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8 episodes with Paper Mill Playhouse
8 episodes with Paper Mill Playhouse
10 episodes with Paper Mill Playhouse
7 episodes with Paper Mill Playhouse
6 episodes with Paper Mill Playhouse
4 episodes with Paper Mill Playhouse
3 episodes with Paper Mill Playhouse
6 episodes with Paper Mill Playhouse
3 episodes with Paper Mill Playhouse
Dive into a magical behind-the-scenes journey with the cast and creative team of The Little Mermaid, now running at Paper Mill Playhouse through June 29th! This special bonus episode takes you inside the rehearsal room and onstage with the artists who are reimagining the classic Disney tale with heart, humor, and fresh perspective. From the emotional depth of the parent-child relationship to the physical challenges of portraying life under the sea, this production brings new layers to a story we all thought we knew. Hear from director/choreographer Joanne Hunter on how she approached the story from a modern lens, and enjoy candid conversations with the cast as they share what makes this version of The Little Mermaid so special. From bold audition choices to unexpected emotional moments, this episode is a celebration of theatrical creativity and connection. Get your tickets now at https://papermill.org/. Interviewees (in order of appearance): Joanne Hunter – Director & Choreographer Aubrey Mae Davis – Flounder Hillary Fisher – Ariel Haven Burton – Ursula Jared Goldsmith – Scuttle Sean Patrick Doyle – Flotsam Nick Cortazzo – Jetsam Kyle Taylor Parker – Sebastian Graham Rowat – King Triton Lawrence Dandridge – Prince Eric Christopher Gurr – Grimsby Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think.
On today’s episode, Matt Tamanini is in conversation with Broadway favorite Haven Burton, who is currently co-starring in the Paper Mill Playhouse’s production of “Disney’s The Little Mermaid” as Ursula. From growing up as a devoted Ariel fan to relishing the opportunity to dive into the deep backstory of the read more The post Special Episode: Haven Burton on the joys of being the villain in ‘The Little Mermaid’ appeared first on BroadwayRadio.
Broadway Director & Choreographer JoAnn M. Hunter (Bad Cinderella, School of Rock) joins The Art of Kindness with Robert Peterpaul to discuss creating kind communities in theatre, her magical new production of Disney's The Little Mermaid at Paper Mill Playhouse, why she only wants to work with compassionate people and more. JOANN M. HUNTER (Director & Choreographer). Always an honor and treat to be back at Paper Mill Playhouse! Over 30 Broadway, West End, and Australian first-class credits. Directed and choreographed at Carnegie Hall and the Kennedy Center. Early and infant stages: director-choreographer of Jo: The Little Women Musical, Yasuke: The Legend of the Black Samurai, and Birds of New York by Sophie B. Hawkins. I have worked with some extraordinary creatives in my career. How very lucky was I. In honing my craft, I keep my mentors in my heart. I am proud to be a Japanese American woman, and am more than just that. Follow Megan @meganhilty Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Learn more about your ad choices. Visit megaphone.fm/adchoices
Daniel Quadrino Currently playing the role of Boq in WICKED. Other Broadway: The Who's Tommy (Harmonica Player,Tommy/Kevin understudy),Wicked(ensemble, Boq understudy),Newsies(Albert,Crutchie and Davey understudy),Bye Bye Birdie(ensemble,Hugo understudy) National Tours: Waitress(Ogie),Charlie & the Chocolate Factory(Mikey Teavee). Off Bway: Fowl Play (Archie) Other: Frankie Valli in Jersey Boys at Papermill Playhouse. NBC's Peter Pan Live! (Lost Boy),The Goodman,PCLO, The Muny. @dannyquadrino Want to try our Broadway fitness program for free? www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Daniel Quadrino Currently playing the role of Boq in WICKED. Other Broadway: The Who's Tommy (Harmonica Player,Tommy/Kevin understudy),Wicked(ensemble, Boq understudy),Newsies(Albert,Crutchie and Davey understudy),Bye Bye Birdie(ensemble,Hugo understudy) National Tours: Waitress(Ogie),Charlie & the Chocolate Factory(Mikey Teavee). Off Bway: Fowl Play (Archie) Other: Frankie Valli in Jersey Boys at Papermill Playhouse. NBC's Peter Pan Live! (Lost Boy),The Goodman,PCLO, The Muny. @dannyquadrino Want to try our Broadway fitness program for free? www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
EAST COAST PREMIEREBook and Lyrics by Mickle Maher Music by Merel van Dijk and Anthony Barilla Directed by Taibi Magar & Tyler Dobrowsky Commissioned and Co-Produced by Daryl Morey, Philadelphia 76ers President of Basketball OperationsPhiladelphia loves sports, so why not a sports-themed musical? Step into the surreal, magical world of Small Ball, where melancholy journeyman basketball player Michael Jordan (no, not that Michael Jordan) has recently started playing in the international league with the Lilliput Existers – as in Lilliput, from Gulliver's Travels. With teammates who are only six inches tall, the team's fortunes, and the post-game press conferences, rest on Michael's shoulders. Small Ball is an off -beat musical delight, commissioned and co-produced by Daryl Morey, President of Basketball Operations for the Philadelphia 76ers. Directed by Co-Artistic Directors Taibi Magar and Tyler Dobrowsky. An East Coast Premiere.Content Advisory: Small Ball contains strong language, adult themes, and surreal humor. Recommended for ages 13 and up.Adam Chandler-Berat - PIPPINPTC: Debut. Broadway: Next to Normal (original cast); Peter and the Starcatcher (original cast); Amélie (original cast); Saint Joan (revival). Off-Broadway: The Jonathan Larson Project; I Can Get It for You Wholesale; Assassins; The Fortress of Solitude (Lortel Award nomination); Rent; Fly by Night; How to Load a Musket; Nantucket Sleigh Ride; Zorba; Titanic. Regional: A New Brain, Barrington Stage Company; Sunday in the Park with George, Huntington Theatre Company; The Year to Come, La Jolla Playhouse. Film: Delivery Man. TV: Gossip Girl (HBO Max); Veep; Elementary; The Good Wife; Doubt; The Code; NCIS: New Orleans; Soundtrack.JORDAN DOBSON, MICHAEL JORDONPTC: Night Side Songs. Broadway: Bad Cinderella (Prince Sebastian, OBC); Hadestown (Orpheus); A Beautiful Noise (Shilo, OBC); West Side Story (Tony, dir. Ivo van Hove). Tour: Rent (Angel), Japan Tour. Regional: Hair, Signature Theatre and Two River Theater; Austen's Pride, Into the Woods, ACT of Connecticut; The Wanderer, Paper Mill Playhouse; Cabaret, Gypsy, Arden Theatre Company; The Color Purple, Theatre Horizon. Film: Maestro (William), dir. Bradley Cooper; Closing Night (Jericho). More: @jordandobson_.
We're so excited to have Aubrey Matalon join us on the podcast to chat all about playing Flounder in the upcoming production of The Little Mermaid at Paper Mill Playhouse!The Little Mermaid runs from May 29th until June 29th, 2025!
