Podcasts about ABBA

In 1995, an international row broke out between Canada and Spain over fishing quotas. It started with gunfire and ended with a deal.The dispute began after Canada set up restrictions to protect fish stocks, including the turbot. A 320km (200 mile) controlled zone was placed around the country's north Atlantic coast. Fishermen also had to stick to quotas. But, according to Canada, some boats from the European Union were catching far more turbot than had been agreed. As a warning, the coastguard chased off one Spanish trawler, shooting machine gunfire over the bow and arresting the crew. But Spanish officials were furious and denied any wrongdoing. The Turbot War had begun. Brian Tobin was Canada's Minister for Fisheries and Oceans. He tells Jane Wilkinson about the part he played in the dispute.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Picture: Brian Tobin and a turbot. Credit: Jon Levy/AFP via Getty Images)

Abba, I Belong to You || Pastor Desiree Corral by Praise Chapel Las Vegas

El concert anirà precedit per un homenatge a David Bowie amb el debut de The Spiders from Mars.

It was a week that brought the future of Greece and the Eurozone to the brink. Ten years ago, on 6 July the Greek people voted against the terms of a financial bailout which included raising taxes and slashing welfare spending. Greece owed €323bn to various countries and banks within Europe. Its banks were closed. A quarter of the population and half of Greece's young people were unemployed.The morning after the vote, Euclid Tsakalotos was brought in to replace Yanis Varoufakis as finance minister. His predecessor had accused European leaders of “terrorism” in their handling of the crisis. Parachuted in to last-ditch talks with angry European leaders, Euclid Tsakalotos describes to Josephine McDermott the make-or-break 17-hour summit in Brussels. He reveals that when Angela Merkel, the leader of Greece's biggest lender Germany, said she was leaving the room because she could not accept what was on the table, Donald Tusk, president of the European Council, actually locked the door to stop her leaving and force an agreement to be reached. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A queue outside a bank in Greece in 2015. Credit: Getty Images)

Go behind the music and uncover the secrets of one of the world's most iconic supergroups. In this episode, award-winning Swedish music journalist Jan Gradvall joins us to reveal The Story of ABBA, drawing from his new book, "The Story of ABBA: Melancholy Undercover." We explore the fascinating human drama, the cultural clashes, and the surprising musical genius that propelled a band from Sweden to global domination. What is the shocking truth behind their happiest songs? Jan Gradvall, who has interviewed all four members, pulls back the curtain on the legends.From their formation as two couples who stumbled into a magical sound, to their complex journey through the pop world, this is The Story of ABBA as you've never heard it before. We start with their detailed ABBA Eurovision History, from the 1973 competition they lost in Sweden with "Ring Ring" to their game-changing 1974 victory with "Waterloo"—a glam-rock-infused pop track that broke the mold. Jan explains how the band faced intense opposition from the ABBA Progg Movement, a left-wing cultural force in Sweden that despised their commercial, capitalist sound and questioned their art. This deep dive uncovers the core of their unique sound, a concept Benny Andersson calls "Melancholy Undercover." Learn how the long, dark Scandinavian winters infused their music with a deep Swedish Melancholy in Music, creating a bittersweet feeling even in their most upbeat anthems, a sound rooted in Swedish folk traditions and Benny's accordion.Beyond the cultural context, we explore the incredible and often overlooked talent of Agnetha Fältskog, musician. While many focused on her looks, Agnetha was the only member who could read music, an accomplished classical piano player, and a prolific songwriter in her own right. Jan Gradvall shares insights from his personal interviews with all four members, revealing why Björn Ulvaeus can't remember being on tour and how the rhythm for "Take a Chance on Me" came from the sound of him jogging. We discuss how the band never officially broke up, the 90s revival sparked by the gay community and artists like Kurt Cobain, and the origins of global phenomena like the musical Chess and the stage and film sensation Mamma Mia. This is the definitive inside look at the band's journey, their conflicts, their creative process, and how they became more popular today than ever before.ABOUT OUR GUEST:Jan Gradvall is an award-winning writer and one of Sweden's most respected music journalists. With over 40 years of experience, he has cultivated a close journalistic relationship with ABBA, having been the first journalist to conduct in-depth interviews with all four members for a single story. He is also an instrumental founder of the Swedish Music Hall of Fame. His book, "The Story of ABBA: Melancholy Undercover," is built on his decades of work and unique access to the band.TIMESTAMPS / CHAPTERS:(00:00) Introduction to ABBA's Hidden Story(02:09) ABBA's Eurovision History: From 'Ring Ring' to 'Waterloo'(07:30) Clashing with the Culture: ABBA vs. Sweden's 'Progg' Movement(10:26) Before the Supergroup: ABBA's Roots in Swedish Folk and Rock(12:44) Melancholy Undercover: The Swedish Soul of ABBA's Music(14:43) Decoding 'Tourist English': The Charm of ABBA's Lyrical Style(16:50) More Than an Image: The Overlooked Musical Talents of Agnetha Fältskog(30:09) A Hiatus, Not a Breakup: ABBA's Unofficial Split and 90s Revival(34:55) The Mamma Mia Phenomenon: From a Daring Idea to a Global Sensation(40:39) The Enduring Legacy: The ABBA Museum and the 'ABBA Voyage' ExperienceGet Jan Gradvall's Book, "The Story of ABBA: Melancholy Undercover":  https://amzn.to/46M3Qpn

Today: It's a Sarah solo show! Greg had to get in to do some time-sensitive work stuff so it's just me, your pal Sarah, talking with you about Harefest, cheese coffee, rent-a-relative, air-conditioning, and more! Have a great day all, we appreciate you :)

Romans 8:12–27 | Pastor Ed Adopted In this message from Romans 8, Pastor Ed unpacks the incredible reality of our adoption as sons and daughters of God. We are no longer slaves to fear, but can now cry out, Abba, Father, knowing we are fully accepted and deeply loved. Pastor Ed explores what it means to live led by the Spirit, to put to death the deeds of the flesh, and to walk in the new life God gives us. He reminds us that all creation is groaning for redemption, and we too groan as we eagerly wait for our new, glorified bodies. - Ed Rea - Monday, July 14, 2025

Paulo and Dori come to you from a secret German bunker — The Hoff is down here, and so are Nena and Alphaville.But after this show, we don't think we'll be so big in Berlin.We right some wrongs from last week's show, which includes more sexy sax music than we remember — and dead gnomes.How many '80s movies were made on cocaine? The easier question is: how many weren't?We find out how Bill Murray made Hunter S. Thompson look silly, why Paulo hates City of Angels, and what happens when you slow down Kylie Minogue.Finally, we're voting for our favourite '80s ballad, and Paulo is tempted to give it to an animated cat.Jump To: St. Elmo's Fire Soundtrack & Saxophone Debate (00:03:07): https://youtu.be/rgYkL_V1pmE?si=XcyHJyKjjs0BEQOLDawie Die Kabouter and Gnome Deaths (00:09:58): https://www.reddit.com/r/todayilearned/comments/54d5zo/til_that_the_last_episode_of_the_80s_kids_cartoon/Timelessness of Back to the Future (00:14:20): https://www.theguardian.com/film/2025/jul/03/back-to-the-future-at-40Movies Fuelled by Cocaine (00:16:29): https://www.cracked.com/article_47203_23-movies-brought-to-you-mostly-by-cocaine.htmlWings of Desire: Plot and Differences from City of Angels (00:30:13): https://www.youtube.com/watch?v=liAOEb5rnbAPaulo's Movie Review: Where the Buffalo Roam (00:37:52): https://youtu.be/_ZT6fziaIIw?si=p2mPbBCafjoICDd4Rick Astley's Song Choices and an 80s Conspiracy (00:44:04): https://www.theguardian.com/music/2025/jul/06/rick-astley-honest-playlist-kylie-donna-summer-biffy-clyro-abbahttps://youtu.be/N40qlumASq4?si=mJiTjWtvxWjoZsVRBBC 80s Duet Countdown (00:48:09): https://www.bbc.com/mediacentre/2025/bbc-radio-2-ultimate-80s-duet#1980s pop culture, #St. Elmo's Fire, #saxophone music, #Berlin Wall, #David Hasselhoff, #German culture, #corrections, #podcast, #nostalgia, #Back to the Future, #Bob Gale, #Game of Thrones, #The White Lotus, #incest in media, #cultural norms, #Wings of Desire, #Wim Wenders, #City of Angels, #black and white film, #Nick Cave, #Hunter S. Thompson, #Where the Buffalo Roam, #Bill Murray, #Fear and Loathing in Las Vegas, #Rick Astley, #1980s duets, #music recommendations, #ABBA, #Marvin Gaye, #conspiracy theories, #BBC countdown, #ultimate 1980s duets, #Al Green, #Aretha Franklin, #Barbra Streisand, #Bryan Adams, #Elton John, #Freddie Mercury, #Lionel Richie, #pop music, #film soundtracks, #1980s movies, #cultural impact, #generational appeal, #drug use in films, #chaotic productions, #animated shows, #nostalgia, #humor, #film analysis, #cinematic portrayals.

