Podcast appearances and mentions of Tim Burton

I recently got to visit supervising sound editor John Loranger, from Netflix's hit series Wednesday, at his studio in the Toronto area. We spent the afternoon talking about his work on this fantastical series and it's many audio challenges. These include creature vocal designs for the many different characters, finding comedy in the chaos, and discovering the right tone for this unique genre. We also touched on what it is like to work with legendary director Tim Burton and how important the entire audio post team is. _____SPONSORS: Sound Ideas works with partners across the media and creative industries to distribute professional sound libraries, and they're always looking to grow their collection. If you've created your own sound effects library, or are currently developing one, Sound Ideas is interested in acquiring high-quality collections from creators - whether it's a focused collection or a wide ranging release. They offer a trusted platform with global distribution, professional licensing, metadata support, and a team that understands the craft. If you have a sound effects library and are interested in selling it, Sound Ideas would like to hear from you. For more information, please reach out via: support@sound-ideas.com ________ Tonebenders' host, Tim Muirhead, will be hosting and moderating a FREE screening of Independence Day to mark the films 30th anniversary. In attendance will be some of the original sound crew that worked on it. This will take place in Toronto, on July 6th, starting at 6pm at the Hot Docs Theatre. After the screening I will talk with the film's Supervising Sound Editor Val Kuklowski, Foley Artist Andy Malcom and Sound Effects Editor Mark Lanza about their work on this groundbreaking film. Go to: www.eventbrite.ca/e/vff-mpse-prese…7?aff=erellivmlt and use the code VFFTonebenders to claim your free seats and entrance to the post screening party where there will be complimentary bites and refreshments. _________Attention, sound designers! The community run  Field Recording Slack Channel's  Mechanical Malfunctions Crowdsource is open from now through July 17th. All you have to do is Submit one original recording, of some kind of mechanical malfunction, to participate. Everyone who enters, will automatically get a full sound library featuring everyone's submissions.  This is a great way to add a treasure trove of unique sounds to your arsenal.  Plus More Additional prizes will be awarded, including a Radius Mini Alto wind shield, a pair of LOM Uši Pro microphones, plug-ins from Audio Kids, tons of free sound libraries and more prizes still to be announced. Get full details on how to join in at https://docs.google.com/document/d/10PT_KQ2O-M7_0CpXTmjIfZzdUPd4mJUiUp2SzoaCI8g/edit?tab=t.0 _________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ _______ Episode Notes: https://tonebenderspodcast.com/362-wednesday-with-john-loranger/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Nananananananana… Batman! Prince was invited to participate with the 1989 Batman film and jumped in with both feet. There's lots of background to learn about how the project came about, how happy the participants were, and some struggles. All that AND the first four songs of the album on this episode!Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter… X… Twix: @TMATSPodcastEmail: TMATSPodcast@gmail.com

Diez años después hacemos una secuela tardía de un podcast sobre secuelas tardías. Parece un trabalenguas pero es más necesario que nunca que abordemos este fenómeno en la época del "contenido". Con las plataformas muy asentadas, hay un sinfín de "recuelas", reboots o estrenos directos en streaming de películas que nunca pidieron una continuación. Analizamos 6 ejemplos paradigmáticos de los últimos diez años: - Blade Runner 2049, Denis Villeneuve ¿está a la altura del clásico? - Bitelchús Bitelchús, ¿vuelve Tim Burton por sus fueros? - El regreso de Mary Poppins, la secuela más tardía ¿e innecesaria? - Todos los lados de la cama, ¿por qué no se repitió el taquillazo? - Doctor Sueño, ¿estaría conforme Stephen King con este nuevo Resplandor? - Top Gun: Maverick, salvó las salas pero ¿es mejor que la primera parte? No tardamos diez años en tratar de resolver todas estás incógnitas y además nos volvemos a aventurar sobre próximas secuelas tardías. Gracias a Domino's Pizza además podéis usar el código de descuento KR11N. Con él podéis adquirir 2 medianas Clazzica’s por 11.99 euros c/u, vía web o app a domicilio. Las Deluxe llevan un suplemento de 1 euro, y si se quiere masa Croizzantísima o borde relleno, el suplemento es de 1.99 euros Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

“I am not complete” Edward Scissorhands (1990) directed by Tim Burton and starring Johnny Depp, Winona Ryder, Dianne Wiest, Anthony Michael Hall, Vincent Price, Alan Arkin and Kathy Baker Next Time: Morocco (1930) 

