Podcasts about lincoln center theatre

Exclusive, behind-the-scenes interviews with cast and creatives from LCT's Floyd Collins musical. Recorded on March 11, 2025 in a rehearsal space at Lincoln Center Theatre. Interview order as follows: Ted Sperling Lizzy McAlpine Jeremy Jordan Sean Allen Krill Taylor Trensch Tina Landau Adam Guettel Jessica Molaskey Marc Kudisch Jason Gotay Get your tix to Floyd Collins here: https://www.lct.org/shows/floyd-collins/ Read more about the true story: Buy the book Trapped here. Connect with The Theatre Podcast: Support us on Patreon: ⁠Patreon.com/TheTheatrePodcast⁠ Twitter & Instagram: ⁠@theatre_podcast⁠ ⁠Facebook.com/OfficialTheatrePodcast⁠ ⁠TheTheatrePodcast.com⁠ Alan's personal Instagram: ⁠@alanseales⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rosanna Staffa is an Italian-born playwright and author.  Her debut novel, The War Ends At Four, is a beautifully rendered tale about an Italian acupuncturist in Minneapolis who returns home to Milan and rediscovers all that she left behind, who she is, and what her life is really about. I've read The War Ends at Four and found it to be a moving and poignant personal story about a woman trying to find herself.  I highly recommend it to you. Rosanna's work has been featured in Gargoyle Magazine, the Brevity Nonfiction Blog, The Sun Magazine, The Examined Life Journal, and JuxtaProse. Her essay, Holy, is a prize winner in the TSR Review and nominated for the 2022 Notable in Best American Essays. Other writing can be found in the Best Small Fictions Anthology 2021. She received an Honorable Mention for The Tiferet Journal's 2019 Writing Contest. She's also a Short Story Finalist for The Masters Review Anthology, the 47th New Millennium Writing Awards, and a Pushcart Prize nominee. Rosanna's plays, which have been seen on stages in Tokyo, New York, Seattle, and other cities, include: The Biggest Little House and The Innocence of Ghosts which was staged Off-Broadway in New York and filmed for inclusion in the Lincoln Center Theatre on Film Library. Rosanna also happens to be a licensed Acupuncturist from the California Acupuncture College in L.A. and The Zhejiang College of Acupuncture in Hangzhou, China. www.rosannastaffa.comRosanna's plays are published by Heinemann and Smith & Kraus. 

Katie was born and raised in Houston, TX. Best known for her role as Glinda the Good in the Broadway production of Wicked, she was also Glinda in the first national touring company of Wicked. Her Broadway debut was as Clara Johnson in The Lincoln Center Theatre's production of The Light in the Piazza directed by Bartlett Sher. Also, as Clara, she appeared in the first national touring production of The Light in the Piazza. Her Broadway credits also include Hannah Campbell in Allegiance and Ellen in Miss Saigon. She will be seen this fall as Beth in Merrily We Roll Along on Broadway following a run earlier this year at NYTW. On camera, she can be seen in roles on CBS' The Good Wife and NCIS: New Orleans, as well as the independent film Maybe There's A Tree. She also performed as Clara in the PBS national broadcast of Live from Lincoln Center: The Light in The Piazza.  In regional theatre she is recognized for her role as Cathy Hiatt in The Last Five Years at the Long Wharf Theatre. For this role she was awarded the Connecticut Critics Choice Award for Best Actress in 2014.  She was also seen in the East Coast debut of Craig Lucas' play Prayer For My Enemy as Marianne Noone at the Long Wharf Theatre Company directed by Bartlett Sher. Clarke appeared in the staged concert of Parade as Mrs. Phagan conducted by Jason Robert Brown at Lincoln Center.     She lives in New York with her husband and family. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our dreams came true! We were beyond honoured to speak with Tony Award winner Lena Hall all about starring as Kenna in the new musical In Dreams now playing at the CAA Ed Mirvish Theatre in Toronto. In Dreams tells the story of Kenna - a country-rock singer who brings her old bandmates back together for "the party of a lifetime" while keeping her true motivations a secret. Set in a Mexican restaurant in New Mexico that specializes in tacos, margaritas, and memorial services, this unexpected and moving new musical explores our longing for love and connection - all through the iconic songs of Roy Orbison. Lena Hall is a Tony Award winner and Grammy nominee. Lena received widespread critical acclaim for her performance of the title role in the feature film Becks, (winner of the U.S. Fiction Award at the L.A. Film Festival). Hall stared as Miss Audrey in the hit sci-fi drama “Snowpiercer” alongside Jennifer Connelly and has been seen on HBO's “Girls,” Amazon Prime's “Good Girls Revolt,” and Paramount Plus' “Evil.” Following Lena's Tony-winning Broadway run in Hedwig and the Angry Inch, Lena toured North America with Josh Groban on his “Stages” tour, and portrayed the dual starring roles of both Hedwig and Yitzhak in Hedwig and the Angry Inch in Los Angeles and San Francisco. Lena originated the role of Nicola in the Kinky Boots on Broadway, she appeared as Sloane in the New York Premiere of Jim Steinman's Bat Out of Hell, starred opposite Marisa Tomei in Lincoln Center Theatre's “How To Transcend A Happy Marriage,” and most recently played Audrey in the hit Off-Broadway revival of “Little Shop Of Horrors.”  CLICK HERE TO BOOK TICKETS FOR IN DREAMS

We love being live! Please note: audio has some technical difficulties from about 2:45-9:57. Thanks for your understanding :)FLEX by Candrice Jones follows a 1998 high school girl's basketball team on their winding journey toward a potentially life-changing state championship game.Inspired by the events and themes within the adrenaline-packed play FLEX,  Andrea Ambam sits down with Dr. Leeja Carter (Black Feminist Sport Psychology Practitioner, CEO & Founder of The Coalition for Food & Health Equity), Khristina Williams (Founder of Girls Talk Sports TV), and Jamia Wilson (Activist and Writer) for a  myth-busting conversation about the unique experiences of Black women athletes. Feed your ongoing curiosities at www.moretotalkabout.comFeaturing Audio from:MSNBC: Driving Race, Gender, And Sex in 'Flex' at Lincoln Center Theatre (https://www.msnbc.com/american-voices/watch/driving-race-gender-and-sex-in-flex-at-lincoln-center-theater-189416005960)

Jordan Donica currently stars in Lincoln Center Theatre's revival of Camelot, which has earned him a Tony Award Nominee for Best Performance by an Actor in a Featured Role in a Musical. His other Broadway credits include Freddy in My Fair Lady, Raoul in The Phantom Of The Opera, and Lafayette in Hamilton. His television career included Blue Bloods and Charmed. In this episode, Jordan discusses how he deepens the storytelling with his own life experiences as "Sir Lancelot" in the Broadway revival of Camelot. He shares his views on participating in social media, the way his love of sports translates to the stage, and how the man he is today is due to the women who raised him.  Neuro Gum Link for 20% off Stages listenersStrip Makeup link for 25% off Stages listenersPoet Gill Scott HeronGleasons GymCamelot TicketsSupport the show: http://www.stagespodcast.netSee omnystudio.com/listener for privacy information.

It's Monday, April 10th, and we are dancing our way into the week as we discuss MICHAEL MEDRANO'S new album LOVESEXDRUGS and how we think it is so great to see a new artist taking risks and gaining fame independently. Then over in Broadway land, we embrace ourselves for "The Lusty Month of May" and discuss Lincoln Center's 2023 revival of CAMELOT in detail. CAMELOT is currently playing at the Vivian Beaumont Theatre and is starring Andrew Burnap, Phillipa Soo, and Jordan Donica. POP MUSIC DROP (BOP or FLOP) - Playlist updated here. If you liked this episode, don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below:On Instagram: @halfhourpodcastOn TikTok: @halfhourpodcastOn our website: www.twoworldsentertainmentllc.com