Jesus Delivered Us (4) (audio) David Eells – 7/13/25 Saints, I'm going to continue speaking about how Jesus has delivered us and begin by talking about the spirit of fear. The great shakings coming across the world in these days, including America, are being used by the devil to try to bring fear upon God's people. He likes to use things that we see and hear to bring fear upon us. It's as if the devil or demons of fear stand right there until something happens, then immediately pounce on us. Have you ever felt the spirit of fear come over you just like a blanket? Don't pacify it. You are meant to make war against that. Fear is another one of the devil's big guns. We previously studied skorpizo spirits, the “scorpion” spirits whose job it is to penetrate and to put to flight. Scorpion spirits cause a person to be fearful or anxious and to flee from the devil. And we know that when this happens, that person is no threat against his kingdom, but the Bible says, (2Ti.1:7) For God gave us not a spirit of fearfulness; but of power and love and discipline. (The Greek word there is sophron, meaning “sober-minded, self-controlled.”) God did not give us a spirit of fearfulness, however, if a person is walking in willful disobedience, it is hard to fight off fear because (1Jn.3:21) … if our heart condemn us not, we have boldness toward God. The only righteous fear is the fear of the Lord. But, if a spirit of fear comes upon you, you know that you are not to accept it. You should not give in to it, or pacify it, or even think about it. If you do, it's going to conquer you by penetrating your “armor” and putting you to flight. (Eph.6:16) Withal taking up the shield of faith, wherewith ye shall be able to quench all the fiery darts of the evil [one]. God describes it in so many different ways. Let me share now a portion of “The Testimony of John G. Lake During the Bubonic Plague.” Now watch the action of the law of life. Faith belongs to the law of life. Faith is the very opposite of fear. Faith has the opposite effect in spirit, and soul, and body. Faith causes the spirit of man to become confident. It causes the mind of man to become restful, and positive. A positive mind repels disease. Consequently, the emanation of the Spirit destroys disease germs. And because we were in contact with the Spirit of life, I and a little Dutch fellow with me went out and buried many of the people who had died from the bubonic plague. We went into the homes and carried them out, dug the graves and put them in. Sometimes we would put three or four in one grave. We never took the disease. Why? Because of the knowledge that the law of life in Christ Jesus protects us. That law was working. Because of the fact that a man by that action of his will, puts himself purposely in contact with God, faith takes possession of his heart, and the condition of his nature is changed. Instead of being fearful, he is full of faith. Instead of being absorbent and drawing everything to himself, his spirit repels sickness and disease. The Spirit of Christ Jesus flows through the whole being, and emanates through the hands, the heart, and from every pore of the body.  During that great plague that I mentioned, they sent a government ship with supplies and corps of doctors. One of the doctors sent for me, and said, “What have you been using to protect yourself? Our corps has this preventative and that, which we use as protection, but we concluded that if a man could stay on the ground, as you have, and keep ministering to the sick and burying the dead, you must have a secret. What is it?” I answered, “Brother, that is the law of the Spirit of life in Christ Jesus. I believe that just as long as I keep my soul in contact with the living God so that His Spirit is flowing into my soul and body, that no germ will ever attach itself to me, for the Spirit of God will kill it.” He asked, “Don't you think that you had better use our preventatives?” I replied, “No, but doctor, I think that you would like to experiment with me. If you will go over to one of these dead people and take the foam that comes out of their lungs after death, then put it under the microscope, you will see masses of living germs. You will find they are alive until a reasonable time after a man is dead. You can fill my hand with them and I will keep it under the microscope, and instead of these germs remaining alive, they will die instantly.” They tried it and found it was true. They questioned, “What is that?” I replied, “That is the law of the Spirit of life in Christ Jesus. When a man's spirit and a man's body are filled with the blessed presence of God, it oozes out of the pores of your flesh and kills the germs.” Suppose, on the other hand, my soul had been under the law of death, and I were in fear and darkness? The very opposite would have been the result. The result would have been that my body would have absorbed the germs, these would have generated disease and I would have died. You who are sick, put yourself in contact with God's law of life. Read His Word with the view of enlightening your heart so that you will be able to look up with more confidence and believe Him. Pray that the Spirit of God will come into your soul, take possession of your body, and its power will make you well. That is the exercise of the law of the Spirit of life in Christ Jesus. Amen! Saints, the only fear we should have is the fear of the Lord, which is the beginning of wisdom (Proverbs 9:10), and if we fear the Lord, we will depart from unrighteousness. (2Ti.2:19) Howbeit the firm foundation of God standeth, having this seal, The Lord knoweth them that are his: and, Let every one that nameth the name of the Lord depart from unrighteousness. Any other fear, including the fear of man, brings a snare. Our Lord Jesus said in (Mat.9:29) … According to your faith be it done unto you. Fear is negative faith. Fear is faith in the curse, faith in the devil, faith in failure. Look what Job said in (Job 3:25) For the thing which I fear cometh upon me, And that which I am afraid of cometh unto me. Our fears come to pass just like our faiths come to pass, but the Bible tells us in (Rev.21:7) He that overcometh shall inherit these things… The Lord is speaking of the new heaven and the new earth and all the great blessings that He has provided for His people, and He's implying here that if you don't overcome, you are not going to inherit these things. Some people don't think we have anything to overcome. They say, “Jesus overcame it all,” which is true, but Jesus overcame so that we could overcome as we learn to abide in Him by faith. And as we abide in Him, we'll see our works of faith manifested because, according to the Bible (Jas.2:26) … faith apart from works is dead. Overcomers are sons of God; they will inherit the Kingdom. (Rev.21:7) He that overcometh shall inherit these things; and I will be his God, and he shall be my son. (8) But for the fearful, and unbelieving (The words “fearful” and “unbelieving” are related to each other, because if you are fearful, you are unbelieving. Notice also that you are not an overcomer unless you have overcome these very opposite things.) and abominable, and murderers, and fornicators, and sorcerers, and idolaters, and all liars, their part [shall be] in the lake that burneth with fire and brimstone; which is the second death. Fearfulness and unbelief are grouped right in there with really abhorrent sins. Many people consider fear to be just a weakness and so they pacify it, but as we've seen, (2Ti.1:7) … God gave us not a spirit of fearfulness… Fear is more than a weakness; it's a sin. It's called (Heb.3:12) … an evil heart of unbelief, in falling away from the living God. Fear is something all of God's people need to learn to make war against whenever we feel its presence or have those thoughts. Fear will cause us to give up the fight of faith and run from the devil. It causes us to lose ground. We just read that the fearful and the unbelieving are listed among the wicked. There's a part in every one of us that's wicked; it's that “old man” that we want to overcome (Romans 6:6; Colossians 3:9; Ephesians 4:22-24). The Bible says in (Gal.5:17) For the flesh lusteth against the Spirit, and the Spirit against the flesh; for these are contrary the one to the other; that ye may not do the things that ye would. The flesh and spirit war against one another. This is a war that's going on in every one of us, and we can win the war through faith in the overcoming victory that Jesus had at the Cross. (1Co.15:22) For as in Adam all die, so also in Christ shall all be made alive. When Christ was resurrected, we received His resurrection life. And when He overcame, we also overcame. We were crucified with Christ (Galatians 2:20), and even the old man was put to death with Christ (Romans 6:6), but we have to hold on to our faith to see it manifested in the physical realm. It has been given unto us and we can overcome to receive. In Job 15 we see this awesome revelation again; he says the man who is fearful is being wicked. We should know that we need to fight against this spirit. (Job 15:20) The wicked man travaileth with pain all his days, Even the number of years that are laid up for the oppressor. (21) A sound of terrors is in his ears; In prosperity the destroyer shall come upon him. What are the words we hear the most nowadays? They are “terror” and “terrorist.” It's interesting that in these last days, these are very common words. Terror is coming upon the prosperous. (Job 15:22) He believeth not that he shall return out of darkness, And he is waited for of the sword. The wicked are in terror, not believing that they will return out of darkness. The Gospel, the Good News, is that we are delivered out of the power of darkness and into the Kingdom of the Son of His love (Colossians 1:13). That's the Good News that we're supposed to believe, but the wicked don't believe this. They live in terror. (Job 15:23) He wandereth abroad for bread, [saying,] Where is it? He knoweth that the day of darkness is ready at his hand. (24) Distress and anguish make him afraid; They prevail against him, as a king ready to the battle. The wicked are conquered by fear. The devil conquers and rules them. If you are ruled by fear, if you act according to your fear, then you're submitting to the devil's kingdom. You are not submitting to God because He has not given us a spirit of fearfulness (2 Timothy 1:7). If you are ruled by fear, you are not ruled by God and you are in idolatry because you are having faith in the devil. Why does fear come upon the wicked? (Job 15:25) Because he hath stretched out his hand against God, And behaveth himself proudly against the Almighty. Fear comes because they are acting against God, and so He has delivered them over to this fear. It's part of the judgment that comes upon them. God turns over to the devil those who walk in sin, even Kingdom people. We discovered earlier that Jesus said (Mat.18:35) … if ye forgive not every one his brother from your hearts, … His Father would deliver you over to the tormentors (Matthew 18:34). The wicked world is already delivered over to the devil and they live in fear and anxiety under the tormentors, but the righteous are supposed to be coming out of darkness. They are believing God to come out of the kingdom of darkness. The wicked do not believe this, so they live under the tormentors. We are told in (1Jn.3:21) Beloved, if our heart condemn us not, we have boldness toward God; (22) and whatsoever we ask we receive of him, because we keep his commandments and do the things that are pleasing in his sight. If we have a clear conscience with God, we are bold; we don't have fear. God is not going to permit fear to come upon a person who has a clear conscience. If it does come, it comes to be a trial unto you, and your boldness is the very thing that will vanquish it. (Pro.28:1) The wicked flee when no man pursueth; But the righteous are bold as a lion. Fear is natural and normal to the wicked. Who are the wicked? They are those people, Christians or not, who sin. If a person is walking in sin, they are wicked, and they will not have any boldness toward God and His benefits because their conscience condemns them. If you want a defense against fear in the days to come, you must have a clear conscience. When you see or hear things that are fearful, that's usually when the devil pounces. He wants to overcome you so that all you can do is keep running from him. Jesus told us that if we are not plundering the devil's kingdom, we are going to be running from him. Guilt is also a demon, and guilt can deliver you over to fear. That's what happened to Adam. (Gen.2:16) And the Lord God commanded the man, saying, Of every tree of the garden thou mayest freely eat: (17) but of the tree of the knowledge of good and evil, thou shalt not eat of it: for in the day that thou eatest thereof thou shalt surely die. Adam had only one commandment to keep but he broke it, and then what happened? (Gen.3:7) And the eyes of them both were opened, and they knew that they were naked. “Naked” here represents the guilt of sin. They did not know they were naked until they partook of the knowledge of good and evil, but now they were made sinners because they knew they had broken God's law, so guilt was the first thing they received here. (Gen.3:7) And the eyes of them both were opened, and they knew that they were naked; and they sewed fig-leaves together, and made themselves aprons. They were attempting to cover their guilt with self-works, yet, as we know, without the shedding of blood, there is no covering for our sins (Hebrews 9:22). (Gen.3:21) And the Lord God made for Adam and for his wife coats of skins, and clothed them. So God slew animals for their covering. He didn't accept their works to alleviate their guilt. (Gen.3:8) And they heard the voice of the Lord God walking in the garden in the cool of the day: and the man and his wife hid themselves from the presence of the Lord God amongst the trees of the garden. Many people are hiding because of their guilt. They don't want to face God. They don't like to read the Word because it condemns them. They don't know the great sacrifice the Lord has made for them in order for them to be given grace to overcome. Without this knowledge, they feel bad when they face themselves. They feel bad when they face the Word. They're hiding from God because of their guilt, and even many Christians are doing the same thing. (Gen.3:9) And the Lord God called unto the man, and said unto him, Where art thou? (10) And he said, I heard thy voice in the garden, and I was afraid, because I was naked; and I hid myself. Guilt brings fear. If you don't want to be overcome by fear, you need to confess your sins. (1Jn.1:9) If we confess our sins, he is faithful and righteous to forgive us our sins, and to cleanse us from all unrighteousness. We need to repent and confess our sins. We need to have faith that Jesus has given us authority over this old flesh. I'd like to point out here that if you don't know what the Gospel says, you can have what I call “false” guilt. For instance, if you don't know that your sins are covered, you may feel guilty about something from your past, from before you were saved. Of course, the devil will try to use that false guilt against you, but he will fail if you get in the Word and stand in faith on the promises. This is another one of his tactics to keep you from God and finding out the truth about your salvation and the authority you've been given over the devil. The real Good News is that the Lord wants to live the Christian life in us. Many people are living under the bondage of guilt, although there's no reason to do so because the real Good News is that He has already set us free. But if you have guilt, the devil can use that. He can bring fear upon you to conquer you because you don't have that boldness toward God. Sometimes the Lord just lets the devil take advantage of us until we're so far down that we're finally willing to look up, until we're finally willing to get our eyes on Him and to have faith in what He has accomplished at the Cross. Faith that brings obedience gives us victory over fear. Here's a good example: (Lev.26:13) I am the Lord your God, who brought you forth out of the land of Egypt (Spiritually speaking, “Egypt” represents the world. As Christians, we've been delivered from bondage to the world and from bondage to the “old man,” who is the Egyptian.) that ye should not be their bondmen; and I have broken the bars of your yoke, and made you go upright. This is basically the Gospel, isn't it? We have been delivered from bondage; we have been made free from sin (Romans 8:2-3). We are no longer in bondage to the old man, but so many people are constantly plundered by the devil because they are rebellious against God's Word. (Lev.26:14) But if ye will not hearken unto me, and will not do all these commandments (Now notice how many times He repeats the same thing.); (15) and if ye shall reject my statutes, and if your soul abhor mine ordinances, so that ye will not do all my commandments, but break my covenant; (16) I also will do this unto you: I will appoint terror over you (God delivers people who are rebellious against His Word over to fear.), even consumption and fever, that shall consume the eyes, and make the soul to pine away; and ye shall sow your seed in vain, for your enemies shall eat it. (When people are delivered over to fear, they have no boldness to come against the devil. They don't understand why they are devoured by the devourer, as Malachi 3 talks about.) (17) And I will set my face against you, and ye shall be smitten before your enemies: they that hate you shall rule over you; and ye shall flee when none pursueth you. Also, (Pro.28:1) The wicked flee when no man pursueth; But the righteous are bold as a lion. God appoints terror over the rebellious, both His rebellious people and those of the world. They are ripe for it. Terror happening in these days is something that God has loosed through the devil to motivate people to run to Him. He wants us to run to repentance and faith in boldness, so that we may be delivered of these things. Fear brings us back into bondage. Fear is bondage to the devil. Fear will bring us right back to bondage in Egypt. The Bible speaks of this. (Deu.28:64) And the Lord will scatter thee among all peoples, from the one end of the earth even unto the other end of the earth… Many people don't realize that everything that happened to Israel in the natural happens to the Church in a spiritual way. The Church was called to be one holy nation. (1Pe.2:9) But ye are an elect race, a royal priesthood, a holy nation, a people for [God's] own possession, that ye may show forth the excellencies of him who called you out of darkness into his marvellous light: (10) who in time past were no people, but now are the people of God: who had not obtained mercy, but now have obtained mercy. We were grafted into the olive tree called “all Israel” (Romans 11:17-26). We are one people, but we have been divided and scattered. The Lord speaks against the shepherds who scatter the flock (Jeremiah 23:1-4; Ezekiel 34:1-10). We've been brought into bondage to the nations of the world and now God is calling us out of those nations to our one holy nation of spiritual Israel. We have been called out from among them (Isaiah 52:11; Jeremiah 51:45; John 10:3; etc.), but when we rebel against God, He brings us under the spirit of fear and we go back into bondage. (Deu.28:64) And the Lord will scatter thee among all peoples, from the one end of the earth even unto the other end of the earth; and there thou shalt serve other gods, which thou hast not known, thou nor thy fathers, even wood and stone. The root word there for “gods” means “mighty” or “mighty ones.” Who are the Church's “mighty” ones? If you want to know what “gods” a church is serving, stop and think about it. Much of the Church, by their own actions, prove that they trust in their government, they trust in their military, in their doctors, and in their bank accounts. The churches trust in these “mighty ones” because they are in bondage to the nations of the world, instead of being the nation of spiritual Israel. God has called us out of that bondage. He delivered us out of Egypt that we might be His holy nation. (Deu.28:65) And among these nations shalt thou find no ease, and there shall be no rest for the sole of thy foot: but the Lord will give thee there a trembling heart (When you're living in the world, He's going to give you fear. God says this over and over. We need to fear “living in the world” and “living like the world” because there is no eternal life there. We are not of this world and we've been chosen out of the world (John 15:19). Nothing but the curse is there.), and failing of eyes, and pining of soul; (66) and thy life shall hang in doubt before thee; and thou shalt fear night and day (It's obvious this is coming to pass in these days.), and shalt have no assurance of thy life. (There is nothing but fear, just fear.) (67) In the morning thou shalt say, Would it were even! and at even thou shalt say, Would it were morning! for the fear of thy heart which thou shalt fear, and for the sight of thine eyes which thou shalt see. (Deu.28:68) And the Lord will bring thee into Egypt