"I know how you feel. You don't know if you want to hit me or kiss me. I get a lot of that." In the latest episode of AT THE MOVIES IN THE 90s, your hosts Mark McManus & A. J, Black dig into Warren Beatty's 1990 adaptation of classic American comic book detective, Dick Tracy. In the wake of Tim Burton's Batman, Beatty brings to life his passion project with a galaxy of stars, a palette of vibrant colour, and an unashamed adoration for the gangster film of old. But did it work then and does it work now? We try to find out... Host Mark McManus Co-Host / Editor A. J. Black Find the podcast on Linktr.ee: https://linktr.ee/atthemoviesinthe90s Support the Film Stories podcast network on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/simonbrew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: www.filmstories.co.uk Title music: 'I Am Changing' by Isaac Elliott (c) epidemicsound.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This was bizarre. In the best way possible.Follow Jenna Online!Tumblr: ⁠⁠⁠https://still-she-haunts-me-phantomwise.tumblr.com⁠⁠⁠YouTube: ⁠⁠⁠https://www.youtube.com/Phantomwise2 ⁠2nd Channel: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/@love-giftofafairytale3849I Heart Animation - Episode 257For links to my latest episodes, all my podcasts, and other social media, check out my Link Tree! ⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For bonus episodes, extended episodes, and more, sign up for my Patreon! https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Screenwriting Legends SCOTT ALEXANDER and LARRY KARASZEWSKI discuss their origin stories of being film nerds, drive-in movies, how looking on the back of Variety was glorious when they were kids, how Shakey's Pizza's silent movies influenced them, meeting the first hour at school and deciding to go to the Nuart Theater in Los Angeles, why they program screenings including The Wrong Guy, what makes a good story from real life, why offbeat losers make better subjects than heroes, how directors like Tim Burton are loyal to the script and love stories of art and outsiders, why awards are fun but stupid, their process of deciding on ideas in a shockingly random way, sinking time into ideas that go nowhere, the amazing Marx Brothers movie that can't seem to get made, how they can't shake a movie once they love it, how producers are just as stupid as they are, whether everyone has a movie in their lives and why someone doesn't make a bio movie about them, and how pickleball can save your life! Bio:SCOTT ALEXANDER and LARRY KARASZEWSKI met when they were freshman roommates at USC's School of Cinema. On a whim, they wrote a screenplay during their senior year, which sold a week after graduation. They are best known for writing very unusual biopics with larger-than-life characters. They wrote the highly-acclaimed ED WOOD, for which they were nominated for Best Screenplay by the Writers Guild. They followed this with THE PEOPLE VS. LARRY FLYNT, for which they won the Golden Globe for Best Screenplay, as well as a special Writers Guild award for civil rights and liberties. They scripted the extremely postmodern MAN ON THE MOON, the life story of Andy Kaufman. They wrote BIG EYES, the strange-but-true story of Margaret and Walter Keane, for which they received an Indie Spirit Best Screenplay nomination. For their first television project, they created the hit miniseries AMERICAN CRIME STORY: THE PEOPLE V. O.J. SIMPSON, for which they won the Emmy, Golden Globe, PGA and WGA Award for Best Limited Series. Their most recent film, DOLEMITE IS MY NAME, is the celebrated tale of Rudy Ray Moore. Other than biopics, Alexander and Karaszewski are quite eclectic. They wrote the hit Stephen King adaptation 1408. They produced the Bob Crane biopic AUTO FOCUS, and they wrote and directed the comedy SCREWED. They have also written numerous family films, including PROBLEM CHILD, PROBLEM CHILD 2, AGENT CODY BANKS, and GOOSEBUMPS. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian Hunter has spent four decades building miniatures, supervising visual effects and thinking like a filmmaker on some of the most demanding productions in Hollywood. In this episode, he traces a career that began in a garden shed with a punched-up piece of German black velvet and ended up — via James Cameron, Tim Burton, the Coen Brothers, and Christopher Nolan — on some of the most iconic screens in the world.Ian grew up surrounded by art. His father painted oils and acrylics, played music and did pastel portraits, and encouraged his three sons to make things — even when those things destroyed the materials he'd given them. The moment that really clicked, Ian recalls, was being handed a model kit as a kid and taking to it immediately. That creative instinct only grew stronger. In high school, he and his brothers were making Super 8 films, scratching laser effects onto the film with a pin and blowing up overloaded resistors for explosions. One of those films required them to fake-rob a local bank — and the encounter that followed, with the surprisingly enthusiastic vice president of the Monrovia Wells Fargo, led to a meeting with the mother of Rick Baker, whose work Ian had recently encountered in a traveling special effects exhibition and been completely floored by.After drifting away from an aerospace course at Cal Poly Pomona and working in an acid bath plastics factory, Ian answered a classified ad looking for model makers — and on the strength of a modest portfolio, was hired the same day. His first feature was The Abyss. He and fellow model maker Jim McGee built the flooded engine room of the Montana submarine with almost no direction beyond James Cameron's bare-bones description, and shipped it to South Carolina having never seen a frame of the live action. The production was not without its disasters — Ian found himself entangled in the notorious wax crane fiasco, and talks about the valuable early lesson of knowing when to call something out before it goes wrong.From there, a friend pointed him toward Boss Film, Richard Edlund's company in Marina del Rey, where a chance encounter with departing model supervisor Mark Stetson changed everything. What was supposed to be a one-week favour on a music video turned into six years. Working with Stetson took Ian from being a junior model maker building things in isolation to visiting sets, talking directly with directors, and understanding that miniature work only succeeds when it becomes invisible — just more shots in a movie, telling the story rather than showing off the technique.Among the projects from that period, Ian talks at length about Total Recall — including the behind-the-scenes chaos of a scale miscommunication on the final day of shooting, a scene involving a little person that nobody had accounted for, and the moment he glued a Coke can to a model building because they were running out of time. That Coke can, dressed up and shot from the front, made it into the finished film. So did one in Waterworld. And Inception. And Interstellar. And, after the story apparently got around, director Fede Álvarez greeted Ian on Alien: Romulus by asking exactly where he was planning to hide it.Ian built the suburb for Edward Scissorhands — deliberately making it more bland and mundane than real life — and talks about one of his proudest in-camera shots: the final view through the bedroom window and out over the snow-dusted neighbourhood, achieved with a 1:24 scale model and real snow shakers on the night. On Batman Returns he built the Penguin's zoo, and describes receiving one of his all-time favourite compliments from Tim Burton — who, after watching a pyrotechnics test, asked simply: "Where did you shoot this?" Not realising he was looking at a miniature. The zoo also gave Ian one of his best examples of a happy accident: a polar bear sculpture that was supposed to explode but instead toppled slowly sideways with flames coming out of its feet. Tim Burton loved it. The entire subsequent engineering challenge was figuring out how to recreate the mistake.On the X-Files movie, Ian and his partner Matthew Gratzner built a collapsing federal building on a tight budget, referencing Oklahoma City bombing photographs for the detail of damaged concrete and exposed floors. The late Roger Ebert reviewed the finished film and said the sequence should have been cut — because it was too reminiscent of real tragedy. Ian reflects on that as a marker: they'd gotten past the technique and into the emotion.The conversation turns to Christopher Nolan, with whom Ian has worked across multiple films. Ian describes Nolan as collaborative but definitive, someone who discusses a shot in depth and then tells you exactly what he wants. He talks about the liberation Nolan offered on Interstellar when he told the crew to stop following the previs — pre-vis is just a guy at a computer on a Friday trying to get the shot out the door, Nolan told them; if you can see a better angle, do that instead. The result was that the miniature crew started shooting faster, and a number of shots that had been planned as digital moved across to the physical side. Ian also describes the meticulous sun-angle calculation that went into matching the Inception hospital sequence — setting up models in a parking lot at a precisely calculated skewed angle to hit the exact quality of light that had been captured in Calgary on a specific date.On First Man with Damien Chazelle, Ian had drawn storyboards before the first meeting proposing a documentary approach — cameras attached to the spacecraft, nothing sweeping or cinematic, everything either very close or very wide as if shot from another ship. Chazelle walked in and described exactly the same idea. They spent twenty minutes together going through the sequence, working to an animatic cut to music, and Ian went off and shot it. That shorthand — that moment of being in sync before the conversation has really started — is something Ian describes as central to how he has survived in an industry where so many practical effects houses have not. He's a model maker, yes. But more than that, he's a filmmaker.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

Lukas Haas Gets Real About Hollywood, Child Fame & Spider-Noir What's it really like to grow up in Hollywood, become a star as a kid, and still keep evolving as an artist decades later? In this episode of Reza Rifts, Keith Reza sits down with Lukas Haas for a candid, funny, and surprisingly deep conversation about his upcoming role in Spider-Noir, the pressure of self-tape auditions, playing darker characters, and what it takes to survive a lifetime in the entertainment industry. Lukas opens up about landing Spider-Noir, stepping into a stylized noir comic-book world, and why filming in both black-and-white and color gave the project such a unique feel. He also talks about the freedom of playing a villain, the art of instinctive acting, and how costumes, tone, and physicality all help shape a memorable performance. But this episode goes far beyond one role. Keith and Lukas also dive into Lukas's early rise as a child actor, learning lines before he fully knew how to read, working through the highs and lows of a long Hollywood career, and the reality of constantly reinventing yourself as you grow older in the industry. They also talk about Mars Attacks!, creative burnout, rewriting dialogue, difficult personalities in Hollywood, and Lukas's passion for music including his upcoming release of "Ramblin' Man." If you love Hollywood stories, acting insights, behind-the-scenes film talk, child star journeys, and honest conversations with real artists, this is one of the most revealing Reza Rifts episodes yet. Guest Bio Lukas Haas is an actor and musician whose career began in childhood and has spanned decades across film and television. In this conversation, Keith references credits including Witness, Lady in White, The Wizard of Loneliness, Mars Attacks!, and Inception. Lukas also discusses his role in the upcoming series Spider-Noir, where he plays the right-hand man to Brendan Gleeson's character, as well as his passion for writing and recording music. Follow Lukas Haas: Instagram: @lukashaas… https://www.instagram.com/lukashaas/  Episode Chapters 00:00 Introduction to Lukas Haas 01:50 Spider-Noir and landing the role through self-tape 06:20 Building a noir gangster character 08:30 Filming Spider-Noir in black and white and color 14:20 Playing villains and leaning into physicality 16:10 Costumes, style, and character choices 19:50 Lukas Haas and music as a second creative life 22:00 Recording "Ramblin' Man" and covering Hank Williams 24:10 Writing music vs. acting in film 27:20 Performance anxiety, creativity, and artistic process 30:20 Starting as a child actor and becoming obsessed with acting 34:10 Learning scripts before knowing how to read 39:10 The Ryan White Story and emotional early-career experiences 44:00 Mars Attacks! and working with Tim Burton 50:10 Meth Head and performances Lukas is proud of 52:50 Growing up in Hollywood and adapting as an actor 64:10 What Lukas would tell his younger self Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!     #LukasHaas #SpiderNoir #RezaRifts #KeithReza #Hollywood #ChildStar #Acting #ActorInterview #Podcast #MoviePodcast #EntertainmentPodcast #MarsAttacks #Inception #Witness #SelfTape #Filmmaking #BehindTheScenes #HollywoodStories #ComicBookSeries #Music #ArtistLife #Noir #TVSeries #CreativeProcess #ChildActor  

Steve Salander and Tim Burton join Fred with details on Oregon Goes On A Picnic. It happens this Sunday from 1-5p at South Shore Veteran's Park and is free and open to the public with hot dogs and root beer floats provided. Bring your own food if you like but food trucks will be on hand. 

