vicki Sue Robinson, Mandrill, Gladys Knight & The Pips, Diana Ross, Average White Band, Dreamgirls, Van McCoy, Mongo Santamaria, Instant Funk, Stephanie Mills, Herbie Mann, Paul Simon, Gloria Gayner, Plácido Domingo, Village People, Bobby Blue Bland, Pink Floyd, Hubert Laws, Tina Turner, Joe Jackson, Chuck Mangione, Lou Rawls, David Byrne, Phil Woods, James Ingram, Hank Crawford, Carmen McRae, Bette Midler, Phoebe Snow, Rupert Holmes, BJ Thomas, Samantha Sang, Al Jarreau, Sheena Easton, Johnny Taylor, Little Milton, Stanley Clark, Little Anthony & The Imperials, Joe Pesche, Ron Carter, Buddy Rich, Les Elgart, Larry Elgart, Billy Cobham, Louis Bellson, Stanley Turrentine, Gato Barbieri, Ringo Starr, Lady Gaga, Bob Geldoff, Debbie Harry, Run DMC, Ricky Martin, John Mellencamp, Eurythmics, Rufus Thomas, Debby Harry, Run DMC, Ricky Martin, Shaggy, John Mellencamp, Chris Montez, Joey Dee, Dusty Springfield, The Blues Brothers, Hanson and many others.

The Jazz Session No.431 from RaidersBroadcast.com as aired in September 2025, featuring a celebration of the 45th anniversary of the recording of Pat Metheny & Lyle Mays, with “As Falls Wichita, So Falls Wichita Falls”, and a bunch of contemporaneous, brilliant Metheny tracks. TRACK LISTING: Blues in Orbit - George Russell Septet; Five Spot After Dark - Art Farmer; Entre Cuerdas - Edmar Castaneda; Berimbau - Paula Morelenbaum; Ozark - Pat Metheny & Lyle Mays; Airstream - Pat Metheny Group; Yellow Dog Blues - Eddie Condon; Play That Hot Guitar - Pasadena Roof Orchestra; II (Suspended Variations) - Tomasz Stanko Quartet; New I - Sebastian Spanache Trio; I'll Never Be the Same - The Tatum.Hampton.Rich Trio; Hackensack - Thelonius Monk; East Side West Side - Mahavishnu Orchestra; In a Silent Way - Joe Zawinul; April Joy - Pat Metheny Group; Are You Going With Me? - Pat Metheny Group; Dancing in the Dark - Cannonball Adderley ; What Am I Here For? - Count Basie & His Orchestra; Cletus Awreetus-Awrightus - Frank Zappa; Big Eyed Beans from Venus - Captain Beefheart and His Magic Band.

Send us a textRevered by his peers and bandleaders such as Charlie Parker, Count Basie, Duke Ellington, Coleman Hawkins, and Lester Young among others…. Don Byas chose a decidedly different path, migrating to Europe to escape social conditions and to seek artistic freedom. Author Con Chapman joins hosts David C. Gross and Tomaso Semioli to discuss his Byas biography out now on University Press of Mississippi The Story of Sax Expat: Don Byas Playlist