Paulo Szot is an award winning Baritone who has starred in operas & musical theatre productions around the world! Paulo won the Tony, Drama Desk, Outer Critic's Circle & Theater World Awards for his Broadway debut in Lincoln Center's revival of South Pacific, co-starring Tony Award Winner Kelli O'Hara. Currently, Paulo is back on Broadway in the Tony Award Winning revival of Chicago The Musical through November 21 as slick lawyer "Billy Flynn." Paulo is also celebrating his 10-Year Anniversary of performing at Feinstein's/54 Below with a week of concerts. An Enchanted Evening or Una Noche Encantada will play Feinstein's/54 Below November 24-27. Click here for tickets! Connect with Paulo: Website Facebook Twitter Instagram Connect with Feinstein's 54 Below: Website Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Adam Rothenberg Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Paulo: Paulo Szot was born in São Paulo & raised in Ribeirão Pires, Brazil. Paulo studied at the Jagiellonian University in Poland, the country from which his parents had emigrated following World War II. He began singing professionally in 1989 with the Polish National Song & Dance Company Slask. In 1997 he made his operatic debut as Figaro in Il Barbiere di Siviglia in a production of the Theatro Municipal de São Paulo, directed by Enzo Dara & conducted by Luiz Fernando Malheiro. He has gone on to appear with most major opera companies throughout the world in Europe, the United States, Australia & Brazil. Paulo made his Broadway debut in the revival of South Pacific at Lincoln Center Theatre, directed by Bartlett Sher. He won the Tony Award, Drama Desk, Outer Critic's Circle & Theater World Awards for his portrayal, becoming one of a few actors to receive such honors on a Broadway debut. Paulo appeared in a solo concert in the Allen Room at Jazz at Lincoln Center & several times at New York City's prestigious Café Carlyle & Feinstein's/54 Below for a series of critically acclaimed solo performances. He appeared with the New York Philharmonic alongside Liza Minnelli conducted by Marvin Hamlisch & made his Carnegie Hall debut with the New York Pops Orchestra in a program of Lerner & Loewe with Kelli O'Hara. To his native Brazil, Paulo has performed with any of the major orchestras & opera companies including Osesp, TMSP, TMRJ, Teatro São Pedro, Teatro Amazonas, Filarmônica MG, OPES, OMB, OSB, Palácio das Artes, among others. Also, in São Paulo he starred as Henry Higgins in the 2016 revival of My Fair Lady at the Teatro Santander, directed by Jorge Takla. With more than 70 opera productions in his résumé since 1997, Paulo had his Metropolitan Opera debut in 2010 as Kovalyov in The Nose by Dimitri Shostakovich, conducted by Valery Gergiev and directed by William Kentridge. He returned to the Met for the six following seasons as Escamillo in Carmen (2011), Lescaut in Manon (2012), Kovalyov in The Nose (2013), Dr. Falke in Die Fledermaus (2013/14), The Captain in John Adams' The Death of Klinghoffer (2014), Dr. Falke in Die Fledermaus (2015/16). In 2019 Paulo starred in Opera Australia's Evita as Juan Peron in Melbourne opposite Tina Arena as Evita; the Opera di Roma as Count Danilo in Lehar's Merry Widow; appeared with OSESP, in Brazil and returned to the Metropolitan Opera House. Learn more about your ad choices. Visit megaphone.fm/adchoices

For Video Edition, Please Click and Subscribe Here: https://youtu.be/ZKLTr7-5T7U Dramatist and theatre artist Deborah Grace Winer is a leading expert and author on Broadway musicals and the American Songbook. The Wall Street Journal recently named her book on pioneer woman songwriter Dorothy Fields (On the Sunny Side of the Street: The life and lyrics of Dorothy Fields, Macmillan) one of the Five Best books on American songwriters of all time. She has collaborated with leading institutions such as Jazz at Lincoln Center, and top tier artists from Broadway and the music world. Her acclaimed musical revues include Baby, Dream Your Dream, a celebration of women songwriters, and New York Big City Songbook, which the New York Times called, “A triumph,” becoming a monthly highlight at New York's Birdland Theater. For a decade she was artistic director of the 92Y's famed American Songbook concert series, Lyrics & Lyricists, steering the 50-year-old N.Y. tradition to rejuvenated success and creating original musical shows teamed with the top creative and performing talent from Broadway and beyond. She went on to create the Classic American Songbook Series for Feinstein's/54 Below supper club, which also ran to critical acclaim. An O'Neill finalist, her plays, including The Real Tabasco, Little Shows and others have been developed at institutions such as Lincoln Center Theatre, Primary Stages, the Women's Project, and the Westport Country Playhouse; her work has been produced Off Broadway and regionally.  https://www.deborahgracewiner.com/  

Kris Kukul (kriskukul.com)(IG:@kriskukul) is a New York City Based Orchestrator, Arranger, Music Director and Composer.  Currently he is Music Supervisor, Orchestrator, co-arranger and Conductor for Broadway's Tony nominated Beetlejuice The Musical! Other recent projects include, The Liz Swados Project for Ghostlight Records, In The Green at Lincoln Center Theatre, David Byrne's Joan of Arc the Public Theatre, Songbird by Michael Kimmel and Lauren Pritchard, a remounting of Elizabeth Swados' Runaways at New York's City Center, The Last Goodbye, an adaptation of Romeo and Juliet featuring the music of Jeff Buckley, and The Heart of Robin Hood, music by Parsonsfield. He has also arranged, orchestrated and conducted solo concerts for Broadway powerhouses Kate Baldwin (Extraordinary Machine), and Amy Spanger (The Music Be the Place) and the Lincoln Center American Songbook concert celebrating the music of Elizabeth Swados. For 10 seasons, he served as the resident music director for the Williamstown Theatre Festival. Productions included June Moon, The Last Goodbye, Animal Crackers and others. There he also directed the legendary Late-Night Cabarets, featuring iconic performers including Renee Fleming, Lewis Black, Kathleen Turner, Allison Janey, Tyne Daly, David Hyde Pierce, Judy Kuhn, Lena Hall, Judy Gold, Steven Pasquale, Kelli O'Hara, Phillipa Sou, Renee Elise Goldsberry, Debra Monk, Michael McKean, Harriet Harris and many others.  Kris began his career working for musical theatre icon Elizabeth Swados. Together, they created Jabu, Kaspar Hauser, The Nomad, The LaMama Cantata and numerous concerts and recordings. He and Director/Choreographer Sam Pinkleton are committed to keeping her legacy alive.   He music directed the film scores for Of Many, a documentary produced by Chelsea Clinton, and My Depression, an HBO animated film featuring the voices of Sigourney Weaver, Steve Buscemi and Fred Armisten. As Composer, Kris has written the music for the musicals Beauty Queen and Dash Dexter and the family friendly musicals Camp Monster and Wing It!, both produced by the Williamstown Theatre Festival. He also wrote the music for Oliver Twist at The Shakespeare Theatre of New Jersey and A Midsummer Night's Dream for The Greek National Theatre.  Internationally, he spent 3 seasons with The National Theatre of Greece, conducting and arranging music for tours of classical plays in ancient amphitheaters, including the festival of Epidaurus. He performed at the Edinburgh Fringe with the musical From the Fire. With The LaMama Cantata, he performed in Tokyo, Spoleto, Istanbul, Zagreb, Skopje and Belgrade. In New York City, Kris has worked at Playwrights Horizons, The Vineyard, New York Theatre Workshop, The Atlantic, The Flea, LaMama, Joe's Pub, 54 Below, Birdland, the Cherry Lane and the Lucille Lortel. He has worked regionally at San Diego's Old Globe, Arena Stage, Hartford Stage, A.R.T., Emerson Arts, Two River, Shakespeare Theatre of New Jersey, Williamstown, The Village Theatre and Royal Manitoba Theatre Center. Kris is a Graduate of NYU Tisch School of the Arts. He is adjunct faculty at Tisch/Playwrights Horizons Theatre School, and has taught at The New School, Duke University, Columbia University, Belmont University, and Queens College.

Kris Kukul (kriskukul.com)(IG:@kriskukul) is a New York City Based Orchestrator, Arranger, Music Director and Composer.  Currently he is Music Supervisor, Orchestrator, co-arranger and Conductor for Broadway's Tony nominated Beetlejuice The Musical! Other recent projects include, The Liz Swados Project for Ghostlight Records, In The Green at Lincoln Center Theatre, David Byrne's Joan of Arc the Public Theatre, Songbird by Michael Kimmel and Lauren Pritchard, a remounting of Elizabeth Swados' Runaways at New York's City Center, The Last Goodbye, an adaptation of Romeo and Juliet featuring the music of Jeff Buckley, and The Heart of Robin Hood, music by Parsonsfield. He has also arranged, orchestrated and conducted solo concerts for Broadway powerhouses Kate Baldwin (Extraordinary Machine), and Amy Spanger (The Music Be the Place) and the Lincoln Center American Songbook concert celebrating the music of Elizabeth Swados. For 10 seasons, he served as the resident music director for the Williamstown Theatre Festival. Productions included June Moon, The Last Goodbye, Animal Crackers and others. There he also directed the legendary Late-Night Cabarets, featuring iconic performers including Renee Fleming, Lewis Black, Kathleen Turner, Allison Janey, Tyne Daly, David Hyde Pierce, Judy Kuhn, Lena Hall, Judy Gold, Steven Pasquale, Kelli O'Hara, Phillipa Sou, Renee Elise Goldsberry, Debra Monk, Michael McKean, Harriet Harris and many others.  Kris began his career working for musical theatre icon Elizabeth Swados. Together, they created Jabu, Kaspar Hauser, The Nomad, The LaMama Cantata and numerous concerts and recordings. He and Director/Choreographer Sam Pinkleton are committed to keeping her legacy alive.   He music directed the film scores for Of Many, a documentary produced by Chelsea Clinton, and My Depression, an HBO animated film featuring the voices of Sigourney Weaver, Steve Buscemi and Fred Armisten. As Composer, Kris has written the music for the musicals Beauty Queen and Dash Dexter and the family friendly musicals Camp Monster and Wing It!, both produced by the Williamstown Theatre Festival. He also wrote the music for Oliver Twist at The Shakespeare Theatre of New Jersey and A Midsummer Night's Dream for The Greek National Theatre.  Internationally, he spent 3 seasons with The National Theatre of Greece, conducting and arranging music for tours of classical plays in ancient amphitheaters, including the festival of Epidaurus. He performed at the Edinburgh Fringe with the musical From the Fire. With The LaMama Cantata, he performed in Tokyo, Spoleto, Istanbul, Zagreb, Skopje and Belgrade. In New York City, Kris has worked at Playwrights Horizons, The Vineyard, New York Theatre Workshop, The Atlantic, The Flea, LaMama, Joe's Pub, 54 Below, Birdland, the Cherry Lane and the Lucille Lortel. He has worked regionally at San Diego's Old Globe, Arena Stage, Hartford Stage, A.R.T., Emerson Arts, Two River, Shakespeare Theatre of New Jersey, Williamstown, The Village Theatre and Royal Manitoba Theatre Center. Kris is a Graduate of NYU Tisch School of the Arts. He is adjunct faculty at Tisch/Playwrights Horizons Theatre School, and has taught at The New School, Duke University, Columbia University, Belmont University, and Queens College.

