Podcast appearances and mentions of karen azenberg

Natalie Malotke is a director, choreographer, independent producer, and teaching artist living in New York City. Most recently, Natalie worked with Joshua Bergasse on the choreography team for Charlie and the Chocolate Factory. She frequently works with Artistic Director, Karen Azenberg at Pioneer Theatre Company (associate on Oliver!, Fiddler on the Roof, and Sweet Charity). She also assisted Susan Stroman on the NYC Workshop of Little Dancer, after serving as the SDC Observer on The Dancer Project at Lincoln Center Theatre. Regional artistic work includes productions at Paper Mill Playhouse, Music Theatre of Wichita, TexARTS, Wagon Wheel Theatre, Pittsburgh Musical Theatre, NYMF, and Fringe Festivals. Natalie has served as the resident Director/Choreographer for Nickelodeon on board Norwegian Cruise Line, and she has created shows for Story Land theme park. She teaches at Broadway Dance Center, MTCA, The American Academy of Musical and Dramatic Arts. Natalie holds a degree from the University of Michigan. She sits on the artistic advisory board for the Encore’s Off-Center series at City Center and has worked as a producer at N+N Productions, and also at Clear Talent Group in the dance, commercial, and choreography departments.   On episode 84, NYC-based actress and Actor Aesthetic host Maggie Bera chats with Natalie about her untraditional path in the theatre industry, her dance inspirations, what creative teams are looking for in auditions, and the importance of being a GOOD HUMAN!    www.nataliemalotke.com Follow Natalie on Instagram - @nataliemalotke   To join the Actor Aesthetic Tribe on Facebook, click here.   Spread the love and don't forget to rate, review, and subscribe to the Actor Aesthetic Podcast on iTunes, Google, Stitcher, or your favorite podcast app.   Visit actoraesthetic.com for more information.   Follow Maggie Bera on social media Instagram: @actoraesthetic Facebook: www.facebook.com/ActorAesthetic/ Email: maggie@actoraesthetic.com

Join host Matthew Ivan Bennett from Pioneer Theatre Company with Artistic Director Karen Azenberg, discussing the Concert Musical of CHESS and why it resonates so deeply, especially in 2017.Support the show (https://www.pioneertheatre.org/donate/)

Karen Azenberg discusses her experiences directing the 2016 production of Mary Poppins.

At SDCF’s annual Emerging Artist Symposium on Musicals on May 20, 2013, SDCF Producing Director Ellen Rusconi moderated a conversation with Executive Board President and director/choreographer Karen Azenberg. Listen as they discuss Karen’s transition from working as a freelance director/choreographer to her current position as Artistic Director of Salt Lake City’s Pioneer Theatre Company, and how those experiences can help emerging artists in their careers. 

Drunk me is so thoughtful! PC term break down. Pinky swear!! We aggregate well. Ghostbusters the XX parody. Satan is a rom com fan. No one ever dies, or turns black, or a lady. Think she’ll be posting to tumblr from mars? Plus our interview with Karen Azenberg, director of Pioneer Theater’s upcoming concert performance of… Continue reading

2003 Symposium: Moving Work: In 2003, SDCF hosted a panel moderated by Karen Azenberg featuring choreographers Hope Clarke, Devanand Janki, and Peter Pucci. The discussion centers on where work for choreographers is expanding. Topics cover ways in which choreographers work with actors and directors, how process and style vary for operas, musicals, and plays, and methods for breaking career boundaries from concert dance to theatre. This conversation sheds exciting light on the blending of performance genres and thus the increasing number of opportunities available for working artists. Originally recorded - June 1, 2003. Running Time - 57:50 © 2003 SDCF

In 2003, SDCF hosted a panel moderated by Karen Azenberg featuring choreographers Hope Clarke, Devanand Janki, and Peter Pucci. The discussion centers on where work for choreographers is expanding. Topics cover ways in which choreographers work with actors and directors, how process and style vary for operas, musicals, and plays, and methods for breaking career boundaries from concert dance to theatre. This conversation sheds exciting light on the blending of performance genres and thus the increasing number of opportunities available for working artists.

At its 2002 Musical Theatre Symposium, SDCF hosted a panel moderated by SDC Executive Director Barbara Hauptman featuring directors David Warren, Christopher Ashley, Gabriel Barre, Jeff Calhoun, Mary B. Robinson, choreographers Daniel Pelzig and Joey McKneely and director/choreographers Rob Ashford and Karen Azenberg to discuss the director/choreographer relationship. Topics include the genesis of partnerships, the blurry line between dance and staging and the involvement of the choreographer in the movement throughout the production, and what it means to be a director/choreographer, among many others. Listen to this lively conversation for an in-depth look at this inspiring relationship told by ten masters of the craft.