The last time legendary Wheeling-born saxophonist Chu Berry was in the recording studio, he gave some jazz love to a song written by a fellow West Virginian.The date was Aug. 28, 1941, and the tune — one of the four sides that Berry and his jazz ensemble would record that day for Milt Gabler's Commodore label in New York City's Reeves Sound Studios on East 44th Street — was “Gee, Baby, Ain't I Good to You.”The song was still relatively unknown. No one else had recorded it in the dozen years since Piedmont, WV, native Don Redmond wrote it for McKinney's Cotton Pickers to wax in 1929.As discussed here in an earlier article, the Roarin' Twenties has been good for Don Redman. He was responsible for integrating the rhythmic approach of Louis Armstrong's playing into arrangements for Fletcher Henderson's Orchestra. In 1927 Redman was wooed away from Henderson to join McKinney's Cotton Pickers, the house band at the celebrated Greystone Ballroom in Detroit.When Chu Berry revisited the song in 1941 (to be on the flip side of his version of "Sunny Side of the Street”), it featured ex-Bennie Moten/Count Basie trumpeter Oran “Hot Lips” Page, whose bluesy singing and plunger mute work capped the session.Incidentally, Page recorded it again in 1944, but even more importantly for the song's legacy (and to Don Redmond's checkbook) a year earlier the song was also recorded by an up-and-comer named Nat “King” Cole, who took it to No. 1 on the Billboard Harlem Hit Parade where stayed for four weeks.Losing ChuChu Berry would not live to know any of that. Almost exactly two months after the August 1941 recording date, he was on his way to Toronto for a gig with the Cab Calloway Orchestra, with which he had played for four years. Heavy fog made visibility poor, and the car in which Chu was a passenger skidded and crashed into a bridge abutment near Conneaut, Ohio, 70 miles northeast of Cleveland.Berry died three days later from his injuries just a few weeks after his 33rd birthday.Chu Berry was brought back to Wheeling for his funeral. More than a thousand mourners attended, including Cab Calloway and the members of his band who ordered a massive floral arrangement in the shape of a heart.At the funeral, Calloway told mourners Chu had been like a brother to him. The big man had charmed the world, he said, with advanced harmonies and smoothly flowing solos that would influence musicians for generations to come. “Chu will always be a member of our band,” Cab said. “He was the greatest.”Berry's RootsBorn in Wheeling in 1908, Leon Brown Berry took up the saxophone as a youngster after being inspired by the great tenor man Coleman Hawkins. Berry went on to model his own playing after Hawkins, who would later be quoted as saying, “Chu was about the best.” By the time of his 27th birthday, Chu had moved to New York where he worked with Bessie Smith, Lionel Hampton, Count Basie and others.Eventually, he became the featured sax player with the hottest jazz band of the day, Cab Calloway's legendary Cotton Club Orchestra. In 1937 and 1938, he was named to Metronome Magazine's All-Star Band. Younger contemporaries — notably Charlie Parker and Dizzy Gillespie — almost certainly heard Berry up close and personal at the now-legendary Monday night jam sessions at Minton's Playhouse in New York City, gatherings widely credited for the development of the bebop in the mid-1940s.Famously, in 1938 Parker — 14 years younger than Chu — named his first child Leon in tribute to Berry.And the Nickname?Multiple explanations have been given as to how Leon Berry got his nickname. Music critic Gary Giddins has said Berry was called “Chu” by his fellow musicians either because of his tendency to chew on his mouthpiece or because at one time he had a Fu Manchu-style mustache. Both stories work; take your pick.Our Take on the TuneJoining The Flood repertoire, some songs fit in right away, while others, like this one, need a little time to settle in, but when they do, wow — they're as comfortable as an old shoe. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Today, the Spotlight shines On bestselling author and journalist Larry Tye.Larry's latest book, The Jazzmen, tells the story of how Duke Ellington, Louis Armstrong, and Count Basie transformed America. But this isn't just another music biography. Larry explores nearly every aspect of the lives and music of these men and demonstrates how their artistry helped lay the groundwork for the civil rights movement.This is Larry's ninth book, following acclaimed biographies of figures like Bobby Kennedy, Joe McCarthy, and Satchel Paige. As a former Boston Globe reporter who now runs Harvard's Health Coverage Fellowship, he's spent decades making complex stories accessible to all of us.Larry's here to share how three jazz masters changed more than music—they changed America itself.–Dig DeeperAuthor and Book:Visit Larry Tye at larrytye.comPurchase Larry Tye's The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America from Bookshopor other online retailersLarry Tye author page at HarperCollinsFeatured Musicians:Duke Ellington - Official website and musical legacyLouis Armstrong - Louis Armstrong House MuseumCount Basie - Count Basie Theatre and legacy resources–Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On bestselling author and journalist Larry Tye.Larry's latest book, The Jazzmen, tells the story of how Duke Ellington, Louis Armstrong, and Count Basie transformed America. But this isn't just another music biography. Larry explores nearly every aspect of the lives and music of these men and demonstrates how their artistry helped lay the groundwork for the civil rights movement.This is Larry's ninth book, following acclaimed biographies of figures like Bobby Kennedy, Joe McCarthy, and Satchel Paige. As a former Boston Globe reporter who now runs Harvard's Health Coverage Fellowship, he's spent decades making complex stories accessible to all of us.Larry's here to share how three jazz masters changed more than music—they changed America itself.–Dig DeeperAuthor and Book:Visit Larry Tye at larrytye.comPurchase Larry Tye's The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America from Bookshopor other online retailersLarry Tye author page at HarperCollinsFeatured Musicians:Duke Ellington - Official website and musical legacyLouis Armstrong - Louis Armstrong House MuseumCount Basie - Count Basie Theatre and legacy resources–Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Las grandes Orquestas del mundo en escena, gracias a su conductor Carlos Bautista

