Podcast appearances and mentions of Mary Poppins

Episode #190 of the Last Call Trivia Podcast begins with a round of general knowledge questions. Then, it's time to celebrate with a themed round of Parties Trivia!Round OneThe game kicks off with a Lyrics Trivia question that asks the Team to identify a Train song based on some of its lyrics.Next, we have an Animals Trivia question about a term that can be used for groups of baboons, kangaroos, and foxes.The first round concludes with a Movies Trivia question about a film starring Arnold Schwarzenegger and Alyssa Milano.Bonus QuestionToday's Bonus Question is a follow-up to the Movies Trivia question from the first round.Round TwoYou're always welcome to join our party! Today, we're throwing a themed round of Parties Trivia.The second round begins with a Literature Trivia question about a unique tea party that occurred in Mary Poppins.Next, we have a Fashion Trivia question about a piece of menswear that is named for the village where it was first worn at fancy dinner parties.Round Two concludes with a Presidents Trivia question that asks the Team to name the last U.S. president to be a member of the Whig Party while in the White House.Final QuestionWe've reached the Final Question of the game, and today's category of choice is Television. Let's keep it in the family!For today's Final, the Trivia Team is asked to name four TV show title characters, based on the name of their sibling and the year of the show's premiere.Visit lastcalltrivia.com to learn more about hosting your own ultimate Trivia event!

Listen in this week as Michael explains what Mary Poppins and the physicist David Bohm have to do with understanding the nature and power of the principle of Thought!   ❤️ Loving These Insights? Let's Go Deeper! FREE Basic Course: Inside-Out Understanding Discover a life-changing approach that flips traditional psychology upside down. In 12 simple yet powerful lessons, I'll share three principles that reveal where your feelings really come from—and how your experience can shift in moments, no matter what's happening around you. From feeling on top of the world to crushed by it, you'll see why—and step into a space of infinite possibilities. Ready to jump in?  ➡️Get Started Free: https://bit.ly/3UDEzq1  Join My Inner Circle! A community where miracles unfold—fast or slow, always real. For just $10/month, you'll get: - Exclusive monthly webinars with me (ask anything!) -  Hundreds of hours of on-demand resources Discounts up to 100% off my programs  All wrapped in love, insight, and a dash of wicked humor. Ready to ride the wave?  ➡️Join Now: https://bit.ly/4agqSTq

JAMES WAN BRINGS ATLANTIS TO LIFE!! Aquaman Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Andrew Gordon & Tara Erickson dive deep into the underwater action of the 2018 DC Extended Universe blockbuster Aquaman in this epic Reaction & Review! Directed by James Wan (The Conjuring, Furious 7), the film stars Jason Momoa (Game of Thrones, See) as Arthur Curry, the half-human, half-Atlantean heir to the throne of Atlantis. As Arthur wrestles with his destiny and dual identity, he must confront his power-hungry half-brother Orm, played by Patrick Wilson (Watchmen, Insidious), who seeks to unite the underwater kingdoms to wage war on the surface world. With the help of the fierce warrior princess Mera (Amber Heard, Zombieland, The Rum Diary) and royal advisor Vulko (Willem Dafoe, Spider-Man, The Lighthouse), Arthur embarks on a globe-trotting quest to retrieve the legendary Trident of Atlan and claim his rightful place as king. Along the way, he faces off against Black Manta (Yahya Abdul-Mateen II, Watchmen, Candyman), a vengeful mercenary with cutting-edge Atlantean tech. The film also features Nicole Kidman (Moulin Rouge!, Big Little Lies) as Arthur's mother Queen Atlanna, Dolph Lundgren (Rocky IV, The Expendables) as King Nereus, Temuera Morrison (The Mandalorian, Once Were Warriors) as Arthur's father Tom Curry, Randall Park (Fresh Off the Boat, WandaVision) as Dr. Stephen Shin, Ludi Lin (Power Rangers, Marco Polo) as Captain Murk, and the voice of Dame Julie Andrews (The Sound of Music, Mary Poppins) as the monstrous sea guardian Karathen. Packed with stunning visuals, underwater battles, the epic Ring of Fire duel, and the climactic final war between kingdoms, Aquaman became a billion-dollar success and one of the DCEU's most visually ambitious entries. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Running a business doesn't have to be all 5am wake-ups, endless social media posts, and high-pressure launches.Over the past 6 years, I've quietly built a chill, service-based business that has brought in over one million dollars in lifetime revenue. No complicated funnels. No viral Reels. No fancy productivity hacks. Just a handful of habits that keep me grounded, creative, and in motion.In this Summer Remix episode of the Ill Communication Podcast, I'm bringing back one of my favourite episodes of all time: 20 Tiny habits that help me generate $1million as a Gen X business woman.It's fast-paced, fun, and packed with unconventional wisdom you can apply right away (whether you're a fellow Gen Xer or not).Show notes are always available at

 Listen to the Show Right Click to Save GuestsSummer Stock Austin Mary Poppins & Jesus Christ SuperstarCity Theatre Wit What We Talked AboutChicago & Chorus Line Chorus Line Anniversary show (7/27) Jesse Green et al Rising Leaders of color in theatre journalism Gypsy to Close Cherry Lane sold Dolly A True Original Musical Notebook tour announce cast and dates Kids night on B'way You Had To Be there: How the Toronto Godspell Ignighed a Comedy Revolution  Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

With a career spanning over 60 years, Roy “Bickel” is a living legend in the world of live entertainment. From his early days as a professional water skier in 1960s Florida to flying through the air as a human cannonball in the circus, Roy's path has been anything but ordinary.In 1969, he transitioned from circus tents to concert tours, launching a groundbreaking rigging career that would span Broadway, arena concerts, Olympics, and global productions. He helped standardize the color-coded wire rope system still used today, trained generations of riggers, and worked with icons like Elvis Presley, Joni Mitchell, Billy Joel, Kiss, Destiny's Child, Beyoncé.Jethro Tull, Aerosmith, Frank Sinatra, Rolling Stones, Fleetwood Mac, Kenny Rogers, Alabama, 10,000 Maniacs, Backstreet Boys, New Kids, Reba and many more. Roy's expertise has taken him from rigging Mary Poppins to fly across arenas, to managing safety on Olympic flames, to innovating load-bearing techniques still in use across the industry. His reputation for grit, ingenuity, and mentorship is unmatched—and his stories are as jaw-dropping as his career.An ESTA Lifetime Award recipient and 2025 Parnelli Honoree, Roy continues to work, teach, and inspire—proving that curiosity, courage, and character can take you from a hotel pool ski show to the biggest stages on Earth.

¡Un episodio muy especial! Nos acompaña Jaime Matarredona en el estudio, el Director de Producción de OCESA Teatro, es decir el mago backstage que hace posible que operen obras como Rey León, Wicked, Aladdin, Chicago, Mary Poppins, Bella y Bestia y otras tantas grandes producciones musicales. Uno de los trabajos más complejos y llenos de retos desde pre-producción hasta cada función de temporada, que a mí me urgía traer el podcast porque tiene anécdotas para regalar del detras del telón de todo el aparato complejísimo que son los musicales de réplica de OCESA.