Triple threat Tony Award® nominee Tony Yazbeck joins the club's Assistant Programming Director, Kevin Ferguson, for a chat about his upcoming Feinstein's/54 Below show. Tony and Kevin talk about dancing with prima ballerina Megan Fairchild, life on and the future of Broadway, and why Tony's solo show at 54 Below will make you smile. Tony Award® nominee Tony Yazbeck has starred in ten Broadway shows, including On The Town, Gypsy, and Prince of Broadway, among may others. Next up, Tony stars as Cary Grant in the highly anticipated new Broadway musical from James Lapine and Tom Kitt, Flying Over Sunset, opening this fall at Lincoln Center Theatre's Vivian Beaumont Theatre. For tickets to Tony's show at Feinstein's/54 Below, visit https://54below.com/events/tony-yazbeck-3/ Watch Tony's sensational performance from On The Town to open the 2015 Tony Awards: https://youtu.be/ljo9h5f5Bl8 The Feinstein's/54 Below podcast is hosted by Nella Vera and Kevin Ferguson, and produced by Bailey Everett and Michael Allan Galvez, with support from the Feinstein's/54 Below marketing staff. Original artwork design by Philip Romano. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of ActorSpeak, Austin Basis continues to speak with actor Polly Lee (The Americans, The Blacklist, Law Order: SVU, Gotham, Nurse Jackie, Chicago Med, The Looming Tower, Younger). In Part 2, we discuss the fundaments, audiobooks, being stranded on stage in her underwear, hating seeing herself, teasing out the humanity of a scene, serving new plays, missing human randomness, character as the actor's domain, perfection vs. progress, faking chemistry, being positively judgmental, the exact right amount of intimacy, and wanting a universal basic income for artists. Polly Lee is an award-winning actress who has dedicated her career to new plays and, as such, has performed in over 20 world premieres, both in New York City and across the country. Her New York theatre credits include Lincoln Center Theatre, Clubbed Thumb, Ensemble Studio Theatre, New Georges and Little Lord Theatre- among many others. Regionally she has worked at A.R.T., Yale Rep, La Jolla Playhouse, Humana Festival @ATL, McCarter Theatre, Wilma Theatre, Repertory Theatre of St. Louis, and many many more. Polly's Film & TV credits include The Blacklist, Law & Order: SVU, Last Week Tonight with John Oliver, Gotham, Butterflies of Bill Baker, Nurse Jackie, Chicago Med, The Looming Tower and recurring roles on Younger and The Americans. Polly has narrated over 200 audiobooks and is a proud member of Ensemble Studio Theatre, Actors Equity and an affiliated artist at Clubbed Thumb. Her upcoming films include Things Heard and Seen and Give and Take. Polly went to school for Theatre Studies at Royal Holloway at the University of London and attended the Actors Studio Drama School at New School University. Her kind eyes, warm smile, big heart, and cheeky sense of humor have endeared audiences all over the country and now I get to talk to her about her process, craft & all things acting related. WE AUDITION is a video-chat community where actors can audition, self-tape, rehearse, and get expert industry advice. USE promo code: ACTORSPEAK to get 25% off when joining at WeAudition.com

On this episode of ActorSpeak, Austin Basis speaks with actor Polly Lee (The Americans, The Blacklist, Law Order: SVU, Gotham, Nurse Jackie, Chicago Med, The Looming Tower, Younger). In Part 1, we talk about The Sound of Music, playing Audrey in Little Shop of Horrors, her novelist mum and vicar dad, being a princess, observing the human condition, studying with Barbara Poitier and Gene Lasko, her one weeping eye, giving fear a name, playing worried moms, having your own personal comic timing, the given circumstances, Fiona Shaw in Medea, and the subjective art of acting. Polly Lee is an award-winning actress who has dedicated her career to new plays and, as such, has performed in over 20 world premieres, both in New York City and across the country. Her New York theatre credits include Lincoln Center Theatre, Clubbed Thumb, Ensemble Studio Theatre, New Georges and Little Lord Theatre- among many others. Regionally she has worked at A.R.T., Yale Rep, La Jolla Playhouse, Humana Festival @ATL, McCarter Theatre, Wilma Theatre, Repertory Theatre of St. Louis, and many many more. Polly's Film & TV credits include The Blacklist, Law & Order: SVU, Last Week Tonight with John Oliver, Gotham, Butterflies of Bill Baker, Nurse Jackie, Chicago Med, The Looming Tower and recurring roles on Younger and The Americans. Polly has narrated over 200 audiobooks and is a proud member of Ensemble Studio Theatre, Actors Equity and an affiliated artist at Clubbed Thumb. Her upcoming films include Things Heard and Seen and Give and Take. Polly went to school for Theatre Studies at Royal Holloway at the University of London and attended the Actors Studio Drama School at New School University. Her kind eyes, warm smile, big heart, and cheeky sense of humor have endeared audiences all over the country and now I get to talk to her about her process, craft & all things acting related. WE AUDITION is a video-chat community where actors can audition, self-tape, rehearse, and get expert industry advice. USE promo code: ACTORSPEAK to get 25% off when joining at WeAudition.com

In this episode, Randy and Tyler discuss the 2013 Pulitzer Prizewinning Play, Disgraced by Ayad Akhtar.Synopsis from Lincoln Center Theatre:  DISGRACED is the story of Amir Kapoor, a successful Pakistani-American lawyer who is rapidly moving up the corporate ladder while distancing himself from his cultural roots. When Amir and his wife Emily, a white artist influenced by Islamic imagery, host a dinner party, what starts out as a friendly conversation escalates into something far more damaging.******* IN OUR NEXT EPISODE *******Join us as we discuss They Knew What They Wanted by Sidney Howard, winner of the 1925 Pulitzer Prize for Drama.Synopsis from Concord Theatricals: In the 1920's, Napa Valley middle-aged wine-grower Tony wants to get married and decides to propose by letter to a waitress in San Francisco named Amy who waited on him once. He sends her a picture of his good looking young farmhand Joe instead of himself, which creates unforeseen complications in the lives and loves of these three ordinary yet complex people.Note: This episode was recorded in 2021 amidst the COVID-19 ("Coronavirus") pandemic.DeScriptedFacebook: https://www.facebook.com/DeScriptedPodTwitter: @DeScriptedPod - www.twitter.com/DeScriptedPodInstagram: @DeScriptedPod - www.instagram.com/DeScriptedPod

"Is it ever too late to start living? Is it ever too late to find your love? E.C. Myers and Liz Riegel give two very different but oh so compelling answers to this question. Stories read by the fantastic Bradley Robert Parks and introducing Q-Lim with a fantastically moving perfromance Liz Riegel is a queer collage artist, sometimes-beekeeper, and writer who is endlessly inspired by the natural world. ​Bradley Robert Parks is a writer and sometimes singer, and founded the Brooklyn Speculative Fiction Writers in 2010. His publication credits can be found on his website, bradleyrobertparks.com. He lives in Brooklyn with his husband and one perfect cat, Ms. Magoo. "The Land of the Morning Calm" by E.C. Myers, Read by Q-Lim E.C. Myers was assembled in the U.S. from Korean and German parts and raised by a single mother and the public library in Yonkers, New York. He is the author of six young adult novels, including the Andre Norton Award–winning Fair Coin, The Silence of Six, and RWBY: After the Fall. His short fiction has appeared in numerous magazines and anthologies, most recently A Thousand Beginnings and Endings, Mother of Invention, and Feral Youth, as well as ongoing serials Orphan Black: The Next Chapter and Alternis from Serial Box Publishing. E.C. currently lives with his wife, son, and three doofy pets in Pennsylvania. You can find traces of him all over the internet, but especially at http://ecmyers.net and on Twitter: @ecmyers. Q Lim was born and raised in South Korea, then moved to New York when she was 20 knowing nothing about Musical Theatre except that it was her dream. Q's most known for playing Tuptim on the 1st Broadway National Tour of The King and I, just after finishing her broadway debut in the production at Lincoln Center Theatre directed by a Tony Award winning director, Bartlett Sher. After the tour, she had the privilege of working with a legendary composer Jason Robert Brown on his new musical in the works, Farewell My Concubine. Q has starred as Luisa in The Fantasticks! She was also featured as a soloist in an annual concert of Broadway's Rising Stars at a broadway concert hall, Town Hall and played her favorite Disney princesses; Jasmin, Mulan and Pocahontas on Disney Cruise Line.