Jasmine Amy Rogers is an Outer Critics Circle Award Winner and Tony Award Nominee for her Broadway debut as "Betty Boop" in BOOP! The Musical, directed by Jerry Mitchell. She has also graced the stage across the country as "Anita" in JELLY'S LAST JAM at Pasadena Playhouse, in the National Tour of MEAN GIRLS, as "Melody Green" in THE WANDERER at Papermill Playhouse, and in the world premiere of BECOMING NANCY at Alliance Theatre. In this episode, Jasmine shares her childhood moment that revealed she wanted to be a performer, why she trusts the universal plan, and how auditioning for BOOP! taught her how to stand up for herself in her career. Boop! Tickets William Finns Falsettos Join Stages Mailing list
A musical adaptation of F Scott Fitzgerald's THE GREAT GATSBY, which began at the Paper Mill Playhouse in New Jersey, has opened month at the London Coliseum. The show began performances at the Broadway Theatre in New York last year and starred Jeremy Jordan and Eva Noblezada, with Ryan McCartan and Sarah Hyland later taking over the leading roles. The West End cast includes Jamie Muscato (Moulin Rouge, Natasha Pierre and the Great Comet of 1812), Frances Mayli McCann (Bonnie & Clyde, Heathers), Jon Robyns (The Phantom of the Opera), Rachel Tucker (Wicked), John Owen Jones (Les Misérables), Amber Davies (Pretty Woman), Corbin Bleu (Little Shop of Horrors), and Joel Montague (Hamilton).With some attention given to one particular review, one from The Guardian newspaper that came with a 1* rating, Mickey-Jo is talking through whether or not it was a reasonable piece of criticism, and how it compared with the West End and Broadway Reviews for the show...•00:00 | introduction02:54 | the 1* review08:51 | the 1* review (contd)15:39 | what do I think?20:16 | the other reviews26:34 | the show's future... •get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
A musical adaptation of F Scott Fitzgerald's THE GREAT GATSBY, which began at the Paper Mill Playhouse in New Jersey, has opened this week at the London Coliseum.The show began performances at the Broadway Theatre in New York last year and starred Jeremy Jordan and Eva Noblezada, with Ryan McCartan and Sarah Hyland later taking over the leading roles.The West End cast includes Jamie Muscato (Moulin Rouge, Natasha Pierre and the Great Comet of 1812), Frances Mayli McCann (Bonnie & Clyde, Heathers), Jon Robyns (The Phantom of the Opera), Rachel Tucker (Wicked), John Owen Jones (Les Misérables), Amber Davies (Pretty Woman), Corbin Bleu (Little Shop of Horrors), and Joel Montague (Hamilton).Check out this full review for Mickey-Jo's thoughts after 4 visits to this show, over 2 years, in 3 different cities...•00:00 | introduction01:47 | overview / synopsis06:55 | script / score18:07 | creative choices25:18 | leading cast33:17 | supporting cast•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Witty actor and singer Jacob Keith Watson is making waves on the Broadway stages. He appeared as Enoch Snow in the Tony-nominated Broadway revival of Carousel. Jacob has also been seen on Broadway in Hello, Dolly!, Brian Crawley's Violet, Craig Lucas' Amélie as Joseph Buquet, Monsieur Reyer in The Phantom of the Opera, Robert Livingston in the acclaimed Encores! revival of 1776, as well as Amos Hart in the National/International tour of Chicago the Musical. Regional and Opera credits include the title role in Shrek with the Sacramento Music Circus and roles in Benny & Joon at the Papermill Playhouse, La bohème, Pagliacci, Pirates of Penzance, Rigoletto, HMS Pinafore, Chicago, Bye Bye Birdie, Seussical, Six Characters in Search of an Author, As You Like It, Twelfth Night, Othello, and The Doctor in Spite of Himself. Symphony engagements includes Kurt Weill on Broadway and New York, New York both with Maestro James Holmes and the Kurt Weill foundation and the tenor soloist in Elijah, Messiah, and Carmina Burana. Jacob is an Arkansas native and proud past winner of the prestigious Lotte Lenya Competition, the NATS National Music Theatre Competition and a regional finalist in the Metropolitan Opera National Council Auditions.
Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld Casting, then Liberman/Patton Casting, working on such shows as Seinfeld, Party of Five, HBO's Band of Brothers, the feature film My Big Fat Greek Wedding and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie. In 2000, Merri moved to Dreamworks Studios as the Casting Executive in charge of TV Pilots and Series- including "Spin City", “Freaks and Geeks” and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of the series "Alias", "NYPD Blue", "The Practice" and the made for television movies "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few. Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Senior Casting Director position where she's been happily ensconced ever since, working on, among many others - the Broadway, touring and international companies of THE WHO'S TOMMY, COMPANY, AIN'T TOO PROUD, JERSEY BOYS,THE PHANTOM OF THE OPERA, LES MISERABLES, SCHOOL OF ROCK, MISS SAIGON, A BRONX TALE, CLUELESS the Musical, TREVOR the Musical (2023 Artios Award) and FIDDLER ON THE ROOF (2024 Artios Award) The TRC office is also responsible for the casting of Billy Crystal's series “Before” for Apple TV and the Broadway productions of The Outsiders, SIX and Death Becomes Her, just to name a few Merri also casts for many theaters regionally – including The Papermill Playhouse, Lyric Opera of Chicago, The Old Globe, Seattle Rep, The Goodman and The La Jolla Playhouse. She is the very proud Casting Director of the critically acclaimed web series SUBMISSIONS ONLY and also boasts having cast many other independent TV & film projects, workshops and readings. In 2024, Merri took on some passion projects on the side, as well. These include the highly acclaimed and starry concert production of “FOLLIES” at Carnegie Hall for Transport Group's annual benefit gala, and a reading of a new play at The Actors Studio written by Lyle Kessler (“Orphans”) and directed by Academy Award winner Bobby Moresco – starring Chazz Palminteri, Tim Blake Nelson and Gina Gershon. In addition, Merri is now also the Casting Director at The South Carolina New Play Festival. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this week's Theater Chat episode, Jeff and Richie dive into the latest buzz from Broadway and beyond. From the revival of Noël Coward's Private Lives and Hugh Jackman's exciting partnership with Sonia Friedman to John Krasinski's Off-Broadway return in Angry Allen, they unpack the biggest theater news of the week. Plus, they discuss Paper Mill Playhouse's upcoming season, Jennifer Lopez's involvement in Kiss of the Spider Woman, and analyze Broadway grosses, highlighting trends in ticket prices and audience engagement. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on all things Broadway on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
Zeniba is an award winner writer, musical storyteller, performer and vocalist. She is currently working on the musical Take the Lead at Papermill Playhouse where is she co-wrote the music and lyrics. Zeniba is also a member of Maestra Music and will be performing at their AMPLIFY2025 gala on Monday, March 31st at Sony Hall! We speak with Zeniba about how one gets involved in creating a new musical, how one writes something based on something else, her involvement with Maestra Music and how Maestra has helped her in her career.Make sure to get your tickets for AMPLIFY2025!