What do you get when you cross the LP Swing Orchestra with Gary Williams, Julia Sullivan and Joe Stilgoe? An absolutely jam-packed, and unmissable afternoon of swinging Broadway classics, that's what! Join us at the very lovely Cadogan Hall on Sunday 7th September 3pm and spend a glorious afternoon in the company of Joe Stilgoe, Gary Williams and Julia Sullivan as they 'Razzle Dazzle' you with hits from Chicago, Cabaret, West Side Story, Top Hat, Anything Goes and Showboat.With iconic tunes from the world of musical theatre and classic arrangements from Ella Fitzgerald, Count Basie, Ted Heath and Benny Goodman, alongside our own specially commissioned arrangements, you know you are in for an afternoon of LP Swing Orchestra magic!

On the August 21 edition of the Music History Today podcast, the Tragically Hip get together 1 last time, Bono gets married, the inventor of the Moog synthesizer passes away, & happy birthday to Count Basie, Joe Strummer, & Kenny Rogers.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

hr-Bigband cond. by Erik van Lier, Staatstheater Kassel, Mai 2025, Teil 1 | Keine Schnörkel, kein Schnickschnack - einfach nur Swing! Das ist die Musik von Count Basie. Seine Band war eine der berühmtesten Formationen ihrer Zeit. Zu Ehren von Sammy Nestico, dem Chefarrangeur des Count Basie Orchestras, der dieses Jahr seinen 101. Geburtstag gefeiert hätte, würdigt die hr-Bigband diese beiden Jazz-Größen in einem mitreißenden Programm voller Verve und guter Laune. (Sendung vom 17.8.)

An interview with Larry Tye about his triple biography of Louis Armstrong, Duke Ellington and Count Basie.

John Hammond was a visionary jazz producer and talent scout who discovered or championed Billie Holiday, Count Basie, Benny Goodman, Fletcher Henderson, and Lester Young. A tireless advocate for integration, he helped break racial barriers in jazz, produced historic recordings, and brought Black artists to wider audiences through concerts and radio.Music: Count Basie: "One O'Clock Jump" (1937), Bessie Smith: "Downhearted Blues" (1923); Garland Wilson: "St. James Infirmary/ When Your Lover Has Gone" (1931); Billie Holiday: “Your Mother's Son-in-Law” (1933); Billie Holiday: "What a Little Moonlight Can Do" (1935); Benny Goodman: "After You've Gone" (1935); From Spirituals to Swing, 1938.

Songs include: Ole Buttermilk Sky by Kay kyser, Cabin In the Sky by Ella Fitzgerald, Blue Skies by Count Basie, Riders In the Sky by Bing Crosby and Orange Colored Sky by Nat King Cole. 

Bringing a little slice of life from back home to the troops serving overseas, GI Jill is in charge of the jukebox of the air. Playlist: Count Basey leads off…

John Hammond was a visionary jazz producer and talent scout who discovered or championed Billie Holiday, Count Basie, Benny Goodman, Fletcher Henderson, and Lester Young. A tireless advocate for integration, he helped break racial barriers in jazz, produced historic recordings, and brought Black artists to wider audiences through concerts and radio.Music: Count Basie: "One O'Clock Jump" (1937), Bessie Smith: "Downhearted Blues" (1923); Garland Wilson: "St. James Infirmary/ When Your Lover Has Gone" (1931); Billie Holiday: “Your Mother's Son-in-Law” (1933); Billie Holiday: "What a Little Moonlight Can Do" (1935); Benny Goodman: "After You've Gone" (1935); From Spirituals to Swing, 1938.

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

durée : 00:59:27 - Stay Cool - par : Nathalie Piolé - ✌️ Rester cool, à tout prix ? Pas forcément facile. Oscar Brown Jr. nous explique ! - réalisé par : Fabien Fleurat Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Listen to the second episode in our three-part series exploring the music of Reunald Jones, a legendary Indiana trumpet player with deep connections to the Avenue scene.  During his remarkable career, Jones performed with the biggest stars in American music, including Duke Ellington, Ella Fitzgerald, Sonny Rollins, Dinah Washington, Quincy Jones, and Nat King Cole. But he's best known for his work with Count Basie. Jones was a member of the Count Basie band from 1952, to 1957. During that time, he led the band's trumpet section, and he became known for playing the trumpet with one hand.  Jones was a member of Basie's orchestra during a high point with the band. During the years Jones played with Basie, the band played their first dates in Europe and recorded classic albums like “Live at Newport”, “April in Paris”, and “Basie in London”. Listen to this program for music featuring Reunald Jones' recordings with Count Basie.