In this episode, Randy and Tyler discuss the 1924 Pulitzer Prizewinning Play, Hell-Bent Fer Heaven by Hatcher Hughes.Synopsis from Concord Theatricals: When Sid Hunt returns from WWI, he announces his plans to marry his sweetheart, Jude Lowry, much to the displeasure of his brother Rufe, who is also in love with Jude. Jude's brother Andy has an old grudge against the family, and after some illicit drinking, he decides to murder Sid. Sid hears of this plot and crosses a dam to escape from Andy, but Rufe, hoping to get Jude for himself, blows up the dam. A religious fanatic, Rufe justifies this murder by claiming that God commanded it. Meanwhile, flood waters are rising from unprecedented rainfall, and when the family gets into their boat, Rufe finds that there is no room for him. He is told that if God commanded him to murder Sid, surely God will protect Rufe from the flood.******* IN OUR NEXT EPISODE *******Join us as we discuss Disgraced by Ayad Ahktar, winner of the 2013 Pulitzer Prize for Drama.Synopsis from Lincoln Center Theatre:  DISGRACED is the story of Amir Kapoor, a successful Pakistani-American lawyer who is rapidly moving up the corporate ladder while distancing himself from his cultural roots. When Amir and his wife Emily, a white artist influenced by Islamic imagery, host a dinner party, what starts out as a friendly conversation escalates into something far more damaging.Note: This episode was recorded in 2021 amidst the COVID-19 ("Coronavirus") pandemic.DeScriptedFacebook: https://www.facebook.com/DeScriptedPodTwitter: @DeScriptedPod - www.twitter.com/DeScriptedPodInstagram: @DeScriptedPod - www.instagram.com/DeScriptedPod

This episode is one of two classroom interviews with 11th grade students at Shalhevet high school in Los Angeles, CA. As part of the Exploring Black Narratives program, we studied Dominique Morisseau's play "Pipeline" and interviewed actors who starred in productions around the US. Today's interview is with Heather Velazquez who played Jasmine at the world-premiere production of "Pipeline" in 2017 at Lincoln Center Theatre in New York.Pipeline centers on a public high school teacher named Nya whose own teenage son, Omari, attends a private boarding school. Omari and his girlfriend Jasmine are among the only students of color at their school. When we meet them, Omari is about to leave school. He has been suspended after an incident in class in which his white teacher singled him out repeatedly as a Black student and Omari physically pushed back. Jasmine is understandably worried about the consequences for Omari. And because she’s in love with him, her desire to shield him is wrapped up in her need to keep him around. While Jasmine and Omari’s relationship is intense, Jasmine’s presence onstage is filled with humor. She’s tough-talking but uncertain. And though she’s onstage only a short amount of time, she’s an unforgettable character.If you'd like to learn more about Exploring Black Narratives, here is an article about the program that I wrote for American Theatre magazine: https://www.americantheatre.org/2021/03/19/the-familiar-and-the-new-teaching-black-plays-in-jewish-high-schools/ See acast.com/privacy for privacy and opt-out information.

Daryl Roth is a 12-time Tony award-winning producer and holds the singular distinction of producing 7 Pulitzer Prize-winning plays. Her Tony winning credits include: Kinky Boots, The Normal Heart, Indecent,, Nora Ephron and Delia Ephron’s international hit play Love, Loss, and What I Wore, and Gloria: A Life, a play about the iconic Gloria Steinem. Daryl is a Trustee of the Kennedy Center, and served on the Board of Lincoln Center Theatre for twenty years and remains the Co-Chair of the Patron Committee and an Honorary Trustee. She has a myriad of awards and honors including: The New Dramatists Outstanding Career Achievement Award; New York Living Landmarks Award; the Lucille Lortel Lifetime Achievement Award;  2017 Theatre Hall of Fame inductee and was named one of Crain’s 2019 “50 Most Powerful Women in New York.”  She actively supports a diverse group of charitable and cultural institutions, and is involved in LGBTQ rights causes, animal rights organizations, numerous theatre, dance, public television, and cultural arts organizations and created the Daryl Roth Creative Spirit Award which annually honors a gifted theatre artist or organization with financial support as they develop new works in an artistic residency.Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

In the 2nd of 3 episodes on Hildegard of Bingen, Bee sits down with Grace McLean—a musician, singer, actor, writer, composer and much, much more! She is the front woman of the band Grace McLean and Them Apples. Her Broadway and off-Broadway credits include Natasha, Pierre and the Great Comet of 1812, Alice by Heart, Sleep No More and Cyrano. She is also a Writer in Residence at the Lincoln Center Theatre, where she wrote the book, music, lyrics and composed the orchestrations for In the Green, a new musical about our lady of the month: Hildegard of Bingen!You can find more about Grace and her work online at www.gracemclean.com and on Instagram @thatgracemclean !Thank you so much for listening to DOTS! If you like what you hear, please Subscribe and leave us a 5 Star Rating and a Review on your podcast platform!Connect with us further online at www.divinespark.co, on Reddit and IG @divinesparkmedia and @beescolnick, and consider supporting our artists on Patreon www.patreon.com/divinesparkmedia ! Just $1/month goes a long way to continuing our work! THANK YOU!

The 53rd Annual Tony Awards were held at the Gershwin Theatre on June 6, 1999. Unlike every other award ceremony we've discussed in this miniseries, the show did not have a formal host. Heading into the ceremony, the closed Lincoln Center Theatre production of Parade led the pack with nine nominations. Following closely behind was the eventual winner for Best Musical: Fosse. Also in the running for Best Musical were It Ain't Nothin But The Blues and The Civil War with four and two nominations, respectively. In the race for Best Revival of a Musical were You're a Good Man, Charlie Brown and Little Me with four nominations, and Annie Get Your Gun with three nominations, followed by Peter Pan with a singular nomination, for Best Revival. The 1998-1999 Broadway season found itself in a very tumultuous time in US history. Smack-dab in the middle of President Bill Clinton's second term in office, domestically the country was facing a multitude of newsworthy events: among them were the impeachment and acquittal of said president in the scandal involving Monica Lewinsky, the brutal murder of Matthew Shepard in Laramie, WY, and the mass school shooting in Columbine, CO that would sadly become the first of a number of school shootings in the nation, in what the Washington Post would eventually refer to as a “uniquely American crisis” in 2018. Abroad the world was embroiled in the Kosovo War, which permeated the American zeitgeist as well. 

The 53rd Annual Tony Awards were held at the Gershwin Theatre on June 6, 1999. Unlike every other award ceremony we’ve discussed in this miniseries, the show did not have a formal host. Heading into the ceremony, the closed Lincoln Center Theatre production of Parade led the pack with nine nominations. Following closely behind was the eventual winner for Best Musical: Fosse. Also in the running for Best Musical were It Ain’t Nothin But The Blues and The Civil War with four and two nominations, respectively. In the race for Best Revival of a Musical were You’re a Good Man, Charlie Brown and Little Me with four nominations, and Annie Get Your Gun with three nominations, followed by Peter Pan with a singular nomination, for Best Revival. The 1998-1999 Broadway season found itself in a very tumultuous time in US history. Smack-dab in the middle of President Bill Clinton’s second term in office, domestically the country was facing a multitude of newsworthy events: among them were the impeachment and acquittal of said president in the scandal involving Monica Lewinsky, the brutal murder of Matthew Shepard in Laramie, WY, and the mass school shooting in Columbine, CO that would sadly become the first of a number of school shootings in the nation, in what the Washington Post would eventually refer to as a “uniquely American crisis” in 2018. Abroad the world was embroiled in the Kosovo War, which permeated the American zeitgeist as well.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The 53rd Annual Tony Awards were held at the Gershwin Theatre on June 6, 1999. Unlike every other award ceremony we've discussed in this miniseries, the show did not have a formal host. Heading into the ceremony, the closed Lincoln Center Theatre production of Parade led the pack with nine nominations. Following closely behind was the eventual winner for Best Musical: Fosse. Also in the running for Best Musical were It Ain't Nothin But The Blues and The Civil War with four and two nominations, respectively. In the race for Best Revival of a Musical were You're a Good Man, Charlie Brown and Little Me with four nominations, and Annie Get Your Gun with three nominations, followed by Peter Pan with a singular nomination, for Best Revival. The 1998-1999 Broadway season found itself in a very tumultuous time in US history. Smack-dab in the middle of President Bill Clinton's second term in office, domestically the country was facing a multitude of newsworthy events: among them were the impeachment and acquittal of said president in the scandal involving Monica Lewinsky, the brutal murder of Matthew Shepard in Laramie, WY, and the mass school shooting in Columbine, CO that would sadly become the first of a number of school shootings in the nation, in what the Washington Post would eventually refer to as a “uniquely American crisis” in 2018. Abroad the world was embroiled in the Kosovo War, which permeated the American zeitgeist as well. 