EPISODE #482-- We slam headfirst into the car crash of a genre-bender, GOD TOLD ME TO (1976), which tries to combine a police procedural, UFOs, horror, and, I don't know what else, into a real must-see mess of a movie. Seriously. It's almsot good at every single turn. It begs to be watched. We also chat about George Clozeau's LE CORBEAU (1943), Tim Burton's BEETLEJUICE BEETLEJUICE (2025), Carol Reed's NIGHT TRAIN TO MUNICH (1940), and Alfred Hitchcock's THE LADY VANISHES (1938). Do we talk about other movies? Yes. Many. If you want to a list of them, check out our Patreon! LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Legendary costume designer Colleen Atwood joins Voice of Costume for a fascinating look inside the gothic fashion and visual storytelling of Netflix's Wednesday. She explains how costume design begins with reality, then shifts slightly into the strange, stylized world of Tim Burton—where clothing must feel imaginative while remaining true to the character wearing it. Colleen explores Wednesday Addams' emotional evolution, her growing friendship with Enid Sinclair, and how costumes subtly express isolation, connection, and personal growth. She reveals how Wednesday's deliberately limited black-and-white palette creates opportunities to experiment with silhouette, texture, movement, function, and tonal contrast—especially during action sequences and the spectacular Venetian gala. The conversation also dives into Enid's deepening color palette, Morticia Addams' sculptural wardrobe, red-lined sleeves, Day of the Dead embroidery, and how Catherine Zeta-Jones' dance background helps bring dramatic costumes to life. Colleen discusses her longtime collaboration with Tim Burton, her obsession with fit and construction, and why costumes must look compelling from every camera angle—not merely beautiful from the front. A must-listen for fans of Wednesday, Jenna Ortega, Tim Burton, gothic fashion, the Addams Family, Netflix behind-the-scenes stories, costume design, and cinematic world-building. The "Voice of Costume" is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation with Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/

In today's episode Kyler sits down with Los Angeles singer-songwriter Bella Beau to explore the deeply visual qualities of her music. The literary podcast found a natural connection in her cinematic single "Mask of Flowers," which she notes is heavily inspired by her vivid dreams, the gothic styling of Tim Burton, and the dark themes of The Picture of Dorian Gray. The conversation highlights her early immersion in the L.A. music scene, where her childhood fascination with film composers like Danny Elfman eventually led her from opera camp to performing live sets. Her unique style seamlessly blends the languid delivery of classic jazz vocalists like Julie London with the bold art-pop styling of David Bowie. Make sure to listen to the end to hear the new single "Mask of Flowers," and keep up-to-date for upcoming singles by following her socials below.Thanks for listening!---Episode Links:BellaBeauMusic.comListen to Bella Beau on SpotifyInstagram: @bellabeaumusicTikTok: @bellabeaumusicYouTube: @bellabeaumusic

Send us Fan MailDive into a brand-new episode of The Retro Wave as host El Tiburon teams up with Lidia and Anubis to rank the best Johnny Depp movies from his unforgettable 80s beginnings to his biggest modern blockbuster hits. From cult classics and quirky fan favorites to legendary performances in Hollywood franchises, the crew debates which Johnny Depp films truly deserve the top spots. If you love retro movies, movie rankings, film discussions, and nostalgic pop culture podcasts, this episode is for you.Expect laughs, hot takes, nostalgia, and deep dives into iconic Johnny Depp roles across decades of cinema. Whether you're a fan of classic 80s films, Tim Burton collaborations, or action-packed blockbuster adventures, The Retro Wave delivers the ultimate movie fan conversation.Featuring discussions about movies like A Nightmare on Elm Street, Edward Scissorhands, Fear and Loathing in Las Vegas, Sleepy Hollow, Pirates of the Caribbean, Charlie and the Chocolate Factory, and more.#JohnnyDepp #TheRetroWave #MoviePodcast #FilmPodcast #MovieRanking #80sMovies #90sMovies #PiratesOfTheCaribbean #EdwardScissorhands #RetroMovies #FilmDiscussion #MovieFans #Cinema #PopCulture #TimBurton #PodcastEpisode #ClassicMovies #MovieDebate #Nostalgia #BlockbusterMoviesSupport the showEl Tiburon's Links El Tiburon (@retrotiburon) • Instagram photos and videosEl Tiburon (@RetroTiburon) / Twitterretrotiburon (@retrotiburon) TikTok | Watch retrotiburon's Newest TikTok Videosretrotiburon - TwitchEl Tiburon | FacebookRetroTiburon - YouTubeHave any questions, comments or just wanna say what's up? Leave me a voicemail or message at The Retro Wave (retrotiburon.com)Intro and Outro music courtesy of Jo EsqYouTube Music*I do not own the rights to the music or audio clips used on this episode*

Welcome to the Video Store Podcast.The balloons are up. The popcorn machine is running full blast. The sno-cone machine is free today.Here at the Video Store Podcast, we're celebrating 100 episodes!For this special anniversary, we wanted to do something worthy of the occasion. No clip-show flashbacks. No “greatest hits” countdown. Instead, we headed behind the counter and pulled out four of the biggest VHS releases of all time, the movies that didn't just dominate the box office, but helped define the home video revolution.These were the rentals everyone wanted. The tapes that were always checked out on Friday night. The films that transformed the VCR from a luxury item into the centerpiece of family entertainment.For our 100th episode, we're revisiting four legendary films that helped build video store culture as we knew it.Star Trek II: The Wrath of Khan (1982)Directed by Nicholas Meyer, this sequel took the Star Trek franchise in a sharper, more dramatic direction. Admiral James T. Kirk faces his greatest adversary, Khan Noonien Singh, in a tense and deeply personal battle of strategy, revenge, and sacrifice. With Ricardo Montalbán delivering one of science fiction's most unforgettable villain performances, The Wrath of Khan remains one of the greatest sequels ever made.Its real legacy, however, may be what happened after theaters.Paramount made a bold gamble and priced The Wrath of Khan at just $39.95. The result shocked the industry. The tape became the highest-selling VHS release to date.That decision helped reshape home media forever and opened the door for the home video collecting boom of the 1980s.Raiders of the Lost Ark (1981)Harrison Ford's Indiana Jones burst onto screens in 1981 with whip-cracking charisma, globe-trotting action, and one of cinema's most instantly recognizable openings. From the giant rolling boulder to the snake-filled Well of Souls, Raiders delivered nonstop thrills while redefining what modern adventure filmmaking could be.When it arrived on VHS in late 1983, priced at the same consumer-friendly $39.95, Raiders generated massive pre-orders and sold more than a million copies within two years. It became one of the first films to demonstrate that a blockbuster could enjoy a hugely profitable second life in home video.It was the kind of movie families brought home again and again, the perfect repeat-viewing experience that made it a cornerstone of early home libraries.The Karate Kid (1984)The Karate Kid was one of those movies families rented over and over again until every line of dialogue was memorized. Released in 1984, the story of Daniel LaRusso, Mr. Miyagi, and the All-Valley Karate Tournament struck a perfect balance of heart, humor, action, and inspiration.On VHS, The Karate Kid became one of the defining family rentals of the decade.Unlike the spectacle-driven blockbusters on this list, its success proved that emotionally resonant, character-driven stories could thrive in the home video market. It became a staple of Friday night rentals, sleepovers, and repeat family viewings.Batman (1989)The summer of 1989 belonged to Batman.Tim Burton's Batman wasn't just a hit movie, it was a full-scale cultural event. Michael Keaton's brooding Dark Knight, Jack Nicholson's unforgettable Joker, Danny Elfman's thunderous score, and Gotham's gothic atmosphere transformed superhero cinema forever.It was darker, moodier, and more cinematic than anything audiences expected from a comic book adaptation.Then came the VHS release.Warner Bros. priced Batman at an aggressive $24.95, making it one of the most accessible blockbuster home video releases of its era. Stores stacked walls of black-and-gold VHS boxes. Cardboard standees filled lobbies. Television commercials hyped its release like another theatrical event.The theatrical release made Batman a cultural obsession. The VHS release made it part of everyday life.Thank You for 100 EpisodesFrom Star Trek II changing VHS pricing forever, to Raiders proving the power of repeat home viewing… from The Karate Kid becoming a family rental institution to Batman turning home video into a national event, these weren't just great movies.They were the tapes that defined Friday nights.They built home video libraries, filled video store shelves, and helped create the culture we celebrate every week here at the Video Store Podcast.To everyone who has listened, shared the show, and stopped by the store these past 100 episodes: thank you!Until next time — be kind, rewind.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

This episode of Ikky Akabod's Weird Cinema features a lively review of Tim Burton's Edward Scissorhands, discussing performances by Johnny Depp, Winona Ryder, and the late Vincent Price, plus Tim Burton's distinct visual style and practical effects. The hosts share movie anecdotes, local sponsor shout-outs for River Cinema 15 and Rumor Sports Bar, and recommend the film as a romantic fantasy classic.