Ready the spotlight and raise the curtains! In this hour, performers, sour notes, tough critics, and a unique take on Mary Poppins. This episode is hosted by Moth Senior Director Meg Bowles. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media. Storytellers: Laura Hitchcock is entrusted with her teacher's prized trumpet. Jason Mesches plays a medley of his own creation for his unconventional piano teacher. Phil Wang contends with his lisp during his primary school's production of Mary Poppins.  Ashley Johnson moves to LA to pursue her dream of acting. A series of unfortunate events befalls Liz Phair when she performs at the Rockefeller Center tree lighting.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Group Guide Use this guide to help your group discussion as you meet this week. TranscriptGood morning, my name's Chet, I'm one of the pastors here. If you will grab your Bible and go to First Samuel, chapter 21. We're going to be in chapters 21 and 22 today. We're looking through both of those chapters.When I was growing up, probably three to five, I think I watched Mary Poppins 42,000 times. I'm pretty sure that we only had like a handful of VHS that my grandmother had recorded from her television. So I also have a lot of commercials really, really memorized. But I watched that on a regular basis. And there's this scene towards the end of the movie where the children had been in a bank and there was some bank trouble. And I don't want to get into a whole discussion of finance, but they had to run out of the bank and they get lost in London. And thus begins a series of back to back to back to back moments that were utterly terrifying to me.It was like they took all the vulnerabilities of a four year old and just pummeled them. So they're lost in a city. Terrifying. Just not knowing where your parents are for like 12 seconds when you're four and five is scary. They're running through a city. This is, you know, it's awful. Then they come around a corner in an alleyway and an old lady pops out and goes, come with me, children. And it's like, why would she do that? And you don't know if she was intending to be helpful. They run away. She seemed scary. So they take off. Then they come around a corner and a dog jumps out and starts barking aggressively at them. When you're a child, a dog is the size of a bear. Like, I mean, you know. Then they turn and they run and they go down an alleyway and a shadowy figure grabs them. Turns out that that's their friend, but you don't know it at the time.I just remember like this seared in my brain, this series of events. And I remember even as a little kid, like, I'm pretty sure there were times where I just stopped watching the movie before that I was like, well, let's move on. I know they make it at the. And I think there were other times where I just left the room and like waited till I heard the song start back up, you know, because it's a children's movie where things are supposed to be happy. And then I returned, but it was really this interesting peek into things that made me feel very vulnerable and very alone. And this real dive into fears that I had.As we're reading through this text today, we're going to see how Saul, David and a handful of other people deal with fear. What it does to them, where it takes them. There's a reality to fear, that it drives us towards something, towards someone, it exposes us in a way. And so what I hope we see in this text is we're going to see them as they interact with it. They're going to see how they handle it. And what I hope we'll learn together is the scariest place to be and the safest place to be as we study this text together.So let's pray quickly for us and then we'll move into chapter 21 of First Samuel. Lord, we ask for your help. We ask for your Spirit to speak in a way that we can understand, that you would help us to deal with our fears and to see what fear does to us in a way that draws us to you. In Jesus name, amen.So David's on the run. Saul wants to kill him. Saul's the king. David was very close to Saul, was a general, was his bodyguard, was all these different things. And he's now having to flee for his life. And that's what we saw last week as Jonathan, Saul's son, helped David escape.Chapter 21.Then David came to Nob, to Ahimelech the priest. So he goes to Nob, and we're going to find out that Nob is a whole city of priests. It seems as if after everything, after Shiloh was destroyed and the ark was taken, they get the ark back, and it seems like now the center of the priesthood is here. It's unclear whether the ark is also here, but the priests are. And this is where priestly activities will be taking place for the people of Israel, the sacrifices and all that.So he goes there to Ahimelech the priest. And Ahimelech came to meet David, trembling, and said to him,"Why are you alone and no one with you?"So it's odd for David to be by himself. Ahimelech knows David, but David usually has like a whole crew. He's either with the king, he's with his military units that he's overseeing. For David just to show up is what business does he have? Did something terrible happen? What's going on?So he comes out, that's why he's trembling. And he says, what? What's going on? And David said to Ahimelech, the priest,"The king has charged me with a matter and said to me, 'Let no one know anything of the matter about which I send you and with which I have charged you.' And I have made an appointment with the young men for such and such a place. Now then, what do you have on hand? Give me five loaves of bread or whatever is here."So David just says, secret king business. And I've got some people that I'm definitely meeting who are real at a very specific place that you can't know about, and I need bread. None of that is true, except for that David wants bread, but he's on the run and he is just trying to get out of here.And the priest answered, David,"I have no common bread on hand, but there is holy bread if the young men have kept themselves from women,"which just has to do with sexual activity, makes you unclean in the law. So that's what that is. It's not just like women, some mean thing about them. It just has to do with sexual activity.David answered the priest,"Truly, women have been kept from us. As always, when I go on an expedition, the vessels of the young men are holy, even when it is an ordinary journey. How much more today will their vessels be holy?"So the priest gave him the holy bread, for there was no bread there, but the bread of the Presence which is removed from before the Lord to be replaced by hot bread on the day that it is taken away.So the tabernacle seems to be here, the bread of the Presence is here. They would set it out on the Sabbath before the Lord as a picture of the meal, the connection, the communion that we have with the Lord, that they have with the Lord. And then they would rotate it out on the Sabbath. And the old loaves were allowed to be eaten by the priests. And Ahimelech breaks that rule to give to David in a time of need.Jesus references this and says that he did right, that this was correct to do, to break a ceremonial law for the sake of caring for someone. And he says this in this argument with the Pharisees about the Sabbath, saying that some things were built for our good and our blessing, and therefore, if there's opposition, we can bless others in those moments. And that's what he's talking about.So David takes that bread and he now has five loaves of bread that was the bread of the Presence, but the priest is allowing him to have it.Verse 7.Now, a certain man of the servants of Saul was there that day, detained before the Lord. His name was Doeg, the Edomite, the chief of Saul's herdsmen, he's detained before the Lord. It may be a Sabbath if they've just swapped the bread out. So it's possible he wasn't allowed to travel very long. It's also possible he's doing some sort of thing because he's an Edomite to become a follower of God. It's also possible that he has some sort of sickness or skin disease and he's having to be watched because there's all these. These are several of the reasons why you might be detained before the Lord. He could also just be there doing some, basically, some holy days for himself as he worships the Lord.But that's it. That's all it tells us about him. It just in the middle of this story goes, hey, Doeg, the Edomite is here. And it's going to go right back to the story. And that's foreshadowing. So remember him, he'll show up later, but he doesn't do anything here.Verse 8.Then David said to Ahimelech,"Then have you not here a spear or a sword at hand? For I have brought neither my sword nor my weapons with me because the king's business required haste."And the priest said,"The sword of Goliath, the Philistine, whom you struck down in the Valley of Elah. Behold, it is here wrapped in a cloth behind the Ephod, if you will. Take that, take it, for there's none but that here."And David said,"There is none like that. Give it to me."So David says, I was in such a hurry, I don't even have any weapons. Do you have any weapons? He says, you gave us Goliath's sword. It's still here. And David says, great, that sword is awesome. I will take it. And so he has a nice, probably fairly large sword that he leaves with.Verse 10.And David rose and fled that day from Saul and went to Achish, the king of Gath.Okay, David doesn't have any options. That's what this just told us. The plan that he's come up with is, I'm going to show up to Gath with Goliath of Gath's sword and see how that goes. It seems like he's intending to maybe be like a mercenary. He's just going to go there and serve there. He's absolutely on the run from his home, his people, his everything.And the servants of Achish said to him, to Achish,"Is not this David, the king of the land? Did they not sing to one another of him in dances? Saul has struck down his thousands and David his ten thousands."So if David was planning on being undercover, he shows up and they're like, mmm. And they go to the king and they're like, I'm pretty sure they have a song about how good he is at murdering us. I'm pretty sure that's him.And David took those words, these words to heart. So he somehow overheard this. In this situation, was much afraid of Achish, the king of Gath. So he changed his behavior before them, pretended to be insane in their hands and made marks on the doors of the gate and let his spittle run down his beard.So somehow, on his way before the king, he just starts acting insane, drooling, marking up the walls. That's the best disguise he can come up with on the fly, you guys. And it works.Then Achish said to his servants,"Behold, you see, the man is mad. Why then have you brought him to me? Do I lack mad men that you've brought this fellow to behave as a madman in my presence? Shall this fellow come into my house?"So they're like, hey, we've got David. And then he goes, you brought a crazy person here. Thank you so much. Did you think that was what I really needed? I needed those.Some of y'all like to memorize verses for specific situations that you can remind, you know, rehearse yourself or say to other people. Maybe this one for, like, when your family's coming over for vacation or something, or your in-laws are coming and you can just quote to your spouse,"Do we lack mad men in their house? Are we gonna let this fellow in just for y'all?"Bible memorization, you're welcome. Probably won't be one of our monthly verses, but it's a good one.All right, chapter 22.David departed from there and escaped to the cave of Adullam.So David then leaves. He heads back over into Israelite territory and hides in King Achish's. So his plan to go to Gath does not work and he escapes. Now, an interesting thing happens as we get to follow this story and as we have the whole revelation of the Scriptures, because this text doesn't tell us a lot of what's going on with David, what he's thinking. We just hear what he's doing. We hear some of what he says, but we don't get to see what's going on with him.And so far, in the midst of fear, he's just run and he's come up with what arguably is an ill-advised plan to run to Gath. But that's all he comes up with. He ends up in this cave. But in the book of Psalms we have songs and poems and worship that David writes. And there's one that has this inscription above it. It says, this is Psalm 34. It says of David when he changed his behavior before Abimelech, so that he drove him out and he went away.Now this text calls him Achish, which seems to be a title, and Abimelech seems to be his name. So like if you said he was in front of Caesar and then later it says Nero, it's the same guy. So Achish and Abimelech.So we actually get to hear what, how David responds after this moment when he gets to escape. And so it seems like he wrote this while in the cave or on his way to it. He starts off in the first four verses, worshiping, praising. He says,"I sought the Lord, and he answered me and delivered me from all my fears. Those who look to him are radiant, and their faces shall never be ashamed. This poor man cried, and the Lord heard him and saved him out of all his troubles. The angel of the Lord encamps around those who fear him and delivers them."So he says, I had fear and he rescued me. And those who fear the Lord he protects. So David's interaction with fear is shifting here. He's saying, in my fear I began to go to the Lord, and now I fear him. He's the most fearful, so he's been on the run. It doesn't seem like he's handled everything so well so far. But now, as everything slows down, as he's trying to process through this, and he's worshiping the Lord for rescuing him out of Gath, this is what he's writing.Verse 8,"Oh, taste and see that the Lord is good. Blessed is the man who takes refuge in him. Oh, fear the Lord, you his saints, for those who fear him have no lack."He keeps going.Verse 18,"The Lord is near to the brokenhearted and saves the crushed in spirit."In verse 22 he says,"The Lord redeems the life of his servants. None of those who take refuge in him will be condemned."This is how he ends it. So he says, I'm hiding in him. I'm taking refuge in him. My hope is in him. That's David as he deals with this fear.So chapter 22, let's pick back up in the text.David departed from there and escaped to the cave of Adullam. And when his brothers and all his father's house heard it, they went down there to him.David on the run, hiding in a cave, trying to figure out what he's going to do, trying to lay low, writing some songs from his expert hiding place. He looks out one day, keeping a good lookout, and he's like, mom.Because his whole family shows up. They all come to him, which makes sense. And maybe he had to go out for supplies. Maybe word spreads at some point where David is, but his whole family comes to him, which makes sense, because if David's on the run from Saul, they're probably not that safe from Saul. And Saul may go look to them to find David.So they all go to David. Then it says this."And everyone who was in distress and everyone who was in debt and everyone who was bitter in soul gathered to him. And he became commander over them. And there were with him about 400 men."So his mom, his brothers, his dad, they all show up. Then other people just start showing up. And it's like, why are you here? I am stressed beyond belief. Everything out there is terrible. I heard David was in a cave, and I thought, I'm gonna go get in that cave. Somebody else shows up. Why are you here? I owe so many people so much money. Cave started sounding pretty good. Everyone who's bitter in soul, so the most frustrated, angry people who are, they're not going to read, they're not going to vote for Saul when reelection time comes back around like, this hasn't worked for them. That's who's showing up to David. And then it says he becomes commander of them. So they showed up and they were like, everything is awful. And he's like, okay, do some push ups. It's time to start training. I guess y'all are gonna have to listen to what I say if you're hanging out in my cave. And they do. So now he has 400 distressed, bitter in soul people who owe a lot of money to other people. They're all with David now, plus his mom and his brothers and his dad, okay?And David went from there to Mizpah of Moab. So now he leaves again. He takes all these people with him, it seems. And he said to the king of Moab,"Please let my father and my mother stay with you till I know what God will do for me."And he left them with the king of Moab, and they stayed with him all the time that David was in the stronghold.So reading some commentaries on this, there was a couple of different ideas as to why the king of Moab would let him do that. Some of the things they put out were housing fugitives because the Moabites were enemies of the Israelites. So the king to house fugitives that are against Saul seems like maybe that's a good idea.There's also just a general cultural thing of hospitality. So it's possible they're just doing what their culture does, which is show hospitality in these sort of situations.There's a theory that it's possible that one of the reasons they went to Moab was that Jesse is the grandson of Ruth, who was from Moab. So there's some family connection here.And I've come up with my own theory, which is that David showed up with 400 desperate men and said, hey, will you watch my mom? And they were like, sure. You and your friends gonna leave? He's like, we're gonna hang out a little bit, but just keep an eye on them until we figure out what's gonna happen.So any one of those is possible as to why they've said yes to this, but they do say yes to this. David leaves his parents with the king of Moab, and he left them with the king of Moab, and they stayed with him all the time that David was in the stronghold.Then the prophet Gad said to David,"Do not remain in the stronghold. Depart and go into the land of Judah."So he says, we're not going to stay in Moab. The Lord wants you to go back to Judah. And he does. And we're going to see Gad show up periodically through the story of David.So David departed and went to the forest of Heref.Now the story is going to shift to Saul. So we've seen David dealing with fear. We've seen him on the run, and we've seen him as this process is happening, growing in worship and saying, he's going to trust in the Lord.And now we're going to see Saul as he deals with fear.Verse 6.Now, Saul heard that David was discovered and the men who were with him.If you're playing hide and seek and someone finds you, you may not have had the best hiding spot. If your entire family finds you, plus 400 strangers, you don't have a good hiding spot.So David now is discovered. They know he's out. They know kind of where he is. And he's got 400 people traveling around with him. And this news makes it to Saul. So he's no longer incognito. He's known.Saul was sitting at Gibeah under the tamarisk tree on the height with his spear in his hand. And all his servants were standing about him, which first of all, of course he has a spear in his hand. He seems to always be holding a spear. But also what is happening in this text, it says he was sitting at Gibeah under the tamarisk tree on the height with his spear. And all his servants, all of those things are markers of leadership and kingship. That you would sit under an obvious tree, they would hold court there, they would answer questions there, they would judge there that he's on a height, that he's got servants, that he's holding his spear. So in some ways this text says Saul the king was out kinging in a very kingly way. That's kind of what that text is doing. It's building him up as much like he's super kinging. Right now. We got David hiding in a cave, wandering around other places, trying to figure out what he's going to do, hiding in a forest. And now we've got Saul, the kingiest king that ever did king.And Saul said to his servants who stood about him here now,"People of Benjamin."Okay, that's interesting. Benjamin is the tribe that Saul is from. He's been king for a long time. He's been king over all of Israel for a long time. It's possible that he only always has kept just Benjaminites the closest to him. Or as he's grown more and more paranoid and more and more fearful, he's gotten rid of everybody who doesn't belong to his tribe and now has perfectly surrounded himself with Benjaminites. But either way, he's paranoid and fearful.And we're going to hear from his speech how far that goes.But these are only people from his clan. He's suspicious, fearful."Hear now, people of Benjamin, will the son of Jesse give every one of you fields and vineyards? Will he make you all commanders of thousands and commanders of hundreds, that all of you have conspired against me?"So he stands there and says, you just are so certain that David's gonna bless all of you, that he's gonna care for all of you, that you're all gonna be so important when he becomes king, that you've all conspired against me? And that's not true. But he now doubts everyone that's around him.Still, in verse 8, he says,"No one discloses to me when my son makes a covenant with the son of Jesse. None of you is sorry for me or discloses to me that my son has stirred up my servant against me to lie in wait, as at this day."He is correct that Jonathan did make a covenant with David, but it was because they loved one another. It was a covenant of friendship to care for one another. They make a covenant that they're not going to harm each other. And Jonathan goes out of his way to keep his dad from sinning against David.But he is not helping David lie in wait against Saul.David isn't lying in wait against Saul. David's not out to get Saul. Saul's out to get David. Saul is actually not in danger, not from David, but he thinks he is. And he's saying, everyone's against me.And Saul's entire world has shrunk to just him. It's just him. Everybody's an enemy. Everybody's in on it. Everything's a secret. Everything's falling apart.Then answered Doeg, the Edomite, who stood by the servants of Saul,"I saw the son of Jesse coming to Nob to Ahimelech the son of Ahitub, and he inquired of the Lord for him and gave him provisions and gave him the sword of Goliath the Philistine."We actually don't know if he inquired of the Lord from him. Our text doesn't tell us that. But Doeg says he did. But that's something you do before military stuff. He doesn't say he gave him five loaves of bread. He calls it provisions, just militarizing it up a little bit. And he gives him a sword. He basically says, hey, Ahimelech's in on it.Then the king sent to summon Ahimelech the priest, the son of Ahitub and all his father's house. The priests who were at Nob and all of them came to the king. It would have taken a couple miles away, so to go get them to come back. This took a couple hours, but they all come.And Saul said,"Hear now, son of Ahitub?"And he answered,"Here I am, my lord."And Saul said to him,"Why have you conspired against me, you and the son of Jesse, in that you have given him bread and a sword and have inquired of God for him, so that he has risen against me to lie in wait as at this day?"Then Ahimelech answered the king,"And who among all your servants is as faithful as David, who is the king's son-in-law and captain over your bodyguard and honored in your house? Is today the first time that I have inquired of God for him? No. Let not the king impute anything to his servant or to all the house of my father, for your servant has known nothing of this, of all of this. Much or little."So Ahimelech just says, it's David. David, your bodyguard, your son-in-law. I've done this. I do this. I would do this for him anytime he comes. I'm not in on something. I didn't know any of this. Don't add that to me. Don't add that to my family. That's not the case.Aside from those noises, that's what he said. He may have said it really calmly, I don't know, but he just kind of lists out like five things in a row where he's just like, I didn't have anything to do with anything, and this is normal for me to do whatever David asks.Verse 16.And the king said,"You shall surely die, Ahimelech. You and all your father's house."And the king said to the guard who stood about him,"Turn and kill the priests of the Lord, because their hand also is with David. They knew that he fled and did not disclose it to me."But the servants of the king would not put out their hand to strike the priests of the Lord.You got to hear the sentence that Saul said. He looks at his servants and says, that's it. Kill all the priests of the Lord because they're on David's team. Priests of the Lord. They're on David's team.And then I don't know if y'all can see the fear and the frustration. And Saul's face turned purple as all of his soldiers are just like, nope, I'm not.I love his soldiers in this moment because they all know there's going to be a day I stand before the Lord and it won't be Saul. There's a day that I will stand before my king and it isn't Saul. And I'm not going on record as killing a priest, it's not happening. You can kill me. That's fine. Then I'll go stand before the Lord and go, do you see me not kill that priest? Do you see what I just died for? Like, they just don't move.And again, I'm sure this just confirms in Saul that everyone is against him. His whole world has shrunk down to his center of gravity and Doeg.Then the king said to Doeg,"You turn and strike down the priests."And Doeg, the Edomite turned and struck down the priests. And he killed on that day 85 persons who wore the linen ephod. Doeg is an Edomite. He doesn't care.So he kills them, 85 of them. They brought all the males from that household. They kill all of them. And Nob, the city of the priests, he put to the sword both man and woman, child and infant, ox, donkey and sheep. He put to the sword.Saul does to the city of the priests what he was not willing to do to the Amalekites when it was for the Lord and it was holy war, he was unwilling to do it. When it's for him and it's his trying to keep his seat of power, he's willing to.Verse 20.But one of the sons of Ahimelech, the son of Ahitub, named Abiathar, escaped and fled to David.Alright, so something very interesting has happened in this passage.In chapter two, a man of God comes to Eli and says the priesthood is not going to stay with your family because you've dishonored me. He says they're going to be wiped out. There will only be left one who will cry his eyes out. That's what just happened. Abiathar is that one.And eventually it's taken from him. He doesn't get to carry on serving the Lord. So the curse of God is poured out on this family through the wicked choices of Saul.So Saul is very wrong to do what he does. But we also see the hand of God at work in fulfilling his promises. It's a very interesting thing that happens here. But it doesn't mean that Saul's right to do what he does. It just means that when God says something, it happens.And Abiathar told David that Saul had killed the priests of the Lord.And David said to Abiathar,"I knew on that day when Doeg the Edomite was there, that he would surely tell Saul, I have occasioned the death of all the persons of your father's house."David's response is, that's on me. While David was on the run, while David was doing what he did, he said, I knew that. I knew he was going to tell him. And I don't know if David fully understood what was going to come from that. I don't see how he could have. But he just says, yeah, that's. I'm the one to blame for this.Verse 21,"Stay with me. Do not be afraid for he who seeks my life seeks your life with me. You shall be in safekeeping."So that's his response to Abiathar.There's a very interesting call it a social phenomenon that's happening in this text. But everybody who's absolutely desperate is going to David. If everything has fallen apart, if you have no hope of a future, if everything has fallen around your ears, they go to David.And I can't help but see that and see that that's exactly what happens in the New Testament with Jesus. That when Jesus is on earth, the people who flock to him are the poor, the destitute, the sinners, the weak, the small, the outcasts.This actually is one of the things that he and the religious leaders get into arguments over all the time. They're like, you hang out with absolute human garbage. And Jesus is like, right, because the sick need a physician, not the well.And there's this thing where if you really know that you're in need, you start looking for somewhere to go, some bit of hope, someone to run to.And so we see in this story as it plays out that you have fear, legitimate, real, terrible fear, actual bad things.And David, as we follow this out, he runs to the Lord and there's all of these people that run to David. And then there's Saul who tries to handle everything in his own strength.And I told you earlier that we would see. I'm trying to tell you the scariest place to be.The scariest place to be is where you are the biggest person in the world.The scariest place to be is where you are utterly, completely, absolutely self-sufficient.The scariest place to be is where the center of existence has boiled down to your center of gravity, where it's all up to you.That's where Saul is.Trust, no one believes, no one hopes in nothing, just whatever he can tooth and nail and claw and grab, whatever he can get done, all up to him.And I don't know if you know it, but that's what our culture has told you over and over again is what you need to go do.Express yourself, find yourself, succeed, accomplish, win, earn.It's up to you.The most powerful snowflake in the world that you've got to on your own. Be sufficient, be capable, be good.That's what religion shows up and tells you so often is be good, be moral, do it. It's up to you.That's terrifying.The guards around Saul know something that we need to know is that one day you're going to stand before the real Lord, the real King.And on that day you do not want to stand in yourself self-sufficient.You do not want to stand before the King and say, judge me, evaluate me, I am big enough, I am good enough, I am capable.That's terrifying.You don't want to live your life that way.And you certainly don't want to end your life that way.We get to do with Jesus what Abiathar does with David and we get to have the same response.We get to run to him and say, I have no hope anywhere but with you.And what David says to Abiathar is what Jesus says to us.Your life is connected to my life and with me you'll be in safekeeping.That we get to hide ourselves in Christ.That when he died for sins, he died for us.That when he was buried, we were buried.When he rose, we rise.We get to be hidden in Christ and what he has accomplished.And we get to stand before the Lord in Christ and not in ourselves and not in our sufficiency.But we get to say, I have hidden in him.And no one is put to shame who takes refuge in the Lord.David prophetically says it at the end of his psalm."The Lord redeems the life of his servants. None of those who take refuge in him will be condemned."And then we get to live like that in all the fears of life.You get to go to the Lord. You get to do what David did. He's in the, he's in the cave and he's rehearsing.You know how long it takes to write a song? It's possible that this just came out, but I think a lot of it is he's working on, he's rehearsing, he's remembering and he's reminding himself over and over and over and over again.My hope is in you. My trust is in you. I have no good apart from you.Oh, taste and see that the Lord is good.Nobody who is condemned, who places their hope in you.Nobody who runs to you in refuge, oh, let me hide in you.Over and over and over and over again.And then we get to do the same thing that we don't in the middle of fear go, I must act, I've got to do something.But we get to in the middle of the fear go, okay Lord, if you don't help, I'm in trouble. If you don't show up, I'm in trouble.I see so often in my own sin. I'll talk to the Lord and I'll say, Lord, if you aren't merciful, if you don't forgive sinners, I have no hope.But oh thank you that you do. And let me hide in you.Let me. Let the righteousness of Christ be applied to me.Let his life and death and burial apply to me.Let me hide in him.It's one of my favorite songs is Rock of Ages.And just at the end it says,"Let me hide myself in thee, let me hide in you."And let it be about you.And so if you've never seen that you actually are not capable enough, strong enough, good enough, if your whole world is about you and you still think you are strong enough, I would say no, come to the Lord.But if you know you're in debt, in sin, you're destitute, you're distressed, you're bitter, come to the Lord, run to him and say, I need to hide in you.And for the Christians in the room who are struggling with fear, rehearse for yourself what's true about him.Start with Psalm 34.Read it, pray it. Sit. Remind yourself my hope is bound up in you.That's what Colossians 3 says,"Set your minds on things above, not on earthly things. For you have died, and your life is hidden with Christ in God. When Christ who is your life appears, then you also will appear with him in glory."We are hidden with him.His life and our life, our life is bound up in him.And with him we are in safe keeping.Let's pray.Lord, I pray right now in the name of Jesus, for every person in this room who is self-sufficient. For every person in this room who, when it all boils down, it's just them. Just them and their wisdom, just them and their morality, just them and their strength, just them and their ingenuity, that it's just them.Lord, I pray that you would, through your Spirit, help them to see how small and how vulnerable and how scary that is, that they might run to you.Lord, we pray for the person in this room who already sees that, who already feels debt, distress, destitute, desperate, that they would run headlong to you and say, oh, let your life cover me, let your righteousness apply to me. Let me hide myself in you.And Lord, may the Christians in this room rehearse that over and over and over again. That in fear we might fear you more and know that no one is condemned who takes refuge in you.In Jesus' name, Amen.The band's going to come back up. We're going to respond in communion and worship.