again… Do you know what brought God's people into Egypt the first time? It was because most of Jacob's sons were not obedient to their father. They didn't like that Joseph was sent to watch over them (Gen.37:2) … and Joseph brought the evil report of them unto their father. They also persecuted the righteous Joseph (Genesis 37:4,14). So God sent them into Egypt where they spent four hundred years in bondage. (Deu.28:68) And the Lord will bring thee into Egypt again with ships, by the way whereof I said unto thee, Thou shalt see it no more again (God's command is that we never go back to Egypt, never go back into bondage to the old man {Deuteronomy 17:16}.): and there ye shall sell yourselves unto your enemies for bondmen and for bondwomen, and no man shall buy you. He sends fear when men go back into bondage to the old man and then instead of trusting in God, they take control themselves. Who is “self”? It's the old man. When “self” is ruling, the old man is ruling and you are back into bondage once again. The Egyptian who once ruled over the Israelite is now ruling over him again. Fear is one of the devil's big guns in order to bring you into bondage. People will do many things when they fear. Even Christians can be brought to killing their fellow man because they have a fear of death, so they do what is totally contrary to the Word of God. We are to rest, to trust, in God. We are to believe that He has healed and delivered us. Fear causes people to go back into bondage where they have no strength to stand and so they run from their enemies, but God delivered us from this. We are not in bondage anymore. We believe the Gospel and we need to believe it in order to come out of darkness, as we just read here. Somebody who has fear doesn't believe that they can come out of darkness because they don't believe the Gospel. Somebody who has fear believes the devil's lies; they believe the curse. We believe that God has separated us unto Himself to protect, heal, deliver, and provide for us, contrary to the rest of the world. The devil is making war on the people of God by using the things that they see and hear in order to bring them into bondage, but the devil cannot get a foothold if we walk by faith in obedience. That's our greatest strength. The Lord asks, (Pro.1:22) How long, ye simple ones, will ye love simplicity? (He's talking negatively here about being simple in the knowledge of God, simple in the knowledge of the Word.) And scoffers delight them in scoffing, And fools hate knowledge? (This is the simplicity part; they hate knowledge.) (23) Turn you at my reproof: Behold, I will pour out my spirit upon you; I will make known my words unto you. The two things we desperately need are the Word of God sown in our heart, which brings forth the fruit of Christ, and the Power of God's Spirit. He's offering us tremendous gifts here, yet sometimes we're not interested and sometimes we wait too long. (Pro.1:24) Because I have called, and ye have refused; I have stretched out my hand, and no man hath regarded; (25) But ye have set at nought all my counsel, And would none of my reproof: (26) I also will laugh in [the day of] your calamity; I will mock when your fear cometh (He didn't say “if your fear cometh,”; He said, “when your fear cometh.” If you continue to reject His Word and Spirit beyond the time of God's patience, this fear will come upon you.); (Pro.1:27) When your fear cometh as a storm (We are going to see this in days to come. Multitudes of people of the earth are going to be swayed this way and that way because of fear, and they will be moved to do terrible things because of fear.), And your calamity cometh on as a whirlwind; when distress and anguish come upon you. (28) Then will they call upon me, but I will not answer; They will seek me diligently, but they shall not find me: (29) For that they hated knowledge, And did not choose the fear of the Lord. The Bible teaches us in (Pro.16:6) … And by the fear of the Lord men depart from evil. You cannot have fear of the Lord and fear of the devil at the same time. If you fear the Lord, that's a good fear because if we fear the Lord, we will serve Him. If we fear the devil, we cannot serve God because we're too busy serving the devil and that's why fear is part of the devil's plan. God says, (Pro.1:30) They would none of my counsel; They despised all my reproof. (31) Therefore shall they eat of the fruit of their own way, And be filled with their own devices. (32) For the backsliding of the simple shall slay them (Notice that no man slays him. His own backsliding slays him.), And the careless ease of fools shall destroy them. (Pro.1:33) But whoso hearkeneth unto me shall dwell securely (If we are seeking to be obedient to the Lord with our faith in Him, trusting in His grace, He empowers us to obey. That's a place of security.), And shall be quiet without fear of evil. The Lord promises this to those who are obedient because of their faith, and obedience is the fruit of faith. (Jas.2:17) Even so faith, if it have not works, is dead in itself. These are not our works; these are God's works in us and they are the fruit of faith. He says, (Pro.1:33) But whoso hearkeneth unto me shall dwell securely, And shall be quiet without fear of evil. Those who are obedient because of their faith will be without fear. This is because they have received grace through their faith to be so, but the rest will go under a spirit of bondage. Fear is a spirit of bondage. Let's look now at (Rom.8:12) So then, brethren, we are debtors, not to the flesh, to live after the flesh: (13) for if ye live after the flesh, ye must die; but if by the Spirit ye put to death the deeds of the body, ye shall live. (14) For as many as are led by the Spirit of God, these are sons of God. (15) For ye received not the spirit of bondage again unto fear; but ye received the spirit of adoption, whereby we cry, Abba, Father. The Jews railed at Jesus for calling God His Father. Jewish scholars say that no servant would dare call the head of a household “Abba,” or “Father.” This is the cry of somebody who has a father-child relationship, and so He says, (Rom.8:14) For as many as are led by the Spirit of God, these are sons of God. (15) For ye received not the spirit of bondage again unto fear; but ye received the spirit of adoption. The word “adoption” here is huiothesias, and it means “son-placing.” When we are adopted, we are “placed” as sons. God adopts children who are servants. Apostle Paul told us in (Gal.4:7) … thou art no longer a bondservant, but a son; and if a son, then an heir through God. A child is a servant, but God adopts them as sons. We are growing into sonship. We are bearing the fruit of the Son, Jesus Christ, and as the Son, Jesus Christ, comes to live in us, we progressively manifest our sonship. You are either submitted to the Spirit of God as a son, or you are under the spirit of bondage unto fear. Fear is bondage. Fear rules and reigns in people who have it. They cannot get control of themselves; terror causes them to run mindlessly before the devil, who is ruling over them. We are going to see very crazy things happen in this world because of fear, and that includes seeing Christians not behaving as Christians because of fear, yet all that God asks us to do is a minor thing. He wants us to walk by faith. It is something that has already been paid for by the Lord; in (Col.1:13) who delivered us out of the power of darkness, and translated us into the kingdom of the Son of his love. And if we walk by faith in Him, we will be able to cast down fear. Faith gives us the power to walk the walk. The Lord came to deliver us from the power of death. (Heb.2:14) Since then the children are sharers in flesh and blood, he also himself in like manner partook of the same; that through death he might bring to nought him that had the power of death, that is, the devil (There it is; we've been delivered.); (15) and might deliver all them who through fear of death were all their lifetime subject to bondage. Worldly people do the things they do because of bondage to the fear of death, but Christians are not supposed to be in that bondage. Read that verse again. (Heb.2:14) Since then the children are sharers in flesh and blood, he also himself in like manner partook of the same; that through death he might bring to nought him that had the power of death, that is, the devil; (15) and might deliver all them who through fear of death were all their lifetime subject to bondage. Jesus came to deliver us from the fear of death, so that we wouldn't be subject to bondage all of our life. He came to deliver us from the fear of death and He accomplished that deliverance when He bore our sins upon Himself. Years ago I was on my roof, working on the second story of my house when it started to rain and I started to get down and stepped on the ladder, which was now resting on the wet deck. I fell sideways so fast and hit the deck. I immediately reached for my right shoulder, which felt like a limp bag of broken bones. I had a terrible pain in my side. An angel told me later that I had injured three internal organs. Michael heard me and came out and prayed for me. I was due to preach a broadcast. I believe it was adrenalin that caused me to get up and go do it. I didn't know at that time how bad I was hurt. I had broken three ribs, which caused great pain when I moved my rib cage and muscles. The saints came and prayed for me. My heart began to do strange things and skipping beats. When I realized I was dying, the thought of meeting the Lord gave me great joy and expectation. By the grace of God I never had fear. I joked with the saints who were looking at me wide-eyed.  I cried, “My father, my father, the chariots and horsemen of Israel!” 2Ki. 2:12, as though I could see them coming to get me and take me to heaven. When I saw they were taking me seriously, I laughed.  Long story short, they prayed me through and I had to stay. I raised my arms in praise when I knew my crushed shoulder would not permit this and it began to come together with everything else. God's grace is wonderful. We've seen from Revelation 21 that fear is sin. He bore the sin of fear and now you don't have to put up with fear anymore because He delivered you from that darkness. He bore upon Himself that curse. We have authority over fear because of what Jesus did at the Cross. We can say, “No!” to fear. Many of you have experienced this. You have rebuked fear. You have denied, and have refused to listen to fear. We have total authority over fear. When fear comes upon us, it is to bring us into bondage and cause us to serve it. Many times the fear of death causes us to do things we would not normally do. When my oldest son was being born at home, and it came time for birth, we discovered that he was breech, one foot was coming out first. When I saw that little toe come out first, it was like the devil was just waiting for me to see it and to jump on me with the spirit of fear. You know, the devil tells you everything bad that's going to happen unless you go back to trusting in man or doing it the way of the world, but the Lord wanted me to have a lesson of trusting in Him. So when I saw that little toe and felt the spirit of fear come in that room, I said, “No! We are going to stop right here and we are going to pray. We bind you spirit of fear and cast you out.” We commanded that demon to “Go, in the Name of Jesus Christ!” and it did. Then we were no longer in bondage because of this fear of death. And so our son was born. The fear of death can be more than just the fear of physical death. Many people fear death to self. They fear giving up their old life, so the devil is able to keep them in bondage. Through the fear of death, he keeps us running to the world and its ways and methods. Jesus came to set us free from fear of death, and since we know that He did set us free from fear of death, now we have authority over fear. That's not the case if you're walking in sin, because then you have no boldness. You won't be able to deny fear; it will overcome you. If you're walking by faith in God, you have authority over fear and you can cast it down. It will have to submit to you because of what Jesus did. He gave you authority over all the power of the enemy. (Luk.10:19) Behold, I have given you authority to tread upon serpents and scorpions, and over all the power of the enemy: and nothing shall in any wise hurt you. One thing we do to conquer fear is refuse to listen to it. Returning to when our first son was born, he was born a footling breech, the doctors do not believe God can deliver a baby that has one foot up and one down and wrong side up. Some people don't even know it's possible because they always do a Caesarean section in these cases. After we ran off the spirit of fear, I commanded that baby to “Come out in the Name of Jesus!” and that baby was born a footling breech. God can do anything! Glory be to God! His Power is awesome, but if you have fear, you don't have faith in God. Instead, your faith is in the devil. You have faith in the curse and God's power is not going to be manifested for you. We have to learn not to listen to the voice of the devil. (Psa.55:3) Because of the voice of the enemy, Because of the oppression of the wicked; For they cast iniquity upon me, And in anger they persecute me. (4) My heart is sore pained within me: And the terrors of death are fallen upon me. (All these things are true.) (5) Fearfulness and trembling are come upon me, And horror hath overwhelmed me. These awful things had happened because he listened to the voice of the enemy. Just don't listen! We should pray that God will always bring to our remembrance the things that He has said unto us (John 14:26). (Isa.26:3) Thou wilt keep [him] in perfect peace, [whose] mind [is] stayed [on thee;] because he trusteth in thee. We hold fast to the Word so that when fear comes, we recognize that it's a spirit because it says in (2Ti.1:7) for God gave us not a spirit of fearfulness… We can say, “God has not given me a spirit of fear; this is the devil. I can stop this. I can take authority. I can have victory over this. I do not need to listen to this, as though it were me, because it is not me.” We cast down these thoughts. The Bible tells us that we can fill ourselves with thoughts that give us peace. (Php.4:8) Finally, brethren, whatsoever things are true (When the spirit of fear comes, we know it's the devil's telling us a lie, something contrary to Scriptures. We're not supposed to listen to it.), whatsoever things are honorable, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things. Remember what happened when 10 of the 12 men who were sent to spy out the Promised Land brought back a bad report (Numbers 13:1-24). Their report caused the people to fear the giants and made the people's hearts to melt (Numbers 13:25-33; 14:1-4). Well-meaning people can bring us a bad report, but if something is contrary to God's Word, we need to cast it out and cast it down. Be wary if you've made somebody your god. Be wary if you've made medicine or doctors your god. Be wary when they bring you the bad report. Remember, (1Pe.2:24) … by whose stripes ye were healed. How can you be sick? You can't be sick because you were healed, so cast that thought down. Cast that bad report down, because if fear causes you to accept that, then that's what you'll have. Jesus said, (Mat.9:29) … According to your faith be it done unto you. When they bring that bad report, what happens is that fear comes into your being. The devil is sitting there, just waiting for you to hear what this guy has to say, and when you accept it, fear jumps on you. The devil knows that you're going to have a testimony if you stand fast in your faith. He's attacking you to keep you from being delivered from this curse, from being delivered out of this darkness. He's attacking you to keep you from walking by faith in the Lord. What does the Word tell us to do instead? (Php.4:8) … If there be any virtue, and if there be any praise, think on these things. (In other words, take account of these things.) (9) The things which ye both learned and received and heard and saw in me, these things do: and the God of peace shall be with you. He's the God of peace. Scripture talks about our warfare. It tells us to cast down (2Co.10:5) … imaginations, and every high thing that is exalted against the knowledge of God, and bringing every thought into captivity to the obedience of Christ. Bring every thought into captivity to Christ, because if we will learn to do this and be consistent, fear will never have a foothold. We will conquer it. God is omnipotent. (Php.2:13) For it is God who worketh in you both to will and to work, for his good pleasure. We do not have to give in to the thoughts of the devil. We can cast them down. Remember what God said about the voice of the enemy. (Psa.55:3) Because of the voice of the enemy … (4) … the terrors of death are fallen upon me. That is the devil when he comes to you. We do not have to put up with this. Some of you have listened to things and read things that are bringing fear into your life. They're not building faith in you for the days to come. You should not read or listen to the voice of the devil. He'll use people to give you things that put fear into your heart, but don't listen to or look at the devil's lies. (Isa.8:9) Make an uproar, O ye peoples, and be broken in pieces; and give ear, all ye of far countries: gird yourselves, and be broken in pieces; gird yourselves, and be broken in pieces. A great tumult is coming over the world in these days, saints. (10) Take counsel together, and it shall be brought to nought; speak the word, and it shall not stand: for God is with us. Immanuel is with us. It's not our power; it's His Power in us! (Col.1:27) which is Christ in you, the hope of glory. Let's go now to (Isa.8:11) For the Lord spake thus to me with a strong hand, and instructed me not to walk in the way of this people, saying, (12) Say ye not, A conspiracy, concerning all whereof this people shall say, A conspiracy; neither fear ye their fear, nor be in dread [thereof]. I know Christians who study conspiracies all the time and it's filling their hearts with fear. They don't have any faith or boldness toward God. Why? They are afraid of the things that are coming upon the world because they are being disobedient. It doesn't matter who's behind the things that are coming upon the world. Ultimately, the Lord is behind it all. The Bible says God is the One (Eph.1:11) … who worketh all things after the counsel of his will. God was behind what came to Job. Looking at Job's situation, we see that we should not fear because God Almighty is in control. If you study these conspiracies and conclude that men or the devil are out to do you in, you're wasting your time. It's God Almighty Who is behind everything, and His purpose for you is good. His purpose is to bring you to repentance and to faith in Him. So if you're studying men, worried about what they might be doing, and thinking that you have to do something, you can get into works of the flesh. And it's all because you studied the conspiracies. Well, here's God's Word on conspiracies: (Isa.8:12) Say ye not, A conspiracy, concerning all whereof this people shall say, A conspiracy; neither fear ye their fear, nor be in dread [thereof]. (13) The Lord of hosts, him shall ye sanctify; and let him be your fear, and let him be your dread. We should fear the Lord because, as we read, He is the One, ultimately, Who is in control and not the world, not the wicked, not the Illuminati, or anybody else. Don't study the conspiracies. God is in control and remember that (Pro.16:7) When a man's ways please the Lord, He maketh even his enemies to be at peace with him. The Lord has absolute control over our enemies. He has absolute control over our lives and He said we would be in safety and He said we would not fear. We need to put our trust in God. We need to cast down these things when our sight is on men. The Bible says, (Pro.29:25) The fear of man bringeth a snare, But whoso putteth his trust in the Lord shall be safe. (26) Many seek the ruler's favor; But a man's judgment [cometh] from the Lord. If you are afraid of man, you are going to be back in bondage again and be trapped again. “The fear of man bringeth a snare, but whoso putteth his trust in the Lord shall be safe.” Study what God has to say. Study what He will do to provide for you in the days to come, and don't fear the things that are coming upon the world. Fear is for the devil's children, but it's also for the wayward people of God to bring them to repentance and trust in God. Now let me share this testimony:   Cast Out Fear by J.R.T. Our son, Caleb, has always been a fearful child. He was scared of loud noises, deep water, the drive-through car wash, thunderstorms, etc. He would cry uncontrollably whenever we went through the car wash or when thunder would strike during a storm. Recently, when storms popped up and he would become afraid, my wife would sing this song with him: “I am your God. I am your God, who holds your right hand, who holds your right hand. And I say to you, ‘Do not be afraid, for I will help you.'” One day I came home from work and my wife told me there had been a thunderstorm earlier and that she and Caleb had sung this song. I started