The 53rd Annual Tony Awards were held at the Gershwin Theatre on June 6, 1999. Unlike every other award ceremony we’ve discussed in this miniseries, the show did not have a formal host. Heading into the ceremony, the closed Lincoln Center Theatre production of Parade led the pack with nine nominations. Following closely behind was the eventual winner for Best Musical: Fosse. Also in the running for Best Musical were It Ain’t Nothin But The Blues and The Civil War with four and two nominations, respectively. In the race for Best Revival of a Musical were You’re a Good Man, Charlie Brown and Little Me with four nominations, and Annie Get Your Gun with three nominations, followed by Peter Pan with a singular nomination, for Best Revival. The 1998-1999 Broadway season found itself in a very tumultuous time in US history. Smack-dab in the middle of President Bill Clinton’s second term in office, domestically the country was facing a multitude of newsworthy events: among them were the impeachment and acquittal of said president in the scandal involving Monica Lewinsky, the brutal murder of Matthew Shepard in Laramie, WY, and the mass school shooting in Columbine, CO that would sadly become the first of a number of school shootings in the nation, in what the Washington Post would eventually refer to as a “uniquely American crisis” in 2018. Abroad the world was embroiled in the Kosovo War, which permeated the American zeitgeist as well.  Learn more about your ad choices. Visit megaphone.fm/adchoices

KAREN ZIEMBA has appeared in 11 Broadway shows. She received the Tony, Drama Desk, and Outer Critics Circle Awards for her performance in CONTACT at Lincoln Center Theatre and garnered three other Tony Award nominations for STEEL PIER, CURTAINS, and NEVER GONNA DANCE. She received the Drama Desk (AND THE WORLD GOES ‘ROUND), The Outer Critics Circle Award (NEVER GONNA DANCE, CURTAINS), and Chicago’s JEFF Award for her performance in the 1 st national tour of CRAZY FOR YOU. She’s starred at the New York City Opera, New York City Center Encores, and at Carnegie Hall for PBS’ Great Performances. On TV she’s appeared on Madam Secretary, The Good Wife, Elementary, Law and Orders’ S.V.U. / Criminal Intent, and The Kennedy Center Honors in tributes to Angela Lansbury and Julie Harris. Select off-Broadway and regional credits include KID VICTORY (Vineyard Theatre), HERESY (Flea Theater), MUCH ADO ABOUT NOTHING (Shakespeare Theatre Company DC/The Hartford Stage), SYLVIA, OTHER PEOPLE’S MONEY (New Haven’s Long Wharf), SWEENEY TODD (Opera Theatre of St. Louis w/The St. Louis Symphony and Michigan Opera Theatre), HELLO DOLLY! (Drury Lane Oakbrook, Chicago), GYPSY (Sharon Playhouse, CT), A LITTLE NIGHT MUSIC (A.C.T., San Francisco), and BRIGHTON BEACH MEMOIRS, BROADWAY BOUND, SIX DEGREES OF SEPARATION (San Diego’s Old Globe).  https://www.karenziemba.com/

Before the pandemic, I sat down with Daniel Jenkins in his apartment to talk about growing up as a self-proclaimed ‘nerd’, a day in the life as an apprentice at the Actors Theatre of Louisville, transitioning to New York and his starring role as Huckleberry Finn in the original Broadway company of BIG RIVER as well as his return to the musical almost twenty years later. We discuss stories from the auditions and processes for BIG, John Doyle’s production of MERRILY WE ROLL ALONG, and STAGE KISS including dancing with Rebecca Taichman, frequent collaborations with Bartlett Sher, as well as our mutual appreciation and admiration for the late Michael Friedman.

Carmen Cusack is here today for #LiveatFive: Home Edition! Carmen is set to star in Lincoln Center Theatre’s upcoming new musical FLYING OVER SUNSET as congresswoman Clare Boothe Luce explores the world of LSD. Carmen earned a Tony nomination for her Broadway debut leading the company of Steve Martin and Eddie Brickell's BRIGHT STAR. Follow her on social at @cusackcarmen and listen to hear her talk about "holding her own" and more with Broadway.com's Paul Wontorek, Beth Stevens and Caitlin Moynihan.

Natalie Malotke is a director, choreographer, independent producer, and teaching artist living in New York City. Most recently, Natalie worked with Joshua Bergasse on the choreography team for Charlie and the Chocolate Factory. She frequently works with Artistic Director, Karen Azenberg at Pioneer Theatre Company (associate on Oliver!, Fiddler on the Roof, and Sweet Charity). She also assisted Susan Stroman on the NYC Workshop of Little Dancer, after serving as the SDC Observer on The Dancer Project at Lincoln Center Theatre. Regional artistic work includes productions at Paper Mill Playhouse, Music Theatre of Wichita, TexARTS, Wagon Wheel Theatre, Pittsburgh Musical Theatre, NYMF, and Fringe Festivals. Natalie has served as the resident Director/Choreographer for Nickelodeon on board Norwegian Cruise Line, and she has created shows for Story Land theme park. She teaches at Broadway Dance Center, MTCA, The American Academy of Musical and Dramatic Arts. Natalie holds a degree from the University of Michigan. She sits on the artistic advisory board for the Encore’s Off-Center series at City Center and has worked as a producer at N+N Productions, and also at Clear Talent Group in the dance, commercial, and choreography departments.   On episode 84, NYC-based actress and Actor Aesthetic host Maggie Bera chats with Natalie about her untraditional path in the theatre industry, her dance inspirations, what creative teams are looking for in auditions, and the importance of being a GOOD HUMAN!    www.nataliemalotke.com Follow Natalie on Instagram - @nataliemalotke   To join the Actor Aesthetic Tribe on Facebook, click here.   Spread the love and don't forget to rate, review, and subscribe to the Actor Aesthetic Podcast on iTunes, Google, Stitcher, or your favorite podcast app.   Visit actoraesthetic.com for more information.   Follow Maggie Bera on social media Instagram: @actoraesthetic Facebook: www.facebook.com/ActorAesthetic/ Email: maggie@actoraesthetic.com

Tony Yazbeck is as a guest on #LiveatFive: Home Edition to talk with Broadway.com's Beth Stevens and Caitlin Moynihan. Yazbeck is set to star in FLYING OVER SUNSET, the new Lincoln Center Theatre musical that was originally scheduled to open this season that will now open in the Fall. A Tony nominee for his starring turn in ON THE TOWN, Yazbeck has 11 Broadway credits to his name including A CHORUS LINE, GYPSY, FINDING NEVERLAND, CHICAGO and more. Follow him on social at @tonyyazbeckofficial.

Today we share with you three great stories from three great women, all of whom have understudied leading roles on Broadway and tour. Over the last year, each of these performers shared their stories of going on as understudies with The Ensemblist on our blog. And today we share these stories again with you, read by the actors who wrote them.  First up is a story from Christine Cornish Smith. Less than a week after opening Kiss Me, Kate at Studio 54, she received a surprising text. Every actor who’s understudied a leading role knows what it feels like to receive this text. You know, the one where the stage manager writes that the leading lady is out and you’re going on in the role? The next story we have to share comes from Shereen Ahmed, who became the first woman of color to play Eliza Doolittle on Broadway. While she’s a trailblazer in terms of representation, her love of the show My Fair Lady is something she developed at a very young age. And while the role isn’t one that she imagined playing, there are reasons why she was the perfect choice to take on the part as an understudy in the Lincoln Center Theatre revival. Our last story is from Hannah Florence, who was so inspired by her friend Shereen’s story that she wrote her own piece for us inspired by it about going on as Anya in the national tour of Anastasia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hear what Tony Award-winner Karen Ziemba (CONTACT) has to say about music, dance, her first Broadway show, A CHORUS LINE, and of course, the North Carolina Theatre production of ANNIE.  About the Guest Karen Ziemba received the Tony, Drama Desk, and Outer Critics Circle Award for her performance in CONTACT at Lincoln Center Theatre. For some of her other NYC and regional appearances, she’s garnered three Tony Award nominations, the Drama Desk, the Outer Critics Circle, the Bay Area Theatre Critics, and Chicago’s Joseph Jefferson Awards. Select theatre credits: PRINCE OF BROADWAY, STEEL PIER, CURTAINS, CRAZY FOR YOU, BULLETS OVER BROADWAY, NEVER GONNA DANCE, AND THE WORLD GOES ROUND, KID VICTORY, 110 IN THE SHADE, DO I HEAR A WALTZ, A LITTLE NIGHT MUSIC, GYPSY, SWEENEY TODD, MUCH ADO ABOUT NOTHING, OTHER PEOPLES MONEY, SIX DEGREES OF SEPARATION, BRIGHTON BEACH MEMOIRS and BROADWAY BOUND. TV: MADAM SECRETARY, ELEMENTARY, THE GOOD WIFE, LAW AND ORDER, THE KENNEDY CENTER HONORS, and PBS GREAT PERFORMANCES. Resources https://nctheatre.com/ (NC Theatre) https://www.karenziemba.com/ (Karen Ziemba Webpage) Credits Musical excerpts used in this episode are from the 2010 North Carolina Theatre production of ANNIE, music by Charles Strouse, lyrics by Martin Charnin. Connect with RDU on Stage Facebook – @rduonstage Twitter – @rduonstage Instagram – @rduonstage Web http://www.rduonstage.com/ (www.rduonstage.com) Support this podcast