Neal makes the case for government assigned signatures for new borns, considers how sitcom kids have become so sophisticated, explains his virtual toast rack invention and how it relates to Mary Poppins and discusses making a raw chicken asthetically pleasing, turning a parking space into a home, ordering fruit juices with an extra shot, a decade of avocado misinformation, compulsory u-turns and Margaret Thatcher,  The Nine O'Clock News, Not the Nine O'Clock News, reaching Nirvana, The world of The Truman Show (1998) versus the South Pole, waking up in a Pink Floyd album cover, childhood abatoir memories and more. CONTACT THE SHOW - Visit IntoYourHead.ie/Contact NEW - ARCHIVES FEED: Oldest shows have moved to the archives feed. There's also a low bitrate edition - For all feeds and archives see IntoYourHead.ie/Archive. LICENSE: Creative Commons BY-NC-ND 4.0 - Attribution: Neal O'Carroll - Far future humans can find hundreds more shows on Archive dot org.

In the Cult Italian Movie category THE VISITOR (1979) stands out for many reasons. It is made up of equal parts science fiction, thriller and religious high strangeness shot through with touches of CARRIE and CLOSE ENCOUNTERS OF THE THIRD KIND. For years it was considered one of the least comprehensible movies ever made but with the restoration of the full running time in 2010 it is now only mildly incomprehensible. Indeed, with enough squinting and reading between the lines it is almost possible to find a narrative thread that only occasionally feels absurd. Ridiculous to the point of silliness THE VISITOR defies rational concepts and logical progression of story. Let some other movie have police investigations that go somewhere or examples of simple cause and effect in human reactions to inexplicable events. This film scoffs at such needless exercises. And don't get me started on the exploding basketball that everyone ignores!   Troy Guinn, Bob Sargent and I (Rod Barnett) are the three intrepid film nuts that stutter-step their way through this Euro-madness. We wrestle this monster to the ground, fight off seagull attacks, ponder the eternal battle between good and evil and marvel at the cast of Hollywood stars the producer conned into being in this thing. What other movie of this type can boast John Huston, Franco Nero (playing a blonde, blue-eyed Jesus), Glenn Ford, Mel Ferrer, Shelly Winters (playing Mary Poppins' cousin Mary Slappington), Lance Henricksen and an out-of-his-depth Sam Peckinpah? Is this the most bizarre film ever shot in Atlanta? Was the city's mayor bribed to indulge the film's production? How many times will we reference A Flock of Seagulls? Is the amazing prop that Troy dubs ‘Switch-Beak' silly or brilliant? I cannot promise answers but we will at least pose the questions. Lots and lots of questions.   If you have anything to say about THE VISITOR or any other film that we've covered thebloodypit@gmail.com is the place to send them. We thank you for listening and we'll be back soon. 

Welcome to our podcast where we discuss and deliberate over memoirs and biographies found in thrift shops. This is a great way to do things as we are not choosing who to read about. We may not be fans of the person, we may never have heard of the person and we never know who we are going to find next...There are only 2 rules to this podcast. The book has to be found in a thrift shop and we are not allowed to talk about the book until we press record, which is sometimes agonising.We have lots of episodes coming up so if you find yourself enjoying our podcast, please be sure to subscribe to be among the first to hear about each episode.

In this lively episode of Wise_N_Nerdy, Charles and Joe kick things off with the classic Question of the Week:“What's one thing you bought that ended up being so essential to your daily life, you now wonder how you ever lived without it—and wish you had discovered it years earlier?”Joe shares how his shower speaker has transformed his mornings, letting him keep up with podcasts and audiobooks even while getting ready. Charles proudly champions his Keurig, calling it a daily essential that fuels his productivity and sanity alike.With the traditional roll of the dice, the hosts jump into the Parliament of Papas segment, discussing a tricky Reddit scenario: a daughter breaks the rules during a sleepover—was the dad too harsh, or just being a parent? Charles and Joe explore the balance between enforcing boundaries and guiding kids through consequences.Next up, it's a spoonful of humor with Mary Poppins–themed bad dad jokes, thanks to Discord regular TheFullRunThrough. Expect groans, grins, and a surprising amount of umbrella puns.The dice then lead to the How Do I...? segment, sparking a heartfelt discussion about teaching children to handle losses with dignity and grace—an important life lesson that goes beyond sports and games.After that, the What Are You Nerding Out About? segment lets the geek flags fly high:Charles dives into his excitement for the new mobile game Marvel Mystic Mayhem and shares how thrilled he is to start tutoring on Wyzant.Joe beams about The Way of Kings by Brandon Sanderson, sharing why this epic fantasy novel has captured his imagination.Finally, the boys wrap up with the Daddy, Tell Me A Story segment, where Charles hilariously recounts Joe's carefree attitude from the last episode—prompting laughs and playful ribbing.As always, Find your FAMdom here each week—where the stories are real, the laughs are genuine, and fandom meets family.Wise_N_Nerdy: Where Fatherhood Meets Fandom

Eight Days a Week rolls on. George and Gene, Connie Stevens, Ray Charles, Al "He's The King" Hirt, Soupy Sales and a couple of songs from "Mary Poppins" are all on the charts. Support this podcast at the $6/month level on patreon to get extra content! Create your podcast today! #madeonzencastr .

Join Allison and special guest host Teddy Moynihan as they chat with the four children playing Jane and Michael Banks about what it was like to audition for Mary Poppins, their favourite songs, and where the best spots are to visit in Gananoque.

This is a moment 179 episodes in the making: Jordan and Allison Williams (of GET OUT, GIRLS, M3GAN, and much more, including her new podcast LANDLINES) reunite to talk about Allison's latest film, M3GAN 2.0 (on which she's also a producer). A little background here: up to this point, Jordan and Allison's professional lady-bromance had its apex in Jordan's WIRED profile of Allison, back when the original M3GAN came out. Now they're talking about feeling seen by two of Julie Andrews' most iconic roles, and how Allison's views on life and the characters she embodies have changed over the years.Then Jordan has one quick thing about her nominee for who should play the new James Bond. ***With Jordan Crucchiola and Allison Williams Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

“Well begun is half done”  — Aristotle (or Mary Poppins, depending who you ask) The beginning of a project is a time when all stakeholders THINK they know what they want, and maybe the team thinks they know what they are supposed to do. Or maybe they are just wondering, “what the heck is this new madness that I'm getting drug into?!”   Regardless, it's a near certainty that your team, your stakeholders and your sponsors - someone is NOT on the same page. And if you launch your project with that misalignment, you are lighting the fuse on project troubles. Enter the Kickoff meeting, one of the goals of which is to try to bring everyone's expectations of the project into alignment.    Join Kate and Kim as they talk about how to approach this most critical meeting, and ensure your project is off on the right step. Be the Aristotle (or Mary Poppins) of your project! 

In this jam-packed episode, Abbey Blue Eyes, Ashe in America, Christy Lupo, and Jackie Espada kick off with Fourth of July plans, stories from the Lakeland meetup, and debates about fireworks, pool days, and vodka-soaked jello shots. The crew shares hilarious moments from Deadwood prep, including plans for custom cowboy hats and Jackie's America-shaped ravioli. They also dive into a thought-provoking discussion on modern feminism, exploring whether the movement's promises of empowerment have actually left women more isolated and disillusioned. Ashe breaks down the biblical model of the Proverbs 31 woman, and the panel debates how to balance traditional family roles with personal freedom. In between, they cover the science of frisson, those goosebumps when a song hits just right, and swap clips of music that move them to tears. From possum trivia to childhood Mary Poppins programming, this episode is equal parts heart, humor, and cultural critique.

