Podcasts about ABBA

Between 1945 and 1952, ‘happiness trains' transported 70,000 children from southern to northern Italy to live with wealthier families.It was a scheme organised by the Union of Italian Women and the Italian Communist Party in an attempt to make the lives of southern Italian children better.Ten-year-old Bianca D'Aniello was one of the passengers to travel from Salerno in the south to Mestre in the north where she was looked after by a family with more resources.Bianca's life in Mestre was miserable because of Italy's fascist regime and the devastation her city faced in the wake of World War Two. Her journey was nerve-racking as she jumped on a train for the first time saying goodbye to her mum and siblings. What she didn't realise was what life had in store for her in her new life.Bianca speaks to Natasha Fernandes about how that ‘happiness train' changed her life forever. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Children on board an Italian 'happiness train' kiss and wave goodbye to their parents. Credit: Instituto Storico Modena)

When the Medellin Metro opened in 1995, the Colombian city had recently been called the “murder capital of the world” due to the high homicide rate caused by Pablo Escobar's drug wars. The network has grown to include a large cable car network which stretches to the neighbourhoods built into the sides of mountains that surround Medellin. It has helped transform the city into a tourist hot-spot – something unimaginable 30 years ago. Tim O'Callaghan has been speaking to Tomas Andreas Elejalde, who is the general manager of the Metro. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: The metro cable above the city of Medellin. Credit: RAUL ARBOLEDA/AFP via Getty Images)

In June 1968, Senator Robert Kennedy was killed during his campaign for the American presidency.There was nationwide mourning with huge crowds lining the tracks for his funeral train, as it travelled from New York to Washington DC. In 2012, Simon Watts spoke to Kennedy's former press secretary Frank Mankiewicz and to his former bodyguard Rosey Grier. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Robert Kennedy funeral train. Credit: Getty Images)

You're TERRIBLE! This week, Peaches and Michael are celebrating Pride like a couple of dancing queens as they shine a spotlight on 1994's MURIEL'S WEDDING! In addition to discussing why this tragicomedy cult classic resonates with queer viewers, our hosts delve into the undeniable icon status of Toni Collette. Joining the conversation is THE BINGE MOVIE PODCAST's Jason LeRoy, who shares how seeing this film at a young age forged a life-long deep connection. Then, drag superstar Mary Vice stops by to talk about Porpoise Spit's drag appeal and an alternate universe where Abba wasn't involved! From wild vacations to Waterloo, this episode has it all! Go!