This week, 2019 Tony winner Stephanie J. Block joins Ilana for a conversation. Block has established herself as one of the most relevant and versatile voices in contemporary musical theatre. She most recently won the Outer Critics Circle Award for Outstanding Leading Actress in a Musical portraying Star in THE CHER SHOW and also garnered a Drama League, Drama Desk and TONY Award nomination(s) for her current role of Star. Ms. Block also received the Outer Critics Circle, Drama Desk & TONY nomination(s) for Best Featured Actress in a Musical in 2017 for her star turn as Trina in Lincoln Center Theatre’s highly acclaimed revival of FALSETTOS. In 2013 she was recognized with both the Drama Desk and TONY Award nomination(s) for Best Leading Actress in a Musical for her portrayal of Alice Nutting/ Edwin DROOD in The Roundabout Theater’s production of THE MYSTERY OF EDWIN DROOD. That marks 3 TONY Award nominations in the last 6 years, a feat very few Broadway actors have attained. Other Broadway credits include Reno Sweeney in the 2011 TONY Award winning revival of ANYTHING GOES, 9 TO 5:THE MUSICAL playing the role of Judy Bernly for which she earned a Drama Desk nomination for Best Actress in a Musical. She created the roles of Grace O'Malley in THE PIRATE QUEEN and Liza Minnelli In THE BOY FROM OZ (opposite Hugh Jackman). Ms. Block is best known for her portrayal as Elphaba in the Broadway company of WICKED as well as originating the role in the First National Tour for which she won numerous awards including the prestigious Helen Hayes Award for Outstanding Actress in a Musical. Ms. Block has sung with numerous symphony orchestras including the NY Pops at Carnegie Hall, Boston Pops, National Symphony Orchestra (under the baton of Marvin Hamlisch), Dallas Symphony, Indianapolis Symphony Orchestra, Utah Symphony, Columbus Symphony, Charlotte Symphony and the Cleveland Pops among many others. Her solo concert has been critically acclaimed and continues to sell out throughout the US and in London. Some of her Off-Broadway and regional theatrical credits include LITTLE MISS SUNSHINE (Drama Desk nomination for Outstanding Featured Actress in a Musical), BY THE WAY, MEET VERA STARK(Drama Desk nomination for Outstanding Featured Actress in a Play), THEY'RE PLAYING OUR SONG(starring opposite Jason Alexander), CATS (St Louis' Kevin Kline Award Nominee- Best Actress),FUNNY GIRL, CRAZY FOR YOU (L.A. Ovation Award Nominee), OLIVER (Critics Award-Best Actress), James Joyce's THE DEAD, TRIUMPH OF LOVE, THE GRASS HARP, SOUTH PACIFIC, WILL ROGERS FOLLIES and the World Premiere of WICKED. Stephanie's solo album, THIS PLACE I KNOW has been received with great praise, lauded by critics as "One of the best debut recordings to come out of the Broadway community in quite some time... 6 out of 5 stars". An array of award-winning songwriters assembled to help interpret their music on Stephanie's album. Composers such as Stephen Schwartz, Marvin Hamlisch and the legendary Dolly Parton join forces with Ms. Block to create a thrilling musical experience. Stephanie's voice can be heard on multiple cast recordings, including THE BOY FROM OZ, THE PIRATE QUEEN, WICKED's 5th Anniversary Album and 9 TO 5: THE MUSICAL (GrammyNomination).  Television credits include: RISE (upcoming: NBC), MADAME SECRETARY (CBS), ORANGE IS THE NEW BLACK (Netflix), HOMELAND (Showtime), IT COULD BE WORSE (HULU). 

Marcus Doshi designs lighting and sets for theatre, dance, opera, and collaborates with artists and architects on non-performance-based work. Doshi is a frequent collaborator with New York’s Theatre for a New Audience, where his work has been seen in 11 plays, including The Skin of Our Teeth, A Doll’s House/The Father in rep., Othello (2009 — Lucille Lortel Award Nomination) and Hamlet (2009 – Drama Desk Award Nomination). He is also a frequent collaborator with Chicago’s Steppenwolf Theatre Company, where he has designed the world premieres of Linda Vista, Mary Page Marlowe, and Visiting Edna, as well as several others including Pass Over, which was later filmed for Amazon by Spike Lee. Other New York credits include productions for Juilliard Opera (Les Mamelles de Tirésias, Der Kaiser von Atlantis, La Calisto), Lincoln Center Theatre, the Public Theatre, the Vineyard Theatre, and New York Theatre Workshop, among others. His work has been seen at virtually every important regional theater nationwide. Internationally he has designed for the Comedie Francaise, the Festival d’Aix-en-Provence, Les Théâtres de la Ville de Luxembourg, La Monnaie in Brussels, the Edinburgh Festival Fringe, the Royal Opera House Linbury Studio, the National Theater of Sarajevo, the Sydney Festival, among many other venues. Doshi holds degrees from Wabash College and Yale University, and is a tenured Associate Professor of Theatre at Northwestern University, where he teaches in the MFA Design and Directing programs.

In this episode Ilana sat down with her friend and the producer of the first play Ilana ever did in New York, Tony Award winner - Daryl Roth. Roth is an award-winning theatre producer and President of Daryl Roth Productions. She is honored to hold the singular distinction of producing seven Pulitzer Prize-winning plays: Anna in the Tropics; August: Osage County (2008 Tony Award); Clybourne Park (2012 Tony Award); How I Learned to Drive; Proof (2001 Tony Award); Edward Albee’sThree Tall Women; and Wit. The proud recipient of ten Tony Awards and London’s Olivier Award, highlights of her over 100 award winning productions both on and off Broadway include: The Tony and Olivier Award winning musical Kinky Boots (Broadway, U.S. Tour, London, Toronto, Australia, Korea, Japan); Bea Arthur on Broadway; Tony Kushner and Jeanine Tesori’s Caroline, or Change; Closer Than Ever; Curtains; Edward Albee’s The Goat, or Who Is Sylvia? (2002 Tony Award); The Humans (2016 Tony Award); Nora Ephron and Delia Ephron’s Love, Loss, and What I Wore; Larry Kramer’s The Normal Heart (2011 Tony Award); A Raisin in the Sun (2014 Tony Award); Shuffle Along; The Tale of the Allergist’s Wife; Twilight: Los Angeles, 1992; A View from the Bridge (2016 Tony); War Horse (2011 Tony Award); Wiesenthal; The Year of Magical Thinking; and De La Guarda, which ran for 7 years as the inaugural production at the Daryl Roth Theatre, a landmark building in Manhattan’s Union Square. Upcoming Broadway productions include Paula Vogel’s Indecent; Groundhog Day; Hello, Dolly starring Bette Midler; Present Laughter starring Kevin Kline; and Sunset Boulevard starring Glenn Close. Film credits include My Dog: An Unconditional Love Story a documentary exploring the relationships of well-known New Yorkers and their dogs.  Ms. Roth is a newly appointed member of the New York City Police Foundation Board of Trustees, a member of the Mayor’s Theater Subdistrict Council, an Honorary Trustee for Lincoln Center Theatre, and was twice included in Crain’s “100 MostInfluential Women in Business.” Recent honors include: The Order of the Golden Sphinx award from The Harvard Hasty Pudding Institute; New York Living Landmarks award; Humanitarian Award from the Women's Division and Albert Einstein College of Medicine; Broadway Association Visionary Leader Award; Family Equality Council Family Award; Live Out Loud Humanitarian Award; and the Lucille Lortel Lifetime Achievement Award. She enjoys supporting a diverse group of charitable and cultural institutions, and is active in LGBTQ rights causes, animal rights, and support for the arts.  Ms. Roth is married to real estate developer Steven Roth.

Happy New-ish Year, listeners, and hello, young lovers! After a few weeks away, shall we tell you what we think of one of the most romantic, epic musicals of all time — Rodgers and Hammerstein's "The King and I"? The 2018 West End production starring Queen Kelli O'Hara and Ken Watanabe is something wonderful — and we adore it so much we decided to start a season on musicals we love, to start off 2019 (and Valentine's) with a happy tune. The Broadway Babies will go over the backstage drama that surrounded this musical from the beginning, how iconic Ruthie Ann Miles' Lady Thiang is, the racial tensions both in and out of the show, etc. etc. etc. Now, come...shall we dance? Film: Amazon Video | BroadwayHD Cast recording: iTunes | Spotify Music:  "Getting to Know You," performed by Kelli O'Hara "A Puzzlement," by Ken Watanabe "Hello, Young Lovers," by Kelli O'Hara "Shall I Tell You What I Think of You," by Kelli O'Hara "Something Wonderful," by Ruthie Ann Miles "Shall We Dance," by Kelli O'Hara, Ken Watanabe, conducted by Ted Sperling "Finale Ultimo," conducted by Ted Sperling Music by Richard Rodgers and lyrics by Oscar Hammerstein II; copyright owned by the Rodgers and Hammerstein Organization. Album distributed by Universal Music Classics, a division of UMG Recordings Inc. Show Notes: A discussion of race in The King and I when it was staged in Australia in 2014, referring to both the movie and the 1991 production that moved to Broadway. A portrait of the OG Anna in the OG ballgown, Gertrude MFin' Lawrence The King and I animated trailer … with tigers and dragons and Julie Andrews-lite Anna, oh my! Lincoln Center Theatre’s LincTix discount program for 21-35-year-olds, where tickets are like half off! Get ready for "Disobedience," (2017) starring Anna and Lady Thiang. It's a 'ship. Podcast cover art: David Taylor Twitter: @bwaybabies Facebook: Facebook.com/broadwaybabiespodcast

