Podcast appearances and mentions of michael fischetti

On today's show Mike is joined by friend and past-guest Michael Fischetti. Together they try to figure out how to fix the Oscars. How to make the show more entertaining, and how to make the awards more fair and inclusive. Also: the guys digress into animation talk and chatter about Star Wars: Galaxy's Edge at Disney World. SUBSCRIBE and SHARE Follow @popculturemanchildren on Instagram.

Hey Babies! On today’s very special episode (while Emilio is on assignment) Mike sits down with filmmaker and media instructor Michael Fischetti. The topic of the episode is Ready Player One. MAJOR SPOILERS AHEAD! Mike and Michael discuss the differences between the RPO book and the RPO movie, the problematic elements in the film and in fan culture, and the value of 80s nostalgia. Other topics in this episode: Remixing, Disney World, Zack Snyder, Tim Burton, Star wars. Please remember to RATE, REVIEW and SHARE with your loved ones! Look for Michael Fischetti’s film Bruises available soon.

The Trump administrations 2-in, 1-out regulations initiative stymied the advancement of new acquisition rules.

In this episode, we had the privilege of interviewing Michael Fischetti, the Executive Director of the National Contract Management Association or NCMA. You will learn what the NCMA is as well as how it can help you network and grow as a government contractor. Get Your Free Government Contractor's Success Kit now with key templates, strategies, graphics packs, and free bonus training video. Just click here: federal-access.com/?wpam_id=6

Michael Fischetti is the Executive Director of the National Contract Management Association and he joins us on Through the Noise to discuss the ins and outs of contract management, who does it, and why we need it. With 20,000 members, the NCMA is the professional association for professional contract management, including those that work with government agencies. Contracting officers are required for contracts that involve tax-payer funded projects and the NCMA provides continuing education credits, conferences, and opportunities for networking and idea exchange between its members. They also offer professional certification for their members to become a Certified Professional Contract Manager.  Michael P. Fischetti is the executive director of the National Contract Management Association (NCMA) located in Ashburn, Virginia. In that position, he is chief executive officer (CEO) responsible for managing a professional association representing over 20,000 contracting and acquisition professionals, with over 111 chapters worldwide, an annual budget of approximately $10M, and a professional staff of 30. The National Contract Management Association is the world’s leading professional resource for those in the field of contract management, providing books, an academic journal, an Annual Review, a monthly magazine, and the largest conferences in the world dedicated to acquisition.

Part 2 of our interview with Michael Fischetti, Executive Director of the National Contract Management Association (NCMA). Part 1 focused on the training and education that contracts professionals receive, including questions of “depth or breadth” in the education of a CO and “specialist vs. generalist” in building your career. In this Part 2 we explore “non-FAR” based training and education opportunities and discuss the merits of spending time in both Government and industry.

A big welcome to our first guest on the Contracting Officer Podcast.   Michael Fischetti, Executive Director of the National Contract Management Association (NCMA), stopped by the official CO Podcast studio to discuss professionalism in contracting. ...

On December 15, 1986, director Tony Giordano, designers Hugh Landwehr and Dennis Parichy and actors Michael Fischetti, Jennifer Van Dyck and Diane Martella spoke with moderator Amy Saltz at New Dramatists about their work on a traveling co-production of "A View From The Bridge", produced by theatres in Rochester, Buffalo, Syracuse and Albany. Having taken place after two of the four runs, this conversation is a rare opportunity to hear artists from various disciplines talk about a play that is still in progress. Fischetti and Giordano discuss the inception of the play at Syracuse Stage after doing "Glengarry Glen Ross", and how it turned into a touring co-production. Giordano speaks of the opportunity to go back into rehearsal and continue to find the life of the play between Buffalo and Syracuse, and his excitement to implement their new discoveries in a smaller theater when they head to Albany. The designers discuss the difficulty of designing one set to work in four different spaces, with three proscenium and one thrust theatre, and the actors talk about committing to one show in small towns for an extended period of time. At the heart of this discussion is a group of people who are passionate about the work they have been doing and are continuing to do, and the idea that a play is not finished once it's in front of an audience.