Jesus Delivered Us (2) (audio) David Eells – 6/25/25 I'm going to continue speaking about how Jesus has delivered us. When the Syrophoenician woman asked Jesus to deliver her daughter in (Matthew 15:21-28), who was “grievously vexed with a demon” (Mat.15:26) … He answered and said, It is not meet to take the children's bread and cast it to the dogs. Deliverance is for God's people; deliverance is “the children's bread.” Those who think they can go and just cast demons out of any lost person do not know anything about deliverance. In the first place, it's a very dangerous thing to do. We are the ones who are in covenant with God, the covenant being deliverance from the curse of sin and of death (Rom.8:2 For the law of the Spirit of life in Christ Jesus made me free from the law of sin and of death.). This is our covenant. We have a right to total deliverance from bondage of the flesh and from bondage to demon spirits. We have the right, but that does not mean we will attain it. The right to deliverance comes when we receive knowledge and understanding of the promises, and then we enter into those covenant promises by faith. The Bible says in (Heb.4:3) …the works were finished from the foundation of the world. So the only thing remaining is for us to enter into those works through faith. It also says in (Heb.4:2) …but the word of hearing did not profit them (the Jews), because it was not united by faith with them that heard. When the Israelites were supposed to conquer their Promised Land, all they needed to do was what Joshua and Caleb did; they believed the Word of God. Ten of the twelve spies who came back did not believe the Word of God. They believed only what they saw, felt, and heard, and those were the things they confessed. They did not enter into the Promised Land because they brought back a bad report. Let's read that. (Num.13:25) And they returned from spying out the land at the end of forty days. (26) And they went and came to Moses, and to Aaron, and to all the congregation of the children of Israel, unto the wilderness of Paran, to Kadesh; and brought back word unto them, and unto all the congregation, and showed them the fruit of the land. (27) And they told him, and said, We came unto the land whither thou sentest us; and surely it floweth with milk and honey; and this is the fruit of it. (28) Howbeit the people that dwell in the land are strong, and the cities are fortified, and very great: and moreover we saw the children of Anak there. (29) Amalek dwelleth in the land of the South: and the Hittite, and the Jebusite, and the Amorite, dwell in the hill-country; and the Canaanite dwelleth by the sea, and along by the side of the Jordan. (30) And Caleb stilled the people before Moses, and said, Let us go up at once, and possess it; for we are well able to overcome it. (31) But the men that went up with him said, We are not able to go up against the people; for they are stronger than we. (32) And they brought up an evil report of the land which they had spied out unto the children of Israel, saying, The land, through which we have gone to spy it out, is a land that eateth up the inhabitants thereof; and all the people that we saw in it are men of great stature.  (33) And there we saw the Nephilim, the sons of Anak, who come of the Nephilim: and we were in our own sight as grasshoppers, and so we were in their sight. (Num.14:1) And all the congregation lifted up their voice, and cried; and the people wept that night. This is also a type and shadow. There are ministers today who do not believe that we can be holy. They do not believe we can overcome sin and the devil. God wants to lead us through our Promised Land or Land of Promise to come against our enemies and conquer them all. But you have no authority to cast a demon out of a person who is full of bitterness, unforgiveness, anger, and resentment. You'll waste a lot of breath trying to deliver these people because, without true repentance, they can come back. And you do not know the tormentors; you just know that they are demons. They could be demons of spiritual infirmities or they could be unclean spirits. Anyone wanting to help in the ministry of deliverance should first be filled with the Holy Spirit. We need this gift, and a person who is not filled with the Holy Spirit has no business in any deliverance ministry. In the days of the first disciples, all of them were filled with the Holy Spirit, and they would make sure other disciples were also filled with the Holy Spirit. (Act.19:1) And it came to pass, that, while Apollos was at Corinth, Paul having passed through the upper country came to Ephesus, and found certain disciples: (2) and he said unto them, Did ye receive the Holy Spirit when ye believed? And they [said] unto him, Nay, we did not so much as hear whether the Holy Spirit was [given]. (3) And he said, Into what then were ye baptized? And they said, Into John's baptism. (4) And Paul said, John baptized with the baptism of repentance, saying unto the people that they should believe on him that should come after him, that is, on Jesus. (5) And when they heard this, they were baptized into the name of the Lord Jesus. The Holy Spirit is God's authority to know what is going on in people. We are to live under the law of the Spirit (Romans 7:6,8:2,4; etc.). The Old Testament Law, all those rules and regulations, was given to Israel because they did not have the Spirit of God, and so they didn't know what to do when they got into such-and-such a situation. It does not work that way in the New Testament because we have the Holy Spirit to lead us. (Gal.5:18) But if ye are led by the Spirit, ye are not under the law. He guides us in the ministry of deliverance from lusts of the flesh and demons that rule over the lusts of the flesh. The most common reason why people don't get delivered from demons is because they are not right with their brother, and what often happens is that not being right with their brother does not get revealed. Jesus tells us to make things right with our brother before we bring our gift before the altar; otherwise, He will turn you over to the jailer and the jailer will throw you into prison. That “jailer” is the devil. (Mat.5:23) If therefore thou art offering thy gift at the altar, and there rememberest that thy brother hath aught against thee, (24) leave there thy gift before the altar, and go thy way, first be reconciled to thy brother, and then come and offer thy gift. (25) Agree with thine adversary quickly, while thou art with him in the way; lest haply the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison. Jesus came to set the captives free. That is what we were, but that is not what we are now supposed to be. We were captive to the lusts of the flesh, representing the old man of the land, who seems like a giant to us, and were captive to the devil. We were in prison, having no hope without God. In Luke 4, Jesus was quoting from Isaiah, (Isa.61:1) The Spirit of the Lord is upon me; because the Lord hath anointed me to preach good tidings unto the meek; he hath sent me to bind up the broken-hearted, to proclaim liberty to the captives, and the opening [of the prison] to them that are bound… Liberty to the captives has been proclaimed, but not everybody is entering into this liberty being cowards before their giant flesh. Our job as ministers of reconciliation is to minister the same thing that Jesus ministered. (2Co.5:18) But all things are of God, who reconciled us to himself through Christ, and gave unto us the ministry of reconciliation. Our job is to proclaim the liberty that was given to us at the Cross. This liberty is deliverance from bondage to the flesh man, and deliverance from the demons that rule over the him. Then Jesus went on in (Luk.4:18) … to proclaim release to the captives, and recovering of the sight to the blind, to set at liberty them that are bruised, (19) to proclaim the acceptable year of the Lord. He did not quote the second part of the sentence in (Isa.61:2) To proclaim the year of the Lord's favor, and the day of vengeance of our God… He only quoted the first half of this verse because the day He was ministering in was the day of the Lord's favor, but in these days we're coming to the second half, “the day of vengeance of our God.” While grace and liberty to the captives are being offered, to the extent that we will humble ourselves to the Word is the extent we can enter into it. The Bible says in (Rev.22:18) I testify unto every man that heareth the words of the prophecy of this book, if any man shall add unto them, God shall add unto him the plagues which are written in this book: (19) and if any man shall take away from the words of the book of this prophecy, God shall take away his part from the tree of life, and out of the holy city, which are written in this book. Even though we have authority to cast out demons, there won't be anything lasting you can do for a person who is adding to or taking away from the Word. If you think you are going to deliver them from that curse, then you're deceived, and you haven't read Deuteronomy 28 for yourself. So that person should fill themselves with the Word to keep their gift. It was not the devil who put the curse on this earth; it was God. He sent the curse because of man's rebellion. The curse is designed to motivate us to run to the Cross and to make us run to Jesus Christ, Who has the only antidote for the curse. The world likes to deceive us into thinking they can solve our curses for us, but it's not possible. All the world can do is just shove the curse around without solving a thing, and they're about to see the truth of that now. For example, diseases they thought they had wiped out are coming back, and they're coming back stronger than ever because of man's intervention. And mans so called cure is killing a lot of people.  You see, it's not possible to destroy a curse that God has put out there, but He also sent Jesus Christ to deliver us from that curse when we repent. God is so merciful that He sent the curse to turn us away from the wrath of hell. The devil will laugh at you when you want to deliver somebody who has not repented. It's a waste of breath and time, and I know because I've tried to do it. When you have people who have not repented, it doesn't matter that they call themselves “Christians.” It makes no difference, lasting deliverance from the curse comes by repentance, faith, and obedience. There's no way we can get around that.  Jesus said, (Mat.28:18)… All authority hath been given unto me in heaven and on earth. This does not leave anything for the devil if it is not given to him, since Jesus delegated His authority to us when He said, (Mat.18:18) Verily I say unto you, what things soever ye shall bind on earth shall be bound in heaven; and what things soever ye shall loose on earth shall be loosed in heaven. That was delegating authority to us; so how is it then that the devil gets his authority? He gets it from us. When we walk out from under the Blood and walk in the flesh, submitting to demon spirits, we give the devil authority. The only way to take away his authority in that case is through repentance and faith that Christ delivered us. The apostle Paul, by the Holy Spirit, turned a man over to Satan (1Co.5:5) to deliver such a one unto Satan for the destruction of the flesh so that the spirit may be saved in the day of the Lord Jesus. Again, you cannot get around this. If you had come to that man after Paul had turned him over to the devil, thinking to cast out all of the demons from him, you would have been deceived because those demons will literally play with you. Sometimes they'll act as if they are gone, and sometimes they will even come out, but they will not be gone for long. When you turn your head, they're right back, and if you ask them, “Hey, what are you doing? I thought I cast you out of there!” They'll tell you, “No, we have a right to be here. They want us to be here.” Or, “They invited us to be here.” I've actually heard demons say that. The demons know when they have a right, and you'll be wasting your time because they'll just deceive you. What does the Bible say will happen if you cast demons out of a person who does not repent? They may come back seven times worse. (Mat.12:43) But the unclean spirit, when he is gone out of the man, passeth through waterless places, seeking rest, and findeth it not. (44) Then he saith, I will return into my house whence I came out; and when he is come, he findeth it empty, swept, and garnished. (45) Then goeth he, and taketh with himself seven other spirits more evil than himself, and they enter in and dwell there: and the last state of that man becometh worse than the first. Even so shall it be also unto this evil generation. These were apostate covenant people. Mere flesh can be dealt with by repentance and faith, but sometimes you find that even when you exercise repentance and faith, you are still not having success. That's because demonic oppression or possession is a compelling bondage that goes beyond just mere flesh. It is still repentance and faith that gets rid of the bondage of a demon spirit, but first you have to take away the “stink” that brings them. The “stink” arises when someone is giving in to the flesh or sin. “Flies” represent demons, and the “flies” come to the stink. Beelzebub, the devil, is known as the “Lord of the Flies.” Scripture calls him “Beelzebub the prince of the demons.” (Mat.12:24) But when the Pharisees heard it, they said, This man doth not cast out demons, but by Beelzebub the prince of the demons. As long as you have the stink, the flies will come because they have a right to come. If you repent of the stink and get rid of the stink, that will cast out the demon or demons, and they won't be able to come back. Most deliverance happens when people do not have the foggiest idea that they have ever been delivered of anything. A lot of deliverance happens when people get saved. By the depth of their commitment to Christ, they are delivered of many demon spirits. I, and others close to me, have had demons from which we were delivered. We mentioned a man whom Paul turned over to Satan in 1 Corinthians 5:5. Did you know this man was a Christian? So what was it that caused him to be delivered over to Satan? It was the lusts of his flesh. You are protected if you walk under the Blood of Jesus Christ, but willful disobedience is not under the Blood. The Bible warns in (Heb.10:26) For if we sin wilfully after that we have received the knowledge of the truth, there remaineth no more a sacrifice for sins, (27) but a certain fearful expectation of judgment, and a fierceness of fire which shall devour the adversaries. Willful disobedience brings judgment by the “tormentors,” who are demons. (Matthew 18:34) And his lord was wroth, and delivered him to the tormentors, till he should pay all that was due. Demons can bring forth sickness and corruption of all kinds. When Jesus cast out demons, who was receiving that deliverance? Well, what did Jesus say? (Mat.15:24) … I was not sent but unto the lost sheep of the house of Israel. It was not the Canaanites who lived around them; it was the Israelites, the people who had God's Covenant promise. Jesus said that casting out demons is for God's children. He did not cast demons out of the world, because deliverance is the “children's bread” (Mark 7:27). This makes it clear that the Covenant people were the only people out of whom Jesus was casting demons. Deliverance is what God has provided for His children. The world is not in covenant with God, and they have no right to deliverance, healing, or any of the promises of the New Covenant, nor the blessings of the New Testament. If it is the “children's bread,” then it is not to be given to the world; however, Jesus had to have been awed at the Syrophoenician woman's great faith. Since He was right on the edge of a new covenant, He counted her as a believer and He gave her what she asked. (Mar.7:26) Now the woman was a Greek, a Syrophoenician by race. And she besought him that he would cast forth the demon out of her daughter. (27) And he said unto her, Let the children first be filled: for it is not meet to take the children's bread and cast it to the dogs. (28) But she answered and saith unto him, Yea, Lord; even the dogs under the table eat of the children's crumbs. (29) And he said unto her, For this saying go thy way; the demon is gone out of thy daughter. The Bible says, (Rom.1:16) For I am not ashamed of the gospel: for it is the power of God unto salvation to every one that believeth; to the Jew first, and also to the Greek. You see, there's a condition in the Gospel that has to be met in order to receive deliverance, healing, soul salvation, and so forth, and that condition is believing what the Gospel says. You may ask, “Does God ever cast a demon out of somebody who does not believe or even think because they are totally possessed?” Yes, He does, but it's usually because they are among the elect and will later believe, like with the demoniac of the tombs (Mark 5:1-20; Matthew 8:28-34; Luke 8:26-39). Sometimes they are oppressing others who have a right to peace. In most cases it takes repentance and belief in order to get deliverance. (Mat.8:16) And when even was come, they brought unto him many possessed with demons: and he cast out the spirits with a word, and healed all that were sick: (17) that it might be fulfilled which was spoken through Isaiah the prophet, saying: Himself took our infirmities, and bare our diseases. This word “our” is talking about us. Christians spoke and wrote these words. Jesus took the curse from us. Did He bear the curse for the world? Yes, but it is ultimately to “whosoever will” (Matthew 16:25; Mark 8:34; Revelation 22:17; etc.) Who is “whosoever will?” The Bible says, (Joh.6:44) No man can come to me, except the Father that sent me draw him… The elect will; this is absolutely clear. The elect are those who bear fruit and were chosen before the foundation of the world, as the Bible says. (Eph.1:3) Blessed be the God and Father of our Lord Jesus Christ, who hath blessed us with every spiritual blessing in the heavenly [places] in Christ: (4) even as he chose us in him before the foundation of the world, that we should be holy and without blemish before him in love: (5) having foreordained us unto adoption as sons through Jesus Christ unto himself, according to the good pleasure of his will, (6) to the praise of the glory of his grace, which he freely bestowed on us in the Beloved: (7) in whom we have our redemption through his blood, the forgiveness of our trespasses, according to the riches of his grace, (8) which he made to abound toward us in all wisdom and prudence, (9) making known unto us the mystery of his will, according to his good pleasure which he purposed in him (10) unto a dispensation of the fulness of the times, to sum up all things in Christ, the things in the heavens, and the things upon the earth; in him, [I say,] (11) in whom also we were made a heritage, having been foreordained according to the purpose of him who worketh all things after the counsel of his will; (12) to the end that we should be unto the praise of his glory, we who had before hoped in Christ: (13) in whom ye also, having heard the word of the truth, the gospel of your salvation,-- in whom, having also believed, ye were sealed with the Holy Spirit of promise, (14) which is an earnest (down payment) of our inheritance, unto the redemption of [God's] own possession, unto the praise of his glory. The “elect” are the overcomers who will be standing at the end of their time of testing (Romans 12:21; 1 John 5:4; Revelation 2:7,11,17,26-28; 3:5,12,21; etc.). Many of the called will not, but the elect will have gotten what Jesus was talking about here because the elect are those who bear fruit. (Mat.22:14) For many are called, but few chosen. The Greek word here for “chosen” is the same word for “elect,” eklektos. Many are the called, as we see from when God called the Israelites out of Egypt (Exodus 3:10; Hosea 11:1-7). He said in (Mat.2:15) … Out of Egypt did I call my son. He also said in (Jud.1:5) Now I desire to put you in remembrance, though ye know all things once for all, that the Lord, having saved a people out of the land of Egypt, afterward destroyed them that believed not. You see, “calling” is not “election”; “calling” is on the way to election. “Calling” just means “an invitation,” from the Greek word klētos, “to invite.” Jesus has invited us to partake of the Body and Blood of Christ. If we do this, we will not have any problem bearing fruit. 2Pe 1:10  Wherefore, brethren, give the more diligence to make your calling and election sure: for if ye do these things, ye shall never stumble:  The Bible says, (2Co.7:1) Having therefore these promises, beloved, let us cleanse ourselves from all defilement of flesh and spirit, perfecting holiness in the fear of God. So you may be wondering how a Christian can have a demon and the Holy Spirit at the same time. It's simple; let me explain. The body is a temple. (1Co.6:19) Or know ye not that your body is a temple of the Holy Spirit which is in you, which ye have from God? and ye are not your own; (20) for ye were bought with a price: glorify God therefore in your body. The ancient manuscripts say, “a temple of the Holy Spirit” because the Temple was threefold (Exodus chapters 25-27). It had an outer court, a holy place, and the Holy of Holies, and the outer court was called the “Court of the Gentiles” (Revelation 11:2). Were Gentiles holy? No, and we have proof from Old Testament examples that evil people did come into the outer court. They even laid hands on the horns of the altar to receive mercy (1 Kings 1:50; 2 Chronicles 23:12;15; Matthew 23:35), and sometimes they found mercy and other times they did not. So we see that evil could come into the outer court, but it could not come into the Holy of Holies. Some people like to say that the Spirit of God will not dwell in an unclean temple. If you're talking about the flesh, the flesh is unclean and it's also the enemy of God. (Rom.8:6) For the mind of the flesh is death; but the mind of the Spirit is life and peace: (7) because the mind of the flesh is enmity against God; for it is not subject to the law of God, neither indeed can it be: (8) and they that are in the flesh cannot please God. In fact, when the Bible talks about the lusts of the flesh, those lusts have the same nature as the demons do because the flesh is unclean and it's not going to inherit the Kingdom of Heaven. (1Co.15:50) Now this I say, brethren, that flesh and blood cannot inherit the kingdom of God; neither doth corruption inherit incorruption. Only the “High Priest” Jesus, and the Holy Spirit, dwells in your “Holy of Holies,” your spirit. The demons do not enter into the spirit. Except for the High Priest, anybody who came into the Holy of Holies was struck dead. (Lev.16:2) And the Lord said unto Moses, Speak unto Aaron thy brother, that he come not at all times into the holy place within the veil, before the mercy-seat which is upon the ark; that he die not: for I will appear in the cloud upon the mercy-seat. No evil could go into the Holy of Holies because that was the place of only the High Priest. The Holy Spirit is not dwelling in an unclean temple when He dwells in your spirit. Your spirit is clean. He has to give you a new spirit before He can even come and dwell there. You need to be born again before He can come and dwell in that spirit. (Gal.4:6) And because ye are sons, God sent forth the Spirit of his Son into our hearts, crying, Abba, Father. Demons come into the flesh with the desire to possess your soul, which is your mind, will, and emotions. The Lord comes into your spirit with the desire to possess your soul. The warfare is between spirit and flesh; God and demons seek to possess the soul. (Act.10:38) Even Jesus of Nazareth, how God anointed him with the Holy Spirit and with power: who went about doing good, and healing all that were oppressed of the devil; for God was with him. We've been lied to about the supposed difference between “possession” and “oppression.” “Possession” is when the demon is reaching out of the flesh and into the soul, taking control of the mind, the actions, and the character of the person. If you've ever seen a schizophrenic, where one moment they are given over to the lusts of the flesh, and the next minute they seem to straighten right back up. Is that person possessed or not? They are possessed when that happens and they are not possessed when the demon backs off. The demon is still in them; he hasn't gone anywhere. All he's done is just back out of the soul into the flesh, becoming dormant, and he remains there until the next time he wants to take control. The Holy Spirit is the same way. Just because you have the Holy Spirit does not mean you are being led by the Holy Spirit. Having the Holy Spirit is not even going to save you! (Rom.8:14) For as many as are led by the Spirit of God, these are sons of God. You can have the Holy Spirit, but not be led by Him, and it's the same with demons. You can have demons, without the demons being in control. We should desire to give possession of this “land” to the spiritual man (Hebrews 6:4-8). God, through the Spirit, gives our spiritual man the power to possess our soul. When you walk after the flesh, the Bible says you must die. (Rom.8:13) For if ye live after the flesh, ye must die; but if by the Spirit ye put to death the deeds of the body, ye shall live. When you walk after the flesh, you permit the demon's power to reach into your soul to take control of your thinking, actions, and character, your very nature. In the world they call this “schizophrenia,” but it's demon possession. There is only one nature that is the “real you”. The demons like to come into Christians and impart their own thoughts to deceive them into thinking that this is their nature. The demons give themselves up to the lusts of the flesh and then rule the Christians by speaking in their minds and blending into their characters so that they do not even know that it is them. Christians think it's themselves, but those demons can be forced to manifest by the Authority of God. Some of you may have heard or seen the Gospel being preached and demons manifesting in Christians. They are forced to manifest because they hate the Gospel. They hate tongues and they hate the Blood of Jesus. They hate all things that are Godly. If you learn the things that they hate, those are your best weapons against them. Some of you have already found out that these demons can hide in you very tactfully, convincing you that their thinking is your thinking. Thoughts coming through your mind might seem to be yours, but when forced to manifest by the Word of God, you realize they're coming from a demon. Where the Word of God is tormenting these demons, they will manifest, and this is exactly what happened in Jesus' Presence. The Word of God forced them to manifest. (Mat.8:28) And when he was come to the other side into the country of the Gadarenes, there met him two possessed with demons, coming forth out of the tombs, exceeding fierce, so that no man could pass by that way. (29) And behold, they cried out, saying, What have we to do with thee, thou Son of God? art thou come hither to torment us before the time? If you have a repentant person and you command these demons to give their name and to manifest in some way, they will do it. If they have never been commanded to manifest, you may have never actually felt their presence. When they are commanded to do so, they will literally speak out of a person and give their name, but they'll also argue with you and lie to you. They will do all the things that demons like to do. Now it's helpful to have other people alongside, but you can deliver yourself because we have that authority. (2Co.7:1) Having therefore these promises, beloved, let us cleanse ourselves from all defilement of flesh and spirit, perfecting holiness in the fear of God. If you suspect something is more than just flesh, then exercise your authority and command those demons to go. Sometimes they will speak in your mind, or you'll get their name in your mind. Sometimes their names will come right out of the person's mouth. Many times, a strong, compelling desire turns out to be a demon, not the flesh, but the devil wants you to think that it is only flesh. We are in the process, called “sanctification,” of being delivered of two things: defilement of flesh and spirit (2 Corinthians 7:1). But is your spirit defiled? If you are a Christian, the Holy Spirit comes to dwell in a new, clean spirit Who is called the Spirit of Christ in you. (Gal.4:6) And because ye are sons, God sent forth the Spirit of his Son into our hearts, crying, Abba, Father. This is a Christian. God says, (Eze.36:26) A new heart also will I give you, and a new spirit will I put within you; and I will take away the stony heart out of your flesh, and I will give you a heart of flesh. 27  And I will put my Spirit within you, and cause you to walk in my statutes… Notice, a “new spirit” and then “My Spirit” or the Holy Spirit. You do not have a defiled spirit, so why does Scripture say to Christians, “let us cleanse ourselves from all defilement of flesh and spirit”? It's because this defilement of spirit is talking about the defilement of you by demon spirits. This is not talking about the defilement of your spirit because your spirit is the only part of you that is totally white and clean. If it is not, you are not a Christian. The defilement that we have the authority to get rid of is the defilement of our souls by the flesh and evil spirits. Do you know what “self” is in the Bible? It is a synonymous term for the word “soul.” One Gospel will say “self” and another Gospel will say “soul” in a same text in another Gospel. “Self” and “soul” are the same. We want to be delivered of all defilement of our soul by both flesh and spirits. (Col.3:5) Put to death therefore your members which are upon the earth: fornication, uncleanness, passion, evil desire, and covetousness, which is idolatry; (6) for which things' sake cometh the wrath of God upon the sons of disobedience: (7) wherein ye also once walked, when ye lived in these things; (8) but now do ye also put them all away: anger, wrath, malice, railing, shameful speaking out of your mouth: (9) lie not one to another; seeing that ye have put off the old man with his doings, (10) and have put on the new man, that is being renewed unto knowledge after the image of him that created him. The Bible tells us in (Eph.4:27) Neither give place to the devil. The Greek word “place” there is a geographic term meaning “region” or “area.” This is the exact thing God talked about when He was cleansing the Promised Land from the pagan tribes that controlled it. (Deu.7:1) When the Lord thy God shall bring thee into the land whither thou goest to possess it, and shall cast out many nations before thee, the Hittite, and the Girgashite, and the Amorite, and the Canaanite, and the Perizzite, and the Hivite, and the Jebusite, seven nations greater and mightier than thou… All these “ites” had their demonic “gods” (Deuteronomy 32:17). If you leave a place for the lusts of the flesh to live in your land, you are going to sin because they will make you sin, so we are not to leave them any place in our land. (Deu.7:2) And when the Lord thy God shall deliver them up before thee, and thou shalt smite them; then thou shalt utterly destroy them: thou shalt make no covenant with them, nor show mercy unto them; (3) neither shalt thou make marriages with them; thy daughter thou shalt not give unto his son, nor his daughter shalt thou take unto thy son. (4) For he will turn away thy son from following me, that they may serve other gods: so will the anger of the Lord be kindled against you, and he will destroy thee quickly. When Jesus delivered the woman with a “spirit of infirmity” in (Luke 13:11), He said in (Luk.13:16) And ought not this woman, being a daughter of Abraham, whom Satan had bound, lo, [these] eighteen years, to have been loosed from this bond on the day of the sabbath? Jesus called this woman a “daughter of Abraham,” and you might think, “Well, He's just talking about Jews,” yet Jesus never called the literal, physical Jews “daughters and sons of Abraham.” These Jewish leaders and their followers were professing Abraham to be their father, but Jesus totally disagreed with them because a daughter or son of Abraham, like the woman He loosed, is someone who is truly in covenant with God. (Joh.8:38) I speak the things which I have seen with [my] Father: and ye also do the things which ye heard from [your] father. (39) They answered and said unto him, Our father is Abraham. Jesus saith unto them, If ye were Abraham's children, ye would do the works of Abraham. Here's the point: “Ye would do the works of Abraham.” (Joh.8:40) But now ye seek to kill me, a man that hath told you the truth, which I heard from God: this did not Abraham. (41) Ye do the works of your father. They said unto him, We were not born of fornication; we have one Father, [even] God. (42) Jesus said unto them, If God were your Father, ye would love me: for I came forth and am come from God; for neither have I come of myself, but he sent me. (43) Why do ye not understand my speech? [Even] because ye cannot hear my word. (44) Ye are of [your] father the devil, and the lusts of your father it is your will to do. He was a murderer from the beginning, and standeth not in the truth, because there is no truth in him. When he speaketh a lie, he speaketh of his own: for he is a liar, and the father thereof. Paul said the same thing; he said that people who walk by faith are the sons of Abraham. (Gal.3:7) Know therefore that they that are of faith, the same are sons of Abraham. Jesus never disagreed with this. This woman who was loosed, got her deliverance because she was a daughter of Abraham. The people who were coming to Jesus were Covenant people, just as we are Covenant people. They had the right of the Covenant and therefore they got healing and deliverance from God. We are proving ourselves through this “trial in the wilderness,” through the things that we're going through, to be either sons of Abraham or sons of the devil. The Bible says in (1Jn.2:6) He that saith he abideth in him ought himself also to walk even as he walked. Sons of the devil in the world have no Covenant rights, and you're just casting the children's bread to the dogs when you try to deliver an unrepentant person (Mark 7:27). You'll have the same problem, too, if you're trying to give deliverance to a Christian who is unrepentant. We are proving who are overcomers, those who truly belong to Christ. They are going to be the ones who are proven to be the Elect of God (Philippians 2:12; 2 Peter 1:10). We can prove ourselves just as much sons of the devil by our actions as these people proved themselves sons of the devil by their actions. Jesus pointed out to them, “No, if you were of your father Abraham, you would do the works of Abraham!” Amen.