On tonight's show: Count Basie, vocal Helen Humes, My Heart Belongs to Daddy Oscar Aleman, Cherokee Charlie Parker, I'll Remember April Stan Getz, Four Sarah Vaughan, All the Things You Are Miles Davis, Oleo Frank Sinatra, Have You Met Miss Jones Sonny Stitt, Confirmation Vince Guaraldi & Bola Sete, Days of Wine and Roses Boots Randolph, The Girl from Ipanema Erroll Garner, All the Things You Are The Taylor Eigsti Trio, In A Sentimental Mood

Listen to the first episode in our three-part series exploring the music of Reunald Jones, an important jazz trumpet player with deep connections to the Avenue neighborhood. During his legendary career, Jones performed with the biggest stars in American music, including Duke Ellington, Count Basie, Ella Fitzgerald, Sonny Rollins, Dinah Washington, Quincy Jones, Nat King Cole and many others.  Jones was born in Indianapolis in 1922. Music was part of his family legacy, his father John Wesley Jones was a musician, and his cousin Roy Eldridge, was a famous jazz trumpet star. Jones' family had strong ties to the Avenue neighborhood. During the early 1900s, his father was a choral director for the Bethe A.M.E. church and a bandleader, for the Senate Avenue YMCA. In the 1930s, his sister, Louise Fields, was an editor for the Indianapolis Recorder.  After spending the first decade of his life in Indianapolis, Jones moved with his family to Muncie, Indiana. By age 15, Jones was playing trumpet in a local Muncie band that included Doc Wheeler on trombone. Wheeler became a star on the Avenue scene during the 1930s. In the early 1940s, Jones and Wheeler reunited for a series of recordings with Bluebird Records.  By age 20, Jones left Muncie to pursue a life in music. He performed with a variety of regional territory bands, including Speed Webb's Hoosier Melody Lads, where he had the chance to play with his cousin Roy Eldridge. By the mid 1930s, Jones was in New York, where he began his recording career.  Join us this week to hear Jones' early recordings with Mezz Mezzrow, Lil Hardin, Don Redman, Jimmie Lunceford and more.

Tonight's Jazz Feature is a style known as "Mainstream Jazz". It really represents a concept where young and older musicians share a common ground. Some players are adaptable and some are not . This session called "The Jo Jones Special" represents some of the old and some of the new. It was recorded in August of 1955 with the leader Jonathan "Jo" Jones on drums. A master drummer was Jo. He assembled a fine group here with Emmett Berry on trumpet, Bennie Green on trombone and Eli "Lucky" Thompson on tenor saxophone on the front line. On piano is Nat Pierce, Basie stalwarts Freddie Green on guitar and Walter Page on bass work hand in glove with Jo Jones. An honored guest on the first and last tune of this album is Count Basie himself replacing Nat Pierce. Enjoy this fine music tonight on "The Jo Jones Special".

El 13 de junio 1986 murió Benny Goodman,  clarinetista de jazz estadounidense, conocido como El rey del swing, es uno los máximos exponentes del estilo jazzístico junto con Glenn Miller y Count Basie.

G.I. Jill plays the tunes at the request of soldiers serving overseas, and dedicates the songs right back at them. Playlist: Count Basey plays, Blue Lou. Bob Crosby plays I'll…

On this week's show, we spend quality time with new records from Japanese Breakfast, Jason Bell & Lucy Dacus, and spin fresh tracks from Bruce Springsteen, Wet Leg, Stereolab & OK Go. All this and much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

It's that time again, folks - It Happened One Year has (nearly) reached the end of another season, and so it's time to again honor those lost in the subject year. Listen as Sarah & Joe discuss a wide range of celebrities who said goodbye some forty-one years ago now, including Richard Burton, Peter Lawford, Ethel Merman, Indira Gandhi, Truman Capote, Francois Truffaut, Jackie Wilson, Count Basie, James Mason, and many more!