What if getting your kids to do chores, play independently, and go to bed without a battle wasn't just a fantasy? This week, we're making that dream a little more real with help from Chelsea Anderson — aka the Michael Jordan of Babysitting. Chelsea is a former professional babysitter turned content creator who's built a loyal following by sharing genius, real-world hacks that make life with kids easier (and way more fun!) Think of her as your modern-day Mary Poppins — with practical tips that actually work. Whether you're in the thick of toddler chaos, trying to survive the summer with your sanity intact, or just need a few new tricks up your sleeve, this episode is packed with creative ideas, helpful advice, and plenty of "why didn't I think of that?" moments. Enjoy! Want more from Chelsea? Instagram: @Chelsea_Explains TikTok: @chelseaexplainsitall Check out her Patreon for fun printouts and more HERE! Want more from Sarah? Personal Instagram: ⁠@SarahMerrill_Hall⁠ Share some Laughs: ⁠@bigkidproblems⁠ Check out the NEW IG @bottleserviceBKP Shop Sarah's Pregnancy/ Postpartum Must Haves on Amazon Shop Bottle Service MERCH!  Big thank you to our episode sponsors! ⁠⁠⁠⁠⁠⁠RULA⁠⁠⁠⁠⁠⁠: Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/bottleservice ⁠⁠Quince⁠⁠: From quick dinners to slow simmers, Quince has the cookware to make it all better! Quince.com/bottleservice ⁠⁠⁠⁠⁠BZIGO⁠⁠⁠⁠⁠: Don't wait until the next bite—protect your home with Bzigo. Go to bzigo.com/discount/BOTTLESERVICE to save 10% off. Learn more about your ad choices. Visit megaphone.fm/adchoices

Secret Shame is back and we're talking about Mary Poppins! Will it be a Jolly Holiday with Mary?---Follow the gang on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠! And send us movie suggestions at nostalgiaeffectpod@gmail.com.Watch Amy talk more movies over on her YouTube channel: ⁠⁠⁠⁠⁠youtube.com/themoviechecklist⁠