Millions of tourists flock to London each year, eager to snap a selfie in front of Buckingham Palace or Big Ben. But beyond the crowds lies a darker – and distinctly stranger – side to the city: a gothic metropolis haunted by tales of demons, poltergeists and murders most foul. Jon Bauckham talks to author and historian Clive Bloom about some of the capital's spookiest stories, and why he believes that the eeriest encounters tend to unfold in the most mundane of places. (Ad) Clive Bloom is the author of London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Flondon-uncanny%2Fclive-bloom%2F9781350424036. From the terror of being strangled by violent thieves to tales that the sewers were infested with a squealing band of pigs, 19th-century Londoners spent much of their time living in fear. Here, Emma Butcher and Tim Blythe reveal what seven such scare-mongering stories can tell us about the psyche of the capital: https://www.historyextra.com/membership/victorian-london-dangers-what-was-life-like/. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On 11 September 1951, the 9.55am train from Prague to Aš, in Communist Czechoslovakia was hijacked and driven to freedom in West Germany. One hundred and eleven people were on board and 34 of them never returned, starting new lives on the other side of the Iron Curtain.The remaining 77 returned to Czechoslovakia to face state security, the Státní bezpečnost, and many were jailed.Rachel Naylor uses an archive interview with Karel Ruml, one of the hijackers, who went on to move to the United States.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A steam train in Czechoslovakia in 1960. Credit: Alamy)