THE DANCE FLOOR PODCAST Season 8 with Host: Anna HarshTake The Lead Guest: Stephani Sosa is a talented latin ballroom dancer that is known for her appearances on So You Think You Can Dance & Dancing with the Stars. In this episode:Stephani tells stories of her studying dance as a young girl as well as gives advice for dancers. She also tells us discusses about her upcoming role in the new musical " Take The Lead." Paper Mill Playhouse in NJMAR 29–APR 27, 2025 - Show datesSet in the pulsating heart of New York City, Take the Lead is a joyful new musical based on the 2006 dance film that starred Antonio Banderas. This electrifying tale is the true story of Pierre Dulaine, a former professional dancer who, against all odds, brought the art of ballroom dance into New York City public schools. This world-premiere musical spotlights a dynamic fusion of ballroom and hip-hop in its music and choreography with a book by Robert Cary and Jonathan Tolins (Schmigadoon!) and a score by Elliah Heifetz and Zeniba Now, Take the Lead will be co-choreographed by Jennifer Weber (& Juliet) and Maria Torres (So You Think You Can Dance) and directed and choreographed by Christopher Gattelli (Newsies, Death Becomes Her).See Stephani perform and get tickets to the show! GET Tickets: https://papermill.org/take-the-lead/Contact Host Anna Harsh: www.AnnaHarsh.com #TAKETHELEAD #BALLROOMDANCE #STEPHANISOSA#TheDanceFloorPodcast
In this episode of Creative Risk, Broadway star Jelani Remy joins us for an open and inspiring conversation about longevity, adaptability, and joy in the industry. From his early days at Paper Mill Playhouse to leading The Lion King as Simba for nearly a decade, Jelani has built a career defined by passion, perseverance, and an infectious love for the craft. He shares his perspective on keeping performances fresh even after thousands of shows, why leading with gratitude has shaped his career, and how embracing community has helped him navigate the highs and lows of the business.Jelani also dives into the realities of sustaining a career on Broadway, from the unpredictability of the industry to the importance of mentorship, generosity, and showing up for others. He talks about the shifts in audience engagement, the evolving role of social media, and how artists can build lasting connections both on and off the stage. Whether you're an aspiring performer or a seasoned professional, this episode is packed with wisdom, heart, and a reminder of why we do what we do.Jelani Social Mediahttps://www.instagram.com/itsjelaniremy/?hl=enEPISODE #60 of CREATIVE RISKJoin our Patreon for ad-free early access to episodes, exclusive discounts, weekly Q&As, and so much more. Visit https://www.patreon.com/CreativeRiskPodcast today!Submit your story to Raw & Rising, the mini-series spotlighting hustling creatives—those self-producing, diversifying their income, and tackling challenges head-on. Visit www.artists-strategy.com/creative-risk to pitch your story today. Artist Tax Prep: Affordable tax preparation services for artists & others with self-employment income. "I've been working with them for a few years now and love them." - MikeArtist Tax Prep Websitehttps://www.artisttaxprep.com/Artist Tax Prep Instagramhttps://www.instagram.com/artisttaxprep/Email info@artisttaxprep.com and mention Creative Risk for a free 15 minute "fit check." —Thanks for listening!Join our email list for our weekly newsletter with deep insight on our personal artistic journeys: www.artists-strategy.com/signupSubscribe on Apple Podcasts: podcasts.apple.com/us/podcast/creative-risk/id1706381310Subscribe on Spotify: open.spotify.com/show/5hzvD8HgCjOo1NcA5zBDN4?si=404a2369523a45cbFollow Us on IG: www.instagram.com/creativeriskpod/Follow Us on TikTok: www.tiktok.com/@creativeriskpod— “CREATIVE RISK”, is a new podcast hosted by actors Joshua Morgan and Mike Labbadia of Artist's Strategy where they explore all things art, entrepreneurialism and everything in between. The acting industry is more volatile and competitive than ever before, therefore the artist must evolve in order to take radical ownership over their creative businesses. Each episode, Mike and Joshua will get raw and unfiltered, giving hot takes and cutting edge strategies on how to build a sustainable career in the arts.
In this episode, we slice into the premiere of "Mystic Pizza" at Paper Mill Playhouse, the musical adaptation of the beloved 1988 film. We knead through the dough of this jukebox musical, exploring how it serves up 80s nostalgia with a side of cheesy romance. Does this pizza deliver a satisfying theatrical meal, or is it a half-baked attempt at bringing the cult classic to the stage? We dish out our thoughts on the direction, design, and performances, with a particular focus on the standout female leads. Join us as we debate whether this retro recipe has the right ingredients for Broadway success or if it's better suited for smaller venues. Is "Mystic Pizza" a delicious new addition to the musical theater menu, or does it leave you craving something more original? Tune in for our piping hot take on this nostalgic musical adaptation. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on "Mystic Pizza" on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
MAJOR casting news this week including the latest Little Shop casting (which I CANNOT wait for) Milo Manheim and Elizabeth Gillies! A new musical debuting at Papermill Playhouse, Take the Lead, will be led by Adrienne Bailon-Houghton. In other news, The Louis Armstrong Musical: A Wonderful World has announced its closing, and Hadestown with the OBC will record a proshot!Patreon: Click HERE to become a Broadway Bestie TikTok: @FromTheMezzanineBroadwayInstagram: @FromTheMezzanineBroadwayYoutube: @FromtheMezzanineBroadwayBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95
Send us a textJam Fam, you are in for a treat today! Today's episode is one of living your best life, following your dreams, advocating for yourself and doing things that make you feel good. We so lucky to have Kimberly Marable with us today, currently starring on Broadway in Chicago!Kimberly Marable has spent over 15 years as a working actor. Her Broadway appearances include CHICAGO (Velma Kelly), THE LION KING (u/s Nala, Shenzi, Sarabi) and SISTER ACT (u/s Deloris van Cartier). She was an original cast member of the TONY and GRAMMY Award winning musical HADESTOWN on Broadway where she understudied Persephone and a Fate. Her National and International Touring credits include HADESTOWN (Persephone), THE BOOK OF MORMON, SISTER ACT (standby Deloris van Cartier), DREAMGIRLS, HAIRSPRAY, and THE WEDDING SINGER (u/s Linda). Kimberly has performed at regional theaters including The Guthrie Theater in Minneapolis, The Signature in Arlington, VA and Arkansas Repertory Theatre ("The Rep") in Little Rock, AR; and has participated in the pre-Broadway development of HADESTOWN, PAL JOEY with Marin Mazzie & Patina Miller, and THE WANDERER with NKOTB's Joey McIntyre, which made its world premier at Papermill Playhouse. She has appeared on CBS' FBI & BULL, NPR Music's Tiny Desk Concert series, and numerous television specials, including the 85th & 93rd Annual Macy's Thanksgiving Day Parades and the 73rd Annual TONY Awards. Kimberly is the voice of Lorelai in the Netflix Anime series, CANNON BUSTERS and does promotional voice overs for various tv networks. Born and raised in Brooklyn, NY, Kimberly earned a Bachelors of Arts degree in Theater modified with Sociology from Dartmouth College. She was an adjunct professor for the Theatre Program at Drexel University. In 2012, Kimberly co-founded Broadway Serves, an affiliate program of Broadway Cares/Equity Fights AIDS, which provides theater professionals with community service opportunities. She serves as the Vice Chair on the Advisory Committee for the Entertainment Community Fund's Looking Ahead program, is on the Entertainment Community Fund's Human Services Committee, and serves on the Board of Trustees for Broadway Cares/Equity Fights AIDS.We hope you enjoy today's conversation with the incredibly talented, Kimberly Marable.Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com
We're thrilled to be joined by Alaina Anderson to chat all about Mystic Pizza! Alaina talks with us about the iconic movie, her favorite song from the '80s/'90s music catalog featured in the show, Hot Take Pizza questions, and more! You can catch her starring as Katherine 'Kat' Arujo in Mystic Pizza, currently playing at Riverside Theatre and coming soon to Paper Mill Playhouse.