to sing the song, thinking he would like it. But just the association of the song with the storms caused Caleb to cry and appear upset. Without even thinking, I picked him up and prayed, “Spirit of fear, I rebuke you in Jesus' Name and command you to leave Caleb. The Lord has not given us a spirit of fear. We do not want you here.” There was no immediate change. But the Lord impressed me not to dwell on the fact that I saw no change; rather, just believe His Word. The next weekend we were in Pensacola for Mother's Day. Once we got back to Georgia, we realized several things had changed. The whole family rode through the car wash over the holiday weekend. Caleb hadn't fussed a bit. He even later commented that the “wind” (noisiest part) was his favorite part of the car wash. Normally, as soon as he sees that we are at the car wash, he starts talking about wanting to get out of the vehicle. When lightning and thunder started during a storm over the weekend, Caleb didn't cry or run to mommy or daddy; rather, he walked right to the front glass door to look outside. We spent part of the weekend with my wife's family on the beach. Caleb went out farther than normal. He even fell in the water a few times, and breathed in a little water. But he did not get upset – he kept playing. I praise the Lord for putting in me what was needed to deliver Caleb from fear…Thank you, Lord. Amen! Awesome testimony. We have this authority, too, saints. Now, are there times when God's people cannot be released from demons? Paul, by the Spirit, turned a man over to Satan for the destruction of his flesh, and he did that for a good reason. (1Cor.5:3) For I verily, being absent in body but present in spirit, have already as though I were present judged him that hath so wrought this thing, (4) in the name of our Lord Jesus, ye being gathered together, and my spirit, with the power of our Lord Jesus, (5) to deliver such a one unto Satan for the destruction of the flesh, that the spirit may be saved in the day of the Lord Jesus. Our carnal minds think it's always good for people to get delivered of demons, but no, it's not always good. You see, God has a purpose for demons. If not, He would have wiped them out a long time ago, but He has a good purpose for them. The Bible says that God has vessels of honor and vessels of dishonor. (Rom.9:21) Or hath not the potter a right over the clay, from the same lump to make one part a vessel unto honor, and another unto dishonor? The demons are His chief vessels of dishonor and He uses them to chasten and teach. Paul turned a man over for a chastening “that his spirit might be saved in the day of the Lord Jesus”, but there's another example where Paul delivered Hymenaeus and Alexander over to Satan that “they might be taught not to blaspheme” (1 Timothy 1:18-20). The devil is God's messenger to chasten and teach people. When you get out from under the Blood, the devil jumps on you like a mad dog. It doesn't matter whether or not you are a Christian. The people who are not Christian are already under bondage to the devil, and so sometimes, the devil does not want to “rock the boat” for them. There is no advantage for him in revealing himself to them because they're already caught, but for you, it's a different story. When you step out from under the Blood, he is waiting for you. He is waiting to “chew” on you a little bit until you'll say, “Hey, it's a lot safer back there under the Blood! I repent, Lord! I obey!” But until you get back under the Blood, the devil is there to motivate you to live in obedience as a disciple of Jesus Christ. We have examples all through the Bible where God turned over His people to the devil and there was no one who could cast the demons out of them. If you won't repent, don't ask for deliverance. If you are not willing to confess your sins and repent of them, do not ask for deliverance from the demon who preys upon the sin. He is there for a purpose; he is there to make your life miserable until you repent. I am speaking from experience. I've tried casting demons out of people, yet the demons would come back. Finally, I figured out what the problem was. I was out there doing my own thing and so I was getting out of God's Will. A good example of that from the Old Testament is where God ordained Saul (1 Samuel 10:1). He filled him with the Spirit and even had him prophesy (1 Samuel 10:6), but when Saul rebelled against God and did his own thing, then (1Sa.16:14) … the Spirit of the Lord departed from Saul, and an evil spirit from the Lord troubled him. (15) And Saul's servants said unto him, Behold now, an evil spirit from God troubleth thee. A lot of people think this is false doctrine, but it's truth. As the Lord pointed out to me one time, (Php.2:13) … it is God who worketh in you both to will and to work, for his good pleasure. Salvation is so great! The way God saves you is that He puts in you a desire to do what is right. It's so simple and it's so easy. Through repentance and through faith, you receive the desire to do what is right. This is what salvation is all about. Did you know that God uses vessels of dishonor to work in you, just as He uses vessels of honor? God did this with the devil, who didn't have any interest in Job until God brought him to the devil's attention. (Job 2:3) And the Lord said unto Satan, Hast thou considered my servant Job? for there is none like him in the earth, a perfect and an upright man, one that feareth God and turneth away from evil… That was like dangling a carrot before a donkey. The devil was ready to jump on Job, but God put strict conditions on what he could do in (Job 1:12, 2:6). (Job 2:4) And Satan answered the Lord, and said, Skin for skin, yea, all that a man hath will he give for his life. (5) But put forth thy hand now, and touch his bone and his flesh, and he will renounce thee to thy face. (6) And The Lord said unto Satan, Behold, he is in thy hand; only spare his life. Many times the devil is being used as the “left hand” of God when he brings a curse or a chastening. (Job 2:9) Then said his wife unto him, Dost thou still hold fast thine integrity? renounce God, and die. (10) But he said unto her, Thou speakest as one of the foolish women speaketh. What? shall we receive good at the hand of God, and shall we not receive evil? In all this did not Job sin with his lips. Job did speak the truth there because God cannot be Sovereign if He controls only good and doesn't control evil. The devil is here to be one of God's “hands” or else he would have been wiped out back there at the Garden of Eden. Since Jesus was the Lamb slain from the foundation of the world (Revelation 13:8), why did we need a Savior before Adam ever fell? God is not making any mistakes here; what we are going through is creation and the devil is a part of this. It was God Who turned Abimelech and the men of Shechem over to devils in (Judges 9:23). They got in there and divided the men because they killed the sons of Gideon in (Judges 9:5). God sent those evil spirits between the Israelites to divide them, just as God turned Saul over to a demon spirit because he was in rebellion. God did this quite often in the Old Testament, and another example is when Samuel was rebuking Saul for not obeying God. (1Sa.15:23) For rebellion is as the sin of witchcraft… The Hebrew word translated as “witchcraft” there is qesem, and it means “divination.” A spirit of divination is a spirit of false prophecy. It prophesies for the devil, and so Saul had a demon spirit because he had a spirit of divination. (1Sa.18:10) And it came to pass on the morrow, that an evil spirit from God came mightily upon Saul, and he prophesied in the midst of the house: and David played with his hand, as he did day by day. And Saul had his spear in his hand; (11) and Saul cast the spear; for he said, I will smite David even to the wall. And David avoided out of his presence twice. (12) And Saul was afraid of David, because The Lord was with him, and was departed from Saul. I don't know what spirit, divination or otherwise, God was talking about when He said (1Sa.16:14) … an evil spirit from the Lord troubled him, but I do know that Saul had a spirit of divination because he became a false prophet. Whether this “evil spirit from the Lord” was the spirit of divination, I don't know and Scripture does not say, but it was tormenting him. Here was a man who at one time had the Holy Spirit in (1 Samuel 10:6) and yet still became tormented by a demon spirit, and as we see here, possibly two demon spirits. The apostle Paul also had a demon tormentor. He said in (2Co.12:7) And by reason of the exceeding greatness of the revelations, that I should not be exalted overmuch, there was given to me a thorn in the flesh, a messenger of Satan to buffet me, that I should not be exalted overmuch. I am not stating that there was a demon inside of Paul, but an angel of Satan was tormenting him. The word “messenger” in the Scriptures, 181 of 183 times, is translated as “angel,” so an angel of Satan was sent to buffet him, and the word “buffet” means “to beat or strike repeatedly.” Paul was not talking here about an infirmity or sickness; only the KJV says that Paul's “thorn in the flesh” was an “infirmity.” No Bible derived from the ancient manuscripts has this translation because that's not the word “infirmity”; it is the word “weakness.” Scripture says that Christ was crucified through weakness. (2Co.13:3) Seeing that ye seek a proof of Christ that speaketh in me; who to youward is not weak, but is powerful in you: (4) for he was crucified through weakness, yet he liveth through the power of God. This same Greek word asthenes translated as “weakness” in 2 Corinthians 13:3 by the King James, is what the King James in 2 Corinthians 12:9 claims is “infirmity.” Paul did not have an infirmity; this is a lie because the Bible says, (Psa.103:2) Bless the Lord, O my soul, And forget not all his benefits: (3) Who forgiveth all thine iniquities; Who healeth all thy diseases. God does not change His Word and say, “No, Paul, you keep this disease. It's good for you.” This is not our God. What you have there is a schizophrenic “god.” A messenger of Satan is the one who was bringing all of these troubles against Paul, and he made a list of all the places where he said he was “weak.” The word is the same word, asthenes, as used in Chapter 12. (2Co.11:23) Are they ministers of Christ? (I speak as one beside himself) I more; in labors more abundantly, in prisons more abundantly, in stripes above measure, in deaths oft. (24) Of the Jews five times received I forty [stripes] save one. (25) Thrice was I beaten with rods, once was I stoned, thrice I suffered shipwreck, a night and a day have I been in the deep; (26) [in] journeyings often, [in] perils of rivers, [in] perils of robbers, [in] perils from [my] countrymen, [in] perils from the Gentiles, [in] perils in the city, [in] perils in the wilderness, [in] perils in the sea, [in] perils among false brethren; (27) [in] labor and travail, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. (29) Who is weak, and I am not weak? who is caused to stumble, and I burn not? Who was “buffeting” Paul in all of these ways? A messenger of Satan was bringing Paul through all these tribulations. When Jesus was led of the Spirit into the wilderness in (Matthew 4:1; Luke 4:2), it was the devil who tempted Him, so don't think that you are not going to be faced with demons. If you are in the wilderness, you are going to be faced with demons, but you have every right and every power from God to overcome them. When Paul was faced with demons, God did not say that He was going to take away that angel from Satan. It says (2Co.12:9) And he hath said unto me, My grace is sufficient for thee: for [my] power is made perfect in weakness. Most gladly therefore will I rather glory in my weaknesses, that the power of Christ may rest upon me. God said, “My grace is sufficient for thee.” He did not say, “My grace is this infirmity that I am putting on you, and you're going to have to keep it.” That's crazy; it's not what the Bible says. It says, (1Pe.2:24) … by whose stripes ye were healed. You were healed. There is no condition put on this except you repent and believe. As we just read, Paul professed that those things listed in 2 Corinthians 11:23-27 were his “weaknesses.” A demon was bringing Paul into positions of weakness. And when he got into these positions of weakness, Paul put his trust in the Lord, and in every instance, the Lord saved him. (Psa.34:19) Many are the afflictions of the righteous (In most cases, these afflictions come from the devil.); But the Lord delivereth him out of them all. This is what you have to believe. This is the Gospel, and if you do not believe it, you do not get it. The devil has a purpose in all of this. He is used by God to chasten and to bring under curses those who are in rebellion against God. He is used by God to give you teaching and understanding (1Ti.1:20) … that they might be taught not to blaspheme God. The devil is used by God to humble you, and he is used to help you see the power of God. When the devil puts you into a situation where you are weak, this is where you get to see the miracle. You do not get to see the miracle when you have all you need, or when all your problems are solved, and you are walking in the anointing and power. The power of God comes when you are in a position where you cannot do anything. The power of God comes sometimes when you refuse to do anything about a weakness, and you just put your trust in God and His Word. The power of God comes when you believe what the Bible says. When the children of Israel rebelled, God sent demons to them. (Psa.78:49) He cast upon them the fierceness of his anger, Wrath, and indignation, and trouble, A band of angels of evil. Wrath, indignation, and trouble are demon spirits. It was God's purpose to deliver the Israelites over to these demons for torment because they were in rebellion. God is the One Who delivers a person over to demons, and God is the One Who turns people over to a “reprobate mind,” too (Romans 1:28; 2 Timothy 3:8). The Bible talks about “doctrines of demons.” (1Ti.4:1) But the Spirit saith expressly, that in later times some shall fall away from the faith, giving heed to seducing spirits and doctrines of demons, (2) through the hypocrisy of men that speak lies, branded in their own conscience as with a hot iron. I was once delivered from a doctrine of demons and I was shocked, not knowing it was a demon at all. At the time, I had a real gift to speak the Oneness doctrine, but it was not the truth. It was a demon spirit and when it left, it went straight out of the top of my head. I'd had to humble myself to what the Lord said. What delivered me was when I decided, “I am going to put my doctrine down for just a minute, and humble myself to this Word, and see what It says.” When I did that, “Poof!” The demon went out from the top of my head and was gone because Oneness is a doctrine of demons. There are demons whose job it is to bring people into bondage to false doctrines, and they actually do enter your body. I am living proof of this, delivered from that doctrine quite some years ago. Sometimes you can't recognize when people are demon-possessed because they're being ruled by that spirit. You understand that something is wrong with them, but you may not recognize it in their flesh. Most often though, people are oppressed, rather than possessed. If a demon is in your flesh, just abiding in the flesh and not reaching into the soul, he can oppress you from the flesh, but when he reaches into your soul, which is your mind, will, and emotions, then this is what the Bible calls being “possessed.” We've been taught wrongly that when demons are on the outside, it is oppression, but when they are on the inside, that is possession. No, the demons can be in your flesh and never leave your flesh, so then they can oppress you from the flesh. Or they can reach into the soul and possess you, while at other times, they will back off into the flesh and be dormant. When they do that, you will not even know they're in there until they're faced with some stimulus from the outside that causes them to come up and manifest themselves. And when that stimulus or that temptation is gone, the demons draw back into the flesh, becoming dormant once again. For instance, people with a spirit of anger (a demon) are not angry all the time. They are only angry when they're tempted, but if you try to deal with it as though it were only a lust of the flesh, you're going to fail because it's more than that. Many people, possibly all people, have demons when they come to Christ, but God doesn't drive them all out all at once according to (Exodus 23:29-30; Judges 2:22-23). I've heard people say that it's okay to be angry as long as you don't sin, but this is a false doctrine, and they get it from a false interpretation of Scripture. The Bible says, (Ecc.7:9) Be not hasty in thy spirit to be angry; for anger resteth in the bosom of fools. If you have anger in your heart, it is going to make you a fool. If you say, “Wait a minute...I thought I could be angry, but just not sin?” Anger is wrong because anger is unforgiveness and anger is bitterness. I admit the Holy Spirit can be angry; the Holy Spirit can even manifest anger through you. I have felt the anger of the Lord move through me, but He can do this legally. The Holy Spirit can speak through you and judge, but you cannot judge. If you judge, you are going to be judged, as it says in (Mat.7:1) Judge not, that ye be not judged. (2) For with what judgment ye judge, ye shall be judged: and with what measure ye mete, it shall be measured unto you. You must know the difference between the Holy Spirit moving through you for the sake of God and when you are being tempted by the lusts of your flesh. (Eph.4:25) Wherefore, putting away falsehood, speak ye truth each one with his neighbor: for we are members one of another. (26) Be ye angry, and sin not… Originally, there was no punctuation in this verse, because in the ancient Greek they did not have punctuation or capital letters. The punctuation was added in later by theologians, but the Lord told me there is supposed to be a question mark after the word “not.” Can you be angry and not sin? No, and I can prove this to you, because the rest of the verse says, (Eph.4:26) Let not the sun go down upon your wrath (In other words, “Do not let that stuff stick around.”): (27) neither give place to the devil. If you are angry, you are “giving place to the devil.” When you are angry, it's because you're in unforgiveness, but we have to forgive everybody, all the time, forever. The very foundation of salvation is forgiveness, and so if you don't forgive, then God doesn't forgive you. Truly “anger resteth in the bosom of fools.” (Eph. 4:31) Let all bitterness, and wrath, and anger, and clamor, and railing, be put away from you, with all malice (He's not saying, “It's okay to be angry, just do not sin.” He's saying, “Get rid of it!” And if you're having trouble doing this, sometimes it is a demon.): (32) and be ye kind one to another, tenderhearted, forgiving each other, even as God also in Christ forgave you. Let's go now to (Pro.4:7) Wisdom [is] the principal thing; [therefore] get wisdom; Yea, with all thy getting get understanding. The more understanding you get, the less anger you are going to have. (Rom.8:28) And we know that to them that love God all things work together for good, [even] to them that are called according to [his] purpose. If you believe that all things work together for good to those who love God, then you're not going to be angry at situations, you're not going to be angry at your circumstances. If my dog came into this room right now and did something that dogs do, it would be foolish for me to become angry at that dog, because he's a dog and he's not going to do anything different. He is a dog; he can't be anything different. When your children are toddlers and they stumble and fall, you don't become angry with them, because that's what children do. Children stumble and fall. Life is this way, so would it make sense for you to get angry at the devil for doing what he normally does? That would be a waste of time. He is the devil; he does what he was created to do, and his demons do what they were created to do. Everything that happens around us has a purpose because God is Sovereign. Do not become angry about anything that happens around you, because if you're angry at the circumstances around you, you are angry at God. He is the One who ordained the circumstances around you. He is the Sovereign God (Eph.1:11) … who worketh all things after the counsel of His will. And we read that (Joh.3:27) … A man can receive nothing, except it have been given him from heaven. Do you believe this? If it comes from heaven and you become angry, then you are being angry at God. Don't claim that anger from your lusts of the flesh is righteous indignation; that's just bologna! Be at peace! God doesn't want you to have anger; He wants you to be at peace. So, what about the anger of the Lord? If the Lord moves through you in anger, it is not a personal thing because it is not your anger. The Bible says in (Mar. 3:5) And when He had looked round about on them with anger, being grieved at the hardening of t