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

In 1949, the Gratitude Train arrived in the United States, made up of 49 wagons filled with thousands of gifts from France.The convoy was a thank-you to American families who'd sent food and supplies across the Atlantic, via a ‘friendship train' in the aftermath of World War Two.It was the idea of a French railworker called Andre Picard. In the same spirit as the friendship train, he asked families across France to make donations.The response was 52,000 gifts that filled 49 rail wagons or ‘boxcars', one for each US state, and to be distributed to American families. Some donations were valuable; a carriage used by King Louis XV. Others were handmade; a knitted scarf or a child's painting.June Cutchins tells Jane Wilkinson about the treasure her family received from the Florida boxcar.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Gratitude train boxcar unloaded in New York, 1949. Credit: Bettmann/Getty Images)

Ronnie Phillips is the Lead Pastor at Abba's House in Chattanooga, TN and founder of Ronnie Phillips Ministries International.   ronniephillips.org

In today's episode about the power of bad ideas, David talks to historian and podcaster Dan Snow about the myth that wars are settled on the battlefield. Why are we so drawn to the idea of the decisive military showdown? Is Napoleon to blame? What are the forces that actually settle military conflicts? Plus: were Abba really so wrong that Waterloo won the war? Out tomorrow: A bonus episode in which David and Dan explore a range of battles to see what got settled and what didn't: Yarmuk, Hastings, Agincourt, Trafalgar, Warsaw 1920, Stalingrad. To get this and all our bonus episodes plus ad-free listening sign up now to PPF+ https://www.ppfideas.com/join-ppf-plus Next time on The History of Bad Ideas: Charisma Learn more about your ad choices. Visit podcastchoices.com/adchoices