Mark Spalding returns for an extended finale, where Rob Cook asks the big question we've all been wondering about the fate of Chief Inspector Stritch. As well as more "The Bill" discussion throughout this interview, Mark shares gold-dust from his time working on the James Bond movie "Tomorrow Never Dies" and Tim Burton's "Sleepy Hollow", plus his recent work in corporate video and theatre. You can support The Bill Podcast and unlock over 300 hours of exclusive content by joining our Patreon channel For just £2.99 you'll instantly unlock Season 1 of The Bill Obbocast, along with hundreds of reaction videos, sample editions of the weekly Evidence Room series featuring rare behind-the-scenes paperwork, cast reunion highlights, Billgrimage location videos and you'll be able to share comments with fellow fans. The higher your rank, the more content you'll unlock - and there's 7 years worth to investigate Find out more at patreon.com/thebillpodcast The Bill Podcast is brought to you in proud association with georgefairbrother.com (see also dec4podcast.com) shop.saturdaymorningpress,co.uk (see also michaelseely.substack.com) vanguardcomics.co.uk gibconsultancy.co.uk mcr-seo.com and donspillane.com

Send us Fan MailTim Burton is has such a recognisable visual style, but would that have happened if he had catered to a mainstream audience? In this episode, we chat about when a director is able to develop their own visual style and why style with substance doesn't last long in the film industry. Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

[Original air date: June 14, 2022] Jenna Ortega gets refreshingly candid about representation, body image, and therapy, and spills the deets on what it was like working with Tim Burton in the upcoming series "Wednesday." Learn more about your ad choices. Visit megaphone.fm/adchoices

Vous n'aviez pas les sous pour la version next-gen ? Pas de panique. Il existe tout un monde parallèle où vos jeux préférés tournaient sur la console d'en dessous, sur la portable du petit frère, ou sur un PC qui avait clairement pas demandé ça. Parfois c'était brillant. Parfois c'était une catastrophe industrielle. Mais ça avait toujours une personnalité. Bienvenue dans les sous-versions. Mugen assume l'intro low cost, Ace Bunny crashe en direct avant de revenir ("je suis la photocopie d'une photocopie"), Brad, Pedro et HKR arrivent avec leurs sélections — et une règle maison : les jeux PC portés sur console comptent aussi, sinon HKR n'a rien à dire. Au programme : Pedro - Unreal Tournament 99 (PS2 & Dreamcast) Le fast FPS fondateur porté sur deux consoles qui n'avaient aucune raison de l'accueillir. La version Dreamcast tourne sous Windows CE à 50-60fps et se rapproche du PC medium/high, mais split-screen local uniquement, souris à 120€, mode Assaut absent. La version PS2 descend à 25fps mais gagne deux sticks et le clavier-souris USB. L'argument imparable des deux : jouer à 4 en split-screen dans son salon en Unreal Tournament. Brad vs Ace Bunny - Forza Horizon 2 (Xbox 360) Même jeu, deux avis opposés. Brad présente le naufrage : physique bancale, voitures qui tombent à travers le sol, monde ouvert tronqué. Ace défend Sumo Digital (le studio britannique sorti des cendres de Gremlin Interactive) qui, conscient de ses limites, a redessiné les événements de fond en comble : des circuits là où la version One faisait du off-road, des courses contre des avions et des bateaux. Verdict partagé : une sous-version honnête, et au moins elle est jouable (contrairement à Arab Drift Cars). Hkr - Anno : Create a New World (Wii) Après un historique complet de la licence (1602, 1503, 1701, 1404), HKR présente la version Wii de 2010, développée spécifiquement pour la console et pas un simple portage. Objectifs progressifs, Wiimote qui fonctionne étonnamment bien, DA colorée et accessible. Moins de profondeur que le PC, chaînes de production simplifiées, pas de sandbox, mais une porte d'entrée réussie pour un public console qui n'aurait jamais touché à l'original. Une sous-version dans le bon sens du terme. Mugen - MediEvil Resurrection (PSP) La transgression assumée : techniquement supérieure à l'original PS1, et pourtant c'est une sous-version artistique. Du gothique Tim Burton, on passe au cartoon années 2000 avec un sidekick insupportable et des vannes Britney Spears dans toutes les langues du jeu. Mais les niveaux sont redessinés intelligemment, l'essence du gameplay est là, et c'était le premier jeu PSP de Mugen, couru acheter en boutique au sens propre. Pedro - Medal of Honor Underground (GBA) Le fond du fond. Deux frames par seconde. Des soldats représentés par des traits de pixels parfois non codés (ils ne bougent pas). De la pelouse en intérieur, un chapitre manquant, des murs remplacés par des carrés noirs. Pedro l'a fini jusqu'au bout pour vivre "la sensation de perte de temps ultime". Déconseillé. À tester quand même si vous avez l'âme d'un guerrier. Ace Bunny - WWE 2K18 (Switch) Le pire portage de la Switch. Développé par Blind Squirrel Games (ça s'explique). Pub de lancement sans une seule image du jeu. Résultat à regarder les yeux fermés. Brad - Tony Hawk's Pro Skater 2 (GBA) La bonne surprise. Vue 2D isométrique, 60fps constants, 13 pros plus Spider-Man, BO recomposée en chiptune par Manfred Linzner sur moteur GAX. C'est excellent. L'essence du gameplay est préservée, manette en main. Une des meilleures sous-versions de l'histoire de la GBA, déclinée sur sept opus de la saga par Vicarious Visions. HKR - Street Fighter 2 : The World Warrior (MS-DOS) Un traumatisme d'enfance. SF2 sorti en 1995 sur MS-DOS, quatre ans après l'arcade, alors que Super Street Fighter 2 Turbo existait déjà. Framerate catastrophique, quatre musiques en boucle pour tout le jeu, Blanca avec une sale gueule encore pire que dans l'original. Et un mapping clavier qui a oublié que Street Fighter repose sur des quarts de cercle : pas de diagonales, les combos deviennent une expérience mystique. HKR l'a relancé pour l'émission. Il le regrette. Tellement raté que c'en est fascinant. Mugen - Rayman Advance (GBA) Jeu de lancement de la GBA en juin 2001, portage de la version PlayStation par Digital Eclipse. Tout le contenu y est, les graphismes sont magnifiques, les mécaniques préservées. Sauf les musiques, unanimement catastrophiques : l'équipe recommande de lancer un podcast à côté dès le premier niveau. Sur le fond, c'est Rayman : un platformer brillant et affreusement difficile, avec des cages cachées que seule une combinaison de sauts, plané et grappin permet d'atteindre. Mugen l'a poncé à l'époque, malgré les oreilles. Name dropping collectif : Metal Gear Solid PC, FF7 et FF8 PC, Ratatouille PSP, Gran Turismo PSP, Dead Space Extraction Wii, Dead Rising Chop Till You Drop, Batman Arkham sur Switch, Soul Calibur 2 sur PS2, Rise of the Tomb Raider 360, Tony Hawk sur GBA, Les Sims sur GBA, King Kong sur DS, Ghostbusters Wii, Prince of Persia Les Sables du Temps GBA… Jeux évoqués : Unreal Tournament 99 (PS2, Dreamcast), Forza Horizon 2 (Xbox 360), MediEvil Resurrection (PSP), Medal of Honor Underground (GBA), WWE 2K18 (Switch), Tony Hawk's Pro Skater (GBA), Metal Gear Solid (PC), Final Fantasy VII & VIII (PC), Ratatouille (PSP), Gran Turismo (PSP), Dead Space Extraction (Wii), Dead Rising Chop Till You Drop (Wii), Soul Calibur 2 (PS2), Rise of the Tomb Raider (Xbox 360), Prince of Persia Les Sables Oubliés (Wii), Dragon Quest XI (3DS), Hogwarts Legacy (Switch), King Kong (DS) Intervenants : Mugen, Ace Bunny, Brad, Pedro, HKRMontage et mixage : Ace_BunnyTechnique, diffusion et hébergement : Mugen_Pascal