In this edition of Kermode on Film, Mark Kermode talks to legendary actor Brian Cox about his career, from Manhunter and the controversial L.I.E., all the way through to the final season of Succession.This is part two of the Mark Kermode Live in 3D show, recorded live at the BFI Southbank in April 2023.Films mentioned in this episode:SuccessionManhunterThe Silence of the LambsL.I.E.Woman of the YearBringing Up BabyPeople mentioned in this episode:Jesse ArmstrongKatherine HepburnSpencer TracyCary GrantHoward HawksAnthony Hopkins———————The opening title sequence of Kermode on Film uses quotes from:Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency productionThis episode was edited by Alex Archbold Jones© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Quaranteam – Book 1: Part 15 Andy meets Tala, Jade and Whitney. Based on a post by CorruptingPower, in 25 parts. Listen to the Podcast at Explicit Novels. "What's the agenda going to be like tomorrow?" Lily asked Andy while Ash got up from the table and headed outside so her conversation with Niko wouldn't disturb them. "Tour of the house first, a one on one with me and the reporter second, then a group interview with me and basically all the girls including the staff, then a handful of one on ones with some of the girls afterwards. I know Emily and Sarah are going to do one together, so they can talk a little about their relationship before the plague and how it affected them. Neither Sarah or Emily were out as bi before, and it certainly wasn't public knowledge that they were a couple, so I'm sure the reporter's going to have some questions on why they kept it quiet, but that's typical Hollywood bullshit. They'll handle it just fine without me getting in the way." "Didn't you say you had some girls showing up today?" Eric said. "Yeah, three people today, but I imagine they'll probably still be in the imprinting process by tomorrow, so they won't be around for interviews, although we'll see, I guess." "Speaking of handling it," Eric sighed, "how are you holding up with Matty's death? It's awful that he got sick and died from trying to help someone." "Yeah, but that was classic Matty," Andy shrugged. "He never stopped to think about these things if he thought someone needed his help. I'm dealing with it, some days better than others. From time to time, I just want to call him and talk to him about all of this, but then I remember I can't, and I have a good cry for a bit. But Xander's moving here to New Eden, and that's going to help, I'm sure." "Cool," Eric said. "Xander's always been a good guy, and it's smart to keep in touch with the people who knew you back when you were young and foolish." "I was young and foolish then, I feel old and foolish now." "Having Xander around will be good for you. He's always been better at calling you out on your bullshit than I am," Eric said, picking up a french fry. "And your long history with him means he knows when you're not saying something." "You know, I still think it's unfair you got both Sarah Washington and Emily Stevens, Andy," Lily joked. "You should've sent one of them over to me, er, Eric. I'm, I mean, he's jealous." "They're a set, Lily," Andy laughed. "You would've had to take both of them, and I think you probably would've gotten Sarah killed when she found out I was here. I know everyone's in love with Emily. You didn't strike me as a Dagger Academy fan when we were sharing the condo, though." "I'm not," Lily said, raising her empty glass, making sure a waitress caught her eye and started heading over to refill it. "But I fucking loved the Badass Ballerina movies, and I would've done Sarah in a heartbeat. Is she ask spunky as she seems on TV? That time she was on The Daily Show, and that girl in the audience told Sarah that she was on her boyfriend's list, and she started flirting with the guy immediately, that fucking killed me. Tell me she's really like that." "She's absolutely really like that," Andy said, as a waitress refilled all of their glasses. He'd been trying to cut down on his soda intake, but when he was stressed, he tended to double down on it a bit, so he was drinking Pepsi, same as Lily and Eric. "She's also a massive fan of the Druid Gunslinger books, if you can believe it." "Bullshit," Eric snorted. "I don't think there's any possibility she's a bigger fan than Dave, who got us in here just to get a copy of the new book six months early." "Wanna bet?" Andy grinned. For the next few minutes, Andy related the story of Comic Con panel from last year, where Emily and Sarah had participated in his Q&A, asking questions while being disguised in head to toe cosplay, so nobody could recognize them. By the point that Andy was telling them about how Emily had done her best to maneuver both her and Sarah into his care, Eric and Lily were both laughing quite openly, incredulous to the surrealistic twists and turns their lives had taken this year. "Holy fuck," Lily said. "I guess you weren't kidding when you Sarah would've raised hell if she found out you were here and she wasn't paired with you. I bet she fucking devoured the new book as soon as she arrived." "Well, I didn't tell her it was done until the day after she was imprinted, but yeah, as soon as I did, she grabbed it and refused to do anything other than read it until she'd finished it." "What did she think of it?" Eric asked. "She thinks it's the second best one in the series, after 'Have Totem, Will Travel.'" "Yeah, I still think that's the best one as well, but you're not done yet. On that topic, how's it coming?" "I've finally got a draft I'm mostly happy with, and I'll be sending it over for your thoughts probably in the next couple of days or so." Eric grinned from ear to ear. "Well, that just made my day. First draft?" Andy clicked his tongue, rolling his eyes in frustration at the challenge the book had presented to him in the writing. "More like fifth. I finished the first draft like a month and a half ago, but when I sat down and reread the fucking thing, I tore a shitload of it apart and rebuilt the entire second act so that it didn't suck." "I'm sure it didn't suck before." "Well, it's better now, that's all that matters." "Can I read it as well?" Lily asked. "I don't want to intrude if it's not cool,” "Of course you can, Lil," Andy told her, a little delighted and surprised. "I thought you weren't a fan of the books." "Well, I'd only read one of them before meeting you and it was the one you weren't a fan of yourself, so Eric made me read the first one about three weeks ago, and since then I've read them all. 'The Problem With Were Bears' really is a terrible place to start." "I know, I know, alright?" he laughed. "If I could unpublish it and rewrite it from the ground up, I would, but it's out there, and I can't." "Stephen King rewrote the first book of The Dark Tower and published it a second time," Eric pointed out. "Stephen King I ain't, Eric," Andy deadpanned in return. "So what's this new one finally called? You seemed like you went through a dozen titles." "It's called 'The Fatal Solstice,' although I have to see if Nicole thinks it works." "Nice fucking title, dude!" Eric cheered. "I think that sounds badass." "Sarah started reading it this morning, so she'll have my first set of fresh eyes on it." "You're just now letting her read it?" "I just finished the draft yesterday! I didn't want her reading it until I felt like I had a semi finished final draft." There was a jingle of a bell as the front door to the restaurant opened and Ash moved back inside, heading to the table, a grin from ear to ear on her face, one that almost worried Andy a little as the Irish redhead slid back into the booth next to him, wrapping her arm around his shoulder. "Okay, I'll bite," Andy said, after a few seconds of silence, with Ash not saying anything, just grinning at them in an expression that bordered on derangement. "What's up? What did Niko have to say? Everything fine at the base?" "So Tala, Whitney and Jade will all be arriving soon," Ash said. "Tala seems like a gas. Niko let me talk ta her for a couple of minutes, and I cannot tell ya how glad I am you chose her, having now spoken with her a bit. She's going to fit right in." "Dare I ask what that means?" "She and Niko seem like kindred spirits, that's all I'm saying." "Yeah, well, Niko once blew me in a public park because she thought I needed to take the edge off, so maybe that doesn't put me as much as ease as it does you," Andy smirked. "Did it?" Lily asked. "Did it what?" "Did it take the edge off?" "I don't have to answer that." "I suspect it did take the edge off." Andy scowled at her, narrowing his eyes. "That's not the point." "I rather think that it is," she teased. "Fine," he admitted. "Yes, it did. But that doesn't mean it was a good idea." "No," Ash said, "that means it was a great idea. Waitress? Can we get the check please?" The woman at the counter nodded. "How do you want it split?" "No split," Andy said. "I'm covering it." "Andy, man, you don't have to do that," Eric said, looking a little pained. Andy waved his hand. "I told you that Watkins just gave me a shitload of cash, so let me spend a little bit of it on my friends from time to time. Speaking of which,” He reached into his pocket and pulled out a personal check he'd written a few hours ago, sliding it across the table to Eric. "That's for you." "What's this for?" Eric said, not even looking at it yet. "Look, I know you were undercharging me rent for years and years, Eric, because you knew I couldn't afford more, and because you liked having someone else sharing the condo with you, but now I do have a bunch of money, so consider it me paying off back rent." "I'll remind you that there were a couple of years where we were both out of work." "So that just makes it even in more important that I settle up my debts," Andy said, handing his credit card to the waitress, not even looking at the bill. Eric picked up the check, looking at it, shaking his head. "C'mon, Andy! Man! This is too much! I can't take this!" "You already did," Andy said with a grin. "I don't often get a chance to do nice things for my friends any more, Eric, so you're just gonna have to give me this one." "I mean, you brought me into New Eden," Eric laughed. "I think that would've settled all our debts right then and there. I mean, my house isn't quite as nice as yours, but it's still a fucking fifteen room mansion here in the Bay, so between that and this," he said, waving the check around, "we are now absolutely, unequivocally even, okay?" "Yeah, alright," Andy answered, as the waitress handed him the credit card receipt and his card. Andy filled in the tip amount at 25% of the bill, then signed the slip and pocketed the card back into his wallet. As soon as he stood up, Eric hugged him hard. "Thanks again, Andy," Eric said. "It's good to have friends in this place." "I always promised you that if I got success, I wouldn't let it turn me into an asshole, Eric," Andy laughed, as his friend finally released him from the bear hug. "I just thought it would've been from my own doing rather than the generosity of some random guy I played poker with." "If you think all of this isn't of your own doing, Andy," Lily said, giving him a quick hug, "then you haven't been paying attention." "I suppose." Lily and Aisling exchanged hugs and they all walked out together to the parking lot. Andy laughed, as Eric pulled out the keys from his pocket and pushed a button, as a red Porsche 911 beeped in recognition. Eric shrugged a little with a smile. "Came with the house. Seemed rude to say no." He and Lily hopped into the sporty car and sped off, heading back towards their house, which was just down the street from Andy's. Andy and Lily climbed into the Tesla Roadster and brought the vehicle into motion so they could head back to the house. As the Tesla curved across the road, Andy asked "So how did Niko sound after her interview? Was she feeling okay?" Ash reached over and took his hand in hers, squeezing it. "Yer always so worried about all of us, Andy. We're nae made of glass. She sounded fine, I promise. She was laughing about th' whole thing, and she said she thought you'll do fine. She spent a bit of time today talking with all three of th' new girls, answering any questions they had and getting 'em set ta get acclimated in the house." "Should I even ask what kind of questions the girls had about me?" Ash rolled her eyes with a smirk. "The usual kind of stuff. Anything they should know not to talk about, or things you particularly like. Nothing ya need ta worry about. But I have a request, for me, something that'll take a little bit of work on yer part, but you can manage. You just have to keep yer mind on it." "That sounds ominous," he laughed. "It's really not, love," she giggled back. "A few times over the next few days, you're going to feel like yer first instinct is to get mad at something, but y'need to promise me that you won't, alright? That you'll take a deep breath and you'll say thank you when yer given a gift. If you have any one flaw, Andrew Rook, it's that sometimes ya get inside of yer own head too much. So I'm going to need you to trust in others, that the amazing women who you've allowed inta yer life are doing not only what they think you want, but what they want as well. Y'think ya can handle that?" "I'm not entirely sure what the hell any of that means, Ash, but I promise you, I will try and keep my wits about me and not lose my temper at any gifts that I'm given." "That's all ya need to keep in mind, love." When Andy brought the Roadster back to the house and parked it in the garage, he saw that all the cars were in the garage, which meant both Niko and Lauren were home. Niko being home also clued Andy in that the new girls had actually already arrived a bit ago, which was good. It would've let all of them have a chance to talk with one another without the pressure of his presence. He'd sort of learned that the first time he met any new partner, there was the weight of expectations already surrounding his arrival. Some of the girls had been eager to get on with it immediately, some had been willing to chat and talk with him a bit before hand. As he'd done more and more first impressions, he'd gotten better and better at it. But these three, each was so unique, and so different from each other, and this was the most people who had ever shown up at one time, so Andy wasn't even sure how he wanted to approach this. He hoped that the girls would've mostly figured it out for him before he arrived. He got out of the Roadster with Ash, and they headed into the house. "I imagine they're in the main living room, love," Ash said to him, as they walked down the hallway. They'd had a few months to get used to the layout of the massive manor, but if he wasn't paying attention, he could still get a bit turned about. They arrived to the basement living room, and before they'd even gotten to the room, he could hear the rush of voices interspersed with bouts of laughter and giggles. The sound warmed his heart, and he was pleased to see all the familiar faces gathered around the three new ones, everyone turning to look at him when he entered with Ash pushing him on the ass when he paused a little bit in the entryway. "Hey there, ladies," Andy said, grinning. "Welcome to the House of Rook, I suppose." The first person to rush him was Tala Jordan. The Iranian American woman, Sheridan's friend, was certainly the curviest woman to join his family, dressed in a tight white t shirt underneath a pair of jean overalls that clearly seen more than its fair share of paint, and still bore a wild array of multi colored splotch scars. The shirt and centerpiece of the overalls were straining against her heavy tits that were large enough to give Hannah's a run for her money. The white shirt was semi sheer, and Andy could see the outer edges of her dark aerola just peeking from beneath the overalls. Her dark hair hung loose, long and down her back, framing her rounder face. She had painted her lips a bright shade of rose, lush and vibrant. And she had on the most shit kickery of brown leather cowboy boots that he'd ever seen. "Hey there, studboy," she grinned, as she strolled up to him with an overconfident saunter, reaching up to pull Andy's lips down into an almost domineering kiss, not giving him an inch of control. Not that he minded. While her tongue was busy burrowing into his mouth, one of her hands pushed down the front of his pants, rubbing against his cock before sliding back out as she drew back from the kiss. "Here we go now. Just what I was looking for," she said, raising her hand up to the light, a bit of precum gleaming on the skin of her palm. Before Andy could say a word, she snaked her tongue out and licked up that smear of clear liquid, and as soon as she did, he had to lunge forward to grab beneath her arms, keeping her from falling down to the ground as that priming orgasm shattered her mind for a moment, all without a fraction of a sound escaping her trembling body. A few moments later, her breathing had returned to normal and she looked up at him with adoring brown eyes, wide and aroused. "Fuck that was great!" she moaned, looking a little fuck drunk already. "Sorry, I just couldn't wait to get that first fix so my clock could get started." She flashed him a saucy little wink. "Sher told me all about that delayed activation she went through, and while she made it sound like hell for her, I think it sounds boss to me so I didn't wanna give you a chance to say no." "Well hello to you too, Tala," he chuckled. "I couldn't get those words out before you basically manhandled me." "Oh c'mon," Tala said, "you wouldn't have complained even if my tongue wasn't pinning yours down. And because I know you're gonna be worried about all of this, the reporter tomorrow's going to ask if they can get footage of someone being imprinted for the show, and I agreed to be filmed, but by Emily and not their camera person." Emily waved a little bit. "I've done some camera work before, so I know what I'm doing. I'll frame it so that you only see her face, Andrew, if you're alright with it. Katie Couric asked Niko if it was okay, since you did have three new women arriving today, if one of them could wait until tomorrow and get filmed being imprinted. She did say both you and the woman in question would have to give permission, but Tala volunteered, so it's in your hands." "I mean, if you're okay with the entire world seeing your sex face, Tala," Andy shrugged, "who am I to say you can't?" "Well, you're going to eventually be my husband, dude," Tala said, that wide grin of hers never going away. "So you can't just pawn it off as entirely my decision. If you don't wanna do it, we won't do it. But I think it'd be good for their story, and fuck do I care if people see my O face?" "You're also okay waiting a full day after being primed to be imprinted?" he asked. "That damn near drove Sheridan crazy." "Oh, I'm hella hoping it's gonna," Tala said, braggadocio and swagger in her voice. "But I'll manage. And if it's too much to take, we can do that as soon as Katie arrives, before you do any interviews. I'm a big girl, and I've got on my big girl panties. I'll hold fast and stay true." "I'll give ten to one odds that you aren't wearing any panties right now, Tala," Sheridan teased. "I refuse to cover those odds!" She giggled, leaning up to kiss Andy on the cheek again. "And I can't hog all of your time, so you and I will just have to have our fuckdate tomorrow." "Hopefully you brought all your music gear with you," Andy said to her. "I remember when you were fronting The Grendelles, because I saw you open for Mike Doughty at The Independent. You guys were pretty good, although your drummer looked like he was high as fuck, so his tempos were all over the goddamn place." "Yeah, Casey was a fuckin' drag and hella fucked up so many gigs," she sighed. "But he OD'd a couple'a years back, so that ended that band." "Thought the band name wasn't great either, but you made fun of it yourself at that show, so I figured you knew that already." She reached behind him to give his ass a quick goose. "Daphne, the band's guitarist, came up with it, and we got a little bit of heat, so we were stuck with it, at least until Casey died. Last I heard from Daphne, she was down in L A and had taken up working as a studio rat, engineering for other people's shit, writing songs for suckers that can't do it their own damn selves. But don't you worry,  all my gear'll show up in the next couple of days, and I'll turn one of the bedrooms into a little music studio. I'll even make sure it's soundproofed and a good distance from your writing nook, so you won't even know when I'm hella getting my jam on." "Damn, girl," Sheridan said, "you're gonna take up so much of our damn space, between your music studio and your workshop. Maybe you should just convert the pool house into your working area. You could make the living room into your wood working studio, convert one bedroom in there into your music studio and the other into your own little living quarters." "That's a dope idea!" Tala said, not letting go of Andy, keeping her full tits pressed hard against his side. "Assuming you're cool with me changing the living room over there into a maker's room. And sorta commandeering the pool house. I don't wanna come in here all Bossy Magoo and shit, but it would mean everyone else wouldn't have to deal with the sound of heavy saws when I'm working on furniture, 'cause even I get tired of that shit some of the time." "You'd have to make certain you came into the main house regularly, though, and didn't just spend all your time out there alone. I mean, it's probably fine, but let me have a couple of days to think about it before I say yes, okay?" "Oh, totes, totes," she said, leaning up to kiss his cheek again. "Anyway, don't let me steal all the spotlight." She pulled his head down in another firm kiss before she slipped away from him with a mischievous giggle. Andy immediately knew why all the girls liked Tala,  she was approachable, personable and generally just seemed like a good time. The second girl to approach him was Jade Dillon, who had decided to show up wearing her 49ers cheerleader outfit, gold hotpants shorts and white crop top that left most of her toned abs exposed to the eye, her skin a sun kissed tan that clearly had enjoyed having a summer off without any children to teach. She looked as fit as Sheridan, Piper and Lauren, but a touch more muscular and a little less flexible. Her honey colored hair hung in loose corkscrews down to the middle of her back. She, thankfully, wasn't wearing the sort of heavy makeup that seemed to be necessary for performances at football games, instead electing to just have some basics. Her eyes were a vibrant green, the shade of summer grass in its prime, and her smile beamed in his direction, her teeth an almost reflective level of white. She strolled right up to him and wrapped her arms around him, hugging onto him tightly. "I know that we just met, but I just wanted to tell you how super grateful I am that you chose me," she said, burying her face in his chest. "I know you didn't have to take me in, and I'm sure that Lauren told you about my, ah, inexperience, and I totally know how that can make so many guys super nervous, but it didn't make you nervous, and that's great, it's just so darn great, and gosh, I just can't even tell you how happy that makes me, how all this makes me, getting to be a part of such a marvelous family. I know I'm talking like a mile a minute, but I have to get all of it out before any of it slips my mind, or I just get too nervous and tongued to talk." She was trying not to cry, and then she giggled to herself for a minute. "I'm Jade. I know it's silly to tell you that, but golly, I just feel like if I didn't, I'm not properly introducing myself." "Hey Jade, welcome to the family," he said with a smile. "Is it okay if I kiss you?" "Oh shucks, yes please! That sounds wonderful!" Andy helped her lean her head back so he could look into her eyes again, then leaned down and kissed her. She was only a couple of inches shorter than he was, so it didn't take much adjustment. Whereas Tala had been intensely eager, Jade was a bit more shy and reticent in her kiss at first, but she quickly warmed up to him, as if she was worried that she was being too reserved and was attempting to overcompensate by going all at it. "I changed into the Gold Rush outfit after I got here," Jade said, "because Hannah said she thought you'd like it. I can't say I blame you. Every man loves a cheerleader." She looked over to the curvy Asian teen, who gave her a wide smile and a pair of enthusiastic thumbs up. "You didn't have to wear it if you didn't want to," Andy said, a little shyly. "Oh, I totally don't mind! I mean, you're doing so much for me, it's the very least I could do!" "Thank you for accepting the offer to join the family, Jade." "No no, thank you! You have an amazing bunch of women here! So, I kinda sorta have a special request, if that'd be okay with you?" she said, looking up at him. She wasn't as massively confident as Lauren had made her out to be, at least for just that moment, but Andy was pretty sure he knew why. "All you have to do is ask, Jade," he said, trying to put her more at ease. "I talked with Niko about how this whole imprinting thing works, and, well, I'm very much looking forward to making love with you, but I don't want my first time,” She blushed a deep shade of red a moment before carrying on. "I don't want my first time.. having sex, I don't want that to be the thing that imprints me. So I was hoping maybe I could just, ah, go down on you to get imprinted? And then I can have my first time a little later? Without the added extra pressure of knowing it's doubly going to change my world completely?" She smiled up at him, that wide expanse of pearly teeth flashing at him. "Is that okay with