When the Holy Spirit indwells us, one of our first and highest privileges is to address God as “Abba! Father” (Rom. 8:15). Today, Sinclair Ferguson expresses the joy of becoming an adopted child of God by the Spirit's power. Read the transcript: https://ligonier.org/podcasts/things-unseen-with-sinclair-ferguson/the-spirit-of-the-father/ A donor-supported outreach of Ligonier Ministries. Donate: https://donate.ligonier.org/ Explore all of our podcasts: https://www.ligonier.org/podcasts

It's 50 years since the original Jaws film was released in cinemas across America. The movie premiered on 20 June 1975. Directed by a young Steven Spielberg, who was relatively unknown at the time, it was considered Hollywood's pioneering summer blockbuster. The thriller broke records by becoming the first movie to gross over $100 million at the US box office and made millions of people afraid to go into the water. Carl Gottlieb, who co-wrote the screenplay, looks back at guiding the chaotic production into cinematic history. Produced and presented by Megan Jones. With movie excerpts from the 1975 film which was a Universal Picture, a Zanuck/Brown production and directed by Steven Spielberg. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A scene from the movie. Credit: Screen Archives/Getty Images)

On 28 June 1919, in the Palace of Versailles in Paris the signing of the Treaty of Versailles took place. It was a peace agreement that marked the end of World War One.The terms of the treaty punished Germany for their involvement in starting the war. British journalist, William Norman Ewer attended the signing. He told his story to the BBC World Service in 1967. He recalls the moment of the signing and the treatment of the German delegates in this fascinating account.Produced and presented by Gill Kearsley. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Treaty of Versailles is signed by Prime Minister Clemenceau. Credit: Photo12/Universal Images Group via Getty Images)

Through exclusive interviews and over a decade of deep research, renowned music journalist Jan Gradvall explores the secrets to ABBA's success. There has never been a group like ABBA. More than half a century after their songs were recorded, ABBA still make people the world over dance and sing their hearts out. In 2013, when the band had not been interviewed for over thirty years, Jan Gradvall was granted unique access to them for the next decade and the result is The Story of ABBA: Melancholy Undercover. Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad all share their personal stories, their thoughts and their opinions about ABBA's music more openly than ever before. Weaving in and out of their story, well-known international music critic Jan Gradvall reveals the context in which their unique sound developed and shows how the story of ABBA is also the story of Sweden and the globalization of pop culture. From their earliest hits in Sweden like "People Need Love" and "Ring, Ring" to their chart-topping international hits like "Dancing Queen," "Gimme, Gimme, Gimme" and "Mama Mia!" to ABBA Voyage - their first album in forty years - and the two-million-ticket-selling eponymous concert-experience in London, it is undeniable that, in the history of pop culture and music, there has never been a group like ABBA. With remarkable intimacy, Gradvall's sensational book brings readers closer than ever to one of the world's most notoriously private groups.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

On 18 June 1964, black and white protesters jumped into a ‘whites only' swimming pool at a motel in St Augustine, in Florida.Photos of the Monson Motor Lodge manager, James Brock, pouring cleaning acid into the pool to get them out, made global headlines.The following day, the Civil Rights Act - a landmark bill to end discrimination which had been stalling in the Senate – was finally passed.Using archive interviews with two of the swimming activists, JT Johnson and Mimi Jones, Vicky Farncombe looks back at this crucial moment in the civil rights movement.This programme includes outdated and offensive language.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Monson Motor Lodge manager, James Brock, pouring cleaning acid into the pool. Credit: Getty Images)

Galatians 3:23a, 24b, 25, 26, 28, 4:1-3a, 4-7 - Now before faith came, … the Law was our guardian … But now … we are no longer under a guardian, for in Christ Jesus you are all sons of God, through faith. For as many of you as were baptized into Christ have put on Christ. There is neither Jew nor Greek, there is neither slave nor free, there is no male and female, for you are all one in Christ Jesus … I mean that the heir, as long as he is a child, is no different from a slave, though he is the owner of everything, but he is under guardians and managers until the date set by his father. In the same way we also, when we were children, were enslaved … But when the fullness of time had come, God sent forth His Son, born of woman, born under the Law, to redeem those who were under the Law, so that we might receive adoption as sons. And because you are sons, God has sent the Spirit of His Son into our hearts, crying, “Abba! Father!” So you are no longer a slave, but a son, and if a son, then an heir through God.

Invité: Jean-Yves Leloup. Qui ne sʹest pas déhanché un jour sur Abba, les Bee Gees ou Donna Summer? Plus de 50 ans après ses débuts, le disco fait toujours danser. Mais quel est son histoire? Sous ses airs hédonistes, pas prise de tête, le disco est-il aussi une musique politique? Quel a été lʹinfluence du disco sur la mode, le design? Tribu reçoit Jean-Yves Leloup, journaliste, DJ et commissaire de lʹexposition "Disco, I'm coming out", à voir à la Philharmonie de Paris jusquʹau 17 août 2025.

On 17 June 2015, white supremacist Dylann Roof attended a bible group at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, in the United States. As it was ending, the 21-year-old started shooting and killed nine people.Polly Sheppard was one of the survivors. She called 911 whilst hiding from Roof. The shootings at the historic African-American church shocked a nation already too used to gun violence. President Barack Obama delivered the eulogy at one of the victim's funerals and spontaneously started singing Amazing Grace. Ten years on since that day, Polly now 80, tells her harrowing story to Uma Doraiswamy.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A memorial outside the Emanuel AME Church. Credit: Brendan Smialowski/AFP via Getty Images)

This past Sunday we had a little fun with some highly scientific Dad Stats:100% of dads think they're hilarious.94% of dads believe duct tape and WD-40 can fix anything.87% of dads are confident they're the “cool parent.”And dads everywhere continue to wage war on lights left on and doors left open with classic lines like: “I'm not paying to heat the whole neighborhood!”We celebrated some amazing fathers—from the youngest and oldest to the one with the most kids. It was beautiful. But beyond the laughs and lawn-mowing glory, we leaned into a powerful truth.There's a concept in physics called the Two-Body Problem—it's about how two objects (like planets or stars) interact with each other through gravity. Under the right conditions, they don't crash or drift apart—they move in beautiful, synchronized orbit.We explored how God and humanity are like those two bodies.We were created for a perfect orbit with our Creator. But sin disrupted that alignment. Our relationship with God was fractured—like two celestial bodies drifting apart.But then Jesus taught us to pray, starting with two words:“Our Father.”Not “Judge.” Not “Creator.” Not “The Distant One.”But Father. Abba.These two words reoriented the cosmos of our hearts. They were more than a phrase—they were the gravitational force that brought God and humanity back into relationship.When God becomes Our Father:We find our identity as sons and daughtersWe belong to a family, not just solo faithWe begin to heal, even if “father” has meant pain beforeIf you missed the message, find a moment to listen—it might be the reminder your heart needs.For more info, you can go to our website, check us out on Instagram, Facebook, or YouTube. If you would like to support STUDIO financially, you can do so here.Have a great week!

In this message, Pastor James explores the profound concept of fatherhood, emphasizing its role in helping us understand God's character and love. He delves into biblical meanings of "Abba" and "Pater" to highlight God as our ultimate provider, source of wisdom, and loving Father.