This week in our Be Free series through Galatians, we turned to chapter 4 where Paul reminds us of a stunning truth: in Christ, we are no longer slaves, but sons and daughters—heirs of God. With clarity and pastoral warmth, we were reminded that our identity in Christ changes everything. It's not performance, pedigree, or circumstance that define us—but the love of a Father who redeems, adopts, and delights in His children.Through Paul's words and a powerful illustration from The Prince and the Pauper, we explored the tragedy of living like a slave even though we sit at the King's table. We saw how the Spirit enables us to cry Abba, Father—the same intimate relationship Jesus has with the Father is now ours.We were challenged to stop begging and start belonging. To pray like children, not beggars. To serve from love, not fear. And to rest in a dignity, freedom, and joy that performance-based religion can never offer.Whether you're struggling with shame, anxious about the future, or caught in a cycle of trying to earn God's love—this message is a call home. Because if you are in Christ, you are royalty. Live like it.

Galatians 4 reveals that God has adopted us and made us heirs. But what does it actually mean that the Spirit of His Son lives in our heart, prompting us to cry "Abba, Father"? Discover how this passage provides assurance and hope, even on our worst days.

Infografíahttps://g.co/gemini/share/740b0eaea4c2Cuestionario:https://g.co/gemini/share/f9f2c4604903Página Webweb https://g.co/gemini/share/69208b88d7d7Las verdades de Romanos 8 invitan al creyente a una vida transformada: Una vida de libertad, sin el yugo de la condenación, la culpa o el legalismo.Una vida de intimidad, cultivando una relación de confianza yafecto con Dios como "Abba, Padre".Una vida de esperanza, enfrentando las aflicciones del tiempopresente con la perspectiva segura de la gloria venidera.Una vida de seguridad, descansando no en la fuerza de nuestro propio agarre, sino en la fuerza inmutable del amor de Dios por nosotros en Cristo Jesús.