you? I know it might be a bit much to ask, but golly, I feel like it's just so gosh darn important to me that I'd better speak up about it, right?" "That's not a problem at all, Jade, but I'm gonna have to ask a favor of you in return, if you're okay with it." "Oh, shucks, that seems totally fair! What can I do to make us square?" Andy laughed a little. "You absolutely, positively have to ditch the fake cussing here in the house, before it drives me bonkers." Most of the other girls laughed at that, and Jade blushed a little once more, but she also smiled, maybe even a touch embarrassed by it. "I understand you've gotten into the habit of it because you're teaching young children all day, but when you're at the house, around the grown ups, you gotta either just swear or at very least stop using fake cuss words. It's like goddamn nails on a chalkboard to me." "I know, I know," Jade laughed. "It's really hard, considering I spend so much time teaching kindergarten, but I'll work on it, I promise. I mean, I am a grown ass woman capable of saying the word 'fuck' now and again." Lauren smirked and waggled a finger in her direction. "I've known you three years, Jade, and that's the first time that I've ever heard you say it." "I mean, is it really that big of a deal?" she asked, looking up at Andy. "It's, actually kinda creepy to me," Andy said. "Fake cussing drives me up the fucking wall. If you don't want to cuss, then don't, but please don't use that weird G rated shit in its place, because it's just, it's just unsettling." "And besides," Emily said to her, "Andrew truly does love actual cussing. When a girl is willing to get more and more salty for him, the faster his cock grows nice and hard for us." Sarah grinned broadly, moving over to put her arm around Jade's shoulders. "You know what you fucking need? A motherfucking profanity coach! And I'm the shit when it comes to swearing! The absolute tits! I can be! That! Fucking! Coach!" she said, punching the air with her other hand. "Well, no. I can be your coach on teaching you how to say 'fuck' a lot more, but not how to fuck. Although I suppose I could teach you how to do that as well? Whatever. We'll fucking figure it out. You just stick with me, bitch, and I'll turn Mary Poppins into a major slut in the best fucking way." Jade looked up at Sarah, a strange look on her face. "I don't think I can say no, can I?" she giggled. "A profanity coach? Really? What makes you qualified for that?" "Oh, I'm like the most fucking qualified," Sarah said, as she pulled Jade away from Andy slowly. "I'm more fucking qualified to teach swearing than any sailor you're ever going to fucking meet. I learned the power of a good swear word early in life, and it's, like, my fucking superpower. I can work filthy language into any goddamn conversation I want to, all without offending anybody, because I'm good and super fucking cute at doing so! You can be that way too!" Jade looked back at Andy. "Saying no to her isn't an option, is it?" "Oh, you could try," he chuckled. "But you're just going to lose in the end, so I dunno why you'd even want to try." "Wait!" Sarah said suddenly, as if remembering something. She slid away from Jade and ran over to grab Andy, wrapping her long arms around him to hold his body against hers as she kissed him hard and fierce, teasing her fingernails against the back of his skull for a moment, her body trying to press his into hers as hard as she could for what felt like an eternity before finally breaking the kiss for air. "That's for letting me read the new book before anybody else got the fucking chance to, even your goddamn agent or your legit best fucking friend. I have some notes and a handful of suggestions, but mostly? I think it's your best fucking work yet, absolutely lit. And the sex scenes were good before, but the one in this book? When Dr. Shirow practically fucking devours the Gunslinger? Ohmyfuckinggod, was that so fucking intense! I kinda broke out a vibe and had a go at myself when I was reading it. I'm not ashamed! Like, I totally knew they'd had, like, this creeping sexual tension in books before, but fuck was it hot when she just ripped his clothes off him after patching up his wounds, then fucked him on the operating table when he was too wiped out to do anything more but lay there and enjoy it. Total sploosh moment. She kinda reminds me of Niko a bit." Niko brought her hand to her mouth to cover her laugh, which made everyone turn to look at her. She was still in her camo from the base, not having changed into more casual clothes after getting home, meaning she must have brought the new girls right here and never left to get changed into something less intimidating. "Something you'd like to share with the rest of the class, dear?" Emily asked her, arching one of her finely plucked blonde eyebrows in amusement. "I dressed as Dr. Shirow for Halloween a few weeks back, at the party where Covington stopped by to convince Andy to play in the poker game that resulted in you and Sarah being here," she said, almost uncharacteristically shy for her. "After he agreed to do it, I, uh, might have kinda forcefully taken him later in the evening to say thank you, because he only agreed to go to protect my friend Charlotte, Asha's mom." "Remind me ta thank you for that," Asha said to her. "That got me here." "Did, did you base that sex scene on our little tryst in the bathroom, Andy?" Niko asked him. He looked around the room, realizing that every single other pair of eyes in the room was focused on him. "Uh, am I in trouble if I did?" "Not in the least." "I might have, sort of, kind of, just a little, I wrote it the next morning, and yeah, they say write what you know, so,” he said, trailing off. Niko started giggling furiously before Sarah brought Jade over with her, moving to high five the soldier. "Oh my fucking god. I'm a fictional super hot as fuck doctor now, and people all over the fucking planet are going to read about how great I fuck, this fucking rules," she said. Sarah grabbed Niko's face and leaned down to kiss the mixed race woman in a fierce mash of lips, while Jade was basically prevented from moving anywhere by Sarah's other arm. Niko moaned a little bit into it, even as the kiss parted quickly, Sarah biting onto Niko's bottom lip for a moment to pull it back then letting it pop from her teeth. "You, Emily and I have a date to have ourselves some fun in the next few days, bitch." Niko nodded, almost a little frantically. "Oh yes, please." "That sort of thing's okay in the house?" Jade asked Andy. "Definitely, if that's what you're into," he said, leaning against the arm of one of the couches. "Look, there's only so much of me to go around, and a lot of the women here are into other women, and that's safe and fine, so it's not only okay, it's encouraged, if that's what you want to do. Emily and Sarah were lovers long before they got here. Same for Lauren and Taylor, despite a rough patch in the middle. But for the most part, nearly everyone here is still pretty new to one another." Aisling nodded. "We may all feel like we've known each other forever, Jade, but I'm the first of Andy's partners, and we only met seven months ago. Lauren and Niko showed up a few weeks later, but after that, we remained as that group for a while." "Right, but Emily's got to be have been here for months, right? She seems like she knows Andy so well!" Jade said. Emily giggled, shaking her head, her blonde hair covering her face for a minute before she flipped it out of her face. "We've only been here a couple of weeks, love," she said, an almost shy smile on her face. "But Andrew, Sares and I have an indirect history that I might suspect contributes to us giving off that impression. We all still have so much to learn about one another, which is part of the reason I won't sleep anywhere that he isn't, ever ever ever." Niko reached to place a hand on Sarah's ass, as the tall redhead was framed between the smaller solider on one side and the 49ers cheerleader on the other. "Andy really is who I told you he is back at the base, Jade," she said, looking past Sarah. "Whatever you do and don't want out of this family, he's going to be completely cool with it. I've kinda wanted to play with Sarah and Emily a bit, and I knew Andy would be okay with it, but I just didn't know how to bring it up to them." "I'll bet he might even want to watch, or participate," Emily teased. "No comment," Andy laughed, "but you girls are more than welcome to have fun without me." "But if you wanted to, and you knew he'd be fine with it," Jade asked, "why haven't you?" Niko reddened slightly. "I mean, they're fucking gorgeous! I know they're going to be co wives with me and Ash, but Ash and I have had a lot more time to get comfortable with each other! I figured I'd get around to seeing if Emily and Sarah wanted to play with me when I was ready." Sarah reached down and bopped Niko on the nose with one of her fingertips. "You're totes adorbs, Neeks," she giggled. "I'm gonna enjoy making you fucking squirm when I make you cum. It's gonna be hella cute." "What.. what if I'm not into women?" Jade asked. The look on her face said that it was something she'd never really considered one way or another, and to suddenly have so many options in front of her was a tad overwhelming, like a starving man presented with an all you can eat smorgasbord. "Then you don't have to play with anyone you don't want to," Andy said. "But if you want to experiment, that's okay too. Lauren told me you don't have a lot of sexual experience, and that's completely fine. Nobody here is gonna judge you for it, and if they do, I'll paddle their ass for it, unless it's Lauren, in which case I'll just tie her up and not paddle her ass, because she likes that sort of thing." "Spoilsport," Lauren said, sticking her tongue out at him. "Look, Jade, before Aisling came into my life, the most adventurous sexual encounter I'd ever had was a slightly drunken threesome in my youth. Since then, I've have all sorts of wild experiences, and I've had space to learn what I do and what I don't like." Sarah leaned down and mocked a stage whisper to Jade. "Spoiler alert: He fucking loves a sweary slut." All the girls laughed at that before Andy spread his hands in a 'you got me' motion before continuing. "Nobody in this house is going to judge you for what or who does and doesn't turn you on, Jade. I do not allow kink shaming in my fucking house. Everyone here is getting something out of being here, being part of this household, but I'm not making anyone do anything they don't want to do. Nor will I, ever. Take Katie here, for example," he said, gesturing to the Latina groundskeeper, who had joined all the staff to meet the new housemates. "She's married to Jenny," he said, gesturing to the blonde cook whom Katie already had her arms around, "and she's entirely a lesbian. Completely sexually disinterested in men. But she and Jenny wanted the security of being in a house where they were safe and taken care of. Katie's said she's never going to want to fuck me, and that's completely fine. She needs to get my semen regularly, but the first time she did it, she and Jenny took turns blowing me." "The most recent time, I tried sucking some out of Jenny's cunt after he'd fucked her," Katie said, "and that worked just fine. Both Jenny and I got our fix from that one load. I might eventually want to try fucking Andy once, just to see if I can get my head around it, but I also may never want to do that, and he's okay with it either way. I was worried he was gonna be mad at us for lying to the government, claiming I was bisexual instead of a lesbian, but he wasn't. We got lucky. And so are you. I genuinely feel that way. So be you, ma'am. That's all I can tell you, and you'll do fine." "It's a little shocking, but it's refreshing to see everyone so open and body positive about their sexuality," Jade said. "And you three are all okay with being treated like staff instead of being treated like family?" "We are family," Nicolette said, "but we like being staff. Jenny and Katie are committed to each other, and Andy's cum is just part of their salaries. The same's true for me, but I also especially enjoy being submissive. And speaking of which,” With that, Nicolette brought Whitney forward. She looked much as she had in her pictures, her skin a shade of alabaster, her hair onyx black, her ocean blue eyes looking up at him behind large circular glasses with thick frames. She wore a semi sheer white silk blouse beneath a gray blazer, the deep crimson colors of her bra covering her apple sized tits visible plainly through the fabric. She also wore a black leather skirt, with gray stockings disappearing up beneath it. She was shorter than many of the other girls in the family, halfway between five and six feet tall, if he needed to guess, and slender, not so thin as to look unhealthy, but certainly the thinnest member of his family. (Andy made a mental note to insist that she eat a healthy amount moving forward, and not starve himself for his benefit.) Her lips were painted with lipstick the same shade as her lingerie, a lustrous red the shade of fresh blood, a hue meant to evoke both lust and portents. Nicolette's hand was on Whitney's back, almost gently pushing her in front of Andy. The pale girl had her arms in front of her, her wrists crossed, almost as if she instinctively kept them in that pose, in case they were about to be bound in rope. Her fingernails were painted the same color as her lips. Her black hair was drawn back, pulled tight along her head and drawn into a neat bun, with a single lock of it loose and dangling along the side of her face. Her head was tilted slightly downward, but her eyes were lifted up to focus on his gaze. "This slut is very pleased to meet you, sir, and hopes you will take her to be part of your staff and your property." The look in her eyes was smoldering with more lust than even Piper's had held when she'd nearly blindly raped him when they first met. "She very much wants that." "I, ah, I wouldn't have extended the invitation to you if I didn't want to bring you into the House of Rook." "This slut understands, sir, but there should be a bit of formality and ritual to all of this, rather than simply bringing this slut underneath your house's protective wing with a smile and a handshake." "That's fair, Whitney. So tell me what you want." "This slut wants a bit of ceremony to it, sir. For you to collar her, and then claim her by imprinting her, in front of as many members of the house as possible. In speaking with Nicolette, it was made clear to this slut that you might be a bit nervous about collaring her, but she wants to ensure to you that this is what she wants, what she truly wants." Whitney had a deliberate intensity to her that Andy might have found overwhelming if Nicolette hadn't helped prepare him for it. Thankfully, Nicolette had spent a few minutes each day since the decision was made to invite Whitney helping mentally prepare him for what to expect. "You brought a collar that you'll feel comfortable wearing?" "This slut has, sir." "Well, then. Would you like to wait or would you prefer to do it sooner?" "Sooner, sir," she said, clenching her fingers in and out of fists, as if the waiting was difficult for her. She leaned over to the couch, opening her purse, taking out a collar that was both simple and elegant, a long leather strip with a gold clasp in the front that featured a stylized rook chess piece on the face of it. She held it out to him, and he took it from her with his left hand. "This slut had originally hoped the ritual might take place outside, but the weather has gotten too chilly, so indoors will have to suffice, with your permission, sir." Andy reached down and brought one fingertip along Whitney's cheek, and she turned her cheek to lean into his touch, her skin cool to the touch, and her eyes never once leaving his face. She followed his finger back for just a moment longer than seemed necessary, a soft smile on her face. "So, attendance for this is entirely voluntary, and anyone who doesn't want to attend doesn't have to, but anyone who wants to is completely welcome. Tala, Jade, obviously, if you want to go pick an open bedroom and settle in, that's fine." Tala had a grand belly laugh at that, shaking her head, almost with tears in her eyes. "You couldn't fucking bar me from watching this, baby," she said, putting her arm around Sheridan's shoulder. "I already tossed my suitcase into the room next to Sheridan's so let's get the show on the road already!" Andy looked over to Jade, who smiled at him, shaking her head, adamant to remain in the room. "I'm getting into this family, by hell or highwater, Andy," Jade said to him, "so I definitely want to see if all the things they told us at the Air Force base were true. Well, I guess the whole thing about the first taste of cum making us orgasm is true. Tala just proved that." "God, bitch," Tala laughed, "you have no idea how fucking great that was. I've had a good amount of sex in my life, and that little taste was the best fucking orgasm I've ever had, so if the imprinting one is even stronger,” She shivered with an impish grin on her face. "The waiting is the hardest fucking part." "And I'm not ashamed about sex, Andy," Jade giggled. "I just haven't had it yet. I threw my suitcase into an open bedroom when I first got here. Lauren suggested I do it before you got home. So I agree with my new friend, Tala. Let's go team!" Nicolette made her way over to stand next to Whitney for a second, as Whitney unlocked her cellphone and handed it to Nicolette. "This slut would like her friend to film all of this for her, so she may watch it later, with sir's permission of course," Whitney said to him, as Nicolette stepped back a few paces, holding the iPhone sideways, to get a good wide angle that framed both Whitney and Andy in the same shot. "That's fine," Andy said, tipping his head a little. "Although I'll also want a copy of the video for myself." "Of course, sir." Andy gestured for the women of the family to move and form up around Andy and Whitney, a ring of beauty encircling them, giving the whole thing a bit more sense of ceremony. Then he turned his eyes back to Whitney. "Now strip." "Yes sir." First, she slid off the blazer, moving to fold it over the back of a nearby couch. Next she unbuttoned the white silk shirt that was so sheer, she might as well not have been wearing it at all. After that came the skirt, and when it dropped he could see she was wearing red panties that matched her lacy crimson bra, as well as a red garter belt that clipped onto the stockings. She unclipped them one at a time, rolling them down her legs, setting them with the rest of her clothes, never once turning away from him. When she removed the bra, her tits came into view, small and perky, with tiny pink nipples atop them that were rock hard, She slipped the garter belt off, then pushed her panties downward, crouching as she did, stepping out of them before laying them atop the stack of her clothes. She had a small thick triangle of black curls above her otherwise shaven cunt. Once she was naked, her arms crossed at the wrists in front of her once more. "This slut spoke with her friend, and she told her that you were fine with both shaven and unshaven cunts, so this slut tried to split the difference, but if you prefer something else, you need only speak and it will be done, sir." "Your body is your own domain, Whitney," Andy said. "You should keep your pubic hair how is most comfortable to you and you alone." Whitney frowned for just a moment, then nodded. "Yes sir." Andy knew it wasn't the answer she'd been hoping for, that he would dictate her every move, but Andy wanted to hold firm that she would need to decide a few things for herself. But, to reassure her that those things would be few, he decided to exert a bit of control again. He reached forward and grabbed one of her wrists, pulling her arm away from her body, then pushed it down the front of his jeans, before bringing it back out, making sure there was a streak of precum on her palm, as he'd intended. "Keep that hand out, and don't lick it until I tell you." "Yes sir." "Now get down on your knees." That made her smile again. "Yes sir." She moved down to her knees before him, but kept her head raised the entire time, her back not bending in the slightest, remaining perpendicular to the floor, sitting on her heels. The entire time, she kept her right hand palm up. "Thank you sir." "I'm still a little nervous about this, so I'm going to require you to ask me for what I'm holding in my hand here," he said, shaking the collar in her direction. "Yes sir," she answered. "This slut,” "No." The sudden interruption caught her off guard and she seemed confused, so he elaborated. "For this, in this moment where you are choosing to surrender everything to me, I want to hear it directly from you. None of this third person language. That's a passive way of doing it. If you want to return to that afterwards, that's fine, but for here, this singular moment, you have to be you. Either you want this, or you don't. And if you can't say it, out loud, to me, I'm not going to believe that you truly want it. You have to convince me. Try again." Whitney smiled a little bit more now in understanding, nodding once. "This,” she started before catching herself and beginning one final time. "I want you to collar me, sir. I want you to claim me, to put that leather around my neck, to make me your possession, a member of your household, but more importantly, a person that you own, that you have total dominance over, to exert whenever and where ever you want to. I, Whitney Ophelia Wells, want you, Andrew Rook, to give me a collar, your collar, that I can proudly wear, so that anyone who sees me knows that I am your property, by choice, and that knowing what I truly am is exposed to the world at all times brings me the greatest joy anyone could ever imagine. By placing the collar around my neck, you will take control of my body, mind and soul, and they will always be yours, to do with what you please, and that is what I want most in this world. So please, sir, fulfill my greatest wishes and desires. I want you to collar me, and make me your slut. Will you bestow upon me that most holy of honors? Sir?" "When this latch clicks, Whitney," he said, lifting the leather collar, bringing it towards her neck, "I want you to lick your hand, so the moment is seared into your brain." "Yes sir." He'd given this a bunch of thought over the last few days, and Nicolette had made it clear to him that he should try and imbue this moment with as much ritual and ceremony as he could, to make it feel like something that had been done throughout the ages, that there was a history to it, even if he was simply making it all up off the top of his head. He'd prepared a few things, in his mind, and he hoped they would be enough. As he began to slide the leather against her skin, seeing the tiny shiver of excitement from her body, he began to speak, trying to keep his voice steady and calm, as if he wasn't as nervous about all of this as Whitney seemed to be. "With this collar, I, Andrew Rook, hereby claim and take possession of you, Whitney Ophelia Wells, and bring you into the House of Rook, where you will serve the family as our technical expert first and foremost, but also as my personal plaything. You surrender your mind, your body, your will and your soul to this family, and to me, as its head. This is what you have chosen, what you have asked of me, and now, I have granted it to you. I claim you. I own you. You belong to me. You are,” He waited until he had the latch mechanism figured out and said the last word in time with his hooking of the latch. "Mine." Once the final word left his lips, she immediately brought her palm to her lips and licked the spot of precum clean. Her entire body tried to hold perfectly still after her tongue touched the liquid, but Andy could still see those blue eyes roll back into her skull in sudden shock and brainfry. Her eyelids fluttered frantically, but other than that, she held perfectly still and made no noise at all, despite the overwhelming rush of pleasure that was tearing through her body. All the women gathered around them closed in a step or two, as if tightening the circle in some long forgotten ritual. Andy hadn't asked them to do that, so he figured they were simply getting as caught up in the moment as he was. He didn't want to interrupt her moment, so he waited until she seemed to have regained her composure, her deep blue eyes opening to look at him once more, now in much more exposed adoration. "Your slut thanks You, Master." Andy had to prevent his smile from growing too wide, as he still had a part to play, but he immediately noted the change in her language. No longer 'this slut,' but 'your slut.' No longer 'sir,' but 'Master.' Before, he had simply been a respected man standing before her. Now, he had claimed her and given her Purpose. "She would very much like to be imprinted now, Master, if that is to Your pleasure." "I believe that seems appropriate," he said, and the gathered girls giggled a little at that. "Nicolette, I want you to sit down on the couch here. Whitney, you are going to stand up, keep your legs straight, bend at the waist, and place your hands on Nicolette's shoulders, so she can film your face the entire time while you're being imprinted." "Yes, Master. Thank You, Master." Whitney rose to her feet, then spun around, which was the moment Andy saw it, and everything nearly fell apart for a split second. There, on the small of her back, was a fresh tattoo, clearly less than a day or two old, as the skin around it was still reddish and angry, and the colors were still that insanely brilliant tone that only the newest of tattoos had. When the first Druid Gunslinger book had been nearing publication, the publisher had suggested Andy mak