MILT JACKSON “+ COUNT BASIE + THE BIG BAND VOL 2” Hollywood, Ca, January 16, 17 & 18, 1978 Moonlight becomes you, Blues for Joe Turner (1), On the sunny side of the street Waymon Reed, Lin Biviano, Sonny Cohn, Pete Minger (tp) Bill Hughes, Mel Wanzo, Fred Wesley, Dennis Wilson (tb) Danny Turner, Bobby Plater (as) Eric Dixon (ts,fl) Kenny Hing (ts) Charlie Fowlkes (bar) Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) ROB GARCIA “NATURAL BOUNCE” Astoria, NY, April 13, 2022Dark blue horse power, Gary song, Fades to blue, Sweet JoeNoah Preminger (ts) Leo Genovese (p) Kim Cass (b) Rob Garcia (d,comp) HORACE SILVER “SERENADE TO A SOUL SISTER” Englewood Cliffs, NJ:February 23, 1968Psychedelic Sally (1), Serenade to a soul sisterCharles Tolliver (tp) Stanley Turrentine (ts) Horace Silver (p) Bob Cranshaw (b,el-b-1) Mickey Roker (d) March 29, 1968Kindred spiritsCharles Tolliver (tp) Bennie Maupin (fl,ts) Horace Silver (p) Johnny Williams (b) Billy Cobham (d) Continue reading Puro Jazz 17 de marzo, 2025 at PuroJazz.

Our guest today is writer  Ralph Dartford who works for the National Literacy Trust and is the poetry editor of literary journal Northern Gravy.   Ralph kindly made the journey from Bradford to the Lockwood residence in Sheffield, and we settled down in my living room with mugs of tea and a plate of biscuits, surrounded by books and looked down upon by at least three pictures of Larkin. Ralph also co-organises the fantastic Louder Than Words festival that takes place in Manchester every autumn, and is a celebration of writing about music. They gather together amazing writers, broadcasters and musicians to discuss, explore and debate all things music and music industry related.  I hope we will continue to see Ralph at more PLS events.Larkin poems mentioned:The Whitsun Weddings, Dockery and Son, Mr Bleaney, For Sidney Bechet, High Windows, Cut Grass, To The Sea, MCMXIV, Here, BroadcastAll What Jazz: A Record Diary 1961-1971 (1985) by Philip LarkinThe Oxford Book of Twentieth Century English Verse - ed.  Philip Larkin (1973) I am happy to see Mr. Larkin's taste in poetry and my own are in agreement ... I congratulate him most warmly on his achievement. - W. H. Auden, The GuardianPoets/writers/musicians mentioned by RalphKae Tempest, Joelle Taylor, Ted Hughes, Seamus Heaney, Vicky Foster, Steve Ely, Chris Jones, Ian Parks, John Betjeman, John Cooper Clarke, John Hegley, Simon Armitage, Carol Ann Duffy, Michael Stewart, Blake Morrison, Count Basie, John Coltrane, Sidney Bechet, Alan Bennett, Stewart Lee, David Quantick, Ray Davis, Blur,  Van Morrison,  Hang Clouds, Evelyn Glennie, Kingsley Amis, Andrea Dunbar, Helen MortOther references:Adlestrop (1914) by Edward Thomas https://www.edwardthomaspoetryplaces.com/post/adlestropArthur Scargill:  “Arthur Scargill, the miners' leader and socialist, once told The Sunday Times, ‘My father still reads the dictionary every day. He says your life depends on your power to master words.” Martin H. Manser, The Penguin Writer's ManualBob Monkhouse https://www.theguardian.com/news/2003/dec/30/guardianobituaries.artsobituariesLongbarrow Press https://longbarrowpress.com/Valley Press https://www.valleypressuk.com/Kes (1968) by Barry HinesRalph is Poetry Editor for Northern Gravy https://northerngravy.com/Ralph reads Geese and England's Dreaming from House Anthems  https://www.valleypressuk.com/shop/p/house-anthemsGareth Southgate https://www.bbc.co.uk/news/uk-england-london-57816651 Simon Armitage Larkin Revisited Radio 4 https://www.bbc.co.uk/sounds/brand/m0019yy2Nick Cave- Honorary Vice President for the Philip Larkin Society- Desert Island Discs https://www.bbc.co.uk/programmes/m0027cglLyn's English teacher 1982-1989 https://petercochran.wordpress.com/remembering-peter/The Ted Hughes Network https://research.hud.ac.uk/institutes-centres/tedhughes/James Underwood https://www.bloomsbury.com/uk/early-larkin-9781350197121/Albums mentioned:OK Computer (1997) by Radiohead , Sergeant Pepper's Lonely Hearts Club Band (1967) and The White Album (1968) by The Beatles, Park Life (1994) by BlurSummertime in England by Van Morrison https://www.vice.com/en/article/summertime-in-england-a-monologue-on-van-morrison/Events:https://louderthanwordsfest.com/"My Friend Monica": Remembering Philip Larkin's Partner Monica JonesSat 22 Mar 2025 4:00 PM - 5:00 PM Ken Edwards Lecture Theatre 2, University of Leicester, LE1 7RHhttps://www.tickettailor.com/events/literaryleicester/1538331A celebration marking 70 years of Philip Larkin's 'The Less Deceived'For World Poetry Dayhttps://www.eventbrite.com/e/a-celebration-marking-70-years-of-philip-larkins-the-less-deceived-tickets-1235639173029?aff=oddtdtcreatorProduced by Lyn Lockwood and Gavin HoggPlease email Lyn at ⁠plsdeputychair@gmail.com ⁠ with any questions or commentsPLS Membership, events, merchandise and information: philiplarkin.com