GGACP celebrates the 50th anniversary of the #1 record of 1975, "Love Will Keep Us Together" with this LIVE singalong episode (from Sid Gold's Request Room in New York City) and tribute to songwriter Neil Sedaka (and others). In this episode, Gilbert and Frank are accompanied by pianist extraordinaire Joe McGinty and a roomful of passionate (and knowledgeable!) listeners as they warble memorable tunes from ABBA, The Archies, Jim Croce, Paper Lace and Kermit the Frog. Also, Helen Reddy gets the jump on Bette Midler, Herve Villechaize covers the Captain & Tennille, Gilbert picks a bone with Kenny Rogers and Dustin Hoffman shares the screen with Dr. Hook & the Medicine Show. PLUS: The songs of Shel Silverstein! “The Blind Man in the Bleachers”! And "The Wreck of the Barry Fitzgerald!” Learn more about your ad choices. Visit megaphone.fm/adchoices

What if your understanding of God as Father has been shaped more by wounds than by truth? In this deeply restorative episode, Elizabeth and Kimberly guide listeners through a profound exploration of how we view God and the ways our misconceptions limit our experience of His love.Drawing from personal experiences, including Sylvia Gunter's transformative journey from performance to belovedness, this conversation reveals how our relationships with earthly fathers often color our perception of our heavenly Father. The revelation that changes everything? As Jesus demonstrated by using the tender term "Abba" (similar to "Daddy"), God delights in you simply because you are His. This isn't just theological theory—it's the healing truth that can transform your spiritual walk from duty to delight.Through a beautiful portrait painted from Scripture, discover a Father who is faithful when others abandon you, generous beyond measure, compassionate in your struggles, and attentive to your every need. His love isn't earned through performance but lavished freely as a gift to His beloved children.Whether your earthly father was absent, abusive, or amazing, this episode will help you release distorted views and embrace the fullness of who God really is—your safe place, your provider, your protector, and the One who rejoices over you with singing. Ready to experience the Father's heart as never before?

Father Heart TV Webcast - 9th July 2025Celebrating 15 Years - Join us as we wind up the weekly webcast [...]

Looking for things to do this weekend? The Jumbo Shrimp host the Nashville Tides for a baseball series. How will it wash out? If you're a fan of comics and graphic novels, check out the First Coast Comic Con at the Herbert Center at UNF. If music is your thing - The Jacksonville Rock Orchestra presents the music of Fleetwood Mac ad the Florida Theatre, and the Direct from Sweden: The Music of ABBA show rocks the Moran Theatre. Looking for some family fun? Check out Jurassic Quest at the Prime Osborn for great dinosaur adventures. All this and more is detailed in the WOKV Weekend Spotlight story!

In 1982, Argentine geneticist Victor Penchaszadeh was living in exile in New York when he received a call that would change the course of his career. Two founding members of the campaign group, the Grandmothers of the Plaza de Mayo, were asking for his help to find their kidnapped grandchildren. Between 1976 and 1983, Argentina was under military rule. During this period, thousands of mainly young, left-wing people were forcibly disappeared - taken to clandestine detention centres, where many were tortured and killed. Hundreds of babies were born in captivity. Their mothers were later murdered, and the children were often given to families with ties to the regime - and never told their true identities. The Grandmothers travelled the world, desperately asking scientists one question: Without the presence of the parents, could their blood be used to identify their lost grandchildren? Dr Penchaszadeh was the first to say yes. He tells Vicky Farncombe how that answer led to the creation of the world's first national genetic data bank—and the eventual reunion of 140 grandchildren with their real families.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Estela de Carlotto is reunited with her lost grandchild Ignacio Hurban. Credit: Reuters)

Paul reminds us that it is by the Spirit you have been freed from your sinful flesh, found as adopted sons of God whom you now call Abba! Father!, and have been made co-heirs with Christ by the fellowship of his suffering for the fruit of eternal glory with him.

When Eva Peron, Argentina's most famous First Lady, died in 1952, her body was embalmed. Three years later, her widower, Juan Peron, was deposed in a coup. But military officers feared her corpse would become a rallying point of protest against the new government. So they stole it. Over the next few decades, Evita's body was stored in several different places in several different countries, inspiring wild stories about its supernatural powers. In 2013, Linda Pressly spoke to Domingo Tellechea, the art restorer charged with repairing the embalmed body.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Evita's body returned from Italy. Credit: Keystone/Getty Images)

What are you most passionate about? Most Christians would respond by saying something like "loving Jesus" or "doing God's work." These are genuine expressions of devotion and warm Abba's heart. Yet it's true that all of us have hidden ruling passions (like loneliness, control, etc.) that can become the primary drivers of our motivation. Join us for this episode of Soul Talks as Bill talks with Dave Wiedis — founder of Serving Leaders Ministries and author of the new book The Spiritually Healthy Leader: Finding Freedom from Self-Sabotage. You'll learn how to grow in self-awareness and abandon yourself to God's care so that King Jesus becomes the supreme ruler of your heart and life. Resources for this Episode:The Spiritually Healthy Leader: Finding Freedom from Self-SabotageLearn More About Dave and Serving Leaders MinistriesAttend a Soul Shepherding RetreatMeet with a Soul Shepherding Spiritual DirectorDonate to Support Soul Shepherding and Soul Talks

Romans 8: 9-17 9 You, however, are not in the flesh but in the Spirit, if in fact the Spirit of God dwells in you. Anyone who does not have the Spirit of Christ does not belong to him. 10 But if Christ is in you, although the body is dead because of sin, the Spirit is life because of righteousness. 11 If the Spirit of him who raised Jesus from the dead dwells in you, he who raised Christ Jesus from the dead will also give life to your mortal bodies through his Spirit who dwells in you.12 So then, brothers, we are debtors, not to the flesh, to live according to the flesh. 13 For if you live according to the flesh you will die, but if by the Spirit you put to death the deeds of the body, you will live. 14 For all who are led by the Spirit of God are sons of God. 15 For you did not receive the spirit of slavery to fall back into fear, but you have received the Spirit of adoption as sons, by whom we cry, “Abba! Father!” 16 The Spirit himself bears witness with our spirit that we are children of God, 17 and if children, then heirs—heirs of God and fellow heirs with Christ, provided we suffer with him in order that we may also be glorified with him.