On this very special, Christmas Week episode of BroadwayRadio, Matt Tamanini is in conversation with the two stars of the current Paper Mill Playhouse production “Irving Berlin's White Christmas” running now through Sunday, Dec. 29, Max Clayton and Casey Garvin. They discuss what extremely non-period-appropriate Christmas music they use to read more The post Special Episode: Clayton, Garvin on the Joy of ‘White Christmas’ appeared first on BroadwayRadio.
Christy Altomare and I first met when I had the honor of directing her in her college production of Little Women. Immediately after graduating from Cincinnati College Conservatory of Music, she led the 1st National company of Spring Awakening, starring as Wendla, and her star has only continued to rise ever since. She originated the role of Anya in the Broadway production of Anastasia for which she received the Theatre World Award and was nominated for an Outer Critics Award and a Drama Desk Award for lead actress in a musical. She made her Broadway debut as Sophie Sheridan in Mamma Mia! Off-Broadway, Christy portrayed the role of Sue Snell in MCC's revival of Carrie the Musical. Christy can be heard on cast recordings of both Anastasia and Carrie. Regional credits include Jerusha Abbott in John Caird and Paul Gordon's production of Daddy Long Legs, Guinevere in Camelot, and most recently in two musicals with their sights set for Broadway, as Sue in The Wanderer the Musical at Papermill Playhouse and Scarlett in Noir the Musical at the Alley Theater. Along with her passion for musical theater, she is a songwriter/recording artist who recently released her new album of original music, Wandering Bird. Tune in as we chat about her life and career, as well as her most recent role, that of mom to son Preston! Christy is truly one of the most remarkable humans I've ever known and every bit of that empathy, intelligence and fierce artistry is on display in our catch up session - so sit back and enjoy!
The end of the year is a busy time for arts administrators, packed with holiday campaigns and fundraising deadlines. With so much happening, it's easy to lose sight of the bigger picture. So today we're taking a moment to pause, reflect, and reconnect with our “why.” In this episode, we revisit a popular Boot Camp 2024 conversation with CI President Priya Iyer Doshi and Terri Freeman, President of The Lewis Museum, about purpose-driven leadership and the resilience of our industry. Then, we ask arts administrators to reflect on their year and what's fueling their passion in 2025. It will leave you feeling grounded, inspired, and ready to tackle what's ahead. CI to Eye with Terri Freeman (1:30) - Live from Boot Camp 2024, CI President Priya Iyer Doshi sits down with Terri Freeman, President of The Lewis Museum. Together they discuss purpose-driven leadership, resilience, and navigating uncertainty with clarity. It's a timely conversation and a powerful reminder of the importance of our work. Ask The Industry (59:30) - Dan takes his microphone to the Boot Camp floor to ask arts administrators about their year in review. They share their excitements, challenges, and what's keeping them inspired as we roll into 2025. Listen for familiar voices from Acadiana Center for the Arts, ArtOps, ArtsWave, Ballet BC, Carnegie Hall, Chanhassen Dinner Theatres, Charleston Gaillard Center, Cincinnati Arts Association, Hopkins Center for the Arts, Houston Ballet, Huntington Theatre Company, Lincoln Center for the Performing Arts, Madison Symphony Orchestra, New York Theatre Workshop, Paper Mill Playhouse, Proctors Collaborative, Signature Theatre, Trinity Rep, University Musical Society, YoungArts, and ZACH Theatre.
In this episode, we unwrap the festive charm of "White Christmas" at Paper Mill Playhouse, a beloved holiday classic brought to life on stage. We dive into how this iconic Irving Berlin musical translates from screen to stage, exploring the nostalgic appeal and timeless themes that continue to captivate audiences. From the dazzling dance numbers to the heartwarming harmonies, we discuss the production's highs and lows, including a candid look at the sound design that caught our attention. We analyze standout performances, debate the relevance of holiday musicals in today's theater scene, and ponder whether this production adds a fresh sprinkle of snow to the cherished story. Is Paper Mill's "White Christmas" a must-see holiday treat or a reheated leftover? Tune in as we share our thoughts on this seasonal spectacle and what it reveals about the enduring magic of classic musicals in regional theater. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on "White Christmas" on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
Dance Talk” ® with Joanne Carey and special guest, Jarod Lewis, manager of the costume shop, New York City Ballet. In this episode of Dance Talk, Joanne Carey continues her conversation with Jarod Lewis, the manager of the New York City Ballet Costume Shop. They delve into the intricate world of costume design, particularly focusing on the beloved Nutcracker ballet. Jarod shares insights into the preparation for the Nutcracker season, the longevity and craftsmanship of costumes, and the historical significance of certain pieces. The discussion highlights the importance of documenting the work of costume makers and the collaborative effort behind each performance. Jarod also showcases various costumes, emphasizing the attention to detail and the artistry involved in their creation. In this engaging conversation, Joanne Carey and Jarod delve into the intricate world of costume design and reconstruction. They explore the meticulous process of maintaining and rebuilding costumes, the importance of communication between dancers and costume makers, and the essential tools and techniques used in the costume shop. The discussion highlights the blend of artistry and engineering that goes into creating costumes that not only look beautiful but also function effectively on stage. Jarod shares insights into the science behind fabric manipulation and the significance of understanding the dancer's needs during fittings, emphasizing the collaborative nature of costume design. Jarod Lewis, has been the Costume Shop Manager of the NYC Ballet since 2021 where he works alongside the Director of Costumes, Marc Happel, to lead the Costume Shop towards creating the costumes for new ballets and the refurbishments and rebuilds of existing works. During his time at NYCB Jarod and his team of 16 artisans have created 18 world premiere ballets and are preparing for 3 more for this coming Fall and Winter seasons. Before working at NYC Ballet Jarod was the Assistant Designer and Shop Manager at Halsey Onstage, a costume production company in Chicago, IL. There Jarod worked alongside the late Travis Halsey to create over 250 custom costumes that have been worn on stages such as Sea World San Antonio, Papermill Playhouse, Houston Ballet, Vero Beach Ballet, The Joffrey Ballet, and for YAGP. They also created costumes that have been worn in various ballets, musicals, tv shows, and operas across Canada, Australia, and France. Before beginning his career in costuming, Jarod grew up in the Appalachian Mountains of Eastern Kentucky where he began his journey working in the performing arts by receiving his BA in Music at Morehead State University and continued education of Music Production and Technical Theatre at Troy University. Jarod has performed with various music groups on stages such as Universal Studios in Orlando, FL, the Gulf Coast Symphony Orchestra in Pensacola, FL, and on an international orchestra and percussion ensemble tour in Beijing and Tianjin, China. Alongside Jarod's music career he also worked as a freelance recording engineer and the audio engineer in the marching arts with two Drum and Bugle Corps; The Santa Clara Vanguard Cadets from San Jose, California and The Cavaliers from Chicago, IL “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/ Tune in. Follow. Like us. And Share. Please leave us review about our podcast! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Dance Talk” ® with Joanne Carey and special guest, Jarod Lewis, manager of the costume shop, New York City Ballet. In this first episode of two with Jarod Lewis, the manager of the New York City Ballet costume shop, join host Joanne Carey as she dives into the intricacies of costume making for the New York City Ballet and some behind the scenes and stay tuned for Part II of our converstaion where we talk all things NUTCRACKER! Jarod shares his unique journey from a small farming community in Eastern Kentucky to managing the costume shop at one of the most prestigious ballet companies in the world. He discusses the intricate art and science of costume making, the importance of communication in a diverse workplace, and the challenges faced during the COVID-19 pandemic. Jarod emphasizes the attention to detail required in costume design, including dyeing fabrics to match dancers' skin tones, and the collaborative effort involved in bringing a ballet to life. The conversation highlights the passion and dedication of those working behind the scenes in the dance world. Jarod's passion for his work shines through as he reflects on the lessons learned throughout his career and the exciting projects ahead. Jarod Lewis, has been the Costume Shop Manager of the NYC Ballet since 2021 where he works alongside the Director of Costumes, Marc Happel, to lead the Costume Shop towards creating the costumes for new ballets and the refurbishments and rebuilds of existing works. During his time at NYCB Jarod and his team of 16 artisans have created 18 world premiere ballets and are preparing for 3 more for this coming Fall and Winter seasons. Before working at NYC Ballet Jarod was the Assistant Designer and Shop Manager at Halsey Onstage, a costume production company in Chicago, IL. There Jarod worked alongside the late Travis Halsey to create over 250 custom costumes that have been worn on stages such as Sea World San Antonio, Papermill Playhouse, Houston Ballet, Vero Beach Ballet, The Joffrey Ballet, and for YAGP. They also created costumes that have been worn in various ballets, musicals, tv shows, and operas across Canada, Australia, and France. Before beginning his career in costuming, Jarod grew up in the Appalachian Mountains of Eastern Kentucky where he began his journey working in the performing arts by receiving his BA in Music at Morehead State University and continued education of Music Production and Technical Theatre at Troy University. Jarod has performed with various music groups on stages such as Universal Studios in Orlando, FL, the Gulf Coast Symphony Orchestra in Pensacola, FL, and on an international orchestra and percussion ensemble tour in Beijing and Tianjin, China. Alongside Jarod's music career he also worked as a freelance recording engineer and the audio engineer in the marching arts with two Drum and Bugle Corps; The Santa Clara Vanguard Cadets from San Jose, California and The Cavaliers from Chicago, IL. “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/ Tune in. Follow. Like us. And Share. Please leave us review about our podcast! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
The popular Broadway musical adaptation of The Great Gatsby is heading to London in 2025 with a 6 month limited run at the London Coliseum! The show, which premiered at Paper Mill Playhouse in New Jersey in 2023 currently stars Jeremy Jordan (Newsies, Bonnie and Clyde) and Eva Noblezada (Hadestown, Miss Saigon). Check out today's news recap to find out everything we know so far about this newly announced production, which show it is rumoured to be replacing and what this means for the Florence Welch composed 'Gatsby: An American Myth'... • 00:00 | introduction 02:22 | context / history 10:40 | West End details 14:45 | casting speculation... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
4:15:11 – The Three Weasels in New Jersey, plus the Other Side. Topics include: Meeting the Weasels at the dead mall, endlessly wandering, Eagle Rock Observation Deck, massive downpour, Pleasant Valley Way, mini golf course without the golf, Paper Mill Playhouse, American Dream, Bryan meets Gloria Gaynor, some more wandering, Route 280, and much more… plus the […]
4:15:11 – The Three Weasels in New Jersey, plus the Other Side. Topics include: Meeting the Weasels at the dead mall, endlessly wandering, Eagle Rock Observation Deck, massive downpour, Pleasant Valley Way, mini golf course without the golf, Paper Mill Playhouse, American Dream, Bryan meets Gloria Gaynor, some more wandering, Route 280, and much more… plus the […]
In the next episode of Broadway Drumming 101, we are excited to showcase Skyler Fortgang, the talented drummer currently leading the rhythm of The Great Gatsby on Broadway. Skyler takes us through his journey, sharing how his diverse experience, from subbing on shows like Paradise Square and A Strange Loop to performing at renowned venues like Paper Mill Playhouse, prepared him for his current role. He discusses the varied musical styles in The Great Gatsby and how the show's musical demands keep him creatively engaged.Skyler's story is one of perseverance and adaptability. It proves that being open to various musical opportunities can lead to landing a dream gig on Broadway. Whether you're an aspiring drummer or a theater enthusiast, Skyler's insights offer a valuable perspective on the hustle and artistry behind the scenes. Take advantage of this episode, releasing on August 17th. Subscribe on Spotify, Apple Podcasts, or wherever you get your podcasts.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Skyler Fortgang is a drummer/percussionist, producer, keyboard programmer, and music director based in New York City.He has played in a variety of Broadway, Off-Broadway, touring, and regional theater productions and recorded for many artists across a wide array of genres. He appears on multiple albums with artists like Cristina, The Other Lovers, Skylar Pocket, Kathleen Elle, Andre Molina, and more.Skyler is a diverse musician, proficient in all areas of percussion, including drumset hand percussion, mallet percussion, and classical percussion, specializing in musical theater percussion and drumset performance.In addition to being a percussionist, he has extensive experience in music direction and conducting and a proficient knowledge of industry-standard performance software such as Mainstage and Ableton.He holds a B.M. in Percussion Performance from Mason Gross School of the Arts at Rutgers University (2019), studying under Joseph Tompkins, Javier Diaz, Kyle Zerna, and Mike Truesdell. Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK! Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Send us a Text Message.Welcome back Jam Fam! We know you are going to love this episode with the fabulous Caylie Rose Newcom. Caylie is a wealth of knowledge, positivity, charm and great energy that has made her mark in the NYC dance world. An educator and a triple threat, she has worn many hats in her career. Today we talk a bit about what makes her tick, how to be your authentic self in the dance world, and all the other fun things that we get into on the podcast. We hope you enjoy listening to our latest episode!Caylie Rose Newcom is a professional performer, associate, and dance teacher in NYC! Favorite NYC credits include: Radio City Music Hall's Christmas Spectacular (Swing, Asst Dance Captain), Noir, a new musical workshop and The Tony Awards 2023 where she performed in the Opening Number. Tours include the 1st National Tour of Charlie and the Chocolate Factory and FAME: The Musical. Some regional credits include performing at The MUNY, Paper Mill Playhouse, Casa Manana Theatre, North Carolina Theatre, Weathervane Playhouse, and the Palace Theatre. Caylie has worked in Ensemble, Principal, Dance Captain, Understudy, Swing, Associate Choreographer, and Associate Director positions. She has taught at Marymount Manhattan College and Circle in The Square Theatre School. Caylie currently shares her joy for dance while teaching at AMDA!This episode is proudly sponsored by Thrive Dance Experience. For more information, go to: https://thrivedanceexperience.com/Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com
Jessica Fontana admits that her need to feel like she's in control impacts her journey in balancing her professional and personal life. Her passion for performing arts began with ballet, which eventually set the stage for her career in musical theater. While Jessica's mom highly supported her artistic endeavors, her father initially wasn't. She talks about her college experience at the University of Michigan and its role in shaping her career and changing her dad's mind. Married to fellow actor, Santino Fontana, she recalls how they met at Birdland Jazz Club, recounting how he left before they could get a drink together, only to friend her on Facebook later that night, slipping into her DMs. Jessica explained her shift from performing regularly to creating her album, "Every Day Special" – a transition that allowed her more control over her creative work and schedule, reflecting her desire for creative autonomy and finding joy and fun in whatever she does. Jessica Fontana is an actress, and the writer, host, co-creator, and co-executive producer of “Everyday Special”, an improvised satirical podcast. She has starred on Broadway in the title role of Rodgers and Hammerstein's “Cinderella”, “Baby It's You”, and “Pipe Dream” in New York City Center's Encores! Series. She's been seen in the hit web series “Submissions Only”, and has starred in the world premiere productions at regional theaters, including the Goodspeed Opera House, Paper Mill Playhouse, Signature Theater, and Carnegie Hall. Also a songwriter, she recently released her solo debut album, “Every Day Special”. Connect with Jessica: Website: www.jessica-fontana.com Instagram: @iamjessfontana Listen to “Every Day Special” Album Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
It's just been announced that Disney's Hercules will open at Theatre Royal, Drury Lane in the West End in Summer 2025.The musical has previously been seen at Paper Mill Playhouse in New Jersey and currently runs in Hamburg, Germany.Check out today's new theatre news recap video to find out why this is so exciting, and what you can expect from this stage production!•00:00 | introduction02:40 | Hercules stage history07:53 | the West End news11:59 | casting thoughts...•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
On the latest Whisper in the Wings from Stage Whisper, we bring you further coverage of Paper Mill Playhouse's production of Beautiful: The Carole King Musical. This time we sat down with the amazing director, Casey Hushion. This was a fantastic conversation further talking about this piece, and came with some amazing insight about Casey's career in the theatre. So be sure to tune in, and hurry and get your tickets while you still can!Beautiful: The Carole King MusicalJune 5th -July 3rd@ The Paper Mill PlayhouseTickets and more information are available at papermill.org And be sure to follow Casey to stay up to date on all her upcoming projects and productions:caseyhushion.com
Gun and Powder is running at the Paper Mill Playhouse through May 5th. Find out more at www.papermill.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
A lot has changed since Izzy McCalla first appeared in episode 38 back in 2019 and she's more than happy to share the latest news in her journey – from her early roles to now playing Marlena in "Water for Elephants." She reflects on how each role built her confidence and prepared her for new challenges, her tendency to gravitate towards ensemble pieces, and her ability to go back and forth between the comedic and dramatic genres. Izzy opens up about the challenges of replacing actors in established shows, the pressure of delivering in front of audiences, and the process of finding inner peace and self-acceptance. She shares an important lesson on being funny on stage, and that nothing kills comedy faster than hesitation and anxiety. Currently playing as Marlena in “Water for Elephants,” she talks about the character's complexities, and her evolving perspective on love, relationships, and self-worth. She also discusses her Haitian heritage and its personal connection to her role, sharing her family's history and how they immigrated to Haiti with the Danish circus. Izzy gets real as she opens up about vulnerability, self-discovery, her tendency to fix others, and the importance of setting boundaries while maintaining empathy as she navigates emotional growth. Izzy McCalla first appeared in episode 38 back in 2019 and our special 150th Pride episode in June of 2021. Since then, she has added more credits, including the Paper Mill Playhouse production of “Clue” and “Hercules”, and “Footloose” at the Kennedy Center, and was part of the closing cast of "Shucked" earlier this year. She's currently part of the recently opened production of “Water for Elephants” as Marlena. Connect with Izzy: Instagram: @izzymccalla Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
We are thrilled to be joined by Aaron James McKenzie to chat all about playing Elijah in the Paper Mill Playhouse production of Gun & Powder! Gun & Powder is a new musical inspired by the true story of Mary and Martha Clarke, African American twin sisters who take extraordinary measures to settle their mother's sharecropper debt and save her home. In 1893 Texas, the Sisters Clarke—passing as white—embark on a remarkable Wild West adventure that examines race, family, and identity with two electrifying women who transformed from farm girls to outlaws to legends. Catch Gun & Powder now through May 5th at Paper Mill Playhouse!