Don't let the title give you the idea that this has anything to do with the Land of Oz. This is kinda like a movie Tim Burton couldn't restrain himself enough to make. PLEASE HELP THE PPL OF GAZAFalesteenFreed.orgAbu Hureirah Aid NetworkZaynab Project+++++Outro: Korn performing Wicked

This is a special episode because this is my fresh, hot, and first watch of Beetlejuice. Yes, you read that right. I am a child of the 80s and somehow I have skated through life without seeing this movie. In the episode I explain how and why. Since it's October spooky season, Mikey is along for the ride as an expert in all things scary and/or comedy. I'm here to report that I loved it and I sincerely think that we all identify with Lydia. I feel like I've been channelling her my whole life without knowing it. We get into the amazing FASHION, the stacked cast, and how I was shocked to find out that Beetlejuice was a sleazy salesman and all around weirdo. off-topic rants include: Terminator series, new horror, Tales from the Crypt *released on October 10,2024 Winona Vogue Interview: https://youtu.be/IH1CwEE1QWM?siZRyy5B5jvVZKHG -- Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon!  Hosts: Lauren @lauren_melanie & Mikey @agentmikey007 Follow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack: The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

The Damned are – yes! - 50 years old with three of the originals still onboard. And just starting a world tour. In this immensely funny and touching podcast, Rat Scabies (who's smoking!) points up the repercussions of life in a band. He looks back at their first shows, their devoted audience, “old-fashioned rules”, highlights, regrets, the value of friendship, “putting on the black suit again” and how it felt to rejoin after 30 years on the outside. And all this too … … playing drums in an Essex panto while pelted with boiled sweets … Dave Vanian when he was a grave-digger … punk rock strongholds the world over – “South America was like being in the Beatles” … Mexico and other places you can still torch a drumkit … Mr Scabies, aged 70. “Even my mother calls me Rat. The name's done me well over the years” … going to the Isle Of Wight aged 14 (with the Danish nanny) and running a hot-dog stand during Hendrix … supporting the Pistols at the 100 Club: “like letting a greyhound out of a trap” … Tim Burton, the Goth revival, the Young Ones, steampunk and other factors that keeps the Damned in motion … “One band's an oddity, two's a fashion, three's a movement” … rejoining the Damned after 30 years – “like a great stain had been lifted” … Green Day, algorithms and how they acquired a whole new following. Order Damned tickets here: aegp.uk/the-damnedHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Damned are – yes! - 50 years old with three of the originals still onboard. And just starting a world tour. In this immensely funny and touching podcast, Rat Scabies (who's smoking!) points up the repercussions of life in a band. He looks back at their first shows, their devoted audience, “old-fashioned rules”, highlights, regrets, the value of friendship, “putting on the black suit again” and how it felt to rejoin after 30 years on the outside. And all this too … … playing drums in an Essex panto while pelted with boiled sweets … Dave Vanian when he was a grave-digger … punk rock strongholds the world over – “South America was like being in the Beatles” … Mexico and other places you can still torch a drumkit … Mr Scabies, aged 70. “Even my mother calls me Rat. The name's done me well over the years” … going to the Isle Of Wight aged 14 (with the Danish nanny) and running a hot-dog stand during Hendrix … supporting the Pistols at the 100 Club: “like letting a greyhound out of a trap” … Tim Burton, the Goth revival, the Young Ones, steampunk and other factors that keeps the Damned in motion … “One band's an oddity, two's a fashion, three's a movement” … rejoining the Damned after 30 years – “like a great stain had been lifted” … Green Day, algorithms and how they acquired a whole new following. Order Damned tickets here: aegp.uk/the-damnedHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Damned are – yes! - 50 years old with three of the originals still onboard. And just starting a world tour. In this immensely funny and touching podcast, Rat Scabies (who's smoking!) points up the repercussions of life in a band. He looks back at their first shows, their devoted audience, “old-fashioned rules”, highlights, regrets, the value of friendship, “putting on the black suit again” and how it felt to rejoin after 30 years on the outside. And all this too … … playing drums in an Essex panto while pelted with boiled sweets … Dave Vanian when he was a grave-digger … punk rock strongholds the world over – “South America was like being in the Beatles” … Mexico and other places you can still torch a drumkit … Mr Scabies, aged 70. “Even my mother calls me Rat. The name's done me well over the years” … going to the Isle Of Wight aged 14 (with the Danish nanny) and running a hot-dog stand during Hendrix … supporting the Pistols at the 100 Club: “like letting a greyhound out of a trap” … Tim Burton, the Goth revival, the Young Ones, steampunk and other factors that keeps the Damned in motion … “One band's an oddity, two's a fashion, three's a movement” … rejoining the Damned after 30 years – “like a great stain had been lifted” … Green Day, algorithms and how they acquired a whole new following. Order Damned tickets here: aegp.uk/the-damnedHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We're wrapping up our season with Tim Burton's iconic fairy tale Edward Scissorhands, recently released on 4K UHD from Warner Bros. Plus recommendations, announcements, confessions, & more! Find us on Instagram

Big Fish, Big Dreams, & The Man in Black! Get ready to reel in a big one, this week on The DizRadio Show, we are diving deep into cinematic history with a guest who has been part of some of the most visually stunning and emotionally resonant films of our time. We are beyond thrilled to welcome the incredibly talented HAILEY ANNE NELSON to the show! Hailey shared the screen with legends, and she's here to give us the real stories behind the reel magic. These films are more than just memories, they are living legacies! Jonathan and Hailey discuss why these stories remain relevant and beloved today. Hailey famously appeared in Tim Burton's masterpiece Big Fish. She opens up about what is it actually like to step into the whimsical, gothic, and colorful mind of a visionary? And her favorite onset conversations with the man who brought Edward Bloom to life. As well as transitioning from a Burton fantasy to a gritty musical biopic, Hailey portrayed Roseanne Cash in the Oscar-winning Walk the Line. Our very own Jonathan stops by the studio to break down the cultural impact of these two modern classics. We're getting nerdy about the original Big Fish novel by Daniel Wallace and how Burton transformed prose into visual poetry. Why Big Fish stands as a unique pillar in Tim Burton's filmography. Where you can catch up with The DizRadio Show in person! Don't miss this nostalgic trip down memory lane. Whether you're a fan of tall tales or outlaw country, The DizRadio Show has something for everyone. So enjoy the Nostalgia, the Magic, the Wonder, and the Memories with The DizRadio Show "A Pop Culture Celebrity Guest Show"!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Nos hemos ido a Sleepy Hollow para enfrentarnos al jinete sin cabeza y desentrañar los misterios que allí se dan. Repasamos a tope la peli de Tim Burton, con su argumento, curiosidades, anécdotas y mucho más. Ven a enrrucharte. Con Fran Maestra y Luis Martínez Vallés Aquí podrás adquirir No hay Mal que por Mal no venga, la última novela de Luis Martínez Vallés: https://www.amazon.es/dp/B0GY8Z36BC?ref_=ast_author_mpb Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Join the squad as they finish Kid Horror Month with an amazing film by Tim Burton that's a kid version of Frankenstein

This week on FridayFlix, we're hopping on a bike and heading out on one of the weirdest, most iconic road trips of the 80s with Pee-wee's Big Adventure (1985).Join us as we revisit Pee-wee's Big Adventure, the delightfully bizarre debut from Tim Burton and the unforgettable performance by Paul Reubens as Pee-wee Herman. From Large Marge to the Alamo (where the basement definitely exists… right?), we dive into what makes this movie such a unique comedy classic.We break down the film's quirky humor, its lasting influence, and why its childlike absurdity still works decades later. We also take time to talk about how great Paul Reubens was as a comedian and entertainer, and have an honest conversation about the controversies that impacted his career and legacy.So grab your bike, hold onto your handlebars, and whatever you do… don't lose it.Email us your thoughts at jkentertainment247@gmail.com Follow us on Instagram & Facebook @fridayflixpodcast And find us on Letterboxd at Cinemack89 and KMcanthony

durée : 00:10:16 - Le Point culture - par : Sophie-Catherine Gallet - L'univers du cinéaste Tim Burton est très reconnaissable, au point qu'un adjectif a été construit à partir de son nom, le style burtonien. Ces films proposent des récits peuplés de monstres pas si effrayants que ce qu'ils laissent penser et dans lesquels un certain sens de l'humour affleure souvent. - réalisation : Laurence Malonda - invités : Elsa Colombani Critique de cinéma et docteure en Lettres et Littératures anglophones

Just as they did on Episode 147, so they are doing so again on Episode 149 as the Film ‘89 team travel back in time to 1966, this time to celebrate the 60th anniversary of both a film and television show that, for a brief two-year period, was a worldwide phenomenon. Starring Adam West and Burt Ward, the television show is of course, Batman, and it would then transition to the big screen with 1966's Batman: The Movie. Skye and returning co-hosts John Arminio and Martin Kessler, explore what made the show such a hit and take a deep dive into a film that pits the Dynamic Duo against not one, but four of their most heinous super-criminal nemeses, The Penguin, The Joker, Catwoman and The Riddler. For those weaned on darker takes on the character from the likes of Frank Miller, Tim Burton and Christopher Nolan, this take on Batman will seem like a garish, high camp, and therefore barely recognisable iteration, but sixty years on, the show and movie still have a huge and loyal following. So slide down the Bat-poles, set atomic batteries to power, turbines to speed and join us in a celebration of ‘60s Batman.