This year marks the 100th anniversary of Alain Locke's classic essay "The New Negro" and the literary anthology featuring the work of Langston Hughes, Zora Neale Hurston, Countee Cullen and other significant black writers of the day.The rising artistic scene would soon be known as the Harlem Renaissance, one of the most important cultural movements in American history. And it would be centered within America's largest black neighborhood -- Harlem, the "great black city," as described by Wallace Thurman, with a rising population and growing political and cultural influence.During the 1920s, Harlem became even more. Along "Swing Street" and Lenox Avenue, nightclubs and speakeasies gave birth to American music and fostered great musical talents like Count Basie, Billie Holiday and Duke Ellington. Ballrooms like the Savoy and the Alhambra helped turn Harlem into a destination for adventure and romance.What were these two worlds like -- the literary salons and the nightclubs? How removed were these spheres from the everyday lives of regular Harlem residents? How did the neighborhood develop both an energetic and raucous music scene and a diverse number of churches -- many (like the Abyssinian Baptist Church) still around today?Visit the website for more details and more podcastsGet tickets to our March 31 City Vineyard event Bowery Boys HISTORY LIVE! hereAnd join us for our Gilded Age Weekend in New York, May 29-June 1, 2025. More info here.This episode was edited by Kieran Gannon

Carmen Bradford is jazz royalty and a 2024 Grammy Award winner for “Basie Swings the Blues – the Count Basie Orchestra.” She's been nominated five times for Grammy Awards and is the recipient of the Los Angeles Jazz Society's Jazz Vocalist Award. With her body of work, which reflects her vast experience, versatility, and technical brilliance, she has carved out her place in jazz history, and she continues to contribute to the preservation of this uniquely American art form.In August 2024, Carmen joined the faculty as associate professor of jazz voice in the Jazz Studies program in the College of Music at Michigan State University.Bradford talks about her background and how she fell in love with singing. She details her relationship with Count Basie. And she tells how, when, and why she became involved with MSU's Jazz Studies program.Conversation Highlights:(0:22) – What is your background, and when did you fall in love with music and singing?(2:21) – Tell us about your “little girl” relationship with Count Basie.(14:31) – How, why, and when did you become involved in the MSU Jazz Studies program?(20:09) – How would you describe the MSU Jazz Studies program, and what makes it so great?(21:07) – Who has influenced your art, and who have you enjoyed performing with?(23:22) – Who are you listening to on Spotify these days?(23:57) – What would you like people to know about Carmen Bradford?Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