Gordon Greenberg has directed on Broadway, Off-Broadway, in London's West End, written for television and stage, and developed, directed and produced new works for arts institutions across America. Current Directing/Writing projects include The Heart of Rock and Roll , which opens on Broadway at the James Earl Jones Theatre in April, 2024, following its record breaking run at The Old Globe, the hit Off-Broadway show Dracula, A Comedy of Terrors (Director & Co-Writer, with Steve Rosen, New World Stages & podcast starring John Stamos, Laura Benanti, & Annaleigh Ashford), a new musical about Picasso (directing & co-writing with Stephen Schwartz & Caridad Svich), the NBC television series Most Talkative (Co-Executive Producer/Writer, NBC, Blumhouse, Andy Cohen), Crime and Punishment, A Comedy (directing & co-writing with Steve Rosen) for the Old Globe, a London revival of The Baker's Wife (Menier Choclate Factory, 2024), Single White Female (A.T.G.), The Wedding Banquet (Ang Lee, Hua Musicals, Taiwan), Ghost Tour, The Play, and the new comedy podcast series Rolling Calls starring Julie Halston & Richard Kind (co-writer, Steve Rosen). His acclaimed revival of Who's Afraid of Virgina Woolf starring Calista Flockhart and Zachary Quinto at the Geffen Playhouse won the Los Angeles Drama Critics Award for Best Revival. Variety called it “Inspired”, the L.A. Times called it “Unerringly good…Qunto & Flockhart expose something infinitely fragile in Edward Albee's shatterproof play”, Entertainment Weekly called it “A riveting production…brilliantly staged by Gordon Greenberg”, and the Wall Street Journal called it “Intriguing…Here, unusually, there is the suggestion that the oncoming dawn may truly presage a fragile new beginning.” Other directing work includes the revisal of Working (Drama Desk Award, adapted with Stephen Schwartz and Lin-Manuel Miranda), Jacques Brel…(Drama Desk, Drama League, Outer Critics Award noms), Terms of Endearment with Alfred Molina & Calista Flockhart (Geffen Playhouse for Greg Berlanti), the stage adaptation of Tangled (Disney), Johnny Baseball (Williamstown), Stars of David by Jeanine Tesori, Tom Kitt, Tony Kushner (Daryl Roth), Pirates! (created with Nell Benjamin, Huntington, Paper Mill, Goodspeed, MUNY), Band Geeks! (also co-writer, Goodspeed, NEA grant), The Baker's Wife (Paper Mill, Goodspeed), 1776 (Paper Mill), Floyd Collins (Signature), the Klezmer-Rock reimagining of Isaac Bashevis Singer's Yentl (Asolo Rep), Blue Sky Boys by Deborah Breevort (Capital Rep.), the professional premiere of Edges The Musical (Capital Rep.), the acclaimed reimagining of Jesus Christ, Superstar starring Billy Porter (Helen Hayes, St. Louis MUNY), the U.S. national tour of Guys & Dolls, Disney's Believe, the Disney Fantasy Christening (with Neil Patrick Harris & Jerry Seinfeld), West Side Story (MUNY, Circle Award nom), Happy Days, A New Musical (Paper Mill, Goodspeed, U.S. National Tour), Vanities, A New Musical (Theatreworks Palo Alto - San Francisco Bay Area Theatre Critics Award), We The People (Lucille Lortel Theatre & Paper Mill Playhouse), Rags (Roundabout, workshop), and the all-female workshop of Man of La Mancha (Mirvish, Toronto), Other writing work includes, for television, Herbie Rebooted for Disney, Emerald City Music Hall, an original movie musical for Nickelodeon Television and Scramble Band, an original movie musical for the Disney Channel, The Single Girls Guide (co-writer Tommy Newman) for Dallas Theatre Center, Ars Nova, Capital Rep, the podcast Theatre Camp (with Jonathan Marc Sherman) for Sirius XM, Killing Time (with Steve Rosen), an At Home Play Commission from The Old Globe, and the new book of Meet Me In St. Louis for the St. Louis MUNY's 100th Anniversary. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode, we discuss the new musical GUN & POWDER playing at Paper Mill Playhouse. Please note that this episode will contain spoilers about the show. If you haven't seen the show yet, you can catch GUN & POWDER playing until May 5th at Paper Mill. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Please share your thoughts on GUN & POWDER on our podcast cover post. Learn more about your ad choices. Visit megaphone.fm/adchoices
While several projects were given the green light this year as Gatsby entered the public domain, we are breaking down the Broadway-bound version starring Jeremy Jordan and Eva Noblezada. Let us repeat the past for you as we review our experience at the Paper Mill Playhouse! Come on old sport, hop in! . . . "For Her/My Green Light" - The Great Gatsby The Musical Youtube "A Little Bit" - I Could Use a Drink: The Songs of Drew Gasparini All music tracks used for educational and entertainment purposes only.
We were so honored to welcome Tony Award Nominee, Jeannette Bayardelle, onto the latest Whisper in the Wings from Stage Whisper. She joined us to talk about her new show, Gun & Powder, which is currently playing at the Papermill Playhouse. This conversation was as amazing as the production is. So make sure you tune in and get your tickets while you still can!!Gun & PowderApril 4th- May 5th@ The Papermill PlayhouseTickets and more information are available at papermill.orgAnd be sure to follow Janette to stay up to date on all her upcoming projects and productions:jeanettebayardelle.com@gunandpowdermusical@jbayardelle broadwaytowallstreet.com
Diane Foster is the director of Easter Bloody Easter and founder of Wallybird Productions. But before she became a filmmaker, she was an actor, singer and dancer. She trained her entire life in New Jersey, where she grew up in Union in a large family. She started performing at 8 and was Little Miss Union and she did lots of regional theatre. Diane later went to the Paper Mill Playhouse in Milburn, New Jersey every Summer throughout high school. Diane went to conservatory for years with Anne Hathaway and after winning an award, she realized, acting, could be a career. She moved to New York and did lots of off Broadway and a stint on Law and Order: SVU. By 21, she was living in LA and after 2 weeks there, she met Robin Antin who created The Pussy Cat Dolls. Diane became a dancer for the live show, Pussy Cat Dolls Live at The Roxy. Prior to becoming a group and it was a revue with 20 dancers. When she wasn't dancing Diane was auditioning for independent films, her first role she was in a movie called Iowa and a documentary called Dying For Meth, she was 24 years old and Iowa was selected to show at Tribeca. Soon the Orphan Killer franchise began and after the sequel, she moved on to create her own production company called Wallybird Productions in 2018 and so far has 17 projects completed. Easter Bloody Easter was inspired by a play that began in an acting class. So Diane and some other actors (Allison Lobell and Miles Cooper) from the play got together and took the show on the road but then the pandemic put a stop to that. So Diane decided to turn it into a film, Allison wrote the script and she, Diane and Kelly Grant hit the ground running. This was Diane's directorial debut. Easter Bloody Easter is an indie holiday film with physical effects, lots of hilarious killer bunnies and a monster jackelope. It's a slow burn that only gets better as you watch it. Plus if you like music, this one has plenty of it. Rocky Horror and Little Shop of Horror Fans, this one is for you! And Diane and Co. has already started working on the sequel. Ms. Foster does not just do horror, she is socially conscious and Wallybird Productions is about giving people opportunity who are too often overlooked, in front of and behind the camera. It's her contribution to change the landscape of the film industry and you can expect every one of her productions to be diverse. If you like docudramas, keep an eye out for My Home Unknown, in keeping with Wallybird's dedication to change, this film is an eye opening story about a houseless woman struggling with mental illness. Last but not least, Easter Bloody Easter is out and streaming on itunes, apply play and Amazon on March 26, 2024! There will be physical copies that begin releasing on April 2nd and pre-orders are open! And keep an eye out for the soundtrack. Find all things Wallybird Productions right here: https://wallybirdproductions.com Find Diane Foster's socials here: https://www.instagram.com/wallybirdproductions https://www.facebook.com/dianefosterofficial https://www.instagram.com/dianefosterofficial/?hl=en Find the rest of us: Carlos Ibarra on IG @jekyl6669 and https://www.fillintheblanksproductions.ca/ Christopher Thompson on IG @theauthor__ Kimberly at http://www.macabreish.com and IG and Tiktok @macabre_ish. https://linktr.ee/macabre_ish