This week, we have a special treat for you, as we are joined by Legendary makeup artist Ve Neill! After being inspired by Planet of the Apes cosplayers at a sci-fi convention, Ve began her career and has worked with makeup and effects artists like Fred Phillips, John Chambers, Rick Baker, Greg Cannom, and Stan Winston. Ve has collaborated with directors like Tim Burton, Chris Columbus, Ron Howard, Steven Spielberg, and Robert Zemeckis, and worked on famous faces like Johnny Depp, Danny DeVito, Paul Reubens, and Robin Williams. Her talents have featured extensively in blockbuster franchises including The Amazing Spider-Man, Batman, The Hunger Games, Pirates of the Caribbean, Star Trek, and X-Men. She has won three Academy Awards, for her work on Beetlejuice, Mrs. Doubtfire, and Ed Wood, and has been nominated for eight Oscars in total. She's also won two Emmys and served as a judge on SyFy's reality TV makeup competition series Face Off. Most appropriately, Ve opened her own school, Legends Makeup Academy, in Los Angeles in 2021. Ve spills the tea on working with wonderful (and difficult!) celebs, her favorite projects, and behind-the-scenes stories from her decades in making movie magic! !   Follow Ve on Instagram: @therealve    Check out Ve's new film The Wolf and the Lamb, in theaters April 24: https://www.thewolfandthelamb.com/    Support Ve's project Haunted Hookers on Kickstarter: https://www.kickstarter.com/projects/mariacollis/haunted-hookers-movie    For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Hay películas que te atrapan por determinados motivos, por su estética, por su música, por su acción. Big Fish es una película que desde el primer momento me atrapó por su corazón. Un cuento moderno que, de la mano de Tim Burton, nos va a presentar a este mentiroso maravilloso interpretado de forma excepcional por Albert Finney y por el absolutamente carismático Ewan McGregor y que nos llevan a lo largo de todo el metraje por la historia de su vida, mientras su hijo trata de descubrir quién es realmente este hombre, este “cuenta cuentos”. Si esta película tiene además una cualidad excepcional es que absolutamente todas las personas con las que he hablado y la han visto coincidimos que tiene la maravillosa virtud de atraparte, pellizcarte el corazón y que termines con una sonrisa de oreja a oreja y un mar de lágrimas saliendo de tus ojos y doy gracias de haberla descubierto en su momento sin saber que me iba a encontrar al verla, porque hizo que el camino fuera, de principio a fin, una auténtica sorpresa a disfrutar. Adentrarte en esos parajes, esos pueblos, conocer a cada uno de los personajes, a cada cual más maravilloso que el anterior y por supuesto descubrir junto a Edward al amor de su vida. Por eso, sin contarte más historias, te invito a ti, amigo de Carne de Videoclub a que nos acompañes a tres personajes excepcionales como son el hombre que más discos del mundo, Domingo DarkVinyl, el hombre que cruzo el mundo corriendo sin parar a descansar, Champi y el que aquí os escribe el hombre que dio la idea a un tal Walt de dibujar un Ratón con guantes, Pablo López.

In episode 48, Johnny talks to Auckland-based singer-songwriter Erny Belle, AKA Aimee Renata. Aimee is signed to New Zealand's infamous Flying Nun record label, and is looking ahead to the release of her third studio album later this year.Johnny and Aimee's chat includes a discussion about the dark comedy and gothic horror films that inspire her music, they look at the films of Tim Burton, David Lynch and Peter Jackson, and they reminisce about seeing The Texas Chain Saw Massacre and Child's Play as a horror-obsessed ten-year-oldThis conversation was recorded face to face in early April of 2026. Please be warned that there is a light spoiler for the new Zendaya / Robert Pattinson film The Drama quite early on in this episode, so if you haven't seen that film please go away and do so…and you should see it - it's the best film of 2026 so far.Thanks to James Van As who wrote and performed the brilliant podcast music (check out James' ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Loco Looper⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ game) and to Willow Van As who designed the amazing artwork and provided general podcast support.You can contact My Movie DNA on Facebook, Instagram or Twitter @mymovieDNA or email mymovieDNA@gmail.com.Check out Johnny's new podcast series, ⁠⁠⁠⁠⁠⁠⁠⁠⁠500 Films: A Journey Through Genre Cinema⁠⁠⁠⁠⁠⁠⁠⁠⁠, available wherever you get your podcasts. 

Denizens of the Dark! Have you ever been told you are too weird, too strange, or too spooky? Join us as we talk about Tim Burton, a boy who was told his whole life that he was too strange and unusual, and the very special stop motion movie that became a beacon for the rest of us discarded spooky children. The Nightmare Before Christmas.   Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Aquarium", "Fairytale Waltz", "Villainous Treachery", "Drankin Song", "This House", "Sugar Plum Dark Mix", "Run Amok", "One-Eyed Maestro", "Black Vortex", "Arcadia", "Call to Adventure", "Professor and the Plant" Facebook: @HalloweenNationPod Instagram: Halloween.Nation Email: halloweennationpodcast@gmail.com Website: rocktopusnetwork.com/halloweennation 

Lambere by William VanGorder (2025) + Dan Curtis' Dark Shadows: The Beginning (1966-67) + Tim Burton's Dark Shadows (2012) with William VanGorder 4/16/26 S8E24 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

This week, we're chatting about the Tim Burton fantasy Big Fish! We talk about bummer b-plots (that really should have been more of the film), how Jessica Lange singlehandedly sells the romance, and how glad we are that this movie didn't star a de-aged Jack Nicholson (really). Produced by Andrew Ivimey as part of The From Superheroes Network   Visitwww.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

No more Tim Burton! Now its time.for Joel Schumacher to have a turn. He took it back to Batman 66' with a dash of BatmanTAS and its coated in 90's awesome! Don't ask about how comic accurate it is, WE GOT JIM CARREY!!! #Batman #JimCarrey #DCComics 

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above.Want to be an Art Hound? Submit here.A puppet rock opera returnsAzure Anderson of St. Paul is an artist, musician, and podcaster, and she's a huge fan of Phantom Chorus Theatre. They are re-mounting the founders' 2019 production of “Razia's Shadow,” a puppet rock opera. The production contains 12 songs by Forgive Durden, performed live, with a new cast of puppet characters ranging in size from two to eight feet.The show runs April 10–25 at the Hive Collaborative in St. Paul. In-person and live-streamed tickets are available. While not designed as a children's show, Anderson says the show is recommended for ages six and older due to a few spooky elements; if your child enjoys Tim Burton's film “The Nightmare Before Christmas,” this show should be a good fit.Having seen all Phantom Chorus's productions for the past three years, Anderson raves about them.Azure says: “The visuals are always incredible. The music's always incredible. And the technical aspect never misses.— Azure AndersonSewing and style at Twin Cities FrocktailsFor Hannah Olanrewaju of St. Paul, sewing means community. She's looking forward to Twin Cities Frocktails, an evening event where attendees are invited (though not required) to wear clothes they made themselves. This year's theme is “Making Through the Decades.” Frocktails takes place 6 to 10 p.m., Saturday, April 11 at Steady Pour in Minneapolis.Hannah describes the vibe of the first Frocktails in 2024.Hannah says: There's something so uniquely wonderful about being in a room with people who've made at least one part of their outfit and can really speak the same language as you do. And so, I remember walking around with my bingo sheet and getting to know people and where they're from. They're asking you about your outfit, and you're asking them about their outfit. And so by the end of the night, you're saying goodbye to all these people that you've really never met before, but now, you're finding ways to keep in touch. I think that's something that's so beautiful about Frocktails and about sewing, specifically, that I don't think I've been able to find anywhere else.— Hannah OlanrewajuPoetry and community in RochesterJohn Sievers is a trombonist from Rochester, but tonight, he's looking forward to an event that celebrates poetry. The Southeastern Minnesota Poets will hold their next Bright Lights Poetry Night tonight at 6:30 p.m. at the historic Chateau Theatre. The theme of tonight's reading is “Emergence.”John says: This event is really a community event that is encouraging people to come together as people who are interested in language and words and poetry. And I just love the fact that I can hear people from my community sharing their deep thoughts about important themes in today's society.— John Sievers