It would be hard pressed to find someone who, in the past thirty years, has influenced the development of the American Theatre more than Andre Bishop. For ten years, he was Artistic Director of Playwright's Horizons, which was followed by his current stint as the Artistic Director of Lincoln Center Theatre, which has given the American musical theatre such new works as A New Brain, Parade, Contact, and The Light in The Piazza, as well as revivals of South Pacific, The King & I, and My Fair Lady. Andre pulls back the curtain on his career to discuss how he became the artistic director of Lincoln Center Theater, what it was like cultivating such works as Falsettos, Sunday in the Park with George, and The Heidi Chronicles, and why his biggest goal for LCT has still yet to be achieved! Also, Andre shines the spotlight on Wendy Wasserstein, William Finn, and Bartlett Sher! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 To book a room at Shetler Studios, head on over to: https://www.shetlerstudios.com

Ilana interviewed JASON ROBERT BROWN live on the stage of City Center after the Encore Series Presentation of his song cycle "Songs for a New World" on the day his latest album "How We React and How We Recover" was released. In this intimate conversation Jason talks about being "adopted " by Hal Prince, his longtime collaboration with Daisy Prince, the joy and pain of winning Tony Awards for shows that had closed quickly and how he wrote the title song for his new album on the morning Donald Trump won the election and more.... Jason Robert Brown  is the ultimate multi-hyphenate – an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer – best known for his dazzling scores to several of the most renowned musicals of his generation, including the generation-defining “The Last Five Years”, his debut song cycle “Songs for a New World”, and the seminal “Parade”, for which he won the 1999 Tony Award for Best Score. JASON ROBERT BROWN has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer), and his “extraordinary, jubilant theater music” (Chicago Tribune) has been heard all over the world, whether in one of the hundreds of productions of his musicals every year or in his own incendiary live performances. Jason’s score for “The Bridges of Madison County,” a musical adapted with Marsha Norman from the bestselling novel, directed by Bartlett Sher and starring Kelli O’Hara and Steven Pasquale, received two Tony Awards (for Best Score and Orchestrations). “Honeymoon In Vegas,” based on Andrew Bergman’s film, opened on Broadway in 2015 following a triumphant production at Paper Mill Playhouse. His major musicals as composer and lyricist include: “13”, written with Robert Horn and Dan Elish, which began its life in Los Angeles in 2007 and opened on Broadway in 2008; “The Last Five Years”, which was cited as one of Time Magazine’s 10 Best of 2001 and won Drama Desk Awards for Best Music and Best Lyrics; “Parade,” written with Alfred Uhry and directed by Harold Prince, which premiered at Lincoln Center Theatre in 1998, and subsequently won both the Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, as well as garnering Jason the Tony Award for Original Score; and “Songs for a New World,” a theatrical song cycle directed by Daisy Prince, which played Off-Broadway in 1995, and has since been seen in hundreds of productions around the world. As a soloist or with his band The Caucasian Rhythm Kings, Jason has performed sold-out concerts around the world.  His newest collection, “How We React and How We Recover”, was released in June 2018 on Ghostlight Records. His previous solo album, “Wearing Someone Else’s Clothes”, was named one of Amazon.com’s best of 2005, and is available from Sh-K-Boom Records. For the new musical “Prince of Broadway,” a celebration of the career of Harold Prince, Jason was the musical supervisor and arranger.  Other recent New York credits as conductor and arranger include “Urban Cowboy the Musical” on Broadway; Oliver Goldstick’s play, “Dinah Was,” directed by David Petrarca, at the Gramercy Theatre and on national tour; and William Finn’s “A New Brain,” directed by Graciela Daniele, at Lincoln Center Theater. Jason has conducted and created arrangements and orchestrations for Liza Minnelli, John Pizzarelli, Tovah Feldshuh, and Laurie Beechman, among many others. Jason studied composition at the Eastman School of Music in Rochester, N.Y., with Samuel Adler, Christopher Rouse, and Joseph Schwantner.  He lives with his wife, composer Georgia Stitt, and their daughters in New York City.  Jason is a proud member of the Dramatists Guild and the American Federation of Musicians Local 802.  Visit him on the web at www.jasonrobertbrown.com.

Amanda Warren plays Lucy Warburton who is the mayor of Mapletonon the show HBO show The Leftovers. http://www.hbo.com/the-leftovers/#/ Born and raised in New York, Amanda Warren received her Bachelor of Fine Arts from New York University, Tisch School of the Arts, and her Master of Fine Arts from Yale School of Drama. Most recently, Warren appeared in USA Network's 'Royal Pains.' In 2012, she had a recurring role on the final season of 'The Closer.' On the small screen, Warren has also appeared in 'Detroit 1-8-7,' 'Gossip Girl,' 'Rubicon,' 'Law & Order,' 'The Good Wife,' and 'Law & Order: Criminal Intent.” Warren's film credits include 'The Adjustment Bureau,' 'Deep Powder,' 'All Is Bright' and 'Seven Psychopaths.' Warren began her professional career on stage receiving rave reviews for her work in The Classical Theatre of Harlem's production of 'Three Sisters,' Terrence McNally's 'Golden Age' and Lincoln Center Theatre's 'When I Come to Die,' for which she received an AUDELCO nomination for her portrayal of 'Chantel Robinson.'    

JBN sat down with Tiffan Borelli, an actress, singer, teacher, and founding member of Core Artists Ensemble (www.tiffanborelli.com). Ms. Borelli's New York theatre credits include Two By Two at The York Theatre with Jason Alexander, Martin Charnin's Something Funny's Going On at 54 Below, (Kate) in Kiss Me Kate with The Staten Island Philharmonic, Emma:The Musical at NYMF, and as (Sondra Lee) in Far Out! at Minetta Lane. In other parts of the world, she’s been seen in the Asia Tour of The Sound Of Music, as well as productions with The Kennedy Center, Maine State Music Theatre, Lyric Theatre of Oklahoma, Greenbrier Valley Theatre, The River Valley Repertory Theatre, City Rep Theatre, & Theatre of New Canaan, where she earned a 2013 Broadway World Nomination for Best Actress in a Musical. Tiffan has soloed in concerts at Joe's Pub, Ars Nova and Lincoln Center Theatre. Founding member of Core Artists Ensemble, a New York based Theatre Company derived from her years at New York's Acting institute, The Barrow Group. Song Premiere: "Tavern", poem by Edna St. Vincent Millay and music by Joel B. New (www.joelbnew.com). Accompanied by Ivan Orellana on guitar. Recorded live at Ripley-Grier Voiceover Studios on 5/30/14.

Gregory Mosher: In May of 1988, Peter Van Zandt moderated a talk with director and Lincoln Center Theatre artistic director Gregory Mosher, just weeks after the opening of the Broadway production of David Mamet's Speed-the-Plow. In a conversation that focuses on Mosher's longstanding relationship with Mamet, and Mosher's leadership of Lincoln Center Theater since 1985, topics include Mosher and Mamet's first meeting in Chicago in 1974; the ambiguity of Speed-the-Plow; Mamet's preference for working with the same company of actors and Mosher's desire to open up the casting to a broader range of actors, including the casting of stage neophyte Madonna in her Broadway debut; the issues involved in releasing an actor; why Mosher loves producing perhaps more than directing; how the then-new Lincoln Center membership model compares with the classic theatrical subscription model; whether he believes Lincoln Center Theater should have a resident acting company, as it did when the Vivian Beaumont opened in the 1960s; the process of moving Sarasin!; and what he had learned from his new partner at LCT, Bernard Gerstein. Originally recorded - May 25, 1988. Running Time - 1:27:21 © 1988 SDCF

Stockard Channing discusses her work in Jon Robin Baitz's new play "Other Desert Cities", acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical "Two Gentlemen of Verona", which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely "Grease"; her return to the stage in successive productions of "A Day in the Death of Joe Egg" at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of "The House of Blue Leaves"; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in "Six Degrees of Separation", and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's "Four Baboons Adoring the Sun"; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for "The Lion in Winter" in 1999 -- and what about doing the show did give her pause; what it was like to do "Pal Joey", her first musical in over two decades (having previously followed Liza Minnelli into "The Rink"); and how she approached the role of Lady Bracknell in "The Importance of Being Earnest" for a production at the Gaiety Theatre in Dublin, Ireland last year. Original air date - February 2, 2011.

Stockard Channing discusses her work in Jon Robin Baitz's new play "Other Desert Cities", acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical "Two Gentlemen of Verona", which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely "Grease"; her return to the stage in successive productions of "A Day in the Death of Joe Egg" at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of "The House of Blue Leaves"; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in "Six Degrees of Separation", and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's "Four Baboons Adoring the Sun"; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for "The Lion in Winter" in 1999 -- and what about doing the show did give her pause; what it was like to do "Pal Joey", her first musical in over two decades (having previously followed Liza Minnelli into "The Rink"); and how she approached the role of Lady Bracknell in "The Importance of Being Earnest" for a production at the Gaiety Theatre in Dublin, Ireland last year. Original air date - February 2, 2011.

Stockard Channing (1985 Tony Award winner for Best Performance by an Actress in a Leading Role in a Play for “Joe Egg”) discusses her work in Jon Robin Baitz's new play “Other Desert Cities”, acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical “Two Gentlemen of Verona”, which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely “Grease”; her return to the stage in successive productions of “A Day in the Death of Joe Egg” at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of “The House of Blue Leaves”; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in “Six Degrees of Separation”, and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's “Four Baboons Adoring the Sun”; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for “The Lion in Winter” in 1999 -- and what about doing the show did give her pause; what it was like to do “Pal Joey”, her first musical in over two decades (having previously followed Liza Minnelli into “The Rink”); and how she approached the role of Lady Bracknell in “The Importance of Being Earnest” for a production at the Gaiety Theatre in Dublin, Ireland last year.