A principios de 1940, un joven llamado Malcolm Little se instala en Boston procedente de las llanuras del Medio Oeste estadounidense. Aquel joven se convertiría con el paso del tiempo en uno de los grandes líderes por los derechos civiles de los afrodescendientes en su país, en Malcolm X.Pero antes se ganó la vida como limpiabotas en los salones de baile de la capital del Estado de Massachusetts. En ellos, el joven conoció a alguno de los grandes músicos de jazz del momento, de Dizzie Gillespie o Count Basie a Lionel Hampton, creando un vínculo que estrechó más tarde en los grandes clubs de Nueva York como el Apollo o el Cotton Club, donde se ha convertido ya en su camello de marihuana de confianza.El podcast Malcolm Jazz es el contenido musical extra que Documentos RNE suma al documental sonoro sobre el líder negro con motivo del centenario de su nacimiento emitido el pasado viernes 17 de enero: Malcolm X, maldito negro. Ahora, en este contenido exclusivo para RNE Audio, el guionista de dicho programa, Alfredo Laín, recibe al director del programa Sólo Jazz de Radio Clásica, Luis Martín, para mantener una conversación donde se habla de swing, segregación racial, drogas y creatividad, y se escucha a Billie Holliday, Glenn Miller o Cab Calloway, entre muchos otros. El objetivo: profundizar en la relación entre Malcolm X, el jazz y sus figuras más destacadas en las décadas de los años 40 y 50, pues como el propio Malcolm dejó escrito: "La música, hermano, es nuestra. Somos nosotros. Y como nosotros, siempre está aquí, rodeándonos, como las infinitas partículas que componen la vida. No se pueden ver, sólo se pueden sentir. La música, como el alma que nunca muere, impregna eternamente la atmósfera con su presencia".Documentos RNE se emite los viernes, de 23 a 24 horas, por Radio Nacional.Escuchar audio

Participants: John Steppling, Shaenah Batterson, Lex Steppling, Hiroyuki Hamada, Max Parry, and Dennis Riches. Final podcast of 2024. Topics covered: The “canon” of television serials: The Sopranos, Breaking Bad, Mad Men, The Wire, Six Feet Under, Deadwood, Lost. Also mentioned: Blood in, Blood Out, Snowfall, Homicide--Life in the Street, Quarry. Related works in film and theater: The Caretaker (play by Harold Pinter), The Godfather, Goodfellas, The Mission, Stalker (directed by Andrei Tarkovsky). Music track: “Every Day I Have the Blues” by Count Basie (public domain).

durée : 00:57:52 - "Blue and sentimental" (Count Basie / Jerry Livingston / Mack David) (1938) / Démarquage : 9e Live du Tetracordo Ensemble - par : Laurent Valero - "Blue and Sentimental" chanson écrite en 1938 par Count Basie, Jerry Livingston et Mack David. Enregistré par le Count Basie and His Orchestra le 6 juin 1938 !

Welcome to the Listening with Leckrone Podcast, a pop and jazz music history show hosted by the legendary music educator and former director of th University of Wisconsin marching band, Mike Leckrone. I'm Sam Taylor, the producer of the podcast. In this episode, we spotlight three unique singers, Jimmy Rushing, Helen Humes, and Joe Williams, who all spent time as vocalists for the Count Basie Orchestra. We hope you enjoy.  For an episode guide for this and other episodes, visit fourseasonstheatre.com

Join us as we dive into the life and legacy of Art Tatum, the jazz piano virtuoso who took entertainment on the instrument to a new level.  YT playlist • https://www.youtube.com/playlist?list=OLAK5uy_kn6Z2anqCFpTOc4H957o0Oktgr_C9gl7QOscar Peterson and Count Basie on Art Tatum  • https://youtu.be/YAeT3Dr74YsArt Tatum performances • https://youtu.be/D9Cs_zb4q14 • https://www.youtube.com/watch?v=bzMyhzadzTQLooking to drop a question? Want to listen to the audio pod? Look no furtherhttps://youllhearit.com/Have a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

Legendary music producer Quincy Jones, known for working with such icons as Count Basie, Frank Sinatra, and Michael Jackson, died this week at the age of 91. New York Times art and culture critic Wesley Morris joins us to discuss Jones' legacy and take listener calls.

On tonight's show: Count Basie, Pennies from Heaven Lester Young with the Oscar Peterson Trio, Ad Lib Blues Lester Young with the Oscar Peterson Trio, Almost Like Being in Love Vince Guaraldi Trio, Fascinating Rhythm Blossom Dearie, Just in Time Yusef Lateef, The Plum Blossom Stan Getz, Melancolico Teddy Edwards, Heart and Soul Oscar Peterson Trio, Night Train Dave Brubeck, Tokyo Traffic Zoot Sims & Bob Brookmeyer, Trav'lin' Light Zoot Sims, Gee Baby, Ain't I Good to You Zoot Sims, I've Got a Crush on You Zoot Sims, Embraceable You