Did you know Wes Craven directed a wild DC Comics movie back in 1982? And did you know the same producers behind this swampy cult classic were also deeply involved in making Tim Burton's Batman '89 possible? If you didn't, you're gonna love my deep dive with Tim into Swamp Thing!https://youtu.be/Bbo1ubjBRoohttps://rumble.com/v785mki-swamp-thing-is-the-only-wes-craven-super-hero-movie-hack-the-movies.html

Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast includes:Toy Story 5 trailer - Jun 19Jay & Silent Bob: Jays of Future Past comic - Jun 10House of the Dragon S3 trailer - JuneRyan Coogler's X-Files gets pilot at HuluSamuel L Jackson in Frisco KingParamount Skydance wins fight to buy WB DiscoverySchwarzenegger & Christopher McQuarrie team up for King ConanPixar developing another Monsters, Inc. movieDarkwing Duck reboot from Seth RogenStar Wars: Maul: Shadow Lord trailer - April 6Spider-Man: Brand New Day trailer - July 31Stephen Colbert writing Lord of the Rings sequelHarry Potter and the Philosopher's Stone trailer - ChristmasM.A.S.K joins Energon Universe in new comicSony developing animated Venom movieMortal Kombat II trailerPlaymates TMNT x Godzilla mashup Phase 2G.I. Joe rebootBruce Campbell to take time off for cancer treatmentLanterns official teaser - AugustAlien: Earth S2 to start production in MayThe Boys 5th & final season to premiere April 8th Live-action One Piece team to adapt Samurai ChamplooFamily Guy spin-off Stewie gets 2 season orderNetflix officially confirms KPop sequelParadise get S3 orderBloodsport remake from A24Val Kilmer to star in As Deep as the Grave via AIMarvel What If…? 50th anniversary variant coversGlen Powell is Fox McCloudMasters of the Universe trailer - June 5The Last Airbender S2 on Netflix - June 25Supergirl trailer - June 26Masters of the Universe: Legends Unite co-op deck gameNew Doctor Who spin-off Gallifreyan AcademyFans cancelling Dandadan S3 before it premieresKristen Bell to voice Amy Rose in Sonic 4Donald Glover voices YoshiNathan Fillion confirms Firefly animated seriesSonic the Hedgehog 4 teaserTom Cruise directed part of Star Wars: StarfighterStar Wars: Galaxy's Edge – Echoes of the Empire comicAhsoka S2 on course for a 2026 releaseStar Wars Outlaws is huge hit on XBox Game PassKatie Sackhoff says Bo Katan is going nowhereFiloni directed 2d unit of Mando & GroguDetails about two separate Indiana Jones seriesMarvel considering two-films for Secret WarsJames Gunn says Paradise Lost still in development Minions and Monsters trailer - July 1stKevin Smith Bizarro 4-issue origin series - Apr 1Dynamite Entertainment announced The Nightmare Before Christmas comicKPop writers tapped by WB to pen Tim Burton's Attack of the Fifty Foot WomanThe Greatest American Hero comicClayface moved to Oct 23James Gunn wants to fast track the Batman Part 3McKenna Grace cast as Daphne in live-action ScoobyBluey streamed more than Stranger Things finaleKate Winslet is in The Hunt for Gollum - Dec 17 2027Aaron Pierre confirmed to be in Superman: Man of TomorrowBen Kingley joins Sonic 4Hulu has slayed the Buffy reboot seriesStarfleet Academy done after S2Wonder Man S2 is confirmedDune: Part 3 trailer - Dec 18Punisher: One Last Kill - May 5Marvel's Wolverine coming to PS5 on Sept 15Congrats on completing Level 488! Feel free to contact me on social media (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com. All other links are easily findable on linktr.ee/laughitupfuzzball for merch, the Facebook group, etc. I'd love to hear from you. Subscribe to the feed on Spotify, Apple podcasts, Google podcasts, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!

You know a performance is iconic when a simple phrase like “Kevin!” or “Fold in the cheese, David” can immediately bring a detailed image to your mind… and a smile to your face.    Such is the case with beloved actress and comedian Catherine O'Hara,  who passed away on January 30, and to whom we pay tribute in this podcast.    What young comedian (who would go on to become famous) helped Catherine get her start at Second City? How did renowned director Tim Burton play matchmaker for Catherine on the “Beetlejuice” set? What was the actress's breakout Hollywood role, and what title did it earn her? How did Catherine create the quirky but lovable character Moira Rose, and what role did Catherine say she would most like to be remembered for?    We discuss all this and more.    Thank you to Ron for his top-of-the-episode shout-out!    How to support Scandal Water: Rate, review, and subscribe! Follow the show on your favorite app or Scandal Water Podcast YouTube channel.  Send your shoutouts to scandalwaterpodcast@gmail.com. Become a member on patreon.com/ScandalWaterPodcast or buymeacoffee.com/scandalwaterpod – which will also grant you access to fabulous bonus content! #OCanada #CatherineOHara, #SchittsCreek, #MoiraRose, #HomeAlone, and #Beetlejuice #ComedyLegend, #FoldInTheCheese, #SCTV, #Icon #ScandalWaterPodcast

McDonald's killed Batman. Then Warner Brothers buried him in neon. After Batman Returns traumatized parents and Christian groups, McDonald's panicked and pulled their Happy Meal deal. Warner Brothers, terrified of losing fast food merchandising money, forced a course correction that gave us Batman Forever—a neon-soaked, toyetic mess that abandoned Tim Burton's gothic vision for Joel Schumacher's campy, pun-filled nightmare. In this 10th anniversary episode of the Cinema Psychos Show, hosts Cottington and John Wooliscroft do a full Batman Forever fix and Batman Forever review—ranting about everything from the nipple suit to Jim Carrey's Riddler (Ace Ventura in green spandex) and Tommy Lee Jones sleepwalking as Two-Face. But they don't just roast it. They pitch alternate Batman 3 sequels: one that continues the Burton-verse with Catwoman and Billy Dee Williams as Harvey Dent, and one that keeps Robin but replaces the camp with Scarecrow as the real psychological threat. They also debate the legendary Schumacher cut, expose the Batman Returns McDonald's controversy, and explain why Batman Forever—not Batman & Robin—started the franchise's death spiral. If you're a Batman fan, a 90s kid drowning in nostalgia, or just love cult film analysis with a comedic, rant-heavy edge, this episode is your Batman Forever alternate version. CHAPTERS: McDonald's Killed Batman [00:00] Podcast Introduction and 10-Year Anniversary Celebration [00:38] Reflecting on the evolution of the podcast [03:37] Audience Appreciation and Fan Stories [04:52] Setting Up to Fix Batman Forever [06:39] Personal Batman History and Childhood Obsession [08:13] Batman Production History and Merchandising Deals [15:14] First Fix Ideas: Director Choices and Constraints [21:25] Brian's Radical Third Film Pitch: Duality and Two-Face [34:03] John's Detailed Batman Forever Rehab Pitch [50:01] Why Batman Forever Failed and Legacy Discussion [01:28:31] Final Thoughts and Closing [01:54:04] Follow The Cinema Psychos Show on Socials ❤️‍

This week on Toon'd In!, Jim Cummings welcomes legendary character actor Deep Roy! Known for his unforgettable performance as the Oompa Loompas in Charlie and the Chocolate Factory and his appearances across the Star Wars and Star Trek universes, Deep Roy has built one of the most distinctive and wide-ranging careers in genre film and television. With decades of work spanning sci-fi, fantasy, cult classics, and blockbuster hits, he remains a beloved figure whose performances have left a lasting mark on pop culture.In this engaging and wide-ranging episode, Deep Roy shares his remarkable journey into Hollywood—from early opportunities in British television to landing memorable roles in iconic productions. He reflects on collaborating with visionary directors like Tim Burton, discusses the unique challenge of portraying multiple characters in a single film, and offers behind-the-scenes stories from major projects including Flash Gordon and The NeverEnding Story. Deep Roy also opens up about adapting to different filmmaking styles, working with practical effects, and bringing personality to characters with minimal dialogue.Jim and Deep Roy dive deep into the world of practical effects performance, exploring what it's like acting in heavy prosthetics, performing physical character work, and collaborating with visual effects teams long before modern CGI workflows became standard. They discuss the evolution of fantasy and science fiction filmmaking, the importance of physicality in performance, and how character actors help shape the tone and identity of beloved franchises.