The producing team of the 1986 Tony-nominated play "The House of Blue Leaves" - press representative Merle Debuskey, executive producer Bernard Gersten, playwright John Guare, advertising representative James Russek, and director Jerry Zaks - discuss how they came to work on this mid-1960's domestic comedy at Lincoln Center Theatre, first in the off-Broadway Mitzi E. Newhouse Theater, then transferring to the much larger Vivian Beaumont Theatre which presented its own challenges, eventually moving to the Plymouth Theatre on Broadway; the economics of producing, subscriber base, and ticket prices at a not-for-profit theater; finding key designers; casting sessions, working with strong actors, and maintaining quality performances in an extended run.

The producing team of the 1986 Tony-nominated play The House of Blue Leaves -- press representative Merle Debuskey, executive producer Bernard Gersten (whose tenure as Executive Producer of Lincoln Center Theater has scored them numerous Tony Awards including the recent revival of South Pacific, Coast of Utopia and Contact), playwright John Guare (Sweet Smell of Success and Tony Winner for the 1972 musical version of Two Gentlemen of Verona), advertising representative James Russek, and director Jerry Zaks (Tony Award winner for Best Direction in 1986 for The House of Blue Leaves, 1989 for Lend Me a Tenor, 1991 for Six Degrees of Separation and 1992 for Guys and Dolls) -- discuss how they came to work on this mid-1960's domestic comedy at Lincoln Center Theatre, first in the off-Broadway Mitzi E. Newhouse Theater, then transferring to the much larger Vivian Beaumont Theatre which presented its own challenges, eventually moving to the Plymouth Theatre on Broadway; the economics of producing, subscriber base, and ticket prices at a not-for-profit theater; finding key designers; casting sessions, working with strong actors, and maintaining quality performances in an extended run.

In May of 1988, Peter Van Zandt moderated a talk with director and Lincoln Center Theatre artistic director Gregory Mosher, just weeks after the opening of the Broadway production of David Mamet's "Speed-the-Plow". In a conversation that focuses on Mosher's longstanding relationship with Mamet, and Mosher's leadership of Lincoln Center Theater since 1985, topics include Mosher and Mamet's first meeting in Chicago in 1974; the ambiguity of "Speed-the-Plow"; Mamet's preference for working with the same company of actors and Mosher's desire to open up the casting to a broader range of actors, including the casting of stage neophyte Madonna in her Broadway debut; the issues involved in releasing an actor; why Mosher loves producing perhaps more than directing; how the then-new Lincoln Center membership model compares with the classic theatrical subscription model; whether he believes Lincoln Center Theater should have a resident acting company, as it did when the Vivian Beaumont opened in the 1960s; the process of moving "Sarafina!"; and what he had learned from his new partner at LCT, Bernard Gersten.

Playwright Paul Rudnick discusses his evening of one-act plays, "The New Century", currently playing at Lincoln Center Theatre, including how he came to combine characters originally written for separate plays into a single work and how he hopes they play against their stereotypes; how he announced his plans to be a playwright to his parents as a young child, before he'd even seen a play; the senior class project that he threw together at the last minute only to see it swiftly produced as a one-night-only event at Yale; the famously troubled Broadway run of "I Hate Hamlet"; the difficulty he experienced trying to get "Jeffrey", a comedy set in the era of AIDS, produced; and the story behind his longest-running character, film critic Libby Gelman-Waxner of "Premiere" magazine. Original air date - April 18, 2008.

Playwright Paul Rudnick discusses his evening of one-act plays, "The New Century", currently playing at Lincoln Center Theatre, including how he came to combine characters originally written for separate plays into a single work and how he hopes they play against their stereotypes; how he announced his plans to be a playwright to his parents as a young child, before he'd even seen a play; the senior class project that he threw together at the last minute only to see it swiftly produced as a one-night-only event at Yale; the famously troubled Broadway run of "I Hate Hamlet"; the difficulty he experienced trying to get "Jeffrey", a comedy set in the era of AIDS, produced; and the story behind his longest-running character, film critic Libby Gelman-Waxner of "Premiere" magazine. Original air date - April 18, 2008.

Three-time Tony Award-winning costume designer Catherine Zuber talks about the process of costume design and the nature of the collaboration between designers and a director; explains how she chooses her projects -- and how many she takes on each year; recounts the challenge of creating 600 costumes for the Lincoln Center Theatre production of "The Coast Of Utopia"; describes the development of the costumes for the multiple incarnations (and changing cast members) of "The Light In The Piazza"; shares how she made the career transition from photographer to designer; and dispenses some tips to aspiring designers about how to develop their skills. Original air date – June 29, 2007.

Five-time Tony Award-winning costume designer Catherine Zuber (for The Light in the Piazza, Awake and Sing!, The Coast of Utopia, South Pacific and The Royal Family) talks about the process of costume design and the nature of the collaboration between designers and a director; explains how she chooses her projects -- and how many she takes on each year; recounts the challenge of creating 600 costumes for the Lincoln Center Theatre production of The Coast Of Utopia; describes the development of the costumes for the multiple incarnations (and changing cast members) of The Light In The Piazza; shares how she made the career transition from photographer to designer; and dispenses some tips to aspiring designers about how to develop their skills.

Three-time Tony Award-winning costume designer Catherine Zuber talks about the process of costume design and the nature of the collaboration between designers and a director; explains how she chooses her projects -- and how many she takes on each year; recounts the challenge of creating 600 costumes for the Lincoln Center Theatre production of "The Coast Of Utopia"; describes the development of the costumes for the multiple incarnations (and changing cast members) of "The Light In The Piazza"; shares how she made the career transition from photographer to designer; and dispenses some tips to aspiring designers about how to develop their skills. Original air date – June 29, 2007.

Blair Brown discusses her role on stage in the Lincoln Center Theatre production of Sarah Ruhl's "The Clean House", and her part in the play winning the prestigious Susan Smith Blackburn Award; explains how she ended up going to drama school and beginning her career in Canada; recalls her role in the triumphant Richard Foreman production of "The Threepenny Opera" and her anguish over the brief Broadway life of "The Secret Rapture"; and considers the experience of humanizing so-called "intellectual" plays like "Copenhagen" and "Arcadia". Original air date - December 29, 2006.

Blair Brown discusses her role on stage in the Lincoln Center Theatre production of Sarah Ruhl's "The Clean House", and her part in the play winning the prestigious Susan Smith Blackburn Award; explains how she ended up going to drama school and beginning her career in Canada; recalls her role in the triumphant Richard Foreman production of "The Threepenny Opera" and her anguish over the brief Broadway life of "The Secret Rapture"; and considers the experience of humanizing so-called "intellectual" plays like "Copenhagen" and "Arcadia". Original air date - December 29, 2006.

Blair Brown discusses her role on stage in the Lincoln Center Theatre production of Sarah Ruhl's "The Clean House", and her part in the play winning the prestigious Susan Smith Blackburn Award; explains how she ended up going to drama school and beginning her career in Canada; recalls her role in the triumphant Richard Foreman production of "The Threepenny Opera" and her anguish over the brief Broadway life of "The Secret Rapture"; and considers the experience of humanizing so-called "intellectual" plays like "Copenhagen" and "Arcadia". Original air date - December 29, 2006.

With three of New York's major not-for-profit theatres now producing in Broadway venues, their leaders—Andre Bishop and Bernard Gersten of Lincoln Center Theatre, Lynne Meadow and Barry Grove of Manhattan Theatre Club, and Todd Haimes, Ellen Richard and Julia C. Levy of Roundabout Theatre Company—gather for the very first time to explore the issues facing institutional theatres on Broadway.

With three of New York's major not-for-profit theatres now producing in Broadway venues, their leaders—André Bishop and Bernard Gersten of Lincoln Center Theatre (with their most recent Tony Award coming with their revival of South Pacific), Lynne Meadow and Barry Grove of Manhattan Theatre Club (with multiple Tony wins for the organization), and Todd Haimes (who has scored multiple Tonys while serving as Artistic Director), along Ellen Richard and Julia C. Levy of Roundabout Theatre Company—gather for the very first time to explore the issues facing institutional theatres on Broadway.

Director-choreographer Susan Stroman charts her career from her early days as a chorus member in regional theatre to her triumph with "The Producers" to her work with Nathan Lane bringing Stephen Sondheim's legendary but little seen "The Frogs" to life at Lincoln Center Theatre. Original airdate - October 1, 2004.

Director-choreographer Susan Stroman charts her career from her early days as a chorus member in regional theatre to her triumph with "The Producers" to her work with Nathan Lane bringing Stephen Sondheim's legendary but little seen "The Frogs" to life at Lincoln Center Theatre. Original airdate - October 1, 2004.

Director-choreographer Susan Stroman charts her career from her early days as a chorus member in regional theatre to her triumph with "The Producers" to her work with Nathan Lane bringing Stephen Sondheim's legendary but little seen "The Frogs" to life at Lincoln Center Theatre. Original airdate - October 1, 2004.