After the Second World War, in what was then East Germany, or the German Democratic Republic (GDR), tens of thousands of women and girls were forcibly detained and abused in sexual health clinics. In 1977, at the age of 15, Sabine was at a house party in Leipzig when police came for her. She was taken to a so-called ‘Tripperburgen' which translates to ‘gonorrhoea castle'. After 31 days she was told to leave. Research shows at least 10 of these wards existed in the GDR and 70% of the women had not been diagnosed with a sexually transmitted disease. Sabine tells Megan Jones about what happened to her, including being subjected to her first ever gynaecological exam. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Tripperburgen at Riebeckstraße 63. Credit: Fotozentrum Leipzig)

gino and the goons / dance of the goons / gino and the goons cheater slicks / rock n roll / i am low.single b side 2024,professional againsters / our hearts bleed piss for you / our hearts bleed piss for youhis lordship / i fly planes into hurricanes / bored animalsx / good on ya baby / aspirations 1980 austrilianthe real kids / nowadaze kids (demo) / the kids 1974 demola flingue / homicide / boredom with the la flingue  the rivals / here comes the night / if only (1978-1980)..1980 single shauna and the shams /astro zombies/ bad girl (Glen Danzig)private function / art sucks but not as much as you / private functionprivate function / s.o.s. / private function pet mosquito / okie dokie / Pre Apocalypse Motorcylce Music EP  the menstual cramps / make girls feel good / WE'RE NOT OVARYACTING 2017 the owen guns  / had enough / songs about fucking idiots Australia may 2025 Oldschool Hardcore Punkmenace / G.l.c. puppy and the hand jobs / panty raid / I Don't Care About Anything" glitterfast / Japan punk / glitterfast ep lipstick Vibrators / falling down / falling down the bad news / feel blue / Im Down ep mottey63@gmil.com

Pastor Ronnie Phillips & Reid PhillipsRonnie Phillips is the Lead Pastor at Abba's House in Chattanooga, TN and founder of Ronnie Phillips Ministries International.   ronniephillips.org

Romans 8:12-17 ESV  12 So then, brothers, we are debtors, not to the flesh, to live according to the flesh. For if you live according to the flesh you will die, but if by the Spirit you put to death the deeds of the body, you will live. For all who are led by the Spirit of God are sons of God. For you did not receive the spirit of slavery to fall back into fear, but you have received the Spirit of adoption as sons, by whom we cry, “Abba! Father!” The Spirit himself bears witness with our spirit that we are children of God,  and if children, then heirs—heirs of God and fellow heirs with Christ, provided we suffer with him in order that we may also be glorified with him.

En el año 2010, durante una competencia atlética en España, un corredor cayó lesionado a pocos metros de la meta. Se agarró la pierna con dolor y lágrimas. De pronto, desde las gradas, un hombre saltó las vallas, corrió hacia él y lo ayudó a levantarse. Era su padre. Lo abrazó y lo acompañó hasta cruzar la línea final. El público aplaudió de pie. El atleta dijo después: “No gané la medalla… pero crucé con mi papá”. Así también es el amor del Padre celestial. Cuando caemos, no se queda en las gradas. Desciende. Nos levanta. Nos abraza y camina con nosotros hasta el final. El Señor Jesús lo llamó “Abba”, un término íntimo que significa “Papá”. En un mundo con tantas heridas paternales, Dios se presenta como el Padre que no falla, no abandona, no castiga por rencor, sino que disciplina por amor. Por eso, hoy en el Día del Padre, honra a quien te crio, recuerda a quien te formó, y si tu padre ya no está o fue ausente, vuelve tu corazón al único Padre eterno: Dios La Biblia dice en Salmos 103:13: “Como el padre se compadece de los hijos, se compadece Jehová de los que le temen” (RV1960).

Prayer is not about performance, but relationship. Jesus didn't just tell us how to pray. He told us to whom we're praying: our Father. Not a distant figure, but Abba—close, personal, and full of love. Message based on Matthew 6:5-13; 7:7-11.Quotes:Duane Brooks: Jesus wants His Father to be our Father. J.I. Packer: You sum up the whole of the New Testament religion if you describe it as the knowledge of God as one's Holy Father. If you want to judge how well a person understands Christianity, find out how much they make of the thought of being God's child and having God as a father.Bill Gladden: I've got a room. I've got an actual closet. I go into that room. If I wake up, I get up. And if I get up, I pray up.Joy: I want to become a follower of Jesus like my dad.To discover more messages of hope go to tallowood.org/sermons/.Follow us on Instagram, X, and YouTube @tallowoodbc.Follow us on FaceBook @tallowoodbaptist

In this heartfelt Father's Day message titled “Abba,” Bishop John E. Putnam brings us into an intimate understanding of the God who is not only our Creator, but also our loving Father—our Abba. Preaching from Romans 8, Bishop Putnam invites us to go beyond seeing God as a distant figurehead and instead embrace Him as a loving, present, and personal Daddy who walks with us in our trials, our triumphs, and our transformation. With powerful personal stories and deep biblical insight, this sermon reminds us that while God is the Father of all creation, He becomes Abba—our intimate, loving Father—to those who are filled with His Spirit. From childhood memories to spiritual truths, Bishop Putnam delivers a message that resonates with anyone who has ever needed reassurance that their Father in heaven is near, loving, and faithful. Whether you're a dad, have a dad, or need to know the love of the ultimate Father—this message will move you to cry out not in fear, but in trust: “Abba, Father.” To discover more about what it means to walk with your Heavenly Father and what God is doing in Sheboygan County, visit us at posc.church!

15-Jun-2025 Jeff Mazzariello

Abba Ministries is here to serve you!Estamos para servirte!

Singer songwriter Brian Kennedy choses five songs that tell the story of his life. He talked to Dearbhail about growing up in Belfast during the troubles, busking on the streets of London before playing with Van Morrison, Bob Dylan, and Joni Mitchell. His music includes ABBA, U2, and Kate Bush

On 14 June 1985, five politicians met on a boat in the town of Schengen, in Luxembourg, to sign an agreement to get rid of border checks between their countries: Belgium, the Netherlands, Luxembourg, France and West Germany. The Schengen Area now encompasses more than 450 million people and 29 countries in Europe.Rachel Naylor speaks to Robert Goebbels, who was Luxembourg's Secretary of State for Foreign Affairs, and one of the original five signatories. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Catherine Lalumière from France signs the Schengen Agreement, with Robert Goebbels next to her, on the left. Credit: Marcel Mochet / AFP via Getty Images)

"Noch in den 70-er Jahren erlangte eine Popgruppe, die sich nach den Blutgruppen ihrer vier Mitglieder benannte, als ABBA weltweite Berühmtheit." Von Uli Winters.

In 1987 Uunied States President Ronald Reagan spoke at the Berlin Wall. In his speech he called on the leader of the Soviet Union, Mikhail Gorbachev to "Tear down this wall". The famous words were met with applause and cheers by the large crowd of West Berliners who had lived in a divided city since 1961 when the wall was built. However, that phrase was very nearly omitted from the address. The speechwriter, Peter Robinson, tells Tim O'Callaghan what happened.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Ronald Reagan speaking outside the Berlin Wall and Brandenburg Gate in 1987, Credit: MIKE SARGENT/AFP via Getty Images)