Week 3 of Classic Hollywood Month is here!!! Join Kasey and Amanda as they discuss all things Mary Poppins

What really happens in a Broadway audition room, and how do you get remembered down the line, even if you don't land the role?Broadway casting director Peter Van Dam joins me to discuss what really goes into casting a show, from open calls that launch careers to the quiet instinct it takes to build a cast that feels right. We explore his journey from a shy kid with a VHS of Mary Poppins to helping shape productions like SIX and Dead Outlaw. Peter shares what casting directors do, how to stand out in auditions, and why inclusive casting is about more than checking boxes; it's about creating rooms where people belong.This one's for the artists, the dreamers, and anyone navigating the long game of a career in theater.Enjoy the episode, friends!Check out the full show notes and other resources at https://www.inclusivestages.com/post/can-casting-directors-be-inclusive-with-peter-van-damRegister Now for our Fall CohortConnect with Kira:@kiratroilo @artandsoulconsulting @inclusivestages"'Black Hair'" Is Hair: An Entertainment Industry Guide WebsiteJoin our mailing list - scroll to the bottom of the pageThanks to our music composer, Zachary McConnell, and our producer, Leah Bryant.

What's up, dudes? It's the 1985 Disney World Very Merry Christmas Parade, broadcast live on National TV! Disney connoisseurs Tim Babb from Can't Wait for Christmas and Charlie Ague from Closer to Christmas and Ague Designs are here with me to break it down!Joan Lunden and Ben Vereen host this Christmas parade with narration written by Doug Cody. The production was directed by Chico Fernandez. After some confusion with decorations, Mickey and the gang are ready to begin! Tinkerbell opened the show, and Cinderella and her entourage processed down Main Street USA. The Dumbo and the Jungle Book crews followed right behind her.The Herbie the Love Bug performers come next, and Robin Hood and his Merry Men succeeded him. Regis Philbin took us through the Living Seas, and that segment was followed by the Pinocchio float series. Subsequently, Ben showed us a behind the scenes preview of “Captain EO” with Michael Jackson, George Lucas, and Francis Ford Coppola.After Cruella de Vil drove down, Mary Poppins and the Alice in Wonderland players glide down Main Street. Then Ben gave a stirring performance in Frontierland. The toy soldiers from “Babes in Toyland” march along, and Mickey and Minnie ride a coach behind them. The Gummi Bears, Goofy, and Donald follow on floats, accompanied by characters from Peter Pan, Chip and Dale, and the Hundred Acre Wood. Finally, Santa Claus himself flew in to close out the celebration.Steamboat musical number? Check. Ads for “Superman II”? Yep. Endless commercials from Eckerd and Gaines? Definitely! So grab your an scarf and top hat, hop on a float, and ride down Main Street USA to this episode all about the 1985 Very Merry Christmas Parade!Can't Wait for Christmas FB: @CantWaitForChristmasPodIG: @cantwaitforchristmaspodTwitter: @ChristmasPodCloser to ChristmasTwitter: @closertoxmas IG: @closertoxmasAgue DesignsIG: @aguedesignsGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

"Think of the magic that you can create!" Inspiring words from Rob Madge's triumphant and hilarious celebration of identity, creativity, and the profound bond between parents and their child. As a child, Rob filled their home with grand performances, transforming into Mary Poppins, Ariel, and Belle with the help of homemade costumes, boundless imagination, and a little technical assistance (and occasional interference) from Dad. Their parents never said no—to a parade in the living room, to a costume change mid-scene, to a dream too big for the space it was staged in. Now, through a treasure trove of home videos and theatrical magic, My Son's a Queer (But What Can You Do?) brings those moments to life, celebrating the power of childhood imagination, and the profound impact of parents who simply say “yes.” Connect with GOOD SHOW! Instagram: ⁠⁠@goodshowpodcast⁠⁠  Tik Tok: ⁠⁠@goodshowpodcast ⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

LISTEN and SUBSCRIBE on:Apple Podcasts: https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i WATCH and SUBSCRIBE on:https://www.youtube.com/@WatchdogOnWallstreet/featuredCompliment, criticism, compliment—that's what the spin doctors want. But we're not Mary Poppins, and there's no spoonful of sugar here.In this brutally honest episode:Why I won't play favorites with your favorite politiciansThe difference between honest criticism and empty partisan rageWhy it's okay (actually, necessary) to question your own sideJust straight talk and independent thinking! www.watchdogonwallstreet.com

Rexburg Community Theatre is ready to share the beloved story of “Mary Poppins” with the community. Director Ann Cluff, and actors, Malia Lawrence and Parker Morgan, share how they've prepared for the upcoming production and why community members should come see it. Article: https://www.byui.edu/radio/local-news/rexburg-community-theatre-presents-mary-poppins

Rob Madge grew up staging living room musicals with wigs, smoke machines, and the unwavering support of their parents and grandmother—but what started as childhood play eventually became the viral, heartfelt, and Olivier-nominated solo show My Son's a Queer (But What Can You Do?). In this episode, Rob shares how those home videos evolved into a theatrical sensation, and how a show born during lockdown has become a powerful celebration of queer joy, family, and radical acceptance—now heading to New York City Center for its limited U.S. debut. We talk about everything from queer theory and comedy as activism to being a theater kid in a small UK village and why their grandmother was the ultimate co-conspirator. Rob opens up about the emotional weight of visibility, the importance of letting kids be themselves, and the unshakable confidence that comes from being loved early and completely. Plus, they reflect on their journey from Gavroche to leading their own story—and the joy of tweaking the show for each new audience. Rob Madge is a writer and performer whose solo show My Son's a Queer (But What Can You Do?) earned an Olivier Award nomination following its West End run. They began their career as a child actor in Mary Poppins, Oliver!, and Les Misérables, and trained at Sylvia Young Theatre School before studying English Literature at Warwick University. Rob also stars as the Emcee in Cabaret on the West End, and continues to explore themes of identity, family, and theatricality through their writing and performance. Connect with Rob Instagram: @robmadge02 Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Kermode On Film Mark talks to actor Domhnall Gleeson and director Michael Pearce, whose gripping psychological drama Echo Valley stars Julianne Moore and Sydney Sweeney, and he talks to actor Posy Sterling, who takes on her first leading role as Molly in Lollipop, a bittersweet story about a mother faced with the injustices of the care system in Britain.This episode of Kermode On Film was recorded live at the BFI Southbank on 9 June 2025, and was the first half of that date's Mark Kermode Live in 3D show.Come back for Part 2, where Mark is joined by actor Simon Pegg, who talks about his role in Mission: Impossible - The Final Reckoning, and reflects on his career from Spaced and the Cornetto Trilogy all the way to Hollywood.Thanks for listening!Films mentioned in this episode:Echo ValleySicarioLollipopSeven SamuraiPunch Drunk LoveDead Man's ShoesPeople mentioned in this episode:Domhnall GleesonMichael PearcePosy SterlingSimon PeggJulianne MooreSydney Sweeney———————The opening title sequence of Kermode on Film uses quotes from:Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

En Radioficción, desde el Teatro Luis del Olmo, representamos cómo se ideó la canción principal de la película de Walt Disney, Mary Poppins. 

Decorating with care. Kia's? Sportsbooks & ad time. Superman... super wierd?

Jim Hill and Lauren Hersey celebrate the launch of Disneyland's 70th anniversary with a merch-packed episode filled with popcorn buckets, collectible props, and a deep dive into Walt's original 10th anniversary celebration—aka the Tencennial. From animatronic Mickey souvenirs to retro Vault Collection hats, Lauren shares the standout items hitting the parks. Then Jim takes us back to 1965 for the story of how Walt honored his first decade of Disneyland, from airborne Mary Poppins stunts to the birth of Great Moments with Mr. Lincoln. The Mickey popcorn bucket that moves, talks, and blinks Why propeller hats and retro logos are making a comeback The gorgeous “padfolio” inspired by Walt Disney's real desk The true story behind Disneyland's 10th anniversary (and that weird word “Tencennial”) When Walt thought the park really opened—and how that date changed The crown decorations that accidentally damaged Sleeping Beauty Castle From collectible merch to collectible memories, this episode brings Disneyland's past and present together in perfect, popcorn-scented harmony. Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

Reform UK gets a lot of coverage but not enough scrutiny. Say Nigel Farage did become Prime Minister (God forbid), what would a Reform UK-led UK look like? Is their manifesto (… sorry, ‘contract') full to the brim of wishful thinking? Plus, with changes inbound on the two-child benefit cap and winter fuel payments is Labour sorting its act out? Or does this make Starmer look weak? Paul Nowak is the General Secretary of the Trades Union Congress and joins the podcast to give his thoughts. And in the Extra Bit for subscribers following the death of BBC arts titan Alan Yentob, we ask: Is the dream of culture for the masses still alive?  • Read Sam Freedman's Substack here: https://samf.substack.com/p/what-would-a-reform-government-be • Listen to The Bunker including Duncan Weldon on the economics of war. • Don't miss the latest edition of Crime Scene on the Liverpool parade car collision and what it means for policing. ESCAPE ROUTES • Paul recommends Bruce Springsteen live and Race Across The World on BBC iPlayer.  • Matt saw Mary Poppins at the Bradford Alhambra. • Rachel recommends listening to Magic At The Musicals on RadioPlayer.  • Dorian recommends Gang Of Three (keep an eye out in case in gets a transfer) and Electric Dreams at Tate Modern. www.patreon.com/ohgodwhatnow Presented by Dorian Lynskey with Rachel Cunliffe and Matt Green. Producer: Chris Jones. Audio Production by: Robin Leeburn. Music by Cornershop. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Youtube Amazon Baileygreymusic.comBioBailey Grey Emerges “Out From Under” with Jazzy, Honest, and Joyously Complex Debut“Out From Under,” the debut single from Love It All  Bailey Grey's first full-length album showcases the arrival of a fearless new voice in pop music. Fusing jazz, blues, and danceable pop with lyrical honesty and emotional intelligence, the track is a vibrant introduction to Bailey's musical world. With her warm, expressive vocals and genre-bending musicality, Grey creates a sound that's both refreshingly personal and artistically rich.What makes the song even more striking is the story behind it. Bailey wrote “Out From Under” while working nights as a host in an underground London bar disguised as a sex shop. “‘It said ‘Girls! Girls! Girls!' on the front,” she laughs, “but it was just a dive bar and restaurant. I was getting home at 3 or 4 in the morning, waking up late, and going back to work a few hours later. I felt low, burnt out, and stuck  but still trying to make time to create music and figure out my life.” The result: a song born of exhaustion, longing, and hope, shaped into a beautifully produced, timeless groove.Built on a rhythmic ticking motif that mirrors the pressure of time, “Out From Under” cleverly underscores its themes without being overbearing. Bailey's rim-click percussion ticks steadily beneath shifting tempos  racing forward one moment, slowing down the next  as she sings lines like:“Can I make the time go slow? / And get out from under?”That emotional layering  blending storytelling with sound design  is a hallmark of Love It All, a collection that dances across genres while remaining deeply introspective. Bailey draws inspiration from iconic female artists like Amy Winehouse, Sara Bareilles, Fiona Apple, Joni Mitchell, and Dodie, while forging a voice unmistakably her own.“I get bored when I make the same kind of music,” Bailey explains. “So I zhuzh it up I blend genres, follow new sounds. I want the album to reflect all the spaces I've been creatively. Every song is a new lens.”A Journey From Stage to StudioOriginally from northern New Jersey, Bailey's artistic roots run deep. She began her career as a child actor in New York's musical theater scene, starring in the Broadway National Tour of Mary Poppins at age 10. Her credits include Stephen Schwartz's opera Séance on a Wet Afternoon and A Christmas Rose at Carnegie Hall alongside Jane Seymour.After high school, she studied musical theatre at the Royal Conservatoire of Scotland and earned a master's degree from the Royal Central School of Speech and Drama in London. It was during the pandemic that Bailey began writing her own music in earnest. “Theater will always be a part of me,” she says, “but I needed to start telling my own stories.”Her songs aren't just lyrical  they're sensory. Bailey writes from the rhythms and sounds of her surroundings. “I live in a soundscape,” she says. “There's a rhythm in everything a bus passing by, birds outside the window, cars rushing past  and I try to build those moments into the music.”On Love It All, that soundscape comes to life:“When I Fall” features a bass ukulele and soprano uke.“Easy,” the closing track, was recorded near an open London window you can hear the distant hum of buses and passing voices.The title track, “Love It All,” is a meditation on finding wonder amid struggle: “I fall in love with every song that I hear / Polyrhythmic harmonies reflect my atmosphere.”She adores that lyric for two reasons: “I've never heard anyone use ‘polyrhythm' in a lyric,” she notes. “And it's not just clever  it's how I actually experience the world.”Independent, Unfiltered, and AuthenticAfter returning to the U.S., Bailey made the bold decision to part ways with her label and release Love It Alll independently. “I was a child actor, and for years I had to fit into a box  play characters in other people's stories. Now, I finally get to share mine.”With “Out From Under,” Bailey Grey arrives not just as a singer-songwriter, but as a fully realized artist  one who transforms the ache of burnout and the hum of everyday life into vibrant, resonant music.This is music that grooves, heals, and surprises  a debut that marks the beginning of an exciting, genre-defying journey.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