In 1985, Argentina's former military leaders were put on trial accused of kidnapping, torturing and murdering thousands of their own people. The ‘trial of the juntas' was the first major prosecution of war crimes since the Nuremberg trials following World War Two. Between 1976 and 1983, around 30 thousand people disappeared or were murdered in Argentina during the so-called Dirty War. Military leaders claimed the victims were left wing guerrillas plotting terrorist attacks against their dictatorships, but most weren't terrorists. They were trade unionists or protesters opposing the regime.Luis Moreno Ocampo was an assistant prosecutor during the trial and spoke to Jane Wilkinson about the case.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Prosecutor Luis Moreno Ocampo speaking at the trial, 1985 Credit: AFP/AFP via Getty Images)

Todd DeDecker with the Bishop Hill Heritage Association joined Wake Up Tri-Counties to talk about the Dancing Queen: An Abba Salute concert in Bishop Hill this weekend. Fans of iconic pop band ABBA have a special treat in store as Bishop Hill hosts “DANCING QUEEN: An ABBA Salute” at 1 PM, Saturday, July 12, 2025, in the village park. This free concert features energetic performances and striking costumes, recreating ABBA's timeless hits like “Mamma Mia,” “Waterloo,” and “Dancing Queen.” Along with music, attendees can enjoy hot dogs, baked goods, and apple cider slushes from local organizations, plus the town's restaurants and bakery. Courtesy golf carts will shuttle guests to the park. Attendees are encouraged to bring lawn chairs and enjoy this lively, family-friendly event. For more information, visit www.visitbishophill.com, call 309-927-3899, or email bhha@mymctc.net. The spotlight shines on timeless hits as Dancing Queen: An ABBA Salute takes the stage. Known as the Midwest's premier ABBA tribute act, this production dazzles with over 40 chart-topping songs. Fans are treated to a live journey spanning classics like “Waterloo,” “Mamma Mia,” and “S.O.S,” all performed with remarkable energy and style. The charismatic Agnetha and Frida duo lead the ensemble, infusing the show with vocal power and vibrant flair. With contagious rhythms and iconic fashion, Dancing Queen: An ABBA Salute promises a night of pure nostalgia, inviting the entire crowd to sing and dance in celebration of pop music history.

Best-selling author Joseph O'Connor joins Brendan to talk about his theory that 1975 was a seminal moment for music. The socio-economic and historic moments that informed this year which saw monumental, groundbreaking albums released from Bruce Springsteen, Bob Dylan, ABBA, Patti Smith and the significant influence they had on music.

Why do we pray? Why do we fast? In Matthew 6 Jesus strips away every layer of performance and invites us into a family conversation with the Father. Pastor Scott Wiens unpacks this potent passage by contrasting two identities: boarder and child.A boarder treats God like a landlord—pay the rent of good behavior, expect prompt service on life's leaky faucets. When prayers go unanswered, resentment bubbles up and faith erodes. Jesus warns that this transactional mindset leads only to fleeting human applause: you've “received your reward” already.A child, however, belongs by birthright. Children don't schedule an audience with Dad; they barge in, confident of love. Scott illustrates this with a vivid image: only a child wakes a king at 3 a.m. for a cup of water. That's the access Jesus grants when He teaches us to begin, “Our Father.” The Lord's Prayer then reshapes priorities—honor God's name, seek His kingdom, trust Him for today's bread, release and receive forgiveness, rely on His protection.Prayer's sibling discipline, fasting, suffers the same performance trap. In Jesus' day people disfigured their faces to telegraph how spiritual they were. Today we're tempted to do the digital equivalent. Jesus counters: wash your face, smile, keep it between you and Dad. Fasting becomes an inward hunger for God, not an outward badge of piety.Key takeaways Scott covers:Secret place > public stage – Real reward happens where only God sees.Simplicity > verbosity – Fancy words don't bend God's will; honest words bend ours to His.Identity > transaction – Romans 8 says the Spirit of adoption makes us cry “Abba.” Prayer is family talk, not rent negotiation.Scott ends with the gentle story of an elderly man who set an empty chair for Jesus during prayer; when he died, his head rested on that chair—picture of perfect trust.Press play to let these truths recalibrate how you approach God this week. Then share the message with someone who needs to trade performance for peace.We are Trinity Community Church in Knoxville, Tennessee.Subscribe to our Podcast & YouTube channel to find past sermons, classes, interviews, and more!Find us on Facebook & Instagram

In July 1985, music legends Mick Jagger and David Bowie were asked to perform a duet with a twist at Live Aid, the biggest concert in pop history. Utilising the latest satellite technology, Mick would perform on the US stage in Philadelphia, while David would perform on the UK stage at Wembley Stadium. As the technical issues were being discussed, it soon became obvious that a half-second delay in the link between cities would prevent the live performance from happening, so a recording was planned instead. A short list of songs was discussed before the duo finally settled on the Motown classic Dancing in the Street. Live Aid press officer Bernard Doherty tells Des Shaw how the duet and video were recorded in just 18 hours and became a highlight of the benefit concert on 13 July 1985. A Zinc Media production.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Mick Jagger and David Bowie performing Dancing In The Street. Credit: Getty Images)

In this episode of the Thinking Talmudist Podcast, Rabbi Aryeh Wolbe continues the discussion from Tractate Berachot 5B, building on the previous episode's exploration of the three divine gifts given to the Jewish people through suffering: the Torah, the Land of Israel, and the World to Come. Rabbi Wolbe emphasizes that these gifts require immense effort and perseverance, using the analogy of running a marathon to illustrate that acquiring Torah, for instance, demands complete immersion and overcoming challenges, not innate talent alone. He shares stories of great sages like Rabbi Moshe Feinstein, who achieved greatness through persistent struggle, not effortless brilliance. Addressing the Land of Israel, Rabbi Wolbe firmly asserts its divine allocation to the Jewish people, as promised to Abraham, Isaac, and Jacob, citing Rashi's commentary on the Torah's opening to underscore its eternal significance despite historical disputes. The episode delves into the concept of "afflictions of love," exploring Talmudic stories of sages like Rabbi Chia bar Abba, Rabbi Yochanan, and Rabbi Elazar, who faced illness but were revived through mutual support, highlighting the necessity of external help to overcome personal afflictions. A key story involves Rav Huna, who lost 400 barrels of wine to vinegar due to withholding a sharecropper's due, illustrating the principle of midah k'neged midah (measure for measure). After accepting correction, Rav Huna's loss was miraculously reversed, showing divine communication through afflictions. Rabbi Wolbe concludes by stressing that afflictions are purposeful messages from God to redirect and refine us, urging listeners to view challenges as opportunities for growth and connection to Hashem. The episode ends with a Q&A, affirming that God communicates clearly through tailored actions, encouraging introspection to understand and act on these divine messages.This Podcast Series is Generously Underwritten by David & Susan MarbinRecorded at TORCH Meyerland in the Levin Family Studios to a live audience on June 27, 2025, in Houston, Texas.Released as Podcast on July 4, 2025_____________The Thinking Talmudist Podcast shares select teachings of Talmud in a fresh, insightful and meaningful way. Many claim that they cannot learn Talmud because it is in ancient Aramaic or the concepts are too difficult. Well, no more excuses. In this podcast you will experience the refreshing and eye-opening teachings while gaining an amazing appreciation for the divine wisdom of the Torah and the depths of the Talmud._____________Listen, Subscribe & Share: Apple Podcasts: https://podcasts.apple.com/us/podcast/thinking-talmudist-podcast-rabbi-aryeh-wolbe/id1648951154Spotify: https://open.spotify.com/show/0cZ7q9bGYSBYSPQfJvwgzmShare your questions at aw@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback, please email: awolbe@torchweb.org_____________Keywords:#Talmud, #Torah, #Resilience, #Israel, #Struggle, #DivineGifts, #Suffering, #Support_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Listen MoreOther podcasts by Rabbi Aryeh Wolbe: NEW!! Prayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org ★ Support this podcast ★

In this episode of the Thinking Talmudist Podcast, Rabbi Aryeh Wolbe continues the discussion from Tractate Berachot 5B, building on the previous episode's exploration of the three divine gifts given to the Jewish people through suffering: the Torah, the Land of Israel, and the World to Come. Rabbi Wolbe emphasizes that these gifts require immense effort and perseverance, using the analogy of running a marathon to illustrate that acquiring Torah, for instance, demands complete immersion and overcoming challenges, not innate talent alone. He shares stories of great sages like Rabbi Moshe Feinstein, who achieved greatness through persistent struggle, not effortless brilliance. Addressing the Land of Israel, Rabbi Wolbe firmly asserts its divine allocation to the Jewish people, as promised to Abraham, Isaac, and Jacob, citing Rashi's commentary on the Torah's opening to underscore its eternal significance despite historical disputes. The episode delves into the concept of "afflictions of love," exploring Talmudic stories of sages like Rabbi Chia bar Abba, Rabbi Yochanan, and Rabbi Elazar, who faced illness but were revived through mutual support, highlighting the necessity of external help to overcome personal afflictions. A key story involves Rav Huna, who lost 400 barrels of wine to vinegar due to withholding a sharecropper's due, illustrating the principle of midah k'neged midah (measure for measure). After accepting correction, Rav Huna's loss was miraculously reversed, showing divine communication through afflictions. Rabbi Wolbe concludes by stressing that afflictions are purposeful messages from God to redirect and refine us, urging listeners to view challenges as opportunities for growth and connection to Hashem. The episode ends with a Q&A, affirming that God communicates clearly through tailored actions, encouraging introspection to understand and act on these divine messages.This Podcast Series is Generously Underwritten by David & Susan MarbinRecorded at TORCH Meyerland in the Levin Family Studios to a live audience on June 27, 2025, in Houston, Texas.Released as Podcast on July 4, 2025_____________The Thinking Talmudist Podcast shares select teachings of Talmud in a fresh, insightful and meaningful way. Many claim that they cannot learn Talmud because it is in ancient Aramaic or the concepts are too difficult. Well, no more excuses. In this podcast you will experience the refreshing and eye-opening teachings while gaining an amazing appreciation for the divine wisdom of the Torah and the depths of the Talmud._____________Listen, Subscribe & Share: Apple Podcasts: https://podcasts.apple.com/us/podcast/thinking-talmudist-podcast-rabbi-aryeh-wolbe/id1648951154Spotify: https://open.spotify.com/show/0cZ7q9bGYSBYSPQfJvwgzmShare your questions at aw@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback, please email: awolbe@torchweb.org_____________Keywords:#Talmud, #Torah, #Resilience, #Israel, #Struggle, #DivineGifts, #Suffering, #Support_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Listen MoreOther podcasts by Rabbi Aryeh Wolbe: NEW!! Prayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org ★ Support this podcast ★

We are beginning to understand the nature of how we are to view God through Christ, while coming to understand the nature of how God views us through Christ. From there, the Abba revelation helps explode us into grace. A grace that moves us into face to face union!   Union University - May 6th, 2025

Frances Quinn is a journalist, copywriter and bestselling author. Her new novel, 'The Lost Passenger', tells the story of Elinor Coombes, who boards the Titanic trapped in an unhappy marriage to a controlling husband. When it starts to go down, she sees an opportunity to escape for a new life.Frances began writing after winning a place on the Curtis Brown Creative Novel Writing Course, which led through a meandering path toward publication in 2021. Her debut was 'The Smallest Man'. She followed that up with 'That Bonesetter Woman', which both sold well, yet didn't manage to secure international rights. You can hear what Frances did to learn about foreign markets, in order to get her newest novel sold overseas.As a journalist and copywriter, Frances has written for 'Good Housekeeping', 'Woman's Weekly', and 'Ideal Home', also producing words for Waitrose and Easyjet. We discuss how this has influenced the novels she writes, and why she's forever thankful to her editor.We discuss genre, research, and how Frances learns about her character while having decided exactly what they're up to.You can hear why she's a moany writer, why she likes to exercise early, and why she still keeps office hours.Support the show at - patreon.com/writersroutineko-fi.com/writersroutineGet a copy of the book - uk.bookshop.org/shop/writersroutineIf you have science-mad kids, come and see my science-mad show this summer - funkidslive.com/tourSubscribe to the newsletter - writersroutine.substack.com@writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.

Sunday June 29th, 2025: In this follow-up to our Builder Sons series, Pastor Matt shares a foundational reminder, our aim as builder sons is not what we're building or the fruit being produced. The true aim is, and always has been, union. From abiding in Him, fruit becomes both effortless and inevitable.We're also inviting our entire family into a July assignment: daily communion and a focused reading of John 15, pressing deeper into union and communion with Abba.