Episode Summary: If you’ve ever struggled with relating to God as Father—maybe you’ve been hurt by an earthly father or a church leader and carry a misunderstanding of God’s heart for you-- then this episode is for you. Rev. Jessica Van Roekel and I talk about Relating to God as Father and Understanding God’s Love When Earthly Fathers Fail. Relating to God as Father is vital for a proper understanding and close relationship with the Lord. We can lose sight of who God is when we forget that he is not like us. We are made in his image, not the other way around. Fatherhood is an important aspect of God’s character and when we can relate to God as father it can transform our life. Quotables from the episode: Knowing God as my Father has brought so much comfort to my life. I know many of our listeners and viewers carry deep wounds, and my prayer is that today’s conversation will bring encouragement and hope. Relating to God as Father is essential to experience his comfort and blessings of being his sons and daughters. He gives us mercy, love, forgiveness, compassion, faithfulness, and goodness. When we reject God’s fatherhood, we struggle to experience the comfort he offers to us. Earthly fathers are an imperfect and flawed example, but God is a perfect Father. He always has the best intentions for his children, and he always has the ability to carry them out. Jesus taught that “Father” was the way to address God. “Father” was Jesus’ favorite term for addressing God. In the synoptic Gospels, we count Jesus referencing God as Father approximately sixty-five times and in the book of John, we see it over one hundred times. Because of Jesus’ use of this metaphor, the rest of the New Testament emphasizes the Fatherhood of God. In Paul’s letters, God is described as “Father” over forty times. For Paul, God’s fatherhood is based on the redemption and reconciliation he has made available to everyone through faith in Jesus Christ. There are a lot of misconceptions about the Fatherhood of God that can keep people from relating to him as Father. Let’s take a moment to address some of them. One of the biggest challenges is being hurt by people—fathers or father figures. One of the reasons is we are such sensory beings. We feel so deeply the wounds of betrayal and if we compare God to mankind, there’s no way we could trust him with our heart. But humanity is made in the image of God, not God in humanity’s image. We are a reflection of parts of God. But then sin entered the world and shattered the reflection. It’s like we all have a shattered mirror in our chest, and we can’t see other people clearly or ourselves clearly. This skewed vision impacts how we see God. But his “mirror’ is intact. He is the perfect reflection of a perfect Father because he is our Father. Ephesians 1:5 comforts us, “God decided in advance to adopt us into his own family by bringing us to himself through Jesus Christ. This is what he wanted to do, and it gave him great pleasure.” Another challenge to relating to God as Father is when we misunderstand his discipline. But discipline is an important part of growing and living for him. It not only rebukes and corrects, but it also trains us and guides us. Discipline assures us we are God’s children; Discipline is evidence he loves us and has concern for us to not be condemned by the world, but so we can share in his holiness. It sounds like there are three responses to relating to God as Father through discipline. One response is to shrug it off where we refuse to take it seriously or despise it. The other is to be over-sensitive and withdraw emotionally. These two will cause us to reject God as father. But the one who receives God’s discipline as an act of love will draw closer to God’s Father heart for us. I think it starts with trusting God. God delights in protecting the weak, disadvantaged, oppressed, hurting, and lonely—especially when we trust him. If you feel alone in the world, you can ask God, as your Father in heaven, to put you under his special care. And sometimes, we need to consider how deep our honor and respect for his power, judgment, and intolerance of evil. When we cultivate a deep honor and respect for him, God liberates and motivates us to avoid evil, obey God’s word, and to live with a continual awareness of God’s mercy and nearness. To those who revere him, he gives mercy, love, forgiveness, fatherly compassion, faithfulness, and goodness. The final step we want to share today is to ask the Holy Spirit to create the feeling of filial love that causes us to know God as Father. I love Galatians 4:6, “And because you are sons, God has sent the Spirit of his Son into our hearts, crying, ‘Abba! Father!’” Because we are now God’s children, we have a new “guardian.” We can be free from religious rules or the devastating impact of human failures. Abba is Aramaic for Father and expresses the depth of intimacy, warmth, and confidence by which the Holy Spirit helps us relate to and cry out to God as Father. When we refer to and relate to God as Father, we demonstrate the transforming work of the Holy Spirit in our life. Relating to God as Father has nothing to do with how poorly you’ve been treated but has everything to do with placing your entire trust in God’s love for you. You have the freedom and the right to approach our heavenly Father with the confidence that you will be accepted, welcomed, and loved. Scripture References: Ephesians 1:5 comforts us, “God decided in advance to adopt us into his own family by bringing us to himself through Jesus Christ. This is what he wanted to do, and it gave him great pleasure.” Hebrews 12:6-10 states, “For the Lord disciplines the one he loves, and chastises every son whom he receives. It is for discipline that you must endure. God is treating you as sons. For what son is there whom his father does not discipline? If you are left without discipline, in which all have participated, then you are illegitimate children and not sons. Besides this, we have had earthly fathers who disciplined us, and we respected them. Shall we not much more be subject to the Father of spirits and live? For they disciplined us for a short time as it seemed best to them, but he disciplines us for our good, that we may share in his holiness. For the moment all discipline seems painful rather than pleasant, but later it yields the peaceful fruit of righteousness to those who have been trained by it.” Psalm 68:5-6 reminds us, “Father of the fatherless and protector of widows is God in his holy habitation. God settles the solitary in a home; he leads out the prisoners to prosperity, but the rebellious dwell in a parched land.” Psalm 103:13 teaches us, “as a father shows compassion to his children, so the Lord shows compassion to those who fear him.” Galatians 4:6, “And because you are sons, God has sent the Spirit of his Son into our hearts, crying, ‘Abba! Father!’” Recommended Resources: Reframing Rejection: How Looking Through a Different Lens Changes Everything By Jessica Van Roekel Sacred Scars: Resting in God’s Promise That Your Past Is Not Wasted by Dr. Michelle Bengtson The Hem of His Garment: Reaching Out To God When Pain Overwhelms by Dr. Michelle Bengtson, winner AWSA 2024 Golden Scroll Christian Living Book of the Year and the 2024 Christian Literary Awards Reader’s Choice Award in the Christian Living and Non-Fiction categories YouVersion 5-Day Devotional Reaching Out To God When Pain Overwhelms Today is Going to be a Good Day: 90 Promises from God to Start Your Day Off Right by Dr. Michelle Bengtson, AWSA Member of the Year, winner of the AWSA 2023 Inspirational Gift Book of the Year Award, the 2024 Christian Literary Awards Reader’s Choice Award in the Devotional category, the 2023 Christian Literary Awards Reader’s Choice Award in four categories, and the Christian Literary Awards Henri Award for Devotionals YouVersion Devotional, Today is Going to be a Good Day version 1 YouVersion Devotional, Today is Going to be a Good Day version 2 Revive & Thrive Women’s Online Conference Revive & Thrive Summit 2 Trusting God through Cancer Summit 1 Trusting God through Cancer Summit 2 Breaking Anxiety’s Grip: How to Reclaim the Peace God Promises by Dr. Michelle Bengtson, winner of the AWSA 2020 Best Christian Living Book First Place, the first place winner for the Best Christian Living Book, the 2020 Carolina Christian Writer’s Conference Contest winner for nonfiction, and winner of the 2021 Christian Literary Award’s Reader’s Choice Award in all four categories for which it was nominated (Non-Fiction Victorious Living, Christian Living Day By Day, Inspirational Breaking Free and Testimonial Justified by Grace categories.) YouVersion Bible Reading Plan for Breaking Anxiety’s Grip Breaking Anxiety’s Grip Free Study Guide Free PDF Resource: How to Fight Fearful/Anxious Thoughts and Win Hope Prevails: Insights from a Doctor’s Personal Journey Through Depression by Dr. Michelle Bengtson, winner of the Christian Literary Award Henri and Reader’s Choice Award Hope Prevails Bible Study by Dr. Michelle Bengtson, winner of the Christian Literary Award Reader’s Choice Award Free Webinar: Help for When You’re Feeling Blue Social Media Links for Host and Guest: Connect with Jessica Van Roekel: Website / Instagram / Facebook For more hope, stay connected with Dr. Bengtson at: Order Book Sacred Scars / Order Book The Hem of His Garment / Order Book Today is Going to be a Good Day / Order Book Breaking Anxiety’s Grip / Order Book Hope Prevails / Website / Blog / Facebook / Twitter (@DrMBengtson) / LinkedIn / Instagram / Pinterest / YouTube / Podcast on Apple Co-Host: Jessica Van Roekel is a worship leader, speaker, and writer who believes that through Jesus, personal histories don’t need to define the present or determine the future. She inspires, encourages, and equips others to look at life through the lenses of hope, trust, and God’s transforming grace. Jessica lives in rural Iowa surrounded by wide open spaces which remind her of God’s expansive love. She loves fun earrings, good coffee, and connecting with others. Hosted By: Dr. Michelle Bengtson Audio Technical Support: Bryce Bengtson Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

“Calling me a historian is a little generous.” In this episode, your hosts Martyr (@dragthemartyr) and Cate (@ctepper) celebrate the first episode of their 2025 Pride series with NY Drag's Intrusive Thot, Bertha Vanayshun! First they discuss producing “Drag History Hour,” DL trade, video games, ABBA, and Lady Gaga. Later they talk about RuPaul, The Sims, Snapchat, and give their hot takes! + Follow our guest: @BerthaVNYC on all social media + Catch up with the first time Bertha came to the show: https://pod.link/1460638348/episode/aa44eba318458921afea768d751b6b6f ~ tinyurl.com/wiggingoutpodcast This episode is proudly sponsored by MOTTO- the new queer dating app! Tired of the endless scrolling? With Motto, Motto sends you daily matches of people who match your interests and kinks. There are no fees, no ads, and no nonsense. Use invite code: ZVOGS when signing up. ~ Follow the pod on Instagram and Facebook @wiggingoutpodcast and on twitter @wiggingoutpod Thots, comments, and dick pics? Please send to dragthemartyr@gmail.com Cover art: Madeline De Michele - www.madelinedemichele.com Music: “Club” by Andrew Huang (www.youtube.com/channel/UCdcemy56JtVTrsFIOoqvV8g) under Creative Commons. Edits by C.Tepper

Claire in Urchfont, Wiltshire and Lee in Clitheroe go head-to-head in the mighty quiz!