Performer Jasmine Amy Rogers joins The Art of Kindness with Robert Peterpaul to discuss bringing icon Betty Boop to life onstage in Boop! The Musical, battling imposter syndrome, amplifying historically underrepresented voices and more this women's history month. Jasmine Amy Rogers (she/her) recently finished a run as the titular role of “Betty Boop” in the World Premiere of BOOP! THE MUSICAL at Chicago's CIBC Theatre, directed by Jerry Mitchell. Prior to that she was seen as “Gretchen Wieners” in the First National Tour of MEAN GIRLS, “Melody Green” in Paper Mill Playhouse's production of THE WANDERER, and as “Francis Bassey” in the world premiere of BECOMING NANCY, also directed by Jerry Mitchell, at the Alliance Theatre. On television she has appeared in EVIL on Paramount+. To learn more about Maestra Music's Amplify 2024 and get tickets, please visit: maestramusic.org/amplify/ Follow Jasmine: @jasmine_amy_r Follow us: @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
For the latest Whisper in the Wings from Stage Whisper, we head back to New Jersey, and to the infamous Paper Mill Playhouse, to talk about their current production, After Midnight. And joining us to talk about this wonderful show are the co-director/choreographer, Dominique Kelley, and the co-director Jen Bender. This was an incredible conversation breaking down this unique and exciting production of this wonderful show that will leave your toes tapping and your hand sore from clapping. So make sure you tune in to this great interview, and get your tickets now before they are gone!Paper Mill Playhouse PresentsAfter MidnightNow- February 25th@ The Paper Mill PlayhouseTickets and more information are available at PaperMill.orgAnd be sure to follow our guests to stay up to date with all their upcoming projects and productions:Paper Mill Playhouse: papermill.orgJen: @msjenbenderDominique: domkelley.com and @domkelley
In this episode, Hayley and Amy speak with book-writer/lyricist/playwright Kait Kerrigan about her extraordinarily fruitful year in 2023, the power of musical theatre to create empathy, and the keys to long and successful collaborations. Click here for a transcript of the episode! Episode Notes Guest: Kait KerriganHosts: Hayley Goldenberg and Amy AndrewsMusic: Chloe Geller Episode Resources: Justice: A New Musical at Marin Theatre Company Indigo at The Human Race Theatre Company Ernxst - commissioned by Concord Theatricals The Great Gatsby - opening on Broadway [DATE] The Time Traveller's Wife Guest Bio: Kait Kerrigan (she/her) is best known for her musical (book and lyrics) with Bree Lowdermilk THE MAD ONES, which includes cult-hit songs “Run Away with Me” and “Go Tonight”. She wrote the book for Broadway-aimed THE GREAT GATSBY, which opened at the Papermill Playhouse in October 2023 and just announced a Broadway opening in 2024. She also wrote additional lyrics for THE TIME TRAVELLER'S WIFE, which opened on the West End in October 2023. Other musicals include INDIGO, JUSTICE, the pop-up immersive house party THE BAD YEARS, and children's shows - HENRY & MUDGE, EARTHRISE, and ROSIE REVERE, ENGINEER & FRIENDS. Her plays include FATHER/DAUGHTER and IMAGINARY LOVE. Find Kait Online: New Play Exchange Instagram: @kaitkerrigan Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!
Join your Happy Hollywood History Host, Mr. Ben Burke, and Broadway and Off-Broadway performer Ruby Rakos for part 2 of their discussion on Vincente Minnelli's 1944 holiday musical "Meet Me in St. Louis" from MGM starring Judy Garland, Margaret O'Brien, Lucille Bremer, Mary Astor, Leon Ames, Marjorie Main, Harry Davenport, Joan Carrol, and Tom Drake. Ruby has performed most recently in Papermill Playhouse's production of "Chasing Rainbows: The Road to Oz" as Judy Garland. Be sure to tune in on Friday, December 29th for a very special episode of the Hollywood Babylonians for "The Hollywood Babylonians Present A Lux Radio Theatre Drama: Meet Me in St. Louis" as we re-create the original Lux Radio Theatre's production of "Meet Me in St. Louis" from December 2nd, 1946. If you like what you hear be sure to rate, review, subscribe, and give us a follow on Instagram, TikTok, Facebook and YouTube at The Hollywood Babylonians.
In this week's episode I sat down with Katharine Quinn. Katherine is a multi-hypenated theatre creative and content creator. She served as the writing associate on Shucked and is currently working on The Great Gatsby at the Papermill Playhouse and How To Dance in Ohio, which is now in previews and opens on Broadway December 10th. We discuss how Broadway has both changed and remained the same since the pandemic, the ways Broadway could be more accessible through technology, the importance of a show like How To Dance In Ohio and authentic disability representation and much, much more. Follow Katherine: TikTok: @itskatharinequinn Instagram: @itskatharinequinn YouTube: Katharine Quinn - Broadway and Beyond Website: https://www.katharinequinn.com Follow Me: Instagram: @jill_ilana , @alwayslookingup.podcast Website: https://www.jillianilana.com Email: alwayslookingup227@gmail.com This episode was edited and produced by Ben Curwin.
Musical Theatre and Broadway fans, we have some MAJOR shows to break down this week because Lindsey FINALLY saw Jeremy Jordan (her Broadway Boyfriend) in The Great Gatsby at Papermill Playhouse! Broadway Grosses holds a few surprises and then in our news stories, we recap the AMAZING casting news over at The Notebook Musical and then are saddened by the Sweeney Todd news that Gaten Matarazzo is stepping away as Tobias. Broadway GrossesThe Notebook CastingGaten Matarazzo Leaving Sweeney ToddTikTok: @FromTheMezzanine_PodcastInstagram: @FromTheMezzanine_PodcastBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95
An award-winning theatrical costume designer who has collaborated with The American Conservatory Theater, Teatro Zinzanni, The Roundabout Theatre Company, Cabaret Zazou, California Shakespeare Theater, Berkeley Repertory Theatre, Walnut Street Theatre, Cleveland Playhouse, TheatreWorks, Classic Stage Company, Northlight Theatre, The Papermill Playhouse and The Pasadena Playhouse. She has created costumes for A Christmas Carol, Comedy of Errors, Test Match, Tales of the City, Scapin, The Government Inspector, The Merry Widow, Crowns, Blue, Everything's Ducky and The Cherry Orchard.
When she's not not behind her computer or visiting the shops in Florida and Houston, our CEO and Founder Jennifer Wheeler Kahn is probably chasing her two boys #InternHudson and #InternJudah around the house, park, library, or museum. Kahn was a professional Stage Manager for 17 years getting to work on such shows as: The Deaf West Revival of Spring Awakening (Broadway), In the Heights (National Tour), The Hunchback of Notre Dame (La Jolla Playhouse and Paper Mill Playhouse), Hold Onto me Darling (Off-Broadway at the Atlantic), Kinship (starring Cynthia Nixon and Christopher Lowell at Williamstown Theatre Festival), and many productions at The Old Globe Theatre and La Jolla Playhouse in San Diego. Over her last 4 years as a Stage Manager she also ran a blog on giveback and ethical style. SCENERY was born as the love child of these two parts of her heart. Ethical style, Theatre, and giving back to make theatre more accessible for others. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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