Eurovision threw itself a 50th birthday party, and it's now the 20th anniversary of that party! Don't overthink it: just enjoy our discussion of what the Contest was all about back in 2005 and who reigns supreme as the greatest ESC song of all time. Jeremy's talking 'bout his generations, Dimitry demands respect for Everybody, and Oscar's a little over the whole Napoleon thing.Watch Congratulations here: https://www.youtube.com/watch?v=5D-kvTfbMowThis week's companion playlist: https://open.spotify.com/playlist/5TaSUZsdr0pPRd84B61eKb The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Father Heart TV Webcast - 2nd July 2025Walking in the Father's Love - Mark Gyde [...]

Judging by how often US President Donald Trump has repeated the slogan “Drill, baby, drill”, you might think he coined it. But the phrase actually dates back to 2008. It was at the Republican National Convention that former Maryland Lieutenant Governor Michael Steele first used it, arguing the United States needed to become energy independent. The slogan, the result of what Michael describes as a late-night epiphany, quickly entered the mainstream of American politics - adopted by a range of politicians in the years that followed. He shares his memories of that moment with Marco Silva.This programme contains archive from: C-SPAN, PBS Newshour, Fox News, and CNN.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Michael Steele. Credit: Getty Images)

The DOGGZZONE welcomes back Dan McQuade. Eurovision. Finally, ABBA squared. What more needs to be said? The goofing grounds are fertile no matter the year... It is time! Enjoy, you lucky so and so's!

On 1 July 2015, a much-loved lion was killed in Zimbabwe by an American trophy hunter.Black-maned Cecil was one of the star attractions at Hwange National Park. He was baited outside the park and shot with a bow.American dentist Walter Palmer, who reportedly paid a local guide $50,000 to shoot Cecil, was widely condemned. He said he didn't know Cecil was a known local favourite and had relied on the expertise of a local professional guide to carry out a legal hunt.He was cleared of any wrongdoing but the killing became international news and sparked a global debate about trophy hunting and its role in conservation.Prof Andrew Loveridge, who had been tracking Cecil for the Wildlife Conservation Research Unit, tells Vicky Farncombe about the moment he was told the lion had died.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Cecil the lion. Credit: Brent Stapelkamp)

Jun. 28 & 29, 2025 - Worshipping Our AbbaPastor Ed TaylorGalatians 4:1-7 | Study #14813GALATIANS 

Here we go again! Before Wedding month ends we take a trip down to Greece to cover the movie voted in by our patrons, Mamma Mia! We discuss the cst, crying over sincerity, the movies that have been inspired by and heavily reference ABBA, the one guy we both agree is no good and why Mamma Mia fits into the punk mindset. Also: Michelle's singing dream, Seth cries, Pierce Brosnan receives a message and the topic on everyone's mind: bath sheets. check it out! Use code MOVIEFRIENDS to save 25% off your pass at the Stony Brook Film Festival Enter to win a FREE pass to the Stony Brook Film Festival Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Ronnie Phillips is the Lead Pastor at Abba's House in Chattanooga, TN and founder of Ronnie Phillips Ministries International.   ronniephillips.org

01. Demarkus Lewis, Zetbee - U Got It 02. Abba, Tannergard - Voulez Vous 03. Manu Chao, Red Effects, Souler - Bongo Bong (Chao Chao) 04. Ayaz - Dance Party 05. Josh Kalker - Leave Me There 06. Zetbee - Givin' Me A Rush 07. Sugarstarr, Maex - Back Into Time 08. Next Door But One - We Can Always Try 09. Alonso, Rim Deluxe - Music Never Stop 10. The Cube Guys, Albert Marzinotto - Que Rico 11. Jazzy, Jax Jones - Feel It 12. Skogsberg, Akdogan - Groove On 13. Steve Bug, Huxley - Come On 14. Vanilla Ice, Franz Colmer - Ice Ice Baby 15. Raffaele Ciavolino - Breakfast in Tokyo 16. Pawsa - Rendezvous 17. Freenzy Music, Sera De Villalta - Boogie 18. Chris Lake - Savana 19. Maori, Adam Ten, Vintage Culture - Spring Girl 20. Banana Groovz, Jackie - Life Jacked 21. Jason Hersco - Everytime 22. Darius Syrossian, Jamie Coins - Fever 23. Sem Jacobs, Tagmann - Blue Berries 24. Charly - Yes Bassline 25. Yam Nor - Come to Bass 26. Atjazz, Sabrina Chyld - Protection 27. D. Ramirez - Ride That Beat 28. Frank Storm - Sweat 29. Freenzy Music, Sera De Villalta - In The Club 30. Dj Mes - For Tha People 31. Sean Finn, Laurent Simeca - La Verite 32. Kleinfinger, Moiqe - 4luv 33. Dennis Quin - The Liberation 34. Sokotta - Positive 35. Steve Robinson - Pick Em' Up 36. Exyt, Lackmus - Lift Off 37. Dan, Andrea Serra - Queen Of Underground 38. Jamz, Philip Kolak - Dont Give A 39. Seb Skalski, Rona Ray, Seb'S Deep - Toni's Groove 40. Seb Skalski, Rona Ray, Seb'S Deep - Toni's Groove 41. Jay Vegas, Dj Kone & Marc Palacios - Good Of Days 42. Ramin Rezaie - What I Want 43. Prospa, Rahh - This Rhythm 44. Huxley, Gio Lucca - Depends 45. D35 - Let Me Tell Ya 46. Kevin Mckay, Martin Badder, Mr. V - I Want The Vibes 47. Block & Crown, Maickel Telussa - I Love House 48. Obscure Shape, Urban Cc, Traumer Stop - Mana 49. Chico Rose - Chan Chan 50. Fdf - Feel Alive 51. Fdf (Italy) - Rhythm Of Jackin House 52. Zav, Sebb Junior, Larry Houl, Axelle Maga - The Truth 53. Neoteq - BigPhase 54. Croatia Squad, Mark Lower - Get You Off 55. Deeper Purpose, Guz - Don't Waste My Time 56. Luigi Rocca, Castion - Bring This House 57. Ezoh - Won't Wait 58. Julian Rhodes - Febrile 59. Marcellus (Uk), Kina Twins - Change The Password 60. Dale Howard - House 247 61. Killed Kassette, Skapes - That Stuff 62. Lucy Pearl, Fede Aliprandi - Don't Mess With My Man 63. Sanny X - Feeling Good 64. Nimino, Claptone - I Only Smoke When I Drink 65. Jolyon Petch, Dabeat, Med33P - Thriller 66. Dekova, Lizzy Wang - I'm Into You 67. Piero Pirupa, Marco Lys - I Got To Move 68. Seb Todd, Ghetto Birds - Driver's Seat 69. Kevin Mckay, Eppers - In My Dreams 70. Matt Gillespie - Chicago 71. Marix Green - Always Tech House 72. Will Amato - Time After Time 73. Kc Lights, Welt - Fly 74. Angelo Ferreri, Max Millan, Wild Joker - Sun Is Shining 75. Braxe, Falcon, Paul Woolford - Elevation 76. Dj Fresh, Used, Josh Hunter - Higher 77. Marian, Lowderz - Swing Bom 78. Hollaphonic, Sammy Porter - Take Me

River of Life is an inter-denominational, interracial, Spirit-filled church located in the heart of Wakulla County, Florida. We share the sermons from our services in the hopes they'll reach others determined to worship God in spirit and truth.

River of Life is an inter-denominational, interracial, Spirit-filled church located in the heart of Wakulla County, Florida. We share the sermons from our services in the hopes they'll reach others determined to worship God in spirit and truth.

Between 1945 and 1952, ‘happiness trains' transported 70,000 children from southern to northern Italy to live with wealthier families.It was a scheme organised by the Union of Italian Women and the Italian Communist Party in an attempt to make the lives of southern Italian children better.Ten-year-old Bianca D'Aniello was one of the passengers to travel from Salerno in the south to Mestre in the north where she was looked after by a family with more resources.Bianca's life in Mestre was miserable because of Italy's fascist regime and the devastation her city faced in the wake of World War Two. Her journey was nerve-racking as she jumped on a train for the first time saying goodbye to her mum and siblings. What she didn't realise was what life had in store for her in her new life.Bianca speaks to Natasha Fernandes about how that ‘happiness train' changed her life forever. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Children on board an Italian 'happiness train' kiss and wave goodbye to their parents. Credit: Instituto Storico Modena)

When the Medellin Metro opened in 1995, the Colombian city had recently been called the “murder capital of the world” due to the high homicide rate caused by Pablo Escobar's drug wars. The network has grown to include a large cable car network which stretches to the neighbourhoods built into the sides of mountains that surround Medellin. It has helped transform the city into a tourist hot-spot – something unimaginable 30 years ago. Tim O'Callaghan has been speaking to Tomas Andreas Elejalde, who is the general manager of the Metro. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: The metro cable above the city of Medellin. Credit: RAUL ARBOLEDA/AFP via Getty Images)

In June 1968, Senator Robert Kennedy was killed during his campaign for the American presidency.There was nationwide mourning with huge crowds lining the tracks for his funeral train, as it travelled from New York to Washington DC. In 2012, Simon Watts spoke to Kennedy's former press secretary Frank Mankiewicz and to his former bodyguard Rosey Grier. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Robert Kennedy funeral train. Credit: Getty Images)

You're TERRIBLE! This week, Peaches and Michael are celebrating Pride like a couple of dancing queens as they shine a spotlight on 1994's MURIEL'S WEDDING! In addition to discussing why this tragicomedy cult classic resonates with queer viewers, our hosts delve into the undeniable icon status of Toni Collette. Joining the conversation is THE BINGE MOVIE PODCAST's Jason LeRoy, who shares how seeing this film at a young age forged a life-long deep connection. Then, drag superstar Mary Vice stops by to talk about Porpoise Spit's drag appeal and an alternate universe where Abba wasn't involved! From wild vacations to Waterloo, this episode has it all! Go!

Millions of tourists flock to London each year, eager to snap a selfie in front of Buckingham Palace or Big Ben. But beyond the crowds lies a darker – and distinctly stranger – side to the city: a gothic metropolis haunted by tales of demons, poltergeists and murders most foul. Jon Bauckham talks to author and historian Clive Bloom about some of the capital's spookiest stories, and why he believes that the eeriest encounters tend to unfold in the most mundane of places. (Ad) Clive Bloom is the author of London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Flondon-uncanny%2Fclive-bloom%2F9781350424036. From the terror of being strangled by violent thieves to tales that the sewers were infested with a squealing band of pigs, 19th-century Londoners spent much of their time living in fear. Here, Emma Butcher and Tim Blythe reveal what seven such scare-mongering stories can tell us about the psyche of the capital: https://www.historyextra.com/membership/victorian-london-dangers-what-was-life-like/. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On 11 September 1951, the 9.55am train from Prague to Aš, in Communist Czechoslovakia was hijacked and driven to freedom in West Germany. One hundred and eleven people were on board and 34 of them never returned, starting new lives on the other side of the Iron Curtain.The remaining 77 returned to Czechoslovakia to face state security, the Státní bezpečnost, and many were jailed.Rachel Naylor uses an archive interview with Karel Ruml, one of the hijackers, who went on to move to the United States.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A steam train in Czechoslovakia in 1960. Credit: Alamy)

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

In 1949, the Gratitude Train arrived in the United States, made up of 49 wagons filled with thousands of gifts from France.The convoy was a thank-you to American families who'd sent food and supplies across the Atlantic, via a ‘friendship train' in the aftermath of World War Two.It was the idea of a French railworker called Andre Picard. In the same spirit as the friendship train, he asked families across France to make donations.The response was 52,000 gifts that filled 49 rail wagons or ‘boxcars', one for each US state, and to be distributed to American families. Some donations were valuable; a carriage used by King Louis XV. Others were handmade; a knitted scarf or a child's painting.June Cutchins tells Jane Wilkinson about the treasure her family received from the Florida boxcar.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Gratitude train boxcar unloaded in New York, 1949. Credit: Bettmann/Getty Images)