In this episode of Kermode On Film Mark talks to director Babak Anvari, whose nail-biting thriller Hallow Road was released in UK cinemas on 16 May 2025, and he talks to writer-director Alberto Sciamma, whose stunningly beautiful film Cielo premieres at SXSW on 6 June 2025. This episode of Kermode On Film was recorded live at the BFI Southbank on 19 May 2025, and was the first half of that date's Mark Kermode Live in 3D show.In Part 2, Mark is joined by director Shannon Murphy, who talks about the television series Dying For Sex, based on a true story starring Michelle Williams. Mark also talks with John Maclean about Tornado, the Samurai western set in 18th Century Scotland, and with Eddie Hamilton, editor of the Mission: Impossible films, among many others.Thanks for listening!Film mentioned in this episode:Hallow RoadUnder the ShadowsUsI Came ByThe ExorcistStar WarsCieloTales of Ordinary MadnessLa Grande BouffePeople mentioned in this episode:Babak AnvariAlberto SciammaWilliam GilliesRosamund PikeMatthew RhysJohn CassavetesLorne BalfeDepeche ModePeter AdamsGeorge MackayBettina KadooriJohn Dunton-DownerAna-Maria VeraMarco FerreriBen Gazzara———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This is a 3 part mini Casting Director series, sponsored by Casting Networks.Tara Rubin started her company, Tara Rubin Casting in 2001 after working at Johnson-Liff Casting for fifteen years. During that time she cast for Les Miserables, Phantom of the Opera, Miss Saigon, Guys and Dolls, and the daytime drama Another World.At Tara Rubin Casting she continued those associations and cast other Broadway productions, including Mamma Mia!, The Producers, Bombay Dreams, Spamalot, Jersey Boys, Mary Poppins, Billy Elliot, School of Rock, Aladdin, A Bronx Tale, Dear Evan Hansen, The Band's Visit, Six, Here Lies Love, and The Outsiders. Current Broadway shows include Six, Aladdin, Death Becomes Her, Boop: The Musical, Dead Outlaw, and Stephen Sondheim's Old Friends. She recently cast the film Here Today and the Apple + series Before both starring Billy Crystal.Tara serves on committees for the Entertainment Community Fund and the Noel Coward Foundation. She is an honors graduate of Boston University, a member of the Casting Society and recipient of the Hoyt Bowers Award for excellence in casting and outstanding contribution to the casting profession. She has taught classes at New York University and Sarah Lawrence College. In 2025 Tara Rubin Casting rebranded as the TRC Company.In this episode, we talk about all things ACTORS including:• How she casts a replacement for a show, particularly the balance between the individuality of the actor vs what the original performer did• How long does an actor have to rehearse before replacing another person in the role• The process of casting a Broadway show ensemble, with the makeup of one including understudies and skilled dancers• How many actors get submitted for a role and how many actors she brings in that she knows vs who she doesn't know• Process of casting a show from workshop to regional to Broadway• Booking the room vs the part - and how talent and imagination makes actors stands out to her in an audition• What has she noticed in actors that book a lot • How do you stay in touch or keep on her radar• Advice for new actors about starting on BroadwayGuest:Company Website IMDb PlaybillCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit ⁠https://www.castingnetworks.com/promo-codes/⁠ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:Close Up with Casting Director Paul Schnee (Barden/Schnee casting: "Pitch Perfect," "Sisters," "Palm Royale," "Winter's Bone")⁠Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")⁠⁠Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

We're kicking PRIDE off a little early because comics librarian Jack Phoenix is here and we are ready to talk about the very straight story of a man showing up to another man's house and pulling him away from his wife so that the two of them can make a human life together! Very straight. So straight. Not gay at all. Doctor Pretorius, we love you and the tiny people you've been cloning and dressing. And Una O'Connor, you and your ridiculous accent are the real MVP!Alicia really wants it to be known that we didn't talk nearly enough about Elsa Lancaster, her marriage to Charles Laughton, and that she was in Mary Poppins. All apologies.Who made it?Director: James WhaleWriters: William Hurlbut, John L. Balderston, Mary ShelleyStarring:Boris KarloffColin CliveValerie HobsonElsa LanchesterErnest ThesigerE. E. CliveOliver Peters HeggieUna O'ConnorRecs:Jack - Queer for Fear / The Ex-Wives of FrankensteinEmily- Junji Ito Frankenstein / #DRCL mangaBen - Young FrankensteinJeremy - Invisible Man / Old Dark House Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Episode 495: Welcome back, fellow Mouseketeers, to another practically perfect episode of Traveling with the Mouse! In Episode 495, we mix a spoonful of nostalgia with a dash of curiosity as we explore one of the most glaring missed opportunities in Disney Parks history: Why hasn't Mary Poppins received a significant attraction of her own? […] The post A Mary Poppins Ride That Never Was (And Other Disney News) appeared first on Traveling With The Mouse.

Hur komponerar man ett liv som är roligt och känns meningsfullt? I ett ovanligt vindlande avsnitt om olika sorters kul (typ 1 och typ 2) avhandlas lycka, kriser, valrossmustascher, etiopiska restaurangtoaletter och känslomässig intelligens. Klipp:15:05 Mary Poppins23:43 Pursuit Of Happiness30:06 The Bear38:10 Anchorman The Legend of Ron Burgundy45:10 Nalle PuhRedigering: Peter Malmqvist.Kontakta oss på dummamanniskor@gmail.com. Vill du slippa reklamen? Prenumerera på Dumma Människor för 19 kr/månaden (ink moms). https://plus.acast.com/s/dummamanniskor. Hosted on Acast. See acast.com/privacy for more information.

Medical sculptor Damon Coyle walks around with a Mary Poppins bag of body parts. Fake ones, that is. At the University of Missouri, his lab creates hyperrealistic body parts designed to help medical providers practice for real-world surgeries and procedures. They make things like lifelike arms for practicing blood draws or a set of eyeballs for ocular trauma training. On stage in Columbia, Missouri, Damon talks with Host Flora Lichtman about how he creates these eerily realistic body parts and how they're used.Guest: Damon Coyle, medical sculptor and innovation specialist at the University of Missouri in Columbia, Missouri. Transcripts for each segment will be available after the show airs on sciencefriday.com.  Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

In this episode, after way too many delays, the randomizer kicks off this year's Patreon Request Month by going all the way back to 2009 to pick E.J. Riley's request for a documentary about two legendary brothers who became Walt Disney's personal staff songwriters in the 1960s. Over the course of their illustrious decades-spanning careers, they composed such all-time classic beloved evergreen masterpieces as "Fidelity Feduciary Bank," "Let's Put It Over with Grover," "The Boomps Song" and of course "Detroit." But beneath those hummable earworms, all was not well for Richard and Robert, for theirs is a story that involves bitter personality clashes, familial estrangement, post-traumatic stress disorder and songs with titles like "Rutabega Rag," "The Ugly Bug Ball," "A Most Befuddling Thing," "Va-Va-Va-Veee (For Victory)," "Don't Shoot the Hooey to Me, Louie," "Protocoligorically Correct," "The BunnyBee Song," "Dolly Of PaPali," "Kiddy-Widdy-Winkies" and yes those song titles are all real. Join Tony Goldmark, Sydney Agnew, Ryan Hipp and Veronika Vexed as they hang with THE BOYS: THE SHERMAN BROTHERS' STORY! Watch Some Jerk With A Camera's three-part It's A Small World Holiday video from 2011! https://www.youtube.com/watch?v=Bj2qICxnu-I  Check out my guests' stuff! SYDNEY AGNEW Instagram: https://www.instagram.com/thederpyhipster  Twitter: https://twitter.com/thederpyhipster   RYAN HIPP Twitter: https://twitter.com/RyanHippFTW  YouTube: https://www.youtube.com/theryanhipp   VERONIKA VEXED Instagram: https://www.instagram.com/veronika_vexed  Twitter: https://twitter.com/Veronika_Vexed  YouTube: https://www.youtube.com/@cuddlepunk6217  And check out this show on social media! Bluesky: https://bsky.app/profile/vaultdisneypod.bsky.social  Host's Bluesky: https://bsky.app/profile/tonygoldmark.bsky.social  Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes early and AD-FREE by supporting this show on Patreon: https://www.patreon.com/tonygoldmark

This episode of Kermode on Film was recorded live at the BFI Southbank on 5 June 2023, and was the 81th edition of MK3D. This is Part 2 of that show, in which Mark Kermode is joined by director Edward Lovelace to talk about his documentary feature Name Me Lawand.Mark also talks to legendary, multi-Oscar-winning sound designer and film editor Walter Murch about his documentary feature Her Name Was Moviola.Thanks for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This was a fine Saturday crossword - tough but fair, as Saturday crosswords were meant to be. Our favorite clue had to be 29A, Some dragonflies, DARNERS (really: apparently people used to believe that dragonflies could sew your lips shut!). We were entranced with 38A, Mediterranean plant named for its brightly colored flowers, SUNROSE. And finally we just loved discovering  27A, George ______________, voted "Coach of the Century" by the International Swimming Hall of Fame, HAINES. For Saturday, we have of course bestowed our JAMCOTWA (Jean And Mike Crossword Of The Week Award), so to discover who won and why, check out today's episode.Show note imagery: From the immortal Mary Poppins, Let's Go Fly a KiteWe love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

On this week's episode, the guys kick things off by diving into a humorous and somewhat frustrating tale involving Joe's latest kitchen gadget: an ice cream scoop that unfortunately arrived in a damaged state. This incident sparks a lively discussion about various other kitchen gadgets that can make cooking and baking more enjoyable and efficient. They delve into the impressive array of attachments available for the KitchenAid Stand Mixer, including the versatile cheese grater, which can turn blocks of cheese into perfect shreds for a variety of recipes. Additionally, they discuss the handy slicer attachment, which makes preparing vegetables a breeze, and even touch upon the usefulness of pizza peels, essential for transferring homemade pizzas into the oven without any fuss. As the conversation flows, Cody seizes the opportunity to share some quirky and seemingly useless trivia he recently stumbled upon regarding Minnesota's unique twist on the classic children's game Duck, Duck, Goose. He explains how this version, known as Duck, Duck, Gray Duck, adds an interesting regional flavor to the game, prompting a light-hearted debate about the various adaptations of childhood games across different cultures and states. Moving on from playful games, Cody then transitions to a more serious topic by informing Joe about an exciting new project announced by filmmaker Ryan Coogler, known for his work on the Black Panther franchise. Coogler's upcoming endeavor involves a revival of the iconic series The X-Files, which has piqued the interest of many fans. This announcement leads to a broader discussion about fan theories surrounding various movies and television shows, exploring how these theories can enhance the viewing experience and engage audiences in deeper ways. Joe shares his thoughts on a fascinating video he watched that delves into a plethora of fan theories, ranging from the whimsical interpretations of Peter Pan to the enchanting world of Mary Poppins. He recounts some of the most intriguing theories, highlighting how fans have crafted elaborate narratives that connect seemingly unrelated plot points and characters, enriching the original stories in unexpected ways. The conversation takes on a life of its own as they explore the creativity and passion of fandoms, ultimately celebrating the unique bond that these theories create between viewers and the media they love.Official Website: https://www.comesnaturallypodcast.comOfficial Merchandise: https://shop.spreadshirt.com/comes-naturally-podcast/iTunes: http://tinyurl.com/kqkgackFacebook: http://tinyurl.com/myovgm8Tumblr: http://tinyurl.com/m7a6mg9Twitter: @ComesNaturalPodYouTube: http://tiny.cc/5snxpy

Christian Youth Theater (CYT North Idaho) is not just a theater program, it's a comprehensive after-school arts education program for ages 5-18. It offers a wide range of classes throughout the year, including drama, music, dance, technical theater, and more, ensuring that every child's unique talents and interests are nurtured. This week, Dawn Simmons, the Executive Managing Director of Christian Youth Theater North talks about the history of CYT and the importance of this great program to the community. Ashley Cleveland, the star of their upcoming performance of Mary Poppins, speaks about her years of training through CYT and how it affected her life and continuing her dreams as a professional actress.  Each year, CYT produces three full-scale musicals for ages 8-18, and one summer show for ages 8-108. The focus is on teaching musical theater to build confidence and character in a non-competitive environment, ensuring that every child can shine. In addition to the shows, they offer week-long camps in the summer months for students 5-18.  For more information on upcoming shows, classes and workshops visit cytnorthidaho.org.

Dora Jar joins the podcast to chat about her debut album, new song "Lucky", and the fan favorite "Ragdoll"— which has more layers to it than any of us expected! We also play a game of Song Interrogation.

Welcome to our podcast where we discuss and deliberate over memoirs and biographies found in thrift shops. This is a great way to do things as we are not choosing who to read about. We may not be fans of the person, we may never have heard of the person and we never know who we are going to find next...There are only 2 rules to this podcast. The book has to be found in a thrift shop and we are not allowed to talk about the book until we press record, which is sometimes agonising.We have lots of episodes coming up so if you find yourself enjoying our podcast, please be sure to subscribe to be among the first to hear about each episode.

Thomas has returned from a family "vacation" to New York City, which was simultaneously wonderful and insane. Also, Eli aka Mary Poppins aka Mrs. Doubtfire aka Pilsbury Doughboy (???) watched ALL of the Smith children one night and has stories to share. Join the Facebook Group! facebook.com/groups/dearolddadsFor comments, email thedads@dearolddads.com For extended episodes, bonus content, and most importantly, for an AD FREE SHOW, make sure to pledge on Patreon! This content is CAN credentialed, which means you can report instances of harassment, abuse, or other harm on their hotline at (617) 249-4255, or on their website at creatoraccountabilitynetwork.org.