Not that anybody asked but this week we dusted off the DVDs and redrew the storyboards because we're figuring out our Top 3 Cancelled Shows That Need An Animated Series. Inspired by the news that Firefly is once again refusing to stay cancelled, we're asking which shows deserve a second life but with fewer limits and a lot more animated chaos. Which cult classics would actually thrive without budgets, sets, or reality getting in the way? What will make our final Top 3 list this week? Expect a world where Tim Burton was happy, Nero's purple marble bathtub and having the same favourite dinosaur.You can become a friend of the podcast over at Patreon where you can get bonus episodes, swag and the knowledge you're helping to keep the podcast goingYou can buy our merch over at TeepublicFollow us on Instagram thepodcastnobodyaskedforFollow us on Threads: @thepodcastnobodyaskedforFollow us on Bluesky: @thepodcastnobodyaskedfor.co.ukFollow us on TikTok: @nobodyasked4podLeave us a review, including any ideas you have for future episodes on Apple Podcast or Podchaser Hosted on Acast. See acast.com/privacy for more information.

It's April Fool's Day* and the Joker has led an inmate revolt of Arkham Asylum! In 1989, Tim Burton's Batman was the year's hottest movie, and fans took to comic book shops and bookstores starving for more Dark Knight content. What they found was…a dense, 128-page experimental narrative featuring terrifying expressionist paint and artwork with a story crammed with allusions to the Tarot, Passion plays, St. George the Dragonslayer, and Carl Jung. Was this an April's Fools prank DC was pulling on new readers? Arkham Asylum: A Serious House on Serious Earth has been praised as a brilliant psychological-horror take on Batman by some and a pretentious mess by others; even writer Grant Morrison and artist Dave McKean don't see eye to eye! It's a graphic novel open to interpretation, and we'll guide you through a bunch of possible readings, unpack some symbolism, and use the book's subtitle to unlock the ambition behind one of the strangest Batman stories ever told.* No really, check your calendarCONTENT WARNINGS: Lurid and sensationalist approaches to the concepts of mental health and “insanity,” as well as other disturbing topics befitting a “mature readers” graphic novel.

It's showtime! This week, Peaches and Michael are feeling strange and unusual in celebration of 1988's BEETLEJUICE! In addition to discussing how this foundational work from Tim Burton is a quintessential goth staple, our hosts delve into the overall cultural impact of cinema's favorite ghost with the most. Joining the conversation is celebrated comic book writer David M. Booher, who shares how this tale of unconventional haunting continues to inspire him. Then, drag legend The Countess Katya Smirnoff-Skyy stops by to pay tribute to the indisputable legacy of the iconic Catherine O'Hara. From sandworms to sentient shrimp cocktails, this episode has it all! 

Renue Healthcare https://Renue.Healthcare/ToddYour journey to a better life starts at Renue Healthcare. Visit https://Renue.Healthcare/Todd Bulwark Capital https://KnowYourRiskPodcast.comBe confident in your portfolio with Bulwark! Schedule your free Know Your Risk Portfolio review. Go to KnowYourRiskPodcast.com today. Bonefrog https://BonefrogCoffee.com/ToddGet the new limited release, The Sisterhood, created to honor the extraordinary women behind the heroes. Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.LISTEN and SUBSCRIBE at:The Todd Herman Show - Podcast - Apple PodcastsThe Todd Herman Show | Podcast on SpotifyWATCH and SUBSCRIBE at: Todd Herman - The Todd Herman Show - YouTubeHollywood and the Demonic: Listen to The People Who Know - Faith // God Said “Let There Be Light” - Corrupt Government Says Not That Much Light! Faith and Facts. / /Coptic Christians from Egypt Warns American Christians About Islam - Faith & FlagEpisode Links:DEVELOPING: Footage of Alison Carey, sister of Mariah Carey, alleging that their mother, Patricia Carey, involved her in satanic occult practices and performed ritualistic sexual abuse meetings during their childhood. Actor Christopher Lee, who played Dracula and appeared in numerous Tim Burton movies, confirmed the existence of Satanism, said Satanic rituals would be going on in Britain that very night, and later admitted to being involved in darkness that can steal your soulThe GeoFight is now on! We skywatchers finally have a legal team armed for battle. Three attorneys. Three law firms. ( With probably more joining in. ) Now fighting for us, We the People, to combat geoengineering. Attorney Blake Horowitz @HorwitzLawFirm tells as what we can do to help them fight our battles. We are all in this together. We all breathe the same air:Geoengineering 101 For Legislators in two minutes. Shouldn't they have a responsibility to help expose and halt what is taking place in our skies? If not stopped soon, nothing else will matter.Egyptian Coptic Christian explains how Egypt became Muslim: “We are one of the first Christians in the world. Islam took over by the sword. They killed the men, raped the women, enslaved the children Egypt went from 0% to 90% Muslim. It's a cult of sex, perversion and violence.”Iranian man warns that Sharia law starts with unity between the left and Islamists. Pay attention to what he's saying. The same alliance between the left and Islam that is happening in the West happened in Iran decades ago. That's how Iran became an Islamic theocracy.A CBS reporter in Austin, Texas, is being massively praised after refusing to follow a text message from his superior telling him not to focus on a massive crowd praising President Trump's actions in Iran. “They don't want us to focus on this.” “Well, I am.”

Our Celebrity News starts with a Welcome back to The Rizzuto Show, your favorite daily comedy show where deep philosophical questions last about 90 seconds before turning into chaos.Today's episode starts deceptively thoughtful: What genre is your life? Comedy? Horror? Rom-com? Greek tragedy? Straight-to-DVD disappointment? The crew breaks it down in the only way they know how — by roasting each other, name-dropping directors, and somehow landing on Tim Burton, Judd Apatow, Michael Bay, and Tommy Wiseau in the same breath.From there, things escalate fast. The gang debates the worst Super Bowl halftime show of all time, re-litigates Maroon 5's shirtless crimes against humanity, and tries (and fails) to agree on whether Bad Bunny, Kid Rock, or literally anyone else should be allowed near a halftime stage ever again. Spoiler: nobody wins.For you music nerds get fed too. KISS casually hits one billion YouTube views, Queen's touring future sparks debate, Aerosmith dreams are manifested aggressively, and a wild Paste Magazine “Top Guitarists of All Time” list sends the room into full disbelief when legends are left off and Prince reigns supreme.There's also real-world stuff mixed into the madness — heartfelt tributes, shocking news updates, and moments where the show accidentally becomes emotional before immediately undercutting it with jokes (as tradition demands).Basically, this daily comedy show has everything:Existential life questionsSuper Bowl halftime rageRock music historyQuestionable celebrity listsAccidental documentaries about being humanAnd the reminder that everyone's life is probably a comedy… just shot very poorlyIf you're here for a funny podcast, a daily show that refuses to stay on topic, or a comedy podcast that feels like your group chat came to life on the radio — congratulations, you're home.Stick around, subscribe, and prepare to question what genre your life is… while we absolutely do not fix ours.Follow The Rizzuto Show → https://linktr.ee/rizzshow Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.