In 2012, Lonesome George, the last tortoise of his species died.George, from from Ecuador's Galapagos Islands in the Pacific Ocean, was a global symbol of conservation and brought to the attention of the world the reality of extinction.James Gibbs, vice president of science and conservation at the Galapagos conservancy knew George well. He looked after the tortoise in life, and in death. James says: “You know, moving Lonesome George across the islands by truck, people were asking, what's in the box? I said it's Lonesome George and people were crying and it was just very moving".He tells Gill Kearsley how time ran out for Lonesome George and about the legacy he left.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Lonesome George. Credit: Rodrigo Buendia /AFP via Getty Images)

Help MuggleCast grow! Become a MuggleCast Member and get great benefits like Bonus MuggleCast! Patreon.com/MuggleCast  Grab official merch! MuggleCastMerch.com Pick up overstock merch from years past, including our 19th Anniversary Shirt! MuggleMillennial.Etsy.com This week Chapter-by-Chapter returns, and so does our guest! Professor Julian Wamble, who we first had on our show back in 2023 on MuggleCast #619, once more graces us with his presence as we discuss Chapter 28 of Order of the Phoenix, "Snape's Worst Memory." Julian teaches Political Science at George Washington University, and his podcast Critical Magic Theory as well as Instagram and TikTok content are worth checking out! Welcome back to the show, Professor Julian Wamble! News: Tom Felton to reprise his role as Draco Malfoy, in New York's production of Cursed Child! Chapter-by-Chapter returns with Chapter 28 of Order of the Phoenix, "Snape's Worst Memory." Our Time Turner segment takes us back to Episode 465 of MuggleCast, titled "How I Met Your Mother." How are we going to top that title on *this* re-read? (Speaking of reading, here is that episode's transcript.) Umbridge's ascent to headmistress of Hogwarts has some classic authoritarian playbook strategies. The hosts dissect. Is the appointment of the Inquisitorial Squad merely a natural response to the thought that Dumbledore was raising an army? Andrew explains. We look at what Umbridge promised Filch, and consider whether she intends to keep those promises. Harry would've been poisoned, if it weren't for a singularly interesting cat... that reminds us of a scene from Deathly Hallows... Would Snape have actually given truth serum to Umbridge, and why not? The hosts discuss his loyalties. Fred and George have a perfect tonic for Umbridge's control, and it perfectly exploits her vulnerabilities. It's a good thing Harry's Occlumency lesson is interrupted... because he didn't do the homework! What makes Harry enter the pensieve despite how dangerous the threat of being caught is? What Marauders' personality traits did the hosts most enjoy on this readthrough? How will the Harry Potter TV show handle Snape's Worst Memory? Professor Wamble has thoughts. Are there more traits between Harry and his dad, or Harry and his mom, and what are they? The hosts pick a favorite moment of mayhem from this chapter. In our Lynx Line segment for the week, we ask our Patrons to build their own Inquisitorial Squad to serve a purpose at Hogwarts that is currently underserved, and ask what the team would do. Quizzitch: What band had a song at the top of the UK music charts for every week of May, 1976? A] ABBA, B] Billy Joel, C] Aerosmith, D] David Bowie   Learn more about your ad choices. Visit megaphone.fm/adchoices

After the Sino-Indian war in 1962, around 3,000 men, women and children were incarcerated in a disused World War Two prisoner of war camp. Indians of Chinese descent were sent there having fallen prey to government suspicion following the war which only lasted a few weeks. Joy Ma was born in the camp in Deoli, Rajasthan, and spent the first four years of her life there with her family. She speaks to Reena Stanton-Sharma about her family's story. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Joy with her mother Effa Ma. Credit: Joy Ma)

Between September 1943 and June 1944 in World War Two, the Italian capital Rome was occupied by German soldiers.Italy had surrendered and thousands of Allied prisoners of war had escaped from internment camps in the country. An Irish priest, Monsignor Hugh O'Flaherty, who was working for the neutral state of Vatican City set in the heart of Rome, did everything he could to help the escaped prisoners evade capture by the Nazis. Tim O'Callaghan has been speaking to his nephew – also named Hugh O'Flaherty about his uncle's life. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Hugh O'Flaherty. Credit: The O'Flaherty family)

Josh Hofford delves into the significance of God's holy name as found in the Lord's Prayer, specifically the phrase "hallowed be your name" (Matthew 6:9). He begins by discussing the importance of names in our lives, then transitions to the exclusivity and holiness of God's name. Hofford emphasizes that while we have an intimate "Abba" relationship with God, we must approach Him with reverence, not as a casual buddy. The sermon outlines God's character traits, including patience, faithfulness, and kindness, illustrated through personal anecdotes like the story of Theo the dog. Hofford concludes by presenting three ways we can show reverence to God: believing He exists, maintaining awareness of His presence, and obeying His word. He encourages listeners to identify areas in their lives where they need to better align with God's will and show Him proper reverence.

Discussion QuestionsSermon Overview The Spirit helps God's children as we await our glorious future.Digging Deeper    Read Romans 8:14-27 1. Practically speaking, what does it (or should it) look like for us to be “led by the Spirit of God” (verse 14) in the common, ordinary tasks of life? 2. Romans 8:13-17 expresses three massive changes that happen for people who are “led by the Spirit of God” (v.s 14):a. From slaves to adopted sonsb. From being afraid of God to being able to call God “Abba” (= Dad)c. From no future hope (the implication of being a slave) to having an inheritance   Consider these three transformations and comment on the one that lands on you. Why is it significant for you now?3. When Paul wrote Romans, being a son meant having a secure identity, legal status, physical/financial inheritance, and an expectation to live in line with your dad's leadership.  We who have trusted in Christ have “received the Spirit of adoption as sons.” (8:15).  What are some of the (sweet) implications of the fact that we have been adopted by God into his family, as his sons and daughters?  4. When Jesus was praying in the Garden of Gethsemane, he addressed God the Father as “Abba” (Mark 14:36). It expressed closeness, intimacy, and trust, perhaps similar to a child affectionately calling their father “Daddy.”  If you're a follower of Jesus, you get to relate to God in a similar way as Jesus himself. Why should all this blow us away?5. Imagine waking up each morning deeply knowing that God is your perfect Father who loves you, looks out for you, and welcomes you to call him “Abba.” How might this affect your contentment, peace, or joy?6. As God's children, we are heirs - “heirs of God and fellow heirs with Christ” (8:17). What is one thing Pastor Brett said about this reality that you found helpful or encouraging? 7. Rom. 8:18 says, “For I consider that the sufferings of this present time are not worth comparing with the glory that is to be revealed to us.” (cf. also 2 Cor. 4:17).What does this mean? Are there moments in your life that you find what this verse is saying hard to believe? Please share.8. On a practical level, why is it good for us to remember that “the creation was subjected to futility,” but will also “be set free from its bondage to corruption” (8:20)?  How does the Bible's teaching on creation in this verse differ from a secular perspective? Why is it important for us to get this right? 9. Rom. 8:26-27 tells us, “Likewise, the Spirit helps us in our weakness. For we do not know what to pray for as we ought, but the Spirit himself intercedes for us with groanings too deep for words. And he who searches hearts knows what is the mind of the Spirit, because the Spirit intercedes for the saints according to the will of God.”  Did you find these two verses (and Pastor Brett's comments on what they teach) encouraging? How so? Please share.  Prayer

In 1948, the foundation was laid for a “utopian” community of houses designed by a man described as America's greatest ever architect.Frank Lloyd Wright had been approached by a group who wanted to create a social collective of affordable homes, on land an hour north of New York city.The group of 47 flat-roofed, open-plan homes became known as Usonia. Roland Reisley, now aged 100, is the last founding member of the community where he still lives.He reveals what it was like to be a client of the famous, but controversial, Frank Lloyd Wright, and explains why Usonia has been the backdrop to a long and happy life.This episode was produced in partnership with BBC Video, from an interview by Anna Bressanin, and presented by Jane Wilkinson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Roland Reisley's home, designed by Frank Lloyd Wright. Credit AP Photo/Ed Bailey)

Halle Berry's awkward engagement moment, BOOB TUBE: "And Just Like That," eyelash shaving is a thing, and ABBA's AI dabblingSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 Update on accident at Campbell Hall where two students were injured. 2 CA. Hotel guests sued Ventura hotel and won $2 million for being devoured by bed bugs. Meta Signs Nuclear Power Deal to Fuel Its AI Ambitions: The tech giant will buy power from an Illinois nuclear plant under a deal with Constellation Energy // Couple abandons kittens in San Bernardino dirt lot. // Could there be a change in snack packaging? Distraction scam' targeting elderly residents; La Mirada family out $50,000 worth of valuables. // Judge dimisses Flamin' Hot Cheetos invention case. ABBA & AI building an ABBA Show  #MetaNuclear #AIPowerDeal #KittenDumping #DistractionScams #FlaminHotCheetos 

Carolina Maria de Jesus was a poor, single mother-of-three who lived in a derelict shack and spent her days scavenging for food.Her diary, written between 1955 and 1960, brought to life the harsh realities faced by thousands of poor Brazilians who arrived in cities like São Paulo and Rio de Janeiro looking for better opportunities. In 1960, her diary was published and became a bestseller, turning Carolina into a celebrity.Her daughter, Vera Eunice de Jesus Lima, spoke to Thomas Pappon in 2020 about how the book changed her family's life.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Credit: Carolina Maria de Jesus. National Archives of Brazil)